The Poet’s Lot

WHAT is a poet's love?--
To write a girl a sonnet,
To get a ring, or some such thing,
And fustianize upon it.

What is a poet's fame?--
Sad hints about his reason,
And sadder praise from garreteers,
To be returned in season.

Where go the poet's lines?--
Answer, ye evening tapers!
Ye auburn locks, ye golden curls,
Speak from your folded papers!

Child of the ploughshare, smile;
Boy of the counter, grieve not,
Though muses round thy trundle-bed
Their broidered tissue weave not.

The poet's future holds
No civic wreath above him;
Nor slated roof, nor varnished chaise,
Nor wife nor child to love him.

Maid of the village inn,
Who workest woe on satin,
(The grass in black, the graves in green,
The epitaph in Latin,)

Trust not to them who say,
In stanzas, they adore thee;
Oh rather sleep in churchyard clay,
With urn and cherub o'er thee!

WHY linger round the sunken wrecks
Where old Armadas found their graves?
Why slumber on the sleepy decks
While foam and clash the angry waves?
Up! when the storm-blast rends the clouds,
And winged with ruin sweeps the gale,
Young feet must climb the quivering shrouds,
Young hands must reef the bursting sail!

Leave us to fight the tyrant creeds
Who felt their shackles, feel their scars;
The cheerful sunlight little heeds
The brutes that prowled beneath the stars;
The dawn is here, the day star shows
The spoils of many a battle won,
But sin and sorrow still are foes
That face us in the morning sun.

Who sleeps beneath yon bannered mound
The proudly sorrowing mourner seeks,
The garland-bearing crowd surrounds?
A light-haired boy with beardless cheeks!
'T is time this 'fallen world' should rise;
Let youth the sacred work begin!
What nobler task, what fairer prize
Than earth to save and Heaven to win?

HERE! sweep these foolish leaves away,
I will not crush my brains to-day!
Look! are the southern curtains drawn?
Fetch me a fan, and so begone!

Not that,--the palm-tree's rustling leaf
Brought from a parching coral-reef
Its breath is heated;--I would swing
The broad gray plumes,--the eagle's wing.

I hate these roses' feverish blood!
Pluck me a half-blown lily-bud,
A long-stemmed lily from the lake,
Cold as a coiling water-snake.

Rain me sweet odors on the air,
And wheel me up my Indian chair,
And spread some book not overwise
Flat out before my sleepy eyes.

Who knows it not,--this dead recoil
Of weary fibres stretched with toil,--
The pulse that flutters faint and low
When Summer's seething breezes blow!

O Nature! bare thy loving breast,
And give thy child one hour of rest,--
One little hour to lie unseen
Beneath thy scarf of leafy green!

So, curtained by a singing pine,
Its murmuring voice shall blend with mine,
Till, lost in dreams, my faltering lay
In sweeter music dies away.

HERE! sweep these foolish leaves away,
I will not crush my brains to-day!
Look! are the southern curtains drawn?
Fetch me a fan, and so begone!

Not that,--the palm-tree's rustling leaf
Brought from a parching coral-reef
Its breath is heated;--I would swing
The broad gray plumes,--the eagle's wing.

I hate these roses' feverish blood!
Pluck me a half-blown lily-bud,
A long-stemmed lily from the lake,
Cold as a coiling water-snake.

Rain me sweet odors on the air,
And wheel me up my Indian chair,
And spread some book not overwise
Flat out before my sleepy eyes.

Who knows it not,--this dead recoil
Of weary fibres stretched with toil,--
The pulse that flutters faint and low
When Summer's seething breezes blow!

O Nature! bare thy loving breast,
And give thy child one hour of rest,--
One little hour to lie unseen
Beneath thy scarf of leafy green!

So, curtained by a singing pine,
Its murmuring voice shall blend with mine,
Till, lost in dreams, my faltering lay
In sweeter music dies away.

WE count the broken lyres that rest
Where the sweet wailing singers slumber,
But o'er their silent sister's breast
The wild-flowers who will stoop to number?
A few can touch the magic string,
And noisy Fame is proud to win them:--
Alas for those that never sing,
But die with all their music in them!

Nay, grieve not for the dead alone
Whose song has told their hearts' sad story,--
Weep for the voiceless, who have known
The cross without the crown of glory!
Not where Leucadian breezes sweep
O'er Sappho's memory-haunted billow,
But where the glistening night-dews weep
On nameless sorrow's churchyard pillow.

O hearts that break and give no sign
Save whitening lip and fading tresses,
Till Death pours out his longed-for wine
Slow-dropped from Misery's crushing presses,--
If singing breath or echoing chord
To every hidden pang were given,
What endless melodies were poured,
As sad as earth, as sweet as heaven!

W. W. SWAIN

BEHOLD--not him we knew!
This was the prison which his soul looked through,
Tender, and brave, and true.

His voice no more is heard;
And his dead name--that dear familiar word--
Lies on our lips unstirred.

He spake with poet's tongue;
Living, for him the minstrel's lyre was strung:
He shall not die unsung.

Grief tried his love, and pain;
And the long bondage of his martyr-chain
Vexed his sweet soul,--in vain!

It felt life's surges break,
As, girt with stormy seas, his island lake,
Smiling while tempests wake.

How can we sorrow more?
Grieve not for him whose heart had gone before
To that untrodden shore!

Lo, through its leafy screen,
A gleam of sunlight on a ring of green,
Untrodden, half unseen!

Here let his body rest,
Where the calm shadows that his soul loved best
May slide above his breast.

Smooth his uncurtained bed;
And if some natural tears are softly shed,
It is not for the dead.

Fold the green turf aright
For the long hours before the morning's light,
And say the last Good Night!

And plant a clear white stone
Close by those mounds which hold his loved, his own,--
Lonely, but not alone.

Here let him sleeping lie,
Till Heaven's bright watchers slumber in the sky
And Death himself shall die!

Benjamin Peirce

ASTRONOMER, MATHEMATICIAN. 1809-1890

FOR him the Architect of all
Unroofed our planet's starlit hall;
Through voids unknown to worlds unseen
His clearer vision rose serene.

With us on earth he walked by day,
His midnight path how far away!
We knew him not so well who knew
The patient eyes his soul looked through;

For who his untrod realm could share
Of us that breathe this mortal air,
Or camp in that celestial tent
Whose fringes gild our firmament?

How vast the workroom where he brought
The viewless implements of thought!
The wit how subtle, how profound,
That Nature's tangled webs unwound;

That through the clouded matrix saw
The crystal planes of shaping law,
Through these the sovereign skill that planned,--
The Father's care, the Master's hand!

To him the wandering stars revealed
The secrets in their cradle sealed
The far-off, frozen sphere that swings
Through ether, zoned with lucid rings;

The orb that rolls in dim eclipse
Wide wheeling round its long ellipse,--
His name Urania writes with these
And stamps it on her Pleiades.

We knew him not? Ah, well we knew
The manly soul, so brave, so true,
The cheerful heart that conquered age,
The childlike silver-bearded sage.

No more his tireless thought explores
The azure sea with golden shores;
Rest, wearied frame I the stars shall keep
A loving watch where thou shalt sleep.

Farewell! the spirit needs must rise,
So long a tenant of the skies,--
Rise to that home all worlds above
Whose sun is God, whose light is love.

TRANSLATION FROM THE ENEID, BOOK I.

THE god looked out upon the troubled deep
Waked into tumult from its placid sleep;
The flame of anger kindles in his eye
As the wild waves ascend the lowering sky;
He lifts his head above their awful height
And to the distant fleet directs his sight,
Now borne aloft upon the billow's crest,
Struck by the bolt or by the winds oppressed,
And well he knew that Juno's vengeful ire
Frowned from those clouds and sparkled in that fire.
On rapid pinions as they whistled by
He calls swift Zephyrus and Eurus nigh
Is this your glory in a noble line
To leave your confines and to ravage mine?
Whom I--but let these troubled waves subside--
Another tempest and I'll quell your pride!
Go--bear our message to your master's ear,
That wide as ocean I am despot here;
Let him sit monarch in his barren caves,
I wield the trident and control the waves
He said, and as the gathered vapors break
The swelling ocean seemed a peaceful lake;
To lift their ships the graceful nymphs essayed
And the strong trident lent its powerful aid;
The dangerous banks are sunk beneath the main,
And the light chariot skims the unruffled plain.
As when sedition fires the public mind,
And maddening fury leads the rabble blind,
The blazing torch lights up the dread alarm,
Rage points the steel and fury nerves the arm,
Then, if some reverend Sage appear in sight,
They stand--they gaze, and check their headlong flight,--
He turns the current of each wandering breast
And hushes every passion into rest,--
Thus by the power of his imperial arm
The boiling ocean trembled into calm;
With flowing reins the father sped his way
And smiled serene upon rekindled day.

The Star And The Water Lily

THE SUN stepped down from his golden throne,
And lay in the silent sea,
And the Lily had folded her satin leaves,
For a sleepy thing was she;
What is the Lily dreaming of?
Why crisp the waters blue?
See, see, she is lifting her varnished lid!
Her white leaves are glistening through!

The Rose is cooling his burning cheek
In the lap of the breathless tide; —
The Lily hath sisters fresh and fair,
That would lie by the Rose's side;
He would love her better than all the rest,
And he would be fond and true; —
But the Lily unfolded her weary lids,
And looked at the sky so blue.

Remember, remember, thou silly one,
How fast will thy summer glide,
And wilt thou wither a virgin pale,
Or flourish a blooming bride?
'O the rose is old, and thorny, and cold,
And he lives on earth, ' said she;
'But the Star is fair and he lives in the air,
And he shall my bridegroom be.'

But what if the stormy cloud should come,
And ruffle the silver sea?
Would he turn his eye from the distant sky,
To smile on a thing like thee?
O no, fair Lily, he will not send
One ray from his far-off throne;
The winds shall blow and the waves shall flow,
And thou wilt be left alone.

There is not a leaf on the mountain-top
Nor a dropp of evening dew,
Nor a golden sand on the sparkling shore,
Nor a pearl in the waters blue,
That he has not cheered with his fickle smile,
And warmed with his faithless beam, —
And will he be true to a pallid flower,
That floats on the quiet stream?

Alas for the Lily! she would not heed,
But turned to the skies afar,
And bared her breast to the trembling ray
That shot from the rising star;
The cloud came over the darkened sky,
And over the waters wide:
She looked in vain through the beating rain,
And sank in the stormy tide.

See how yon flaming herald treads
The ridged and rolling waves,
As, crashing o'er their crested heads,
She bows her surly slaves!
With foam before and fire behind,
She rends the clinging sea,
That flies before the roaring wind,
Beneath her hissing lee.

The morning spray, like sea-born flowers,
With heaped and glistening bells,
Falls round her fast, in ringing showers,
With every wave that swells;
And, burning o'er the midnight deep,
In lurid fringes thrown,
The living gems of ocean sweep
Along her flashing zone.

With clashing wheel and lifting keel,
And smoking torch on high,
When winds are loud and billows reel,
She thunders foaming by;
When seas are silent and serene,
With even beam she glides,
The sunshine glimmering through the green
That skirts her gleaming sides.

Now, like a wild, nymph, far apart
She veils her shadowy form,
The beating of her restless heart
Still sounding through the storm;
Now answers, like a courtly dame,
The reddening surges o'er,
With flying scarf of spangled flame,
The Pharos of the shore.

To-night yon pilot shall not sleep,
Who trims his narrowed sail;
To-night yon frigate scarce shall keep
Her broad breast to the gale;
And many a foresail, scooped and strained,
Shall break from yard and stay,
Before this smoky wreath has stained
The rising mist of day.

Hark! hark! I hear yon whistling shroud,
I see yon quivering mast;
The black throat of the hunted cloud
Is panting forth the blast!
An hour, and, whirled like winnowing chaff,
The giant surge shall fling
His tresses o'er yon pennon staff,
White as the sea-bird's wing.

Yet rest, ye wanderers of the deep;
Nor wind nor wave shall tire
Those fleshless arms, whose pulses leap
With floods of living fire;
Sleep on, and, when the morning light
Streams o'er the shining bay,
Oh think of those for whom the night
Shall never wake in day.

James Russell Lowell

1819-1891

THOU shouldst have sung the swan-song for the choir
That filled our groves with music till the day
Lit the last hilltop with its reddening fire,
And evening listened for thy lingering lay.

But thou hast found thy voice in realms afar
Where strains celestial blend their notes with thine;
Some cloudless sphere beneath a happier star
Welcomes the bright-winged spirit we resign.

How Nature mourns thee in the still retreat
Where passed in peace thy love-enchanted hours!
Where shall she find an eye like thine to greet
Spring's earliest footprints on her opening flowers?

Have the pale wayside weeds no fond regret
For him who read the secrets they enfold?
Shall the proud spangles of the field forget
The verse that lent new glory to their gold?

And ye whose carols wooed his infant ear,
Whose chants with answering woodnotes he repaid,
Have ye no song his spirit still may hear
From Elmwood's vaults of overarching shade?

Friends of his studious hours, who thronged to teach
The deep-read scholar all your varied lore,
Shall he no longer seek your shelves to reach
The treasure missing from his world-wide store?

This singer whom we long have held so dear
Was Nature's darling, shapely, strong, and fair;
Of keenest wit, of judgment crystal-clear,
Easy of converse, courteous, debonair,

Fit for the loftiest or the lowliest lot,
Self-poised, imperial, yet of simplest ways;
At home alike in castle or in cot,
True to his aim, let others blame or praise.

Freedom he found an heirloom from his sires;
Song, letters, statecraft, shared his years in turn;
All went to feed the nation's altar-fires
Whose mourning children wreathe his funeral urn.

He loved New England,--people, language, soil,
Unweaned by exile from her arid breast.
Farewell awhile, white-handed son of toil,
Go with her brown-armed laborers to thy rest.

Peace to thy slumber in the forest shade!
Poet and patriot, every gift was thine;
Thy name shall live while summers bloom and fade,
And grateful Memory guard thy leafy shrine!

FLASH out a stream of blood-red wine,
For I would drink to other days,
And brighter shall their memory shine,
Seen flaming through its crimson blaze!
The roses die, the summers fade,
But every ghost of boyhood's dream
By nature's magic power is laid
To sleep beneath this blood-red stream!

It filled the purple grapes that lay,
And drank the splendors of the sun,
Where the long summer's cloudless day
Is mirrored in the broad Garonne;
It pictures still the bacchant shapes
That saw their hoarded sunlight shed,--
The maidens dancing on the grapes,--
Their milk-white ankles splashed with red.

Beneath these waves of crimson lie,
In rosy fetters prisoned fast,
Those flitting shapes that never die,--
The swift-winged visions of the past.
Kiss but the crystal's mystic rim,
Each shadow rends its flowery chain,
Springs in a bubble from its brim,
And walks the chambers of the brain.

Poor beauty! Time and fortune's wrong
No shape nor feature may withstand;
Thy wrecks are scattered all along,
Like emptied sea-shells on the sand;
Yet, sprinkled with this blushing rain,
The dust restores each blooming girl,
As if the sea-shells moved again
Their glistening lips of pink and pearl.

Here lies the home of school-boy life,
With creaking stair and wind-swept hall,
And, scarred by many a truant knife,
Our old initials on the wall;
Here rest, their keen vibrations mute,
The shout of voices known so well,
The ringing laugh, the wailing flute,
The chiding of the sharp-tongued bell.

Here, clad in burning robes, are laid
Life's blossomed joys, untimely shed,
And here those cherished forms have strayed
We miss awhile, and call them dead.
What wizard fills the wondrous glass?
What soil the enchanted clusters grew?
That buried passions wake and pass
In beaded drops of fiery dew?

Nay, take the cup of blood-red wine,--
Our hearts can boast a warmer glow,
Filled from a vintage more divine,
Calmed, but not chilled, by winter's snow!
To-night the palest wave we sip
Rich as the priceless draught shall be
That wet the bride of Cana's lip,--
The wedding wine of Galilee!

Slowly the mist o’er the meadow was creeping,
Bright on the dewy buds glistened the sun,
When from his couch, while his children were sleeping,
Rose the bold rebel and shouldered his gun.
Waving her golden veil
Over the silent dale,
Blithe looked the morning on cottage and spire;
Hushed was his parting sigh,
While from his noble eye
Flashed the last sparkle of liberty’s fire.

On the smooth green where the fresh leaf is springing
Calmly the first-born of glory have met;
Hark! the death-volley around them is ringing!
Look! with their life-blood the young grass is wet
Faint is the feeble breath,
Murmuring low in death,
“Tell to our sons how their fathers have died;”
Nerveless the iron hand,
Raised for its native land,
Lies by the weapon that gleams at its side.

Over the hillsides the wild knell is tolling,
From their far hamlets the yeomanry come;
As through the storm-clouds the thunder-burst rolling,
Circles the beat of the mustering drum.
Fast on the soldier’s path
Darken the waves of wrath,—­
Long have they gathered and loud shall they fall;
Red glares the musket’s flash,
Sharp rings the rifle’s crash,
Blazing and clanging from thicket and wall.

Gayly the plume of the horseman was dancing,
Never to shadow his cold brow again;
Proudly at morning the war-steed was prancing,
Reeking and panting he droops on the rein;
Pale is the lip of scorn,
Voiceless the trumpet horn,
Torn is the silken-fringed red cross on high;
Many a belted breast
Low on the turf shall rest
Ere the dark hunters the herd have passed by.

Snow-girdled crags where the hoarse wind is raving,
Rocks where the weary floods murmur and wail,
Wilds where the fern by the furrow is waving,
Reeled with the echoes that rode on the gale;
Far as the tempest thrills
Over the darkened hills,
Far as the sunshine streams over the plain,
Roused by the tyrant band,
Woke all the mighty land,
Girded for battle, from mountain to main.

Green be the graves where her martyrs are lying!
Shroudless and tombless they sunk to their rest,
While o’er their ashes the starry fold flying
Wraps the proud eagle they roused from his nest.
Borne on her Northern pine,
Long o’er the foaming brine
Spread her broad banner to storm and to sun;
Heaven keep her ever free,
Wide as o’er land and sea
Floats the fair emblem her heroes have won.

Lines -- For Berkshire Jubilee, Aug. 23, 1844

Come back to your mother, ye children, for shame,
Who have wandered like truants for riches or fame!
With a smile on her face, and a sprig in her cap,
She calls you to feast from her bountiful lap.

Come out from your alleys, your courts, and your lanes,
And breathe, like young eagles, the air of our plains;
Take a whiff from our fields, and your excellent wives
Will declare it ’s all nonsense insuring your lives.

Come you of the law, who can talk, if you please,
Till the man in the moon will allow it’s a cheese,
And leave “the old lady, that never tells lies,”
To sleep with her handkerchief over her eyes.

Ye healers of men, for a moment decline
Your feats in the rhubarb and ipecac line;
While you shut up your turnpike, your neighbors can go
The old roundabout road to the regions below.

You clerk, on whose ears are a couple of pens,
And whose head is an ant-hill of units and tens,
Though Plato denies you, we welcome you still
As a featherless biped, in spite of your quill.

Poor drudge of the city! how happy he feels,
With the burs on his legs and the grass at his heels
No dodger behind, his bandannas to share,
No constable grumbling, “You must n’t walk there!”

In yonder green meadow, to memory dear,
He slaps a mosquito and brushes a tear;
The dew-drops hang round him on blossoms and shoots,
He breathes but one sigh for his youth and his boots.

There stands the old school-house, hard by the old church;
That tree at its side had the flavor of birch;
Oh, sweet were the days of his juvenile tricks,
Though the prairie of youth had so many “big licks.”

By the side of yon river he weeps and he slumps,
The boots fill with water, as if they were pumps,
Till, sated with rapture, he steals to his bed,
With a glow in his heart and a cold in his head.

’T is past,—­he is dreaming,—­I see him again;
The ledger returns as by legerdemain;
His neckcloth is damp with an easterly flaw,
And he holds in his fingers an omnibus straw.

He dreams the chill gust is a blossomy gale,
That the straw is a rose from his dear native vale;
And murmurs, unconscious of space and of time,
“A 1. Extra super. Ah, is n’t it prime!”

Oh, what are the prizes we perish to win
To the first little “shiner” we caught with a pin!
No soil upon earth is so dear to our eyes
As the soil we first stirred in terrestrial pies!

Then come from all parties and parts to our feast;
Though not at the “Astor,” we’ll give you at least
A bite at an apple, a seat on the grass,
And the best of old—­water—­at nothing a glass.

On The Death Of President Garfield

I.

FALLEN with autumn's falling leaf
Ere yet his summer's noon was past,
Our friend, our guide, our trusted chief,--
What words can match a woe so vast!

And whose the chartered claim to speak
The sacred grief where all have part,
Where sorrow saddens every cheek
And broods in every aching heart?

Yet Nature prompts the burning phrase
That thrills the hushed and shrouded hall,
The loud lament, the sorrowing praise,
The silent tear that love lets fall.

In loftiest verse, in lowliest rhyme,
Shall strive unblamed the minstrel choir,---
The singers of the new-born time,
And trembling age with outworn lyre.

No room for pride, no place for blame,--
We fling our blossoms on the grave,
Pale,--scentless,--faded,--all we claim,
This only,--what we had we gave.

Ah, could the grief of all who mourn
Blend in one voice its bitter cry,
The wail to heaven's high arches borne
Would echo through the caverned sky.


II.

O happiest land, whose peaceful choice
Fills with a breath its empty throne!
God, speaking through thy people's voice,
Has made that voice for once His own.

No angry passion shakes the state
Whose weary servant seeks for rest;
And who could fear that scowling hate
Would strike at that unguarded breast?

He stands, unconscious of his doom,
In manly strength, erect, serene;
Around him Summer spreads her bloom;
He falls,--what horror clothes the scene!

How swift the sudden flash of woe
Where all was bright as childhood's dream!
As if from heaven's ethereal bow
Had leaped the lightning's arrowy gleam.

Blot the foul deed from history's page;
Let not the all-betraying sun
Blush for the day that stains an age
When murder's blackest wreath was won.


III.

Pale on his couch the sufferer lies,
The weary battle-ground of pain
Love tends his pillow; Science tries
Her every art, alas! in vain.

The strife endures how long! how long!
Life, death, seem balanced in the scale,
While round his bed a viewless throng
Await each morrow's changing tale.

In realms the desert ocean parts
What myriads watch with tear-filled eyes,
His pulse-beats echoing in their hearts,
His breathings counted with their sighs!

Slowly the stores of life are spent,
Yet hope still battles with despair;
Will Heaven not yield when knees are bent?
Answer, O thou that hearest prayer.

But silent is the brazen sky;
On sweeps the meteor's threatening train,
Unswerving Nature's mute reply,
Bound in her adamantine chain.

Not ours the verdict to decide
Whom death shall claim or skill shall save;
The hero's life though Heaven denied,
It gave our land a martyr's grave.

Nor count the teaching vainly sent
How human hearts their griefs may share,--
The lesson woman's love has lent,
What hope may do, what faith can bear!

Farewell! the leaf-strown earth enfolds
Our stay, our pride, our hopes, our fears,
And autumn's golden sun beholds
A nation bowed, a world in tears.

'Dumque virent genua
Et decet, obducta solvatur fonte senectus.'

THE muse of boyhood's fervid hour
Grows tame as skies get chill and hazy;
Where once she sought a passion-flower,
She only hopes to find a daisy.
Well, who the changing world bewails?
Who asks to have it stay unaltered?
Shall grown-up kittens chase their tails?
Shall colts be never shod or haltered?

Are we 'The Boys' that used to make
The tables ring with noisy follies?
Whose deep-lunged laughter oft would shake
The ceiling with its thunder-volleys?
Are we the youths with lips unshorn,
At beauty's feet unwrinkled suitors,
Whose memories reach tradition's morn,--
The days of prehistoric tutors?

'The Boys' we knew,--but who are these
Whose heads might serve for Plutarch's sages,
Or Fox's martyrs, if you please,
Or hermits of the dismal ages?
'The Boys' we knew--can these be those?
Their cheeks with morning's blush were painted;--
Where are the Harrys, Jims, and Joes
With whom we once were well acquainted?

If we are they, we're not the same;
If they are we, why then they're masking;
Do tell us, neighbor What 's--your--name,
Who are you?--What's the use of asking?
You once were George, or Bill, or Ben;
There's you, yourself--there 's you, that other--
I know you now--I knew you then--
You used to be your younger brother!

You both are all our own to-day,--
But ah! I hear a warning whisper;
Yon roseate hour that flits away
Repeats the Roman's sad _paulisper_.
Come back! come back! we've need of you
To pay you for your word of warning;
We'll bathe your wings in brighter dew
Than ever wet the lids of morning!

Behold this cup; its mystic wine
No alien's lip has ever tasted;
The blood of friendship's clinging vine,
Still flowing, flowing, yet unwasted
Old Time forgot his running sand
And laid his hour-glass down to fill it,
And Death himself with gentle hand
Has touched the chalice, not to spill it.

Each bubble rounding at the brim
Is rainbowed with its magic story;
The shining days with age grown dim
Are dressed again in robes of glory;
In all its freshness spring returns
With song of birds and blossoms tender;
Once more the torch of passion burns,
And youth is here in all its splendor!

Hope swings her anchor like a toy,
Love laughs and shows the silver arrow
We knew so well as man and boy,--
The shaft that stings through bone and marrow;
Again our kindling pulses beat,
With tangled curls our fingers dally,
And bygone beauties smile as sweet
As fresh-blown lilies of the valley.

O blessed hour! we may forget
Its wreaths, its rhymes, its songs, its laughter,
But not the loving eyes we met,
Whose light shall gild the dim hereafter.
How every heart to each grows warm!
Is one in sunshine's ray? We share it.
Is one in sorrow's blinding storm?
A look, a word, shall help him bear it.

'The Boys' we were, 'The Boys' we 'll be
As long as three, as two, are creeping;
Then here 's to him--ah! which is he?--
Who lives till all the rest are sleeping;
A life with tranquil comfort blest,
The young man's health, the rich man's plenty,
All earth can give that earth has best,
And heaven at fourscore years and twenty.

The Archbishop And Gil Blas

A MODERNIZED VERSION


I DON'T think I feel much older; I'm aware I'm rather gray,
But so are many young folks; I meet 'em every day.
I confess I 'm more particular in what I eat and drink,
But one's taste improves with culture; that is all it means, I think.

_Can you read as once you used to?_ Well, the printing is so bad,
No young folks' eyes can read it like the books that once we had.
_Are you quite as quick of hearing?_ Please to say that once again.
_Don't I use plain words, your Reverence?_ Yes, I often use a cane,

But it's not because I need it,--no, I always liked a stick;
And as one might lean upon it, 't is as well it should be thick.
Oh, I'm smart, I'm spry, I'm lively,--I can walk, yes, that I can,
On the days I feel like walking, just as well as you, young man!

_Don't you get a little sleepy after dinner every day?_
Well, I doze a little, sometimes, but that always was my way.
_Don't you cry a little easier than some twenty years ago?_
Well, my heart is very tender, but I think 't was always so.

_Don't you find it sometimes happens that you can't recall a name?_
Yes, I know such lots of people,--but my memory 's not to blame.
What! You think my memory's failing! Why, it's just as bright and clear,
I remember my great-grandma! She's been dead these sixty year!

_Is your voice a little trembly?_ Well, it may be, now and then,
But I write as well as ever with a good old-fashioned pen;
It 's the Gillotts make the trouble,--not at all my finger-ends,--
That is why my hand looks shaky when I sign for dividends.

_Don't you stoop a little, walking?_ It 's a way I 've always had,
I have always been round-shouldered, ever since I was a lad.
_Don't you hate to tie your shoe-strings?_ Yes, I own it--that is true.
_Don't you tell old stories over?_ I am not aware I do.

_Don't you stay at home of evenings? Don't you love a cushioned seat_
_In a corner, by the fireside, with your slippers on your feet?_
_Don't you wear warm fleecy flannels? Don't you muffle up your throat_
_Don't you like to have one help you when you're putting on your coat?_

_Don't you like old books you've dogs-eared, you can't remember when?_
_Don't you call it late at nine o'clock and go to bed at ten?_
_How many cronies can you count of all you used to know_
_Who called you by your Christian name some fifty years ago?_

_How look the prizes to you that used to fire your brain?_
_You've reared your mound-how high is it above the level plain?_
_You 've drained the brimming golden cup that made your fancy reel,_
_You've slept the giddy potion off,--now tell us how you feel!_

_You've watched the harvest ripening till every stem was cropped,_
_You 've seen the rose of beauty fade till every petal dropped,_
_You've told your thought, you 've done your task, you've tracked your
dial round,_
--I backing down! Thank Heaven, not yet! I'm hale and brisk and sound,

And good for many a tussle, as you shall live to see;
My shoes are not quite ready yet,--don't think you're rid of me!
Old Parr was in his lusty prime when he was older far,
And where will you be if I live to beat old Thomas Parr?

_Ah well,--I know,--at every age life has a certain charm,_--
_You're going? Come, permit me, please, I beg you'll take my arm._
I take your arm! Why take your arm? I 'd thank you to be told
I 'm old enough to walk alone, but not so _very_ old!

'Will I come?' That is pleasant! I beg to inquire
If the gun that I carry has ever missed fire?
And which was the muster-roll-mention but one--
That missed your old comrade who carries the gun?

You see me as always, my hand on the lock,
The cap on the nipple, the hammer full cock;
It is rusty, some tell me; I heed not the scoff;
It is battered and bruised, but it always goes off!

'Is it loaded?' I'll bet you! What doesn't it hold?
Rammed full to the muzzle with memories untold;
Why, it scares me to fire, lest the pieces should fly
Like the cannons that burst on the Fourth of July.

One charge is a remnant of College-day dreams
(Its wadding is made of forensics and themes);
Ah, visions of fame! what a flash in the pan
As the trigger was pulled by each clever young man!

And love! Bless my stars, what a cartridge is there!
With a wadding of rose-leaves and ribbons and hair,--
All crammed in one verse to go off at a shot!
'Were there ever such sweethearts?' Of course there were not!

And next,--what a load! it wall split the old gun,--
Three fingers,--four fingers,--five fingers of fun!
Come tell me, gray sages, for mischief and noise
Was there ever a lot like us fellows, 'The Boys'?

Bump I bump! down the staircase the cannon-ball goes,--
Aha, old Professor! Look out for your toes!
Don't think, my poor Tutor, to sleep in your bed,--
Two 'Boys'--'twenty-niners-room over your head!

Remember the nights when the tar-barrel blazed!
From red 'Massachusetts' the war-cry was raised;
And 'Hollis' and 'Stoughton' reechoed the call;
Till P----- poked his head out of Holworthy Hall!

Old P----, as we called him,--at fifty or so,--
Not exactly a bud, but not quite in full blow;
In ripening manhood, suppose we should say,
Just nearing his prime, as we boys are to-day!

Oh say, can you look through the vista of age
To the time when old Morse drove the regular stage?
When Lyon told tales of the long-vanished years,
And Lenox crept round with the rings in his ears?

And dost thou, my brother, remember indeed
The days of our dealings with Willard and Read?
When 'Dolly' was kicking and running away,
And punch came up smoking on Fillebrown's tray?

But where are the Tutors, my brother, oh tell!--
And where the Professors, remembered so well?
The sturdy old Grecian of Holworthy Hall,
And Latin, and Logic, and Hebrew, and all?

'They are dead, the old fellows' (we called them so then,
Though we since have found out they were lusty young men).
They are dead, do you tell me?--but how do you know?
You've filled once too often. I doubt if it's so.

I'm thinking. I'm thinking. Is this 'sixty-eight?
It's not quite so clear. It admits of debate.
I may have been dreaming. I rather incline
To think--yes, I'm certain--it is 'twenty-nine!

'By Zhorzhe!'--as friend Sales is accustomed to cry,--
You tell me they're dead, but I know it's a lie!
Is Jackson not President?--What was 't you said?
It can't be; you're joking; what,--all of 'em dead?

Jim,--Harry,--Fred,--Isaac,--all gone from our side?
They could n't have left us,--no, not if they tried.
Look,--there 's our old Prises,--he can't find his text;
See,--P----- rubs his leg, as he growls out 'The next!'

I told you 't was nonsense. Joe, give us a song!
Go harness up 'Dolly,' and fetch her along!--
Dead! Dead! You false graybeard, I swear they are not!
Hurrah for Old Hickory!--Oh, I forgot!

Well, _one_ we have with us (how could he contrive
To deal with us youngsters and still to survive?)
Who wore for our guidance authority's robe,--
No wonder he took to the study of Job!

And now, as my load was uncommonly large,
Let me taper it off with a classical charge;
When that has gone off, I shall drop my old gun--
And then stand at ease, for my service is done.

_Bibamus ad Classem vocatam_ 'The Boys'
_Et eorum Tutorem cui nomen est 'Noyes';_
_Et floreant, valeant, vigeant tam,_
_Non Peircius ipse enumeret quam!_

The Spectre Pig

A BALLAD

IT was the stalwart butcher man,
That knit his swarthy brow,
And said the gentle Pig must die,
And sealed it with a vow.

And oh! it was the gentle Pig
Lay stretched upon the ground,
And ah! it was the cruel knife
His little heart that found.

They took him then, those wicked men,
They trailed him all along;
They put a stick between his lips,
And through his heels a thong;

And round and round an oaken beam
A hempen cord they flung,
And, like a mighty pendulum,
All solemnly he swung!

Now say thy prayers, thou sinful man,
And think what thou hast done,
And read thy catechism well,
Thou bloody-minded one;

For if his sprite should walk by night,
It better were for thee,
That thou wert mouldering in the ground,
Or bleaching in the sea.

It was the savage butcher then,
That made a mock of sin,
And swore a very wicked oath,
He did not care a pin.

It was the butcher's youngest son,--
His voice was broke with sighs,
And with his pocket-handkerchief
He wiped his little eyes;

All young and ignorant was he,
But innocent and mild,
And, in his soft simplicity,
Out spoke the tender child:--

'Oh, father, father, list to me;
The Pig is deadly sick,
And men have hung him by his heels,
And fed him with a stick.'

It was the bloody butcher then,
That laughed as he would die,
Yet did he soothe the sorrowing child,
And bid him not to cry;--

'Oh, Nathan, Nathan, what's a Pig,
That thou shouldst weep and wail?
Come, bear thee like a butcher's child,
And thou shalt have his tail!'

It was the butcher's daughter then,
So slender and so fair,
That sobbed as it her heart would break,
And tore her yellow hair;

And thus she spoke in thrilling tone,--
Fast fell the tear-drops big:--
'Ah! woe is me! Alas! Alas!
The Pig! The Pig! The Pig!'

Then did her wicked father's lips
Make merry with her woe,
And call her many a naughty name,
Because she whimpered so.

Ye need not weep, ye gentle ones,
In vain your tears are shed,
Ye cannot wash his crimson hand,
Ye cannot soothe the dead.

The bright sun folded on his breast
His robes of rosy flame,
And softly over all the west
The shades of evening came.

He slept, and troops of murdered Pigs
Were busy with his dreams;
Loud rang their wild, unearthly shrieks,
Wide yawned their mortal seams.

The clock struck twelve; the Dead hath heard;
He opened both his eyes,
And sullenly he shook his tail
To lash the feeding flies.

One quiver of the hempen cord,--
One struggle and one bound,--
With stiffened limb and leaden eye,
The Pig was on the ground.

And straight towards the sleeper's house
His fearful way he wended;
And hooting owl and hovering bat
On midnight wing attended.

Back flew the bolt, up rose the latch,
And open swung the door,
And little mincing feet were heard
Pat, pat along the floor.

Two hoofs upon the sanded floor,
And two upon the bed;
And they are breathing side by side,
The living and the dead!

'Now wake, now wake, thou butcher man!
What makes thy cheek so pale?
Take hold! take hold! thou dost not fear
To clasp a spectre's tail?'

Untwisted every winding coil;
The shuddering wretch took hold,
All like an icicle it seemed,
So tapering and so cold.

'Thou com'st with me, thou butcher man!'--
He strives to loose his grasp,
But, faster than the clinging vine,
Those twining spirals clasp;

And open, open swung the door,
And, fleeter than the wind,
The shadowy spectre swept before,
The butcher trailed behind.

Fast fled the darkness of the night,
And morn rose faint and dim;
They called full loud, they knocked full long,
They did not waken him.

Straight, straight towards that oaken beam,
A trampled pathway ran;
A ghastly shape was swinging there,--
It was the butcher man.

In The Twilight

NOT bed-time yet! The night-winds blow,
The stars are out,--full well we know
The nurse is on the stair,
With hand of ice and cheek of snow,
And frozen lips that whisper low,
'Come, children, it is time to go
My peaceful couch to share.'

No years a wakeful heart can tire;
Not bed-time yet! Come, stir the fire
And warm your dear old hands;
Kind Mother Earth we love so well
Has pleasant stories yet to tell
Before we hear the curfew bell;
Still glow the burning brands.

Not bed-time yet! We long to know
What wonders time has yet to show,
What unborn years shall bring;
What ship the Arctic pole shall reach,
What lessons Science waits to teach,
What sermons there are left to preach.
What poems yet to sing.

What next? we ask; and is it true
The sunshine falls on nothing new,
As Israel's king declared?
Was ocean ploughed with harnessed fire?
Were nations coupled with a wire?
Did Tarshish telegraph to Tyre?
How Hiram would have stared!

And what if Sheba's curious queen,
Who came to see,--and to be seen,--
Or something new to seek,
And swooned, as ladies sometimes do,
At sights that thrilled her through and through,
Had heard, as she was 'coming to,'
A locomotive's shriek,

And seen a rushing railway train
As she looked out along the plain
From David's lofty tower,--
A mile of smoke that blots the sky
And blinds the eagles as they fly
Behind the cars that thunder by
A score of leagues an hour!

See to my _fiat lux_ respond
This little slumbering fire-tipped wand,--
One touch,--it bursts in flame!
Steal me a portrait from the sun,--
One look,--and to! the picture done!
Are these old tricks, King Solomon,
We lying moderns claim?

Could you have spectroscoped a star?
If both those mothers at your bar,
The cruel and the mild,
The young and tender, old and tough,
Had said, 'Divide,--you're right, though rough,'--
Did old Judea know enough
To etherize the child?

These births of time our eyes have seen,
With but a few brief years between;
What wonder if the text,
For other ages doubtless true,
For coming years will never do,--
Whereof we all should like a few,
If but to see what next.

If such things have been, such may be;
Who would not like to live and see--
If Heaven may so ordain--
What waifs undreamed of, yet in store,
The waves that roll forevermore
On life's long beach may east ashore
From out the mist-clad main?

Will Earth to pagan dreams return
To find from misery's painted urn
That all save hope has flown,--
Of Book and Church and Priest bereft,
The Rock of Ages vainly cleft,
Life's compass gone, its anchor left,
Left,--lost,--in depths unknown?

Shall Faith the trodden path pursue
The _crux ansata_ wearers knew
Who sleep with folded hands,
Where, like a naked, lidless eye,
The staring Nile rolls wandering by
Those mountain slopes that climb the sky
Above the drifting sands?

Or shall a nobler Faith return,
Its fanes a purer gospel learn,
With holier anthems ring,
And teach us that our transient creeds
Were but the perishable seeds
Of harvests sown for larger needs,
That ripening years shall bring?

Well, let the present do its best,
We trust our Maker for the rest,
As on our way we plod;
Our souls, full dressed in fleshly suits,
Love air and sunshine, flowers and fruits,
The daisies better than their roots
Beneath the grassy sod.

Not bed-time yet! The full-blown flower
Of all the year--this evening hour--
With friendship's flame is bright;
Life still is sweet, the heavens are fair,
Though fields are brown and woods are bare,
And many a joy is left to share
Before we say Good-night!

And when, our cheerful evening past,
The nurse, long waiting, comes at last,
Ere on her lap we lie
In wearied nature's sweet repose,
At peace with all her waking foes,
Our lips shall murmur, ere they close,
Good-night! and not Good-by!

YET in the darksome crypt I left so late,
Whose only altar is its rusted grate,—­
Sepulchral, rayless, joyless as it seems,
Shamed by the glare of May’s refulgent beams,—­
While the dim seasons dragged their shrouded train,
Its paler splendors were not quite in vain.
From these dull bars the cheerful firelight’s glow
Streamed through the casement o’er the spectral snow;
Here, while the night-wind wreaked its frantic will
On the loose ocean and the rock-bound hill,
Rent the cracked topsail from its quivering yard,
And rived the oak a thousand storms had scarred,
Fenced by these walls the peaceful taper shone,
Nor felt a breath to slant its trembling cone.

Not all unblest the mild interior scene
When the red curtain spread its falling screen;
O’er some light task the lonely hours were past,
And the long evening only flew too fast;
Or the wide chair its leathern arms would lend
In genial welcome to some easy friend,
Stretched on its bosom with relaxing nerves,
Slow moulding, plastic, to its hollow curves;
Perchance indulging, if of generous creed,
In brave Sir Walter’s dream-compelling weed.
Or, happier still, the evening hour would bring
To the round table its expected ring,
And while the punch-bowl’s sounding depths were stirred,—­
Its silver cherubs smiling as they heard,—­
Our hearts would open, as at evening’s hour
The close-sealed primrose frees its hidden flower.

Such the warm life this dim retreat has known,
Not quite deserted when its guests were flown;
Nay, filled with friends, an unobtrusive set,
Guiltless of calls and cards and etiquette,
Ready to answer, never known to ask,
Claiming no service, prompt for every task.
On those dark shelves no housewife hand profanes,
O’er his mute files the monarch folio reigns;
A mingled race, the wreck of chance and time,
That talk all tongues and breathe of every clime,
Each knows his place, and each may claim his part
In some quaint corner of his master’s heart.
This old Decretal, won from Moss’s hoards,
Thick-leaved, brass-cornered, ribbed with oaken boards,
Stands the gray patriarch of the graver rows,
Its fourth ripe century narrowing to its close;
Not daily conned, but glorious still to view,
With glistening letters wrought in red and blue.
There towers Stagira’s all-embracing sage,
The Aldine anchor on his opening page;
There sleep the births of Plato’s heavenly mind,
In yon dark tomb by jealous clasps confused,
“Olim e libris” (dare I call it mine?)
Of Yale’s grave Head and Killingworth’s divine!
In those square sheets the songs of Maro fill
The silvery types of smooth-leaved Baskerville;
High over all, in close, compact array,
Their classic wealth the Elzevirs display.
In lower regions of the sacred space
Range the dense volumes of a humbler race;
There grim chirurgeons all their mysteries teach,
In spectral pictures, or in crabbed speech;
Harvey and Haller, fresh from Nature’s page,
Shoulder the dreamers of an earlier age,
Lully and Geber, and the learned crew
That loved to talk of all they could not do.

Why count the rest,—­those names of later days
That many love, and all agree to praise,—­
Or point the titles, where a glance may read
The dangerous lines of party or of creed?
Too well, perchance, the chosen list would show
What few may care and none can claim to know.
Each has his features, whose exterior seal
A brush may copy, or a sunbeam steal;
Go to his study,—­on the nearest shelf
Stands the mosaic portrait of himself.

What though for months the tranquil dust descends,
Whitening the heads of these mine ancient friends,
While the damp offspring of the modern press
Flaunts on my table with its pictured dress;
Not less I love each dull familiar face,
Nor less should miss it from the appointed place;
I snatch the book, along whose burning leaves
His scarlet web our wild romancer weaves,
Yet, while proud Hester’s fiery pangs I share,
My old MAGNALIA must be standing there!

The Secret Of The Stars

Is man's the only throbbing heart that hides
The silent spring that feeds its whispering tides?
Speak from thy caverns, mystery-breeding Earth,
Tell the half-hinted story of thy birth,
And calm the noisy champions who have thrown
The book of types against the book of stone!

Have ye not secrets, ye refulgent spheres,
No sleepless listener of the starlight hears?
In vain the sweeping equatorial pries
Through every world-sown corner of the skies,
To the far orb that so remotely strays
Our midnight darkness is its noonday blaze;
In vain the climbing soul of creeping man
Metes out the heavenly concave with a span,
Tracks into space the long-lost meteor's trail,
And weighs an unseen planet in the scale;
Still o'er their doubts the wan-eyed watchers sigh,
And Science lifts her still unanswered cry
'Are all these worlds, that speed their circling flight,
Dumb, vacant, soulless,--baubles of the night?
Warmed with God's smile and wafted by his breath,
To weave in ceaseless round the dance of Death?
Or rolls a sphere in each expanding zone,
Crowned with a life as varied as our own?'

Maker of earth and stars! If thou hast taught
By what thy voice hath spoke, thy hand hath wrought,
By all that Science proves, or guesses true,
More than thy poet dreamed, thy prophet knew,--
The heavens still bow in darkness at thy feet,
And shadows veil thy cloud-pavilioned seat!
Not for ourselves we ask thee to reveal
One awful word beneath the future's seal;
What thou shalt tell us, grant us strength to bear;
What thou withholdest is thy single care.
Not for ourselves; the present clings too fast,
Moored to the mighty anchors of the past;
But when, with angry snap, some cable parts,
The sound re-echoing in our startled hearts,--
When, through the wall that clasps the harbor round,
And shuts the raving ocean from its bound,
Shattered and rent by sacrilegious hands,
The first mad billow leaps upon the sands,--
Then to the Future's awful page we turn,
And what we question hardly dare to learn.
Still let us hope! for while we seem to tread
The time-worn pathway of the nations dead,
Though Sparta laughs at all our warlike deeds,
And buried Athens claims our stolen creeds,
Though Rome, a spectre on her broken throne,
Beholds our eagle and recalls her own,
Though England fling her pennons on the breeze
And reign before us Mistress of the seas,--
While calm-eyed History tracks us circling round
Fate's iron pillar where they all were bound,
Still in our path a larger curve she finds,
The spiral widening as the chain unwinds
Still sees new beacons crowned with brighter flame
Than the old watch-fires, like, but not the same
No shameless haste shall spot with bandit-crime
Our destined empire snatched before its time.
Wait,--wait, undoubting, for the winds have caught
From our bold speech the heritage of thought;
No marble form that sculptured truth can wear
Vies with the image shaped in viewless air;
And thought unfettered grows through speech to deeds,
As the broad forest marches in its seeds.
What though we perish ere the day is won?
Enough to see its glorious work begun!
The thistle falls before a trampling clown,
But who can chain the flying thistle-down?
Wait while the fiery seeds of freedom fly,
The prairie blazes when the grass is dry!
What arms might ravish, leave to peaceful arts,
Wisdom and love shall win the roughest hearts;
So shall the angel who has closed for man
The blissful garden since his woes began
Swing wide the golden portals of the West,
And Eden's secret stand at length confessed!

. . . . . . . . . . .

The reader paused; in truth he thought it time,--
Some threatening signs accused the drowsy rhyme.
The Mistress nodded, the Professor dozed,
The two Annexes sat with eyelids closed,--
Not sleeping,--no! But when one shuts one's eyes,
That one hears better no one, sure, denies.
The Doctor whispered in Delilah's ear,
Or seemed to whisper, for their heads drew near.
Not all the owner's efforts could restrain
The wild vagaries of the squinting brain,--
Last of the listeners Number Five alone
The patient reader still could call his own.

'Teacups, arouse!' 'T was thus the spell I broke;
The drowsy started and the slumberers woke.
'The sleep I promised you have now enjoyed,
Due to your hour of labor well employed.
Swiftly the busy moments have been passed;
This, our first 'Teacups,' must not be our last.
Here, on this spot, now consecrated ground,
The Order of 'The Teacups' let us found!
By winter's fireside and in summer's bower
Still shall it claim its ever-welcome hour,
In distant regions where our feet may roam
The magic teapot find or make a home;
Long may its floods their bright infusion pour,
Till time and teacups both shall be no more!'

The Morning Visit

A sick man's chamber, though it often boast
The grateful presence of a literal toast,
Can hardly claim, amidst its various wealth,
The right unchallenged to propose a health;
Yet though its tenant is denied the feast,
Friendship must launch his sentiment at least,
As prisoned damsels, locked from lovers' lips,
Toss them a kiss from off their fingers' tips.

The morning visit,--not till sickness falls
In the charmed circles of your own safe walls;
Till fever's throb and pain's relentless rack
Stretch you all helpless on your aching back;
Not till you play the patient in your turn,
The morning visit's mystery shall you learn.

'T is a small matter in your neighbor's case,
To charge your fee for showing him your face;
You skip up-stairs, inquire, inspect, and touch,
Prescribe, take leave, and off to twenty such.

But when at length, by fate's transferred decree,
The visitor becomes the visitee,
Oh, then, indeed, it pulls another string;
Your ox is gored, and that's a different thing!
Your friend is sick: phlegmatic as a Turk,
You write your recipe and let it work;
Not yours to stand the shiver and the frown,
And sometimes worse, with which your draught goes down.
Calm as a clock your knowing hand directs,
_Rhei, jalapae ana grana sex_,
Or traces on some tender missive's back,
_Scrupulos duos pulveris ipecac_;
And leaves your patient to his qualms and gripes,
Cool as a sportsman banging at his snipes.
But change the time, the person, and the place,
And be yourself 'the interesting case,'
You'll gain some knowledge which it's well to learn;
In future practice it may serve your turn.
Leeches, for instance,--pleasing creatures quite;
Try them,--and bless you,--don't you find they bite?
You raise a blister for the smallest cause,
But be yourself the sitter whom it draws,
And trust my statement, you will not deny
The worst of draughtsmen is your Spanish fly!
It's mighty easy ordering when you please,
_Infusi sennae capiat uncias tres_;
It's mighty different when you quackle down
Your own three ounces of the liquid brown.
_Pilula, pulvis_,--pleasant words enough,
When other throats receive the shocking stuff;
But oh, what flattery can disguise the groan
That meets the gulp which sends it through your own!
Be gentle, then, though Art's unsparing rules
Give you the handling of her sharpest tools;
Use them not rashly,--sickness is enough;
Be always 'ready,' but be never 'rough.'

Of all the ills that suffering man endures,
The largest fraction liberal Nature cures;
Of those remaining, 't is the smallest part
Yields to the efforts of judicious Art;
But simple _Kindness_, kneeling by the bed
To shift the pillow for the sick man's head,
Give the fresh draught to cool the lips that burn,
Fan the hot brow, the weary frame to turn,--
Kindness, untutored by our grave M. D.'s,
But Nature's graduate, when she schools to please,
Wins back more sufferers with her voice and smile
Than all the trumpery in the druggist's pile.

Once more, be quiet: coming up the stair,
Don't be a plantigrade, a human bear,
But, stealing softly on the silent toe,
Reach the sick chamber ere you're heard below.
Whatever changes there may greet your eyes,
Let not your looks proclaim the least surprise;
It's not your business by your face to show
All that your patient does not want to know;
Nay, use your optics with considerate care,
And don't abuse your privilege to stare.
But if your eyes may probe him overmuch,
Beware still further how you rudely touch;
Don't clutch his carpus in your icy fist,
But warm your fingers ere you take the wrist.
If the poor victim needs must be percussed,
Don't make an anvil of his aching bust;
(Doctors exist within a hundred miles
Who thump a thorax as they'd hammer piles
If you must listen to his doubtful chest,
Catch the essentials, and ignore the rest.
Spare him; the sufferer wants of you and art
A track to steer by, not a finished chart.
So of your questions: don't in mercy try
To pump your patient absolutely dry;
He's not a mollusk squirming in a dish,
You're not Agassiz; and he's not a fish.

And last, not least, in each perplexing case,
Learn the sweet magic of a cheerful face;
Not always smiling, but at least serene,
When grief and anguish cloud the anxious scene.
Each look, each movement, every word and tone,
Should tell your patient you are all his own;
Not the mere artist, purchased to attend,
But the warm, ready, self-forgetting friend,
Whose genial visit in itself combines
The best of cordials, tonics, anodynes.

Such is the _visit_ that from day to day
Sheds o'er my chamber its benignant ray.
I give his health, who never cared to claim
Her babbling homage from the tongue of Fame;
Unmoved by praise, he stands by all confest,
The truest, noblest, wisest, kindest, best.

A Poem. Dedication Of The Pittsfield Cemetery

ANGEL of Death! extend thy silent reign!
Stretch thy dark sceptre o’er this new domain
No sable car along the winding road
Has borne to earth its unresisting load;
No sudden mound has risen yet to show
Where the pale slumberer folds his arms below;
No marble gleams to bid his memory live
In the brief lines that hurrying Time can give;
Yet, O Destroyer! from thy shrouded throne
Look on our gift; this realm is all thine own!

Fair is the scene; its sweetness oft beguiled
From their dim paths the children of the wild;
The dark-haired maiden loved its grassy dells,
The feathered warrior claimed its wooded swells,
Still on its slopes the ploughman’s ridges show
The pointed flints that left his fatal bow,
Chipped with rough art and slow barbarian toil,—­
Last of his wrecks that strews the alien soil!
Here spread the fields that heaped their ripened store
Till the brown arms of Labor held no more;
The scythe’s broad meadow with its dusky blush;
The sickle’s harvest with its velvet flush;
The green-haired maize, her silken tresses laid,
In soft luxuriance, on her harsh brocade;
The gourd that swells beneath her tossing plume;
The coarser wheat that rolls in lakes of bloom,—­
Its coral stems and milk-white flowers alive
With the wide murmurs of the scattered hive;
Here glowed the apple with the pencilled streak
Of morning painted on its southern cheek;
The pear’s long necklace strung with golden drops,
Arched, like the banian, o’er its pillared props;
Here crept the growths that paid the laborer’s care
With the cheap luxuries wealth consents to spare;
Here sprang the healing herbs which could not save
The hand that reared them from the neighboring grave.

Yet all its varied charms, forever free
From task and tribute, Labor yields to thee
No more, when April sheds her fitful rain,
The sower’s hand shall cast its flying grain;
No more, when Autumn strews the flaming leaves,
The reaper’s band shall gird its yellow sheaves;
For thee alike the circling seasons flow
Till the first blossoms heave the latest snow.
In the stiff clod below the whirling drifts,
In the loose soil the springing herbage lifts,
In the hot dust beneath the parching weeds,
Life’s withering flower shall drop its shrivelled seeds;
Its germ entranced in thy unbreathing sleep
Till what thou sowest mightier angels reap!

Spirit of Beauty! let thy graces blend
With loveliest Nature all that Art can lend.
Come from the bowers where Summer’s life-blood flows
Through the red lips of June’s half-open rose,
Dressed in bright hues, the loving sunshine’s dower;
For tranquil Nature owns no mourning flower.
Come from the forest where the beech’s screen
Bars the fierce moonbeam with its flakes of green;
Stay the rude axe that bares the shadowy plains,
Stanch the deep wound That dries the maple’s veins.
Come with the stream whose silver-braided rills
Fling their unclasping bracelets from the hills,
Till in one gleam, beneath the forest’s wings,
Melts the white glitter of a hundred springs.
Come from the steeps where look majestic forth
From their twin thrones the Giants of the North
On the huge shapes, that, crouching at their knees,
Stretch their broad shoulders, rough with shaggy trees.
Through the wide waste of ether, not in vain,
Their softened gaze shall reach our distant plain;
There, while the mourner turns his aching eyes
On the blue mounds that print the bluer skies,
Nature shall whisper that the fading view
Of mightiest grief may wear a heavenly hue.
Cherub of Wisdom! let thy marble page
Leave its sad lesson, new to every age;
Teach us to live, not grudging every breath
To the chill winds that waft us on to death,
But ruling calmly every pulse it warms,
And tempering gently every word it forms.
Seraph of Love! in heaven’s adoring zone,
Nearest of all around the central throne,
While with soft hands the pillowed turf we spread
That soon shall hold us in its dreamless bed,
With the low whisper,—­Who shall first be laid
In the dark chamber’s yet unbroken shade?—­
Let thy sweet radiance shine rekindled here,
And all we cherish grow more truly dear.
Here in the gates of Death’s o’erhanging vault,
Oh, teach us kindness for our brother’s fault
Lay all our wrongs beneath this peaceful sod,
And lead our hearts to Mercy and its God.

FATHER of all! in Death’s relentless claim
We read thy mercy by its sterner name;
In the bright flower that decks the solemn bier,
We see thy glory in its narrowed sphere;
In the deep lessons that affliction draws,
We trace the curves of thy encircling laws;
In the long sigh that sets our spirits free,
We own the love that calls us back to Thee!

Through the hushed street, along the silent plain,
The spectral future leads its mourning train,
Dark with the shadows of uncounted bands,
Where man’s white lips and woman’s wringing hands
Track the still burden, rolling slow before,
That love and kindness can protect no more;
The smiling babe that, called to mortal strife,
Shuts its meek eyes and drops its little life;
The drooping child who prays in vain to live,
And pleads for help its parent cannot give;
The pride of beauty stricken in its flower;
The strength of manhood broken in an hour;
Age in its weakness, bowed by toil and care,
Traced in sad lines beneath its silvered hair.

The sun shall set, and heaven’s resplendent spheres
Gild the smooth turf unhallowed yet by tears,
But ah! how soon the evening stars will shed
Their sleepless light around the slumbering dead!

Take them, O Father, in immortal trust!
Ashes to ashes, dust to kindred dust,
Till the last angel rolls the stone away,
And a new morning brings eternal day!

The Lover’s Secret

WHAT ailed young Lucius? Art had vainly tried
To guess his ill, and found herself defied.
The Augur plied his legendary skill;
Useless; the fair young Roman languished still.
His chariot took him every cloudless day
Along the Pincian Hill or Appian Way;
They rubbed his wasted limbs with sulphurous oil,
Oozed from the far-off Orient's heated soil;
They led him tottering down the steamy path
Where bubbling fountains filled the thermal bath;
Borne in his litter to Egeria's cave,
They washed him, shivering, in her icy wave.
They sought all curious herbs and costly stones,
They scraped the moss that grew on dead men's bones,
They tried all cures the votive tablets taught,
Scoured every place whence healing drugs were brought,
O'er Thracian hills his breathless couriers ran,
His slaves waylaid the Syrian caravan.
At last a servant heard a stranger speak
A new chirurgeon's name; a clever Greek,
Skilled in his art; from Pergamus he came
To Rome but lately; GALEN was the name.
The Greek was called: a man with piercing eyes,
Who must be cunning, and who might be wise.
He spoke but little,--if they pleased, he said,
He 'd wait awhile beside the sufferer's bed.
So by his side he sat, serene and calm,
His very accents soft as healing balm;
Not curious seemed, but every movement spied,
His sharp eyes searching where they seemed to glide;
Asked a few questions,--what he felt, and where?
'A pain just here,' 'A constant beating there.'
Who ordered bathing for his aches and ails?
'Charmis, the water-doctor from Marseilles.'
What was the last prescription in his case?
'A draught of wine with powdered chrysoprase.'
Had he no secret grief he nursed alone?
A pause; a little tremor; answer,--'None.'
Thoughtful, a moment, sat the cunning leech,
And muttered 'Eros!' in his native speech.
In the broad atrium various friends await
The last new utterance from the lips of fate;
Men, matrons, maids, they talk the question o'er,
And, restless, pace the tessellated floor.
Not unobserved the youth so long had pined
By gentle-hearted dames and damsels kind;
One with the rest, a rich Patrician's pride,
The lady Hermia, called 'the golden-eyed';
The same the old Proconsul fain must woo,
Whom, one dark night, a masked sicarius slew;
The same black Crassus over roughly pressed
To hear his suit,--the Tiber knows the rest.
(Crassus was missed next morning by his set;
Next week the fishers found him in their net.)
She with the others paced the ample hall,
Fairest, alas! and saddest of them all.

At length the Greek declared, with puzzled face,
Some strange enchantment mingled in the case,
And naught would serve to act as counter-charm
Save a warm bracelet from a maiden's arm.
Not every maiden's,--many might be tried;
Which not in vain, experience must decide.
Were there no damsels willing to attend
And do such service for a suffering friend?
The message passed among the waiting crowd,
First in a whisper, then proclaimed aloud.
Some wore no jewels; some were disinclined,
For reasons better guessed at than defined;
Though all were saints,--at least professed to be,--
The list all counted, there were named but three.
The leech, still seated by the patient's side,
Held his thin wrist, and watched him, eagle-eyed.
Aurelia first, a fair-haired Tuscan girl,
Slipped off her golden asp, with eyes of pearl.
His solemn head the grave physician shook;
The waxen features thanked her with a look.
Olympia next, a creature half divine,
Sprung from the blood of old Evander's line,
Held her white arm, that wore a twisted chain
Clasped with an opal-sheeny cymophane.
In vain, O daughter I said the baffled Greek.
The patient sighed the thanks he could not speak.

Last, Hermia entered; look, that sudden start!
The pallium heaves above his leaping heart;
The beating pulse, the cheek's rekindled flame,
Those quivering lips, the secret all proclaim.
The deep disease long throbbing in the breast,
The dread enchantment, all at once confessed!
The case was plain; the treatment was begun;
And Love soon cured the mischief he had done.

Young Love, too oft thy treacherous bandage slips
Down from the eyes it blinded to the lips!
Ask not the Gods, O youth, for clearer sight,
But the bold heart to plead thy cause aright.
And thou, fair maiden, when thy lovers sigh,
Suspect thy flattering ear, but trust thine eye;
And learn this secret from the tale of old
No love so true as love that dies untold.

. . . . . . . . . .

'Bravo, Annex!' they shouted, every one,--
'Not Mrs. Kemble's self had better done.'
'Quite so,' she stammered in her awkward way,--
Not just the thing, but something she must say.

The teaspoon chorus tinkled to its close
When from his chair the MAN OF LAW arose,
Called by her voice whose mandate all obeyed,
And took the open volume she displayed.
Tall, stately, strong, his form begins to own
Some slight exuberance in its central zone,--
That comely fulness of the growing girth
Which fifty summers lend the sons of earth.
A smooth, round disk about whose margin stray,
Above the temples, glistening threads of gray;
Strong, deep-cut grooves by toilsome decades wrought
On brow and mouth, the battle-fields of thought;
A voice that lingers in the listener's ear,
Grave, calm, far-reaching, every accent clear,--
(Those tones resistless many a foreman knew
That shaped their verdict ere the twelve withdrew
A statesman's forehead, athlete's throat and jaw,
Such the proud semblance of the Man of Law.
His eye just lighted on the printed leaf,
Held as a practised pleader holds his brief.
One whispered softly from behind his cup,
'He does not read,--his book is wrong side up!
He knows the story that it holds by heart,--
So like his own! How well he'll act his part!'
Then all were silent; not a rustling fan
Stirred the deep stillness as the voice began.

Rip Van Winkle. Canto I.

OLD Rip Van Winkle had a grandson, Rip,
Of the paternal block a genuine chip,—­
A lazy, sleepy, curious kind of chap;
He, like his grandsire, took a mighty nap,
Whereof the story I propose to tell
In two brief cantos, if you listen well.

The times were hard when Rip to manhood grew;
They always will be when there’s work to do.
He tried at farming,—­found it rather slow,—­
And then at teaching—­what he did n’t know;
Then took to hanging round the tavern bars,
To frequent toddies and long-nine cigars,
Till Dame Van Winkle, out of patience, vexed
With preaching homilies, having for their text
A mop, a broomstick, aught that might avail
To point a moral or adorn a tale,
Exclaimed, “I have it! Now, then, Mr. V.
He’s good for something,—­make him an M. D.!”

The die was cast; the youngster was content;
They packed his shirts and stockings, and he went.
How hard he studied it were vain to tell;
He drowsed through Wistar, nodded over Bell,
Slept sound with Cooper, snored aloud on Good;
Heard heaps of lectures,—­doubtless understood,—­
A constant listener, for he did not fail
To carve his name on every bench and rail.

Months grew to years; at last he counted three,
And Rip Van Winkle found himself M. D.
Illustrious title! in a gilded frame
He set the sheepskin with his Latin name,
RIPUM VAN WINKLUM, QUEM we—­SCIMUS—­know
IDONEUM ESSE—­to do so and so.
He hired an office; soon its walls displayed
His new diploma and his stock in trade,
A mighty arsenal to subdue disease,
Of various names, whereof I mention these
Lancets and bougies, great and little squirt,
Rhubarb and Senna, Snakeroot, Thoroughwort,
Ant. Tart., Vin. Colch., Pil. Cochiae, and Black Drop,
Tinctures of Opium, Gentian, Henbane, Hop,
Pulv. Ipecacuanhae, which for lack
Of breath to utter men call Ipecac,
Camphor and Kino, Turpentine, Tolu,
Cubebs, “Copeevy,” Vitriol,—­white and blue,—­
Fennel and Flaxseed, Slippery Elm and Squill,
And roots of Sassafras, and “Sassaf’rill,”
Brandy,—­for colics,—­Pinkroot, death on worms,—­
Valerian, calmer of hysteric squirms,
Musk, Assafoetida, the resinous gum
Named from its odor,—­well, it does smell some,—­
Jalap, that works not wisely, but too well,
Ten pounds of Bark and six of Calomel.

For outward griefs he had an ample store,
Some twenty jars and gallipots, or more:
Ceratum simplex—­housewives oft compile
The same at home, and call it “wax and ile;”
Unguentum resinosum—­change its name,
The “drawing salve” of many an ancient dame;
Argenti Nitras, also Spanish flies,
Whose virtue makes the water-bladders rise—­
(Some say that spread upon a toper’s skin
They draw no water, only rum or gin);
Leeches, sweet vermin! don’t they charm the sick?
And Sticking-plaster—­how it hates to stick
Emplastrum Ferri—­ditto Picis, Pitch;
Washes and Powders, Brimstone for the - ­which,
Scabies or Psora, is thy chosen name
Since Hahnemann’s goose-quill scratched thee into fame,
Proved thee the source of every nameless ill,
Whose sole specific is a moonshine pill,
Till saucy Science, with a quiet grin,
Held up the Acarus, crawling on a pin?
—­Mountains have labored and have brought forth mice
The Dutchman’s theory hatched a brood of—­twice
I’ve well-nigh said them—­words unfitting quite
For these fair precincts and for ears polite.

The surest foot may chance at last to slip,
And so at length it proved with Doctor Rip.
One full-sized bottle stood upon the shelf,
Which held the medicine that he took himself;
Whate’er the reason, it must be confessed
He filled that bottle oftener than the rest;
What drug it held I don’t presume to know—­
The gilded label said “Elixir Pro.”

One day the Doctor found the bottle full,
And, being thirsty, took a vigorous pull,
Put back the “Elixir” where ’t was always found,
And had old Dobbin saddled and brought round.
—­You know those old-time rhubarb-colored nags
That carried Doctors and their saddle-bags;
Sagacious beasts! they stopped at every place
Where blinds were shut—­knew every patient’s case—­
Looked up and thought—­The baby’s in a fit—­
That won’t last long—­he’ll soon be through with it;
But shook their heads before the knockered door
Where some old lady told the story o’er
Whose endless stream of tribulation flows
For gastric griefs and peristaltic woes.

What jack-o’-lantern led him from his way,
And where it led him, it were hard to say;
Enough that wandering many a weary mile
Through paths the mountain sheep trod single file,
O’ercome by feelings such as patients know
Who dose too freely with “Elixir Pro.,”
He tumbl—­dismounted, slightly in a heap,
And lay, promiscuous, lapped in balmy sleep.

Night followed night, and day succeeded day,
But snoring still the slumbering Doctor lay.
Poor Dobbin, starving, thought upon his stall,
And straggled homeward, saddle-bags and all.
The village people hunted all around,
But Rip was missing,—­never could be found.
“Drownded,” they guessed;—­for more than half a year
The pouts and eels did taste uncommon queer;
Some said of apple-brandy—­other some
Found a strong flavor of New England rum.

Why can’t a fellow hear the fine things said
About a fellow when a fellow’s dead?
The best of doctors—­so the press declared—­
A public blessing while his life was spared,
True to his country, bounteous to the poor,
In all things temperate, sober, just, and pure;
The best of husbands! echoed Mrs. Van,
And set her cap to catch another man.

So ends this Canto—­if it’s quantum suff.,
We’ll just stop here and say we’ve had enough,
And leave poor Rip to sleep for thirty years;
I grind the organ—­if you lend your ears
To hear my second Canto, after that
We ’ll send around the monkey with the hat.

The Mother’s Secret

How sweet the sacred legend--if unblamed
In my slight verse such holy things are named--
Of Mary's secret hours of hidden joy,
Silent, but pondering on her wondrous boy!
Ave, Maria! Pardon, if I wrong
Those heavenly words that shame my earthly song!
The choral host had closed the Angel's strain
Sung to the listening watch on Bethlehem's plain,
And now the shepherds, hastening on their way,
Sought the still hamlet where the Infant lay.
They passed the fields that gleaning Ruth toiled o'er,--
They saw afar the ruined threshing-floor
Where Moab's daughter, homeless and forlorn,
Found Boaz slumbering by his heaps of corn;
And some remembered how the holy scribe,
Skilled in the lore of every jealous tribe,
Traced the warm blood of Jesse's royal son
To that fair alien, bravely wooed and won.
So fared they on to seek the promised sign,
That marked the anointed heir of David's line.
At last, by forms of earthly semblance led,
They found the crowded inn, the oxen's shed.

No pomp was there, no glory shone around
On the coarse straw that strewed the reeking ground;
One dim retreat a flickering torch betrayed,--
In that poor cell the Lord of Life was laid
The wondering shepherds told their breathless tale
Of the bright choir that woke the sleeping vale;
Told how the skies with sudden glory flamed,
Told how the shining multitude proclaimed,
'Joy, joy to earth! Behold the hallowed morn
In David's city Christ the Lord is born!
'Glory to God!' let angels shout on high,
'Good-will to men!' the listening earth reply!'
They spoke with hurried words and accents wild;
Calm in his cradle slept the heavenly child.
No trembling word the mother's joy revealed,--
One sigh of rapture, and her lips were sealed;
Unmoved she saw the rustic train depart,
But kept their words to ponder in her heart.

Twelve years had passed; the boy was fair and tall,
Growing in wisdom, finding grace with all.
The maids of Nazareth, as they trooped to fill
Their balanced urns beside the mountain rill,
The gathered matrons, as they sat and spun,
Spoke in soft words of Joseph's quiet son.
No voice had reached the Galilean vale
Of star-led kings, or awe-struck shepherd's tale;
In the meek, studious child they only saw
The future Rabbi, learned in Israel's law.

Beyond the hills that girt the village green;
Save when at midnight, o'er the starlit sands,
Snatched from the steel of Herod's murdering bands,
A babe, close folded to his mother's breast,
Through Edom's wilds he sought the sheltering West.
Then Joseph spake: 'Thy boy hath largely grown;
Weave him fine raiment, fitting to be shown;
Fair robes beseem the pilgrim, as the priest;
Goes he not with us to the holy feast?'
And Mary culled the flaxen fibres white;
Till eve she spun; she spun till morning light.
The thread was twined; its parting meshes through
From hand to hand her restless shuttle flew,
Till the full web was wound upon the beam;
Love's curious toil,--a vest without a seam!
They reach the Holy Place, fulfil the days
To solemn feasting given, and grateful praise.
At last they turn, and far Moriah's height
Melts in the southern sky and fades from sight.
All day the dusky caravan has flowed
In devious trails along the winding road;
(For many a step their homeward path attends,
And all the sons of Abraham are as friends.)
Evening has come,--the hour of rest and joy,--
Hush! Hush! That whisper,--'Where is Mary's boy?'
Oh, weary hour! Oh, aching days that passed
Filled with strange fears each wilder than the last,--
The soldier's lance, the fierce centurion's sword,
The crushing wheels that whirl some Roman lord,
The midnight crypt that sucks the captive's breath,
The blistering sun on Hinnom's vale of death!
Thrice on his cheek had rained the morning light;
Thrice on his lips the mildewed kiss of night,
Crouched by a sheltering column's shining plinth,
Or stretched beneath the odorous terebinth.
At last, in desperate mood, they sought once more
The Temple's porches, searched in vain before;
They found him seated with the ancient men,--
The grim old rufflers of the tongue and pen,--
Their bald heads glistening as they clustered near,
Their gray beards slanting as they turned to hear,
Lost in half-envious wonder and surprise
That lips so fresh should utter words so wise.
And Mary said,--as one who, tried too long,
Tells all her grief and half her sense of wrong,--
What is this thoughtless thing which thou hast done?
Lo, we have sought thee sorrowing, O my son!
Few words he spake, and scarce of filial tone,
Strange words, their sense a mystery yet unknown;
Then turned with them and left the holy hill,
To all their mild commands obedient still.
The tale was told to Nazareth's sober men,
And Nazareth's matrons told it oft again;
The maids retold it at the fountain's side,
The youthful shepherds doubted or denied;
It passed around among the listening friends,
With all that fancy adds and fiction lends,
Till newer marvels dimmed the young renown
Of Joseph's son, who talked the Rabbis down.

But Mary, faithful to its lightest word,
Kept in her heart the sayings she had heard,
Till the dread morning rent the Temple's veil,
And shuddering earth confirmed the wondrous tale.

Youth fades; love droops; the leaves of friendship fall
A mother's secret hope outlives them all.

. . . . . . . . . . .

Hushed was the voice, but still its accents thrilled
The throbbing hearts its lingering sweetness filled.
The simple story which a tear repays
Asks not to share the noisy breath of praise.
A trance-like stillness,--scarce a whisper heard,
No tinkling teaspoon in its saucer stirred;
A deep-drawn sigh that would not be suppressed,
A sob, a lifted kerchief told the rest.

'Come now, Dictator,' so the lady spoke,
'You too must fit your shoulder to the yoke;
You'll find there's something, doubtless, if you look,
To serve your purpose,--so, now take the book.'
'Ah, my dear lady, you must know full well,
'Story, God bless you, I have none to tell.'
To those five stories which these pages hold
You all have listened,--every one is told.
There's nothing left to make you smile or weep,--
A few grave thoughts may work you off to sleep.'

Parson Turell’s Legacy

OR, THE PRESIDENT'S OLD ARM-CHAIR

A MATHEMATICAL STORY

FACTS respecting an old arm-chair.
At Cambridge. Is kept in the College there.
Seems but little the worse for wear.
That 's remarkable when I say
It was old in President Holyoke's day.
(One of his boys, perhaps you know,
Died, _at one hundred_, years ago.)
He took lodgings for rain or shine
Under green bed-clothes in '69.

Know old Cambridge? Hope you do.--
Born there? Don't say so! I was, too.
(Born in a house with a gambrel-roof,--
Standing still, if you must have proof.--
'Gambrel?--Gambrel?'--Let me beg
You'll look at a horse's hinder leg,--
First great angle above the hoof,--
That 's the gambrel; hence gambrel-roof.)
Nicest place that ever was seen,--
Colleges red and Common green,
Sidewalks brownish with trees between.
Sweetest spot beneath the skies
When the canker-worms don't rise,--
When the dust, that sometimes flies
Into your mouth and ears and eyes,
In a quiet slumber lies,
_Not_ in the shape of umbaked pies
Such as barefoot children prize.

A kind of harbor it seems to be,
Facing the flow of a boundless sea.
Rows of gray old Tutors stand
Ranged like rocks above the sand;
Rolling beneath them, soft and green,
Breaks the tide of bright sixteen,--
One wave, two waves, three waves, four,--
Sliding up the sparkling floor.

Then it ebbs to flow no more,
Wandering off from shore to shore
With its freight of golden ore!
Pleasant place for boys to play;--
Better keep your girls away;
Hearts get rolled as pebbles do
Which countless fingering waves pursue,
And every classic beach is strown
With heart-shaped pebbles of blood-red stone.

But this is neither here nor there;
I'm talking about an old arm-chair.
You 've heard, no doubt, of PARSON TURELL?
Over at Medford he used to dwell;
Married one of the Mathers' folk;
Got with his wife a chair of oak,--
Funny old chair with seat like wedge,
Sharp behind and broad front edge,--
One of the oddest of human things,
Turned all over with knobs and rings,--
But heavy, and wide, and deep, and grand,--
Fit for the worthies of the land,--
Chief Justice Sewall a cause to try in,
Or Cotton Mather to sit--and lie--in.
Parson Turell bequeathed the same
To a certain student,--SMITH by name;
These were the terms, as we are told:
'Saide Smith saide Chaire to have and holde;
When he doth graduate, then to passe
To ye oldest Youth in ye Senior Classe.
On payment of '--(naming a certain sum)--
'By him to whom ye Chaire shall come;
He to ye oldest Senior next,
And soe forever,'--(thus runs the text,)--
'But one Crown lesse then he gave to claime,
That being his Debte for use of same.'
Smith transferred it to one of the BROWNS,
And took his money,--five silver crowns.
Brown delivered it up to MOORE,
Who paid, it is plain, not five, but four.
Moore made over the chair to LEE,
Who gave him crowns of silver three.
Lee conveyed it unto DREW,
And now the payment, of course, was two.
Drew gave up the chair to DUNN,--
All he got, as you see, was one.
Dunn released the chair to HALL,
And got by the bargain no crown at all.
And now it passed to a second BROWN,
Who took it and likewise claimed a crown.
When Brown conveyed it unto WARE,
Having had one crown, to make it fair,
He paid him two crowns to take the chair;
And Ware, being honest, (as all Wares be,)
He paid one POTTER, who took it, three.
Four got ROBINSON; five got Dix;
JOHNSON primus demanded six;
And so the sum kept gathering still
Till after the battle of Bunker's Hill.

When paper money became so cheap,
Folks would n't count it, but said 'a heap,'
A certain RICHARDS,--the books declare,--
(A. M. in '90? I've looked with care
Through the Triennial,--name not there,)--
This person, Richards, was offered then
Eightscore pounds, but would have ten;
Nine, I think, was the sum he took,--
Not quite certain,--but see the book.
By and by the wars were still,
But nothing had altered the Parson's will.
The old arm-chair was solid yet,
But saddled with such a monstrous debt!
Things grew quite too bad to bear,
Paying such sums to get rid of the chair
But dead men's fingers hold awful tight,
And there was the will in black and white,
Plain enough for a child to spell.
What should be done no man could tell,
For the chair was a kind of nightmare curse,
And every season but made it worse.

As a last resort, to clear the doubt,
They got old GOVERNOR HANCOCK out.
The Governor came with his Lighthorse Troop
And his mounted truckmen, all cock-a-hoop;
Halberds glittered and colors flew,
French horns whinnied and trumpets blew,
The yellow fifes whistled between their teeth,
And the bumble-bee bass-drums boomed beneath;
So he rode with all his band,
Till the President met him, cap in hand.
The Governor 'hefted' the crowns, and said,--
'A will is a will, and the Parson's dead.'
The Governor hefted the crowns. Said he,--
'There is your p'int. And here 's my fee.

'These are the terms you must fulfil,--
On such conditions I BREAK THE WILL!'
The Governor mentioned what these should be.
(Just wait a minute and then you 'll see.)
The President prayed. Then all was still,
And the Governor rose and BROKE THE WILL!
'About those conditions?' Well, now you go
And do as I tell you, and then you'll know.
Once a year, on Commencement day,
If you 'll only take the pains to stay,
You'll see the President in the CHAIR,
Likewise the Governor sitting there.
The President rises; both old and young
May hear his speech in a foreign tongue,
The meaning whereof, as lawyers swear,
Is this: Can I keep this old arm-chair?
And then his Excellency bows,
As much as to say that he allows.
The Vice-Gub. next is called by name;
He bows like t' other, which means the same.
And all the officers round 'em bow,
As much as to say that they allow.
And a lot of parchments about the chair
Are handed to witnesses then and there,
And then the lawyers hold it clear
That the chair is safe for another year.

God bless you, Gentlemen! Learn to give
Money to colleges while you live.
Don't be silly and think you'll try
To bother the colleges, when you die,
With codicil this, and codicil that,
That Knowledge may starve while Law grows fat;
For there never was pitcher that wouldn't spill,
And there's always a flaw in a donkey's will!

At The Saturday Club

THIS is our place of meeting; opposite
That towered and pillared building: look at it;
King's Chapel in the Second George's day,
Rebellion stole its regal name away,--
Stone Chapel sounded better; but at last
The poisoned name of our provincial past
Had lost its ancient venom; then once more
Stone Chapel was King's Chapel as before.
(So let rechristened North Street, when it can,
Bring back the days of Marlborough and Queen Anne!)
Next the old church your wandering eye will meet--
A granite pile that stares upon the street--
Our civic temple; slanderous tongues have said
Its shape was modelled from St. Botolph's head,
Lofty, but narrow; jealous passers-by
Say Boston always held her head too high.
Turn half-way round, and let your look survey
The white facade that gleams across the way,--
The many-windowed building, tall and wide,
The palace-inn that shows its northern side
In grateful shadow when the sunbeams beat
The granite wall in summer's scorching heat.
This is the place; whether its name you spell
Tavern, or caravansera, or hotel.
Would I could steal its echoes! you should find
Such store of vanished pleasures brought to mind
Such feasts! the laughs of many a jocund hour
That shook the mortar from King George's tower;
Such guests! What famous names its record boasts,
Whose owners wander in the mob of ghosts!
Such stories! Every beam and plank is filled
With juicy wit the joyous talkers spilled,
Ready to ooze, as once the mountain pine
The floors are laid with oozed its turpentine!

A month had flitted since The Club had met;
The day came round; I found the table set,
The waiters lounging round the marble stairs,
Empty as yet the double row of chairs.
I was a full half hour before the rest,
Alone, the banquet-chamber's single guest.
So from the table's side a chair I took,
And having neither company nor book
To keep me waking, by degrees there crept
A torpor over me,--in short, I slept.

Loosed from its chain, along the wreck-strown track
Of the dead years my soul goes travelling back;
My ghosts take on their robes of flesh; it seems
Dreaming is life; nay, life less life than dreams,
So real are the shapes that meet my eyes.
They bring no sense of wonder, no surprise,
No hint of other than an earth-born source;
All seems plain daylight, everything of course.

How dim the colors are, how poor and faint
This palette of weak words with which I paint!
Here sit my friends; if I could fix them so
As to my eyes they seem, my page would glow
Like a queen's missal, warm as if the brush
Of Titian or Velasquez brought the flush
Of life into their features. Ay de mi!
If syllables were pigments, you should see
Such breathing portraitures as never man
Found in the Pitti or the Vatican.

Here sits our POET, Laureate, if you will.
Long has he worn the wreath, and wears it still.
Dead? Nay, not so; and yet they say his bust
Looks down on marbles covering royal dust,
Kings by the Grace of God, or Nature's grace;
Dead! No! Alive! I see him in his place,
Full-featured, with the bloom that heaven denies
Her children, pinched by cold New England skies,
Too often, while the nursery's happier few
Win from a summer cloud its roseate hue.
Kind, soft-voiced, gentle, in his eye there shines
The ray serene that filled Evangeline's.
Modest he seems, not shy; content to wait
Amid the noisy clamor of debate
The looked-for moment when a peaceful word
Smooths the rough ripples louder tongues have stirred.
In every tone I mark his tender grace
And all his poems hinted in his face;
What tranquil joy his friendly presence gives!
How could. I think him dead? He lives! He lives!

There, at the table's further end I see
In his old place our Poet's vis-a-vis,
The great PROFESSOR, strong, broad-shouldered, square,
In life's rich noontide, joyous, debonair.
His social hour no leaden care alloys,
His laugh rings loud and mirthful as a boy's,--
That lusty laugh the Puritan forgot,--
What ear has heard it and remembers not?
How often, halting at some wide crevasse
Amid the windings of his Alpine pass,
High up the cliffs, the climbing mountaineer,
Listening the far-off avalanche to hear,
Silent, and leaning on his steel-shod staff,
Has heard that cheery voice, that ringing laugh,
From the rude cabin whose nomadic walls
Creep with the moving glacier as it crawls
How does vast Nature lead her living train
In ordered sequence through that spacious brain,
As in the primal hour when Adam named
The new-born tribes that young creation claimed!--
How will her realm be darkened, losing thee,
Her darling, whom we call _our_ AGASSIZ!

But who is he whose massive frame belies
The maiden shyness of his downcast eyes?
Who broods in silence till, by questions pressed,
Some answer struggles from his laboring breast?
An artist Nature meant to dwell apart,
Locked in his studio with a human heart,
Tracking its eaverned passions to their lair,
And all its throbbing mysteries laying bare.
Count it no marvel that he broods alone
Over the heart he studies,--'t is his own;
So in his page, whatever shape it wear,
The Essex wizard's shadowed self is there,--
The great ROMANCER, hid beneath his veil
Like the stern preacher of his sombre tale;
Virile in strength, yet bashful as a girl,
Prouder than Hester, sensitive as Pearl.

From his mild throng of worshippers released,
Our Concord Delphi sends its chosen priest,
Prophet or poet, mystic, sage, or seer,
By every title always welcome here.
Why that ethereal spirit's frame describe?
You know the race-marks of the Brahmin tribe,
The spare, slight form, the sloping shoulders' droop,
The calm, scholastic mien, the clerkly stoop,
The lines of thought the sharpened features wear,
Carved by the edge of keen New England air.
List! for he speaks! As when a king would choose
The jewels for his bride, he might refuse
This diamond for its flaw,--find that less bright
Than those, its fellows, and a pearl less white
Than fits her snowy neck, and yet at last,
The fairest gems are chosen, and made fast
In golden fetters; so, with light delays
He seeks the fittest word to fill his phrase;
Nor vain nor idle his fastidious quest,
His chosen word is sure to prove the best.
Where in the realm of thought, whose air is song,
Does he, the Buddha of the West, belong?
He seems a winged Franklin, sweetly wise,
Born to unlock the secrets of the skies;
And which the nobler calling,--if 't is fair
Terrestrial with celestial to compare,--
To guide the storm-cloud's elemental flame,
Or walk the chambers whence the lightning came,
Amidst the sources of its subtile fire,
And steal their effluence for his lips and lyre?
If lost at times in vague aerial flights,
None treads with firmer footstep when he lights;
A soaring nature, ballasted with sense,
Wisdom without her wrinkles or pretence,
In every Bible he has faith to read,
And every altar helps to shape his creed.
Ask you what name this prisoned spirit bears
While with ourselves this fleeting breath it shares?
Till angels greet him with a sweeter one
In heaven, on earth we call him EMERSON.

I start; I wake; the vision is withdrawn;
Its figures fading like the stars at dawn;
Crossed from the roll of life their cherished names,
And memory's pictures fading in their frames;
Yet life is lovelier for these transient gleams
Of buried friendships; blest is he who dreams!

Vestigia Quinque Retrorsum

AN ACADEMIC POEM

1829-1879

Read at the Commencement Dinner of the Alumni of Harvard
University, June 25, 1879.

WHILE fond, sad memories all around us throng,
Silence were sweeter than the sweetest song;
Yet when the leaves are green and heaven is blue,
The choral tribute of the grove is due,
And when the lengthening nights have chilled the skies,
We fain would hear the song-bird ere be flies,
And greet with kindly welcome, even as now,
The lonely minstrel on his leafless bough.

This is our golden year,--its golden day;
Its bridal memories soon must pass away;
Soon shall its dying music cease to ring,
And every year must loose some silver string,
Till the last trembling chords no longer thrill,--
Hands all at rest and hearts forever still.

A few gray heads have joined the forming line;
We hear our summons,--'Class of 'Twenty-Nine!'
Close on the foremost, and, alas, how few!
Are these 'The Boys' our dear old Mother knew?
Sixty brave swimmers. Twenty--something more--
Have passed the stream and reached this frosty shore!

How near the banks these fifty years divide
When memory crosses with a single stride!
'T is the first year of stern 'Old Hickory' 's rule
When our good Mother lets us out of school,
Half glad, half sorrowing, it must be confessed,
To leave her quiet lap, her bounteous breast,
Armed with our dainty, ribbon-tied degrees,
Pleased and yet pensive, exiles and A. B.'s.

Look back, O comrades, with your faded eyes,
And see the phantoms as I bid them rise.
Whose smile is that? Its pattern Nature gave,
A sunbeam dancing in a dimpled wave;
KIRKLAND alone such grace from Heaven could win,
His features radiant as the soul within;
That smile would let him through Saint Peter's gate
While sad-eyed martyrs had to stand and wait.
Here flits mercurial _Farrar_; standing there,
See mild, benignant, cautious, learned _Ware_,
And sturdy, patient, faithful, honest _Hedge_,
Whose grinding logic gave our wits their edge;
_Ticknor_, with honeyed voice and courtly grace;
And _Willard_, larynxed like a double bass;
And _Channing_, with his bland, superior look,
Cool as a moonbeam on a frozen brook,

While the pale student, shivering in his shoes,
Sees from his theme the turgid rhetoric ooze;
And the born soldier, fate decreed to wreak
His martial manhood on a class in Greek,
_Popkin_! How that explosive name recalls
The grand old Busby of our ancient halls
Such faces looked from Skippon's grim platoons,
Such figures rode with Ireton's stout dragoons:
He gave his strength to learning's gentle charms,
But every accent sounded 'Shoulder arms!'

Names,--empty names! Save only here and there
Some white-haired listener, dozing in his chair,
Starts at the sound he often used to hear,
And upward slants his Sunday-sermon ear.
And we--our blooming manhood we regain;
Smiling we join the long Commencement train,
One point first battled in discussion hot,--
Shall we wear gowns? and settled: We will not.
How strange the scene,--that noisy boy-debate
Where embryo-speakers learn to rule the State!
This broad-browed youth, sedate and sober-eyed,
Shall wear the ermined robe at Taney's side;
And he, the stripling, smooth of face and slight,
Whose slender form scarce intercepts the light,
Shall rule the Bench where Parsons gave the law,
And sphinx-like sat uncouth, majestic Shaw
Ah, many a star has shed its fatal ray
On names we loved--our brothers--where are they?

Nor these alone; our hearts in silence claim
Names not less dear, unsyllabled by fame.

How brief the space! and yet it sweeps us back
Far, far along our new-born history's track
Five strides like this;--the sachem rules the land;
The Indian wigwams cluster where we stand.

The second. Lo! a scene of deadly strife--
A nation struggling into infant life;
Not yet the fatal game at Yorktown won
Where failing Empire fired its sunset gun.
LANGDON sits restless in the ancient chair,--
Harvard's grave Head,--these echoes heard his prayer
When from yon mansion, dear to memory still,
The banded yeomen marched for Bunker's Hill.
Count on the grave triennial's thick-starred roll
What names were numbered on the lengthening scroll,--
Not unfamiliar in our ears they ring,--
Winthrop, Hale, Eliot, Everett, Dexter, Tyng.

Another stride. Once more at 'twenty-nine,--
GOD SAVE KING GEORGE, the Second of his line!
And is Sir Isaac living? Nay, not so,--
He followed Flainsteed two short years ago,--
And what about the little hump-backed man
Who pleased the bygone days of good Queen Anne?
What, Pope? another book he's just put out,--
'The Dunciad,'--witty, but profane, no doubt.

Where's Cotton Mather? he was always here.
And so he would be, but he died last year.
Who is this preacher our Northampton claims,
Whose rhetoric blazes with sulphureous flames
And torches stolen from Tartarean mines?
Edwards, the salamander of divines.
A deep, strong nature, pure and undefiled;
Faith, firm as his who stabbed his sleeping child;
Alas for him who blindly strays apart,
And seeking God has lost his human heart!
Fall where they might, no flying cinders caught
These sober halls where WADSWORTH ruled and
taught.

One footstep more; the fourth receding stride
Leaves the round century on the nearer side.
GOD SAVE KING CHARLES! God knows that pleasant knave
His grace will find it hard enough to save.
Ten years and more, and now the Plague, the Fire,
Talk of all tongues, at last begin to tire;
One fear prevails, all other frights forgot,--
White lips are whispering,--hark! The Popish Plot!
Happy New England, from such troubles free
In health and peace beyond the stormy sea!
No Romish daggers threat her children's throats,
No gibbering nightmare mutters 'Titus Oates;'
Philip is slain, the Quaker graves are green,
Not yet the witch has entered on the scene;
Happy our Harvard; pleased her graduates four;
URIAN OAKES the name their parchments bore.

Two centuries past, our hurried feet arrive
At the last footprint of the scanty five;
Take the fifth stride; our wandering eyes explore
A tangled forest on a trackless shore;
Here, where we stand, the savage sorcerer howls,
The wild cat snarls, the stealthy gray wolf prowls,
The slouching bear, perchance the trampling moose
Starts the brown squaw and scares her red pappoose;
At every step the lurking foe is near;
His Demons reign; God has no temple here!

Lift up your eyes! behold these pictured walls;
Look where the flood of western glory falls
Through the great sunflower disk of blazing panes
In ruby, saffron, azure, emerald stains;
With reverent step the marble pavement tread
Where our proud Mother's martyr-roll is read;
See the great halls that cluster, gathering round
This lofty shrine with holiest memories crowned;
See the fair Matron in her summer bower,
Fresh as a rose in bright perennial flower;
Read on her standard, always in the van,
'TRUTH,'--the one word that makes a slave a man;
Think whose the hands that fed her altar-fires,
Then count the debt we owe our scholar-sires!

Brothers, farewell! the fast declining ray
Fades to the twilight of our golden day;
Some lesson yet our wearied brains may learn,
Some leaves, perhaps, in life's thin volume turn.
How few they seem as in our waning age
We count them backwards to the title-page!
Oh let us trust with holy men of old
Not all the story here begun is told;
So the tired spirit, waiting to be freed,
On life's last leaf with tranquil eye shall read
By the pale glimmer of the torch reversed,
Not Finis, but _The End of Volume First_!

The Exile’s Secret

YE that have faced the billows and the spray
Of good St. Botolph's island-studded bay,
As from the gliding bark your eye has scanned
The beaconed rocks, the wave-girt hills of sand,
Have ye not marked one elm-o'ershadowed isle,
Round as the dimple chased in beauty's smile,--
A stain of verdure on an azure field,
Set like a jewel in a battered shield?
Fixed in the narrow gorge of Ocean's path,
Peaceful it meets him in his hour of wrath;
When the mailed Titan, scourged by hissing gales,
Writhes in his glistening coat of clashing scales,
The storm-beat island spreads its tranquil green,
Calm as an emerald on an angry queen.
So fair when distant should be fairer near;
A boat shall waft us from the outstretched pier.
The breeze blows fresh; we reach the island's edge,
Our shallop rustling through the yielding sedge.
No welcome greets us on the desert isle;
Those elms, far-shadowing, hide no stately pile
Yet these green ridges mark an ancient road;
And to! the traces of a fair abode;
The long gray line that marks a garden-wall,
And heaps of fallen beams,--fire-branded all.

Who sees unmoved, a ruin at his feet,
The lowliest home where human hearts have beat?
Its hearthstone, shaded with the bistre stain
A century's showery torrents wash in vain;
Its starving orchard, where the thistle blows
And mossy trunks still mark the broken rows;
Its chimney-loving poplar, oftenest seen
Next an old roof, or where a roof has been;
Its knot-grass, plantain,--all the social weeds,
Man's mute companions, following where he leads;
Its dwarfed, pale flowers, that show their straggling heads,
Sown by the wind from grass-choked garden-beds;
Its woodbine, creeping where it used to climb;
Its roses, breathing of the olden time;
All the poor shows the curious idler sees,
As life's thin shadows waste by slow degrees,
Till naught remains, the saddening tale to tell,
Save home's last wrecks,--the cellar and the well?

And whose the home that strews in black decay
The one green-glowing island of the bay?
Some dark-browed pirate's, jealous of the fate
That seized the strangled wretch of 'Nix's Mate'?
Some forger's, skulking in a borrowed name,
Whom Tyburn's dangling halter yet may claim?
Some wan-eyed exile's, wealth and sorrow's heir,
Who sought a lone retreat for tears and prayer?
Some brooding poet's, sure of deathless fame,
Had not his epic perished in the flame?
Or some gray wooer's, whom a girlish frown
Chased from his solid friends and sober town?
Or some plain tradesman's, fond of shade and ease,
Who sought them both beneath these quiet trees?
Why question mutes no question can unlock,
Dumb as the legend on the Dighton rock?
One thing at least these ruined heaps declare,--
They were a shelter once; a man lived there.

But where the charred and crumbling records fail,
Some breathing lips may piece the half-told tale;
No man may live with neighbors such as these,
Though girt with walls of rock and angry seas,
And shield his home, his children, or his wife,
His ways, his means, his vote, his creed, his life,
From the dread sovereignty of Ears and Eyes
And the small member that beneath them lies.
They told strange things of that mysterious man;
Believe who will, deny them such as can;
Why should we fret if every passing sail
Had its old seaman talking on the rail?
The deep-sunk schooner stuffed with Eastern lime,
Slow wedging on, as if the waves were slime;
The knife-edged clipper with her ruffled spars,
The pawing steamer with her inane of stars,
The bull-browed galliot butting through the stream,
The wide-sailed yacht that slipped along her beam,
The deck-piled sloops, the pinched chebacco-boats,
The frigate, black with thunder-freighted throats,
All had their talk about the lonely man;
And thus, in varying phrase, the story ran.
His name had cost him little care to seek,
Plain, honest, brief, a decent name to speak,
Common, not vulgar, just the kind that slips
With least suggestion from a stranger's lips.
His birthplace England, as his speech might show,
Or his hale cheek, that wore the red-streak's glow;
His mouth sharp-moulded; in its mirth or scorn
There came a flash as from the milky corn,
When from the ear you rip the rustling sheath,
And the white ridges show their even teeth.
His stature moderate, but his strength confessed,
In spite of broadcloth, by his ample breast;
Full-armed, thick-handed; one that had been strong,
And might be dangerous still, if things went wrong.
He lived at ease beneath his elm-trees' shade,
Did naught for gain, yet all his debts were paid;
Rich, so 't was thought, but careful of his store;
Had all he needed, claimed to have no more.

But some that lingered round the isle at night
Spoke of strange stealthy doings in their sight;
Of creeping lonely visits that he made
To nooks and corners, with a torch and spade.
Some said they saw the hollow of a cave;
One, given to fables, swore it was a grave;
Whereat some shuddered, others boldly cried,
Those prowling boatmen lied, and knew they lied.
They said his house was framed with curious cares,
Lest some old friend might enter unawares;
That on the platform at his chamber's door
Hinged a loose square that opened through the floor;
Touch the black silken tassel next the bell,
Down, with a crash, the flapping trap-door fell;
Three stories deep the falling wretch would strike,
To writhe at leisure on a boarder's pike.
By day armed always; double-armed at night,

His tools lay round him; wake him such as might.
A carbine hung beside his India fan,
His hand could reach a Turkish ataghan;
Pistols, with quaint-carved stocks and barrels gilt,
Crossed a long dagger with a jewelled hilt;
A slashing cutlass stretched along the bed;--
All this was what those lying boatmen said.
Then some were full of wondrous stories told
Of great oak chests and cupboards full of gold;
Of the wedged ingots and the silver bars
That cost old pirates ugly sabre-scars;
How his laced wallet often would disgorge
The fresh-faced guinea of an English George,
Or sweated ducat, palmed by Jews of yore,
Or double Joe, or Portuguese moidore;
And how his finger wore a rubied ring
Fit for the white-necked play-girl of a king.
But these fine legends, told with staring eyes,
Met with small credence from the old and wise.

Why tell each idle guess, each whisper vain?
Enough: the scorched and cindered beams remain.
He came, a silent pilgrim to the West,
Some old-world mystery throbbing in his breast;
Close to the thronging mart he dwelt alone;
He lived; he died. The rest is all unknown.

Stranger, whose eyes the shadowy isle survey,
As the black steamer dashes through the bay,
Why ask his buried secret to divine?
He was thy brother; speak, and tell us thine!

. . . . . . . . . . .

Silence at first, a kind of spell-bound pause;
Then all the Teacups tinkled their applause;
When that was hushed no sound the stillness broke
Till once again the soft-voiced lady spoke:

'The Lover's Secret,--surely that must need
The youngest voice our table holds to read.
Which of our two 'Annexes' shall we choose?
Either were charming, neither will refuse;
But choose we must,--what better can we do
Than take the younger of the youthful two?'

True to the primal instinct of her sex,
'Why, that means me,' half whispered each Annex.
'What if it does?' the voiceless question came,
That set those pale New England cheeks aflame;
'Our old-world scholar may have ways to teach
Of Oxford English, Britain's purest speech,--
She shall be youngest,--youngest for _to-day_,--
Our dates we'll fix hereafter as we may;
_All rights reserved_,--the words we know so well,
That guard the claims of books which never sell.'
The British maiden bowed a pleased assent,
Her two long ringlets swinging as she bent;
The glistening eyes her eager soul looked through
Betrayed her lineage in their Saxon blue.
Backward she flung each too obtrusive curl
And thus began,--the rose-lipped English girl.

A Family Record

WOODSTOCK, CONN., JULY 4, 1877

NOT to myself this breath of vesper song,
Not to these patient friends, this kindly throng,
Not to this hallowed morning, though it be
Our summer Christmas, Freedom's jubilee,
When every summit, topmast, steeple, tower,
That owns her empire spreads her starry flower,
Its blood-streaked leaves in heaven's benignant dew
Washed clean from every crimson stain they knew,--
No, not to these the passing thrills belong
That steal my breath to hush themselves with song.
These moments all are memory's; I have come
To speak with lips that rather should be dumb;
For what are words? At every step I tread
The dust that wore the footprints of the dead
But for whose life my life had never known
This faded vesture which it calls its own.
Here sleeps my father's sire, and they who gave
That earlier life here found their peaceful grave.
In days gone by I sought the hallowed ground;
Climbed yon long slope; the sacred spot I found
Where all unsullied lies the winter snow,
Where all ungathered spring's pale violets blow,
And tracked from stone to stone the Saxon name
That marks the blood I need not blush to claim,
Blood such as warmed the Pilgrim sons of toil,
Who held from God the charter of the soil.
I come an alien to your hills and plains,
Yet feel your birthright tingling in my veins;
Mine are this changing prospect's sun and shade,
In full-blown summer's bridal pomp arrayed;
Mine these fair hillsides and the vales between;
Mine the sweet streams that lend their brightening green;
I breathed your air--the sunlit landscape smiled;
I touch your soil--it knows its children's child;
Throned in my heart your heritage is mine;
I claim it all by memory's right divine
Waking, I dream. Before my vacant eyes
In long procession shadowy forms arise;
Far through the vista of the silent years
I see a venturous band; the pioneers,
Who let the sunlight through the forest's gloom,
Who bade the harvest wave, the garden bloom.
Hark! loud resounds the bare-armed settler's axe,
See where the stealthy panther left his tracks!
As fierce, as stealthy creeps the skulking foe
With stone-tipped shaft and sinew-corded bow;
Soon shall he vanish from his ancient reign,
Leave his last cornfield to the coming train,
Quit the green margin of the wave he drinks,
For haunts that hide the wild-cat and the lynx.

But who the Youth his glistening axe that swings
To smite the pine that shows a hundred rings?
His features?--something in his look I find
That calls the semblance of my race to mind.
His name?--my own; and that which goes before
The same that once the loved disciple bore.
Young, brave, discreet, the father of a line
Whose voiceless lives have found a voice in mine;
Thinned by unnumbered currents though they be,
Thanks for the ruddy drops I claim from thee!

The seasons pass; the roses come and go;
Snows fall and melt; the waters freeze and flow;
The boys are men; the girls, grown tall and fair,
Have found their mates; a gravestone here and there
Tells where the fathers lie; the silvered hair
Of some bent patriarch yet recalls the time
That saw his feet the northern hillside climb,
A pilgrim from the pilgrims far away,
The godly men, the dwellers by the bay.
On many a hearthstone burns the cheerful fire;
The schoolhouse porch, the heavenward pointing spire
Proclaim in letters every eye can read,
Knowledge and Faith, the new world's simple creed.
Hush! 't is the Sabbath's silence-stricken morn
No feet must wander through the tasselled corn;
No merry children laugh around the door,
No idle playthings strew the sanded floor;
The law of Moses lays its awful ban
On all that stirs; here comes the tithing-man
At last the solemn hour of worship calls;
Slowly they gather in the sacred walls;
Man in his strength and age with knotted staff,
And boyhood aching for its week-day laugh,
The toil-worn mother with the child she leads,
The maiden, lovely in her golden beads,--
The popish symbols round her neck she wears,
But on them counts her lovers, not her prayers,--
Those youths in homespun suits and ribboned queues,
Whose hearts are beating in the high-backed pews.
The pastor rises; looks along the seats
With searching eye; each wonted face he meets;
Asks heavenly guidance; finds the chapter's place
That tells some tale of Israel's stubborn race;
Gives out the sacred song; all voices join,
For no quartette extorts their scanty coin;
Then while both hands their black-gloved palms display,
Lifts his gray head, and murmurs, 'Let us pray!'
And pray he does! as one that never fears
To plead unanswered by the God that hears;
What if he dwells on many a fact as though
Some things Heaven knew not which it ought to know,--
Thanks God for all his favors past, and yet,
Tells Him there's something He must not forget;
Such are the prayers his people love to hear,--
See how the Deacon slants his listening ear!
What! look once more! Nay, surely there I trace
The hinted outlines of a well-known face!
Not those the lips for laughter to beguile,
Yet round their corners lurks an embryo smile,
The same on other lips my childhood knew
That scarce the Sabbath's mastery could subdue.
Him too my lineage gives me leave to claim,--
The good, grave man that bears the Psalmist's name.

And still in ceaseless round the seasons passed;
Spring piped her carol; Autumn blew his blast;
Babes waxed to manhood; manhood shrunk to age;
Life's worn-out players tottered off the stage;
The few are many; boys have grown to men
Since Putnam dragged the wolf from Pomfret's den;
Our new-old Woodstock is a thriving town;
Brave are her children; faithful to the crown;
Her soldiers' steel the savage redskin knows;
Their blood has crimsoned his Canadian snows.
And now once more along the quiet vale
Rings the dread call that turns the mothers pale;
Full well they know the valorous heat that runs
In every pulse-beat of their loyal sons;
Who would not bleed in good King George's cause
When England's lion shows his teeth and claws?
With glittering firelocks on the village green
In proud array a martial band is seen;
You know what names those ancient rosters hold,--
Whose belts were buckled when the drum-beat rolled,--
But mark their Captain! tell us, who is he?
On his brown face that same old look I see
Yes! from the homestead's still retreat he came,
Whose peaceful owner bore the Psalmist's name;
The same his own. Well, Israel's glorious king
Who struck the harp could also whirl the sling,--
Breathe in his song a penitential sigh
And smite the sons of Amalek hip and thigh:
These shared their task; one deaconed out the psalm,
One slashed the scalping hell-hounds of calm;
The praying father's pious work is done,
Now sword in hand steps forth the fighting son.
On many a field he fought in wilds afar;
See on his swarthy cheek the bullet's scar!
There hangs a murderous tomahawk; beneath,
Without its blade, a knife's embroidered sheath;
Save for the stroke his trusty weapon dealt
His scalp had dangled at their owner's belt;
But not for him such fate; he lived to see
The bloodier strife that made our nation free,
To serve with willing toil, with skilful hand,
The war-worn saviors of the bleeding land.
His wasting life to others' needs he gave,--
Sought rest in home and found it in the grave.
See where the stones life's brief memorials keep,
The tablet telling where he 'fell on sleep,'--
Watched by a winged cherub's rayless eye,--
A scroll above that says we all must die,--
Those saddening lines beneath, the 'Night-Thoughts' lent:
So stands the Soldier's, Surgeon's monument.
Ah! at a glance my filial eye divines
The scholar son in those remembered lines.

The Scholar Son. His hand my footsteps led.
No more the dim unreal past I tread.
O thou whose breathing form was once so dear,
Whose cheering voice was music to my ear,
Art thou not with me as my feet pursue
The village paths so well thy boyhood knew,
Along the tangled margin of the stream
Whose murmurs blended with thine infant dream,
Or climb the hill, or thread the wooded vale,
Or seek the wave where gleams yon distant sail,
Or the old homestead's narrowed bounds explore,
Where sloped the roof that sheds the rains no more,
Where one last relic still remains to tell
Here stood thy home,--the memory-haunted well,
Whose waters quench a deeper thirst than thine,
Changed at my lips to sacramental wine,--
Art thou not with me, as I fondly trace
The scanty records of thine honored race,
Call up the forms that earlier years have known,
And spell the legend of each slanted stone?
With thoughts of thee my loving verse began,
Not for the critic's curious eye to scan,
Not for the many listeners, but the few
Whose fathers trod the paths my fathers knew;
Still in my heart thy loved remembrance burns;
Still to my lips thy cherished name returns;
Could I but feel thy gracious presence near
Amid the groves that once to thee were dear
Could but my trembling lips with mortal speech
Thy listening ear for one brief moment reach!
How vain the dream! The pallid voyager's track
No sign betrays; he sends no message back.
No word from thee since evening's shadow fell
On thy cold forehead with my long farewell,--
Now from the margin of the silent sea,
Take my last offering ere I cross to thee!

Poem At The Centennial Anniversary Dinner Of The Massachusetts Medical Society

JUNE 8, 1881

THREE paths there be where Learning's favored sons,
Trained in the schools which hold her favored ones,
Follow their several stars with separate aim;
Each has its honors, each its special claim.
Bred in the fruitful cradle of the East,
First, as of oldest lineage, comes the Priest;
The Lawyer next, in wordy conflict strong,
Full armed to battle for the right,--or wrong;
Last, he whose calling finds its voice in deeds,
Frail Nature's helper in her sharpest needs.

Each has his gifts, his losses and his gains,
Each his own share of pleasures and of pains;
No life-long aim with steadfast eye pursued
Finds a smooth pathway all with roses strewed;
Trouble belongs to man of woman born,--
Tread where he may, his foot will find its thorn.

Of all the guests at life's perennial feast,
Who of her children sits above the Priest?
For him the broidered robe, the carven seat,
Pride at his beck, and beauty at his feet,
For him the incense fumes, the wine is poured,
Himself a God, adoring and adored!
His the first welcome when our hearts rejoice,
His in our dying ear the latest voice,
Font, altar, grave, his steps on all attend,
Our staff, our stay, our all but heavenly friend!

Where is the meddling hand that dares to probe
The secret grief beneath his sable robe?
How grave his port! how every gesture tells
Here truth abides, here peace forever dwells;
Vex not his lofty soul with comments vain;
Faith asks no questions; silence, ye profane!

Alas! too oft while all is calm without
The stormy spirit wars with endless doubt;
This is the mocking spectre, scarce concealed
Behind tradition's bruised and battered shield.
He sees the sleepless critic, age by age,
Scrawl his new readings on the hallowed page,
The wondrous deeds that priests and prophets saw
Dissolved in legend, crystallized in law,
And on the soil where saints and martyrs trod
Altars new builded to the Unknown God;
His shrines imperilled, his evangels torn,--
He dares not limp, but ah! how sharp his thorn!

Yet while God's herald questions as he reads
The outworn dogmas of his ancient creeds,
Drops from his ritual the exploded verse,
Blots from its page the Athanasian curse,
Though by the critic's dangerous art perplexed,
His holy life is Heaven's unquestioned text;
That shining guidance doubt can never mar,--
The pillar's flame, the light of Bethlehem's star!


Strong is the moral blister that will draw
Laid on the conscience of the Man of Law
Whom blindfold Justice lends her eyes to see
Truth in the scale that holds his promised fee.
What! Has not every lie its truthful side,
Its honest fraction, not to be denied?
Per contra,--ask the moralist,--in sooth
Has not a lie its share in every truth?
Then what forbids an honest man to try
To find the truth that lurks in every lie,
And just as fairly call on truth to yield
The lying fraction in its breast concealed?
So the worst rogue shall claim a ready friend
His modest virtues boldly to defend,
And he who shows the record of a saint
See himself blacker than the devil could paint.

What struggles to his captive soul belong
Who loves the right, yet combats for the wrong,
Who fights the battle he would fain refuse,
And wins, well knowing that he ought to lose,
Who speaks with glowing lips and look sincere
In spangled words that make the worse appear
The better reason; who, behind his mask,
Hides his true self and blushes at his task,--
What quips, what quillets cheat the inward scorn
That mocks such triumph? Has he not his thorn?

Yet stay thy judgment; were thy life the prize,
Thy death the forfeit, would thy cynic eyes
See fault in him who bravely dares defend
The cause forlorn, the wretch without a friend
Nay, though the rightful side is wisdom's choice,
Wrong has its rights and claims a champion's voice;
Let the strong arm be lifted for the weak,
For the dumb lips the fluent pleader speak;--
When with warm 'rebel' blood our street was dyed
Who took, unawed, the hated hirelings' side?
No greener civic wreath can Adams claim,
No brighter page the youthful Quincy's name!


How blest is he who knows no meaner strife
Than Art's long battle with the foes of life!
No doubt assails him, doing still his best,
And trusting kindly Nature for the rest;
No mocking conscience tears the thin disguise
That wraps his breast, and tells him that he lies.
He comes: the languid sufferer lifts his head
And smiles a welcome from his weary bed;
He speaks: what music like the tones that tell,
'Past is the hour of danger,--all is well!'
How can he feel the petty stings of grief
Whose cheering presence always brings relief?
What ugly dreams can trouble his repose
Who yields himself to soothe another's woes?

Hour after hour the busy day has found
The good physician on his lonely round;
Mansion and hovel, low and lofty door,
He knows, his journeys every path explore,--
Where the cold blast has struck with deadly chill
The sturdy dweller on the storm-swept hill,
Where by the stagnant marsh the sickening gale
Has blanched the poisoned tenants of the vale,
Where crushed and maimed the bleeding victim lies,
Where madness raves, where melancholy sighs,
And where the solemn whisper tells too plain
That all his science, all his art, were vain.

How sweet his fireside when the day is done
And cares have vanished with the setting sun!
Evening at last its hour of respite brings
And on his couch his weary length he flings.
Soft be thy pillow, servant of mankind,
Lulled by an opiate Art could never find;
Sweet be thy slumber,--thou hast earned it well,--
Pleasant thy dreams! Clang! goes the midnight bell!

Darkness and storm! the home is far away
That waits his coming ere the break of day;
The snow-clad pines their wintry plumage toss,--
Doubtful the frozen stream his road must cross;
Deep lie the drifts, the slanted heaps have shut
The hardy woodman in his mountain hut,--
Why should thy softer frame the tempest brave?
Hast thou no life, no health, to lose or save?
Look! read the answer in his patient eyes,--
For him no other voice when suffering cries;
Deaf to the gale that all around him blows,
A feeble whisper calls him,--and he goes.

Or seek the crowded city,--summer's heat
Glares burning, blinding, in the narrow street,
Still, noisome, deadly, sleeps the envenomed air,
Unstirred the yellow flag that says 'Beware!'
Tempt not thy fate,--one little moment's breath
Bears on its viewless wing the seeds of death;
Thou at whose door the gilded chariots stand,
Whose dear-bought skill unclasps the miser's hand,
Turn from thy fatal quest, nor cast away
That life so precious; let a meaner prey
Feed the destroyer's hunger; live to bless
Those happier homes that need thy care no less!

Smiling he listens; has he then a charm
Whose magic virtues peril can disarm?
No safeguard his; no amulet he wears,
Too well he knows that Nature never spares
Her truest servant, powerless to defend
From her own weapons her unshrinking friend.
He dares the fate the bravest well might shun,
Nor asks reward save only Heaven's 'Well done!'

Such are the toils, the perils that he knows,
Days without rest and nights without repose,
Yet all unheeded for the love he bears
His art, his kind, whose every grief he shares.

Harder than these to know how small the part
Nature's proud empire yields to striving Art;
How, as the tide that rolls around the sphere
Laughs at the mounds that delving arms uprear,--
Spares some few roods of oozy earth, but still
Wastes and rebuilds the planet at its will,
Comes at its ordered season, night or noon,
Led by the silver magnet of the moon,--
So life's vast tide forever comes and goes,
Unchecked, resistless, as it ebbs and flows.

Hardest of all, when Art has done her best,
To find the cuckoo brooding in her nest;
The shrewd adventurer, fresh from parts unknown,
Kills off the patients Science thought her own;
Towns from a nostrum-vender get their name,
Fences and walls the cure-all drug proclaim,
Plasters and pads the willing world beguile,
Fair Lydia greets us with astringent smile,
Munchausen's fellow-countryman unlocks
His new Pandora's globule-holding box,
And as King George inquired, with puzzled grin,
'How--how the devil get the apple in?'
So we ask how,--with wonder-opening eyes,--
Such pygmy pills can hold such giant lies!

Yes, sharp the trials, stern the daily tasks
That suffering Nature from her servant asks;
His the kind office dainty menials scorn,
His path how hard,--at every step a thorn!
What does his saddening, restless slavery buy?
What save a right to live, a chance to die,--
To live companion of disease and pain,
To die by poisoned shafts untimely slain?

Answer from hoary eld, majestic shades,--
From Memphian courts, from Delphic colonnades,
Speak in the tones that Persia's despot heard
When nations treasured every golden word
The wandering echoes wafted o'er the seas,
From the far isle that held Hippocrates;
And thou, best gift that Pergamus could send
Imperial Rome, her noblest Caesar's friend,
Master of masters, whose unchallenged sway
Not bold Vesalius dared to disobey;
Ye who while prophets dreamed of dawning times
Taught your rude lessons in Salerno's rhymes,
And ye, the nearer sires, to whom we owe
The better share of all the best we know,
In every land an ever-growing train,
Since wakening Science broke her rusted chain,--
Speak from the past, and say what prize was sent
To crown the toiling years so freely spent!

List while they speak:
In life's uneven road
Our willing hands have eased our brothers' load;
One forehead smoothed, one pang of torture less,
One peaceful hour a sufferer's couch to bless,
The smile brought back to fever's parching lips,
The light restored to reason in eclipse,
Life's treasure rescued like a burning brand
Snatched from the dread destroyer's wasteful hand;
Such were our simple records day by day,
For gains like these we wore our lives away.
In toilsome paths our daily bread we sought,
But bread from heaven attending angels brought;
Pain was our teacher, speaking to the heart,
Mother of pity, nurse of pitying art;
Our lesson learned, we reached the peaceful shore
Where the pale sufferer asks our aid no more,--
These gracious words our welcome, our reward
Ye served your brothers; ye have served your Lord!

The Banker’s Secret

THE Banker's dinner is the stateliest feast
The town has heard of for a year, at least;
The sparry lustres shed their broadest blaze,
Damask and silver catch and spread the rays;
The florist's triumphs crown the daintier spoil
Won from the sea, the forest, or the soil;
The steaming hot-house yields its largest pines,
The sunless vaults unearth their oldest wines;
With one admiring look the scene survey,
And turn a moment from the bright display.

Of all the joys of earthly pride or power,
What gives most life, worth living, in an hour?
When Victory settles on the doubtful fight
And the last foeman wheels in panting flight,
No thrill like this is felt beneath the sun;
Life's sovereign moment is a battle won.
But say what next? To shape a Senate's choice,
By the strong magic of the master's voice;
To ride the stormy tempest of debate
That whirls the wavering fortunes of the state.
Third in the list, the happy lover's prize
Is won by honeyed words from women's eyes.
If some would have it first instead of third,
So let it be,--I answer not a word.
The fourth,--sweet readers, let the thoughtless half
Have its small shrug and inoffensive laugh;
Let the grave quarter wear its virtuous frown,
The stern half-quarter try to scowl us down;
But the last eighth, the choice and sifted few,
Will hear my words, and, pleased, confess them true.

Among the great whom Heaven has made to shine,
How few have learned the art of arts,--to dine!
Nature, indulgent to our daily need,
Kind-hearted mother! taught us all to feed;
But the chief art,--how rarely Nature flings
This choicest gift among her social kings
Say, man of truth, has life a brighter hour
Than waits the chosen guest who knows his power?
He moves with ease, itself an angel charm,--
Lifts with light touch my lady's jewelled arm,
Slides to his seat, half leading and half led,
Smiling but quiet till the grace is said,
Then gently kindles, while by slow degrees
Creep softly out the little arts that please;
Bright looks, the cheerful language of the eye,
The neat, crisp question and the gay reply,--
Talk light and airy, such as well may pass
Between the rested fork and lifted glass;--
With play like this the earlier evening flies,
Till rustling silks proclaim the ladies rise.
His hour has come,--he looks along the chairs,
As the Great Duke surveyed his iron squares.
That's the young traveller,--is n't much to show,--
Fast on the road, but at the table slow.
Next him,--you see the author in his look,--
His forehead lined with wrinkles like a book,--
Wrote the great history of the ancient Huns,--
Holds back to fire among the heavy guns.
Oh, there's our poet seated at his side,
Beloved of ladies, soft, cerulean-eyed.
Poets are prosy in their common talk,
As the fast trotters, for the most part, walk.
And there's our well-dressed gentleman, who sits,
By right divine, no doubt, among the wits,
Who airs his tailor's patterns when he walks,
The man that often speaks, but never talks.
Why should he talk, whose presence lends a grace
To every table where he shows his face?
He knows the manual of the silver fork,
Can name his claret--if he sees the cork,--
Remark that 'White-top' was considered fine,
But swear the 'Juno' is the better wine;--
Is not this talking? Ask Quintilian's rules;
If they say No, the town has many fools.
Pause for a moment,--for our eyes behold
The plain unsceptred king, the man of gold,
The thrice illustrious threefold millionnaire;
Mark his slow-creeping, dead, metallic stare;
His eyes, dull glimmering, like the balance-pan
That weighs its guinea as he weighs his man.
Who's next? An artist in a satin tie
Whose ample folds defeat the curious eye.
And there 's the cousin,--must be asked, you know,--
Looks like a spinster at a baby-show.
Hope he is cool,--they set him next the door,--
And likes his place, between the gap and bore.
Next comes a Congressman, distinguished guest
We don't count him,--they asked him with the rest;
And then some white cravats, with well-shaped ties,
And heads above them which their owners prize.

Of all that cluster round the genial board,
Not one so radiant as the banquet's lord.
Some say they fancy, but they know not why,
A shade of trouble brooding in his eye,
Nothing, perhaps,--the rooms are overhot,--
Yet see his cheek,--the dull-red burning spot,--
Taste the brown sherry which he does not pass,--
Ha! That is brandy; see him fill his glass!
But not forgetful of his feasting friends,
To each in turn some lively word he sends;
See how he throws his baited lines about,
And plays his men as anglers play their trout.
A question drops among the listening crew
And hits the traveller, pat on Timbuctoo.
We're on the Niger, somewhere near its source,--
Not the least hurry, take the river's course
Through Kissi, Foota, Kankan, Bammakoo,
Bambarra, Sego, so to Timbuctoo,
Thence down to Youri;--stop him if we can,
We can't fare worse,--wake up the Congressman!
The Congressman, once on his talking legs,
Stirs up his knowledge to its thickest dregs;
Tremendous draught for dining men to quaff!
Nothing will choke him but a purpling laugh.
A word,--a shout,--a mighty roar,--'t is done;
Extinguished; lassoed by a treacherous pun.
A laugh is priming to the loaded soul;
The scattering shots become a steady roll,
Broke by sharp cracks that run along the line,
The light artillery of the talker's wine.
The kindling goblets flame with golden dews,
The hoarded flasks their tawny fire diffuse,
And the Rhine's breast-milk gushes cold and bright,
Pale as the moon and maddening as her light;
With crimson juice the thirsty southern sky
Sucks from the hills where buried armies lie,
So that the dreamy passion it imparts
Is drawn from heroes' bones and lovers' hearts.
But lulls will come; the flashing soul transmits
Its gleams of light in alternating fits.
The shower of talk that rattled down amain
Ends in small patterings like an April's rain;

With the dry sticks all bonfires are begun;
Bring the first fagot, proser number one
The voices halt; the game is at a stand;
Now for a solo from the master-hand
'T is but a story,--quite a simple thing,--
An aria touched upon a single string,
But every accent comes with such a grace
The stupid servants listen in their place,
Each with his waiter in his lifted hands,
Still as a well-bred pointer when he stands.
A query checks him: 'Is he quite exact?'
(This from a grizzled, square-jawed man of fact.)
The sparkling story leaves him to his fate,
Crushed by a witness, smothered with a date,
As a swift river, sown with many a star,
Runs brighter, rippling on a shallow bar.
The smooth divine suggests a graver doubt;
A neat quotation bowls the parson out;
Then, sliding gayly from his own display,
He laughs the learned dulness all away.
So, with the merry tale and jovial song,
The jocund evening whirls itself along,
Till the last chorus shrieks its loud encore,
And the white neckcloths vanish through the door.

One savage word!--The menials know its tone,
And slink away; the master stands alone.
'Well played, by ---'; breathe not what were best unheard;
His goblet shivers while he speaks the word,--
'If wine tells truth,--and so have said the wise,--
It makes me laugh to think how brandy lies!
Bankrupt to-morrow,--millionnaire to-day,--
The farce is over,--now begins the play!'
The spring he touches lets a panel glide;
An iron closet harks beneath the slide,
Bright with such treasures as a search might bring
From the deep pockets of a truant king.
Two diamonds, eyeballs of a god of bronze,
Bought from his faithful priest, a pious bonze;
A string of brilliants; rubies, three or four;
Bags of old coin and bars of virgin ore;
A jewelled poniard and a Turkish knife,
Noiseless and useful if we come to strife.
Gone! As a pirate flies before the wind,
And not one tear for all he leaves behind
From all the love his better years have known
Fled like a felon,--ah! but not alone!
The chariot flashes through a lantern's glare,--
Oh the wild eyes! the storm of sable hair!
Still to his side the broken heart will cling,--
The bride of shame, the wife without the ring
Hark, the deep oath,--the wail of frenzied woe,--
Lost! lost to hope of Heaven and peace below!

He kept his secret; but the seed of crime
Bursts of itself in God's appointed time.
The lives he wrecked were scattered far and wide;
One never blamed nor wept,--she only died.
None knew his lot, though idle tongues would say
He sought a lonely refuge far away,
And there, with borrowed name and altered mien,
He died unheeded, as he lived unseen.
The moral market had the usual chills
Of Virtue suffering from protested bills;
The White Cravats, to friendship's memory true,
Sighed for the past, surveyed the future too;
Their sorrow breathed in one expressive line,--
'Gave pleasant dinners; who has got his wine?'

. . . . . . . . . . . . . .

The reader paused,--the Teacups knew his ways,--
He, like the rest, was not averse to praise.
Voices and hands united; every one
Joined in approval: 'Number Three, well done!'

'Now for the Exile's story; if my wits
Are not at fault, his curious record fits
Neatly as sequel to the tale we've heard;
Not wholly wild the fancy, nor absurd
That this our island hermit well might be
That story's hero, fled from over sea.
Come, Number Seven, we would not have you strain
The fertile powers of that inventive brain.
Read us 'The Exile's Secret'; there's enough
Of dream-like fiction and fantastic stuff
In the strange web of mystery that invests
The lonely isle where sea birds build their nests.'

'Lies! naught but lies!' so Number Seven began,--
No harm was known of that secluded man.
He lived alone,--who would n't if he might,
And leave the rogues and idiots out of sight?
A foolish story,--still, I'll do my best,--
The house was real,--don't believe the rest.
How could a ruined dwelling last so long
Without its legends shaped in tale and song?
Who was this man of whom they tell the lies?
Perhaps--why not?--NAPOLEON! in disguise,--
So some said, kidnapped from his ocean coop,
Brought to this island in a coasting sloop,--
Meanwhile a sham Napoleon in his place
Played Nap. and saved Sir Hudson from disgrace.
Such was one story; others used to say,
'No,--not Napoleon,--it was Marshal Ney.'
'Shot?' Yes, no doubt, but not with balls of lead,
But balls of pith that never shoot folks dead.
He wandered round, lived South for many a year,
At last came North and fixed his dwelling here.
Choose which you will of all the tales that pile
Their mingling fables on the tree-crowned isle.
Who wrote this modest version I suppose
That truthful Teacup, our Dictator, knows;
Made up of various legends, it would seem,
The sailor's yarn, the crazy poet's dream.
Such tales as this, by simple souls received,
At first are stared at and at last believed;
From threads like this the grave historians try
To weave their webs, and never know they lie.
Hear, then, the fables that have gathered round
The lonely home an exiled stranger found.

Astraea: The Balance Of Illusions

WHAT secret charm, long whispering in mine ear,
Allures, attracts, compels, and chains me here,
Where murmuring echoes call me to resign
Their sacred haunts to sweeter lips than mine;
Where silent pathways pierce the solemn shade,
In whose still depths my feet have never strayed;
Here, in the home where grateful children meet
And I, half alien, take the stranger's seat,
Doubting, yet hoping that the gift I bear
May keep its bloom in this unwonted air?
Hush, idle fancy, with thy needless art,
Speak from thy fountains, O my throbbing
heart!

Say, shall I trust these trembling lips to tell
The fireside tale that memory knows so well?
How, in the days of Freedom's dread campaign,
A home-bred schoolboy left his village plain,
Slow faring southward, till his wearied feet
Pressed the worn threshold of this fair retreat;
How, with his comely face and gracious mien,
He joined the concourse of the classic green,
Nameless, unfriended, yet by nature blest
With the rich tokens that she loves the best;
The flowing locks, his youth's redundant crown,
Smoothed o'er a brow unfurrowed by a frown;
The untaught smile that speaks so passing
plain A world all hope, a past without a stain;
The clear-hued cheek, whose burning current glows
Crimson in action, carmine in repose;
Gifts such as purchase, with unminted gold,
Smiles from the young and blessings from the old.

Say, shall my hand with pious love restore
The faint, far pictures time beholds no more?
How the grave Senior, he whose later fame
Stamps on our laws his own undying name,
Saw from on high, with half paternal joy,
Some spark of promise in the studious boy,
And bade him enter, with benignant tone,
Those stately precincts which he called his own,
Where the fresh student and the youthful sage
Read by one taper from the common page;
How the true comrade, whose maturer date
Graced the Urge honors of his ancient State,
Sought his young friendship, which through every change
No time could weaken, no remove estrange;
How the great MASTER, reverend, solemn, wise,
Fixed on his face those calm, majestic eyes,
Full of grave meaning, where a child might read
The Hebraist's patience and the Pilgrim's creed,
But warm with flashes of parental fire
That drew the stripling to his second sire;
How kindness ripened, till the youth might dare
Take the low seat beside his sacred chair,
While the gray scholar, bending o'er the young,
Spelled the square types of Abraham's ancient tongue,
Or with mild rapture stooped devoutly o'er
His small coarse leaf, alive with curious lore:
Tales of grim judges, at whose awful beck
Flashed the broad blade across a royal neck,
Or learned dreams of Israel's long lost child
Found in the wanderer of the western wild.

Dear to his age were memories such as these,
Leaves of his June in life's autumnal breeze;
Such were the tales that won my boyish ear,
Told in low tones that evening loves to hear.

Thus in the scene I pass so lightly o'er,
Trod for a moment, then beheld no more,
Strange shapes and dim, unseen by other eyes,
Through the dark portals of the past arise;
I see no more the fair embracing throng,
I hear no echo to my saddened song,
No more I heed the kind or curious gaze,
The voice of blame, the rustling thrill of praise;
Alone, alone, the awful past I tread
White with the marbles of the slumbering dead;
One shadowy form my dreaming eyes behold
That leads my footsteps as it led of old,
One floating voice, amid the silence heard,
Breathes in my ear love's long unspoken word:
These are the scenes thy youthful eyes have known;
My heart's warm pulses claim them as its own!
The sapling, compassed in thy fingers' clasp,
My arms scarce circle in their twice-told grasp,
Vet in each leaf of yon o'ershadowing tree
I read a legend that was traced by thee.
Year after year the living: wave has beat
These smooth-worn channels with its trampling feet,
Yet in each line that scores the grassy sod
I see the pathway where thy feet have trod.
Though from the scene that hears my faltering lay.
The few that loved thee long have passed away,
Thy sacred presence all the landscape tills,
Its groves and plains and adamantine hills!
Ye who have known the sudden tears that flow,
Sad tears, yet sweet, the dews of twilight woe,
When, led by chance, your wandering eye has crossed
Some poor memorial of the loved and lost,
Bear with my weakness as I look around
On the dear relics of this holy ground,
These bowery cloisters, shadowed and serene,
My dreams have pictured ere mine eyes have seen.

And oh, forgive me, if the flower I brought
Droops in my hand beside this burning thought;
The hopes and fears that marked this destined hour,
The chill of doubt, the startled throb of power,
The flush of pride, the trembling glow of shame,
All fade away and leave my FATHER'S name!

What life is this, that spreads in sudden birth
Its plumes of light around a new-born earth?
Is this the sun that brought the unwelcome day,
Pallid and glimmering with hi- lifeless ray,
Or through the sash that bars yon narrow cage
Slanted, intrusive, on the opened page?
Is this soft breath the same complaining gale
That filled my slumbers with its murmuring wail?
Is this green mantle of elastic sod
The same brown desert with its frozen clod,
Where the last ridges of the dingy snow
Lie till the windflower blooms unstained below?

Thus to my heart its wonted tides return
When sullen Winter breaks his crystal urn,
And o'er the turf in wild profusion showers
Its dewy leaflets and ambrosial flowers.
In vacant rapture for a while I range
Through the wide scene of universal change,
Till, as the statue in its nerves of stone
Felt the new senses wakening one by one,
Each long closed inlet finds its destined ray
Through the dark curtain Spring has rent away.
I crush the buds the clustering lilacs bear;
The same sweet fragrance that I loved is there;
The same fresh hues each opening disk reveals;
Soft as of old each silken petal feels;
The birch's rind its flavor still retains,
Its boughs still ringing with the self-same strains;
Above, around, rekindling Nature claims
Her glorious altars wreathed in living flames;
Undimmed, unshadowed, far as morning shines
Feeds with fresh incense her eternal shrines.
Lost in her arms, her burning life I share,
Breathe the wild freedom of her perfumed air,
From Heaven's fair face the long-drawn shadows roll,
And all its sunshine floods my opening soul!

See, while I speak, my fireside joys return,
The lamp rekindles and the ashes burn,
The dream of summer fades before their ray,
As in red firelight sunshine dies away.
A two-fold picture; ere the first was gone,
The deepening outline of the next was drawn,
And wavering fancy hardly dares to choose
The first or last of her dissolving views.

No Delphic sage is wanted to divine
The shape of Truth beneath my gauzy line;
Yet there are truths, like schoolmates, once well known,
But half remembered, not enough to own,
That, lost from sight in life's bewildering train,
May be, like strangers, introduced again,
Dressed in new feathers, as from time to time
May please our friends, the milliners of rhyme.

Trust not, it says, the momentary hue
Whose false complexion paints the present view;
Red, yellow, violet stain the rainbow's light,
The prism dissolves, and all again is white.

But how, alas! among our eager race,
Shall smiling candor show her girlish face?
What place is secret to the meddling crew.
Whose trade is settling what we all shall do?
What verdict sacred from the busy fools,
That sell the jargon of their outlaw schools?
What pulpit certain to be never vexed
With libels sanctioned by a holy text?
Where, my country, is the spot that yields
The freedom fought for on a hundred fields?

Not one strong tyrant holds the servile chain,
Where all may vote and each may hope to reign;
One sturdy cord a single limb may bind.
And leave the captive only half confined,
But the free spirit finds its legs and wings
Tied with unnumbered Lilliputian strings,
Which, like the spider's undiscovered fold,
In countless meshes round the prisoner rolled,
With silken pressure that he scarce can feel,
Clamp every fibre as in bands of steel!

Hard is the task to point in civil phrase
One's own dear people s foolish works or ways;
Woe to the friend that marks a touchy fault,
Himself obnoxious to the world's assault!
Think what an earthquake is a nation's hiss.
That takes its circuit through a land like this;
Count with the census, would you be precise,
From sea to sea, from oranges to ice;
A thousand myriads are its virile lungs,
A thousand myriads its contralto tongues!

And oh, remember the indignant press;
Honey is bitter to its fond caress,
But the black venom that its hate lets fall
Would shame to sweetness the hyena's gall!

Briefly and gently let the task be tried
To touch some frailties on their tender side;
Not to dilate on each imagined wrong,
And spoil at once our temper and our song,
But once or twice a passing gleam to throw
On some rank failings ripe enough to show,
Patterns of others, made of common stuff,
The world will furnish parallels enough,
Such as bewilder their contracted view,
Who make one pupil do the work of two:
Who following nature, where her tracks divide.
Drive all their passions on the narrower side,
And pour the phials of their virtuous wrath
On half mankind that take the wider path.

Nature is liberal to her inmost soul,
She loves alike the tropic and the pole,
The storm's wild anthem, and the sunshine's calm,
The arctic fungus, and the desert palm;
Loves them alike, and wills that each maintain
Its destined share of her divided reign;
No creeping moss refuse her crystal gem,
No soaring pine her cloudy diadem!

Alas! her children, borrowing but in part
The flowing pulses of her generous heart,
Shame their kind mother with eternal strife
At all the crossings of their mingled life ;
Each age, each people finds its ready shifts
To quarrel stoutly o'er her choicest gifts.

History can tell of early ages dim,
When man's chief glory was in strength of limb;
Then the best patriot gave the hardest knocks,
The height of virtue was to fell an ox;
Ill fared the babe of questionable mould,
Whom its stern father happened to behold;
In vain the mother with her ample vest
Hid the poor nursling on her throbbing breast;
No tears could save him from the kitten's fate.
To live an insult to the warlike state.

This weakness passed, and nations owned once more,
Man was still human, measuring five feet four,
The anti-cripples ceased to domineer.
And owned Napoleon worth a grenadier.
In these mild times the ancient bully's sport
Would lead its hero to a well known court;
Olympian athletes, though the pride of Greece,
Must face the Justice if they broke the peace.
And valor find some inconvenient checks.
If strolling Thesens met Policeman X.

Yet when thy champion's stormy task is done,
The frigate silenced and the fortress won,
When toil-worn valor claims his laurel wreath.
His reeking cutlass slumbering in its sheath,
The fierce declaimer shall be heard once more.
Whose twang was smothered by the conflict's roar;
Heroes shall fall that strode unharmed away
Through the red heaps of many a doubtful day,
Hacked in his sermons, riddled in his prayers,
The broadcloth slashing what the broadsword spares!

Untaught by trial, ignorance might suppose
That all our fighting must be done with blows;
Alas! not so; between the lips and brain
A dread artillery masks its loaded train;
The smooth portcullis of the smiling face
Veils the grim battery with deceptive grace,
But in the flashes of its opened fire,
Truth, Honor, Justice, Peace and Love expire.

If generous fortune give me leave to choose
My saucy neighbors barefoot or in shoes,
I leave the hero blustering while he dares
On platforms furnished with posterior stairs,
Till prudence drives him to his 'earnest' legs
With large bequest of disappointed eggs,
And take the brawler whose unstudied dress
Becomes him better, and protects him less;
Give me the bullying of the scoundrel crew,
If swaggering virtue won't insult me too!

Come, let us breathe; a something not divine
Has mingled, bitter, with the flowing line.
Pause for a moment while our soul forgets
The noisy tribe in panta-loons or -lets;
Nor pass, ungrateful, by the debt we owe
To those who teach us half of all we know,
Not in rude license, or unchristian scorn,
But hoping, loving, pitying, while they warn!

Sweep out the pieces! Hound a careless room
The feather-duster follows up the broom;
If the last target took a round of grape
To knock its beauty something out of shape,
The next asks only, if the listener please,
A schoolboy's blowpipe and a gill of peas.

This creeping object, caught upon the brink
Of an old teacup, filled with muddy ink,
Lives on a leaf that buds from time to time
In certain districts of a temperate clime.
O'er this he toils in silent corners snug,
And leaves a track behind him, like a slug;
The leaves he stains a humbler tribe devours,
Thrown off in monthly or in weekly showers;
Himself kept savage on a starving fare,
Of such exuviae as his friends can spare.

Let the bug drop, and view him if we can
In his true aspect as a quasi man.
The little wretch, whose terebrating powers
Would bore a Paixhan in a dozen hours,
Is called a CRITIC by the heavy friends
That help to pay his minus dividends.
The pseudo-critic-editorial race
Owns no allegiance but the law of place;
Each to his region sticks through thick and thin,
Stiff as a beetle spiked upon a pin.
Plant him in Boston, and his sheet he fills
With all the slipslop of his threefold hills,
Talks as if Nature Kept her choicest smiles
Within his radius of a dozen miles,
And nations waited till his next Review
Had made it plain what Providence must do.
Would you believe him, water is not damp
Except in buckets with the Hingham stamp.
And Heaven should build the walls of Paradise
Of Quincy granite lined with Wenham ice.

But Hudson's banks, with more congenial skies,
Swell the small creature to alarming size:
A gayer pattern wraps his flowery chest,
A sham more brilliant sparkles on his breast,
An eyeglass, hanging from a gilded chain,
Taps the white leg that tips his rakish cane;
Strings of new names, the glories of the age,
Hang up to dry on his exterior page,
Titanic pygmies, shining lights obscure,
His favored sheets have managed to secure,
Whose wide renown beyond their own abode
Extends for miles along the Harlaem road;
New radiance lights his patronizing smile,
New airs distinguish his patrician style,
New sounds are mingled with his fatal hiss,
Oftenest 'provincial' and 'metropolis.'

He cry 'provincial' with imperious brow!
The half-bred rogue, that groomed his mother's cow!
Fed on coarse tubers and Aeolian beans
Till clownish manhood crept among his teens,
When, after washing and unheard of pains
To lard with phrases his refractory brains,
A third-rate college licked him to the shape,
Not of the scholar, but the scholar's ape!

God bless Manhattan! Let her fairly claim,
With all the honors due her ancient name,
Worth, wisdom, wealth, abounding and to spare,
Rags, riots, rogues, at least her honest share;
But not presume, because, by sad mischance,
The mobs of Paris wring the neck of France,
Fortune has ordered she shall turn the poise
Of thirty Empires with her Bowery boys!
The poorest hamlet on the mountain's side
Looks on her glories with a sister's pride;
When the first babes her fruitful ship-yards wean
Play round the breasts of Ocean's conquered queen,
The shout of millions, borne on every breeze,
Sweeps with EXCELSIOR o'er the enfranchised seas!

Yet not too rashly let her think to bind
Beneath her circlet all the nation's mind;
Our star-crowned mother, whose informing soul
Clings to no fragment, but pervades the whole,
Views with a smile the clerk of Maiden Lane,
Who takes her ventral ganglion for her brain!
No fables tell us of Minervas born
From bags of cotton or from sacks of corn;
The halls of Leyden Science used to cram,
While dulness snored in purse-proud Amsterdam!

But those old burghers had a foggy clime,
And better luck may come the second time;
What though some churls of doubtful sense declare
That poison lurks in her commercial air,
Her buds of genius dying premature,
From some malaria draining cannot cure;
Nay, that so dangerous is her golden soil,
Wnate'er she borrows she contrives to spoil;
That drooping minstrels in a few brief years
Lose their sweet voice, the gift of other spheres;
That wafted singing from their native shore,
They touch the Battery, and are heard no more;
By those twinned waves that wear the varied gleams
Beryl or sapphire mingles in their streams,
Till the fair sisters o'er her yellow sands,
Clasping their soft and snowy ruffled hands,
Lay on her footstool with their silver keys
Strength from the mountains, freedom from the seas,
Some future day may see her rise sublime
Above her counters, only give her time!

When our first Soldiers' swords of honor gild
The stately mansions that her tradesmen build;
When our first Statesmen take the Broadway track,
Our first Historians following at their back;
When our first Painters, dying, leave behind
On her proud walls the shadows of their mind;
When our first Poets flock from farthest scenes
To take in hand her pictured Magazines;
When our first Scholars are content to dwell
Where their own printers teach them how to spell;
When world-known Science crowds toward her gates,
Then shall the children of our hundred States
Hail her a true METROPOLIS of men,
The nation's centre. Then, and not till then!

The song is failing. Yonder clanging tower
Shakes in its cup the more than brimming hour;
The full-length gallery which the fates deny,
A colored Moral briefly must supply.

The song is passing. Let its meaning rise
To loftier notes before its echo dies,
Nor leave, ungracious, in its parting train.
A trivial flourish or discordant strain.

These lines may teach, rough-spoken though they be,
Thy gentle creed, divinest Charity!
Truth is at heart not always as she seems,
Judged by our sleeping or our waking dreams.

The song is hushed. Another moment parts
This breathing zone, this belt of living hearts;
Ah, think not thus the parting moment ends
The soul's embrace of new discovered friends.

Sleep on my heart, thou long expected hour,
Time's new-born daughter, with thine infant dower,
One sad, sweet look from those expiring charms
The clasping centuries strangle in their arms,
Dreams of old halls, and shadowy arches green,
And kindly faces loved as soon as seen!
Sleep, till the fires of manhood fade away,
The sprinkled locks have saddened into gray,
And age, oblivious, blends thy memories old
With hoary legends that his sire has told!

PART FIRST


THE KNIGHT
The tale I tell is gospel true,
As all the bookmen know,
And pilgrims who have strayed to view
The wrecks still left to show.

The old, old story,—­fair, and young,
And fond,—­and not too wise,—­
That matrons tell, with sharpened tongue,
To maids with downcast eyes.

Ah! maidens err and matrons warn
Beneath the coldest sky;
Love lurks amid the tasselled corn
As in the bearded rye!

But who would dream our sober sires
Had learned the old world’s ways,
And warmed their hearths with lawless fires
In Shirley’s homespun days?

’T is like some poet’s pictured trance
His idle rhymes recite,—­
This old New England-born romance
Of Agnes and the Knight;

Yet, known to all the country round,
Their home is standing still,
Between Wachusett’s lonely mound
And Shawmut’s threefold hill.

One hour we rumble on the rail,
One half-hour guide the rein,
We reach at last, o’er hill and dale,
The village on the plain.

With blackening wall and mossy roof,
With stained and warping floor,
A stately mansion stands aloof
And bars its haughty door.

This lowlier portal may be tried,
That breaks the gable wall;
And lo! with arches opening wide,
Sir Harry Frankland’s hall!

’T was in the second George’s day
They sought the forest shade,
The knotted trunks they cleared away,
The massive beams they laid,

They piled the rock-hewn chimney tall,
They smoothed the terraced ground,
They reared the marble-pillared wall
That fenced the mansion round.

Far stretched beyond the village bound
The Master’s broad domain;
With page and valet, horse and hound,
He kept a goodly train.

And, all the midland county through,
The ploughman stopped to gaze
Whene’er his chariot swept in view
Behind the shining bays,

With mute obeisance, grave and slow,
Repaid by nod polite,—­
For such the way with high and low
Till after Concord fight.

Nor less to courtly circles known
That graced the three-hilled town
With far-off splendors of the Throne,
And glimmerings from the Crown;

Wise Phipps, who held the seals of state
For Shirley over sea;
Brave Knowles, whose press-gang moved of late
The King Street mob’s decree;

And judges grave, and colonels grand,
Fair dames and stately men,
The mighty people of the land,
The “World” of there and then.

’T was strange no Chloe’s “beauteous Form,”
And “Eyes’ celestial Blew,”
This Strephon of the West could warm,
No Nymph his Heart subdue.

Perchance he wooed as gallants use,
Whom fleeting loves enchain,
But still unfettered, free to choose,
Would brook no bridle-rein.

He saw the fairest of the fair,
But smiled alike on all;
No band his roving foot might snare,
No ring his hand enthrall.


PART SECOND


THE MAIDEN
Why seeks the knight that rocky cape
Beyond the Bay of Lynn?
What chance his wayward course may shape
To reach its village inn?

No story tells; whate’er we guess,
The past lies deaf and still,
But Fate, who rules to blight or bless,
Can lead us where she will.

Make way! Sir Harry’s coach and four,
And liveried grooms that ride!
They cross the ferry, touch the shore
On Winnisimmet’s side.

They hear the wash on Chelsea Beach,—­
The level marsh they pass,
Where miles on miles the desert reach
Is rough with bitter grass.

The shining horses foam and pant,
And now the smells begin
Of fishy Swampscott, salt Nahant,
And leather-scented Lynn.

Next, on their left, the slender spires
And glittering vanes that crown
The home of Salem’s frugal sires,
The old, witch-haunted town.

So onward, o’er the rugged way
That runs through rocks and sand,
Showered by the tempest-driven spray,
From bays on either hand,

That shut between their outstretched arms
The crews of Marblehead,
The lords of ocean’s watery farms,
Who plough the waves for bread.

At last the ancient inn appears,
The spreading elm below,
Whose flapping sign these fifty years
Has seesawed to and fro.

How fair the azure fields in sight
Before the low-browed inn
The tumbling billows fringe with light
The crescent shore of Lynn;

Nahant thrusts outward through the waves
Her arm of yellow sand,
And breaks the roaring surge that braves
The gauntlet on her hand;

With eddying whirl the waters lock
Yon treeless mound forlorn,
The sharp-winged sea-fowl’s breeding-rock,
That fronts the Spouting Horn;

Then free the white-sailed shallops glide,
And wide the ocean smiles,
Till, shoreward bent, his streams divide
The two bare Misery Isles.

The master’s silent signal stays
The wearied cavalcade;
The coachman reins his smoking bays
Beneath the elm-tree’s shade.

A gathering on the village green!
The cocked-hats crowd to see,
On legs in ancient velveteen,
With buckles at the knee.

A clustering round the tavern-door
Of square-toed village boys,
Still wearing, as their grandsires wore,
The old-world corduroys!

A scampering at the “Fountain” inn,—–­
A rush of great and small,—­
With hurrying servants’ mingled din
And screaming matron’s call.

Poor Agnes! with her work half done
They caught her unaware;
As, humbly, like a praying nun,
She knelt upon the stair;

Bent o’er the steps, with lowliest mien
She knelt, but not to pray,—­
Her little hands must keep them clean,
And wash their stains away.

A foot, an ankle, bare and white,
Her girlish shapes betrayed,—­
“Ha! Nymphs and Graces!” spoke the Knight;
“Look up, my beauteous Maid!”

She turned,—­a reddening rose in bud,
Its calyx half withdrawn,—­
Her cheek on fire with damasked blood
Of girlhood’s glowing dawn!

He searched her features through and through,
As royal lovers look
On lowly maidens, when they woo
Without the ring and book.

“Come hither, Fair one! Here, my Sweet!
Nay, prithee, look not down!
Take this to shoe those little feet,”—­
He tossed a silver crown.

A sudden paleness struck her brow,—­
A swifter blush succeeds;
It burns her cheek; it kindles now
Beneath her golden beads.

She flitted, but the glittering eye
Still sought the lovely face.
Who was she? What, and whence? and why
Doomed to such menial place?

A skipper’s daughter,—­so they said,—­
Left orphan by the gale
That cost the fleet of Marblehead
And Gloucester thirty sail.

Ah! many a lonely home is found
Along the Essex shore,
That cheered its goodman outward bound,
And sees his face no more!

“Not so,” the matron whispered,—­“sure
No orphan girl is she,—­
The Surriage folk are deadly poor
Since Edward left the sea,

“And Mary, with her growing brood,
Has work enough to do
To find the children clothes and food
With Thomas, John, and Hugh.

“This girl of Mary’s, growing tall,—­
(Just turned her sixteenth year,)—­
To earn her bread and help them all,
Would work as housemaid here.”

So Agnes, with her golden beads,
And naught beside as dower,
Grew at the wayside with the weeds,
Herself a garden-flower.

’T was strange, ’t was sad,—­so fresh, so fair!
Thus Pity’s voice began.
Such grace! an angel’s shape and air!
The half-heard whisper ran.

For eyes could see in George’s time,
As now in later days,
And lips could shape, in prose and rhyme,
The honeyed breath of praise.

No time to woo! The train must go
Long ere the sun is down,
To reach, before the night-winds blow,
The many-steepled town.

’T is midnight,—­street and square are still;
Dark roll the whispering waves
That lap the piers beneath the hill
Ridged thick with ancient graves.

Ah, gentle sleep! thy hand will smooth
The weary couch of pain,
When all thy poppies fail to soothe
The lover’s throbbing brain!

’T is morn,—­the orange-mantled sun
Breaks through the fading gray,
And long and loud the Castle gun
Peals o’er the glistening bay.

“Thank God ’t is day!” With eager eye
He hails the morning shine:—­
“If art can win, or gold can buy,
The maiden shall be mine!”


PART THIRD


THE CONQUEST
“Who saw this hussy when she came?
What is the wench, and who?”
They whisper. “Agnes—­is her name?
Pray what has she to do?”

The housemaids parley at the gate,
The scullions on the stair,
And in the footmen’s grave debate
The butler deigns to share.

Black Dinah, stolen when a child,
And sold on Boston pier,
Grown up in service, petted, spoiled,
Speaks in the coachman’s ear:

“What, all this household at his will?
And all are yet too few?
More servants, and more servants still,—­
This pert young madam too!”

“Servant! fine servant!” laughed aloud
The man of coach and steeds;
“She looks too fair, she steps too proud,
This girl with golden beads!

“I tell you, you may fret and frown,
And call her what you choose,
You ’ll find my Lady in her gown,
Your Mistress in her shoes!”

Ah, gentle maidens, free from blame,
God grant you never know
The little whisper, loud with shame,
That makes the world your foe!

Why tell the lordly flatterer’s art,
That won the maiden’s ear,—­
The fluttering of the frightened heart,
The blush, the smile, the tear?

Alas! it were the saddening tale
That every language knows,—­
The wooing wind, the yielding sail,
The sunbeam and the rose.

And now the gown of sober stuff
Has changed to fair brocade,
With broidered hem, and hanging cuff,
And flower of silken braid;

And clasped around her blanching wrist
A jewelled bracelet shines,
Her flowing tresses’ massive twist
A glittering net confines;

And mingling with their truant wave
A fretted chain is hung;
But ah! the gift her mother gave,—­
Its beads are all unstrung!

Her place is at the master’s board,
Where none disputes her claim;
She walks beside the mansion’s lord,
His bride in all but name.

The busy tongues have ceased to talk,
Or speak in softened tone,
So gracious in her daily walk
The angel light has shown.

No want that kindness may relieve
Assails her heart in vain,
The lifting of a ragged sleeve
Will check her palfrey’s rein.

A thoughtful calm, a quiet grace
In every movement shown,
Reveal her moulded for the place
She may not call her own.

And, save that on her youthful brow
There broods a shadowy care,
No matron sealed with holy vow
In all the land so fair.


PART FOURTH


THE RESCUE
A ship comes foaming up the bay,
Along the pier she glides;
Before her furrow melts away,
A courier mounts and rides.

“Haste, Haste, post Haste!” the letters bear;
“Sir Harry Frankland, These.”
Sad news to tell the loving pair!
The knight must cross the seas.

“Alas! we part!”—­the lips that spoke
Lost all their rosy red,
As when a crystal cup is broke,
And all its wine is shed.

“Nay, droop not thus,—­where’er,” he cried,
“I go by land or sea,
My love, my life, my joy, my pride,
Thy place is still by me!”

Through town and city, far and wide,
Their wandering feet have strayed,
From Alpine lake to ocean tide,
And cold Sierra’s shade.

At length they see the waters gleam
Amid the fragrant bowers
Where Lisbon mirrors in the stream
Her belt of ancient towers.

Red is the orange on its bough,
To-morrow’s sun shall fling
O’er Cintra’s hazel-shaded brow
The flush of April’s wing.

The streets are loud with noisy mirth,
They dance on every green;
The morning’s dial marks the birth
Of proud Braganza’s queen.

At eve beneath their pictured dome
The gilded courtiers throng;
The broad moidores have cheated Rome
Of all her lords of song.

AH! Lisbon dreams not of the day—­
Pleased with her painted scenes—­
When all her towers shall slide away
As now these canvas screens!

The spring has passed, the summer fled,
And yet they linger still,
Though autumn’s rustling leaves have spread
The flank of Cintra’s hill.

The town has learned their Saxon name,
And touched their English gold,
Nor tale of doubt nor hint of blame
From over sea is told.

Three hours the first November dawn
Has climbed with feeble ray
Through mists like heavy curtains drawn
Before the darkened day.

How still the muffled echoes sleep!
Hark! hark! a hollow sound,—­
A noise like chariots rumbling deep
Beneath the solid ground.

The channel lifts, the water slides
And bares its bar of sand,
Anon a mountain billow strides
And crashes o’er the land.

The turrets lean, the steeples reel
Like masts on ocean’s swell,
And clash a long discordant peal,
The death-doomed city’s knell.

The pavement bursts, the earth upheaves
Beneath the staggering town!
The turrets crack—­the castle cleaves—­
The spires come rushing down.

Around, the lurid mountains glow
With strange unearthly gleams;
While black abysses gape below,
Then close in jagged seams.

And all is over. Street and square
In ruined heaps are piled;
Ah! where is she, so frail, so fair,
Amid the tumult wild?

Unscathed, she treads the wreck-piled street,
Whose narrow gaps afford
A pathway for her bleeding feet,
To seek her absent lord.

A temple’s broken walls arrest
Her wild and wandering eyes;
Beneath its shattered portal pressed,
Her lord unconscious lies.

The power that living hearts obey
Shall lifeless blocks withstand?
Love led her footsteps where he lay,—­
Love nerves her woman’s hand.

One cry,—­the marble shaft she grasps,—­
Up heaves the ponderous stone:—­
He breathes,—­her fainting form he clasps,—­
Her life has bought his own!


PART FIFTH


THE REWARD
How like the starless night of death
Our being’s brief eclipse,
When faltering heart and failing breath
Have bleached the fading lips!

The earth has folded like a wave,
And thrice a thousand score,
Clasped, shroudless, in their closing grave,
The sun shall see no more!

She lives! What guerdon shall repay
His debt of ransomed life?
One word can charm all wrongs away,—­
The sacred name of WIFE!

The love that won her girlish charms
Must shield her matron fame,
And write beneath the Frankland arms
The village beauty’s name.

Go, call the priest! no vain delay
Shall dim the sacred ring!
Who knows what change the passing day,
The fleeting hour, may bring?

Before the holy altar bent,
There kneels a goodly pair;
A stately man, of high descent,
A woman, passing fair.

No jewels lend the blinding sheen
That meaner beauty needs,
But on her bosom heaves unseen
A string of golden beads.

The vow is spoke,—­the prayer is said,—­
And with a gentle pride
The Lady Agnes lifts her head,
Sir Harry Frankland’s bride.

No more her faithful heart shall bear
Those griefs so meekly borne,—­
The passing sneer, the freezing stare,
The icy look of scorn;

No more the blue-eyed English dames
Their haughty lips shall curl,
Whene’er a hissing whisper names
The poor New England girl.

But stay!—­his mother’s haughty brow,—­
The pride of ancient race,—­
Will plighted faith, and holy vow,
Win back her fond embrace?

Too well she knew the saddening tale
Of love no vow had blest,
That turned his blushing honors pale
And stained his knightly crest.

They seek his Northern home,—­alas
He goes alone before;—­
His own dear Agnes may not pass
The proud, ancestral door.

He stood before the stately dame;
He spoke; she calmly heard,
But not to pity, nor to blame;
She breathed no single word.

He told his love,—­her faith betrayed;
She heard with tearless eyes;
Could she forgive the erring maid?
She stared in cold surprise.

How fond her heart, he told,—­how true;
The haughty eyelids fell;—­
The kindly deeds she loved to do;
She murmured, “It is well.”

But when he told that fearful day,
And how her feet were led
To where entombed in life he lay,
The breathing with the dead,

And how she bruised her tender breasts
Against the crushing stone,
That still the strong-armed clown protests
No man can lift alone,—­

Oh! then the frozen spring was broke;
By turns she wept and smiled;—­
“Sweet Agnes!” so the mother spoke,
“God bless my angel child.

“She saved thee from the jaws of death,—­
’T is thine to right her wrongs;
I tell thee,—­I, who gave thee breath,—­
To her thy life belongs!”

Thus Agnes won her noble name,
Her lawless lover’s hand;
The lowly maiden so became
A lady in the land!


PART SIXTH


CONCLUSION
The tale is done; it little needs
To track their after ways,
And string again the golden beads
Of love’s uncounted days.

They leave the fair ancestral isle
For bleak New England’s shore;
How gracious is the courtly smile
Of all who frowned before!

Again through Lisbon’s orange bowers
They watch the river’s gleam,
And shudder as her shadowy towers
Shake in the trembling stream.

Fate parts at length the fondest pair;
His cheek, alas! grows pale;
The breast that trampling death could spare
His noiseless shafts assail.

He longs to change the heaven of blue
For England’s clouded sky,—­
To breathe the air his boyhood knew;
He seeks then but to die.

Hard by the terraced hillside town,
Where healing streamlets run,
Still sparkling with their old renown,—­
The “Waters of the Sun,”—­

The Lady Agnes raised the stone
That marks his honored grave,
And there Sir Harry sleeps alone
By Wiltshire Avon’s wave.

The home of early love was dear;
She sought its peaceful shade,
And kept her state for many a year,
With none to make afraid.

At last the evil days were come
That saw the red cross fall;
She hears the rebels’ rattling drum,—­
Farewell to Frankland Hall!

I tell you, as my tale began,
The hall is standing still;
And you, kind listener, maid or man,
May see it if you will.

The box is glistening huge and green,
Like trees the lilacs grow,
Three elms high-arching still are seen,
And one lies stretched below.

The hangings, rough with velvet flowers,
Flap on the latticed wall;
And o’er the mossy ridge-pole towers
The rock-hewn chimney tall.

The doors on mighty hinges clash
With massive bolt and bar,
The heavy English-moulded sash
Scarce can the night-winds jar.

Behold the chosen room he sought
Alone, to fast and pray,
Each year, as chill November brought
The dismal earthquake day.

There hung the rapier blade he wore,
Bent in its flattened sheath;
The coat the shrieking woman tore
Caught in her clenching teeth;—­

The coat with tarnished silver lace
She snapped at as she slid,
And down upon her death-white face
Crashed the huge coffin’s lid.

A graded terrace yet remains;
If on its turf you stand
And look along the wooded plains
That stretch on either hand,

The broken forest walls define
A dim, receding view,
Where, on the far horizon’s line,
He cut his vista through.

If further story you shall crave,
Or ask for living proof,
Go see old Julia, born a slave
Beneath Sir Harry’s roof.

She told me half that I have told,
And she remembers well
The mansion as it looked of old
Before its glories fell;—­

The box, when round the terraced square
Its glossy wall was drawn;
The climbing vines, the snow-balls fair,
The roses on the lawn.

And Julia says, with truthful look
Stamped on her wrinkled face,
That in her own black hands she took
The coat with silver lace.

And you may hold the story light,
Or, if you like, believe;
But there it was, the woman’s bite,—­
A mouthful from the sleeve.

Now go your ways;—­I need not tell
The moral of my rhyme;
But, youths and maidens, ponder well
This tale of olden time!

Poetry: A Metrical Essay, Read Before The Phi Beta Kappa Society, Harvard

To Charles Wentworth Upham, the Following Metrical Essay is Affectionately Inscribed.


Scenes of my youth! awake its slumbering fire!
Ye winds of Memory, sweep the silent lyre!
Ray of the past, if yet thou canst appear,
Break through the clouds of Fancy’s waning year;
Chase from her breast the thin autumnal snow,
If leaf or blossom still is fresh below!

Long have I wandered; the returning tide
Brought back an exile to his cradle’s side;
And as my bark her time-worn flag unrolled,
To greet the land-breeze with its faded fold,
So, in remembrance of my boyhood’s time,
I lift these ensigns of neglected rhyme;
Oh, more than blest, that, all my wanderings through,
My anchor falls where first my pennons flew!
-----------------
The morning light, which rains its quivering beams
Wide o’er the plains, the summits, and the streams,
In one broad blaze expands its golden glow
On all that answers to its glance below;
Yet, changed on earth, each far reflected ray
Braids with fresh hues the shining brow of day;
Now, clothed in blushes by the painted flowers,
Tracks on their cheeks the rosy-fingered hours;
Now, lost in shades, whose dark entangled leaves
Drip at the noontide from their pendent eaves,
Fades into gloom, or gleams in light again
From every dew-drop on the jewelled plain.

We, like the leaf, the summit, or the wave,
Reflect the light our common nature gave,
But every sunbeam, falling from her throne,
Wears on our hearts some coloring of our own
Chilled in the slave, and burning in the free,
Like the sealed cavern by the sparkling sea;
Lost, like the lightning in the sullen clod,
Or shedding radiance, like the smiles of God;
Pure, pale in Virtue, as the star above,
Or quivering roseate on the leaves of Love;
Glaring like noontide, where it glows upon
Ambition’s sands,—­the desert in the sun,—­
Or soft suffusing o’er the varied scene
Life’s common coloring,—­intellectual green.

Thus Heaven, repeating its material plan,
Arched over all the rainbow mind of man;
But he who, blind to universal laws,
Sees but effects, unconscious of their cause,—­
Believes each image in itself is bright,
Not robed in drapery of reflected light,—­
Is like the rustic who, amidst his toil,
Has found some crystal in his meagre soil,
And, lost in rapture, thinks for him alone
Earth worked her wonders on the sparkling stone,
Nor dreams that Nature, with as nice a line,
Carved countless angles through the boundless mine.

Thus err the many, who, entranced to find
Unwonted lustre in some clearer mind,
Believe that Genius sets the laws at naught
Which chain the pinions of our wildest thought;
Untaught to measure, with the eye of art,
The wandering fancy or the wayward heart;
Who match the little only with the less,
And gaze in rapture at its slight excess,
Proud of a pebble, as the brightest gem
Whose light might crown an emperor’s diadem.

And, most of all, the pure ethereal fire
Which seems to radiate from the poet’s lyre
Is to the world a mystery and a charm,
An AEgis wielded on a mortal’s arm,
While Reason turns her dazzled eye away,
And bows her sceptre to her subject’s sway;
And thus the poet, clothed with godlike state,
Usurped his Maker’s title—­to create;
He, whose thoughts differing not in shape, but dress,
What others feel more fitly can express,
Sits like the maniac on his fancied throne,
Peeps through the bars, and calls the world his own.

There breathes no being but has some pretence
To that fine instinct called poetic sense
The rudest savage, roaming through the wild;
The simplest rustic, bending o’er his child;
The infant, listening to the warbling bird;
The mother, smiling at its half-formed word;
The boy uncaged, who tracks the fields at large;
The girl, turned matron to her babe-like charge;
The freeman, casting with unpurchased hand
The vote that shakes the turret of the land;
The slave, who, slumbering on his rusted chain,
Dreams of the palm-trees on his burning plain;
The hot-cheeked reveller, tossing down the wine,
To join the chorus pealing “Auld lang syne”;
The gentle maid, whose azure eye grows dim,
While Heaven is listening to her evening hymn;
The jewelled beauty, when her steps draw near
The circling dance and dazzling chandelier;
E’en trembling age, when Spring’s renewing air
Waves the thin ringlets of his silvered hair;—­
All, all are glowing with the inward flame,
Whose wider halo wreathes the poet’s name,
While, unenbalmed, the silent dreamer dies,
His memory passing with his smiles and sighs!

If glorious visions, born for all mankind,
The bright auroras of our twilight mind;
If fancies, varying as the shapes that lie
Stained on the windows of the sunset sky;
If hopes, that beckon with delusive gleams,
Till the eye dances in the void of dreams;
If passions, following with the winds that urge
Earth’s wildest wanderer to her farthest verge;—­
If these on all some transient hours bestow
Of rapture tingling with its hectic glow,
Then all are poets; and if earth had rolled
Her myriad centuries, and her doom were told,
Each moaning billow of her shoreless wave
Would wail its requiem o’er a poet’s grave!

If to embody in a breathing word
Tones that the spirit trembled when it heard;
To fix the image all unveiled and warm,
And carve in language its ethereal form,
So pure, so perfect, that the lines express
No meagre shrinking, no unlaced excess;
To feel that art, in living truth, has taught
Ourselves, reflected in the sculptured thought;—­
If this alone bestow the right to claim
The deathless garland and the sacred name,
Then none are poets save the saints on high,
Whose harps can murmur all that words deny!

But though to none is granted to reveal
In perfect semblance all that each may feel,
As withered flowers recall forgotten love,
So, warmed to life, our faded passions move
In every line, where kindling fancy throws
The gleam of pleasures or the shade of woes.

When, schooled by time, the stately queen of art
Had smoothed the pathways leading to the heart,
Assumed her measured tread, her solemn tone,
And round her courts the clouds of fable thrown,
The wreaths of heaven descended on her shrine,
And wondering earth proclaimed the Muse divine.
Yet if her votaries had but dared profane
The mystic symbols of her sacred reign,
How had they smiled beneath the veil to find
What slender threads can chain the mighty mind!

Poets, like painters, their machinery claim,
And verse bestows the varnish and the frame;
Our grating English, whose Teutonic jar
Shakes the racked axle of Art’s rattling car,
Fits like mosaic in the lines that gird
Fast in its place each many-angled word;
From Saxon lips Anacreon’s numbers glide,
As once they melted on the Teian tide,
And, fresh transfused, the Iliad thrills again
From Albion’s cliffs as o’er Achaia’s plain
The proud heroic, with, its pulse-like beat,
Rings like the cymbals clashing as they meet;
The sweet Spenserian, gathering as it flows,
Sweeps gently onward to its dying close,
Where waves on waves in long succession pour,
Till the ninth billow melts along the shore;
The lonely spirit of the mournful lay,
Which lives immortal as the verse of Gray,
In sable plumage slowly drifts along,
On eagle pinion, through the air of song;
The glittering lyric bounds elastic by,
With flashing ringlets and exulting eye,
While every image, in her airy whirl,
Gleams like a diamond on a dancing girl!

Born with mankind, with man’s expanded range
And varying fates the poet’s numbers change;
Thus in his history may we hope to find
Some clearer epochs of the poet’s mind,
As from the cradle of its birth we trace,
Slow wandering forth, the patriarchal race.

I.
When the green earth, beneath the zephyr’s wing,
Wears on her breast the varnished buds of Spring;
When the loosed current, as its folds uncoil,
Slides in the channels of the mellowed soil;
When the young hyacinth returns to seek
The air and sunshine with her emerald beak;
When the light snowdrops, starting from their cells,
Hang each pagoda with its silver bells;
When the frail willow twines her trailing bow
With pallid leaves that sweep the soil below;
When the broad elm, sole empress of the plain,
Whose circling shadow speaks a century’s reign,
Wreathes in the clouds her regal diadem,—­
A forest waving on a single stem;—­
Then mark the poet; though to him unknown
The quaint-mouthed titles, such as scholars own,
See how his eye in ecstasy pursues
The steps of Nature tracked in radiant hues;
Nay, in thyself, whate’er may be thy fate,
Pallid with toil or surfeited with state,
Mark how thy fancies, with the vernal rose,
Awake, all sweetness, from their long repose;
Then turn to ponder o’er the classic page,
Traced with the idyls of a greener age,
And learn the instinct which arose to warm
Art’s earliest essay and her simplest form.

To themes like these her narrow path confined
The first-born impulse moving in the mind;
In vales unshaken by the trumpet’s sound,
Where peaceful Labor tills his fertile ground,
The silent changes of the rolling years,
Marked on the soil or dialled on the spheres,
The crested forests and the colored flowers,
The dewy grottos and the blushing bowers,—­
These, and their guardians, who, with liquid names,
Strephons and Chloes, melt in mutual flames,
Woo the young Muses from their mountain shade,
To make Arcadias in the lonely glade.

Nor think they visit only with their smiles
The fabled valleys and Elysian isles;
He who is wearied of his village plain
May roam the Edens of the world in vain.
’T is not the star-crowned cliff, the cataract’s flow,
The softer foliage or the greener glow,
The lake of sapphire or the spar-hung cave,
The brighter sunset or the broader wave,
Can warm his heart whom every wind has blown
To every shore, forgetful of his own.

Home of our childhood! how affection clings
And hovers round thee with her seraph wings!
Dearer thy hills, though clad in autumn brown,
Than fairest summits which the cedars crown!
Sweeter the fragrance of thy summer breeze
Than all Arabia breathes along the seas!
The stranger’s gale wafts home the exile’s sigh,
For the heart’s temple is its own blue sky!

Oh happiest they, whose early love unchanged,
Hopes undissolved, and friendship unestranged,
Tired of their wanderings, still can deign to see
Love, hopes, and friendship, centring all in thee!

And thou, my village! as again I tread
Amidst thy living and above thy dead;
Though some fair playmates guard with charter fears
Their cheeks, grown holy with the lapse of years;
Though with the dust some reverend locks may blend,
Where life’s last mile-stone marks the journey’s end;
On every bud the changing year recalls,
The brightening glance of morning memory falls,
Still following onward as the months unclose
The balmy lilac or the bridal rose;
And still shall follow, till they sink once more
Beneath the snow-drifts of the frozen shore,
As when my bark, long tossing in the gale,
Furled in her port her tempest-rended sail!

What shall I give thee? Can a simple lay,
Flung on thy bosom like a girl’s bouquet,
Do more than deck thee for an idle hour,
Then fall unheeded, fading like the flower?
Yet, when I trod, with footsteps wild and free,
The crackling leaves beneath yon linden-tree,
Panting from play or dripping from the stream,
How bright the visions of my boyish dream
Or, modest Charles, along thy broken edge,
Black with soft ooze and fringed with arrowy sedge,
As once I wandered in the morning sun,
With reeking sandal and superfluous gun,
How oft, as Fancy whispered in the gale,
Thou wast the Avon of her flattering tale!
Ye hills, whose foliage, fretted on the skies,
Prints shadowy arches on their evening dyes,
How should my song with holiest charm invest
Each dark ravine and forest-lifting crest!
How clothe in beauty each familiar scene,
Till all was classic on my native green!

As the drained fountain, filled with autumn leaves,
The field swept naked of its garnered sheaves,
So wastes at noon the promise of our dawn,
The springs all choking, and the harvest gone.

Yet hear the lay of one whose natal star
Still seemed the brightest when it shone afar;
Whose cheek, grown pallid with ungracious toil,
Glows in the welcome of his parent soil;
And ask no garlands sought beyond the tide,
But take the leaflets gathered at your side.

II.
But times were changed; the torch of terror came,
To light the summits with the beacon’s flame;
The streams ran crimson, the tall mountain pines
Rose a new forest o’er embattled lines;
The bloodless sickle lent the warrior’s steel,
The harvest bowed beneath his chariot wheel;
Where late the wood-dove sheltered her repose
The raven waited for the conflict’s close;
The cuirassed sentry walked his sleepless round
Where Daphne smiled or Amaryllis frowned;
Where timid minstrels sung their blushing charms,
Some wild Tyrtaeus called aloud, “To arms!”

When Glory wakes, when fiery spirits leap,
Roused by her accents from their tranquil sleep,
The ray that flashes from the soldier’s crest
Lights, as it glances, in the poet’s breast;—­
Not in pale dreamers, whose fantastic lay
Toys with smooth trifles like a child at play,
But men, who act the passions they inspire,
Who wave the sabre as they sweep the lyre!

Ye mild enthusiasts, whose pacific frowns
Are lost like dew-drops caught in burning towns,
Pluck as ye will the radiant plumes of fame,
Break Caesar’s bust to make yourselves a name;
But if your country bares the avenger’s blade
For wrongs unpunished or for debts unpaid,
When the roused nation bids her armies form,
And screams her eagle through the gathering storm,
When from your ports the bannered frigate rides,
Her black bows scowling to the crested tides,
Your hour has past; in vain your feeble cry
As the babe’s wailings to the thundering sky!

Scourge of mankind! with all the dread array
That wraps in wrath thy desolating way,
As the wild tempest wakes the slumbering sea,
Thou only teachest all that man can be.
Alike thy tocsin has the power to charm
The toil-knit sinews of the rustic’s arm,
Or swell the pulses in the poet’s veins,
And bid the nations tremble at his strains.

The city slept beneath the moonbeam’s glance,
Her white walls gleaming through the vines of France,
And all was hushed, save where the footsteps fell,
On some high tower, of midnight sentinel.
But one still watched; no self-encircled woes
Chased from his lids the angel of repose;
He watched, he wept, for thoughts of bitter years
Bowed his dark lashes, wet with burning tears
His country’s sufferings and her children’s shame
Streamed o’er his memory like a forest’s flame;
Each treasured insult, each remembered wrong,
Rolled through his heart and kindled into song.
His taper faded; and the morning gales
Swept through the world the war-song of Marseilles!

Now, while around the smiles of Peace expand,
And Plenty’s wreaths festoon the laughing land;
While France ships outward her reluctant ore,
And half our navy basks upon the shore;
From ruder themes our meek-eyed Muses turn
To crown with roses their enamelled urn.

If e’er again return those awful days
Whose clouds were crimsoned with the beacon’s blaze,
Whose grass was trampled by the soldier’s heel,
Whose tides were reddened round the rushing keel,
God grant some lyre may wake a nobler strain
To rend the silence of our tented plain!
When Gallia’s flag its triple fold displays,
Her marshalled legions peal the Marseillaise;
When round the German close the war-clouds dim,
Far through their shadows floats his battle-hymn;
When, crowned with joy, the camps’ of England ring,
A thousand voices shout, “God save the King!”
When victory follows with our eagle’s glance,
Our nation’s anthem pipes a country dance!

Some prouder Muse, when comes the hour at last,
May shake our hillsides with her bugle-blast;
Not ours the task; but since the lyric dress
Relieves the statelier with its sprightliness,
Hear an old song, which some, perchance, have seen
In stale gazette or cobwebbed magazine.
There was an hour when patriots dared profane
The mast that Britain strove to bow in vain;
And one, who listened to the tale of shame,
Whose heart still answered to that sacred name,
Whose eye still followed o’er his country’s tides
Thy glorious flag, our brave Old Ironsides
From yon lone attic, on a smiling morn,
Thus mocked the spoilers with his school-boy scorn.

III.
When florid Peace resumed her golden reign,
And arts revived, and valleys bloomed again,
While War still panted on his-broken blade,
Once more the Muse her heavenly wing essayed.
Rude was the song: some ballad, stern and wild,
Lulled the light slumbers of the soldier’s child;
Or young romancer, with his threatening glance
And fearful fables of his bloodless lance,
Scared the soft fancy of the clinging girls,
Whose snowy fingers smoothed his raven curls.
But when long years the stately form had bent,
And faithless Memory her illusions lent,
So vast the outlines of Tradition grew
That History wondered at the shapes she drew,
And veiled at length their too ambitious hues
Beneath the pinions of the Epic Muse.

Far swept her wing; for stormier days had brought
With darker passions deeper tides of thought.
The camp’s harsh tumult and the conflict’s glow,
The thrill of triumph and the gasp of woe,
The tender parting and the glad return,
The festal banquet and the funeral urn,
And all the drama which at once uprears
Its spectral shadows through the clash of spears,
From camp and field to echoing verse transferred,
Swelled the proud song that listening nations heard.
Why floats the amaranth in eternal bloom
O’er Ilium’s turrets and Achilles’ tomb?
Why lingers fancy where the sunbeams smile
On Circe’s gardens and Calypso’s isle?
Why follows memory to the gate of Troy
Her plumed defender and his trembling boy?
Lo! the blind dreamer, kneeling on the sand
To trace these records with his doubtful hand;
In fabled tones his own emotion flows,
And other lips repeat his silent woes;
In Hector’s infant see the babes that shun
Those deathlike eyes, unconscious of the sun,
Or in his hero hear himself implore,
“Give me to see, and Ajax asks no more!”

Thus live undying through the lapse of time
The solemn legends of the warrior’s clime;
Like Egypt’s pyramid or Paestum’s fane,
They stand the heralds of the voiceless plain.
Yet not like them, for Time, by slow degrees,
Saps the gray stone and wears the embroidered frieze,
And Isis sleeps beneath her subject Nile,
And crumbled Neptune strews his Dorian pile;
But Art’s fair fabric, strengthening as it rears
Its laurelled columns through the mist of years,
As the blue arches of the bending skies
Still gird the torrent, following as it flies,
Spreads, with the surges bearing on mankind,
Its starred pavilion o’er the tides of mind!

In vain the patriot asks some lofty lay
To dress in state our wars of yesterday.
The classic days, those mothers of romance,
That roused a nation for a woman’s glance;
The age of mystery, with its hoarded power,
That girt the tyrant in his storied tower,
Have passed and faded like a dream of youth,
And riper eras ask for history’s truth.

On other shores, above their mouldering towns,
In sullen pomp the tall cathedral frowns,
Pride in its aisles and paupers at the door,
Which feeds the beggars whom it fleeced of yore.
Simple and frail, our lowly temples throw
Their slender shadows on the paths below;
Scarce steal the winds, that sweep his woodland tracks,
The larch’s perfume from the settler’s axe,
Ere, like a vision of the morning air,
His slight—­framed steeple marks the house of prayer;
Its planks all reeking and its paint undried,
Its rafters sprouting on the shady side,
It sheds the raindrops from its shingled eaves
Ere its green brothers once have changed their leaves.

Yet Faith’s pure hymn, beneath its shelter rude,
Breathes out as sweetly to the tangled wood
As where the rays through pictured glories pour
On marble shaft and tessellated floor;—­
Heaven asks no surplice round the heart that feels,
And all is holy where devotion kneels.
Thus on the soil the patriot’s knee should bend
Which holds the dust once living to defend;
Where’er the hireling shrinks before the free,
Each pass becomes “a new Thermopylae”!
Where’er the battles of the brave are won,
There every mountain “looks on Marathon”!

Our fathers live; they guard in glory still
The grass-grown bastions of the fortressed hill;
Still ring the echoes of the trampled gorge,
With God and Freedom. England and Saint George!
The royal cipher on the captured gun
Mocks the sharp night-dews and the blistering sun;
The red-cross banner shades its captor’s bust,
Its folds still loaded with the conflict’s dust;
The drum, suspended by its tattered marge,
Once rolled and rattled to the Hessian’s charge;
The stars have floated from Britannia’s mast,
The redcoat’s trumpets blown the rebel’s blast.

Point to the summits where the brave have bled,
Where every village claims its glorious dead;
Say, when their bosoms met the bayonet’s shock,
Their only corselet was the rustic frock;
Say, when they mustered to the gathering horn,
The titled chieftain curled his lip in scorn,
Yet, when their leader bade his lines advance,
No musket wavered in the lion’s glance;
Say, when they fainted in the forced retreat,
They tracked the snow-drifts with their bleeding feet,
Yet still their banners, tossing in the blast,
Bore Ever Ready, faithful to the last,
Through storm and battle, till they waved again
On Yorktown’s hills and Saratoga’s plain.

Then, if so fierce the insatiate patriot’s flame,
Truth looks too pale and history seems too tame,
Bid him await some new Columbiad’s page,
To gild the tablets of an iron age,
And save his tears, which yet may fall upon
Some fabled field, some fancied Washington!

IV.
But once again, from their AEolian cave,
The winds of Genius wandered on the wave.
Tired of the scenes the timid pencil drew,
Sick of the notes the sounding clarion blew,
Sated with heroes who had worn so long
The shadowy plumage of historic song,
The new-born poet left the beaten course,
To track the passions to their living source.

Then rose the Drama;—­and the world admired
Her varied page with deeper thought inspired
Bound to no clime, for Passion’s throb is one
In Greenland’s twilight or in India’s sun;
Born for no age, for all the thoughts that roll
In the dark vortex of the stormy soul,
Unchained in song, no freezing years can tame;
God gave them birth, and man is still the same.
So full on life her magic mirror shone,
Her sister Arts paid tribute to her throne;
One reared her temple, one her canvas warmed,
And Music thrilled, while Eloquence informed.
The weary rustic left his stinted task
For smiles and tears, the dagger and the mask;
The sage, turned scholar, half forgot his lore,
To be the woman he despised before.
O’er sense and thought she threw her golden chain,
And Time, the anarch, spares her deathless reign.

Thus lives Medea, in our tamer age,
As when her buskin pressed the Grecian stage;
Not in the cells where frigid learning delves
In Aldine folios mouldering on their shelves,
But breathing, burning in the glittering throng,
Whose thousand bravoes roll untired along,
Circling and spreading through the gilded halls,
From London’s galleries to San Carlo’s walls!

Thus shall he live whose more than mortal name
Mocks with its ray the pallid torch of Fame;
So proudly lifted that it seems afar
No earthly Pharos, but a heavenly star,
Who, unconfined to Art’s diurnal bound,
Girds her whole zodiac in his flaming round,
And leads the passions, like the orb that guides,
From pole to pole, the palpitating tides!

V.
Though round the Muse the robe of song is thrown,
Think not the poet lives in verse alone.
Long ere the chisel of the sculptor taught
The lifeless stone to mock the living thought;
Long ere the painter bade the canvas glow
With every line the forms of beauty know;
Long ere the iris of the Muses threw
On every leaf its own celestial hue,
In fable’s dress the breath of genius poured,
And warmed the shapes that later times adored.

Untaught by Science how to forge the keys
That loose the gates of Nature’s mysteries;
Unschooled by Faith, who, with her angel tread,
Leads through the labyrinth with a single thread,
His fancy, hovering round her guarded tower,
Rained through its bars like Danae’s golden shower.

He spoke; the sea-nymph answered from her cave
He called; the naiad left her mountain wave
He dreamed of beauty; lo, amidst his dream,
Narcissus, mirrored in the breathless stream;
And night’s chaste empress, in her bridal play,
Laughed through the foliage where Endymion lay;
And ocean dimpled, as the languid swell
Kissed the red lip of Cytherea’s shell.

Of power,—­Bellona swept the crimson field,
And blue-eyed Pallas shook her Gorgon shield;
O’er the hushed waves their mightier monarch drove,
And Ida trembled to the tread of Jove!

So every grace that plastic language knows
To nameless poets its perfection owes.
The rough-hewn words to simplest thoughts confined
Were cut and polished in their nicer mind;
Caught on their edge, imagination’s ray
Splits into rainbows, shooting far away;—­
From sense to soul, from soul to sense, it flies,
And through all nature links analogies;
He who reads right will rarely look upon
A better poet than his lexicon!

There is a race which cold, ungenial skies
Breed from decay, as fungous growths arise;
Though dying fast, yet springing fast again,
Which still usurps an unsubstantial reign,
With frames too languid for the charms of sense,
And minds worn down with action too intense;
Tired of a world whose joys they never knew,
Themselves deceived, yet thinking all untrue;
Scarce men without, and less than girls within,
Sick of their life before its cares begin;—­
The dull disease, which drains their feeble hearts,
To life’s decay some hectic thrill’s imparts,
And lends a force which, like the maniac’s power,
Pays with blank years the frenzy of an hour.

And this is Genius! Say, does Heaven degrade
The manly frame, for health, for action made?
Break down the sinews, rack the brow with pains,
Blanch the right cheek and drain the purple veins,
To clothe the mind with more extended sway,
Thus faintly struggling in degenerate clay?

No! gentle maid, too ready to admire,
Though false its notes, the pale enthusiast’s lyre;
If this be genius, though its bitter springs
Glowed like the morn beneath Aurora’s wings,
Seek not the source whose sullen bosom feeds
But fruitless flowers and dark, envenomed weeds.

But, if so bright the dear illusion seems,
Thou wouldst be partner of thy poet’s dreams,
And hang in rapture on his bloodless charms,
Or die, like Raphael, in his angel arms,
Go and enjoy thy blessed lot,—­to share
In Cowper’s gloom or Chatterton’s despair!

Not such were they whom, wandering o’er the waves,
I looked to meet, but only found their graves;
If friendship’s smile, the better part of fame,
Should lend my song the only wreath I claim,
Whose voice would greet me with a sweeter tone,
Whose living hand more kindly press my own,
Than theirs,—­could Memory, as her silent tread
Prints the pale flowers that blossom o’er the dead,
Those breathless lips, now closed in peace, restore,
Or wake those pulses hushed to beat no more?

Thou calm, chaste scholar! I can see thee now,
The first young laurels on thy pallid brow,
O’er thy slight figure floating lightly down
In graceful folds the academic gown,
On thy curled lip the classic lines that taught
How nice the mind that sculptured them with thought,
And triumph glistening in the clear blue eye,
Too bright to live,—­but oh, too fair to die!

And thou, dear friend, whom Science still deplores,
And Love still mourns, on ocean-severed shores,
Though the bleak forest twice has bowed with snow
Since thou wast laid its budding leaves below,
Thine image mingles with my closing strain,
As when we wandered by the turbid Seine,
Both blessed with hopes, which revelled, bright and free,
On all we longed or all we dreamed to be;
To thee the amaranth and the cypress fell,—­
And I was spared to breathe this last farewell!

But lived there one in unremembered days,
Or lives there still, who spurns the poet’s bays,
Whose fingers, dewy from Castalia’s springs,
Rest on the lyre, yet scorn to touch the strings?
Who shakes the senate with the silver tone
The groves of Pindus might have sighed to own?
Have such e’er been? Remember Canning’s name!
Do such still live? Let “Alaric’s Dirge” proclaim!

Immortal Art! where’er the rounded sky
Bends o’er the cradle where thy children lie,
Their home is earth, their herald every tongue
Whose accents echo to the voice that sung.
One leap of Ocean scatters on the sand
The quarried bulwarks of the loosening land;
One thrill of earth dissolves a century’s toil
Strewed like the leaves that vanish in the soil;
One hill o’erflows, and cities sink below,
Their marbles splintering in the lava’s glow;
But one sweet tone, scarce whispered to the air,
From shore to shore the blasts of ages bear;
One humble name, which oft, perchance, has borne
The tyrant’s mockery and the courtier’s scorn,
Towers o’er the dust of earth’s forgotten graves,
As once, emerging through the waste of waves,
The rocky Titan, round whose shattered spear
Coiled the last whirlpool of the drowning sphere!

A Rhymed Lesson (Urania)

Yes, dear Enchantress,—­wandering far and long,
In realms unperfumed by the breath of song,
Where flowers ill-flavored shed their sweets around,
And bitterest roots invade the ungenial ground,
Whose gems are crystals from the Epsom mine,
Whose vineyards flow with antimonial wine,
Whose gates admit no mirthful feature in,
Save one gaunt mocker, the Sardonic grin,
Whose pangs are real, not the woes of rhyme
That blue-eyed misses warble out of time;—­
Truant, not recreant to thy sacred claim,
Older by reckoning, but in heart the same,
Freed for a moment from the chains of toil,
I tread once more thy consecrated soil;
Here at thy feet my old allegiance own,
Thy subject still, and loyal to thy throne!

My dazzled glance explores the crowded hall;
Alas, how vain to hope the smiles of all!
I know my audience. All the gay and young
Love the light antics of a playful tongue;
And these, remembering some expansive line
My lips let loose among the nuts and wine,
Are all impatience till the opening pun
Proclaims the witty shamfight is begun.
Two fifths at least, if not the total half,
Have come infuriate for an earthquake laugh;
I know full well what alderman has tied
His red bandanna tight about his side;
I see the mother, who, aware that boys
Perform their laughter with superfluous noise,
Beside her kerchief brought an extra one
To stop the explosions of her bursting son;
I know a tailor, once a friend of mine,
Expects great doings in the button line,—­
For mirth’s concussions rip the outward case,
And plant the stitches in a tenderer place.
I know my audience,—­these shall have their due;
A smile awaits them ere my song is through!

I know myself. Not servile for applause,
My Muse permits no deprecating clause;
Modest or vain, she will not be denied
One bold confession due to honest pride;
And well she knows the drooping veil of song
Shall save her boldness from the caviller’s wrong.
Her sweeter voice the Heavenly Maid imparts
To tell the secrets of our aching hearts
For this, a suppliant, captive, prostrate, bound,
She kneels imploring at the feet of sound;
For this, convulsed in thought’s maternal pains,
She loads her arms with rhyme’s resounding chains;
Faint though the music of her fetters be,
It lends one charm,—­her lips are ever free!

Think not I come, in manhood’s fiery noon,
To steal his laurels from the stage buffoon;
His sword of lath the harlequin may wield;
Behold the star upon my lifted shield
Though the just critic pass my humble name,
And sweeter lips have drained the cup of fame,
While my gay stanza pleased the banquet’s lords,
The soul within was tuned to deeper chords!
Say, shall my arms, in other conflicts taught
To swing aloft the ponderous mace of thought,
Lift, in obedience to a school-girl’s law,
Mirth’s tinsel wand or laughter’s tickling straw?
Say, shall I wound with satire’s rankling spear
The pure, warm hearts that bid me welcome here?
No! while I wander through the land of dreams,
To strive with great and play with trifling themes,
Let some kind meaning fill the varied line.
You have your judgment; will you trust to mine?
-----------------------
Between two breaths what crowded mysteries lie,—­
The first short gasp, the last and long-drawn sigh!
Like phantoms painted on the magic slide,
Forth from the darkness of the past we glide,
As living shadows for a moment seen
In airy pageant on the eternal screen,
Traced by a ray from one unchanging flame,
Then seek the dust and stillness whence we came.

But whence and why, our trembling souls inquire,
Caught these dim visions their awakening fire?
Oh, who forgets when first the piercing thought
Through childhood’s musings found its way unsought?
I am;—­I live. The mystery and the fear
When the dread question, what has brought me here?
Burst through life’s twilight, as before the sun
Roll the deep thunders of the morning gun!

Are angel faces, silent and serene,
Bent on the conflicts of this little scene,
Whose dream-like efforts, whose unreal strife,
Are but the preludes to a larger life?

Or does life’s summer see the end of all,
These leaves of being mouldering as they fall,
As the old poet vaguely used to deem,
As WESLEY questioned in his youthful dream?
Oh, could such mockery reach our souls indeed,
Give back the Pharaohs’ or the Athenian’s creed;
Better than this a Heaven of man’s device,—­
The Indian’s sports, the Moslem’s paradise!

Or is our being’s only end and aim
To add new glories to our Maker’s name,
As the poor insect, shrivelling in the blaze,
Lends a faint sparkle to its streaming rays?
Does earth send upward to the Eternal’s ear
The mingled discords of her jarring sphere
To swell his anthem, while creation rings
With notes of anguish from its shattered strings?
Is it for this the immortal Artist means
These conscious, throbbing, agonized machines?

Dark is the soul whose sullen creed can bind
In chains like these the all-embracing Mind;
No! two-faced bigot, thou dost ill reprove
The sensual, selfish, yet benignant Jove,
And praise a tyrant throned in lonely pride,
Who loves himself, and cares for naught beside;
Who gave thee, summoned from primeval night,
A thousand laws, and not a single right,—­
A heart to feel, and quivering nerves to thrill,
The sense of wrong, the death-defying will;
Who girt thy senses with this goodly frame,
Its earthly glories and its orbs of flame,
Not for thyself, unworthy of a thought,
Poor helpless victim of a life unsought,
But all for him, unchanging and supreme,
The heartless centre of thy frozen scheme.

Trust not the teacher with his lying scroll,
Who tears the charter of thy shuddering soul;
The God of love, who gave the breath that warms
All living dust in all its varied forms,
Asks not the tribute of a world like this
To fill the measure of his perfect bliss.
Though winged with life through all its radiant shores,
Creation flowed with unexhausted stores
Cherub and seraph had not yet enjoyed;
For this he called thee from the quickening void!
Nor this alone; a larger gift was thine,
A mightier purpose swelled his vast design
Thought,—­conscience,—­will,—­ to make them all thine own,
He rent a pillar from the eternal throne!

Made in his image, thou must nobly dare
The thorny crown of sovereignty to share.
With eye uplifted, it is thine to view,
From thine own centre, Heaven’s o’erarching blue;
So round thy heart a beaming circle lies
No fiend can blot, no hypocrite disguise;
From all its orbs one cheering voice is heard,
Full to thine ear it bears the Father’s word,
Now, as in Eden where his first-born trod
“Seek thine own welfare, true to man and God!”
Think not too meanly of thy low estate;
Thou hast a choice; to choose is to create!
Remember whose the sacred lips that tell,
Angels approve thee when thy choice is well;
Remember, One, a judge of righteous men,
Swore to spare Sodom if she held but ten!
Use well the freedom which thy Master gave,
(Think’st thou that Heaven can tolerate a slave?)
And He who made thee to be just and true
Will bless thee, love thee,—­ay, respect thee too!

Nature has placed thee on a changeful tide,
To breast its waves, but not without a guide;
Yet, as the needle will forget its aim,
Jarred by the fury of the electric flame,
As the true current it will falsely feel,
Warped from its axis by a freight of steel;
So will thy conscience lose its balanced truth
If passion’s lightning fall upon thy youth,
So the pure effluence quit its sacred hold
Girt round too deeply with magnetic gold.
Go to yon tower, where busy science plies
Her vast antennae, feeling through the skies
That little vernier on whose slender lines
The midnight taper trembles as it shines,
A silent index, tracks the planets’ march
In all their wanderings through the ethereal arch;
Tells through the mist where dazzled Mercury burns,
And marks the spot where Uranus returns.
So, till by wrong or negligence effaced,
The living index which thy Maker traced
Repeats the line each starry Virtue draws
Through the wide circuit of creation’s laws;
Still tracks unchanged the everlasting ray
Where the dark shadows of temptation stray,
But, once defaced, forgets the orbs of light,
And leaves thee wandering o’er the expanse of night.

“What is thy creed?” a hundred lips inquire;
“Thou seekest God beneath what Christian spire?”
Nor ask they idly, for uncounted lies
Float upward on the smoke of sacrifice;
When man’s first incense rose above the plain,
Of earth’s two altars one was built by Cain!
Uncursed by doubt, our earliest creed we take;
We love the precepts for the teacher’s sake;
The simple lessons which the nursery taught
Fell soft and stainless on the buds of thought,
And the full blossom owes its fairest hue
To those sweet tear-drops of affection’s dew.
Too oft the light that led our earlier hours
Fades with the perfume of our cradle flowers;
The clear, cold question chills to frozen doubt;
Tired of beliefs, we dread to live without
Oh then, if Reason waver at thy side,
Let humbler Memory be thy gentle guide;
Go to thy birthplace, and, if faith was there,
Repeat thy father’s creed, thy mother’s prayer!

Faith loves to lean on Time’s destroying arm,
And age, like distance, lends a double charm;
In dim cathedrals, dark with vaulted gloom,
What holy awe invests the saintly tomb!
There pride will bow, and anxious care expand,
And creeping avarice come with open hand;
The gay can weep, the impious can adore,
From morn’s first glimmerings on the chancel floor
Till dying sunset sheds his crimson stains
Through the faint halos of the irised panes.
Yet there are graves, whose rudely-shapen sod
Bears the fresh footprints where the sexton trod;
Graves where the verdure has not dared to shoot,
Where the chance wild-flower has not fixed its root,
Whose slumbering tenants, dead without a name,
The eternal record shall at length proclaim
Pure as the holiest in the long array
Of hooded, mitred, or tiaraed clay!

Come, seek the air; some pictures we may gain
Whose passing shadows shall not be in vain;
Not from the scenes that crowd the stranger’s soil,
Not from our own amidst the stir of toil,
But when the Sabbath brings its kind release,
And Care lies slumbering on the lap of Peace.

The air is hushed, the street is holy ground;
Hark! The sweet bells renew their welcome sound
As one by one awakes each silent tongue,
It tells the turret whence its voice is flung.
The Chapel, last of sublunary things
That stirs our echoes with the name of Kings,
Whose bell, just glistening from the font and forge,
Rolled its proud requiem for the second George,
Solemn and swelling, as of old it rang,
Flings to the wind its deep, sonorous clang;
The simpler pile, that, mindful of the hour
When Howe’s artillery shook its half-built tower,
Wears on its bosom, as a bride might do,
The iron breastpin which the “Rebels” threw,
Wakes the sharp echoes with the quivering thrill
Of keen vibrations, tremulous and shrill;
Aloft, suspended in the morning’s fire,
Crash the vast cymbals from the Southern spire;
The Giant, standing by the elm-clad green,
His white lance lifted o’er the silent scene,
Whirling in air his brazen goblet round,
Swings from its brim the swollen floods of sound;
While, sad with memories of the olden time,
Throbs from his tower the Northern Minstrel’s chime,—­
Faint, single tones, that spell their ancient song,
But tears still follow as they breathe along.

Child of the soil, whom fortune sends to range
Where man and nature, faith and customs change,
Borne in thy memory, each familiar tone
Mourns on the winds that sigh in every zone.
When Ceylon sweeps thee with her perfumed breeze
Through the warm billows of the Indian seas;
When—­ship and shadow blended both in one—­
Flames o’er thy mast the equatorial sun,
From sparkling midnight to refulgent noon
Thy canvas swelling with the still monsoon;
When through thy shrouds the wild tornado sings,
And thy poor sea-bird folds her tattered wings,—­
Oft will delusion o’er thy senses steal,
And airy echoes ring the Sabbath peal
Then, dim with grateful tears, in long array
Rise the fair town, the island-studded bay,
Home, with its smiling board, its cheering fire,
The half-choked welcome of the expecting sire,
The mother’s kiss, and, still if aught remain,
Our whispering hearts shall aid the silent strain.
Ah, let the dreamer o’er the taffrail lean
To muse unheeded, and to weep unseen;
Fear not the tropic’s dews, the evening’s chills,
His heart lies warm among his triple hills!

Turned from her path by this deceitful gleam,
My wayward fancy half forgets her theme.
See through the streets that slumbered in repose
The living current of devotion flows,
Its varied forms in one harmonious band
Age leading childhood by its dimpled hand;
Want, in the robe whose faded edges fall
To tell of rags beneath the tartan shawl;
And wealth, in silks that, fluttering to appear,
Lift the deep borders of the proud cashmere.
See, but glance briefly, sorrow-worn and pale,
Those sunken cheeks beneath the widow’s veil;
Alone she wanders where with him she trod,
No arm to stay her, but she leans on God.
While other doublets deviate here and there,
What secret handcuff binds that pretty pair?
Compactest couple! pressing side to side,—­
Ah, the white bonnet that reveals the bride!
By the white neckcloth, with its straitened tie,
The sober hat, the Sabbath-speaking eye,
Severe and smileless, he that runs may read
The stern disciple of Geneva’s creed
Decent and slow, behold his solemn march;
Silent he enters through yon crowded arch.
A livelier bearing of the outward man,
The light-hued gloves, the undevout rattan,
Now smartly raised or half profanely twirled,—­
A bright, fresh twinkle from the week-day world,—­
Tell their plain story; yes, thine eyes behold
A cheerful Christian from the liberal fold.
Down the chill street that curves in gloomiest shade
What marks betray yon solitary maid?
The cheek’s red rose that speaks of balmier air,
The Celtic hue that shades her braided hair,
The gilded missal in her kerchief tied,—­
Poor Nora, exile from Killarney’s side!
Sister in toil, though blanched by colder skies,
That left their azure in her downcast eyes,
See pallid Margaret, Labor’s patient child,
Scarce weaned from home, the nursling of the wild,
Where white Katahdin o’er the horizon shines,
And broad Penobscot dashes through the pines.
Still, as she hastes, her careful fingers hold
The unfailing hymn-book in its cambric fold.
Six days at drudgery’s heavy wheel she stands,
The seventh sweet morning folds her weary hands.
Yes, child of suffering, thou mayst well be sure
He who ordained the Sabbath loves the poor!

This weekly picture faithful Memory draws,
Nor claims the noisy tribute of applause;
Faint is the glow such barren hopes can lend,
And frail the line that asks no loftier end.
Trust me, kind listener, I will yet beguile
Thy saddened features of the promised smile.
This magic mantle thou must well divide,
It has its sable and its ermine side;
Yet, ere the lining of the robe appears,
Take thou in silence what I give in tears.

Dear listening soul, this transitory scene
Of murmuring stillness, busily serene,—­
This solemn pause, the breathing-space of man,
The halt of toil’s exhausted caravan,—­
Comes sweet with music to thy wearied ear;
Rise with its anthems to a holier sphere!

Deal meekly, gently, with the hopes that guide
The lowliest brother straying from thy side
If right, they bid thee tremble for thine own;
If wrong, the verdict is for God alone.

What though the champions of thy faith esteem
The sprinkled fountain or baptismal stream;
Shall jealous passions in unseemly strife
Cross their dark weapons o’er the waves of life?

Let my free soul, expanding as it can,
Leave to his scheme the thoughtful Puritan;
But Calvin’s dogma shall my lips deride?
In that stern faith my angel Mary died;
Or ask if mercy’s milder creed can save,
Sweet sister, risen from thy new-made grave?

True, the harsh founders of thy church reviled
That ancient faith, the trust of Erin’s child;
Must thou be raking in the crumbled past
For racks and fagots in her teeth to cast?
See from the ashes of Helvetia’s pile
The whitened skull of old Servetus smile!
Round her young heart thy “Romish Upas” threw
Its firm, deep fibres, strengthening as she grew;
Thy sneering voice may call them “Popish tricks,”
Her Latin prayers, her dangling crucifix,
But De Profundis blessed her father’s grave,
That “idol” cross her dying mother gave!
What if some angel looks with equal eyes
On her and thee, the simple and the wise,
Writes each dark fault against thy brighter creed,
And drops a tear with every foolish bead!
Grieve, as thou must, o’er history’s reeking page;
Blush for the wrongs that stain thy happier age;
Strive with the wanderer from the better path,
Bearing thy message meekly, not in wrath;
Weep for the frail that err, the weak that fall,
Have thine own faith,—­but hope and pray for all!

Faith; Conscience; Love. A meaner task remains,
And humbler thoughts must creep in lowlier strains.
Shalt thou be honest? Ask the worldly schools,
And all will tell thee knaves are busier fools;
Prudent? Industrious? Let not modern pens
Instruct “Poor Richard’s” fellow-citizens.

Be firm! One constant element in luck
Is genuine solid old Teutonic pluck.
See yon tall shaft; it felt the earthquake’s thrill,
Clung to its base, and greets the sunrise still.

Stick to your aim: the mongrel’s hold will slip,
But only crowbars loose the bulldog’s grip;
Small as he looks, the jaw that never yields
Drags down the bellowing monarch of the fields!

Yet in opinions look not always back,—­
Your wake is nothing, mind the coming track;
Leave what you’ve done for what you have to do;
Don’t be “consistent,” but be simply true.

Don’t catch the fidgets; you have found your place
Just in the focus of a nervous race,
Fretful to change and rabid to discuss,
Full of excitements, always in a fuss.
Think of the patriarchs; then compare as men
These lean-cheeked maniacs of the tongue and pen!
Run, if you like, but try to keep your breath;
Work like a man, but don’t be worked to death;
And with new notions,—­let me change the rule,—­
Don’t strike the iron till it ’s slightly cool.

Choose well your set; our feeble nature seeks
The aid of clubs, the countenance of cliques;
And with this object settle first of all
Your weight of metal and your size of ball.
Track not the steps of such as hold you cheap,
Too mean to prize, though good enough to keep;
The “real, genuine, no-mistake Tom Thumbs”
Are little people fed on great men’s crumbs.
Yet keep no followers of that hateful brood
That basely mingles with its wholesome food
The tumid reptile, which, the poet said,
Doth wear a precious jewel in his head.

If the wild filly, “Progress,” thou wouldst ride,
Have young companions ever at thy side;
But wouldst thou stride the stanch old mare, “Success,”
Go with thine elders, though they please thee less.
Shun such as lounge through afternoons and eves,
And on thy dial write, “Beware of thieves!”
Felon of minutes, never taught to feel
The worth of treasures which thy fingers steal,
Pick my left pocket of its silver dime,
But spare the right,—­it holds my golden time!

Does praise delight thee? Choose some ultra side,—­
A sure old recipe, and often tried;
Be its apostle, congressman, or bard,
Spokesman or jokesman, only drive it hard;
But know the forfeit which thy choice abides,
For on two wheels the poor reformer rides,—­
One black with epithets the anti throws,
One white with flattery painted by the pros.

Though books on MANNERS are not out of print,
An honest tongue may drop a harmless hint.
Stop not, unthinking, every friend you meet,
To spin your wordy fabric in the street;
While you are emptying your colloquial pack,
The fiend Lumbago jumps upon his back.
Nor cloud his features with the unwelcome tale
Of how he looks, if haply thin and pale;
Health is a subject for his child, his wife,
And the rude office that insures his life.
Look in his face, to meet thy neighbor’s soul,
Not on his garments, to detect a hole;
“How to observe” is what thy pages show,
Pride of thy sex, Miss Harriet Martineau!
Oh, what a precious book the one would be
That taught observers what they ’re not to see!

I tell in verse—­’t were better done in prose—­
One curious trick that everybody knows;
Once form this habit, and it’s very strange
How long it sticks, how hard it is to change.
Two friendly people, both disposed to smile,
Who meet, like others, every little while,
Instead of passing with a pleasant bow,
And “How d’ ye do?” or “How ’s your uncle now?”

Impelled by feelings in their nature kind,
But slightly weak and somewhat undefined,
Rush at each other, make a sudden stand,
Begin to talk, expatiate, and expand;
Each looks quite radiant, seems extremely struck,
Their meeting so was such a piece of luck;
Each thinks the other thinks he ’s greatly pleased
To screw the vice in which they both are squeezed;
So there they talk, in dust, or mud, or snow,
Both bored to death, and both afraid to go!
Your hat once lifted, do not hang your fire,
Nor, like slow Ajax, fighting still, retire;
When your old castor on your crown you clap,
Go off; you’ve mounted your percussion cap.

Some words on language may be well applied,
And take them kindly, though they touch your pride.
Words lead to things; a scale is more precise,—­
Coarse speech, bad grammar, swearing, drinking, vice.
Our cold Northeaster’s icy fetter clips
The native freedom of the Saxon lips;
See the brown peasant of the plastic South,
How all his passions play about his mouth!
With us, the feature that transmits the soul,
A frozen, passive, palsied breathing-hole.
The crampy shackles of the ploughboy’s walk
Tie the small muscles when he strives to talk;
Not all the pumice of the polished town
Can smooth this roughness of the barnyard down;
Rich, honored, titled, he betrays his race
By this one mark,—­he’s awkward in the face;—­
Nature’s rude impress, long before he knew
The sunny street that holds the sifted few.
It can’t be helped, though, if we’re taken young,
We gain some freedom of the lips and tongue;
But school and college often try in vain
To break the padlock of our boyhood’s chain
One stubborn word will prove this axiom true,—­
No quondam rustic can enunciate view.

A few brief stanzas may be well employed
To speak of errors we can all avoid.
Learning condemns beyond the reach of hope
The careless lips that speak of so’ap for soap;
Her edict exiles from her fair abode
The clownish voice that utters ro’ad for road
Less stern to him who calls his coat a co’at,
And steers his boat, believing it a bo’at,
She pardoned one, our classic city’s boast,
Who said at Cambridge mo’st instead of most,
But knit her brows and stamped her angry foot
To hear a Teacher call a root a ro’ot.

Once more: speak clearly, if you speak at all;
Carve every word before you let it fall;
Don’t, like a lecturer or dramatic star,
Try over-hard to roll the British R;
Do put your accents in the proper spot;
Don’t,—­let me beg you,—­don’t say “How?” for “What?”
And when you stick on conversation’s burs,
Don’t strew your pathway with those dreadful urs.

From little matters let us pass to less,
And lightly touch the mysteries of dress;
The outward forms the inner man reveal,—­
We guess the pulp before we cut the peel.

I leave the broadcloth,—­coats and all the rest,—­
The dangerous waistcoat, called by cockneys “vest,”
The things named “pants” in certain documents,
A word not made for gentlemen, but “gents;”
One single precept might the whole condense
Be sure your tailor is a man of sense;
But add a little care, a decent pride,
And always err upon the sober side.

Three pairs of boots one pair of feet demands,
If polished daily by the owner’s hands;
If the dark menial’s visit save from this,
Have twice the number,—­for he ’ll sometimes miss.
One pair for critics of the nicer sex,
Close in the instep’s clinging circumflex,
Long, narrow, light; the Gallic boot of love,
A kind of cross between a boot and glove.
Compact, but easy, strong, substantial, square,
Let native art compile the medium pair.
The third remains, and let your tasteful skill
Here show some relics of affection still;
Let no stiff cowhide, reeking from the tan,
No rough caoutchoue, no deformed brogan,
Disgrace the tapering outline of your feet,
Though yellow torrents gurgle through the street.

Wear seemly gloves; not black, nor yet too light,
And least of all the pair that once was white;
Let the dead party where you told your loves
Bury in peace its dead bouquets and gloves;
Shave like the goat, if so your fancy bids,
But be a parent,—­don’t neglect your kids.

Have a good hat; the secret of your looks
Lives with the beaver in Canadian brooks;
Virtue may flourish in an old cravat,
But man and nature scorn the shocking hat.
Does beauty slight you from her gay abodes?
Like bright Apollo, you must take to Rhoades,—­
Mount the new castor,—­ice itself will melt;
Boots, gloves, may fail; the hat is always felt.

Be shy of breastpins; plain, well-ironed white,
With small pearl buttons,—­two of them in sight,—­
Is always genuine, while your gems may pass,
Though real diamonds, for ignoble glass.
But spurn those paltry Cisatlantic lies
That round his breast the shabby rustic ties;
Breathe not the name profaned to hallow things
The indignant laundress blushes when she brings!

Our freeborn race, averse to every check,
Has tossed the yoke of Europe from its neck;
From the green prairie to the sea-girt town,
The whole wide nation turns its collars down.
The stately neck is manhood’s manliest part;
It takes the life-blood freshest from the heart.
With short, curled ringlets close around it spread,
How light and strong it lifts the Grecian head!
Thine, fair Erechtheus of Minerva’s wall;
Or thine, young athlete of the Louvre’s hall,
Smooth as the pillar flashing in the sun
That filled the arena where thy wreaths were won,
Firm as the band that clasps the antlered spoil
Strained in the winding anaconda’s coil
I spare the contrast; it were only kind
To be a little, nay, intensely blind.
Choose for yourself: I know it cuts your ear;
I know the points will sometimes interfere;
I know that often, like the filial John,
Whom sleep surprised with half his drapery on,
You show your features to the astonished town
With one side standing and the other down;—­
But, O, my friend! my favorite fellow-man!
If Nature made you on her modern plan,
Sooner than wander with your windpipe bare,—­
The fruit of Eden ripening in the air,—­
With that lean head-stalk, that protruding chin,
Wear standing collars, were they made of tin!
And have a neckcloth—­by the throat of Jove!—­
Cut from the funnel of a rusty stove!

The long-drawn lesson narrows to its close,
Chill, slender, slow, the dwindled current flows;
Tired of the ripples on its feeble springs,
Once more the Muse unfolds her upward wings.

Land of my birth, with this unhallowed tongue,
Thy hopes, thy dangers, I perchance had sung;
But who shall sing, in brutal disregard
Of all the essentials of the “native bard”?
Lake, sea, shore, prairie, forest, mountain, fall,
His eye omnivorous must devour them all;
The tallest summits and the broadest tides
His foot must compass with its giant strides,
Where Ocean thunders, where Missouri rolls,
And tread at once the tropics and the poles;
His food all forms of earth, fire, water, air,
His home all space, his birthplace everywhere.

Some grave compatriot, having seen perhaps
The pictured page that goes in Worcester’s Maps,
And, read in earnest what was said in jest,
“Who drives fat oxen”—­please to add the rest,—­
Sprung the odd notion that the poet’s dreams
Grow in the ratio of his hills and streams;
And hence insisted that the aforesaid “bard,”
Pink of the future, fancy’s pattern-card,
The babe of nature in the “giant West,”
Must be of course her biggest and her best.

Oh! when at length the expected bard shall come,
Land of our pride, to strike thine echoes dumb,
(And many a voice exclaims in prose and rhyme,
It’s getting late, and he’s behind his time,)
When all thy mountains clap their hands in joy,
And all thy cataracts thunder, “That ’s the boy,”—­
Say if with him the reign of song shall end,
And Heaven declare its final dividend!

Becalm, dear brother! whose impassioned strain
Comes from an alley watered by a drain;
The little Mincio, dribbling to the Po,
Beats all the epics of the Hoang Ho;
If loved in earnest by the tuneful maid,
Don’t mind their nonsense,—­never be afraid!

The nurse of poets feeds her winged brood
By common firesides, on familiar food;
In a low hamlet, by a narrow stream,
Where bovine rustics used to doze and dream,
She filled young William’s fiery fancy full,
While old John Shakespeare talked of beeves and wool!

No Alpine needle, with its climbing spire,
Brings down for mortals the Promethean fire,
If careless nature have forgot to frame
An altar worthy of the sacred flame.
Unblest by any save the goatherd’s lines,
Mont Blanc rose soaring through his “sea of pines;”
In vain the rivers from their ice-caves flash;
No hymn salutes them but the Ranz des Vaches,
Till lazy Coleridge, by the morning’s light,
Gazed for a moment on the fields of white,
And lo! the glaciers found at length a tongue,
Mont Blanc was vocal, and Chamouni sung!

Children of wealth or want, to each is given
One spot of green, and all the blue of heaven!
Enough if these their outward shows impart;
The rest is thine,—­the scenery of the heart.

If passion’s hectic in thy stanzas glow,
Thy heart’s best life-blood ebbing as they flow;
If with thy verse thy strength and bloom distil,
Drained by the pulses of the fevered thrill;
If sound’s sweet effluence polarize thy brain,
And thoughts turn crystals in thy fluid strain,—­
Nor rolling ocean, nor the prairie’s bloom,
Nor streaming cliffs, nor rayless cavern’s gloom,
Need’st thou, young poet, to inform thy line;
Thy own broad signet stamps thy song divine!
Let others gaze where silvery streams are rolled,
And chase the rainbow for its cup of gold;
To thee all landscapes wear a heavenly dye,
Changed in the glance of thy prismatic eye;
Nature evoked thee in sublimer throes,
For thee her inmost Arethusa flows,—­
The mighty mother’s living depths are stirred,—­
Thou art the starred Osiris of the herd!

A few brief lines; they touch on solemn chords,
And hearts may leap to hear their honest words;
Yet, ere the jarring bugle-blast is blown,
The softer lyre shall breathe its soothing tone.

New England! proudly may thy children claim
Their honored birthright by its humblest name
Cold are thy skies, but, ever fresh and clear,
No rank malaria stains thine atmosphere;
No fungous weeds invade thy scanty soil,
Scarred by the ploughshares of unslumbering toil.
Long may the doctrines by thy sages taught,
Raised from the quarries where their sires have wrought,
Be like the granite of thy rock-ribbed land,—­
As slow to rear, as obdurate to stand;
And as the ice that leaves thy crystal mine
Chills the fierce alcohol in the Creole’s wine,
So may the doctrines of thy sober school
Keep the hot theories of thy neighbors cool!

If ever, trampling on her ancient path,
Cankered by treachery or inflamed by wrath,
With smooth “Resolves” or with discordant cries,
The mad Briareus of disunion rise,
Chiefs of New England! by your sires’ renown,
Dash the red torches of the rebel down!
Flood his black hearthstone till its flames expire,
Though your old Sachem fanned his council-fire!

But if at last, her fading cycle run,
The tongue must forfeit what the arm has won,
Then rise, wild Ocean! roll thy surging shock
Full on old Plymouth’s desecrated rock!
Scale the proud shaft degenerate hands have hewn,
Where bleeding Valor stained the flowers of June!
Sweep in one tide her spires and turrets down,
And howl her dirge above Monadnock’s crown!

List not the tale; the Pilgrim’s hallowed shore,
Though strewn with weeds, is granite at the core;
Oh, rather trust that He who made her free
Will keep her true as long as faith shall be!
Farewell! yet lingering through the destined hour,
Leave, sweet Enchantress, one memorial flower!

An Angel, floating o’er the waste of snow
That clad our Western desert, long ago,
(The same fair spirit who, unseen by day,
Shone as a star along the Mayflower’s way,)—­
Sent, the first herald of the Heavenly plan,
To choose on earth a resting-place for man,—­
Tired with his flight along the unvaried field,
Turned to soar upwards, when his glance revealed
A calm, bright bay enclosed in rocky bounds,
And at its entrance stood three sister mounds.

The Angel spake: “This threefold hill shall be
The home of Arts, the nurse of Liberty!
One stately summit from its shaft shall pour
Its deep-red blaze along the darkened shore;
Emblem of thoughts that, kindling far and wide,
In danger’s night shall be a nation’s guide.
One swelling crest the citadel shall crown,
Its slanted bastions black with battle’s frown,
And bid the sons that tread its scowling heights
Bare their strong arms for man and all his rights!
One silent steep along the northern wave
Shall hold the patriarch’s and the hero’s grave;
When fades the torch, when o’er the peaceful scene
The embattled fortress smiles in living green,
The cross of Faith, the anchor staff of Hope,
Shall stand eternal on its grassy slope;
There through all time shall faithful Memory tell,
’Here Virtue toiled, and Patriot Valor fell;
Thy free, proud fathers slumber at thy side;
Live as they lived, or perish as they died!’”

Wind-Clouds And Star-Drifts

FROM THE YOUNG ASTRONOMER'S POEM

I.

AMBITION

ANOTHER clouded night; the stars are hid,
The orb that waits my search is hid with them.
Patience! Why grudge an hour, a month, a year,
To plant my ladder and to gain the round
That leads my footsteps to the heaven of fame,
Where waits the wreath my sleepless midnights won?
Not the stained laurel such as heroes wear
That withers when some stronger conqueror's heel
Treads down their shrivelling trophies in the dust;
But the fair garland whose undying green
Not time can change, nor wrath of gods or men!

With quickened heart-beats I shall hear tongues
That speak my praise; but better far the sense
That in the unshaped ages, buried deep
In the dark mines of unaccomplished time
Yet to be stamped with morning's royal die
And coined in golden days,--in those dim years
I shall be reckoned with the undying dead,
My name emblazoned on the fiery arch,
Unfading till the stars themselves shall fade.
Then, as they call the roll of shining worlds,
Sages of race unborn in accents new
Shall count me with the Olympian ones of old,
Whose glories kindle through the midnight sky
Here glows the God of Battles; this recalls
The Lord of Ocean, and yon far-off sphere
The Sire of Him who gave his ancient name
To the dim planet with the wondrous rings;
Here flames the Queen of Beauty's silver lamp,
And there the moon-girt orb of mighty Jove;
But this, unseen through all earth's ions past,
A youth who watched beneath the western star
Sought in the darkness, found, and shewed to men;
Linked with his name thenceforth and evermore
So shall that name be syllabled anew
In all the tongues of all the tribes of men:
I that have been through immemorial years
Dust in the dust of my forgotten time
Shall live in accents shaped of blood-warm breath,
Yea, rise in mortal semblance, newly born
In shining stone, in undecaying bronze,
And stand on high, and look serenely down
On the new race that calls the earth its own.

Is this a cloud, that, blown athwart my soul,
Wears a false seeming of the pearly stain
Where worlds beyond the world their mingling rays
Blend in soft white,--a cloud that, born of earth,
Would cheat the soul that looks for light from heaven?
Must every coral-insect leave his sign
On each poor grain he lent to build the reef,
As Babel's builders stamped their sunburnt clay,
Or deem his patient service all in vain?
What if another sit beneath the shade
Of the broad elm I planted by the way,--
What if another heed the beacon light
I set upon the rock that wrecked my keel,--
Have I not done my task and served my kind?
Nay, rather act thy part, unnamed, unknown,
And let Fame blow her trumpet through the world
With noisy wind to swell a fool's renown,
Joined with some truth he stumbled blindly o'er,
Or coupled with some single shining deed
That in the great account of all his days
Will stand alone upon the bankrupt sheet
His pitying angel shows the clerk of Heaven.
The noblest service comes from nameless hands,
And the best servant does his work unseen.
Who found the seeds of fire and made them shoot,
Fed by his breath, in buds and flowers of flame?
Who forged in roaring flames the ponderous stone,
And shaped the moulded metal to his need?
Who gave the dragging car its rolling wheel,
And tamed the steed that whirls its circling round?
All these have left their work and not their names,--
Why should I murmur at a fate like theirs?
This is the heavenly light; the pearly stain
Was but a wind-cloud drifting o'er the stars!

II.

REGRETS

BRIEF glimpses of the bright celestial spheres,
False lights, false shadows, vague, uncertain gleams,
Pale vaporous mists, wan streaks of lurid flame,
The climbing of the upward-sailing cloud,
The sinking of the downward-falling star,--
All these are pictures of the changing moods
Borne through the midnight stillness of my soul.

Here am I, bound upon this pillared rock,
Prey to the vulture of a vast desire
That feeds upon my life. I burst my bands
And steal a moment's freedom from the beak,
The clinging talons and the shadowing plumes;
Then comes the false enchantress, with her song;

'Thou wouldst not lay thy forehead in the dust
Like the base herd that feeds and breeds and dies
Lo, the fair garlands that I weave for thee,
Unchanging as the belt Orion wears,
Bright as the jewels of the seven-starred Crown,
The spangled stream of Berenice's hair!'
And so she twines the fetters with the flowers
Around my yielding limbs, and the fierce bird
Stoops to his quarry,--then to feed his rage
Of ravening hunger I must drain my blood
And let the dew-drenched, poison-breeding night
Steal all the freshness from my fading cheek,
And leave its shadows round my caverned eyes.
All for a line in some unheeded scroll;
All for a stone that tells to gaping clowns,
'Here lies a restless wretch beneath a clod
Where squats the jealous nightmare men call
Fame!'

I marvel not at him who scorns his kind
And thinks not sadly of the time foretold
When the old hulk we tread shall be a wreck,
A slag, a cinder drifting through the sky
Without its crew of fools! We live too long,
And even so are not content to die,
But load the mould that covers up our bones
With stones that stand like beggars by the road
And show death's grievous wound and ask for tears;
Write our great books to teach men who we are,
Sing our fine songs that tell in artful phrase
The secrets of our lives, and plead and pray
For alms of memory with the after time,
Those few swift seasons while the earth shall wear
Its leafy summers, ere its core grows cold
And the moist life of all that breathes shall die;
Or as the new-born seer, perchance more wise,
Would have us deem, before its growing mass,
Pelted with star-dust, stoned with meteor-balls,
Heats like a hammered anvil, till at last
Man and his works and all that stirred itself
Of its own motion, in the fiery glow
Turns to a flaming vapor, and our orb
Shines a new sun for earths that shall be born.

I am as old as Egypt to myself,
Brother to them that squared the pyramids
By the same stars I watch. I read the page
Where every letter is a glittering world,
With them who looked from Shinar's clay-built towers,
Ere yet the wanderer of the Midland sea
Had missed the fallen sister of the seven.
I dwell in spaces vague, remote, unknown,
Save to the silent few, who, leaving earth,
Quit all communion with their living time.
I lose myself in that ethereal void,
Till I have tired my wings and long to fill
My breast with denser air, to stand, to walk
With eyes not raised above my fellow-men.
Sick of my unwalled, solitary realm,
I ask to change the myriad lifeless worlds
I visit as mine own for one poor patch
Of this dull spheroid and a little breath
To shape in word or deed to serve my kind.
Was ever giant's dungeon dug so deep,
Was ever tyrant's fetter forged so strong,
Was e'er such deadly poison in the draught
The false wife mingles for the trusting fool,
As he whose willing victim is himself,
Digs, forges, mingles, for his captive soul?

III.

SYMPATHIES

THE snows that glittered on the disk of Mars
Have melted, and the planet's fiery orb
Rolls in the crimson summer of its year;
But what to me the summer or the snow
Of worlds that throb with life in forms unknown,
If life indeed be theirs; I heed not these.
My heart is simply human; all my care
For them whose dust is fashioned like mine own;
These ache with cold and hunger, live in pain,
And shake with fear of worlds more full of woe;
There may be others worthier of my love,
But such I know not save through these I know.

There are two veils of language, hid beneath
Whose sheltering folds, we dare to be ourselves;
And not that other self which nods and smiles
And babbles in our name; the one is Prayer,
Lending its licensed freedom to the tongue
That tells our sorrows and our sins to Heaven;
The other, Verse, that throws its spangled web
Around our naked speech and makes it bold.
I, whose best prayer is silence; sitting dumb
In the great temple where I nightly serve
Him who is throned in light, have dared to claim
The poet's franchise, though I may not hope
To wear his garland; hear me while I tell
My story in such form as poets use,
But breathed in fitful whispers, as the wind
Sighs and then slumbers, wakes and sighs again.

Thou Vision, floating in the breathless air
Between me and the fairest of the stars,
I tell my lonely thoughts as unto thee.
Look not for marvels of the scholar's pen
In my rude measure; I can only show
A slender-margined, unillumined page,
And trust its meaning to the flattering eye
That reads it in the gracious light of love.
Ah, wouldst thou clothe thyself in breathing shape
And nestle at my side, my voice should lend
Whate'er my verse may lack of tender rhythm
To make thee listen.

I have stood entranced
When, with her fingers wandering o'er the keys,
The white enchantress with the golden hair
Breathed all her soul through some unvalued rhyme;
Some flower of song that long had lost its bloom;
Lo! its dead summer kindled as she sang!
The sweet contralto, like the ringdove's coo,
Thrilled it with brooding, fond, caressing tones,
And the pale minstrel's passion lived again,
Tearful and trembling as a dewy rose
The wind has shaken till it fills the air
With light and fragrance. Such the wondrous charm
A song can borrow when the bosom throbs
That lends it breath.

So from the poet's lips
His verse sounds doubly sweet, for none like him
Feels every cadence of its wave-like flow;
He lives the passion over, while he reads,
That shook him as he sang his lofty strain,
And pours his life through each resounding line,
As ocean, when the stormy winds are hushed,
Still rolls and thunders through his billowy caves.


IV.

MASTER AND SCHOLAR

LET me retrace the record of the years
That made me what I am. A man most wise,
But overworn with toil and bent with age,
Sought me to be his scholar,-me, run wild
From books and teachers,-kindled in my soul
The love of knowledge; led me to his tower,
Showed me the wonders of the midnight realm
His hollow sceptre ruled, or seemed to rule,
Taught me the mighty secrets of the spheres,
Trained me to find the glimmering specks of light
Beyond the unaided sense, and on my chart
To string them one by one, in order due,
As on a rosary a saint his beads.
I was his only scholar; I became
The echo to his thought; whate'er he knew
Was mine for asking; so from year to year
W e wrought together, till there came a time
When I, the learner, was the master half
Of the twinned being in the dome-crowned tower.

Minds roll in paths like planets; they revolve,
This in a larger, that a narrower ring,
But round they come at last to that same phase,
That selfsame light and shade they showed before.
I learned his annual and his monthly tale,
His weekly axiom and his daily phrase,
I felt them coming in the laden air,
And watched them laboring up to vocal breath,
Even as the first-born at his father's board
Knows ere he speaks the too familiar jest
Is on its way, by some mysterious sign
Forewarned, the click before the striking bell.

He shrivelled as I spread my growing leaves,
Till trust and reverence changed to pitying care;
He lived for me in what he once had been,
But I for him, a shadow, a defence,
The guardian of his fame, his guide, his staff,
Leaned on so long he fell if left alone.
I was his eye, his ear, his cunning hand,
Love was my spur and longing after fame,
But his the goading thorn of sleepless age
That sees its shortening span, its lengthening shades,
That clutches what it may with eager grasp,
And drops at last with empty, outstretched hands.
All this he dreamed not. He would sit him down
Thinking to work his problems as of old,
And find the star he thought so plain a blur,
The columned figures labyrinthine wilds
Without my comment, blind and senseless scrawls
That vexed him with their riddles; he would strive
And struggle for a while, and then his eye
Would lose its light, and over all his mind
The cold gray mist would settle; and erelong
The darkness fell, and I was left alone.


V.

ALONE

ALONE! no climber of an Alpine cliff,
No Arctic venturer on the waveless sea,
Feels the dread stillness round him as it chills
The heart of him who leaves the slumbering earth
To watch the silent worlds that crowd the sky.
Alone! And as the shepherd leaves his flock
To feed upon the hillside, he meanwhile
Finds converse in the warblings of the pipe
Himself has fashioned for his vacant hour,
So have I grown companion to myself,
And to the wandering spirits of the air
That smile and whisper round us in our dreams.
Thus have I learned to search if I may know
The whence and why of all beneath the stars
And all beyond them, and to weigh my life
As in a balance,--poising good and ill
Against each other,--asking of the Power
That flung me forth among the whirling worlds,
If I am heir to any inborn right,
Or only as an atom of the dust
That every wind may blow where'er it will.


VI.

QUESTIONING

I AM not humble; I was shown my place,
Clad in such robes as Nature had at hand;
Took what she gave, not chose; I know no shame,
No fear for being simply what I am.
I am not proud, I hold my every breath
At Nature's mercy. I am as a babe
Borne in a giant's arms, he knows not where;
Each several heart-beat, counted like the coin
A miser reckons, is a special gift
As from an unseen hand; if that withhold
Its bounty for a moment, I am left
A clod upon the earth to which I fall.

Something I find in me that well might claim
The love of beings in a sphere above
This doubtful twilight world of right and wrong;
Something that shows me of the self-same clay
That creeps or swims or flies in humblest form.
Had I been asked, before I left my bed
Of shapeless dust, what clothing I would wear,
I would have said, More angel and less worm;
But for their sake who are even such as I,
Of the same mingled blood, I would not choose
To hate that meaner portion of myself
Which makes me brother to the least of men.

I dare not be a coward with my lips
Who dare to question all things in my soul;
Some men may find their wisdom on their knees,
Some prone and grovelling in the dust like slaves;
Let the meek glowworm glisten in the dew;
I ask to lift my taper to the sky
As they who hold their lamps above their heads,
Trusting the larger currents up aloft,
Rather than crossing eddies round their breast,
Threatening with every puff the flickering blaze.

My life shall be a challenge, not a truce!
This is my homage to the mightier powers,
To ask my boldest question, undismayed
By muttered threats that some hysteric sense
Of wrong or insult will convulse the throne
Where wisdom reigns supreme; and if I err,
They all must err who have to feel their way
As bats that fly at noon; for what are we
But creatures of the night, dragged forth by day,
Who needs must stumble, and with stammering steps
Spell out their paths in syllables of pain?

Thou wilt not hold in scorn the child who dares
Look up to Thee, the Father,--dares to ask
More than thy wisdom answers. From thy hand
The worlds were cast; yet every leaflet claims
From that same hand its little shining sphere
Of star-lit dew; thine image, the great sun,
Girt with his mantle of tempestuous flame,
Glares in mid-heaven; but to his noon-tide blaze
The slender violet lifts its lidless eye,
And from his splendor steals its fairest hue,
Its sweetest perfume from his scorching fire.


VII.

WORSHIP

FROM my lone turret as I look around
O'er the green meadows to the ring of blue,
From slope, from summit, and from half-hid vale
The sky is stabbed with dagger-pointed spires,
Their gilded symbols whirling in the wind,
Their brazen tongues proclaiming to the world,
'Here truth is sold, the only genuine ware;
See that it has our trade-mark! You will buy
Poison instead of food across the way,
The lies of -----' this or that, each several name
The standard's blazon and the battle-cry
Of some true-gospel faction, and again
The token of the Beast to all beside.
And grouped round each I see a huddling crowd
Alike in all things save the words they use;
In love, in longing, hate and fear the same.

Whom do we trust and serve? We speak of one
And bow to many; Athens still would find
The shrines of all she worshipped safe within
Our tall barbarian temples, and the thrones
That crowned Olympus mighty as of old.
The god of music rules the Sabbath choir;
The lyric muse must leave the sacred nine
To help us please the dilettante's ear;
Plutus limps homeward with us, as we leave
The portals of the temple where we knelt
And listened while the god of eloquence
(Hermes of ancient days, but now disguised
In sable vestments) with that other god
Somnus, the son of Erebus and Nox,
Fights in unequal contest for our souls;
The dreadful sovereign of the under world
Still shakes his sceptre at us, and we hear
The baying of the triple-throated hound;
Eros is young as ever, and as fair
The lovely Goddess born of ocean's foam.

These be thy gods, O Israel! Who is he,
The one ye name and tell us that ye serve,
Whom ye would call me from my lonely tower
To worship with the many-headed throng?
Is it the God that walked in Eden's grove
In the cool hour to seek our guilty sire?
The God who dealt with Abraham as the sons
Of that old patriarch deal with other men?
The jealous God of Moses, one who feels
An image as an insult, and is wroth
With him who made it and his child unborn?
The God who plagued his people for the sin
Of their adulterous king, beloved of him,--
The same who offers to a chosen few
The right to praise him in eternal song
While a vast shrieking world of endless woe
Blends its dread chorus with their rapturous hymn?
Is this the God ye mean, or is it he
Who heeds the sparrow's fall, whose loving heart
Is as the pitying father's to his child,
Whose lesson to his children is 'Forgive,'
Whose plea for all, 'They know not what they do'?


VIII.

MANHOOD

I CLAIM the right of knowing whom I serve,
Else is my service idle; He that asks
My homage asks it from a reasoning soul.
To crawl is not to worship; we have learned
A drill of eyelids, bended neck and knee,
Hanging our prayers on hinges, till we ape
The flexures of the many-jointed worm.
Asia has taught her Allahs and salaams
To the world's children,-we have grown to men!
We who have rolled the sphere beneath our feet
To find a virgin forest, as we lay
The beams of our rude temple, first of all
Must frame its doorway high enough for man
To pass unstooping; knowing as we do
That He who shaped us last of living forms
Has long enough been served by creeping things,
Reptiles that left their footprints in the sand
Of old sea-margins that have turned to stone,
And men who learned their ritual; we demand
To know Him first, then trust Him and then love
When we have found Him worthy of our love,
Tried by our own poor hearts and not before;
He must be truer than the truest friend,
He must be tenderer than a woman's love,
A father better than the best of sires;
Kinder than she who bore us, though we sin
Oftener than did the brother we are told
We--poor ill-tempered mortals--must forgive,
Though seven times sinning threescore times and
ten.

This is the new world's gospel: Be ye men!
Try well the legends of the children's time;
Ye are the chosen people, God has led
Your steps across the desert of the deep
As now across the desert of the shore;
Mountains are cleft before you as the sea
Before the wandering tribe of Israel's sons;
Still onward rolls the thunderous caravan,
Its coming printed on the western sky,
A cloud by day, by night a pillared flame;
Your prophets are a hundred unto one
Of them of old who cried, 'Thus saith the Lord;'
They told of cities that should fall in heaps,
But yours of mightier cities that shall rise
Where yet the lonely fishers spread their nets,
Where hides the fox and hoots the midnight owl;
The tree of knowledge in your garden grows
Not single, but at every humble door;
Its branches lend you their immortal food,
That fills you with the sense of what ye are,
No servants of an altar hewed and carved
From senseless stone by craft of human hands,
Rabbi, or dervish, brahmin, bishop, bonze,
But masters of the charm with which they work
To keep your hands from that forbidden tree!

Ye that have tasted that divinest fruit,
Look on this world of yours with opened eyes!
Y e are as gods! Nay, makers of your gods,--
Each day ye break an image in your shrine
And plant a fairer image where it stood
Where is the Moloch of your fathers' creed,
Whose fires of torment burned for span--long babes?
Fit object for a tender mother's love!
Why not? It was a bargain duly made
For these same infants through the surety's act
Intrusted with their all for earth and heaven,
By Him who chose their guardian, knowing well
His fitness for the task,--this, even this,
Was the true doctrine only yesterday
As thoughts are reckoned,--and to--day you hear
In words that sound as if from human tongues
Those monstrous, uncouth horrors of the past
That blot the blue of heaven and shame the earth
As would the saurians of the age of slime,
Awaking from their stony sepulchres
And wallowing hateful in the eye of day!


IX.

RIGHTS

WHAT am I but the creature Thou hast made?
What have I save the blessings Thou hast lent?
What hope I but thy mercy and thy love?
Who but myself shall cloud my soul with fear?
Whose hand protect me from myself but thine?
I claim the rights of weakness, I, the babe,
Call on my sire to shield me from the ills
That still beset my path, not trying me
With snares beyond my wisdom or my strength,
He knowing I shall use them to my harm,
And find a tenfold misery in the sense
That in my childlike folly I have sprung
The trap upon myself as vermin use,
Drawn by the cunning bait to certain doom.
Who wrought the wondrous charm that leads us on
To sweet perdition, but the selfsame power
That set the fearful engine to destroy
His wretched offspring (as the Rabbis tell),
And hid its yawning jaws and treacherous springs
In such a show of innocent sweet flowers
It lured the sinless angels and they fell?
Ah! He who prayed the prayer of all mankind
Summed in those few brief words the mightiest plea
For erring souls before the courts of heaven,--
_Save us from being tempted_,--lest we fall!

If we are only as the potter's clay
Made to be fashioned as the artist wills,
And broken into shards if we offend
The eye of Him who made us, it is well;
Such love as the insensate lump of clay
That spins upon the swift-revolving wheel
Bears to the hand that shapes its growing form,--
Such love, no more, will be our hearts' return
To the great Master-workman for his care,--
Or would be, save that this, our breathing clay,
Is intertwined with fine innumerous threads
That make it conscious in its framer's hand;
And this He must remember who has filled
These vessels with the deadly draught of life,--
Life, that means death to all it claims. Our love
Must kindle in the ray that streams from heaven,
A faint reflection of the light divine;
The sun must warm the earth before the rose
Can show her inmost heart-leaves to the sun.

He yields some fraction of the Maker's right
Who gives the quivering nerve its sense of pain;
Is there not something in the pleading eye
Of the poor brute that suffers, which arraigns
The law that bids it suffer? Has it not
A claim for some remembrance in the book
That fills its pages with the idle words
Spoken of men? Or is it only clay,
Bleeding and aching in the potter's hand,
Yet all his own to treat it as He will
And when He will to cast it at his feet,
Shattered, dishonored, lost forevermore?
My dog loves me, but could he look beyond
His earthly master, would his love extend
To Him who--Hush! I will not doubt that He
Is better than our fears, and will not wrong
The least, the meanest of created things!

He would not trust me with the smallest orb
That circles through the sky; He would not give
A meteor to my guidance; would not leave
The coloring of a cloudlet to my hand;
He locks my beating heart beneath its bars
And keeps the key himself; He measures out
The draughts of vital breath that warm my blood,
Winds up the springs of instinct which uncoil,
Each in its season; ties me to my home,
My race, my time, my nation, and my creed
So closely that if I but slip my wrist
Out of the band that cuts it to the bone,
Men say, 'He hath a devil;' He has lent
All that I hold in trust, as unto one
By reason of his weakness and his years
Not fit to hold the smallest shred in fee
Of those most common things he calls his own,--
And yet--my Rabbi tells me--He has left
The care of that to which a million worlds
Filled with unconscious life were less than naught,
Has left that mighty universe, the Soul,
To the weak guidance of our baby hands,
Let the foul fiends have access at their will,
Taking the shape of angels, to our hearts,--
Our hearts already poisoned through and through
With the fierce virus of ancestral sin;
Turned us adrift with our immortal charge,
To wreck ourselves in gulfs of endless woe.

If what my Rabbi tells me is the truth
Why did the choir of angels sing for joy?
Heaven must be compassed in a narrow space,
And offer more than room enough for all
That pass its portals; but the under-world,
The godless realm, the place where demons forge
Their fiery darts and adamantine chains,
Must swarm with ghosts that for a little while
Had worn the garb of flesh, and being heirs
Of all the dulness of their stolid sires,
And all the erring instincts of their tribe,
Nature's own teaching, rudiments of 'sin,'
Fell headlong in the snare that could not fail
To trap the wretched creatures shaped of clay
And cursed with sense enough to lose their souls!

Brother, thy heart is troubled at my word;
Sister, I see the cloud is on thy brow.
He will not blame me, He who sends not peace,
But sends a sword, and bids us strike amain
At Error's gilded crest, where in the van
Of earth's great army, mingling with the best
And bravest of its leaders, shouting loud
The battle-cries that yesterday have led
The host of Truth to victory, but to-day
Are watchwords of the laggard and the slave,
He leads his dazzled cohorts. God has made
This world a strife of atoms and of spheres;
With every breath I sigh myself away
And take my tribute from the wandering wind
To fan the flame of life's consuming fire;
So, while my thought has life, it needs must burn,
And, burning, set the stubble-fields ablaze,
Where all the harvest long ago was reaped
And safely garnered in the ancient barns.
But still the gleaners, groping for their food,
Go blindly feeling through the close-shorn straw,
While the young reapers flash, their glittering steel
Where later suns have ripened nobler grain!


X.

TRUTHS

THE time is racked with birth-pangs; every hour
Brings forth some gasping truth, and truth newborn
Looks a misshapen and untimely growth,
The terror of the household and its shame,
A monster coiling in its nurse's lap
That some would strangle, some would only starve;
But still it breathes, and passed from hand to hand,
And suckled at a hundred half-clad breasts,
Comes slowly to its stature and its form,
Calms the rough ridges of its dragon-scales,
Changes to shining locks its snaky hair,
And moves transfigured into angel guise,
Welcomed by all that cursed its hour of birth,
And folded in the same encircling arms
That cast it like a serpent from their hold!

If thou wouldst live in honor, die in peace,
Have the fine words the marble-workers learn
To carve so well, upon thy funeral-stone,
And earn a fair obituary, dressed
In all the many-colored robes of praise,
Be deafer than the adder to the cry
Of that same foundling truth, until it grows
To seemly favor, and at length has won
The smiles of hard-mouthed men and light-lipped dames;
Then snatch it from its meagre nurse's breast,
Fold it in silk and give it food from gold;
So shalt thou share its glory when at last
It drops its mortal vesture, and, revealed
In all the splendor of its heavenly form,
Spreads on the startled air its mighty wings!

Alas! how much that seemed immortal truth
That heroes fought for, martyrs died to save,
Reveals its earth-born lineage, growing old
And limping in its march, its wings unplumed,
Its heavenly semblance faded like a dream!
Here in this painted casket, just unsealed,
Lies what was once a breathing shape like thine,
Once loved as thou art loved; there beamed the eyes
That looked on Memphis in its hour of pride,
That saw the walls of hundred-gated Thebes,
And all the mirrored glories of the Nile.
See how they toiled that all-consuming time
Might leave the frame immortal in its tomb;
Filled it with fragrant balms and odorous gums
That still diffuse their sweetness through the air,
And wound and wound with patient fold on fold
The flaxen bands thy hand has rudely torn!
Perchance thou yet canst see the faded stain
Of the sad mourner's tear.


XI.

IDOLS

BUT what is this?
The sacred beetle, bound upon the breast
Of the blind heathen! Snatch the curious prize,
Give it a place among thy treasured spoils,
Fossil and relic,--corals, encrinites,
The fly in amber and the fish in stone,
The twisted circlet of Etruscan gold,
Medal, intaglio, poniard, poison-ring,--
Place for the Memphian beetle with thine hoard!

AM longer than thy creed has blest the world
This toy, thus ravished from thy brother's breast,
Was to the heart of Mizraim as divine,
As holy, as the symbol that we lay
On the still bosom of our white-robed dead,
And raise above their dust that all may know
Here sleeps an heir of glory. Loving friends,
With tears of trembling faith and choking sobs,
And prayers to those who judge of mortal deeds,
Wrapped this poor image in the cerement's fold
That Isis and Osiris, friends of man,
Might know their own and claim the ransomed soul.

An idol? Man was born to worship such!
An idol is an image of his thought;
Sometimes he carves it out of gleaming stone,
And sometimes moulds it out of glittering gold,
Or rounds it in a mighty frescoed dome,
Or lifts it heavenward in a lofty spire,
Or shapes it in a cunning frame of words,
Or pays his priest to make it day by day;
For sense must have its god as well as soul;
A new-born Dian calls for silver shrines,
And Egypt's holiest symbol is our own,
The sign we worship as did they of old
When Isis and Osiris ruled the world.

Let us be true to our most subtle selves,
We long to have our idols like the rest.
Think! when the men of Israel had their God
Encamped among them, talking with their chief,
Leading them in the pillar of the cloud
And watching o'er them in the shaft of fire,
They still must have an image; still they longed
For somewhat of substantial, solid form
Whereon to hang their garlands, and to fix
Their wandering thoughts and gain a stronger hold
For their uncertain faith, not yet assured
If those same meteors of the day and night
Were not mere exhalations of the soil.
Are we less earthly than the chosen race?
Are we more neighbors of the living God
Than they who gathered manna every morn,
Reaping where none had sown, and heard the voice
Of him who met the Highest in the mount,
And brought them tables, graven with His hand?
Yet these must have their idol, brought their gold,
That star-browed Apis might be god again;
Yea, from their ears the women brake the rings
That lent such splendors to the gypsy brown
Of sunburnt cheeks,--what more could woman do
To show her pious zeal? They went astray,
But nature led them as it leads us all.
We too, who mock at Israel's golden calf
And scoff at Egypt's sacred scarabee,
Would have our amulets to clasp and kiss,
And flood with rapturous tears, and bear with us
To be our dear companions in the dust;
Such magic works an image in our souls.

Man is an embryo; see at twenty years
His bones, the columns that uphold his frame
Not yet cemented, shaft and capital,
Mere fragments of the temple incomplete.
At twoscore, threescore, is he then full grown?
Nay, still a child, and as the little maids
Dress and undress their puppets, so he tries
To dress a lifeless creed, as if it lived,
And change its raiment when the world cries shame!

We smile to see our little ones at play
So grave, so thoughtful, with maternal care
Nursing the wisps of rags they call their babes;--
Does He not smile who sees us with the toys
We call by sacred names, and idly feign
To be what we have called them? He is still
The Father of this helpless nursery-brood,
Whose second childhood joins so close its first,
That in the crowding, hurrying years between
We scarce have trained our senses to their task
Before the gathering mist has dimmed our eyes,
And with our hollowed palm we help our ear,
And trace with trembling hand our wrinkled names,
And then begin to tell our stories o'er,
And see--not hear--the whispering lips that say,
'You know? Your father knew him.--This is he,
Tottering and leaning on the hireling's arm,'--
And so, at length, disrobed of all that clad
The simple life we share with weed and worm,
Go to our cradles, naked as we came.


XII.

LOVE

WHAT if a soul redeemed, a spirit that loved
While yet on earth and was beloved in turn,
And still remembered every look and tone
Of that dear earthly sister who was left
Among the unwise virgins at the gate,--
Itself admitted with the bridegroom's train,--
What if this spirit redeemed, amid the host
Of chanting angels, in some transient lull
Of the eternal anthem, heard the cry
Of its lost darling, whom in evil hour
Some wilder pulse of nature led astray
And left an outcast in a world of fire,
Condemned to be the sport of cruel fiends,
Sleepless, unpitying, masters of the skill
To wring the maddest ecstasies of pain
From worn-out souls that only ask to die,--
Would it not long to leave the bliss of heaven,--
Bearing a little water in its hand
To moisten those poor lips that plead in vain
With Him we call our Father? Or is all
So changed in such as taste celestial joy
They hear unmoved the endless wail of woe;
The daughter in the same dear tones that hushed
Her cradle slumbers; she who once had held
A babe upon her bosom from its voice
Hoarse with its cry of anguish, yet the same?

No! not in ages when the Dreadful Bird
Stamped his huge footprints, and the Fearful Beast
Strode with the flesh about those fossil bones
We build to mimic life with pygmy hands,--
Not in those earliest days when men ran wild
And gashed each other with their knives of stone,
When their low foreheads bulged in ridgy brows
And their flat hands were callous in the palm
With walking in the fashion of their sires,
Grope as they might to find a cruel god
To work their will on such as human wrath
Had wrought its worst to torture, and had left
With rage unsated, white and stark and cold,
Could hate have shaped a demon more malign
Than him the dead men mummied in their creed
And taught their trembling children to adore!

Made in his image! Sweet and gracious souls
Dear to my heart by nature's fondest names,
Is not your memory still the precious mould
That lends its form to Him who hears my prayer?
Thus only I behold Him, like to them,
Long-suffering, gentle, ever slow to wrath,
If wrath it be that only wounds to heal,
Ready to meet the wanderer ere he reach
The door he seeks, forgetful of his sin,
Longing to clasp him in a father's arms,
And seal his pardon with a pitying tear!

Four gospels tell their story to mankind,
And none so full of soft, caressing words
That bring the Maid of Bethlehem and her Babe
Before our tear-dimmed eyes, as his who learned
In the meek service of his gracious art
The tones which, like the medicinal balms
That calm the sufferer's anguish, soothe our souls.
Oh that the loving woman, she who sat
So long a listener at her Master's feet,
Had left us Mary's Gospel,--all she heard
Too sweet, too subtle for the ear of man!
Mark how the tender-hearted mothers read
The messages of love between the lines
Of the same page that loads the bitter tongue
Of him who deals in terror as his trade
With threatening words of wrath that scorch like flame
They tell of angels whispering round the bed
Of the sweet infant smiling in its dream,
Of lambs enfolded in the Shepherd's arms,
Of Him who blessed the children; of the land
Where crystal rivers feed unfading flowers,
Of cities golden-paved with streets of pearl,
Of the white robes the winged creatures wear,
The crowns and harps from whose melodious strings
One long, sweet anthem flows forevermore!
We too had human mothers, even as Thou,
Whom we have learned to worship as remote
From mortal kindred, wast a cradled babe.
The milk of woman filled our branching veins,
She lulled us with her tender nursery-song,
And folded round us her untiring arms,
While the first unremembered twilight yeas
Shaped us to conscious being; still we feel
Her pulses in our own,--too faintly feel;
Would that the heart of woman warmed our creeds!

Not from the sad-eyed hermit's lonely cell,
Not from the conclave where the holy men
Glare on each other, as with angry eyes
They battle for God's glory and their own,
Till, sick of wordy strife, a show of hands
Fixes the faith of ages yet unborn,--
Ah, not from these the listening soul can hear
The Father's voice that speaks itself divine!
Love must be still our Master; till we learn
What he can teach us of a woman's heart,
We know not His whose love embraces all.