Oliver Wendell Holmes: Verses about Ship

A SENTIMENT

This 'sentiment' was read on the same occasion as the 'Family Record,'
which immediately follows it. The latter poem is the dutiful tribute of a son to his father and his father's ancestors, residents of Woodstock from its first settlement.

THE Ship of State! above her skies are blue,
But still she rocks a little, it is true,
And there are passengers whose faces white
Show they don't feel as happy as they might;
Yet on the whole her crew are quite content,
Since its wild fury the typhoon has spent,
And willing, if her pilot thinks it best,
To head a little nearer south by west.
And this they feel: the ship came too near wreck,
In the long quarrel for the quarter-deck,
Now when she glides serenely on her way,--
The shallows past where dread explosives lay,--
The stiff obstructive's churlish game to try
Let sleeping dogs and still torpedoes lie!
And so I give you all the Ship of State;
Freedom's last venture is her priceless freight;
God speed her, keep her, bless her, while she steers
Amid the breakers of unsounded years;
Lead her through danger's paths with even keel,
And guide the honest hand that holds her wheel!

HERE 's the old cruiser, 'Twenty-nine,
Forty times she 's crossed the line;
Same old masts and sails and crew,
Tight and tough and as good as new.

Into the harbor she bravely steers
Just as she 's done for these forty years,
Over her anchor goes, splash and clang!
Down her sails drop, rattle and bang!

Comes a vessel out of the dock
Fresh and spry as a fighting-cock,
Feathered with sails and spurred with steam,
Heading out of the classic stream.

Crew of a hundred all aboard,
Every man as fine as a lord.
Gay they look and proud they feel,
Bowling along on even keel.

On they float with wind and tide,--
Gain at last the old ship's side;
Every man looks down in turn,--
Reads the name that's on her stern.

'Twenty-nine!--Diable you say!
That was in Skipper Kirkland's day!
What was the Flying Dutchman's name?
This old rover must be the same.

'Ho! you Boatswain that walks the deck,
How does it happen you're not a wreck?
One and another have come to grief,
How have you dodged by rock and reef?'

Boatswain, lifting one knowing lid,
Hitches his breeches and shifts his quid
'Hey? What is it? Who 's come to grief
Louder, young swab, I 'm a little deaf.'

'I say, old fellow, what keeps your boat
With all you jolly old boys afloat,
When scores of vessels as good as she
Have swallowed the salt of the bitter sea?

'Many a crew from many a craft
Goes drifting by on a broken raft
Pieced from a vessel that clove the brine
Taller and prouder than 'Twenty-nine.

'Some capsized in an angry breeze,
Some were lost in the narrow seas,
Some on snags and some on sands
Struck and perished and lost their hands.

'Tell us young ones, you gray old man,
What is your secret, if you can.
We have a ship as good as you,
Show us how to keep our crew.'

So in his ear the youngster cries;
Then the gray Boatswain straight replies:--
'All your crew be sure you know,--
Never let one of your shipmates go.

'If he leaves you, change your tack,
Follow him close and fetch him back;
When you've hauled him in at last,
Grapple his flipper and hold him fast.

'If you've wronged him, speak him fair,
Say you're sorry and make it square;
If he's wronged you, wink so tight
None of you see what 's plain in sight.

'When the world goes hard and wrong,
Lend a hand to help him along;
When his stockings have holes to darn,
Don't you grudge him your ball of yarn.

'Once in a twelvemonth, come what may,
Anchor your ship in a quiet bay,
Call all hands and read the log,
And give 'em a taste of grub and grog.

'Stick to each other through thick and thin;
All the closer as age leaks in;
Squalls will blow and clouds will frown,
But stay by your ship till you all go down!'

1862

'T is midnight: through my troubled dream
Loud wails the tempest's cry;
Before the gale, with tattered sail,
A ship goes plunging by.
What name? Where bound?--The rocks around
Repeat the loud halloo.
--The good ship Union, Southward bound:
God help her and her crew!

And is the old flag flying still
That o'er your fathers flew,
With bands of white and rosy light,
And field of starry blue?
--Ay! look aloft! its folds full oft
Have braved the roaring blast,
And still shall fly when from the sky
This black typhoon has past!

Speak, pilot of the storm-tost bark!
May I thy peril share?
--O landsman, there are fearful seas
The brave alone may dare!
--Nay, ruler of the rebel deep,
What matters wind or wave?
The rocks that wreck your reeling deck
Will leave me naught to save!

O landsman, art thou false or true?
What sign hast thou to show?
--The crimson stains from loyal veins
That hold my heart-blood's flow
--Enough! what more shall honor claim?
I know the sacred sign;
Above thy head our flag shall spread,
Our ocean path be thine!

The bark sails on; the Pilgrim's Cape
Lies low along her lee,
Whose headland crooks its anchor-flukes
To lock the shore and sea.
No treason here! it cost too dear
To win this barren realm
And true and free the hands must be
That hold the whaler's helm!

Still on! Manhattan's narrowing bay
No rebel cruiser scars;
Her waters feel no pirate's keel
That flaunts the fallen stars!
--But watch the light on yonder height,--
Ay, pilot, have a care!
Some lingering cloud in mist may shroud
The capes of Delaware!

Say, pilot, what this fort may be,
Whose sentinels look down
From moated walls that show the sea
Their deep embrasures' frown?
The Rebel host claims all the coast,
But these are friends, we know,
Whose footprints spoil the 'sacred soil,'
And this is?--Fort Monroe!

The breakers roar,--how bears the shore?
--The traitorous wreckers' hands
Have quenched the blaze that poured its rays
Along the Hatteras sands.
--Ha! say not so! I see its glow!
Again the shoals display
The beacon light that shines by night,
The Union Stars by day!

The good ship flies to milder skies,
The wave more gently flows,
The softening breeze wafts o'er the seas
The breath of Beaufort's rose.
What fold is this the sweet winds kiss,
Fair-striped and many-starred,
Whose shadow palls these orphaned walls,
The twins of Beauregard?

What! heard you not Port Royal's doom?
How the black war-ships came
And turned the Beaufort roses' bloom
To redder wreaths of flame?
How from Rebellion's broken reed
We saw his emblem fall,
As soon his cursed poison-weed
Shall drop from Sumter's wall?

On! on! Pulaski's iron hail
Falls harmless on Tybee!
The good ship feels the freshening gales,
She strikes the open sea;
She rounds the point, she threads the keys
That guard the Land of Flowers,
And rides at last where firm and fast
Her own Gibraltar towers!

The good ship Union's voyage is o'er,
At anchor safe she swings,
And loud and clear with cheer on cheer
Her joyous welcome rings:
Hurrah! Hurrah! it shakes the wave,
It thunders on the shore,--
One flag, one land, one heart, one hand,
One Nation, evermore!

PART FIRST


THE KNIGHT
The tale I tell is gospel true,
As all the bookmen know,
And pilgrims who have strayed to view
The wrecks still left to show.

The old, old story,—­fair, and young,
And fond,—­and not too wise,—­
That matrons tell, with sharpened tongue,
To maids with downcast eyes.

Ah! maidens err and matrons warn
Beneath the coldest sky;
Love lurks amid the tasselled corn
As in the bearded rye!

But who would dream our sober sires
Had learned the old world’s ways,
And warmed their hearths with lawless fires
In Shirley’s homespun days?

’T is like some poet’s pictured trance
His idle rhymes recite,—­
This old New England-born romance
Of Agnes and the Knight;

Yet, known to all the country round,
Their home is standing still,
Between Wachusett’s lonely mound
And Shawmut’s threefold hill.

One hour we rumble on the rail,
One half-hour guide the rein,
We reach at last, o’er hill and dale,
The village on the plain.

With blackening wall and mossy roof,
With stained and warping floor,
A stately mansion stands aloof
And bars its haughty door.

This lowlier portal may be tried,
That breaks the gable wall;
And lo! with arches opening wide,
Sir Harry Frankland’s hall!

’T was in the second George’s day
They sought the forest shade,
The knotted trunks they cleared away,
The massive beams they laid,

They piled the rock-hewn chimney tall,
They smoothed the terraced ground,
They reared the marble-pillared wall
That fenced the mansion round.

Far stretched beyond the village bound
The Master’s broad domain;
With page and valet, horse and hound,
He kept a goodly train.

And, all the midland county through,
The ploughman stopped to gaze
Whene’er his chariot swept in view
Behind the shining bays,

With mute obeisance, grave and slow,
Repaid by nod polite,—­
For such the way with high and low
Till after Concord fight.

Nor less to courtly circles known
That graced the three-hilled town
With far-off splendors of the Throne,
And glimmerings from the Crown;

Wise Phipps, who held the seals of state
For Shirley over sea;
Brave Knowles, whose press-gang moved of late
The King Street mob’s decree;

And judges grave, and colonels grand,
Fair dames and stately men,
The mighty people of the land,
The “World” of there and then.

’T was strange no Chloe’s “beauteous Form,”
And “Eyes’ celestial Blew,”
This Strephon of the West could warm,
No Nymph his Heart subdue.

Perchance he wooed as gallants use,
Whom fleeting loves enchain,
But still unfettered, free to choose,
Would brook no bridle-rein.

He saw the fairest of the fair,
But smiled alike on all;
No band his roving foot might snare,
No ring his hand enthrall.


PART SECOND


THE MAIDEN
Why seeks the knight that rocky cape
Beyond the Bay of Lynn?
What chance his wayward course may shape
To reach its village inn?

No story tells; whate’er we guess,
The past lies deaf and still,
But Fate, who rules to blight or bless,
Can lead us where she will.

Make way! Sir Harry’s coach and four,
And liveried grooms that ride!
They cross the ferry, touch the shore
On Winnisimmet’s side.

They hear the wash on Chelsea Beach,—­
The level marsh they pass,
Where miles on miles the desert reach
Is rough with bitter grass.

The shining horses foam and pant,
And now the smells begin
Of fishy Swampscott, salt Nahant,
And leather-scented Lynn.

Next, on their left, the slender spires
And glittering vanes that crown
The home of Salem’s frugal sires,
The old, witch-haunted town.

So onward, o’er the rugged way
That runs through rocks and sand,
Showered by the tempest-driven spray,
From bays on either hand,

That shut between their outstretched arms
The crews of Marblehead,
The lords of ocean’s watery farms,
Who plough the waves for bread.

At last the ancient inn appears,
The spreading elm below,
Whose flapping sign these fifty years
Has seesawed to and fro.

How fair the azure fields in sight
Before the low-browed inn
The tumbling billows fringe with light
The crescent shore of Lynn;

Nahant thrusts outward through the waves
Her arm of yellow sand,
And breaks the roaring surge that braves
The gauntlet on her hand;

With eddying whirl the waters lock
Yon treeless mound forlorn,
The sharp-winged sea-fowl’s breeding-rock,
That fronts the Spouting Horn;

Then free the white-sailed shallops glide,
And wide the ocean smiles,
Till, shoreward bent, his streams divide
The two bare Misery Isles.

The master’s silent signal stays
The wearied cavalcade;
The coachman reins his smoking bays
Beneath the elm-tree’s shade.

A gathering on the village green!
The cocked-hats crowd to see,
On legs in ancient velveteen,
With buckles at the knee.

A clustering round the tavern-door
Of square-toed village boys,
Still wearing, as their grandsires wore,
The old-world corduroys!

A scampering at the “Fountain” inn,—–­
A rush of great and small,—­
With hurrying servants’ mingled din
And screaming matron’s call.

Poor Agnes! with her work half done
They caught her unaware;
As, humbly, like a praying nun,
She knelt upon the stair;

Bent o’er the steps, with lowliest mien
She knelt, but not to pray,—­
Her little hands must keep them clean,
And wash their stains away.

A foot, an ankle, bare and white,
Her girlish shapes betrayed,—­
“Ha! Nymphs and Graces!” spoke the Knight;
“Look up, my beauteous Maid!”

She turned,—­a reddening rose in bud,
Its calyx half withdrawn,—­
Her cheek on fire with damasked blood
Of girlhood’s glowing dawn!

He searched her features through and through,
As royal lovers look
On lowly maidens, when they woo
Without the ring and book.

“Come hither, Fair one! Here, my Sweet!
Nay, prithee, look not down!
Take this to shoe those little feet,”—­
He tossed a silver crown.

A sudden paleness struck her brow,—­
A swifter blush succeeds;
It burns her cheek; it kindles now
Beneath her golden beads.

She flitted, but the glittering eye
Still sought the lovely face.
Who was she? What, and whence? and why
Doomed to such menial place?

A skipper’s daughter,—­so they said,—­
Left orphan by the gale
That cost the fleet of Marblehead
And Gloucester thirty sail.

Ah! many a lonely home is found
Along the Essex shore,
That cheered its goodman outward bound,
And sees his face no more!

“Not so,” the matron whispered,—­“sure
No orphan girl is she,—­
The Surriage folk are deadly poor
Since Edward left the sea,

“And Mary, with her growing brood,
Has work enough to do
To find the children clothes and food
With Thomas, John, and Hugh.

“This girl of Mary’s, growing tall,—­
(Just turned her sixteenth year,)—­
To earn her bread and help them all,
Would work as housemaid here.”

So Agnes, with her golden beads,
And naught beside as dower,
Grew at the wayside with the weeds,
Herself a garden-flower.

’T was strange, ’t was sad,—­so fresh, so fair!
Thus Pity’s voice began.
Such grace! an angel’s shape and air!
The half-heard whisper ran.

For eyes could see in George’s time,
As now in later days,
And lips could shape, in prose and rhyme,
The honeyed breath of praise.

No time to woo! The train must go
Long ere the sun is down,
To reach, before the night-winds blow,
The many-steepled town.

’T is midnight,—­street and square are still;
Dark roll the whispering waves
That lap the piers beneath the hill
Ridged thick with ancient graves.

Ah, gentle sleep! thy hand will smooth
The weary couch of pain,
When all thy poppies fail to soothe
The lover’s throbbing brain!

’T is morn,—­the orange-mantled sun
Breaks through the fading gray,
And long and loud the Castle gun
Peals o’er the glistening bay.

“Thank God ’t is day!” With eager eye
He hails the morning shine:—­
“If art can win, or gold can buy,
The maiden shall be mine!”


PART THIRD


THE CONQUEST
“Who saw this hussy when she came?
What is the wench, and who?”
They whisper. “Agnes—­is her name?
Pray what has she to do?”

The housemaids parley at the gate,
The scullions on the stair,
And in the footmen’s grave debate
The butler deigns to share.

Black Dinah, stolen when a child,
And sold on Boston pier,
Grown up in service, petted, spoiled,
Speaks in the coachman’s ear:

“What, all this household at his will?
And all are yet too few?
More servants, and more servants still,—­
This pert young madam too!”

“Servant! fine servant!” laughed aloud
The man of coach and steeds;
“She looks too fair, she steps too proud,
This girl with golden beads!

“I tell you, you may fret and frown,
And call her what you choose,
You ’ll find my Lady in her gown,
Your Mistress in her shoes!”

Ah, gentle maidens, free from blame,
God grant you never know
The little whisper, loud with shame,
That makes the world your foe!

Why tell the lordly flatterer’s art,
That won the maiden’s ear,—­
The fluttering of the frightened heart,
The blush, the smile, the tear?

Alas! it were the saddening tale
That every language knows,—­
The wooing wind, the yielding sail,
The sunbeam and the rose.

And now the gown of sober stuff
Has changed to fair brocade,
With broidered hem, and hanging cuff,
And flower of silken braid;

And clasped around her blanching wrist
A jewelled bracelet shines,
Her flowing tresses’ massive twist
A glittering net confines;

And mingling with their truant wave
A fretted chain is hung;
But ah! the gift her mother gave,—­
Its beads are all unstrung!

Her place is at the master’s board,
Where none disputes her claim;
She walks beside the mansion’s lord,
His bride in all but name.

The busy tongues have ceased to talk,
Or speak in softened tone,
So gracious in her daily walk
The angel light has shown.

No want that kindness may relieve
Assails her heart in vain,
The lifting of a ragged sleeve
Will check her palfrey’s rein.

A thoughtful calm, a quiet grace
In every movement shown,
Reveal her moulded for the place
She may not call her own.

And, save that on her youthful brow
There broods a shadowy care,
No matron sealed with holy vow
In all the land so fair.


PART FOURTH


THE RESCUE
A ship comes foaming up the bay,
Along the pier she glides;
Before her furrow melts away,
A courier mounts and rides.

“Haste, Haste, post Haste!” the letters bear;
“Sir Harry Frankland, These.”
Sad news to tell the loving pair!
The knight must cross the seas.

“Alas! we part!”—­the lips that spoke
Lost all their rosy red,
As when a crystal cup is broke,
And all its wine is shed.

“Nay, droop not thus,—­where’er,” he cried,
“I go by land or sea,
My love, my life, my joy, my pride,
Thy place is still by me!”

Through town and city, far and wide,
Their wandering feet have strayed,
From Alpine lake to ocean tide,
And cold Sierra’s shade.

At length they see the waters gleam
Amid the fragrant bowers
Where Lisbon mirrors in the stream
Her belt of ancient towers.

Red is the orange on its bough,
To-morrow’s sun shall fling
O’er Cintra’s hazel-shaded brow
The flush of April’s wing.

The streets are loud with noisy mirth,
They dance on every green;
The morning’s dial marks the birth
Of proud Braganza’s queen.

At eve beneath their pictured dome
The gilded courtiers throng;
The broad moidores have cheated Rome
Of all her lords of song.

AH! Lisbon dreams not of the day—­
Pleased with her painted scenes—­
When all her towers shall slide away
As now these canvas screens!

The spring has passed, the summer fled,
And yet they linger still,
Though autumn’s rustling leaves have spread
The flank of Cintra’s hill.

The town has learned their Saxon name,
And touched their English gold,
Nor tale of doubt nor hint of blame
From over sea is told.

Three hours the first November dawn
Has climbed with feeble ray
Through mists like heavy curtains drawn
Before the darkened day.

How still the muffled echoes sleep!
Hark! hark! a hollow sound,—­
A noise like chariots rumbling deep
Beneath the solid ground.

The channel lifts, the water slides
And bares its bar of sand,
Anon a mountain billow strides
And crashes o’er the land.

The turrets lean, the steeples reel
Like masts on ocean’s swell,
And clash a long discordant peal,
The death-doomed city’s knell.

The pavement bursts, the earth upheaves
Beneath the staggering town!
The turrets crack—­the castle cleaves—­
The spires come rushing down.

Around, the lurid mountains glow
With strange unearthly gleams;
While black abysses gape below,
Then close in jagged seams.

And all is over. Street and square
In ruined heaps are piled;
Ah! where is she, so frail, so fair,
Amid the tumult wild?

Unscathed, she treads the wreck-piled street,
Whose narrow gaps afford
A pathway for her bleeding feet,
To seek her absent lord.

A temple’s broken walls arrest
Her wild and wandering eyes;
Beneath its shattered portal pressed,
Her lord unconscious lies.

The power that living hearts obey
Shall lifeless blocks withstand?
Love led her footsteps where he lay,—­
Love nerves her woman’s hand.

One cry,—­the marble shaft she grasps,—­
Up heaves the ponderous stone:—­
He breathes,—­her fainting form he clasps,—­
Her life has bought his own!


PART FIFTH


THE REWARD
How like the starless night of death
Our being’s brief eclipse,
When faltering heart and failing breath
Have bleached the fading lips!

The earth has folded like a wave,
And thrice a thousand score,
Clasped, shroudless, in their closing grave,
The sun shall see no more!

She lives! What guerdon shall repay
His debt of ransomed life?
One word can charm all wrongs away,—­
The sacred name of WIFE!

The love that won her girlish charms
Must shield her matron fame,
And write beneath the Frankland arms
The village beauty’s name.

Go, call the priest! no vain delay
Shall dim the sacred ring!
Who knows what change the passing day,
The fleeting hour, may bring?

Before the holy altar bent,
There kneels a goodly pair;
A stately man, of high descent,
A woman, passing fair.

No jewels lend the blinding sheen
That meaner beauty needs,
But on her bosom heaves unseen
A string of golden beads.

The vow is spoke,—­the prayer is said,—­
And with a gentle pride
The Lady Agnes lifts her head,
Sir Harry Frankland’s bride.

No more her faithful heart shall bear
Those griefs so meekly borne,—­
The passing sneer, the freezing stare,
The icy look of scorn;

No more the blue-eyed English dames
Their haughty lips shall curl,
Whene’er a hissing whisper names
The poor New England girl.

But stay!—­his mother’s haughty brow,—­
The pride of ancient race,—­
Will plighted faith, and holy vow,
Win back her fond embrace?

Too well she knew the saddening tale
Of love no vow had blest,
That turned his blushing honors pale
And stained his knightly crest.

They seek his Northern home,—­alas
He goes alone before;—­
His own dear Agnes may not pass
The proud, ancestral door.

He stood before the stately dame;
He spoke; she calmly heard,
But not to pity, nor to blame;
She breathed no single word.

He told his love,—­her faith betrayed;
She heard with tearless eyes;
Could she forgive the erring maid?
She stared in cold surprise.

How fond her heart, he told,—­how true;
The haughty eyelids fell;—­
The kindly deeds she loved to do;
She murmured, “It is well.”

But when he told that fearful day,
And how her feet were led
To where entombed in life he lay,
The breathing with the dead,

And how she bruised her tender breasts
Against the crushing stone,
That still the strong-armed clown protests
No man can lift alone,—­

Oh! then the frozen spring was broke;
By turns she wept and smiled;—­
“Sweet Agnes!” so the mother spoke,
“God bless my angel child.

“She saved thee from the jaws of death,—­
’T is thine to right her wrongs;
I tell thee,—­I, who gave thee breath,—­
To her thy life belongs!”

Thus Agnes won her noble name,
Her lawless lover’s hand;
The lowly maiden so became
A lady in the land!


PART SIXTH


CONCLUSION
The tale is done; it little needs
To track their after ways,
And string again the golden beads
Of love’s uncounted days.

They leave the fair ancestral isle
For bleak New England’s shore;
How gracious is the courtly smile
Of all who frowned before!

Again through Lisbon’s orange bowers
They watch the river’s gleam,
And shudder as her shadowy towers
Shake in the trembling stream.

Fate parts at length the fondest pair;
His cheek, alas! grows pale;
The breast that trampling death could spare
His noiseless shafts assail.

He longs to change the heaven of blue
For England’s clouded sky,—­
To breathe the air his boyhood knew;
He seeks then but to die.

Hard by the terraced hillside town,
Where healing streamlets run,
Still sparkling with their old renown,—­
The “Waters of the Sun,”—­

The Lady Agnes raised the stone
That marks his honored grave,
And there Sir Harry sleeps alone
By Wiltshire Avon’s wave.

The home of early love was dear;
She sought its peaceful shade,
And kept her state for many a year,
With none to make afraid.

At last the evil days were come
That saw the red cross fall;
She hears the rebels’ rattling drum,—­
Farewell to Frankland Hall!

I tell you, as my tale began,
The hall is standing still;
And you, kind listener, maid or man,
May see it if you will.

The box is glistening huge and green,
Like trees the lilacs grow,
Three elms high-arching still are seen,
And one lies stretched below.

The hangings, rough with velvet flowers,
Flap on the latticed wall;
And o’er the mossy ridge-pole towers
The rock-hewn chimney tall.

The doors on mighty hinges clash
With massive bolt and bar,
The heavy English-moulded sash
Scarce can the night-winds jar.

Behold the chosen room he sought
Alone, to fast and pray,
Each year, as chill November brought
The dismal earthquake day.

There hung the rapier blade he wore,
Bent in its flattened sheath;
The coat the shrieking woman tore
Caught in her clenching teeth;—­

The coat with tarnished silver lace
She snapped at as she slid,
And down upon her death-white face
Crashed the huge coffin’s lid.

A graded terrace yet remains;
If on its turf you stand
And look along the wooded plains
That stretch on either hand,

The broken forest walls define
A dim, receding view,
Where, on the far horizon’s line,
He cut his vista through.

If further story you shall crave,
Or ask for living proof,
Go see old Julia, born a slave
Beneath Sir Harry’s roof.

She told me half that I have told,
And she remembers well
The mansion as it looked of old
Before its glories fell;—­

The box, when round the terraced square
Its glossy wall was drawn;
The climbing vines, the snow-balls fair,
The roses on the lawn.

And Julia says, with truthful look
Stamped on her wrinkled face,
That in her own black hands she took
The coat with silver lace.

And you may hold the story light,
Or, if you like, believe;
But there it was, the woman’s bite,—­
A mouthful from the sleeve.

Now go your ways;—­I need not tell
The moral of my rhyme;
But, youths and maidens, ponder well
This tale of olden time!

Yes, dear Enchantress,—­wandering far and long,
In realms unperfumed by the breath of song,
Where flowers ill-flavored shed their sweets around,
And bitterest roots invade the ungenial ground,
Whose gems are crystals from the Epsom mine,
Whose vineyards flow with antimonial wine,
Whose gates admit no mirthful feature in,
Save one gaunt mocker, the Sardonic grin,
Whose pangs are real, not the woes of rhyme
That blue-eyed misses warble out of time;—­
Truant, not recreant to thy sacred claim,
Older by reckoning, but in heart the same,
Freed for a moment from the chains of toil,
I tread once more thy consecrated soil;
Here at thy feet my old allegiance own,
Thy subject still, and loyal to thy throne!

My dazzled glance explores the crowded hall;
Alas, how vain to hope the smiles of all!
I know my audience. All the gay and young
Love the light antics of a playful tongue;
And these, remembering some expansive line
My lips let loose among the nuts and wine,
Are all impatience till the opening pun
Proclaims the witty shamfight is begun.
Two fifths at least, if not the total half,
Have come infuriate for an earthquake laugh;
I know full well what alderman has tied
His red bandanna tight about his side;
I see the mother, who, aware that boys
Perform their laughter with superfluous noise,
Beside her kerchief brought an extra one
To stop the explosions of her bursting son;
I know a tailor, once a friend of mine,
Expects great doings in the button line,—­
For mirth’s concussions rip the outward case,
And plant the stitches in a tenderer place.
I know my audience,—­these shall have their due;
A smile awaits them ere my song is through!

I know myself. Not servile for applause,
My Muse permits no deprecating clause;
Modest or vain, she will not be denied
One bold confession due to honest pride;
And well she knows the drooping veil of song
Shall save her boldness from the caviller’s wrong.
Her sweeter voice the Heavenly Maid imparts
To tell the secrets of our aching hearts
For this, a suppliant, captive, prostrate, bound,
She kneels imploring at the feet of sound;
For this, convulsed in thought’s maternal pains,
She loads her arms with rhyme’s resounding chains;
Faint though the music of her fetters be,
It lends one charm,—­her lips are ever free!

Think not I come, in manhood’s fiery noon,
To steal his laurels from the stage buffoon;
His sword of lath the harlequin may wield;
Behold the star upon my lifted shield
Though the just critic pass my humble name,
And sweeter lips have drained the cup of fame,
While my gay stanza pleased the banquet’s lords,
The soul within was tuned to deeper chords!
Say, shall my arms, in other conflicts taught
To swing aloft the ponderous mace of thought,
Lift, in obedience to a school-girl’s law,
Mirth’s tinsel wand or laughter’s tickling straw?
Say, shall I wound with satire’s rankling spear
The pure, warm hearts that bid me welcome here?
No! while I wander through the land of dreams,
To strive with great and play with trifling themes,
Let some kind meaning fill the varied line.
You have your judgment; will you trust to mine?
-----------------------
Between two breaths what crowded mysteries lie,—­
The first short gasp, the last and long-drawn sigh!
Like phantoms painted on the magic slide,
Forth from the darkness of the past we glide,
As living shadows for a moment seen
In airy pageant on the eternal screen,
Traced by a ray from one unchanging flame,
Then seek the dust and stillness whence we came.

But whence and why, our trembling souls inquire,
Caught these dim visions their awakening fire?
Oh, who forgets when first the piercing thought
Through childhood’s musings found its way unsought?
I am;—­I live. The mystery and the fear
When the dread question, what has brought me here?
Burst through life’s twilight, as before the sun
Roll the deep thunders of the morning gun!

Are angel faces, silent and serene,
Bent on the conflicts of this little scene,
Whose dream-like efforts, whose unreal strife,
Are but the preludes to a larger life?

Or does life’s summer see the end of all,
These leaves of being mouldering as they fall,
As the old poet vaguely used to deem,
As WESLEY questioned in his youthful dream?
Oh, could such mockery reach our souls indeed,
Give back the Pharaohs’ or the Athenian’s creed;
Better than this a Heaven of man’s device,—­
The Indian’s sports, the Moslem’s paradise!

Or is our being’s only end and aim
To add new glories to our Maker’s name,
As the poor insect, shrivelling in the blaze,
Lends a faint sparkle to its streaming rays?
Does earth send upward to the Eternal’s ear
The mingled discords of her jarring sphere
To swell his anthem, while creation rings
With notes of anguish from its shattered strings?
Is it for this the immortal Artist means
These conscious, throbbing, agonized machines?

Dark is the soul whose sullen creed can bind
In chains like these the all-embracing Mind;
No! two-faced bigot, thou dost ill reprove
The sensual, selfish, yet benignant Jove,
And praise a tyrant throned in lonely pride,
Who loves himself, and cares for naught beside;
Who gave thee, summoned from primeval night,
A thousand laws, and not a single right,—­
A heart to feel, and quivering nerves to thrill,
The sense of wrong, the death-defying will;
Who girt thy senses with this goodly frame,
Its earthly glories and its orbs of flame,
Not for thyself, unworthy of a thought,
Poor helpless victim of a life unsought,
But all for him, unchanging and supreme,
The heartless centre of thy frozen scheme.

Trust not the teacher with his lying scroll,
Who tears the charter of thy shuddering soul;
The God of love, who gave the breath that warms
All living dust in all its varied forms,
Asks not the tribute of a world like this
To fill the measure of his perfect bliss.
Though winged with life through all its radiant shores,
Creation flowed with unexhausted stores
Cherub and seraph had not yet enjoyed;
For this he called thee from the quickening void!
Nor this alone; a larger gift was thine,
A mightier purpose swelled his vast design
Thought,—­conscience,—­will,—­ to make them all thine own,
He rent a pillar from the eternal throne!

Made in his image, thou must nobly dare
The thorny crown of sovereignty to share.
With eye uplifted, it is thine to view,
From thine own centre, Heaven’s o’erarching blue;
So round thy heart a beaming circle lies
No fiend can blot, no hypocrite disguise;
From all its orbs one cheering voice is heard,
Full to thine ear it bears the Father’s word,
Now, as in Eden where his first-born trod
“Seek thine own welfare, true to man and God!”
Think not too meanly of thy low estate;
Thou hast a choice; to choose is to create!
Remember whose the sacred lips that tell,
Angels approve thee when thy choice is well;
Remember, One, a judge of righteous men,
Swore to spare Sodom if she held but ten!
Use well the freedom which thy Master gave,
(Think’st thou that Heaven can tolerate a slave?)
And He who made thee to be just and true
Will bless thee, love thee,—­ay, respect thee too!

Nature has placed thee on a changeful tide,
To breast its waves, but not without a guide;
Yet, as the needle will forget its aim,
Jarred by the fury of the electric flame,
As the true current it will falsely feel,
Warped from its axis by a freight of steel;
So will thy conscience lose its balanced truth
If passion’s lightning fall upon thy youth,
So the pure effluence quit its sacred hold
Girt round too deeply with magnetic gold.
Go to yon tower, where busy science plies
Her vast antennae, feeling through the skies
That little vernier on whose slender lines
The midnight taper trembles as it shines,
A silent index, tracks the planets’ march
In all their wanderings through the ethereal arch;
Tells through the mist where dazzled Mercury burns,
And marks the spot where Uranus returns.
So, till by wrong or negligence effaced,
The living index which thy Maker traced
Repeats the line each starry Virtue draws
Through the wide circuit of creation’s laws;
Still tracks unchanged the everlasting ray
Where the dark shadows of temptation stray,
But, once defaced, forgets the orbs of light,
And leaves thee wandering o’er the expanse of night.

“What is thy creed?” a hundred lips inquire;
“Thou seekest God beneath what Christian spire?”
Nor ask they idly, for uncounted lies
Float upward on the smoke of sacrifice;
When man’s first incense rose above the plain,
Of earth’s two altars one was built by Cain!
Uncursed by doubt, our earliest creed we take;
We love the precepts for the teacher’s sake;
The simple lessons which the nursery taught
Fell soft and stainless on the buds of thought,
And the full blossom owes its fairest hue
To those sweet tear-drops of affection’s dew.
Too oft the light that led our earlier hours
Fades with the perfume of our cradle flowers;
The clear, cold question chills to frozen doubt;
Tired of beliefs, we dread to live without
Oh then, if Reason waver at thy side,
Let humbler Memory be thy gentle guide;
Go to thy birthplace, and, if faith was there,
Repeat thy father’s creed, thy mother’s prayer!

Faith loves to lean on Time’s destroying arm,
And age, like distance, lends a double charm;
In dim cathedrals, dark with vaulted gloom,
What holy awe invests the saintly tomb!
There pride will bow, and anxious care expand,
And creeping avarice come with open hand;
The gay can weep, the impious can adore,
From morn’s first glimmerings on the chancel floor
Till dying sunset sheds his crimson stains
Through the faint halos of the irised panes.
Yet there are graves, whose rudely-shapen sod
Bears the fresh footprints where the sexton trod;
Graves where the verdure has not dared to shoot,
Where the chance wild-flower has not fixed its root,
Whose slumbering tenants, dead without a name,
The eternal record shall at length proclaim
Pure as the holiest in the long array
Of hooded, mitred, or tiaraed clay!

Come, seek the air; some pictures we may gain
Whose passing shadows shall not be in vain;
Not from the scenes that crowd the stranger’s soil,
Not from our own amidst the stir of toil,
But when the Sabbath brings its kind release,
And Care lies slumbering on the lap of Peace.

The air is hushed, the street is holy ground;
Hark! The sweet bells renew their welcome sound
As one by one awakes each silent tongue,
It tells the turret whence its voice is flung.
The Chapel, last of sublunary things
That stirs our echoes with the name of Kings,
Whose bell, just glistening from the font and forge,
Rolled its proud requiem for the second George,
Solemn and swelling, as of old it rang,
Flings to the wind its deep, sonorous clang;
The simpler pile, that, mindful of the hour
When Howe’s artillery shook its half-built tower,
Wears on its bosom, as a bride might do,
The iron breastpin which the “Rebels” threw,
Wakes the sharp echoes with the quivering thrill
Of keen vibrations, tremulous and shrill;
Aloft, suspended in the morning’s fire,
Crash the vast cymbals from the Southern spire;
The Giant, standing by the elm-clad green,
His white lance lifted o’er the silent scene,
Whirling in air his brazen goblet round,
Swings from its brim the swollen floods of sound;
While, sad with memories of the olden time,
Throbs from his tower the Northern Minstrel’s chime,—­
Faint, single tones, that spell their ancient song,
But tears still follow as they breathe along.

Child of the soil, whom fortune sends to range
Where man and nature, faith and customs change,
Borne in thy memory, each familiar tone
Mourns on the winds that sigh in every zone.
When Ceylon sweeps thee with her perfumed breeze
Through the warm billows of the Indian seas;
When—­ship and shadow blended both in one—­
Flames o’er thy mast the equatorial sun,
From sparkling midnight to refulgent noon
Thy canvas swelling with the still monsoon;
When through thy shrouds the wild tornado sings,
And thy poor sea-bird folds her tattered wings,—­
Oft will delusion o’er thy senses steal,
And airy echoes ring the Sabbath peal
Then, dim with grateful tears, in long array
Rise the fair town, the island-studded bay,
Home, with its smiling board, its cheering fire,
The half-choked welcome of the expecting sire,
The mother’s kiss, and, still if aught remain,
Our whispering hearts shall aid the silent strain.
Ah, let the dreamer o’er the taffrail lean
To muse unheeded, and to weep unseen;
Fear not the tropic’s dews, the evening’s chills,
His heart lies warm among his triple hills!

Turned from her path by this deceitful gleam,
My wayward fancy half forgets her theme.
See through the streets that slumbered in repose
The living current of devotion flows,
Its varied forms in one harmonious band
Age leading childhood by its dimpled hand;
Want, in the robe whose faded edges fall
To tell of rags beneath the tartan shawl;
And wealth, in silks that, fluttering to appear,
Lift the deep borders of the proud cashmere.
See, but glance briefly, sorrow-worn and pale,
Those sunken cheeks beneath the widow’s veil;
Alone she wanders where with him she trod,
No arm to stay her, but she leans on God.
While other doublets deviate here and there,
What secret handcuff binds that pretty pair?
Compactest couple! pressing side to side,—­
Ah, the white bonnet that reveals the bride!
By the white neckcloth, with its straitened tie,
The sober hat, the Sabbath-speaking eye,
Severe and smileless, he that runs may read
The stern disciple of Geneva’s creed
Decent and slow, behold his solemn march;
Silent he enters through yon crowded arch.
A livelier bearing of the outward man,
The light-hued gloves, the undevout rattan,
Now smartly raised or half profanely twirled,—­
A bright, fresh twinkle from the week-day world,—­
Tell their plain story; yes, thine eyes behold
A cheerful Christian from the liberal fold.
Down the chill street that curves in gloomiest shade
What marks betray yon solitary maid?
The cheek’s red rose that speaks of balmier air,
The Celtic hue that shades her braided hair,
The gilded missal in her kerchief tied,—­
Poor Nora, exile from Killarney’s side!
Sister in toil, though blanched by colder skies,
That left their azure in her downcast eyes,
See pallid Margaret, Labor’s patient child,
Scarce weaned from home, the nursling of the wild,
Where white Katahdin o’er the horizon shines,
And broad Penobscot dashes through the pines.
Still, as she hastes, her careful fingers hold
The unfailing hymn-book in its cambric fold.
Six days at drudgery’s heavy wheel she stands,
The seventh sweet morning folds her weary hands.
Yes, child of suffering, thou mayst well be sure
He who ordained the Sabbath loves the poor!

This weekly picture faithful Memory draws,
Nor claims the noisy tribute of applause;
Faint is the glow such barren hopes can lend,
And frail the line that asks no loftier end.
Trust me, kind listener, I will yet beguile
Thy saddened features of the promised smile.
This magic mantle thou must well divide,
It has its sable and its ermine side;
Yet, ere the lining of the robe appears,
Take thou in silence what I give in tears.

Dear listening soul, this transitory scene
Of murmuring stillness, busily serene,—­
This solemn pause, the breathing-space of man,
The halt of toil’s exhausted caravan,—­
Comes sweet with music to thy wearied ear;
Rise with its anthems to a holier sphere!

Deal meekly, gently, with the hopes that guide
The lowliest brother straying from thy side
If right, they bid thee tremble for thine own;
If wrong, the verdict is for God alone.

What though the champions of thy faith esteem
The sprinkled fountain or baptismal stream;
Shall jealous passions in unseemly strife
Cross their dark weapons o’er the waves of life?

Let my free soul, expanding as it can,
Leave to his scheme the thoughtful Puritan;
But Calvin’s dogma shall my lips deride?
In that stern faith my angel Mary died;
Or ask if mercy’s milder creed can save,
Sweet sister, risen from thy new-made grave?

True, the harsh founders of thy church reviled
That ancient faith, the trust of Erin’s child;
Must thou be raking in the crumbled past
For racks and fagots in her teeth to cast?
See from the ashes of Helvetia’s pile
The whitened skull of old Servetus smile!
Round her young heart thy “Romish Upas” threw
Its firm, deep fibres, strengthening as she grew;
Thy sneering voice may call them “Popish tricks,”
Her Latin prayers, her dangling crucifix,
But De Profundis blessed her father’s grave,
That “idol” cross her dying mother gave!
What if some angel looks with equal eyes
On her and thee, the simple and the wise,
Writes each dark fault against thy brighter creed,
And drops a tear with every foolish bead!
Grieve, as thou must, o’er history’s reeking page;
Blush for the wrongs that stain thy happier age;
Strive with the wanderer from the better path,
Bearing thy message meekly, not in wrath;
Weep for the frail that err, the weak that fall,
Have thine own faith,—­but hope and pray for all!

Faith; Conscience; Love. A meaner task remains,
And humbler thoughts must creep in lowlier strains.
Shalt thou be honest? Ask the worldly schools,
And all will tell thee knaves are busier fools;
Prudent? Industrious? Let not modern pens
Instruct “Poor Richard’s” fellow-citizens.

Be firm! One constant element in luck
Is genuine solid old Teutonic pluck.
See yon tall shaft; it felt the earthquake’s thrill,
Clung to its base, and greets the sunrise still.

Stick to your aim: the mongrel’s hold will slip,
But only crowbars loose the bulldog’s grip;
Small as he looks, the jaw that never yields
Drags down the bellowing monarch of the fields!

Yet in opinions look not always back,—­
Your wake is nothing, mind the coming track;
Leave what you’ve done for what you have to do;
Don’t be “consistent,” but be simply true.

Don’t catch the fidgets; you have found your place
Just in the focus of a nervous race,
Fretful to change and rabid to discuss,
Full of excitements, always in a fuss.
Think of the patriarchs; then compare as men
These lean-cheeked maniacs of the tongue and pen!
Run, if you like, but try to keep your breath;
Work like a man, but don’t be worked to death;
And with new notions,—­let me change the rule,—­
Don’t strike the iron till it ’s slightly cool.

Choose well your set; our feeble nature seeks
The aid of clubs, the countenance of cliques;
And with this object settle first of all
Your weight of metal and your size of ball.
Track not the steps of such as hold you cheap,
Too mean to prize, though good enough to keep;
The “real, genuine, no-mistake Tom Thumbs”
Are little people fed on great men’s crumbs.
Yet keep no followers of that hateful brood
That basely mingles with its wholesome food
The tumid reptile, which, the poet said,
Doth wear a precious jewel in his head.

If the wild filly, “Progress,” thou wouldst ride,
Have young companions ever at thy side;
But wouldst thou stride the stanch old mare, “Success,”
Go with thine elders, though they please thee less.
Shun such as lounge through afternoons and eves,
And on thy dial write, “Beware of thieves!”
Felon of minutes, never taught to feel
The worth of treasures which thy fingers steal,
Pick my left pocket of its silver dime,
But spare the right,—­it holds my golden time!

Does praise delight thee? Choose some ultra side,—­
A sure old recipe, and often tried;
Be its apostle, congressman, or bard,
Spokesman or jokesman, only drive it hard;
But know the forfeit which thy choice abides,
For on two wheels the poor reformer rides,—­
One black with epithets the anti throws,
One white with flattery painted by the pros.

Though books on MANNERS are not out of print,
An honest tongue may drop a harmless hint.
Stop not, unthinking, every friend you meet,
To spin your wordy fabric in the street;
While you are emptying your colloquial pack,
The fiend Lumbago jumps upon his back.
Nor cloud his features with the unwelcome tale
Of how he looks, if haply thin and pale;
Health is a subject for his child, his wife,
And the rude office that insures his life.
Look in his face, to meet thy neighbor’s soul,
Not on his garments, to detect a hole;
“How to observe” is what thy pages show,
Pride of thy sex, Miss Harriet Martineau!
Oh, what a precious book the one would be
That taught observers what they ’re not to see!

I tell in verse—­’t were better done in prose—­
One curious trick that everybody knows;
Once form this habit, and it’s very strange
How long it sticks, how hard it is to change.
Two friendly people, both disposed to smile,
Who meet, like others, every little while,
Instead of passing with a pleasant bow,
And “How d’ ye do?” or “How ’s your uncle now?”

Impelled by feelings in their nature kind,
But slightly weak and somewhat undefined,
Rush at each other, make a sudden stand,
Begin to talk, expatiate, and expand;
Each looks quite radiant, seems extremely struck,
Their meeting so was such a piece of luck;
Each thinks the other thinks he ’s greatly pleased
To screw the vice in which they both are squeezed;
So there they talk, in dust, or mud, or snow,
Both bored to death, and both afraid to go!
Your hat once lifted, do not hang your fire,
Nor, like slow Ajax, fighting still, retire;
When your old castor on your crown you clap,
Go off; you’ve mounted your percussion cap.

Some words on language may be well applied,
And take them kindly, though they touch your pride.
Words lead to things; a scale is more precise,—­
Coarse speech, bad grammar, swearing, drinking, vice.
Our cold Northeaster’s icy fetter clips
The native freedom of the Saxon lips;
See the brown peasant of the plastic South,
How all his passions play about his mouth!
With us, the feature that transmits the soul,
A frozen, passive, palsied breathing-hole.
The crampy shackles of the ploughboy’s walk
Tie the small muscles when he strives to talk;
Not all the pumice of the polished town
Can smooth this roughness of the barnyard down;
Rich, honored, titled, he betrays his race
By this one mark,—­he’s awkward in the face;—­
Nature’s rude impress, long before he knew
The sunny street that holds the sifted few.
It can’t be helped, though, if we’re taken young,
We gain some freedom of the lips and tongue;
But school and college often try in vain
To break the padlock of our boyhood’s chain
One stubborn word will prove this axiom true,—­
No quondam rustic can enunciate view.

A few brief stanzas may be well employed
To speak of errors we can all avoid.
Learning condemns beyond the reach of hope
The careless lips that speak of so’ap for soap;
Her edict exiles from her fair abode
The clownish voice that utters ro’ad for road
Less stern to him who calls his coat a co’at,
And steers his boat, believing it a bo’at,
She pardoned one, our classic city’s boast,
Who said at Cambridge mo’st instead of most,
But knit her brows and stamped her angry foot
To hear a Teacher call a root a ro’ot.

Once more: speak clearly, if you speak at all;
Carve every word before you let it fall;
Don’t, like a lecturer or dramatic star,
Try over-hard to roll the British R;
Do put your accents in the proper spot;
Don’t,—­let me beg you,—­don’t say “How?” for “What?”
And when you stick on conversation’s burs,
Don’t strew your pathway with those dreadful urs.

From little matters let us pass to less,
And lightly touch the mysteries of dress;
The outward forms the inner man reveal,—­
We guess the pulp before we cut the peel.

I leave the broadcloth,—­coats and all the rest,—­
The dangerous waistcoat, called by cockneys “vest,”
The things named “pants” in certain documents,
A word not made for gentlemen, but “gents;”
One single precept might the whole condense
Be sure your tailor is a man of sense;
But add a little care, a decent pride,
And always err upon the sober side.

Three pairs of boots one pair of feet demands,
If polished daily by the owner’s hands;
If the dark menial’s visit save from this,
Have twice the number,—­for he ’ll sometimes miss.
One pair for critics of the nicer sex,
Close in the instep’s clinging circumflex,
Long, narrow, light; the Gallic boot of love,
A kind of cross between a boot and glove.
Compact, but easy, strong, substantial, square,
Let native art compile the medium pair.
The third remains, and let your tasteful skill
Here show some relics of affection still;
Let no stiff cowhide, reeking from the tan,
No rough caoutchoue, no deformed brogan,
Disgrace the tapering outline of your feet,
Though yellow torrents gurgle through the street.

Wear seemly gloves; not black, nor yet too light,
And least of all the pair that once was white;
Let the dead party where you told your loves
Bury in peace its dead bouquets and gloves;
Shave like the goat, if so your fancy bids,
But be a parent,—­don’t neglect your kids.

Have a good hat; the secret of your looks
Lives with the beaver in Canadian brooks;
Virtue may flourish in an old cravat,
But man and nature scorn the shocking hat.
Does beauty slight you from her gay abodes?
Like bright Apollo, you must take to Rhoades,—­
Mount the new castor,—­ice itself will melt;
Boots, gloves, may fail; the hat is always felt.

Be shy of breastpins; plain, well-ironed white,
With small pearl buttons,—­two of them in sight,—­
Is always genuine, while your gems may pass,
Though real diamonds, for ignoble glass.
But spurn those paltry Cisatlantic lies
That round his breast the shabby rustic ties;
Breathe not the name profaned to hallow things
The indignant laundress blushes when she brings!

Our freeborn race, averse to every check,
Has tossed the yoke of Europe from its neck;
From the green prairie to the sea-girt town,
The whole wide nation turns its collars down.
The stately neck is manhood’s manliest part;
It takes the life-blood freshest from the heart.
With short, curled ringlets close around it spread,
How light and strong it lifts the Grecian head!
Thine, fair Erechtheus of Minerva’s wall;
Or thine, young athlete of the Louvre’s hall,
Smooth as the pillar flashing in the sun
That filled the arena where thy wreaths were won,
Firm as the band that clasps the antlered spoil
Strained in the winding anaconda’s coil
I spare the contrast; it were only kind
To be a little, nay, intensely blind.
Choose for yourself: I know it cuts your ear;
I know the points will sometimes interfere;
I know that often, like the filial John,
Whom sleep surprised with half his drapery on,
You show your features to the astonished town
With one side standing and the other down;—­
But, O, my friend! my favorite fellow-man!
If Nature made you on her modern plan,
Sooner than wander with your windpipe bare,—­
The fruit of Eden ripening in the air,—­
With that lean head-stalk, that protruding chin,
Wear standing collars, were they made of tin!
And have a neckcloth—­by the throat of Jove!—­
Cut from the funnel of a rusty stove!

The long-drawn lesson narrows to its close,
Chill, slender, slow, the dwindled current flows;
Tired of the ripples on its feeble springs,
Once more the Muse unfolds her upward wings.

Land of my birth, with this unhallowed tongue,
Thy hopes, thy dangers, I perchance had sung;
But who shall sing, in brutal disregard
Of all the essentials of the “native bard”?
Lake, sea, shore, prairie, forest, mountain, fall,
His eye omnivorous must devour them all;
The tallest summits and the broadest tides
His foot must compass with its giant strides,
Where Ocean thunders, where Missouri rolls,
And tread at once the tropics and the poles;
His food all forms of earth, fire, water, air,
His home all space, his birthplace everywhere.

Some grave compatriot, having seen perhaps
The pictured page that goes in Worcester’s Maps,
And, read in earnest what was said in jest,
“Who drives fat oxen”—­please to add the rest,—­
Sprung the odd notion that the poet’s dreams
Grow in the ratio of his hills and streams;
And hence insisted that the aforesaid “bard,”
Pink of the future, fancy’s pattern-card,
The babe of nature in the “giant West,”
Must be of course her biggest and her best.

Oh! when at length the expected bard shall come,
Land of our pride, to strike thine echoes dumb,
(And many a voice exclaims in prose and rhyme,
It’s getting late, and he’s behind his time,)
When all thy mountains clap their hands in joy,
And all thy cataracts thunder, “That ’s the boy,”—­
Say if with him the reign of song shall end,
And Heaven declare its final dividend!

Becalm, dear brother! whose impassioned strain
Comes from an alley watered by a drain;
The little Mincio, dribbling to the Po,
Beats all the epics of the Hoang Ho;
If loved in earnest by the tuneful maid,
Don’t mind their nonsense,—­never be afraid!

The nurse of poets feeds her winged brood
By common firesides, on familiar food;
In a low hamlet, by a narrow stream,
Where bovine rustics used to doze and dream,
She filled young William’s fiery fancy full,
While old John Shakespeare talked of beeves and wool!

No Alpine needle, with its climbing spire,
Brings down for mortals the Promethean fire,
If careless nature have forgot to frame
An altar worthy of the sacred flame.
Unblest by any save the goatherd’s lines,
Mont Blanc rose soaring through his “sea of pines;”
In vain the rivers from their ice-caves flash;
No hymn salutes them but the Ranz des Vaches,
Till lazy Coleridge, by the morning’s light,
Gazed for a moment on the fields of white,
And lo! the glaciers found at length a tongue,
Mont Blanc was vocal, and Chamouni sung!

Children of wealth or want, to each is given
One spot of green, and all the blue of heaven!
Enough if these their outward shows impart;
The rest is thine,—­the scenery of the heart.

If passion’s hectic in thy stanzas glow,
Thy heart’s best life-blood ebbing as they flow;
If with thy verse thy strength and bloom distil,
Drained by the pulses of the fevered thrill;
If sound’s sweet effluence polarize thy brain,
And thoughts turn crystals in thy fluid strain,—­
Nor rolling ocean, nor the prairie’s bloom,
Nor streaming cliffs, nor rayless cavern’s gloom,
Need’st thou, young poet, to inform thy line;
Thy own broad signet stamps thy song divine!
Let others gaze where silvery streams are rolled,
And chase the rainbow for its cup of gold;
To thee all landscapes wear a heavenly dye,
Changed in the glance of thy prismatic eye;
Nature evoked thee in sublimer throes,
For thee her inmost Arethusa flows,—­
The mighty mother’s living depths are stirred,—­
Thou art the starred Osiris of the herd!

A few brief lines; they touch on solemn chords,
And hearts may leap to hear their honest words;
Yet, ere the jarring bugle-blast is blown,
The softer lyre shall breathe its soothing tone.

New England! proudly may thy children claim
Their honored birthright by its humblest name
Cold are thy skies, but, ever fresh and clear,
No rank malaria stains thine atmosphere;
No fungous weeds invade thy scanty soil,
Scarred by the ploughshares of unslumbering toil.
Long may the doctrines by thy sages taught,
Raised from the quarries where their sires have wrought,
Be like the granite of thy rock-ribbed land,—­
As slow to rear, as obdurate to stand;
And as the ice that leaves thy crystal mine
Chills the fierce alcohol in the Creole’s wine,
So may the doctrines of thy sober school
Keep the hot theories of thy neighbors cool!

If ever, trampling on her ancient path,
Cankered by treachery or inflamed by wrath,
With smooth “Resolves” or with discordant cries,
The mad Briareus of disunion rise,
Chiefs of New England! by your sires’ renown,
Dash the red torches of the rebel down!
Flood his black hearthstone till its flames expire,
Though your old Sachem fanned his council-fire!

But if at last, her fading cycle run,
The tongue must forfeit what the arm has won,
Then rise, wild Ocean! roll thy surging shock
Full on old Plymouth’s desecrated rock!
Scale the proud shaft degenerate hands have hewn,
Where bleeding Valor stained the flowers of June!
Sweep in one tide her spires and turrets down,
And howl her dirge above Monadnock’s crown!

List not the tale; the Pilgrim’s hallowed shore,
Though strewn with weeds, is granite at the core;
Oh, rather trust that He who made her free
Will keep her true as long as faith shall be!
Farewell! yet lingering through the destined hour,
Leave, sweet Enchantress, one memorial flower!

An Angel, floating o’er the waste of snow
That clad our Western desert, long ago,
(The same fair spirit who, unseen by day,
Shone as a star along the Mayflower’s way,)—­
Sent, the first herald of the Heavenly plan,
To choose on earth a resting-place for man,—­
Tired with his flight along the unvaried field,
Turned to soar upwards, when his glance revealed
A calm, bright bay enclosed in rocky bounds,
And at its entrance stood three sister mounds.

The Angel spake: “This threefold hill shall be
The home of Arts, the nurse of Liberty!
One stately summit from its shaft shall pour
Its deep-red blaze along the darkened shore;
Emblem of thoughts that, kindling far and wide,
In danger’s night shall be a nation’s guide.
One swelling crest the citadel shall crown,
Its slanted bastions black with battle’s frown,
And bid the sons that tread its scowling heights
Bare their strong arms for man and all his rights!
One silent steep along the northern wave
Shall hold the patriarch’s and the hero’s grave;
When fades the torch, when o’er the peaceful scene
The embattled fortress smiles in living green,
The cross of Faith, the anchor staff of Hope,
Shall stand eternal on its grassy slope;
There through all time shall faithful Memory tell,
’Here Virtue toiled, and Patriot Valor fell;
Thy free, proud fathers slumber at thy side;
Live as they lived, or perish as they died!’”