Oliver Wendell Holmes: Verses about Girl

'A SPANISH GIRL IN REVERIE,'

SHE twirled the string of golden beads,
That round her neck was hung,---
My grandsire's gift; the good old man
Loved girls when he was young;
And, bending lightly o'er the cord,
And turning half away,
With something like a youthful sigh,
Thus spoke the maiden gray:--

'Well, one may trail her silken robe,
And bind her locks with pearls,
And one may wreathe the woodland rose
Among her floating curls;
And one may tread the dewy grass,
And one the marble floor,
Nor half-hid bosom heave the less,
Nor broidered corset more!

'Some years ago, a dark-eyed girl
Was sitting in the shade,--
There's something brings her to my mind
In that young dreaming maid,--
And in her hand she held a flower,
A flower, whose speaking hue
Said, in the language of the heart,
'Believe the giver true.'

'And, as she looked upon its leaves,
The maiden made a vow
To wear it when the bridal wreath
Was woven for her brow;
She watched the flower, as, day by day,
The leaflets curled and died;
But he who gave it never came
To claim her for his bride.

'Oh, many a summer's morning glow
Has lent the rose its ray,
And many a winter's drifting snow
Has swept its bloom away;
But she has kept that faithless pledge
To this, her winter hour,
And keeps it still, herself alone,
And wasted like the flower.'

Her pale lip quivered, and the light
Gleamed in her moistening eyes;--
I asked her how she liked the tints
In those Castilian skies?
'She thought them misty,--'t was perhaps
Because she stood too near;'
She turned away, and as she turned
I saw her wipe a tear.

I

ENCHANTER of Erin, whose magic has bound us,
Thy wand for one moment we fondly would claim,
Entranced while it summons the phantoms around us
That blush into life at the sound of thy name.

The tell-tales of memory wake from their slumbers,--
I hear the old song with its tender refrain,
What passion lies hid in those honey-voiced numbers!
What perfume of youth in each exquisite strain!

The home ot my childhood comes back as a vision,--
Hark! Hark! A soft chord from its song~haunted room,--
'T is a morning of May, when the air is Elysian,--
The syringa in bud and the lilac in bloom,--

We are clustered around the "Clementi" piano,--
There were six of us then,-- there are two of us now,--
She is singing-- the girl with the silver soprano--
How "The Lord of the Valley" was false to his vow;

"Let Erin remember" the echoes are calling;
Through "The Vale of Avoca" the waters are rolled;
"The Exile" laments while the night~dews are falling;
"The Morning of Life" dawns again as of old.

But ah! those warm love-songs of fresh adolescence!
Around us such raptures celestial they flung
That it seemed as if Paradise breathed its quintessence
Through the seraph-toned lips of the maiden that sung!

Long hushed are the chords that my boyhood enchanted
As when the smooth wave by the angel was stirred,
Yet still with their music is memory haunted,
And oft in my dreams are their melodies heard.

I feel like the priest to his altar returning,--
The crowd that was kneeling no longer is there,
The flame has died down, but the brands are still burning,
And sandal and cinnamon sweeten the air.

II

The veil for her bridal young Summer is weaving
In her azure-domed hall with its tapestried floor,
And Spring the last tear-drop of May-dew is leaving
On the daisy of Burns and the shamrock of Moore.

How like, how unlike, as we view them together,
The song of the minstrels whose record we scan,--
One fresh as the breeze blowing over the heather,
One sweet as the breath from an odalisque's fan!

Ah, passion can glow mid a palace's splendor;
The cage does not alter the song of ths bird;
And the curtain of silk has known whispers as tender
As ever the blossoming hawthorn has heard.

No fear lest the step of the soft-slippered Graces
Should fright the young Loves from their warm little nest,
For the heart of a queen, under jewels and laces,
Beats time with the pulse in the peasant girl's breast!

Thrice welcome each gift of kind Nature's bestowing!
Her fountain heeds little the goblet we hold;
Alike, when its musical waters are flowing,
The shell from the seaside, the chalice of gold.

The twins of the lyre to her voices had listened;
Both laid their best gifts upon Liberty's shrine;
For Coila's loved minstrel the holly~wreath glistened;
For Erin's the rose and the myrtle entwine.

And while the fresh blossoms of summer are braided
For the sea-girdled, stream-silvered, lake-jewelled isle,
While her mantle of verdure is woven unfaded,
While Shannon and Liffey shall dimple and smile,

The land where the staff of Saint Patrick was planted,
Where the shamrock grows green from the cliffs to the shore,
The land of fair maidens and heroes undaunted,
Shall wreathe her bright harp with the garlands of Moore!

YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.

Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!

You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?

Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.

There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.

With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"

Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.

As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.

Let me show you a picture--'t is far from irrelevant--
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,--
The name of the draughtsman was Rembrandt of Rhine.

How easy! no troublesome colors to lay on,
It can't have fatigued him,-- no, not in the least,--
A dash here and there with a haphazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.

Just so with your verse,-- 't is as easy as sketching,--
You can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.

Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;

Each morning the post brings you autograph letters;
You'll answer them promptly,-- an hour isn't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.

Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poorhouse, or pound.

With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.

At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That's him!"

But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.

No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.

So perhaps, after all, it's as well to he quiet
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.

But it's all of no use, and I'm sorry I've written,--
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.

WHAT ailed young Lucius? Art had vainly tried
To guess his ill, and found herself defied.
The Augur plied his legendary skill;
Useless; the fair young Roman languished still.
His chariot took him every cloudless day
Along the Pincian Hill or Appian Way;
They rubbed his wasted limbs with sulphurous oil,
Oozed from the far-off Orient's heated soil;
They led him tottering down the steamy path
Where bubbling fountains filled the thermal bath;
Borne in his litter to Egeria's cave,
They washed him, shivering, in her icy wave.
They sought all curious herbs and costly stones,
They scraped the moss that grew on dead men's bones,
They tried all cures the votive tablets taught,
Scoured every place whence healing drugs were brought,
O'er Thracian hills his breathless couriers ran,
His slaves waylaid the Syrian caravan.
At last a servant heard a stranger speak
A new chirurgeon's name; a clever Greek,
Skilled in his art; from Pergamus he came
To Rome but lately; GALEN was the name.
The Greek was called: a man with piercing eyes,
Who must be cunning, and who might be wise.
He spoke but little,--if they pleased, he said,
He 'd wait awhile beside the sufferer's bed.
So by his side he sat, serene and calm,
His very accents soft as healing balm;
Not curious seemed, but every movement spied,
His sharp eyes searching where they seemed to glide;
Asked a few questions,--what he felt, and where?
'A pain just here,' 'A constant beating there.'
Who ordered bathing for his aches and ails?
'Charmis, the water-doctor from Marseilles.'
What was the last prescription in his case?
'A draught of wine with powdered chrysoprase.'
Had he no secret grief he nursed alone?
A pause; a little tremor; answer,--'None.'
Thoughtful, a moment, sat the cunning leech,
And muttered 'Eros!' in his native speech.
In the broad atrium various friends await
The last new utterance from the lips of fate;
Men, matrons, maids, they talk the question o'er,
And, restless, pace the tessellated floor.
Not unobserved the youth so long had pined
By gentle-hearted dames and damsels kind;
One with the rest, a rich Patrician's pride,
The lady Hermia, called 'the golden-eyed';
The same the old Proconsul fain must woo,
Whom, one dark night, a masked sicarius slew;
The same black Crassus over roughly pressed
To hear his suit,--the Tiber knows the rest.
(Crassus was missed next morning by his set;
Next week the fishers found him in their net.)
She with the others paced the ample hall,
Fairest, alas! and saddest of them all.

At length the Greek declared, with puzzled face,
Some strange enchantment mingled in the case,
And naught would serve to act as counter-charm
Save a warm bracelet from a maiden's arm.
Not every maiden's,--many might be tried;
Which not in vain, experience must decide.
Were there no damsels willing to attend
And do such service for a suffering friend?
The message passed among the waiting crowd,
First in a whisper, then proclaimed aloud.
Some wore no jewels; some were disinclined,
For reasons better guessed at than defined;
Though all were saints,--at least professed to be,--
The list all counted, there were named but three.
The leech, still seated by the patient's side,
Held his thin wrist, and watched him, eagle-eyed.
Aurelia first, a fair-haired Tuscan girl,
Slipped off her golden asp, with eyes of pearl.
His solemn head the grave physician shook;
The waxen features thanked her with a look.
Olympia next, a creature half divine,
Sprung from the blood of old Evander's line,
Held her white arm, that wore a twisted chain
Clasped with an opal-sheeny cymophane.
In vain, O daughter I said the baffled Greek.
The patient sighed the thanks he could not speak.

Last, Hermia entered; look, that sudden start!
The pallium heaves above his leaping heart;
The beating pulse, the cheek's rekindled flame,
Those quivering lips, the secret all proclaim.
The deep disease long throbbing in the breast,
The dread enchantment, all at once confessed!
The case was plain; the treatment was begun;
And Love soon cured the mischief he had done.

Young Love, too oft thy treacherous bandage slips
Down from the eyes it blinded to the lips!
Ask not the Gods, O youth, for clearer sight,
But the bold heart to plead thy cause aright.
And thou, fair maiden, when thy lovers sigh,
Suspect thy flattering ear, but trust thine eye;
And learn this secret from the tale of old
No love so true as love that dies untold.

. . . . . . . . . .

'Bravo, Annex!' they shouted, every one,--
'Not Mrs. Kemble's self had better done.'
'Quite so,' she stammered in her awkward way,--
Not just the thing, but something she must say.

The teaspoon chorus tinkled to its close
When from his chair the MAN OF LAW arose,
Called by her voice whose mandate all obeyed,
And took the open volume she displayed.
Tall, stately, strong, his form begins to own
Some slight exuberance in its central zone,--
That comely fulness of the growing girth
Which fifty summers lend the sons of earth.
A smooth, round disk about whose margin stray,
Above the temples, glistening threads of gray;
Strong, deep-cut grooves by toilsome decades wrought
On brow and mouth, the battle-fields of thought;
A voice that lingers in the listener's ear,
Grave, calm, far-reaching, every accent clear,--
(Those tones resistless many a foreman knew
That shaped their verdict ere the twelve withdrew
A statesman's forehead, athlete's throat and jaw,
Such the proud semblance of the Man of Law.
His eye just lighted on the printed leaf,
Held as a practised pleader holds his brief.
One whispered softly from behind his cup,
'He does not read,--his book is wrong side up!
He knows the story that it holds by heart,--
So like his own! How well he'll act his part!'
Then all were silent; not a rustling fan
Stirred the deep stillness as the voice began.

THIS is our place of meeting; opposite
That towered and pillared building: look at it;
King's Chapel in the Second George's day,
Rebellion stole its regal name away,--
Stone Chapel sounded better; but at last
The poisoned name of our provincial past
Had lost its ancient venom; then once more
Stone Chapel was King's Chapel as before.
(So let rechristened North Street, when it can,
Bring back the days of Marlborough and Queen Anne!)
Next the old church your wandering eye will meet--
A granite pile that stares upon the street--
Our civic temple; slanderous tongues have said
Its shape was modelled from St. Botolph's head,
Lofty, but narrow; jealous passers-by
Say Boston always held her head too high.
Turn half-way round, and let your look survey
The white facade that gleams across the way,--
The many-windowed building, tall and wide,
The palace-inn that shows its northern side
In grateful shadow when the sunbeams beat
The granite wall in summer's scorching heat.
This is the place; whether its name you spell
Tavern, or caravansera, or hotel.
Would I could steal its echoes! you should find
Such store of vanished pleasures brought to mind
Such feasts! the laughs of many a jocund hour
That shook the mortar from King George's tower;
Such guests! What famous names its record boasts,
Whose owners wander in the mob of ghosts!
Such stories! Every beam and plank is filled
With juicy wit the joyous talkers spilled,
Ready to ooze, as once the mountain pine
The floors are laid with oozed its turpentine!

A month had flitted since The Club had met;
The day came round; I found the table set,
The waiters lounging round the marble stairs,
Empty as yet the double row of chairs.
I was a full half hour before the rest,
Alone, the banquet-chamber's single guest.
So from the table's side a chair I took,
And having neither company nor book
To keep me waking, by degrees there crept
A torpor over me,--in short, I slept.

Loosed from its chain, along the wreck-strown track
Of the dead years my soul goes travelling back;
My ghosts take on their robes of flesh; it seems
Dreaming is life; nay, life less life than dreams,
So real are the shapes that meet my eyes.
They bring no sense of wonder, no surprise,
No hint of other than an earth-born source;
All seems plain daylight, everything of course.

How dim the colors are, how poor and faint
This palette of weak words with which I paint!
Here sit my friends; if I could fix them so
As to my eyes they seem, my page would glow
Like a queen's missal, warm as if the brush
Of Titian or Velasquez brought the flush
Of life into their features. Ay de mi!
If syllables were pigments, you should see
Such breathing portraitures as never man
Found in the Pitti or the Vatican.

Here sits our POET, Laureate, if you will.
Long has he worn the wreath, and wears it still.
Dead? Nay, not so; and yet they say his bust
Looks down on marbles covering royal dust,
Kings by the Grace of God, or Nature's grace;
Dead! No! Alive! I see him in his place,
Full-featured, with the bloom that heaven denies
Her children, pinched by cold New England skies,
Too often, while the nursery's happier few
Win from a summer cloud its roseate hue.
Kind, soft-voiced, gentle, in his eye there shines
The ray serene that filled Evangeline's.
Modest he seems, not shy; content to wait
Amid the noisy clamor of debate
The looked-for moment when a peaceful word
Smooths the rough ripples louder tongues have stirred.
In every tone I mark his tender grace
And all his poems hinted in his face;
What tranquil joy his friendly presence gives!
How could. I think him dead? He lives! He lives!

There, at the table's further end I see
In his old place our Poet's vis-a-vis,
The great PROFESSOR, strong, broad-shouldered, square,
In life's rich noontide, joyous, debonair.
His social hour no leaden care alloys,
His laugh rings loud and mirthful as a boy's,--
That lusty laugh the Puritan forgot,--
What ear has heard it and remembers not?
How often, halting at some wide crevasse
Amid the windings of his Alpine pass,
High up the cliffs, the climbing mountaineer,
Listening the far-off avalanche to hear,
Silent, and leaning on his steel-shod staff,
Has heard that cheery voice, that ringing laugh,
From the rude cabin whose nomadic walls
Creep with the moving glacier as it crawls
How does vast Nature lead her living train
In ordered sequence through that spacious brain,
As in the primal hour when Adam named
The new-born tribes that young creation claimed!--
How will her realm be darkened, losing thee,
Her darling, whom we call _our_ AGASSIZ!

But who is he whose massive frame belies
The maiden shyness of his downcast eyes?
Who broods in silence till, by questions pressed,
Some answer struggles from his laboring breast?
An artist Nature meant to dwell apart,
Locked in his studio with a human heart,
Tracking its eaverned passions to their lair,
And all its throbbing mysteries laying bare.
Count it no marvel that he broods alone
Over the heart he studies,--'t is his own;
So in his page, whatever shape it wear,
The Essex wizard's shadowed self is there,--
The great ROMANCER, hid beneath his veil
Like the stern preacher of his sombre tale;
Virile in strength, yet bashful as a girl,
Prouder than Hester, sensitive as Pearl.

From his mild throng of worshippers released,
Our Concord Delphi sends its chosen priest,
Prophet or poet, mystic, sage, or seer,
By every title always welcome here.
Why that ethereal spirit's frame describe?
You know the race-marks of the Brahmin tribe,
The spare, slight form, the sloping shoulders' droop,
The calm, scholastic mien, the clerkly stoop,
The lines of thought the sharpened features wear,
Carved by the edge of keen New England air.
List! for he speaks! As when a king would choose
The jewels for his bride, he might refuse
This diamond for its flaw,--find that less bright
Than those, its fellows, and a pearl less white
Than fits her snowy neck, and yet at last,
The fairest gems are chosen, and made fast
In golden fetters; so, with light delays
He seeks the fittest word to fill his phrase;
Nor vain nor idle his fastidious quest,
His chosen word is sure to prove the best.
Where in the realm of thought, whose air is song,
Does he, the Buddha of the West, belong?
He seems a winged Franklin, sweetly wise,
Born to unlock the secrets of the skies;
And which the nobler calling,--if 't is fair
Terrestrial with celestial to compare,--
To guide the storm-cloud's elemental flame,
Or walk the chambers whence the lightning came,
Amidst the sources of its subtile fire,
And steal their effluence for his lips and lyre?
If lost at times in vague aerial flights,
None treads with firmer footstep when he lights;
A soaring nature, ballasted with sense,
Wisdom without her wrinkles or pretence,
In every Bible he has faith to read,
And every altar helps to shape his creed.
Ask you what name this prisoned spirit bears
While with ourselves this fleeting breath it shares?
Till angels greet him with a sweeter one
In heaven, on earth we call him EMERSON.

I start; I wake; the vision is withdrawn;
Its figures fading like the stars at dawn;
Crossed from the roll of life their cherished names,
And memory's pictures fading in their frames;
Yet life is lovelier for these transient gleams
Of buried friendships; blest is he who dreams!

YE that have faced the billows and the spray
Of good St. Botolph's island-studded bay,
As from the gliding bark your eye has scanned
The beaconed rocks, the wave-girt hills of sand,
Have ye not marked one elm-o'ershadowed isle,
Round as the dimple chased in beauty's smile,--
A stain of verdure on an azure field,
Set like a jewel in a battered shield?
Fixed in the narrow gorge of Ocean's path,
Peaceful it meets him in his hour of wrath;
When the mailed Titan, scourged by hissing gales,
Writhes in his glistening coat of clashing scales,
The storm-beat island spreads its tranquil green,
Calm as an emerald on an angry queen.
So fair when distant should be fairer near;
A boat shall waft us from the outstretched pier.
The breeze blows fresh; we reach the island's edge,
Our shallop rustling through the yielding sedge.
No welcome greets us on the desert isle;
Those elms, far-shadowing, hide no stately pile
Yet these green ridges mark an ancient road;
And to! the traces of a fair abode;
The long gray line that marks a garden-wall,
And heaps of fallen beams,--fire-branded all.

Who sees unmoved, a ruin at his feet,
The lowliest home where human hearts have beat?
Its hearthstone, shaded with the bistre stain
A century's showery torrents wash in vain;
Its starving orchard, where the thistle blows
And mossy trunks still mark the broken rows;
Its chimney-loving poplar, oftenest seen
Next an old roof, or where a roof has been;
Its knot-grass, plantain,--all the social weeds,
Man's mute companions, following where he leads;
Its dwarfed, pale flowers, that show their straggling heads,
Sown by the wind from grass-choked garden-beds;
Its woodbine, creeping where it used to climb;
Its roses, breathing of the olden time;
All the poor shows the curious idler sees,
As life's thin shadows waste by slow degrees,
Till naught remains, the saddening tale to tell,
Save home's last wrecks,--the cellar and the well?

And whose the home that strews in black decay
The one green-glowing island of the bay?
Some dark-browed pirate's, jealous of the fate
That seized the strangled wretch of 'Nix's Mate'?
Some forger's, skulking in a borrowed name,
Whom Tyburn's dangling halter yet may claim?
Some wan-eyed exile's, wealth and sorrow's heir,
Who sought a lone retreat for tears and prayer?
Some brooding poet's, sure of deathless fame,
Had not his epic perished in the flame?
Or some gray wooer's, whom a girlish frown
Chased from his solid friends and sober town?
Or some plain tradesman's, fond of shade and ease,
Who sought them both beneath these quiet trees?
Why question mutes no question can unlock,
Dumb as the legend on the Dighton rock?
One thing at least these ruined heaps declare,--
They were a shelter once; a man lived there.

But where the charred and crumbling records fail,
Some breathing lips may piece the half-told tale;
No man may live with neighbors such as these,
Though girt with walls of rock and angry seas,
And shield his home, his children, or his wife,
His ways, his means, his vote, his creed, his life,
From the dread sovereignty of Ears and Eyes
And the small member that beneath them lies.
They told strange things of that mysterious man;
Believe who will, deny them such as can;
Why should we fret if every passing sail
Had its old seaman talking on the rail?
The deep-sunk schooner stuffed with Eastern lime,
Slow wedging on, as if the waves were slime;
The knife-edged clipper with her ruffled spars,
The pawing steamer with her inane of stars,
The bull-browed galliot butting through the stream,
The wide-sailed yacht that slipped along her beam,
The deck-piled sloops, the pinched chebacco-boats,
The frigate, black with thunder-freighted throats,
All had their talk about the lonely man;
And thus, in varying phrase, the story ran.
His name had cost him little care to seek,
Plain, honest, brief, a decent name to speak,
Common, not vulgar, just the kind that slips
With least suggestion from a stranger's lips.
His birthplace England, as his speech might show,
Or his hale cheek, that wore the red-streak's glow;
His mouth sharp-moulded; in its mirth or scorn
There came a flash as from the milky corn,
When from the ear you rip the rustling sheath,
And the white ridges show their even teeth.
His stature moderate, but his strength confessed,
In spite of broadcloth, by his ample breast;
Full-armed, thick-handed; one that had been strong,
And might be dangerous still, if things went wrong.
He lived at ease beneath his elm-trees' shade,
Did naught for gain, yet all his debts were paid;
Rich, so 't was thought, but careful of his store;
Had all he needed, claimed to have no more.

But some that lingered round the isle at night
Spoke of strange stealthy doings in their sight;
Of creeping lonely visits that he made
To nooks and corners, with a torch and spade.
Some said they saw the hollow of a cave;
One, given to fables, swore it was a grave;
Whereat some shuddered, others boldly cried,
Those prowling boatmen lied, and knew they lied.
They said his house was framed with curious cares,
Lest some old friend might enter unawares;
That on the platform at his chamber's door
Hinged a loose square that opened through the floor;
Touch the black silken tassel next the bell,
Down, with a crash, the flapping trap-door fell;
Three stories deep the falling wretch would strike,
To writhe at leisure on a boarder's pike.
By day armed always; double-armed at night,

His tools lay round him; wake him such as might.
A carbine hung beside his India fan,
His hand could reach a Turkish ataghan;
Pistols, with quaint-carved stocks and barrels gilt,
Crossed a long dagger with a jewelled hilt;
A slashing cutlass stretched along the bed;--
All this was what those lying boatmen said.
Then some were full of wondrous stories told
Of great oak chests and cupboards full of gold;
Of the wedged ingots and the silver bars
That cost old pirates ugly sabre-scars;
How his laced wallet often would disgorge
The fresh-faced guinea of an English George,
Or sweated ducat, palmed by Jews of yore,
Or double Joe, or Portuguese moidore;
And how his finger wore a rubied ring
Fit for the white-necked play-girl of a king.
But these fine legends, told with staring eyes,
Met with small credence from the old and wise.

Why tell each idle guess, each whisper vain?
Enough: the scorched and cindered beams remain.
He came, a silent pilgrim to the West,
Some old-world mystery throbbing in his breast;
Close to the thronging mart he dwelt alone;
He lived; he died. The rest is all unknown.

Stranger, whose eyes the shadowy isle survey,
As the black steamer dashes through the bay,
Why ask his buried secret to divine?
He was thy brother; speak, and tell us thine!

. . . . . . . . . . .

Silence at first, a kind of spell-bound pause;
Then all the Teacups tinkled their applause;
When that was hushed no sound the stillness broke
Till once again the soft-voiced lady spoke:

'The Lover's Secret,--surely that must need
The youngest voice our table holds to read.
Which of our two 'Annexes' shall we choose?
Either were charming, neither will refuse;
But choose we must,--what better can we do
Than take the younger of the youthful two?'

True to the primal instinct of her sex,
'Why, that means me,' half whispered each Annex.
'What if it does?' the voiceless question came,
That set those pale New England cheeks aflame;
'Our old-world scholar may have ways to teach
Of Oxford English, Britain's purest speech,--
She shall be youngest,--youngest for _to-day_,--
Our dates we'll fix hereafter as we may;
_All rights reserved_,--the words we know so well,
That guard the claims of books which never sell.'
The British maiden bowed a pleased assent,
Her two long ringlets swinging as she bent;
The glistening eyes her eager soul looked through
Betrayed her lineage in their Saxon blue.
Backward she flung each too obtrusive curl
And thus began,--the rose-lipped English girl.

PART FIRST


THE KNIGHT
The tale I tell is gospel true,
As all the bookmen know,
And pilgrims who have strayed to view
The wrecks still left to show.

The old, old story,—­fair, and young,
And fond,—­and not too wise,—­
That matrons tell, with sharpened tongue,
To maids with downcast eyes.

Ah! maidens err and matrons warn
Beneath the coldest sky;
Love lurks amid the tasselled corn
As in the bearded rye!

But who would dream our sober sires
Had learned the old world’s ways,
And warmed their hearths with lawless fires
In Shirley’s homespun days?

’T is like some poet’s pictured trance
His idle rhymes recite,—­
This old New England-born romance
Of Agnes and the Knight;

Yet, known to all the country round,
Their home is standing still,
Between Wachusett’s lonely mound
And Shawmut’s threefold hill.

One hour we rumble on the rail,
One half-hour guide the rein,
We reach at last, o’er hill and dale,
The village on the plain.

With blackening wall and mossy roof,
With stained and warping floor,
A stately mansion stands aloof
And bars its haughty door.

This lowlier portal may be tried,
That breaks the gable wall;
And lo! with arches opening wide,
Sir Harry Frankland’s hall!

’T was in the second George’s day
They sought the forest shade,
The knotted trunks they cleared away,
The massive beams they laid,

They piled the rock-hewn chimney tall,
They smoothed the terraced ground,
They reared the marble-pillared wall
That fenced the mansion round.

Far stretched beyond the village bound
The Master’s broad domain;
With page and valet, horse and hound,
He kept a goodly train.

And, all the midland county through,
The ploughman stopped to gaze
Whene’er his chariot swept in view
Behind the shining bays,

With mute obeisance, grave and slow,
Repaid by nod polite,—­
For such the way with high and low
Till after Concord fight.

Nor less to courtly circles known
That graced the three-hilled town
With far-off splendors of the Throne,
And glimmerings from the Crown;

Wise Phipps, who held the seals of state
For Shirley over sea;
Brave Knowles, whose press-gang moved of late
The King Street mob’s decree;

And judges grave, and colonels grand,
Fair dames and stately men,
The mighty people of the land,
The “World” of there and then.

’T was strange no Chloe’s “beauteous Form,”
And “Eyes’ celestial Blew,”
This Strephon of the West could warm,
No Nymph his Heart subdue.

Perchance he wooed as gallants use,
Whom fleeting loves enchain,
But still unfettered, free to choose,
Would brook no bridle-rein.

He saw the fairest of the fair,
But smiled alike on all;
No band his roving foot might snare,
No ring his hand enthrall.


PART SECOND


THE MAIDEN
Why seeks the knight that rocky cape
Beyond the Bay of Lynn?
What chance his wayward course may shape
To reach its village inn?

No story tells; whate’er we guess,
The past lies deaf and still,
But Fate, who rules to blight or bless,
Can lead us where she will.

Make way! Sir Harry’s coach and four,
And liveried grooms that ride!
They cross the ferry, touch the shore
On Winnisimmet’s side.

They hear the wash on Chelsea Beach,—­
The level marsh they pass,
Where miles on miles the desert reach
Is rough with bitter grass.

The shining horses foam and pant,
And now the smells begin
Of fishy Swampscott, salt Nahant,
And leather-scented Lynn.

Next, on their left, the slender spires
And glittering vanes that crown
The home of Salem’s frugal sires,
The old, witch-haunted town.

So onward, o’er the rugged way
That runs through rocks and sand,
Showered by the tempest-driven spray,
From bays on either hand,

That shut between their outstretched arms
The crews of Marblehead,
The lords of ocean’s watery farms,
Who plough the waves for bread.

At last the ancient inn appears,
The spreading elm below,
Whose flapping sign these fifty years
Has seesawed to and fro.

How fair the azure fields in sight
Before the low-browed inn
The tumbling billows fringe with light
The crescent shore of Lynn;

Nahant thrusts outward through the waves
Her arm of yellow sand,
And breaks the roaring surge that braves
The gauntlet on her hand;

With eddying whirl the waters lock
Yon treeless mound forlorn,
The sharp-winged sea-fowl’s breeding-rock,
That fronts the Spouting Horn;

Then free the white-sailed shallops glide,
And wide the ocean smiles,
Till, shoreward bent, his streams divide
The two bare Misery Isles.

The master’s silent signal stays
The wearied cavalcade;
The coachman reins his smoking bays
Beneath the elm-tree’s shade.

A gathering on the village green!
The cocked-hats crowd to see,
On legs in ancient velveteen,
With buckles at the knee.

A clustering round the tavern-door
Of square-toed village boys,
Still wearing, as their grandsires wore,
The old-world corduroys!

A scampering at the “Fountain” inn,—–­
A rush of great and small,—­
With hurrying servants’ mingled din
And screaming matron’s call.

Poor Agnes! with her work half done
They caught her unaware;
As, humbly, like a praying nun,
She knelt upon the stair;

Bent o’er the steps, with lowliest mien
She knelt, but not to pray,—­
Her little hands must keep them clean,
And wash their stains away.

A foot, an ankle, bare and white,
Her girlish shapes betrayed,—­
“Ha! Nymphs and Graces!” spoke the Knight;
“Look up, my beauteous Maid!”

She turned,—­a reddening rose in bud,
Its calyx half withdrawn,—­
Her cheek on fire with damasked blood
Of girlhood’s glowing dawn!

He searched her features through and through,
As royal lovers look
On lowly maidens, when they woo
Without the ring and book.

“Come hither, Fair one! Here, my Sweet!
Nay, prithee, look not down!
Take this to shoe those little feet,”—­
He tossed a silver crown.

A sudden paleness struck her brow,—­
A swifter blush succeeds;
It burns her cheek; it kindles now
Beneath her golden beads.

She flitted, but the glittering eye
Still sought the lovely face.
Who was she? What, and whence? and why
Doomed to such menial place?

A skipper’s daughter,—­so they said,—­
Left orphan by the gale
That cost the fleet of Marblehead
And Gloucester thirty sail.

Ah! many a lonely home is found
Along the Essex shore,
That cheered its goodman outward bound,
And sees his face no more!

“Not so,” the matron whispered,—­“sure
No orphan girl is she,—­
The Surriage folk are deadly poor
Since Edward left the sea,

“And Mary, with her growing brood,
Has work enough to do
To find the children clothes and food
With Thomas, John, and Hugh.

“This girl of Mary’s, growing tall,—­
(Just turned her sixteenth year,)—­
To earn her bread and help them all,
Would work as housemaid here.”

So Agnes, with her golden beads,
And naught beside as dower,
Grew at the wayside with the weeds,
Herself a garden-flower.

’T was strange, ’t was sad,—­so fresh, so fair!
Thus Pity’s voice began.
Such grace! an angel’s shape and air!
The half-heard whisper ran.

For eyes could see in George’s time,
As now in later days,
And lips could shape, in prose and rhyme,
The honeyed breath of praise.

No time to woo! The train must go
Long ere the sun is down,
To reach, before the night-winds blow,
The many-steepled town.

’T is midnight,—­street and square are still;
Dark roll the whispering waves
That lap the piers beneath the hill
Ridged thick with ancient graves.

Ah, gentle sleep! thy hand will smooth
The weary couch of pain,
When all thy poppies fail to soothe
The lover’s throbbing brain!

’T is morn,—­the orange-mantled sun
Breaks through the fading gray,
And long and loud the Castle gun
Peals o’er the glistening bay.

“Thank God ’t is day!” With eager eye
He hails the morning shine:—­
“If art can win, or gold can buy,
The maiden shall be mine!”


PART THIRD


THE CONQUEST
“Who saw this hussy when she came?
What is the wench, and who?”
They whisper. “Agnes—­is her name?
Pray what has she to do?”

The housemaids parley at the gate,
The scullions on the stair,
And in the footmen’s grave debate
The butler deigns to share.

Black Dinah, stolen when a child,
And sold on Boston pier,
Grown up in service, petted, spoiled,
Speaks in the coachman’s ear:

“What, all this household at his will?
And all are yet too few?
More servants, and more servants still,—­
This pert young madam too!”

“Servant! fine servant!” laughed aloud
The man of coach and steeds;
“She looks too fair, she steps too proud,
This girl with golden beads!

“I tell you, you may fret and frown,
And call her what you choose,
You ’ll find my Lady in her gown,
Your Mistress in her shoes!”

Ah, gentle maidens, free from blame,
God grant you never know
The little whisper, loud with shame,
That makes the world your foe!

Why tell the lordly flatterer’s art,
That won the maiden’s ear,—­
The fluttering of the frightened heart,
The blush, the smile, the tear?

Alas! it were the saddening tale
That every language knows,—­
The wooing wind, the yielding sail,
The sunbeam and the rose.

And now the gown of sober stuff
Has changed to fair brocade,
With broidered hem, and hanging cuff,
And flower of silken braid;

And clasped around her blanching wrist
A jewelled bracelet shines,
Her flowing tresses’ massive twist
A glittering net confines;

And mingling with their truant wave
A fretted chain is hung;
But ah! the gift her mother gave,—­
Its beads are all unstrung!

Her place is at the master’s board,
Where none disputes her claim;
She walks beside the mansion’s lord,
His bride in all but name.

The busy tongues have ceased to talk,
Or speak in softened tone,
So gracious in her daily walk
The angel light has shown.

No want that kindness may relieve
Assails her heart in vain,
The lifting of a ragged sleeve
Will check her palfrey’s rein.

A thoughtful calm, a quiet grace
In every movement shown,
Reveal her moulded for the place
She may not call her own.

And, save that on her youthful brow
There broods a shadowy care,
No matron sealed with holy vow
In all the land so fair.


PART FOURTH


THE RESCUE
A ship comes foaming up the bay,
Along the pier she glides;
Before her furrow melts away,
A courier mounts and rides.

“Haste, Haste, post Haste!” the letters bear;
“Sir Harry Frankland, These.”
Sad news to tell the loving pair!
The knight must cross the seas.

“Alas! we part!”—­the lips that spoke
Lost all their rosy red,
As when a crystal cup is broke,
And all its wine is shed.

“Nay, droop not thus,—­where’er,” he cried,
“I go by land or sea,
My love, my life, my joy, my pride,
Thy place is still by me!”

Through town and city, far and wide,
Their wandering feet have strayed,
From Alpine lake to ocean tide,
And cold Sierra’s shade.

At length they see the waters gleam
Amid the fragrant bowers
Where Lisbon mirrors in the stream
Her belt of ancient towers.

Red is the orange on its bough,
To-morrow’s sun shall fling
O’er Cintra’s hazel-shaded brow
The flush of April’s wing.

The streets are loud with noisy mirth,
They dance on every green;
The morning’s dial marks the birth
Of proud Braganza’s queen.

At eve beneath their pictured dome
The gilded courtiers throng;
The broad moidores have cheated Rome
Of all her lords of song.

AH! Lisbon dreams not of the day—­
Pleased with her painted scenes—­
When all her towers shall slide away
As now these canvas screens!

The spring has passed, the summer fled,
And yet they linger still,
Though autumn’s rustling leaves have spread
The flank of Cintra’s hill.

The town has learned their Saxon name,
And touched their English gold,
Nor tale of doubt nor hint of blame
From over sea is told.

Three hours the first November dawn
Has climbed with feeble ray
Through mists like heavy curtains drawn
Before the darkened day.

How still the muffled echoes sleep!
Hark! hark! a hollow sound,—­
A noise like chariots rumbling deep
Beneath the solid ground.

The channel lifts, the water slides
And bares its bar of sand,
Anon a mountain billow strides
And crashes o’er the land.

The turrets lean, the steeples reel
Like masts on ocean’s swell,
And clash a long discordant peal,
The death-doomed city’s knell.

The pavement bursts, the earth upheaves
Beneath the staggering town!
The turrets crack—­the castle cleaves—­
The spires come rushing down.

Around, the lurid mountains glow
With strange unearthly gleams;
While black abysses gape below,
Then close in jagged seams.

And all is over. Street and square
In ruined heaps are piled;
Ah! where is she, so frail, so fair,
Amid the tumult wild?

Unscathed, she treads the wreck-piled street,
Whose narrow gaps afford
A pathway for her bleeding feet,
To seek her absent lord.

A temple’s broken walls arrest
Her wild and wandering eyes;
Beneath its shattered portal pressed,
Her lord unconscious lies.

The power that living hearts obey
Shall lifeless blocks withstand?
Love led her footsteps where he lay,—­
Love nerves her woman’s hand.

One cry,—­the marble shaft she grasps,—­
Up heaves the ponderous stone:—­
He breathes,—­her fainting form he clasps,—­
Her life has bought his own!


PART FIFTH


THE REWARD
How like the starless night of death
Our being’s brief eclipse,
When faltering heart and failing breath
Have bleached the fading lips!

The earth has folded like a wave,
And thrice a thousand score,
Clasped, shroudless, in their closing grave,
The sun shall see no more!

She lives! What guerdon shall repay
His debt of ransomed life?
One word can charm all wrongs away,—­
The sacred name of WIFE!

The love that won her girlish charms
Must shield her matron fame,
And write beneath the Frankland arms
The village beauty’s name.

Go, call the priest! no vain delay
Shall dim the sacred ring!
Who knows what change the passing day,
The fleeting hour, may bring?

Before the holy altar bent,
There kneels a goodly pair;
A stately man, of high descent,
A woman, passing fair.

No jewels lend the blinding sheen
That meaner beauty needs,
But on her bosom heaves unseen
A string of golden beads.

The vow is spoke,—­the prayer is said,—­
And with a gentle pride
The Lady Agnes lifts her head,
Sir Harry Frankland’s bride.

No more her faithful heart shall bear
Those griefs so meekly borne,—­
The passing sneer, the freezing stare,
The icy look of scorn;

No more the blue-eyed English dames
Their haughty lips shall curl,
Whene’er a hissing whisper names
The poor New England girl.

But stay!—­his mother’s haughty brow,—­
The pride of ancient race,—­
Will plighted faith, and holy vow,
Win back her fond embrace?

Too well she knew the saddening tale
Of love no vow had blest,
That turned his blushing honors pale
And stained his knightly crest.

They seek his Northern home,—­alas
He goes alone before;—­
His own dear Agnes may not pass
The proud, ancestral door.

He stood before the stately dame;
He spoke; she calmly heard,
But not to pity, nor to blame;
She breathed no single word.

He told his love,—­her faith betrayed;
She heard with tearless eyes;
Could she forgive the erring maid?
She stared in cold surprise.

How fond her heart, he told,—­how true;
The haughty eyelids fell;—­
The kindly deeds she loved to do;
She murmured, “It is well.”

But when he told that fearful day,
And how her feet were led
To where entombed in life he lay,
The breathing with the dead,

And how she bruised her tender breasts
Against the crushing stone,
That still the strong-armed clown protests
No man can lift alone,—­

Oh! then the frozen spring was broke;
By turns she wept and smiled;—­
“Sweet Agnes!” so the mother spoke,
“God bless my angel child.

“She saved thee from the jaws of death,—­
’T is thine to right her wrongs;
I tell thee,—­I, who gave thee breath,—­
To her thy life belongs!”

Thus Agnes won her noble name,
Her lawless lover’s hand;
The lowly maiden so became
A lady in the land!


PART SIXTH


CONCLUSION
The tale is done; it little needs
To track their after ways,
And string again the golden beads
Of love’s uncounted days.

They leave the fair ancestral isle
For bleak New England’s shore;
How gracious is the courtly smile
Of all who frowned before!

Again through Lisbon’s orange bowers
They watch the river’s gleam,
And shudder as her shadowy towers
Shake in the trembling stream.

Fate parts at length the fondest pair;
His cheek, alas! grows pale;
The breast that trampling death could spare
His noiseless shafts assail.

He longs to change the heaven of blue
For England’s clouded sky,—­
To breathe the air his boyhood knew;
He seeks then but to die.

Hard by the terraced hillside town,
Where healing streamlets run,
Still sparkling with their old renown,—­
The “Waters of the Sun,”—­

The Lady Agnes raised the stone
That marks his honored grave,
And there Sir Harry sleeps alone
By Wiltshire Avon’s wave.

The home of early love was dear;
She sought its peaceful shade,
And kept her state for many a year,
With none to make afraid.

At last the evil days were come
That saw the red cross fall;
She hears the rebels’ rattling drum,—­
Farewell to Frankland Hall!

I tell you, as my tale began,
The hall is standing still;
And you, kind listener, maid or man,
May see it if you will.

The box is glistening huge and green,
Like trees the lilacs grow,
Three elms high-arching still are seen,
And one lies stretched below.

The hangings, rough with velvet flowers,
Flap on the latticed wall;
And o’er the mossy ridge-pole towers
The rock-hewn chimney tall.

The doors on mighty hinges clash
With massive bolt and bar,
The heavy English-moulded sash
Scarce can the night-winds jar.

Behold the chosen room he sought
Alone, to fast and pray,
Each year, as chill November brought
The dismal earthquake day.

There hung the rapier blade he wore,
Bent in its flattened sheath;
The coat the shrieking woman tore
Caught in her clenching teeth;—­

The coat with tarnished silver lace
She snapped at as she slid,
And down upon her death-white face
Crashed the huge coffin’s lid.

A graded terrace yet remains;
If on its turf you stand
And look along the wooded plains
That stretch on either hand,

The broken forest walls define
A dim, receding view,
Where, on the far horizon’s line,
He cut his vista through.

If further story you shall crave,
Or ask for living proof,
Go see old Julia, born a slave
Beneath Sir Harry’s roof.

She told me half that I have told,
And she remembers well
The mansion as it looked of old
Before its glories fell;—­

The box, when round the terraced square
Its glossy wall was drawn;
The climbing vines, the snow-balls fair,
The roses on the lawn.

And Julia says, with truthful look
Stamped on her wrinkled face,
That in her own black hands she took
The coat with silver lace.

And you may hold the story light,
Or, if you like, believe;
But there it was, the woman’s bite,—­
A mouthful from the sleeve.

Now go your ways;—­I need not tell
The moral of my rhyme;
But, youths and maidens, ponder well
This tale of olden time!