Oliver Wendell Holmes: Verses about Food

No life worth naming ever comes to good
If always nourished on the selfsame food;
The creeping mite may live so if he please,
And feed on Stilton till he turns to cheese,
But cool Magendie proves beyond a doubt,
If mammals try it, that their eyes drop out.

No reasoning natures find it safe to feed,
For their sole diet, on a single creed;
It spoils their eyeballs while it spares their tongues,
And starves the heart to feed the noisy lungs.

When the first larvae on the elm are seen,
The crawling wretches, like its leaves, are green;
Ere chill October shakes the latest down,
They, like the foliage, change their tint to brown;
On the blue flower a bluer flower you spy,
You stretch to pluck it--'tis a butterfly;
The flattened tree-toads so resemble bark,
They're hard to find as Ethiops in the dark;
The woodcock, stiffening to fictitious mud,
Cheats the young sportsman thirsting for his blood;
So by long living on a single lie,
Nay, on one truth, will creatures get its dye;
Red, yellow, green, they take their subject's hue,--
Except when squabbling turns them black and blue!

For a Temperance dinner to which ladies were
Invited (new York Mercantile library Association,
November, 1842)


A health to dear woman! She bids us untwine,
From the cup it encircles, the fast-clinging vine;
But her cheek in its crystal with pleasure will glow,
And mirror its bloom in the bright wave below.

A health to sweet woman! The days are no more
When she watched for her lord till the revel was o’er,
And smoothed the white pillow, and blushed when he came,
As she pressed her cold lips on his forehead of flame.

Alas for the loved one! too spotless and fair
The joys of his banquet to chasten and share;
Her eye lost its light that his goblet might shine,
And the rose of her cheek was dissolved in his wine.

Joy smiles in the fountain, health flows in the rills,
As their ribbons of silver unwind from the hills;
They breathe not the mist of the bacchanal’s dream,
But the lilies of innocence float on their stream.

Then a health and a welcome to woman once more!
She brings us a passport that laughs at our door;
It is written on crimson,—­its letters are pearls,—­
It is countersigned Nature.—­So, room for the Girls!

THE dinner-bell, the dinner-bell
Is ringing loud and clear;
Through hill and plain, through street and lane,
It echoes far and near;
From curtained hall and whitewashed stall,
Wherever men can hide,
Like bursting waves from ocean caves,
They float upon the tide.

I smell the smell of roasted meat!
I hear the hissing fry
The beggars know where they can go,
But where, oh where shall I?
At twelve o'clock men took my hand,
At two they only stare,
And eye me with a fearful look,
As if I were a bear!

The poet lays his laurels down,
And hastens to his greens;
The happy tailor quits his goose,
To riot on his beans;
The weary cobbler snaps his thread,
The printer leaves his pi;
His very devil hath a home,
But what, oh what have I?

Methinks I hear an angel voice,
That softly seems to say
'Pale stranger, all may yet be well,
Then wipe thy tears away;
Erect thy head, and cock thy hat,
And follow me afar,
And thou shalt have a jolly meal,
And charge it at the bar.'

I hear the voice! I go! I go!
Prepare your meat and wine!
They little heed their future need
Who pay not when they dine.
Give me to-day the rosy bowl,
Give me one golden dream,--
To-morrow kick away the stool,
And dangle from the beam!

(by supposition)

An Hymn set forth to be sung by the Great Assembly
at Newtown, [Mass.] Mo. 12. 1. 1636.

[Written by OLIVER WENDELL HOLMES, eldest son of Rev.
ABIEL HOLMES, eighth Pastor of the First Church in
Cambridge, Massachusetts.]

LORD, Thou hast led us as of old
Thine Arm led forth the chosen Race
Through Foes that raged, through Floods that roll'd,
To Canaan's far-off Dwelling-Place.

Here is Thy bounteous Table spread,
Thy Manna falls on every Field,
Thy Grace our hungering Souls hath fed,
Thy Might hath been our Spear and Shield.

Lift high Thy Buckler, Lord of Hosts!
Guard Thou Thy Servants, Sons and Sires,
While on the Godless heathen Coasts
They light Thine Israel's Altar-fires!

The salvage Wilderness remote
Shall hear Thy Works and Wonders sung;
So from the Rock that Moses smote
The Fountain of the Desart sprung.

Soon shall the slumbering Morn awake,
From wandering Stars of Errour freed,
When Christ the Bread of Heaven shall break
For Saints that own a common Creed.

The Walls that fence His Flocks apart
Shall crack and crumble in Decay,
And every Tongue and every Heart
Shall welcome in the new-born Day.

Then shall His glorious Church rejoice
His Word of Promise to recall,--
ONE SHELTERING FOLD, ONE SHEPHERD'S VOICE,
ONE GOD AND FATHER OVER ALL!

JULY 6, 1865

Now, smiling friends and shipmates all,
Since half our battle 's won,
A broadside for our Admiral!
Load every crystal gun
Stand ready till I give the word,--
You won't have time to tire,--
And when that glorious name is heard,
Then hip! hurrah! and fire!

Bow foremost sinks the rebel craft,--
Our eyes not sadly turn
And see the pirates huddling aft
To drop their raft astern;
Soon o'er the sea-worm's destined prey
The lifted wave shall close,--
So perish from the face of day
All Freedom's banded foes!

But ah! what splendors fire the sky
What glories greet the morn!
The storm-tost banner streams on high,
Its heavenly hues new-born!
Its red fresh dyed in heroes' blood,
Its peaceful white more pure,
To float unstained o'er field and flood
While earth and seas endure!

All shapes before the driving blast
Must glide from mortal view;
Black roll the billows of the past
Behind the present's blue,
Fast, fast, are lessening in the light
The names of high renown,--
Van Tromp's proud besom fades from sight,
And Nelson's half hull down!

Scarce one tall frigate walks the sea
Or skirts the safer shores
Of all that bore to victory
Our stout old commodores;
Hull, Bainbridge, Porter,--where are they?
The waves their answer roll,
'Still bright in memory's sunset ray,--
God rest each gallant soul!'

A brighter name must dim their light
With more than noontide ray,
The Sea-King of the 'River Fight,'
The Conqueror of the Bay,--
Now then the broadside! cheer on cheer
To greet him safe on shore!
Health, peace, and many a bloodless year
To fight his battles o'er!

AT THE REVERE HOUSE,
SEPTEMBER 25,1861

THE land of sunshine and of song!
Her name your hearts divine;
To her the banquet's vows belong
Whose breasts have poured its wine;
Our trusty friend, our true ally
Through varied change and chance
So, fill your flashing goblets high,--
I give you, VIVE LA FRANCE!

Above our hosts in triple folds
The selfsame colors spread,
Where Valor's faithful arm upholds
The blue, the white, the red;
Alike each nation's glittering crest
Reflects the morning's glance,--
Twin eagles, soaring east and west
Once more, then, VIVE LA FRANCE!

Sister in trial! who shall count
Thy generous friendship's claim,
Whose blood ran mingling in the fount
That gave our land its name,
Till Yorktown saw in blended line
Our conquering arms advance,
And victory's double garlands twine
Our banners? VIVE LA FRANCE!

O land of heroes! in our need
One gift from Heaven we crave
To stanch these wounds that vainly bleed,--
The wise to lead the brave!
Call back one Captain of thy past
From glory's marble trance,
Whose name shall be a bugle-blast
To rouse us! VIVE LA FRANCE!

Pluck Conde's baton from the trench,
Wake up stout Charles Martel,
Or find some woman's hand to clench
The sword of La Pucelle!
Give us one hour of old Turenne,--
One lift of Bayard's lance,--
Nay, call Marengo's Chief again
To lead us! VIVE LA FRANCE!

Ah, hush! our welcome Guest shall hear
But sounds of peace and joy;
No angry echo vex thine ear,
Fair Daughter of Savoy
Once more! the land of arms and arts,
Of glory, grace, romance;
Her love lies warm in all our hearts
God bless her! VIVE LA FRANCE!

As o'er the glacier's frozen sheet
Breathes soft the Alpine rose,
So through life's desert springing sweet
The flower of friendship grows;
And as where'er the roses grow
Some rain or dew descends,
'T is nature's law that wine should flow
To wet the lips of friends.
Then once again, before we part,
My empty glass shall ring;
And he that has the warmest heart
Shall loudest laugh and sing.

They say we were not born to eat;
But gray-haired sages think
It means, Be moderate in your meat,
And partly live to drink.
For baser tribes the rivers flow
That know not wine or song;
Man wants but little drink below,
But wants that little strong.
Then once again, etc.

If one bright drop is like the gem
That decks a monarch's crown,
One goblet holds a diadem
Of rubies melted down!
A fig for Caesar's blazing brow,
But, like the Egyptian queen,
Bid each dissolving jewel glow
My thirsty lips between.
Then once again, etc.

The Grecian's mound, the Roman's urn,
Are silent when we call,
Yet still the purple grapes return
To cluster on the wall;
It was a bright Immortal's head
They circled with the vine,
And o'er their best and bravest dead
They poured the dark-red wine.
Then once again, etc.

Methinks o'er every sparkling glass
Young Eros waves his wings,
And echoes o'er its dimples pass
From dead Anacreon's strings;
And, tossing round its beaded brim
Their locks of floating gold,
With bacchant dance and choral hymn
Return the nymphs of old.
Then once again, etc.

A welcome then to joy and mirth,
From hearts as fresh as ours,
To scatter o'er the dust of earth
Their sweetly mingled flowers;
'T is Wisdom's self the cup that fills
In spite of Folly's frown,
And Nature, from her vine-clad hills,
That rains her life-blood down!
Then once again, before we part,
My empty glass shall ring;
And he that has the warmest heart
Shall loudest laugh and sing.

The Comet! He is on his way,
And singing as he flies;
The whizzing planets shrink before
The spectre of the skies;
Ah! well may regal orbs burn blue,
And satellites turn pale,
Ten million cubic miles of head,
Ten billion leagues of tail!

On, on by whistling spheres of light
He flashes and he flames;
He turns not to the left nor right,
He asks them not their names;
One spurn from his demoniac heel,—­
Away, away they fly,
Where darkness might be bottled up
And sold for “Tyrian dye.”

And what would happen to the land,
And how would look the sea,
If in the bearded devil’s path
Our earth should chance to be?
Full hot and high the sea would boil,
Full red the forests gleam;
Methought I saw and heard it all
In a dyspeptic dream!

I saw a tutor take his tube
The Comet’s course to spy;
I heard a scream,—­the gathered rays
Had stewed the tutor’s eye;
I saw a fort,—­the soldiers all
Were armed with goggles green;
Pop cracked the guns! whiz flew the balls!
Bang went the magazine!

I saw a poet dip a scroll
Each moment in a tub,
I read upon the warping back,
“The Dream of Beelzebub;”
He could not see his verses burn,
Although his brain was fried,
And ever and anon he bent
To wet them as they dried.

I saw the scalding pitch roll down
The crackling, sweating pines,
And streams of smoke, like water-spouts,
Burst through the rumbling mines;
I asked the firemen why they made
Such noise about the town;
They answered not,—­but all the while
The brakes went up and down.

I saw a roasting pullet sit
Upon a baking egg;
I saw a cripple scorch his hand
Extinguishing his leg;
I saw nine geese upon the wing
Towards the frozen pole,
And every mother’s gosling fell
Crisped to a crackling coal.

I saw the ox that browsed the grass
Writhe in the blistering rays,
The herbage in his shrinking jaws
Was all a fiery blaze;
I saw huge fishes, boiled to rags,
Bob through the bubbling brine;
And thoughts of supper crossed my soul;
I had been rash at mine.

Strange sights! strange sounds! Oh fearful dream!
Its memory haunts me still,
The steaming sea, the crimson glare,
That wreathed each wooded hill;
Stranger! if through thy reeling brain
Such midnight visions sweep,
Spare, spare, oh, spare thine evening meal,
And sweet shall be thy sleep!

YES, tyrants, you hate us, and fear while you hate
The self-ruling, chain-breaking, throne-shaking State!
The night-birds dread morning,--your instinct is true,--
The day-star of Freedom brings midnight for you!

Why plead with the deaf for the cause of mankind?
The owl hoots at noon that the eagle is blind!
We ask not your reasons,--'t were wasting our time,--
Our life is a menace, our welfare a crime!

We have battles to fight, we have foes to subdue,--
Time waits not for us, and we wait not for you!
The mower mows on, though the adder may writhe
And the copper-head coil round the blade of his
scythe!

'No sides in this quarrel,' your statesmen may urge,
Of school-house and wages with slave-pen scourge!--
No sides in the quarrel! proclaim it as well
To the angels that fight with the legions of hell!

They kneel in God's temple, the North and the South,
With blood on each weapon and prayers in each mouth.
Whose cry shall be answered? Ye Heavens, attend
The lords of the lash as their voices ascend!

'O Lord, we are shaped in the image of Thee,--
Smite down the base millions that claim to be free,
And lend thy strong arm to the soft-handed race
Who eat not their bread in the sweat of their face!'

So pleads the proud planter. What echoes are these?
The bay of his bloodhound is borne on the breeze,
And, lost in the shriek of his victim's despair,
His voice dies unheard.--Hear the Puritan's prayer!

'O Lord, that didst smother mankind in thy flood,
The sun is as sackcloth, the moon is as blood,
The stars fall to earth as untimely are cast
The figs from the fig-tree that shakes in the blast!

'All nations, all tribes in whose nostrils is breath
Stand gazing at Sin as she travails with Death!
Lord, strangle the monster that struggles to birth,
Or mock us no more with thy 'Kingdom on Earth!'

'If Ammon and Moab must reign in the land
Thou gavest thine Israel, fresh from thy hand,
Call Baal and Ashtaroth out of their graves
To be the new gods for the empire of slaves!'

Whose God will ye serve, O ye rulers of men?
Will ye build you new shrines in the slave-breeder's den?
Or bow with the children of light, as they call
On the Judge of the Earth and the Father of All?

Choose wisely, choose quickly, for time moves apace,--
Each day is an age in the life of our race!
Lord, lead them in love, ere they hasten in fear
From the fast-rising flood that shall girdle the sphere!

A NIGHTMARE DREAM BY DAYLIGHT

Do you know the Old Man of the Sea, of the Sea?
Have you met with that dreadful old man?
If you have n't been caught, you will be, you will be;
For catch you he must and he can.

He does n't hold on by your throat, by your throat,
As of old in the terrible tale;
But he grapples you tight by the coat, by the coat,
Till its buttons and button-holes fail.

There's the charm of a snake in his eye, in his eye,
And a polypus-grip in his hands;
You cannot go back, nor get by, nor get by,
If you look at the spot where he stands.

Oh, you're grabbed! See his claw on your sleeve, on your sleeve!
It is Sinbad's Old Man of the Sea!
You're a Christian, no doubt you believe, you believe
You're a martyr, whatever you be!

Is the breakfast-hour past? They must wait, they must wait,
While the coffee boils sullenly down,
While the Johnny-cake burns on the grate, on the grate,
And the toast is done frightfully brown.

Yes, your dinner will keep; let it cool, let it cool,
And Madam may worry and fret,
And children half-starved go to school, go to school;
He can't think of sparing you yet.

Hark! the bell for the train! 'Come along! Come along!
For there is n't a second to lose.'
'ALL ABOARD!' (He holds on.) 'Fsht I ding-dong! Fsht! ding-dong!'--
You can follow on foot, if you choose.

There's a maid with a cheek like a peach, like a peach,
That is waiting for you in the church;--
But he clings to your side like a leech, like a leech,
And you leave your lost bride in the lurch.

There's a babe in a fit,--hurry quick! hurry quick!
To the doctor's as fast as you can!
The baby is off, while you stick, while you stick,
In the grip of the dreadful Old Man!

I have looked on the face of the Bore, of the Bore;
The voice of the Simple I know;
I have welcomed the Flat at my door, at my door;
I have sat by the side of the Slow;

I have walked like a lamb by the friend, by the friend,
That stuck to my skirts like a bur;
I have borne the stale talk without end, without end,
Of the sitter whom nothing could stir.

But my hamstrings grow loose, and I shake, and I shake,
At the sight of the dreadful Old Man;
Yea, I quiver and quake, and I take, and I take,
To my legs with what vigor I can!

Oh the dreadful Old Man of the Sea, of the Sea
He's come back like the Wandering Jew!
He has had his cold claw upon me, upon me,--
And be sure that he'll have it on you!

JULY 31, 1865

WHEN treason first began the strife
That crimsoned sea and shore,
The Nation poured her hoarded life
On Freedom's threshing-floor;
From field and prairie, east and west,
From coast and hill and plain,
The sheaves of ripening manhood pressed
Thick as the bearded grain.

Rich was the harvest; souls as true
As ever battle tried;
But fiercer still the conflict grew,
The floor of death more wide;
Ah, who forgets that dreadful day
Whose blot of grief and shame
Four bitter years scarce wash away
In seas of blood and flame?

Vain, vain the Nation's lofty boasts,--
Vain all her sacrifice!
'Give me a man to lead my hosts,
O God in heaven!' she cries.
While Battle whirls his crushing flail,
And plies his winnowing fan,--
Thick flies the chaff on every gale,--
She cannot find her man!

Bravely they fought who failed to win,--
Our leaders battle-scarred,--
Fighting the hosts of hell and sin,
But devils die always hard!
Blame not the broken tools of God
That helped our sorest needs;
Through paths that martyr feet have trod
The conqueror's steps He leads.

But now the heavens grow black with doubt,
The ravens fill the sky,
'Friends' plot within, foes storm without,
Hark,--that despairing cry,
'Where is the heart, the hand, the brain
To dare, to do, to plan?'
The bleeding Nation shrieks in vain,--
She has not found her man!

A little echo stirs the air,--
Some tale, whate'er it be,
Of rebels routed in their lair
Along the Tennessee.
The little echo spreads and grows,
And soon the trump of Fame
Has taught the Nation's friends and foes
The 'man on horseback''s name.

So well his warlike wooing sped,
No fortress might resist
His billets-doux of lisping lead,
The bayonets in his fist,--
With kisses from his cannons' mouth
He made his passion known
Till Vicksburg, vestal of the South,
Unbound her virgin zone.

And still where'er his banners led
He conquered as he came,
The trembling hosts of treason fled
Before his breath of flame,
And Fame's still gathering echoes grew
Till high o'er Richmond's towers
The starry fold of Freedom flew,
And all the land was ours.

Welcome from fields where valor fought
To feasts where pleasure waits;
A Nation gives you smiles unbought
At all her opening gates!
Forgive us when we press your hand,--
Your war-worn features scan,--
God sent you to a bleeding land;
Our Nation found its man!

There are three ways in which men take
One’s money from his purse,
And very hard it is to tell
Which of the three is worse;
But all of them are bad enough
To make a body curse.

You’re riding out some pleasant day,
And counting up your gains;
A fellow jumps from out a bush,
And takes your horse’s reins,
Another hints some words about
A bullet in your brains.

It’s hard to meet such pressing friends
In such a lonely spot;
It’s very hard to lose your cash,
But harder to be shot;
And so you take your wallet out,
Though you would rather not.

Perhaps you’re going out to dine,—­
Some odious creature begs
You’ll hear about the cannon-ball
That carried off his pegs,
And says it is a dreadful thing
For men to lose their legs.

He tells you of his starving wife,
His children to be fed,
Poor little, lovely innocents,
All clamorous for bread,—­
And so you kindly help to put
A bachelor to bed.

You’re sitting on your window-seat,
Beneath a cloudless moon;
You hear a sound, that seems to wear
The semblance of a tune,
As if a broken fife should strive
To drown a cracked bassoon.

And nearer, nearer still, the tide
Of music seems to come,
There’s something like a human voice,
And something like a drum;
You sit in speechless agony,
Until your ear is numb.

Poor “home, sweet home” should seem to be
A very dismal place;
Your “auld acquaintance” all at once
Is altered in the face;
Their discords sting through Burns and Moore,
Like hedgehogs dressed in lace.

You think they are crusaders, sent
From some infernal clime,
To pluck the eyes of Sentiment,
And dock the tail of Rhyme,
To crack the voice of Melody,
And break the legs of Time.

But hark! the air again is still,
The music all is ground,
And silence, like a poultice, comes
To heal the blows of sound;
It cannot be,—­it is,—­it is,—­
A hat is going round!

No! Pay the dentist when he leaves
A fracture in your jaw,
And pay the owner of the bear
That stunned you with his paw,
And buy the lobster that has had
Your knuckles in his claw;

But if you are a portly man,
Put on your fiercest frown,
And talk about a constable
To turn them out of town;
Then close your sentence with an oath,
And shut the window down!

And if you are a slender man,
Not big enough for that,
Or, if you cannot make a speech,
Because you are a flat,
Go very quietly and drop
A button in the hat!

OF THE PROPRIETORS OF BOSTON PIER, OR THE LONG WHARF,
APRIL 16, 1873

DEAR friends, we are strangers; we never before
Have suspected what love to each other we bore;
But each of us all to his neighbor is dear,
Whose heart has a throb for our time-honored pier.

As I look on each brother proprietor's face,
I could open my arms in a loving embrace;
What wonder that feelings, undreamed of so long,
Should burst all at once in a blossom of song!

While I turn my fond glance on the monarch of piers,
Whose throne has stood firm through his eightscore of years,
My thought travels backward and reaches the day
When they drove the first pile on the edge of the bay.


See! The joiner, the shipwright, the smith from his forge,
The redcoat, who shoulders his gun for King George,
The shopman, the 'prentice, the boys from the lane,
The parson, the doctor with gold-headed cane,

Come trooping down King Street, where now may be seen
The pulleys and ropes of a mighty machine;
The weight rises slowly; it drops with a thud;
And, to! the great timber sinks deep in the mud!

They are gone, the stout craftsmen that hammered the piles,
And the square-toed old boys in the three-cornered tiles;
The breeches, the buckles, have faded from view,
And the parson's white wig and the ribbon-tied queue.

The redcoats have vanished; the last grenadier
Stepped into the boat from the end of our pier;
They found that our hills were not easy to climb,
And the order came, 'Countermarch, double-quick time!'

They are gone, friend and foe,--anchored fast at the pier,
Whence no vessel brings back its pale passengers here;
But our wharf, like a lily, still floats on the flood,
Its breast in the sunshine, its roots in the mud.

Who--who that has loved it so long and so well--
The flower of his birthright would barter or sell?
No: pride of the bay, while its ripples shall run,
You shall pass, as an heirloom, from father to son!

Let me part with the acres my grandfather bought,
With the bonds that my uncle's kind legacy brought,
With my bank-shares,--old 'Union,' whose ten per cent stock
Stands stiff through the storms as the Eddystone rock;

With my rights (or my wrongs) in the 'Erie,'--alas!
With my claims on the mournful and 'Mutual Mass.;'
With my 'Phil. Wil. and Balt.,' with my 'C. B. and Q.;'
But I never, no never, will sell out of you.

We drink to thy past and thy future to-day,
Strong right arm of Boston, stretched out o'er the bay.
May the winds waft the wealth of all nations to thee,
And thy dividends flow like the waves of the sea!

CENTENNIAL CELEBRATION, SEPTEMBER 14, 1869

BONAPARTE, AUGUST 15, 1769.-HUMBOLDT, SEPTEMBER 14, 1769

ERE yet the warning chimes of midnight sound,
Set back the flaming index of the year,
Track the swift-shifting seasons in their round
Through fivescore circles of the swinging sphere!

Lo, in yon islet of the midland sea
That cleaves the storm-cloud with its snowy crest,
The embryo-heir of Empires yet to be,
A month-old babe upon his mother's breast.

Those little hands that soon shall grow so strong
In their rude grasp great thrones shall rock and fall,
Press her soft bosom, while a nursery song
Holds the world's master in its slender thrall.

Look! a new crescent bends its silver bow;
A new-lit star has fired the eastern sky;
Hark! by the river where the lindens blow
A waiting household hears an infant's cry.

This, too, a conqueror! His the vast domain,
Wider than widest sceptre-shadowed lands;
Earth and the weltering kingdom of the main
Laid their broad charters in his royal hands.

His was no taper lit in cloistered cage,
Its glimmer borrowed from the grove or porch;
He read the record of the planet's page
By Etna's glare and Cotopaxi's torch.

He heard the voices of the pathless woods;
On the salt steppes he saw the starlight shine;
He scaled the mountain's windy solitudes,
And trod the galleries of the breathless mine.

For him no fingering of the love-strung lyre,
No problem vague, by torturing schoolmen vexed;
He fed no broken altar's dying fire,
Nor skulked and scowled behind a Rabbi's text.

For God's new truth he claimed the kingly robe
That priestly shoulders counted all their own,
Unrolled the gospel of the storied globe
And led young Science to her empty throne.

While the round planet on its axle spins
One fruitful year shall boast its double birth,
And show the cradles of its mighty twins,
Master and Servant of the sons of earth.

Which wears the garland that shall never fade,
Sweet with fair memories that can never die?
Ask not the marbles where their bones are laid,
But bow thine ear to hear thy brothers' cry:--

'Tear up the despot's laurels by the root,
Like mandrakes, shrieking as they quit the soil!
Feed us no more upon the blood-red fruit
That sucks its crimson from the heart of Toil!

'We claim the food that fixed our mortal fate,--
Bend to our reach the long-forbidden tree!
The angel frowned at Eden's eastern gate,--
Its western portal is forever free!

'Bring the white blossoms of the waning year,
Heap with full hands the peaceful conqueror's shrine
Whose bloodless triumphs cost no sufferer's tear!
Hero of knowledge, be our tribute thine!'

ANNIVERSARY OF THE BERKSHIRE AGRICULTURAL SOCIETY,
OCTOBER 4, 1849

CLEAR the brown path, to meet his coulter's gleam!
Lo! on he comes, behind his smoking team,
With toil's bright dew-drops on his sunburnt brow,
The lord of earth, the hero of the plough!

First in the field before the reddening sun,
Last in the shadows when the day is done,
Line after line, along the bursting sod,
Marks the broad acres where his feet have trod;
Still, where he treads, the stubborn clods divide,
The smooth, fresh furrow opens deep and wide;
Matted and dense the tangled turf upheaves,
Mellow and dark the ridgy cornfield cleaves;
Up the steep hillside, where the laboring train
Slants the long track that scores the level plain;
Through the moist valley, clogged with oozing clay,
The patient convoy breaks its destined way;
At every turn the loosening chains resound,
The swinging ploughshare circles glistening round,
Till the wide field one billowy waste appears,
And wearied hands unbind the panting steers.

These are the hands whose sturdy labor brings
The peasant's food, the golden pomp of kings;
This is the page, whose letters shall be seen
Changed by the sun to words of living green;
This is the scholar, whose immortal pen
Spells the first lesson hunger taught to men;
These are the lines which heaven-commanded Toil
Shows on his deed,--the charter of the soil.

O gracious Mother, whose benignant breast
Wakes us to life, and lulls us all to rest,
How thy sweet features, kind to every clime,
Mock with their smile the wrinkled front of time
We stain thy flowers,--they blossom o'er the dead;
We rend thy bosom, and it gives us bread;
O'er the red field that trampling strife has torn,
Waves the green plumage of thy tasselled corn;
Our maddening conflicts sear thy fairest plain,
Still thy soft answer is the growing grain.
Yet, O our Mother, while uncounted charms
Steal round our hearts in thine embracing arms,
Let not our virtues in thy love decay,
And thy fond sweetness waste our strength away.

No! by these hills, whose banners now displayed
In blazing cohorts Autumn has arrayed;
By yon twin summits, on whose splintery crests
The tossing hemlocks hold the eagles' nests;
By these fair plains the mountain circle screens,
And feeds with streamlets from its dark ravines,
True to their home, these faithful arms shall toil
To crown with peace their own untainted soil;
And, true to God, to freedom, to mankind,
If her chained bandogs Faction shall unbind,
These stately forms, that bending even now
Bowed their strong manhood to the humble plough,
Shall rise erect, the guardians of the land,
The same stern iron in the same right hand,
Till o'er their hills the shouts of triumph run,
The sword has rescued what the ploughshare won!

AUTOCRAT-PROFESSOR-POET

AT A BOOKSTORE

Anno Domini 1972

A CRAZY bookcase, placed before
A low-price dealer's open door;
Therein arrayed in broken rows
A ragged crew of rhyme and prose,
The homeless vagrants, waifs, and strays
Whose low estate this line betrays
(Set forth the lesser birds to lime)
YOUR CHOICE AMONG THESE BOORS 1 DIME!

Ho! dealer; for its motto's sake
This scarecrow from the shelf I take;
Three starveling volumes bound in one,
Its covers warping in the sun.
Methinks it hath a musty smell,
I like its flavor none too well,
But Yorick's brain was far from dull,
Though Hamlet pah!'d, and dropped his skull.

Why, here comes rain! The sky grows dark,--
Was that the roll of thunder? Hark!
The shop affords a safe retreat,
A chair extends its welcome seat,
The tradesman has a civil look
(I 've paid, impromptu, for my book),
The clouds portend a sudden shower,--
I 'll read my purchase for an hour.

What have I rescued from the shelf?
A Boswell, writing out himself!
For though he changes dress and name,
The man beneath is still the same,
Laughing or sad, by fits and starts,
One actor in a dozen parts,
And whatsoe'er the mask may be,
The voice assures us, This is he.

I say not this to cry him down;
I find my Shakespeare in his clown,
His rogues the selfsame parent own;
Nay! Satan talks in Milton's tone!
Where'er the ocean inlet strays,
The salt sea wave its source betrays;
Where'er the queen of summer blows,
She tells the zephyr, 'I'm the rose!'

And his is not the playwright's page;
His table does not ape the stage;
What matter if the figures seen
Are only shadows on a screen,
He finds in them his lurking thought,
And on their lips the words he sought,
Like one who sits before the keys
And plays a tune himself to please.

And was he noted in his day?
Read, flattered, honored? Who shall say?
Poor wreck of time the wave has cast
To find a peaceful shore at last,
Once glorying in thy gilded name
And freighted deep with hopes of fame,
Thy leaf is moistened with a tear,
The first for many a long, long year.

For be it more or less of art
That veils the lowliest human heart
Where passion throbs, where friendship glows,
Where pity's tender tribute flows,
Where love has lit its fragrant fire,
And sorrow quenched its vain desire,
For me the altar is divine,
Its flame, its ashes,--all are mine!

And thou, my brother, as I look
And see thee pictured in thy book,
Thy years on every page confessed
In shadows lengthening from the west,
Thy glance that wanders, as it sought
Some freshly opening flower of thought,
Thy hopeful nature, light and free,
I start to find myself in thee!

. . . . . . . . . . .

Come, vagrant, outcast, wretch forlorn
In leather jerkin stained and torn,
Whose talk has filled my idle hour
And made me half forget the shower,
I'll do at least as much for you,
Your coat I'll patch, your gilt renew,
Read you--perhaps--some other time.
Not bad, my bargain! Price one dime!

PHI BETA KAPPA SOCIETY, 1844
I WAS thinking last night, as I sat in the cars,
With the charmingest prospect of cinders and stars,
Next Thursday is--bless me!--how hard it will be,
If that cannibal president calls upon me!

There is nothing on earth that he will not devour,
From a tutor in seed to a freshman in flower;
No sage is too gray, and no youth is too green,
And you can't be too plump, though you're never too lean.

While others enlarge on the boiled and the roast,
He serves a raw clergyman up with a toast,
Or catches some doctor, quite tender and young,
And basely insists on a bit of his tongue.

Poor victim, prepared for his classical spit,
With a stuffing of praise and a basting of wit,
You may twitch at your collar and wrinkle your brow,
But you're up on your legs, and you're in for it now.

Oh think of your friends,--they are waiting to hear
Those jokes that are thought so remarkably queer;
And all the Jack Horners of metrical buns
Are prying and fingering to pick out the puns.

Those thoughts which, like chickens, will always thrive best
When reared by the heat of the natural nest,
Will perish if hatched from their embryo dream
In the mist and the glow of convivial steam.

Oh pardon me, then, if I meekly retire,
With a very small flash of ethereal fire;
No rubbing will kindle your Lucifer match,
If the fiz does not follow the primitive scratch.

Dear friends, who are listening so sweetly the while,
With your lips double--reefed in a snug little smile,
I leave you two fables, both drawn from the deep,--
The shells you can drop, but the pearls you may keep.

. . . . . . . . . . .

The fish called the FLOUNDER, perhaps you may know,
Has one side for use and another for show;
One side for the public, a delicate brown,
And one that is white, which he always keeps down.

A very young flounder, the flattest of flats,
(And they 're none of them thicker than opera hats,)
Was speaking more freely than charity taught
Of a friend and relation that just had been caught.

'My! what an exposure! just see what a sight!
I blush for my race,--he is showing his white
Such spinning and wriggling,--why, what does he wish?
How painfully small to respectable fish!'

Then said an Old SCULPIN,--'My freedom excuse,
You're playing the cobbler with holes in your shoes;
Your brown side is up,--but just wait till you're tried
And you'll find that all flounders are white on one side.'

. . . . . . . . . .

There's a slice near the PICKEREL'S pectoral fins,
Where the thorax leaves off and the venter begins,
Which his brother, survivor of fish-hooks and lines,
Though fond of his family, never declines.

He loves his relations; he feels they'll be missed;
But that one little tidbit he cannot resist;
So your bait may be swallowed, no matter how fast,
For you catch your next fish with a piece of the last.

And thus, O survivor, whose merciless fate
Is to take the next hook with the president's bait,
You are lost while you snatch from the end of his line
The morsel he rent from this bosom of mine!

A MODERNIZED VERSION


I DON'T think I feel much older; I'm aware I'm rather gray,
But so are many young folks; I meet 'em every day.
I confess I 'm more particular in what I eat and drink,
But one's taste improves with culture; that is all it means, I think.

_Can you read as once you used to?_ Well, the printing is so bad,
No young folks' eyes can read it like the books that once we had.
_Are you quite as quick of hearing?_ Please to say that once again.
_Don't I use plain words, your Reverence?_ Yes, I often use a cane,

But it's not because I need it,--no, I always liked a stick;
And as one might lean upon it, 't is as well it should be thick.
Oh, I'm smart, I'm spry, I'm lively,--I can walk, yes, that I can,
On the days I feel like walking, just as well as you, young man!

_Don't you get a little sleepy after dinner every day?_
Well, I doze a little, sometimes, but that always was my way.
_Don't you cry a little easier than some twenty years ago?_
Well, my heart is very tender, but I think 't was always so.

_Don't you find it sometimes happens that you can't recall a name?_
Yes, I know such lots of people,--but my memory 's not to blame.
What! You think my memory's failing! Why, it's just as bright and clear,
I remember my great-grandma! She's been dead these sixty year!

_Is your voice a little trembly?_ Well, it may be, now and then,
But I write as well as ever with a good old-fashioned pen;
It 's the Gillotts make the trouble,--not at all my finger-ends,--
That is why my hand looks shaky when I sign for dividends.

_Don't you stoop a little, walking?_ It 's a way I 've always had,
I have always been round-shouldered, ever since I was a lad.
_Don't you hate to tie your shoe-strings?_ Yes, I own it--that is true.
_Don't you tell old stories over?_ I am not aware I do.

_Don't you stay at home of evenings? Don't you love a cushioned seat_
_In a corner, by the fireside, with your slippers on your feet?_
_Don't you wear warm fleecy flannels? Don't you muffle up your throat_
_Don't you like to have one help you when you're putting on your coat?_

_Don't you like old books you've dogs-eared, you can't remember when?_
_Don't you call it late at nine o'clock and go to bed at ten?_
_How many cronies can you count of all you used to know_
_Who called you by your Christian name some fifty years ago?_

_How look the prizes to you that used to fire your brain?_
_You've reared your mound-how high is it above the level plain?_
_You 've drained the brimming golden cup that made your fancy reel,_
_You've slept the giddy potion off,--now tell us how you feel!_

_You've watched the harvest ripening till every stem was cropped,_
_You 've seen the rose of beauty fade till every petal dropped,_
_You've told your thought, you 've done your task, you've tracked your
dial round,_
--I backing down! Thank Heaven, not yet! I'm hale and brisk and sound,

And good for many a tussle, as you shall live to see;
My shoes are not quite ready yet,--don't think you're rid of me!
Old Parr was in his lusty prime when he was older far,
And where will you be if I live to beat old Thomas Parr?

_Ah well,--I know,--at every age life has a certain charm,_--
_You're going? Come, permit me, please, I beg you'll take my arm._
I take your arm! Why take your arm? I 'd thank you to be told
I 'm old enough to walk alone, but not so _very_ old!

A BALLAD

IT was the stalwart butcher man,
That knit his swarthy brow,
And said the gentle Pig must die,
And sealed it with a vow.

And oh! it was the gentle Pig
Lay stretched upon the ground,
And ah! it was the cruel knife
His little heart that found.

They took him then, those wicked men,
They trailed him all along;
They put a stick between his lips,
And through his heels a thong;

And round and round an oaken beam
A hempen cord they flung,
And, like a mighty pendulum,
All solemnly he swung!

Now say thy prayers, thou sinful man,
And think what thou hast done,
And read thy catechism well,
Thou bloody-minded one;

For if his sprite should walk by night,
It better were for thee,
That thou wert mouldering in the ground,
Or bleaching in the sea.

It was the savage butcher then,
That made a mock of sin,
And swore a very wicked oath,
He did not care a pin.

It was the butcher's youngest son,--
His voice was broke with sighs,
And with his pocket-handkerchief
He wiped his little eyes;

All young and ignorant was he,
But innocent and mild,
And, in his soft simplicity,
Out spoke the tender child:--

'Oh, father, father, list to me;
The Pig is deadly sick,
And men have hung him by his heels,
And fed him with a stick.'

It was the bloody butcher then,
That laughed as he would die,
Yet did he soothe the sorrowing child,
And bid him not to cry;--

'Oh, Nathan, Nathan, what's a Pig,
That thou shouldst weep and wail?
Come, bear thee like a butcher's child,
And thou shalt have his tail!'

It was the butcher's daughter then,
So slender and so fair,
That sobbed as it her heart would break,
And tore her yellow hair;

And thus she spoke in thrilling tone,--
Fast fell the tear-drops big:--
'Ah! woe is me! Alas! Alas!
The Pig! The Pig! The Pig!'

Then did her wicked father's lips
Make merry with her woe,
And call her many a naughty name,
Because she whimpered so.

Ye need not weep, ye gentle ones,
In vain your tears are shed,
Ye cannot wash his crimson hand,
Ye cannot soothe the dead.

The bright sun folded on his breast
His robes of rosy flame,
And softly over all the west
The shades of evening came.

He slept, and troops of murdered Pigs
Were busy with his dreams;
Loud rang their wild, unearthly shrieks,
Wide yawned their mortal seams.

The clock struck twelve; the Dead hath heard;
He opened both his eyes,
And sullenly he shook his tail
To lash the feeding flies.

One quiver of the hempen cord,--
One struggle and one bound,--
With stiffened limb and leaden eye,
The Pig was on the ground.

And straight towards the sleeper's house
His fearful way he wended;
And hooting owl and hovering bat
On midnight wing attended.

Back flew the bolt, up rose the latch,
And open swung the door,
And little mincing feet were heard
Pat, pat along the floor.

Two hoofs upon the sanded floor,
And two upon the bed;
And they are breathing side by side,
The living and the dead!

'Now wake, now wake, thou butcher man!
What makes thy cheek so pale?
Take hold! take hold! thou dost not fear
To clasp a spectre's tail?'

Untwisted every winding coil;
The shuddering wretch took hold,
All like an icicle it seemed,
So tapering and so cold.

'Thou com'st with me, thou butcher man!'--
He strives to loose his grasp,
But, faster than the clinging vine,
Those twining spirals clasp;

And open, open swung the door,
And, fleeter than the wind,
The shadowy spectre swept before,
The butcher trailed behind.

Fast fled the darkness of the night,
And morn rose faint and dim;
They called full loud, they knocked full long,
They did not waken him.

Straight, straight towards that oaken beam,
A trampled pathway ran;
A ghastly shape was swinging there,--
It was the butcher man.

YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.

Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!

You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?

Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.

There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.

With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"

Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.

As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.

Let me show you a picture--'t is far from irrelevant--
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,--
The name of the draughtsman was Rembrandt of Rhine.

How easy! no troublesome colors to lay on,
It can't have fatigued him,-- no, not in the least,--
A dash here and there with a haphazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.

Just so with your verse,-- 't is as easy as sketching,--
You can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.

Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;

Each morning the post brings you autograph letters;
You'll answer them promptly,-- an hour isn't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.

Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poorhouse, or pound.

With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.

At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That's him!"

But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.

No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.

So perhaps, after all, it's as well to he quiet
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.

But it's all of no use, and I'm sorry I've written,--
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.

I was sitting with my microscope, upon my parlor rug,
With a very heavy quarto and a very lively bug;
The true bug had been organized with only two antennae,
But the humbug in the copperplate would have them twice as many.

And I thought, like Dr. Faustus, of the emptiness of art,
How we take a fragment for the whole, and call the whole a part,
When I heard a heavy footstep that was loud enough for two,
And a man of forty entered, exclaiming, “How d’ ye do?”

He was not a ghost, my visitor, but solid flesh and bone;
He wore a Palo Alto hat, his weight was twenty stone;
(It’s odd how hats expand their brims as riper years invade,
As if when life had reached its noon it wanted them for shade!)

I lost my focus,—­dropped my book,—­the bug, who was a flea,
At once exploded, and commenced experiments on me.
They have a certain heartiness that frequently appalls,—­
Those mediaeval gentlemen in semilunar smalls!

“My boy,” he said, (colloquial ways,—­the vast, broad-hatted man,)
“Come dine with us on Thursday next,—­you must, you know you can;
We’re going to have a roaring time, with lots of fun and noise,
Distinguished guests, et cetera, the judge, and all the boys.”

Not so,—­I said,—­my temporal bones are showing pretty clear.
It ’s time to stop,—­just look and see that hair above this ear;
My golden days are more than spent,—­and, what is very strange,
If these are real silver hairs, I’m getting lots of change.

Besides—­my prospects—­don’t you know that people won’t employ
A man that wrongs his manliness by laughing like a boy?
And suspect the azure blossom that unfolds upon a shoot,
As if wisdom’s old potato could not flourish at its root?

It’s a very fine reflection, when you ’re etching out a smile
On a copperplate of faces that would stretch at least a mile,
That, what with sneers from enemies and cheapening shrugs of friends,
It will cost you all the earnings that a month of labor lends!

It’s a vastly pleasing prospect, when you’re screwing out a laugh,
That your very next year’s income is diminished by a half,
And a little boy trips barefoot that Pegasus may go,
And the baby’s milk is watered that your Helicon may flow!

No;—­the joke has been a good one,—­but I’m getting fond of quiet,
And I don’t like deviations from my customary diet;
So I think I will not go with you to hear the toasts and speeches,
But stick to old Montgomery Place, and have some pig and peaches.

The fat man answered: Shut your mouth, and hear the genuine creed;
The true essentials of a feast are only fun and feed;
The force that wheels the planets round delights in spinning tops,
And that young earthquake t’ other day was great at shaking props.

I tell you what, philosopher, if all the longest heads
That ever knocked their sinciputs in stretching on their beds
Were round one great mahogany, I’d beat those fine old folks
With twenty dishes, twenty fools, and twenty clever jokes!

Why, if Columbus should be there, the company would beg
He’d show that little trick of his of balancing the egg!
Milton to Stilton would give in, and Solomon to Salmon,
And Roger Bacon be a bore, and Francis Bacon gammon!

And as for all the “patronage” of all the clowns and boors
That squint their little narrow eyes at any freak of yours,
Do leave them to your prosier friends,—­such fellows ought to die
When rhubarb is so very scarce and ipecac so high!

And so I come,—­like Lochinvar, to tread a single measure,—­
To purchase with a loaf of bread a sugar-plum of pleasure,
To enter for the cup of glass that’s run for after dinner,
Which yields a single sparkling draught, then breaks and cuts the winner.

Ah, that’s the way delusion comes,—­a glass of old Madeira,
A pair of visual diaphragms revolved by Jane or Sarah,
And down go vows and promises without the slightest question
If eating words won’t compromise the organs of digestion!

And yet, among my native shades, beside my nursing mother,
Where every stranger seems a friend, and every friend a brother,
I feel the old convivial glow (unaided) o’er me stealing,—­
The warm, champagny, the old-particular brandy-punchy feeling.

We’re all alike;—­Vesuvius flings the scoriae from his fountain,
But down they come in volleying rain back to the burning mountain;
We leave, like those volcanic stones, our precious Alma Mater,
But will keep dropping in again to see the dear old crater.

I LIKE, at times, to hear the steeples' chimes
With sober thoughts impressively that mingle;
But sometimes, too, I rather like--don't you?--
To hear the music of the sleigh bells' jingle.

I like full well the deep resounding swell
Of mighty symphonies with chords inwoven;
But sometimes, too, a song of Burns--don't you?
After a solemn storm-blast of Beethoven.

Good to the heels the well-worn slipper feels
When the tired player shuffles off the buskin;
A page of Hood may do a fellow good
After a scolding from Carlyle or Ruskin.

Some works I find,--say Watts upon the Mind,--
No matter though at first they seemed amusing,
Not quite the same, but just a little tame
After some five or six times' reperusing.

So, too, at times when melancholy rhymes
Or solemn speeches sober down a dinner,
I've seen it 's true, quite often,--have n't you?--
The best-fed guests perceptibly grow thinner.

Better some jest (in proper terms expressed)
Or story (strictly moral) even if musty,
Or song we sung when these old throats were young,--
Something to keep our souls from getting rusty.

The poorest scrap from memory's ragged lap
Comes like an heirloom from a dear dead mother--
Hush! there's a tear that has no business here,
A half-formed sigh that ere its birth we smother.

We cry, we laugh; ah, life is half and half,
Now bright and joyous as a song of Herrick's,
Then chill and bare as funeral-minded Blair;
As fickle as a female in hysterics.

If I could make you cry I would n't try;
If you have hidden smiles I'd like to find them,
And that although, as well I ought to know,
The lips of laughter have a skull behind them.

Yet when I think we may be on the brink
Of having Freedom's banner to dispose of,
All crimson-hued, because the Nation would
Insist on cutting its own precious nose off,

I feel indeed as if we rather need
A sermon such as preachers tie a text on.
If Freedom dies because a ballot lies,
She earns her grave; 't is time to call the sexton!

But if a fight can make the matter right,
Here are we, classmates, thirty men of mettle;
We're strong and tough, we've lived nigh long enough,--
What if the Nation gave it us to settle?

The tale would read like that illustrious deed
When Curtius took the leap the gap that filled in,
Thus: 'Fivescore years, good friends, as it appears,
At last this people split on Hayes and Tilden.

'One half cried, 'See! the choice is S. J. T.!'
And one half swore as stoutly it was t' other;
Both drew the knife to save the Nation's life
By wholesale vivisection of each other.

'Then rose in mass that monumental Class,--
'Hold! hold!' they cried, 'give us, give us the daggers!'
'Content! content!' exclaimed with one consent
The gaunt ex-rebels and the carpet-baggers.

'Fifteen each side, the combatants divide,
So nicely balanced are their predilections;
And first of all a tear-drop each lets fall,
A tribute to their obsolete affections.

'Man facing man, the sanguine strife began,
Jack, Jim and Joe against Tom, Dick and Harry,
Each several pair its own account to square,
Till both were down or one stood solitary.

'And the great fight raged furious all the night
Till every integer was made a fraction;
Reader, wouldst know what history has to show
As net result of the above transaction?

'Whole coat-tails, four; stray fragments, several score;
A heap of spectacles; a deaf man's trumpet;
Six lawyers' briefs; seven pocket-handkerchiefs;
Twelve canes wherewith the owners used to stump it;

'Odd rubber-shoes; old gloves of different hues;
Tax--bills,--unpaid,--and several empty purses;
And, saved from harm by some protecting charm,
A printed page with Smith's immortal verses;

'Trifles that claim no very special name,--
Some useful, others chiefly ornamental;
Pins, buttons, rings, and other trivial things,
With various wrecks, capillary and dental.

'Also, one flag,--'t was nothing but a rag,
And what device it bore it little matters;
Red, white, and blue, but rent all through and through,
'Union forever' torn to shreds and tatters.

'They fought so well not one was left to tell
Which got the largest share of cuts and slashes;
When heroes meet, both sides are bound to beat;
They telescoped like cars in railroad smashes.

'So the great split that baffled human wit
And might have cost the lives of twenty millions,
As all may see that know the rule of three,
Was settled just as well by these civilians.

'As well. Just so. Not worse, not better. No,
Next morning found the Nation still divided;
Since all were slain, the inference is plain
They left the point they fought for undecided.'

If not quite true, as I have told it you,
This tale of mutual extermination,
To minds perplexed with threats of what comes next,
Perhaps may furnish food for contemplation.

To cut men's throats to help them count their votes
Is asinine--nay, worse--ascidian folly;
Blindness like that would scare the mole and bat,
And make the liveliest monkey melancholy.

I say once more, as I have said before,
If voting for our Tildens and our Hayeses
Means only fight, then, Liberty, good night!
Pack up your ballot-box and go to blazes.

Unfurl your blood-red flags, you murderous hags,
You petroleuses of Paris, fierce and foamy;
We'll sell our stock in Plymouth's blasted rock,
Pull up our stakes and migrate to Dahomey!

AN ACADEMIC POEM

1829-1879

Read at the Commencement Dinner of the Alumni of Harvard
University, June 25, 1879.

WHILE fond, sad memories all around us throng,
Silence were sweeter than the sweetest song;
Yet when the leaves are green and heaven is blue,
The choral tribute of the grove is due,
And when the lengthening nights have chilled the skies,
We fain would hear the song-bird ere be flies,
And greet with kindly welcome, even as now,
The lonely minstrel on his leafless bough.

This is our golden year,--its golden day;
Its bridal memories soon must pass away;
Soon shall its dying music cease to ring,
And every year must loose some silver string,
Till the last trembling chords no longer thrill,--
Hands all at rest and hearts forever still.

A few gray heads have joined the forming line;
We hear our summons,--'Class of 'Twenty-Nine!'
Close on the foremost, and, alas, how few!
Are these 'The Boys' our dear old Mother knew?
Sixty brave swimmers. Twenty--something more--
Have passed the stream and reached this frosty shore!

How near the banks these fifty years divide
When memory crosses with a single stride!
'T is the first year of stern 'Old Hickory' 's rule
When our good Mother lets us out of school,
Half glad, half sorrowing, it must be confessed,
To leave her quiet lap, her bounteous breast,
Armed with our dainty, ribbon-tied degrees,
Pleased and yet pensive, exiles and A. B.'s.

Look back, O comrades, with your faded eyes,
And see the phantoms as I bid them rise.
Whose smile is that? Its pattern Nature gave,
A sunbeam dancing in a dimpled wave;
KIRKLAND alone such grace from Heaven could win,
His features radiant as the soul within;
That smile would let him through Saint Peter's gate
While sad-eyed martyrs had to stand and wait.
Here flits mercurial _Farrar_; standing there,
See mild, benignant, cautious, learned _Ware_,
And sturdy, patient, faithful, honest _Hedge_,
Whose grinding logic gave our wits their edge;
_Ticknor_, with honeyed voice and courtly grace;
And _Willard_, larynxed like a double bass;
And _Channing_, with his bland, superior look,
Cool as a moonbeam on a frozen brook,

While the pale student, shivering in his shoes,
Sees from his theme the turgid rhetoric ooze;
And the born soldier, fate decreed to wreak
His martial manhood on a class in Greek,
_Popkin_! How that explosive name recalls
The grand old Busby of our ancient halls
Such faces looked from Skippon's grim platoons,
Such figures rode with Ireton's stout dragoons:
He gave his strength to learning's gentle charms,
But every accent sounded 'Shoulder arms!'

Names,--empty names! Save only here and there
Some white-haired listener, dozing in his chair,
Starts at the sound he often used to hear,
And upward slants his Sunday-sermon ear.
And we--our blooming manhood we regain;
Smiling we join the long Commencement train,
One point first battled in discussion hot,--
Shall we wear gowns? and settled: We will not.
How strange the scene,--that noisy boy-debate
Where embryo-speakers learn to rule the State!
This broad-browed youth, sedate and sober-eyed,
Shall wear the ermined robe at Taney's side;
And he, the stripling, smooth of face and slight,
Whose slender form scarce intercepts the light,
Shall rule the Bench where Parsons gave the law,
And sphinx-like sat uncouth, majestic Shaw
Ah, many a star has shed its fatal ray
On names we loved--our brothers--where are they?

Nor these alone; our hearts in silence claim
Names not less dear, unsyllabled by fame.

How brief the space! and yet it sweeps us back
Far, far along our new-born history's track
Five strides like this;--the sachem rules the land;
The Indian wigwams cluster where we stand.

The second. Lo! a scene of deadly strife--
A nation struggling into infant life;
Not yet the fatal game at Yorktown won
Where failing Empire fired its sunset gun.
LANGDON sits restless in the ancient chair,--
Harvard's grave Head,--these echoes heard his prayer
When from yon mansion, dear to memory still,
The banded yeomen marched for Bunker's Hill.
Count on the grave triennial's thick-starred roll
What names were numbered on the lengthening scroll,--
Not unfamiliar in our ears they ring,--
Winthrop, Hale, Eliot, Everett, Dexter, Tyng.

Another stride. Once more at 'twenty-nine,--
GOD SAVE KING GEORGE, the Second of his line!
And is Sir Isaac living? Nay, not so,--
He followed Flainsteed two short years ago,--
And what about the little hump-backed man
Who pleased the bygone days of good Queen Anne?
What, Pope? another book he's just put out,--
'The Dunciad,'--witty, but profane, no doubt.

Where's Cotton Mather? he was always here.
And so he would be, but he died last year.
Who is this preacher our Northampton claims,
Whose rhetoric blazes with sulphureous flames
And torches stolen from Tartarean mines?
Edwards, the salamander of divines.
A deep, strong nature, pure and undefiled;
Faith, firm as his who stabbed his sleeping child;
Alas for him who blindly strays apart,
And seeking God has lost his human heart!
Fall where they might, no flying cinders caught
These sober halls where WADSWORTH ruled and
taught.

One footstep more; the fourth receding stride
Leaves the round century on the nearer side.
GOD SAVE KING CHARLES! God knows that pleasant knave
His grace will find it hard enough to save.
Ten years and more, and now the Plague, the Fire,
Talk of all tongues, at last begin to tire;
One fear prevails, all other frights forgot,--
White lips are whispering,--hark! The Popish Plot!
Happy New England, from such troubles free
In health and peace beyond the stormy sea!
No Romish daggers threat her children's throats,
No gibbering nightmare mutters 'Titus Oates;'
Philip is slain, the Quaker graves are green,
Not yet the witch has entered on the scene;
Happy our Harvard; pleased her graduates four;
URIAN OAKES the name their parchments bore.

Two centuries past, our hurried feet arrive
At the last footprint of the scanty five;
Take the fifth stride; our wandering eyes explore
A tangled forest on a trackless shore;
Here, where we stand, the savage sorcerer howls,
The wild cat snarls, the stealthy gray wolf prowls,
The slouching bear, perchance the trampling moose
Starts the brown squaw and scares her red pappoose;
At every step the lurking foe is near;
His Demons reign; God has no temple here!

Lift up your eyes! behold these pictured walls;
Look where the flood of western glory falls
Through the great sunflower disk of blazing panes
In ruby, saffron, azure, emerald stains;
With reverent step the marble pavement tread
Where our proud Mother's martyr-roll is read;
See the great halls that cluster, gathering round
This lofty shrine with holiest memories crowned;
See the fair Matron in her summer bower,
Fresh as a rose in bright perennial flower;
Read on her standard, always in the van,
'TRUTH,'--the one word that makes a slave a man;
Think whose the hands that fed her altar-fires,
Then count the debt we owe our scholar-sires!

Brothers, farewell! the fast declining ray
Fades to the twilight of our golden day;
Some lesson yet our wearied brains may learn,
Some leaves, perhaps, in life's thin volume turn.
How few they seem as in our waning age
We count them backwards to the title-page!
Oh let us trust with holy men of old
Not all the story here begun is told;
So the tired spirit, waiting to be freed,
On life's last leaf with tranquil eye shall read
By the pale glimmer of the torch reversed,
Not Finis, but _The End of Volume First_!

HAVE I deserved your kindness? Nay, my friends,
While the fair banquet its illusion lends
Let me believe it, though the blood may rush
And to my cheek recall the maiden blush
That o'er it flamed with momentary blaze
When first I heard the honeyed words of praise;
Let me believe it while the roses wear
Their bloom unwithering in the heated air;
Too soon, too soon, their glowing leaves must fall,
The laughing echoes leave the silent hall,
Joy drop his garland, turn his empty cup,
And weary Labor take his burden up,
How weighs that burden they can tell alone
Whose dial marks no moment as their own.

Am I your creditor? Too well I know
How Friendship pays the debt it does not owe,
Shapes a poor semblance fondly to its mind,
Adds all the virtues that it fails to find,
Adorns with graces to its heart's content,
Borrows from love what nature never lent,
Till what with halo, jewels, gilding, paint,
The veriest sinner deems himself a saint.
Thus while you pay these honors as my due
I owe my value's larger part to you,
And in the tribute of the hour I see
Not what I am, but what I ought to be.

Friends of the Muse, to you of right belong
The first staid footsteps of my square-toed song;
Full well I know the strong heroic line
Has lost its fashion since I made it mine;
But there are tricks old singers will not learn,
And this grave measure still must serve my turn.
So the old bird resumes the selfsame note
His first young summer wakened in his throat;
The selfsame tune the old canary sings,
And all unchanged the bobolink's carol rings;
When the tired songsters of the day are still
The thrush repeats his long-remembered trill;
Age alters not the crow's persistent caw,
The Yankee's ' Haow,' the stammering Briton's 'Haw;'
And so the hand that takes the lyre for you
Plays the old tune on strings that once were new.

Nor let the rhymester of the hour deride
The straight - backed measure with its stately stride;
It gave the mighty voice of Dryden scope;
It sheathed the steel-bright epigrams of Pope;
In Goldsmith's verse it learned a sweeter strain;
Byron and Campbell wore its clanking chain;
I smile to listen while the critic's scorn
Flouts the proud purple kings have nobly worn;
Bid each new rhymer try his dainty skill
And mould his frozen phrases as he will;
We thank the artist for his neat device;
The shape is pleasing, though the stuff is ice

Fashions will change the new costume allures,
Unfading still the better type endures;
While the slashed doublet of the cavalier
Gave the old knight the pomp of chanticleer,
Our last-hatched dandy with his glass and stick
Recalls the semblance of a new -horn chick;
(To match the model he is aiming at
He ought to wear an eggshell for a hat
Which of these objects would a painter choose,
And which Velasquez or Van Dyck refuse?

When your kind summons reached my calm retreat,
Who are the friends, I questioned, I shall meet?
Some in young manhood, shivering with desire
To feel the genial warmth of fortune's fire,--
Each with his bellows ready in his hand
To puff the flame just waiting to be fanned;
Some heads half-silvered, some with snowwhite
hair, A crown ungarnished glistening here and there,
The mimic moonlight gleaming on the scalps
As evening's empress lights the shining Alps;
But count the crowds that throng your festal scenes,
How few that knew the century in its teens!

Save for the lingering handful fate befriends,
Life's busy day the Sabbath decade ends;
When that is over, how with what remains
Of nature's outfit, muscle, nerve, and brains?
Were this a pulpit I should doubtless preach,
Were this a platform I should gravely teach,
But to no solemn duties I pretend
In my vocation at the table's end;
So as my answer let me tell instead
What Landlord Porter rest his soul!
once said.

A feast it was that none might scorn to share;
Cambridge and Concord's demigods were there,
'And who were they?' You know as well as I
The stars long glittering in our Eastern sky
. . .
The names that blazon our provincial scroll
Ring round the world with Britain's drumbeat roll!

Good was the dinner, better was the talk;
Some whispered, devious was the homeward walk;
The story came from some reporting spy,
They lie, those fellows, oh, how they do lie!
Not ours those foot-tracks in the new-fallen snow,
Poets and sages never zigzagged so!

Now Landlord Porter, grave, concise, severe,
Master, nay, monarch in his proper sphere,
Though to belles-lettres he pretended not,
Lived close to Harvard, so knew what was what;
And having bards, philosophers, and such,
To eat his dinner, put the finest touch
His art could teach, those learned mouths to fill
With the best proofs of gustatory skill;
And finding wisdom plenty at his board,
Wit, science, learning, all his guests had stored,
By way of contrast, ventured to produce,
To please their palates, an inviting goose.
Better it were the company should starve
Than hands unskilled that goose attempt to carve;
None but the master-artist shall assail
The bird that turns the mightiest surgeon pale.

One voice arises from the banquet-hall.
The landlord answers to the pleading call;
Of stature tall, sublime of port he stands,
His blade and bident gleaming in his hands;
Beneath his glance the strong-knit joints relax
As the weak knees before the headsman's axe

And Landlord Porter lifts his glittering knife
As some stout warrior armed for bloody strife;
All eyes are on him; some in whispers ask,
What man is he who dares this dangerous task?
When lo! the triumph of consummate art,
With scarce a touch the creature drops apart!
As when the baby in his nurse's lap
Spills on the carpet a dissected map.

Then the calm sage, the monarch of the lyre,
Critics and men of science all admire,
And one whose wisdom I will not impeach,
Lively, not churlish, somewhat free of speech,
Speaks thus: 'Say, master, what of worth is left
In birds like this, of breast and legs bereft?
'And Landlord Porter, with uplifted eyes,
Smiles on the simple querist, and replies: 'When from a goose you've taken legs and breast,
Wipe lips, thank God, and leave the poor the rest!'

Kind friends, sweet friends, I hold it hardly fair
With that same bird your minstrel to compare,
Yet in a certain likeness we agree,
No wrong to him and no offence to me;
I take him for the moral he has lent,
My partner, to a limited extent.

When the stern Landlord whom we all obey
Has carved from life its seventh great slice away,
Is the poor fragment left in blank collapse
A pauper remnant of unvalued scraps?

I care not much what Solomon has said,
Before his time to nobler pleasures dead;
Poor man! he needed half a hundred lives
With such a babbling wilderness of wives!
But is there nothing that may well employ
Life's winter months, no sunny hour of joy?

While o'er the fields the howling tempests rage,
The prisoned linnet warbles in its cage;
When chill November through the forest blows,
The greenhouse shelters the untroubled rose;
Round the high trellis creeping tendrils twine,
And the ripe clusters fill with blameless
wine; We make the vine forget the winter's cold,
But how shall age forget its growing old?

Though doing right is better than deceit,
Time is a trickster it is fair to cheat;
The honest watches ticking in your fobs
Tell every minute how the rascal robs.
To clip his forelock and his scythe to hide,
To lay his hour-glass gently on its side,
To slip the cards he marked upon the shelf
And deal him others you have marked yourself,
If not a virtue cannot be a sin,
For the old rogue is sure at last to win.
What does he leave when life is well-nigh spent
To lap its evening in a calm content?
Art, letters, science, these at least befriend
Our day's brief remnant to its peaceful end,
Peaceful for him who shows the setting sun
A record worthy of his Lord's Well done!
When he, the master whom I will not name,
Known to our calling, not unknown to fame,
At life's extremest verge, half conscious lay,
Helpless and sightless, dying day by day,
His brain, so long with varied wisdom fraught,
Filled with the broken enginery of thought,
A flitting vision often would illume
His darkened world, and cheer its deepening gloom,
A sunbeam struggling through the long eclipse,
And smiles of pleasure play around his lips.
He loved the art that shapes the dome and spire;
The Roman's page, the ring of Byron's lyre,
And oft when fitful memory would return
To find some fragment in her broken urn,
Would wake to life some long-forgotten hour,
And lead his thought to Pisa's terraced tower,
Or trace in light before his rayless eye
The dome-crowned Pantheon printed on the sky;
Then while the view his ravished soul absorbs
And lends a glitter to the sightless orbs,
The patient watcher feels the stillness stirred
By the faint murmur of some classic word,
Or the long roll of Harold's lofty rhyme,
'Simple, erect, severe, austere, sublime,'
Such were the dreams that soothed his couch of pain,
The sweet nepenthe of the worn-out brain.
Brothers in art, who live for others' needs
In duty's bondage, mercy's gracious deeds,
Of all who toil beneath the circling sun
Whose evening rest than yours iiwe fairly won?
Though many a cloud your struggling morn obscures,
What sunset brings a brighter sky than yours?

I, who your labors for a while have shared,
New tasks have sought, with new companions fared,
For nature's servant far too often seen
A loiterer by the waves of Hippocrene;
Yet round the earlier friendship twines the new,
My footsteps wander, but my heart is true,
Nor e'er forgets the living or the dead
Who trod with me the paths where science led.

How can I tell you, O my loving friends!
What light, what warmth, your joyous welcome lends
To life's late hour? Alas! my song is sung,
Its fading accents falter on my tongue.
Sweet friends, if, shrinking in the banquet's blaze,
Your blushing guest must face the breath of praise,
Speak not too well of one who scarce will know
Himself transfigured in its roseate glow;
Say kindly of him what is, chiefly, true,
Remembering always he belongs to you;
Deal with him as a truant, if you will,
But claim him, keep him, call him brother still!

JUNE 8, 1881

THREE paths there be where Learning's favored sons,
Trained in the schools which hold her favored ones,
Follow their several stars with separate aim;
Each has its honors, each its special claim.
Bred in the fruitful cradle of the East,
First, as of oldest lineage, comes the Priest;
The Lawyer next, in wordy conflict strong,
Full armed to battle for the right,--or wrong;
Last, he whose calling finds its voice in deeds,
Frail Nature's helper in her sharpest needs.

Each has his gifts, his losses and his gains,
Each his own share of pleasures and of pains;
No life-long aim with steadfast eye pursued
Finds a smooth pathway all with roses strewed;
Trouble belongs to man of woman born,--
Tread where he may, his foot will find its thorn.

Of all the guests at life's perennial feast,
Who of her children sits above the Priest?
For him the broidered robe, the carven seat,
Pride at his beck, and beauty at his feet,
For him the incense fumes, the wine is poured,
Himself a God, adoring and adored!
His the first welcome when our hearts rejoice,
His in our dying ear the latest voice,
Font, altar, grave, his steps on all attend,
Our staff, our stay, our all but heavenly friend!

Where is the meddling hand that dares to probe
The secret grief beneath his sable robe?
How grave his port! how every gesture tells
Here truth abides, here peace forever dwells;
Vex not his lofty soul with comments vain;
Faith asks no questions; silence, ye profane!

Alas! too oft while all is calm without
The stormy spirit wars with endless doubt;
This is the mocking spectre, scarce concealed
Behind tradition's bruised and battered shield.
He sees the sleepless critic, age by age,
Scrawl his new readings on the hallowed page,
The wondrous deeds that priests and prophets saw
Dissolved in legend, crystallized in law,
And on the soil where saints and martyrs trod
Altars new builded to the Unknown God;
His shrines imperilled, his evangels torn,--
He dares not limp, but ah! how sharp his thorn!

Yet while God's herald questions as he reads
The outworn dogmas of his ancient creeds,
Drops from his ritual the exploded verse,
Blots from its page the Athanasian curse,
Though by the critic's dangerous art perplexed,
His holy life is Heaven's unquestioned text;
That shining guidance doubt can never mar,--
The pillar's flame, the light of Bethlehem's star!


Strong is the moral blister that will draw
Laid on the conscience of the Man of Law
Whom blindfold Justice lends her eyes to see
Truth in the scale that holds his promised fee.
What! Has not every lie its truthful side,
Its honest fraction, not to be denied?
Per contra,--ask the moralist,--in sooth
Has not a lie its share in every truth?
Then what forbids an honest man to try
To find the truth that lurks in every lie,
And just as fairly call on truth to yield
The lying fraction in its breast concealed?
So the worst rogue shall claim a ready friend
His modest virtues boldly to defend,
And he who shows the record of a saint
See himself blacker than the devil could paint.

What struggles to his captive soul belong
Who loves the right, yet combats for the wrong,
Who fights the battle he would fain refuse,
And wins, well knowing that he ought to lose,
Who speaks with glowing lips and look sincere
In spangled words that make the worse appear
The better reason; who, behind his mask,
Hides his true self and blushes at his task,--
What quips, what quillets cheat the inward scorn
That mocks such triumph? Has he not his thorn?

Yet stay thy judgment; were thy life the prize,
Thy death the forfeit, would thy cynic eyes
See fault in him who bravely dares defend
The cause forlorn, the wretch without a friend
Nay, though the rightful side is wisdom's choice,
Wrong has its rights and claims a champion's voice;
Let the strong arm be lifted for the weak,
For the dumb lips the fluent pleader speak;--
When with warm 'rebel' blood our street was dyed
Who took, unawed, the hated hirelings' side?
No greener civic wreath can Adams claim,
No brighter page the youthful Quincy's name!


How blest is he who knows no meaner strife
Than Art's long battle with the foes of life!
No doubt assails him, doing still his best,
And trusting kindly Nature for the rest;
No mocking conscience tears the thin disguise
That wraps his breast, and tells him that he lies.
He comes: the languid sufferer lifts his head
And smiles a welcome from his weary bed;
He speaks: what music like the tones that tell,
'Past is the hour of danger,--all is well!'
How can he feel the petty stings of grief
Whose cheering presence always brings relief?
What ugly dreams can trouble his repose
Who yields himself to soothe another's woes?

Hour after hour the busy day has found
The good physician on his lonely round;
Mansion and hovel, low and lofty door,
He knows, his journeys every path explore,--
Where the cold blast has struck with deadly chill
The sturdy dweller on the storm-swept hill,
Where by the stagnant marsh the sickening gale
Has blanched the poisoned tenants of the vale,
Where crushed and maimed the bleeding victim lies,
Where madness raves, where melancholy sighs,
And where the solemn whisper tells too plain
That all his science, all his art, were vain.

How sweet his fireside when the day is done
And cares have vanished with the setting sun!
Evening at last its hour of respite brings
And on his couch his weary length he flings.
Soft be thy pillow, servant of mankind,
Lulled by an opiate Art could never find;
Sweet be thy slumber,--thou hast earned it well,--
Pleasant thy dreams! Clang! goes the midnight bell!

Darkness and storm! the home is far away
That waits his coming ere the break of day;
The snow-clad pines their wintry plumage toss,--
Doubtful the frozen stream his road must cross;
Deep lie the drifts, the slanted heaps have shut
The hardy woodman in his mountain hut,--
Why should thy softer frame the tempest brave?
Hast thou no life, no health, to lose or save?
Look! read the answer in his patient eyes,--
For him no other voice when suffering cries;
Deaf to the gale that all around him blows,
A feeble whisper calls him,--and he goes.

Or seek the crowded city,--summer's heat
Glares burning, blinding, in the narrow street,
Still, noisome, deadly, sleeps the envenomed air,
Unstirred the yellow flag that says 'Beware!'
Tempt not thy fate,--one little moment's breath
Bears on its viewless wing the seeds of death;
Thou at whose door the gilded chariots stand,
Whose dear-bought skill unclasps the miser's hand,
Turn from thy fatal quest, nor cast away
That life so precious; let a meaner prey
Feed the destroyer's hunger; live to bless
Those happier homes that need thy care no less!

Smiling he listens; has he then a charm
Whose magic virtues peril can disarm?
No safeguard his; no amulet he wears,
Too well he knows that Nature never spares
Her truest servant, powerless to defend
From her own weapons her unshrinking friend.
He dares the fate the bravest well might shun,
Nor asks reward save only Heaven's 'Well done!'

Such are the toils, the perils that he knows,
Days without rest and nights without repose,
Yet all unheeded for the love he bears
His art, his kind, whose every grief he shares.

Harder than these to know how small the part
Nature's proud empire yields to striving Art;
How, as the tide that rolls around the sphere
Laughs at the mounds that delving arms uprear,--
Spares some few roods of oozy earth, but still
Wastes and rebuilds the planet at its will,
Comes at its ordered season, night or noon,
Led by the silver magnet of the moon,--
So life's vast tide forever comes and goes,
Unchecked, resistless, as it ebbs and flows.

Hardest of all, when Art has done her best,
To find the cuckoo brooding in her nest;
The shrewd adventurer, fresh from parts unknown,
Kills off the patients Science thought her own;
Towns from a nostrum-vender get their name,
Fences and walls the cure-all drug proclaim,
Plasters and pads the willing world beguile,
Fair Lydia greets us with astringent smile,
Munchausen's fellow-countryman unlocks
His new Pandora's globule-holding box,
And as King George inquired, with puzzled grin,
'How--how the devil get the apple in?'
So we ask how,--with wonder-opening eyes,--
Such pygmy pills can hold such giant lies!

Yes, sharp the trials, stern the daily tasks
That suffering Nature from her servant asks;
His the kind office dainty menials scorn,
His path how hard,--at every step a thorn!
What does his saddening, restless slavery buy?
What save a right to live, a chance to die,--
To live companion of disease and pain,
To die by poisoned shafts untimely slain?

Answer from hoary eld, majestic shades,--
From Memphian courts, from Delphic colonnades,
Speak in the tones that Persia's despot heard
When nations treasured every golden word
The wandering echoes wafted o'er the seas,
From the far isle that held Hippocrates;
And thou, best gift that Pergamus could send
Imperial Rome, her noblest Caesar's friend,
Master of masters, whose unchallenged sway
Not bold Vesalius dared to disobey;
Ye who while prophets dreamed of dawning times
Taught your rude lessons in Salerno's rhymes,
And ye, the nearer sires, to whom we owe
The better share of all the best we know,
In every land an ever-growing train,
Since wakening Science broke her rusted chain,--
Speak from the past, and say what prize was sent
To crown the toiling years so freely spent!

List while they speak:
In life's uneven road
Our willing hands have eased our brothers' load;
One forehead smoothed, one pang of torture less,
One peaceful hour a sufferer's couch to bless,
The smile brought back to fever's parching lips,
The light restored to reason in eclipse,
Life's treasure rescued like a burning brand
Snatched from the dread destroyer's wasteful hand;
Such were our simple records day by day,
For gains like these we wore our lives away.
In toilsome paths our daily bread we sought,
But bread from heaven attending angels brought;
Pain was our teacher, speaking to the heart,
Mother of pity, nurse of pitying art;
Our lesson learned, we reached the peaceful shore
Where the pale sufferer asks our aid no more,--
These gracious words our welcome, our reward
Ye served your brothers; ye have served your Lord!

(TERPSICHORE)

Read at the Annual Dinner of the Phi Beta Kappa Society, at
Cambridge, August 24, 1843.


IN narrowest girdle, O reluctant Muse,
In closest frock and Cinderella shoes,
Bound to the foot-lights for thy brief display,
One zephyr step, and then dissolve away!

. . . . . . . . . .

Short is the space that gods and men can spare
To Song's twin brother when she is not there.
Let others water every lusty line,
As Homer's heroes did their purple wine;
Pierian revellers! Know in strains like these
The native juice, the real honest squeeze,---
Strains that, diluted to the twentieth power,
In yon grave temple might have filled an hour.
Small room for Fancy's many-chorded lyre,
For Wit's bright rockets with their trains of fire,
For Pathos, struggling vainly to surprise
The iron tutor's tear-denying eyes,
For Mirth, whose finger with delusive wile
Turns the grim key of many a rusty smile,
For Satire, emptying his corrosive flood
On hissing Folly's gas-exhaling brood,
The pun, the fun, the moral, and the joke,
The hit, the thrust, the pugilistic poke,--
Small space for these, so pressed by niggard Time,
Like that false matron, known to nursery rhyme,--
Insidious Morey,--scarce her tale begun,
Ere listening infants weep the story done.

Oh, had we room to rip the mighty bags
That Time, the harlequin, has stuffed with rags!
Grant us one moment to unloose the strings,
While the old graybeard shuts his leather wings.
But what a heap of motley trash appears
Crammed in the bundles of successive years!
As the lost rustic on some festal day
Stares through the concourse in its vast array,--
Where in one cake a throng of faces runs,
All stuck together like a sheet of buns,--
And throws the bait of some unheeded name,
Or shoots a wink with most uncertain aim,
So roams my vision, wandering over all,
And strives to choose, but knows not where to fall.

Skins of flayed authors, husks of dead reviews,
The turn-coat's clothes, the office-seeker's shoes,
Scraps from cold feasts, where conversation runs
Through mouldy toasts to oxidated puns,
And grating songs a listening crowd endures,
Rasped from the throats of bellowing amateurs;
Sermons, whose writers played such dangerous tricks
Their own heresiarchs called them heretics,
(Strange that one term such distant poles should link,
The Priestleyan's copper and the Puseyan's zinc);
Poems that shuffle with superfluous legs
A blindfold minuet over addled eggs,
Where all the syllables that end in ed,
Like old dragoons, have cuts across the head;
Essays so dark Champollion might despair
To guess what mummy of a thought was there,
Where our poor English, striped with foreign phrase,
Looks like a zebra in a parson's chaise;
Lectures that cut our dinners down to roots,
Or prove (by monkeys) men should stick to fruits,--
Delusive error, as at trifling charge
Professor Gripes will certify at large;
Mesmeric pamphlets, which to facts appeal,
Each fact as slippery as a fresh-caught eel;
And figured heads, whose hieroglyphs invite
To wandering knaves that discount fools at sight:
Such things as these, with heaps of unpaid bills,
And candy puffs and homoeopathic pills,
And ancient bell-crowns with contracted rim,
And bonnets hideous with expanded brim,
And coats whose memory turns the sartor pale,
Their sequels tapering like a lizard's tale,--
How might we spread them to the smiling day,
And toss them, fluttering like the new-mown hay,
To laughter's light or sorrow's pitying shower,
Were these brief minutes lengthened to an hour.

The narrow moments fit like Sunday shoes,--
How vast the heap, how quickly must we choose!
A few small scraps from out his mountain mass
We snatch in haste, and let the vagrant pass.
This shrunken CRUST that Cerberus could not bite,
Stamped (in one corner) 'Pickwick copyright,'
Kneaded by youngsters, raised by flattery's yeast,
Was once a loaf, and helped to make a feast.
He for whose sake the glittering show appears
Has sown the world with laughter and with tears,
And they whose welcome wets the bumper's brim
Have wit and wisdom,--for they all quote him.
So, many a tongue the evening hour prolongs
With spangled speeches,--let alone the songs;
Statesmen grow merry, lean attorneys laugh,
And weak teetotals warm to half and half,
And beardless Tullys, new to festive scenes,
Cut their first crop of youth's precocious greens,
And wits stand ready for impromptu claps,
With loaded barrels and percussion caps,
And Pathos, cantering through the minor keys,
Waves all her onions to the trembling breeze;
While the great Feasted views with silent glee
His scattered limbs in Yankee fricassee.

Sweet is the scene where genial friendship plays
The pleasing game of interchanging praise.
Self-love, grimalkin of the human heart,
Is ever pliant to the master's art;
Soothed with a word, she peacefully withdraws
And sheathes in velvet her obnoxious claws,
And thrills the hand that smooths her glossy fur
With the light tremor of her grateful purr.

But what sad music fills the quiet hall,
If on her back a feline rival fall!
And oh, what noises shake the tranquil house
If old Self-interest cheats her of a mouse.

Thou, O my country, hast thy foolish ways,
Too apt to purr at every stranger's praise;
But if the stranger touch thy modes or laws,
Off goes the velvet and out come the claws!
And thou, Illustrious! but too poorly paid
In toasts from Pickwick for thy great crusade,
Though, while the echoes labored with thy name,
The public trap denied thy little game,
Let other lips our jealous laws revile,--
The marble Talfourd or the rude Carlyle,--
But on thy lids, which Heaven forbids to close
Where'er the light of kindly nature glows,
Let not the dollars that a churl denies
Weigh like the shillings on a dead man's eyes!
Or, if thou wilt, be more discreetly blind,
Nor ask to see all wide extremes combined.
Not in our wastes the dainty blossoms smile
That crowd the gardens of thy scanty isle.
There white-cheeked Luxury weaves a thousand charms;
Here sun-browned Labor swings his naked arms.
Long are the furrows he must trace between
The ocean's azure and the prairie's green;
Full many a blank his destined realm displays,
Yet sees the promise of his riper days
Far through yon depths the panting engine moves,
His chariots ringing in their steel-shod grooves;
And Erie's naiad flings her diamond wave
O'er the wild sea-nymph in her distant cave!
While tasks like these employ his anxious hours,
What if his cornfields are not edged with flowers?
Though bright as silver the meridian beams
Shine through the crystal of thine English streams,
Turbid and dark the mighty wave is whirled
That drains our Andes and divides a world!

But lo! a PARCHMENT! Surely it would seem
The sculptured impress speaks of power supreme;
Some grave design the solemn page must claim
That shows so broadly an emblazoned name.
A sovereign's promise! Look, the lines afford
All Honor gives when Caution asks his word:
There sacred Faith has laid her snow-white hands,
And awful Justice knit her iron bands;
Yet every leaf is stained with treachery's dye,
And every letter crusted with a lie.
Alas! no treason has degraded yet
The Arab's salt, the Indian's calumet;
A simple rite, that bears the wanderer's pledge,
Blunts the keen shaft and turns the dagger's edge;
While jockeying senates stop to sign and seal,
And freeborn statesmen legislate to steal.
Rise, Europe, tottering with thine Atlas load,
Turn thy proud eye to Freedom's blest abode,
And round her forehead, wreathed with heavenly flame,
Bind the dark garland of her daughter's shame!
Ye ocean clouds, that wrap the angry blast,
Coil her stained ensign round its haughty mast,
Or tear the fold that wears so foul a scar,
And drive a bolt through every blackened star!
Once more,--once only,--- we must stop so soon:
What have we here? A GERMAN-SILVER SPOON;
A cheap utensil, which we often see
Used by the dabblers in aesthetic tea,
Of slender fabric, somewhat light and thin,
Made of mixed metal, chiefly lead and tin;
The bowl is shallow, and the handle small,
Marked in large letters with the name JEAN PAUL.
Small as it is, its powers are passing strange,
For all who use it show a wondrous change;
And first, a fact to make the barbers stare,
It beats Macassar for the growth of hair.
See those small youngsters whose expansive ears
Maternal kindness grazed with frequent shears;
Each bristling crop a dangling mass becomes,
And all the spoonies turn to Absaloms
Nor this alone its magic power displays,
It alters strangely all their works and ways;
With uncouth words they tire their tender lungs,
The same bald phrases on their hundred tongues
'Ever' 'The Ages' in their page appear,
'Alway' the bedlamite is called a 'Seer;'
On every leaf the 'earnest' sage may scan,
Portentous bore! their 'many-sided' man,--
A weak eclectic, groping vague and dim,
Whose every angle is a half-starved whim,
Blind as a mole and curious as a lynx,
Who rides a beetle, which he calls a 'Sphinx.'
And oh, what questions asked in clubfoot rhyme
Of Earth the tongueless and the deaf-mute Time!

Here babbling 'Insight' shouts in Nature's ears
His last conundrum on the orbs and spheres;
There Self-inspection sucks its little thumb,
With 'Whence am I?' and 'Wherefore did I come?'
Deluded infants! will they ever know
Some doubts must darken o'er the world below,
Though all the Platos of the nursery trail
Their 'clouds of glory' at the go-cart's tail?
Oh might these couplets their attention claim
That gain their author the Philistine's name
(A stubborn race, that, spurning foreign law,
Was much belabored with an ass's jaw.)

Melodious Laura! From the sad retreats
That hold thee, smothered with excess of sweets,
Shade of a shadow, spectre of a dream,
Glance thy wan eye across the Stygian stream!
The slipshod dreamer treads thy fragrant halls,
The sophist's cobwebs hang thy roseate walls,
And o'er the crotchets of thy jingling tunes
The bard of mystery scrawls his crooked 'runes.'
Yes, thou art gone, with all the tuneful hordes
That candied thoughts in amber-colored words,
And in the precincts of thy late abodes
The clattering verse-wright hammers Orphic odes.
Thou, soft as zephyr, wast content to fly
On the gilt pinions of a balmy sigh;
He, vast as Phoebus on his burning wheels,
Would stride through ether at Orion's heels.
Thy emblem, Laura, was a perfume-jar,
And thine, young Orpheus, is a pewter star.
The balance trembles,--be its verdict told
When the new jargon slumbers with the old!

. . . . . . . .

Cease, playful goddess! From thine airy bound
Drop like a feather softly to the ground;
This light bolero grows a ticklish dance,
And there is mischief in thy kindling glance.
To-morrow bids thee, with rebuking frown,
Change thy gauze tunic for a home-made gown,
Too blest by fortune if the passing day
Adorn thy bosom with its frail bouquet,
But oh, still happier if the next forgets
Thy daring steps and dangerous pirouettes!

THE Banker's dinner is the stateliest feast
The town has heard of for a year, at least;
The sparry lustres shed their broadest blaze,
Damask and silver catch and spread the rays;
The florist's triumphs crown the daintier spoil
Won from the sea, the forest, or the soil;
The steaming hot-house yields its largest pines,
The sunless vaults unearth their oldest wines;
With one admiring look the scene survey,
And turn a moment from the bright display.

Of all the joys of earthly pride or power,
What gives most life, worth living, in an hour?
When Victory settles on the doubtful fight
And the last foeman wheels in panting flight,
No thrill like this is felt beneath the sun;
Life's sovereign moment is a battle won.
But say what next? To shape a Senate's choice,
By the strong magic of the master's voice;
To ride the stormy tempest of debate
That whirls the wavering fortunes of the state.
Third in the list, the happy lover's prize
Is won by honeyed words from women's eyes.
If some would have it first instead of third,
So let it be,--I answer not a word.
The fourth,--sweet readers, let the thoughtless half
Have its small shrug and inoffensive laugh;
Let the grave quarter wear its virtuous frown,
The stern half-quarter try to scowl us down;
But the last eighth, the choice and sifted few,
Will hear my words, and, pleased, confess them true.

Among the great whom Heaven has made to shine,
How few have learned the art of arts,--to dine!
Nature, indulgent to our daily need,
Kind-hearted mother! taught us all to feed;
But the chief art,--how rarely Nature flings
This choicest gift among her social kings
Say, man of truth, has life a brighter hour
Than waits the chosen guest who knows his power?
He moves with ease, itself an angel charm,--
Lifts with light touch my lady's jewelled arm,
Slides to his seat, half leading and half led,
Smiling but quiet till the grace is said,
Then gently kindles, while by slow degrees
Creep softly out the little arts that please;
Bright looks, the cheerful language of the eye,
The neat, crisp question and the gay reply,--
Talk light and airy, such as well may pass
Between the rested fork and lifted glass;--
With play like this the earlier evening flies,
Till rustling silks proclaim the ladies rise.
His hour has come,--he looks along the chairs,
As the Great Duke surveyed his iron squares.
That's the young traveller,--is n't much to show,--
Fast on the road, but at the table slow.
Next him,--you see the author in his look,--
His forehead lined with wrinkles like a book,--
Wrote the great history of the ancient Huns,--
Holds back to fire among the heavy guns.
Oh, there's our poet seated at his side,
Beloved of ladies, soft, cerulean-eyed.
Poets are prosy in their common talk,
As the fast trotters, for the most part, walk.
And there's our well-dressed gentleman, who sits,
By right divine, no doubt, among the wits,
Who airs his tailor's patterns when he walks,
The man that often speaks, but never talks.
Why should he talk, whose presence lends a grace
To every table where he shows his face?
He knows the manual of the silver fork,
Can name his claret--if he sees the cork,--
Remark that 'White-top' was considered fine,
But swear the 'Juno' is the better wine;--
Is not this talking? Ask Quintilian's rules;
If they say No, the town has many fools.
Pause for a moment,--for our eyes behold
The plain unsceptred king, the man of gold,
The thrice illustrious threefold millionnaire;
Mark his slow-creeping, dead, metallic stare;
His eyes, dull glimmering, like the balance-pan
That weighs its guinea as he weighs his man.
Who's next? An artist in a satin tie
Whose ample folds defeat the curious eye.
And there 's the cousin,--must be asked, you know,--
Looks like a spinster at a baby-show.
Hope he is cool,--they set him next the door,--
And likes his place, between the gap and bore.
Next comes a Congressman, distinguished guest
We don't count him,--they asked him with the rest;
And then some white cravats, with well-shaped ties,
And heads above them which their owners prize.

Of all that cluster round the genial board,
Not one so radiant as the banquet's lord.
Some say they fancy, but they know not why,
A shade of trouble brooding in his eye,
Nothing, perhaps,--the rooms are overhot,--
Yet see his cheek,--the dull-red burning spot,--
Taste the brown sherry which he does not pass,--
Ha! That is brandy; see him fill his glass!
But not forgetful of his feasting friends,
To each in turn some lively word he sends;
See how he throws his baited lines about,
And plays his men as anglers play their trout.
A question drops among the listening crew
And hits the traveller, pat on Timbuctoo.
We're on the Niger, somewhere near its source,--
Not the least hurry, take the river's course
Through Kissi, Foota, Kankan, Bammakoo,
Bambarra, Sego, so to Timbuctoo,
Thence down to Youri;--stop him if we can,
We can't fare worse,--wake up the Congressman!
The Congressman, once on his talking legs,
Stirs up his knowledge to its thickest dregs;
Tremendous draught for dining men to quaff!
Nothing will choke him but a purpling laugh.
A word,--a shout,--a mighty roar,--'t is done;
Extinguished; lassoed by a treacherous pun.
A laugh is priming to the loaded soul;
The scattering shots become a steady roll,
Broke by sharp cracks that run along the line,
The light artillery of the talker's wine.
The kindling goblets flame with golden dews,
The hoarded flasks their tawny fire diffuse,
And the Rhine's breast-milk gushes cold and bright,
Pale as the moon and maddening as her light;
With crimson juice the thirsty southern sky
Sucks from the hills where buried armies lie,
So that the dreamy passion it imparts
Is drawn from heroes' bones and lovers' hearts.
But lulls will come; the flashing soul transmits
Its gleams of light in alternating fits.
The shower of talk that rattled down amain
Ends in small patterings like an April's rain;

With the dry sticks all bonfires are begun;
Bring the first fagot, proser number one
The voices halt; the game is at a stand;
Now for a solo from the master-hand
'T is but a story,--quite a simple thing,--
An aria touched upon a single string,
But every accent comes with such a grace
The stupid servants listen in their place,
Each with his waiter in his lifted hands,
Still as a well-bred pointer when he stands.
A query checks him: 'Is he quite exact?'
(This from a grizzled, square-jawed man of fact.)
The sparkling story leaves him to his fate,
Crushed by a witness, smothered with a date,
As a swift river, sown with many a star,
Runs brighter, rippling on a shallow bar.
The smooth divine suggests a graver doubt;
A neat quotation bowls the parson out;
Then, sliding gayly from his own display,
He laughs the learned dulness all away.
So, with the merry tale and jovial song,
The jocund evening whirls itself along,
Till the last chorus shrieks its loud encore,
And the white neckcloths vanish through the door.

One savage word!--The menials know its tone,
And slink away; the master stands alone.
'Well played, by ---'; breathe not what were best unheard;
His goblet shivers while he speaks the word,--
'If wine tells truth,--and so have said the wise,--
It makes me laugh to think how brandy lies!
Bankrupt to-morrow,--millionnaire to-day,--
The farce is over,--now begins the play!'
The spring he touches lets a panel glide;
An iron closet harks beneath the slide,
Bright with such treasures as a search might bring
From the deep pockets of a truant king.
Two diamonds, eyeballs of a god of bronze,
Bought from his faithful priest, a pious bonze;
A string of brilliants; rubies, three or four;
Bags of old coin and bars of virgin ore;
A jewelled poniard and a Turkish knife,
Noiseless and useful if we come to strife.
Gone! As a pirate flies before the wind,
And not one tear for all he leaves behind
From all the love his better years have known
Fled like a felon,--ah! but not alone!
The chariot flashes through a lantern's glare,--
Oh the wild eyes! the storm of sable hair!
Still to his side the broken heart will cling,--
The bride of shame, the wife without the ring
Hark, the deep oath,--the wail of frenzied woe,--
Lost! lost to hope of Heaven and peace below!

He kept his secret; but the seed of crime
Bursts of itself in God's appointed time.
The lives he wrecked were scattered far and wide;
One never blamed nor wept,--she only died.
None knew his lot, though idle tongues would say
He sought a lonely refuge far away,
And there, with borrowed name and altered mien,
He died unheeded, as he lived unseen.
The moral market had the usual chills
Of Virtue suffering from protested bills;
The White Cravats, to friendship's memory true,
Sighed for the past, surveyed the future too;
Their sorrow breathed in one expressive line,--
'Gave pleasant dinners; who has got his wine?'

. . . . . . . . . . . . . .

The reader paused,--the Teacups knew his ways,--
He, like the rest, was not averse to praise.
Voices and hands united; every one
Joined in approval: 'Number Three, well done!'

'Now for the Exile's story; if my wits
Are not at fault, his curious record fits
Neatly as sequel to the tale we've heard;
Not wholly wild the fancy, nor absurd
That this our island hermit well might be
That story's hero, fled from over sea.
Come, Number Seven, we would not have you strain
The fertile powers of that inventive brain.
Read us 'The Exile's Secret'; there's enough
Of dream-like fiction and fantastic stuff
In the strange web of mystery that invests
The lonely isle where sea birds build their nests.'

'Lies! naught but lies!' so Number Seven began,--
No harm was known of that secluded man.
He lived alone,--who would n't if he might,
And leave the rogues and idiots out of sight?
A foolish story,--still, I'll do my best,--
The house was real,--don't believe the rest.
How could a ruined dwelling last so long
Without its legends shaped in tale and song?
Who was this man of whom they tell the lies?
Perhaps--why not?--NAPOLEON! in disguise,--
So some said, kidnapped from his ocean coop,
Brought to this island in a coasting sloop,--
Meanwhile a sham Napoleon in his place
Played Nap. and saved Sir Hudson from disgrace.
Such was one story; others used to say,
'No,--not Napoleon,--it was Marshal Ney.'
'Shot?' Yes, no doubt, but not with balls of lead,
But balls of pith that never shoot folks dead.
He wandered round, lived South for many a year,
At last came North and fixed his dwelling here.
Choose which you will of all the tales that pile
Their mingling fables on the tree-crowned isle.
Who wrote this modest version I suppose
That truthful Teacup, our Dictator, knows;
Made up of various legends, it would seem,
The sailor's yarn, the crazy poet's dream.
Such tales as this, by simple souls received,
At first are stared at and at last believed;
From threads like this the grave historians try
To weave their webs, and never know they lie.
Hear, then, the fables that have gathered round
The lonely home an exiled stranger found.

PART FIRST


THE KNIGHT
The tale I tell is gospel true,
As all the bookmen know,
And pilgrims who have strayed to view
The wrecks still left to show.

The old, old story,—­fair, and young,
And fond,—­and not too wise,—­
That matrons tell, with sharpened tongue,
To maids with downcast eyes.

Ah! maidens err and matrons warn
Beneath the coldest sky;
Love lurks amid the tasselled corn
As in the bearded rye!

But who would dream our sober sires
Had learned the old world’s ways,
And warmed their hearths with lawless fires
In Shirley’s homespun days?

’T is like some poet’s pictured trance
His idle rhymes recite,—­
This old New England-born romance
Of Agnes and the Knight;

Yet, known to all the country round,
Their home is standing still,
Between Wachusett’s lonely mound
And Shawmut’s threefold hill.

One hour we rumble on the rail,
One half-hour guide the rein,
We reach at last, o’er hill and dale,
The village on the plain.

With blackening wall and mossy roof,
With stained and warping floor,
A stately mansion stands aloof
And bars its haughty door.

This lowlier portal may be tried,
That breaks the gable wall;
And lo! with arches opening wide,
Sir Harry Frankland’s hall!

’T was in the second George’s day
They sought the forest shade,
The knotted trunks they cleared away,
The massive beams they laid,

They piled the rock-hewn chimney tall,
They smoothed the terraced ground,
They reared the marble-pillared wall
That fenced the mansion round.

Far stretched beyond the village bound
The Master’s broad domain;
With page and valet, horse and hound,
He kept a goodly train.

And, all the midland county through,
The ploughman stopped to gaze
Whene’er his chariot swept in view
Behind the shining bays,

With mute obeisance, grave and slow,
Repaid by nod polite,—­
For such the way with high and low
Till after Concord fight.

Nor less to courtly circles known
That graced the three-hilled town
With far-off splendors of the Throne,
And glimmerings from the Crown;

Wise Phipps, who held the seals of state
For Shirley over sea;
Brave Knowles, whose press-gang moved of late
The King Street mob’s decree;

And judges grave, and colonels grand,
Fair dames and stately men,
The mighty people of the land,
The “World” of there and then.

’T was strange no Chloe’s “beauteous Form,”
And “Eyes’ celestial Blew,”
This Strephon of the West could warm,
No Nymph his Heart subdue.

Perchance he wooed as gallants use,
Whom fleeting loves enchain,
But still unfettered, free to choose,
Would brook no bridle-rein.

He saw the fairest of the fair,
But smiled alike on all;
No band his roving foot might snare,
No ring his hand enthrall.


PART SECOND


THE MAIDEN
Why seeks the knight that rocky cape
Beyond the Bay of Lynn?
What chance his wayward course may shape
To reach its village inn?

No story tells; whate’er we guess,
The past lies deaf and still,
But Fate, who rules to blight or bless,
Can lead us where she will.

Make way! Sir Harry’s coach and four,
And liveried grooms that ride!
They cross the ferry, touch the shore
On Winnisimmet’s side.

They hear the wash on Chelsea Beach,—­
The level marsh they pass,
Where miles on miles the desert reach
Is rough with bitter grass.

The shining horses foam and pant,
And now the smells begin
Of fishy Swampscott, salt Nahant,
And leather-scented Lynn.

Next, on their left, the slender spires
And glittering vanes that crown
The home of Salem’s frugal sires,
The old, witch-haunted town.

So onward, o’er the rugged way
That runs through rocks and sand,
Showered by the tempest-driven spray,
From bays on either hand,

That shut between their outstretched arms
The crews of Marblehead,
The lords of ocean’s watery farms,
Who plough the waves for bread.

At last the ancient inn appears,
The spreading elm below,
Whose flapping sign these fifty years
Has seesawed to and fro.

How fair the azure fields in sight
Before the low-browed inn
The tumbling billows fringe with light
The crescent shore of Lynn;

Nahant thrusts outward through the waves
Her arm of yellow sand,
And breaks the roaring surge that braves
The gauntlet on her hand;

With eddying whirl the waters lock
Yon treeless mound forlorn,
The sharp-winged sea-fowl’s breeding-rock,
That fronts the Spouting Horn;

Then free the white-sailed shallops glide,
And wide the ocean smiles,
Till, shoreward bent, his streams divide
The two bare Misery Isles.

The master’s silent signal stays
The wearied cavalcade;
The coachman reins his smoking bays
Beneath the elm-tree’s shade.

A gathering on the village green!
The cocked-hats crowd to see,
On legs in ancient velveteen,
With buckles at the knee.

A clustering round the tavern-door
Of square-toed village boys,
Still wearing, as their grandsires wore,
The old-world corduroys!

A scampering at the “Fountain” inn,—–­
A rush of great and small,—­
With hurrying servants’ mingled din
And screaming matron’s call.

Poor Agnes! with her work half done
They caught her unaware;
As, humbly, like a praying nun,
She knelt upon the stair;

Bent o’er the steps, with lowliest mien
She knelt, but not to pray,—­
Her little hands must keep them clean,
And wash their stains away.

A foot, an ankle, bare and white,
Her girlish shapes betrayed,—­
“Ha! Nymphs and Graces!” spoke the Knight;
“Look up, my beauteous Maid!”

She turned,—­a reddening rose in bud,
Its calyx half withdrawn,—­
Her cheek on fire with damasked blood
Of girlhood’s glowing dawn!

He searched her features through and through,
As royal lovers look
On lowly maidens, when they woo
Without the ring and book.

“Come hither, Fair one! Here, my Sweet!
Nay, prithee, look not down!
Take this to shoe those little feet,”—­
He tossed a silver crown.

A sudden paleness struck her brow,—­
A swifter blush succeeds;
It burns her cheek; it kindles now
Beneath her golden beads.

She flitted, but the glittering eye
Still sought the lovely face.
Who was she? What, and whence? and why
Doomed to such menial place?

A skipper’s daughter,—­so they said,—­
Left orphan by the gale
That cost the fleet of Marblehead
And Gloucester thirty sail.

Ah! many a lonely home is found
Along the Essex shore,
That cheered its goodman outward bound,
And sees his face no more!

“Not so,” the matron whispered,—­“sure
No orphan girl is she,—­
The Surriage folk are deadly poor
Since Edward left the sea,

“And Mary, with her growing brood,
Has work enough to do
To find the children clothes and food
With Thomas, John, and Hugh.

“This girl of Mary’s, growing tall,—­
(Just turned her sixteenth year,)—­
To earn her bread and help them all,
Would work as housemaid here.”

So Agnes, with her golden beads,
And naught beside as dower,
Grew at the wayside with the weeds,
Herself a garden-flower.

’T was strange, ’t was sad,—­so fresh, so fair!
Thus Pity’s voice began.
Such grace! an angel’s shape and air!
The half-heard whisper ran.

For eyes could see in George’s time,
As now in later days,
And lips could shape, in prose and rhyme,
The honeyed breath of praise.

No time to woo! The train must go
Long ere the sun is down,
To reach, before the night-winds blow,
The many-steepled town.

’T is midnight,—­street and square are still;
Dark roll the whispering waves
That lap the piers beneath the hill
Ridged thick with ancient graves.

Ah, gentle sleep! thy hand will smooth
The weary couch of pain,
When all thy poppies fail to soothe
The lover’s throbbing brain!

’T is morn,—­the orange-mantled sun
Breaks through the fading gray,
And long and loud the Castle gun
Peals o’er the glistening bay.

“Thank God ’t is day!” With eager eye
He hails the morning shine:—­
“If art can win, or gold can buy,
The maiden shall be mine!”


PART THIRD


THE CONQUEST
“Who saw this hussy when she came?
What is the wench, and who?”
They whisper. “Agnes—­is her name?
Pray what has she to do?”

The housemaids parley at the gate,
The scullions on the stair,
And in the footmen’s grave debate
The butler deigns to share.

Black Dinah, stolen when a child,
And sold on Boston pier,
Grown up in service, petted, spoiled,
Speaks in the coachman’s ear:

“What, all this household at his will?
And all are yet too few?
More servants, and more servants still,—­
This pert young madam too!”

“Servant! fine servant!” laughed aloud
The man of coach and steeds;
“She looks too fair, she steps too proud,
This girl with golden beads!

“I tell you, you may fret and frown,
And call her what you choose,
You ’ll find my Lady in her gown,
Your Mistress in her shoes!”

Ah, gentle maidens, free from blame,
God grant you never know
The little whisper, loud with shame,
That makes the world your foe!

Why tell the lordly flatterer’s art,
That won the maiden’s ear,—­
The fluttering of the frightened heart,
The blush, the smile, the tear?

Alas! it were the saddening tale
That every language knows,—­
The wooing wind, the yielding sail,
The sunbeam and the rose.

And now the gown of sober stuff
Has changed to fair brocade,
With broidered hem, and hanging cuff,
And flower of silken braid;

And clasped around her blanching wrist
A jewelled bracelet shines,
Her flowing tresses’ massive twist
A glittering net confines;

And mingling with their truant wave
A fretted chain is hung;
But ah! the gift her mother gave,—­
Its beads are all unstrung!

Her place is at the master’s board,
Where none disputes her claim;
She walks beside the mansion’s lord,
His bride in all but name.

The busy tongues have ceased to talk,
Or speak in softened tone,
So gracious in her daily walk
The angel light has shown.

No want that kindness may relieve
Assails her heart in vain,
The lifting of a ragged sleeve
Will check her palfrey’s rein.

A thoughtful calm, a quiet grace
In every movement shown,
Reveal her moulded for the place
She may not call her own.

And, save that on her youthful brow
There broods a shadowy care,
No matron sealed with holy vow
In all the land so fair.


PART FOURTH


THE RESCUE
A ship comes foaming up the bay,
Along the pier she glides;
Before her furrow melts away,
A courier mounts and rides.

“Haste, Haste, post Haste!” the letters bear;
“Sir Harry Frankland, These.”
Sad news to tell the loving pair!
The knight must cross the seas.

“Alas! we part!”—­the lips that spoke
Lost all their rosy red,
As when a crystal cup is broke,
And all its wine is shed.

“Nay, droop not thus,—­where’er,” he cried,
“I go by land or sea,
My love, my life, my joy, my pride,
Thy place is still by me!”

Through town and city, far and wide,
Their wandering feet have strayed,
From Alpine lake to ocean tide,
And cold Sierra’s shade.

At length they see the waters gleam
Amid the fragrant bowers
Where Lisbon mirrors in the stream
Her belt of ancient towers.

Red is the orange on its bough,
To-morrow’s sun shall fling
O’er Cintra’s hazel-shaded brow
The flush of April’s wing.

The streets are loud with noisy mirth,
They dance on every green;
The morning’s dial marks the birth
Of proud Braganza’s queen.

At eve beneath their pictured dome
The gilded courtiers throng;
The broad moidores have cheated Rome
Of all her lords of song.

AH! Lisbon dreams not of the day—­
Pleased with her painted scenes—­
When all her towers shall slide away
As now these canvas screens!

The spring has passed, the summer fled,
And yet they linger still,
Though autumn’s rustling leaves have spread
The flank of Cintra’s hill.

The town has learned their Saxon name,
And touched their English gold,
Nor tale of doubt nor hint of blame
From over sea is told.

Three hours the first November dawn
Has climbed with feeble ray
Through mists like heavy curtains drawn
Before the darkened day.

How still the muffled echoes sleep!
Hark! hark! a hollow sound,—­
A noise like chariots rumbling deep
Beneath the solid ground.

The channel lifts, the water slides
And bares its bar of sand,
Anon a mountain billow strides
And crashes o’er the land.

The turrets lean, the steeples reel
Like masts on ocean’s swell,
And clash a long discordant peal,
The death-doomed city’s knell.

The pavement bursts, the earth upheaves
Beneath the staggering town!
The turrets crack—­the castle cleaves—­
The spires come rushing down.

Around, the lurid mountains glow
With strange unearthly gleams;
While black abysses gape below,
Then close in jagged seams.

And all is over. Street and square
In ruined heaps are piled;
Ah! where is she, so frail, so fair,
Amid the tumult wild?

Unscathed, she treads the wreck-piled street,
Whose narrow gaps afford
A pathway for her bleeding feet,
To seek her absent lord.

A temple’s broken walls arrest
Her wild and wandering eyes;
Beneath its shattered portal pressed,
Her lord unconscious lies.

The power that living hearts obey
Shall lifeless blocks withstand?
Love led her footsteps where he lay,—­
Love nerves her woman’s hand.

One cry,—­the marble shaft she grasps,—­
Up heaves the ponderous stone:—­
He breathes,—­her fainting form he clasps,—­
Her life has bought his own!


PART FIFTH


THE REWARD
How like the starless night of death
Our being’s brief eclipse,
When faltering heart and failing breath
Have bleached the fading lips!

The earth has folded like a wave,
And thrice a thousand score,
Clasped, shroudless, in their closing grave,
The sun shall see no more!

She lives! What guerdon shall repay
His debt of ransomed life?
One word can charm all wrongs away,—­
The sacred name of WIFE!

The love that won her girlish charms
Must shield her matron fame,
And write beneath the Frankland arms
The village beauty’s name.

Go, call the priest! no vain delay
Shall dim the sacred ring!
Who knows what change the passing day,
The fleeting hour, may bring?

Before the holy altar bent,
There kneels a goodly pair;
A stately man, of high descent,
A woman, passing fair.

No jewels lend the blinding sheen
That meaner beauty needs,
But on her bosom heaves unseen
A string of golden beads.

The vow is spoke,—­the prayer is said,—­
And with a gentle pride
The Lady Agnes lifts her head,
Sir Harry Frankland’s bride.

No more her faithful heart shall bear
Those griefs so meekly borne,—­
The passing sneer, the freezing stare,
The icy look of scorn;

No more the blue-eyed English dames
Their haughty lips shall curl,
Whene’er a hissing whisper names
The poor New England girl.

But stay!—­his mother’s haughty brow,—­
The pride of ancient race,—­
Will plighted faith, and holy vow,
Win back her fond embrace?

Too well she knew the saddening tale
Of love no vow had blest,
That turned his blushing honors pale
And stained his knightly crest.

They seek his Northern home,—­alas
He goes alone before;—­
His own dear Agnes may not pass
The proud, ancestral door.

He stood before the stately dame;
He spoke; she calmly heard,
But not to pity, nor to blame;
She breathed no single word.

He told his love,—­her faith betrayed;
She heard with tearless eyes;
Could she forgive the erring maid?
She stared in cold surprise.

How fond her heart, he told,—­how true;
The haughty eyelids fell;—­
The kindly deeds she loved to do;
She murmured, “It is well.”

But when he told that fearful day,
And how her feet were led
To where entombed in life he lay,
The breathing with the dead,

And how she bruised her tender breasts
Against the crushing stone,
That still the strong-armed clown protests
No man can lift alone,—­

Oh! then the frozen spring was broke;
By turns she wept and smiled;—­
“Sweet Agnes!” so the mother spoke,
“God bless my angel child.

“She saved thee from the jaws of death,—­
’T is thine to right her wrongs;
I tell thee,—­I, who gave thee breath,—­
To her thy life belongs!”

Thus Agnes won her noble name,
Her lawless lover’s hand;
The lowly maiden so became
A lady in the land!


PART SIXTH


CONCLUSION
The tale is done; it little needs
To track their after ways,
And string again the golden beads
Of love’s uncounted days.

They leave the fair ancestral isle
For bleak New England’s shore;
How gracious is the courtly smile
Of all who frowned before!

Again through Lisbon’s orange bowers
They watch the river’s gleam,
And shudder as her shadowy towers
Shake in the trembling stream.

Fate parts at length the fondest pair;
His cheek, alas! grows pale;
The breast that trampling death could spare
His noiseless shafts assail.

He longs to change the heaven of blue
For England’s clouded sky,—­
To breathe the air his boyhood knew;
He seeks then but to die.

Hard by the terraced hillside town,
Where healing streamlets run,
Still sparkling with their old renown,—­
The “Waters of the Sun,”—­

The Lady Agnes raised the stone
That marks his honored grave,
And there Sir Harry sleeps alone
By Wiltshire Avon’s wave.

The home of early love was dear;
She sought its peaceful shade,
And kept her state for many a year,
With none to make afraid.

At last the evil days were come
That saw the red cross fall;
She hears the rebels’ rattling drum,—­
Farewell to Frankland Hall!

I tell you, as my tale began,
The hall is standing still;
And you, kind listener, maid or man,
May see it if you will.

The box is glistening huge and green,
Like trees the lilacs grow,
Three elms high-arching still are seen,
And one lies stretched below.

The hangings, rough with velvet flowers,
Flap on the latticed wall;
And o’er the mossy ridge-pole towers
The rock-hewn chimney tall.

The doors on mighty hinges clash
With massive bolt and bar,
The heavy English-moulded sash
Scarce can the night-winds jar.

Behold the chosen room he sought
Alone, to fast and pray,
Each year, as chill November brought
The dismal earthquake day.

There hung the rapier blade he wore,
Bent in its flattened sheath;
The coat the shrieking woman tore
Caught in her clenching teeth;—­

The coat with tarnished silver lace
She snapped at as she slid,
And down upon her death-white face
Crashed the huge coffin’s lid.

A graded terrace yet remains;
If on its turf you stand
And look along the wooded plains
That stretch on either hand,

The broken forest walls define
A dim, receding view,
Where, on the far horizon’s line,
He cut his vista through.

If further story you shall crave,
Or ask for living proof,
Go see old Julia, born a slave
Beneath Sir Harry’s roof.

She told me half that I have told,
And she remembers well
The mansion as it looked of old
Before its glories fell;—­

The box, when round the terraced square
Its glossy wall was drawn;
The climbing vines, the snow-balls fair,
The roses on the lawn.

And Julia says, with truthful look
Stamped on her wrinkled face,
That in her own black hands she took
The coat with silver lace.

And you may hold the story light,
Or, if you like, believe;
But there it was, the woman’s bite,—­
A mouthful from the sleeve.

Now go your ways;—­I need not tell
The moral of my rhyme;
But, youths and maidens, ponder well
This tale of olden time!

Yes, dear Enchantress,—­wandering far and long,
In realms unperfumed by the breath of song,
Where flowers ill-flavored shed their sweets around,
And bitterest roots invade the ungenial ground,
Whose gems are crystals from the Epsom mine,
Whose vineyards flow with antimonial wine,
Whose gates admit no mirthful feature in,
Save one gaunt mocker, the Sardonic grin,
Whose pangs are real, not the woes of rhyme
That blue-eyed misses warble out of time;—­
Truant, not recreant to thy sacred claim,
Older by reckoning, but in heart the same,
Freed for a moment from the chains of toil,
I tread once more thy consecrated soil;
Here at thy feet my old allegiance own,
Thy subject still, and loyal to thy throne!

My dazzled glance explores the crowded hall;
Alas, how vain to hope the smiles of all!
I know my audience. All the gay and young
Love the light antics of a playful tongue;
And these, remembering some expansive line
My lips let loose among the nuts and wine,
Are all impatience till the opening pun
Proclaims the witty shamfight is begun.
Two fifths at least, if not the total half,
Have come infuriate for an earthquake laugh;
I know full well what alderman has tied
His red bandanna tight about his side;
I see the mother, who, aware that boys
Perform their laughter with superfluous noise,
Beside her kerchief brought an extra one
To stop the explosions of her bursting son;
I know a tailor, once a friend of mine,
Expects great doings in the button line,—­
For mirth’s concussions rip the outward case,
And plant the stitches in a tenderer place.
I know my audience,—­these shall have their due;
A smile awaits them ere my song is through!

I know myself. Not servile for applause,
My Muse permits no deprecating clause;
Modest or vain, she will not be denied
One bold confession due to honest pride;
And well she knows the drooping veil of song
Shall save her boldness from the caviller’s wrong.
Her sweeter voice the Heavenly Maid imparts
To tell the secrets of our aching hearts
For this, a suppliant, captive, prostrate, bound,
She kneels imploring at the feet of sound;
For this, convulsed in thought’s maternal pains,
She loads her arms with rhyme’s resounding chains;
Faint though the music of her fetters be,
It lends one charm,—­her lips are ever free!

Think not I come, in manhood’s fiery noon,
To steal his laurels from the stage buffoon;
His sword of lath the harlequin may wield;
Behold the star upon my lifted shield
Though the just critic pass my humble name,
And sweeter lips have drained the cup of fame,
While my gay stanza pleased the banquet’s lords,
The soul within was tuned to deeper chords!
Say, shall my arms, in other conflicts taught
To swing aloft the ponderous mace of thought,
Lift, in obedience to a school-girl’s law,
Mirth’s tinsel wand or laughter’s tickling straw?
Say, shall I wound with satire’s rankling spear
The pure, warm hearts that bid me welcome here?
No! while I wander through the land of dreams,
To strive with great and play with trifling themes,
Let some kind meaning fill the varied line.
You have your judgment; will you trust to mine?
-----------------------
Between two breaths what crowded mysteries lie,—­
The first short gasp, the last and long-drawn sigh!
Like phantoms painted on the magic slide,
Forth from the darkness of the past we glide,
As living shadows for a moment seen
In airy pageant on the eternal screen,
Traced by a ray from one unchanging flame,
Then seek the dust and stillness whence we came.

But whence and why, our trembling souls inquire,
Caught these dim visions their awakening fire?
Oh, who forgets when first the piercing thought
Through childhood’s musings found its way unsought?
I am;—­I live. The mystery and the fear
When the dread question, what has brought me here?
Burst through life’s twilight, as before the sun
Roll the deep thunders of the morning gun!

Are angel faces, silent and serene,
Bent on the conflicts of this little scene,
Whose dream-like efforts, whose unreal strife,
Are but the preludes to a larger life?

Or does life’s summer see the end of all,
These leaves of being mouldering as they fall,
As the old poet vaguely used to deem,
As WESLEY questioned in his youthful dream?
Oh, could such mockery reach our souls indeed,
Give back the Pharaohs’ or the Athenian’s creed;
Better than this a Heaven of man’s device,—­
The Indian’s sports, the Moslem’s paradise!

Or is our being’s only end and aim
To add new glories to our Maker’s name,
As the poor insect, shrivelling in the blaze,
Lends a faint sparkle to its streaming rays?
Does earth send upward to the Eternal’s ear
The mingled discords of her jarring sphere
To swell his anthem, while creation rings
With notes of anguish from its shattered strings?
Is it for this the immortal Artist means
These conscious, throbbing, agonized machines?

Dark is the soul whose sullen creed can bind
In chains like these the all-embracing Mind;
No! two-faced bigot, thou dost ill reprove
The sensual, selfish, yet benignant Jove,
And praise a tyrant throned in lonely pride,
Who loves himself, and cares for naught beside;
Who gave thee, summoned from primeval night,
A thousand laws, and not a single right,—­
A heart to feel, and quivering nerves to thrill,
The sense of wrong, the death-defying will;
Who girt thy senses with this goodly frame,
Its earthly glories and its orbs of flame,
Not for thyself, unworthy of a thought,
Poor helpless victim of a life unsought,
But all for him, unchanging and supreme,
The heartless centre of thy frozen scheme.

Trust not the teacher with his lying scroll,
Who tears the charter of thy shuddering soul;
The God of love, who gave the breath that warms
All living dust in all its varied forms,
Asks not the tribute of a world like this
To fill the measure of his perfect bliss.
Though winged with life through all its radiant shores,
Creation flowed with unexhausted stores
Cherub and seraph had not yet enjoyed;
For this he called thee from the quickening void!
Nor this alone; a larger gift was thine,
A mightier purpose swelled his vast design
Thought,—­conscience,—­will,—­ to make them all thine own,
He rent a pillar from the eternal throne!

Made in his image, thou must nobly dare
The thorny crown of sovereignty to share.
With eye uplifted, it is thine to view,
From thine own centre, Heaven’s o’erarching blue;
So round thy heart a beaming circle lies
No fiend can blot, no hypocrite disguise;
From all its orbs one cheering voice is heard,
Full to thine ear it bears the Father’s word,
Now, as in Eden where his first-born trod
“Seek thine own welfare, true to man and God!”
Think not too meanly of thy low estate;
Thou hast a choice; to choose is to create!
Remember whose the sacred lips that tell,
Angels approve thee when thy choice is well;
Remember, One, a judge of righteous men,
Swore to spare Sodom if she held but ten!
Use well the freedom which thy Master gave,
(Think’st thou that Heaven can tolerate a slave?)
And He who made thee to be just and true
Will bless thee, love thee,—­ay, respect thee too!

Nature has placed thee on a changeful tide,
To breast its waves, but not without a guide;
Yet, as the needle will forget its aim,
Jarred by the fury of the electric flame,
As the true current it will falsely feel,
Warped from its axis by a freight of steel;
So will thy conscience lose its balanced truth
If passion’s lightning fall upon thy youth,
So the pure effluence quit its sacred hold
Girt round too deeply with magnetic gold.
Go to yon tower, where busy science plies
Her vast antennae, feeling through the skies
That little vernier on whose slender lines
The midnight taper trembles as it shines,
A silent index, tracks the planets’ march
In all their wanderings through the ethereal arch;
Tells through the mist where dazzled Mercury burns,
And marks the spot where Uranus returns.
So, till by wrong or negligence effaced,
The living index which thy Maker traced
Repeats the line each starry Virtue draws
Through the wide circuit of creation’s laws;
Still tracks unchanged the everlasting ray
Where the dark shadows of temptation stray,
But, once defaced, forgets the orbs of light,
And leaves thee wandering o’er the expanse of night.

“What is thy creed?” a hundred lips inquire;
“Thou seekest God beneath what Christian spire?”
Nor ask they idly, for uncounted lies
Float upward on the smoke of sacrifice;
When man’s first incense rose above the plain,
Of earth’s two altars one was built by Cain!
Uncursed by doubt, our earliest creed we take;
We love the precepts for the teacher’s sake;
The simple lessons which the nursery taught
Fell soft and stainless on the buds of thought,
And the full blossom owes its fairest hue
To those sweet tear-drops of affection’s dew.
Too oft the light that led our earlier hours
Fades with the perfume of our cradle flowers;
The clear, cold question chills to frozen doubt;
Tired of beliefs, we dread to live without
Oh then, if Reason waver at thy side,
Let humbler Memory be thy gentle guide;
Go to thy birthplace, and, if faith was there,
Repeat thy father’s creed, thy mother’s prayer!

Faith loves to lean on Time’s destroying arm,
And age, like distance, lends a double charm;
In dim cathedrals, dark with vaulted gloom,
What holy awe invests the saintly tomb!
There pride will bow, and anxious care expand,
And creeping avarice come with open hand;
The gay can weep, the impious can adore,
From morn’s first glimmerings on the chancel floor
Till dying sunset sheds his crimson stains
Through the faint halos of the irised panes.
Yet there are graves, whose rudely-shapen sod
Bears the fresh footprints where the sexton trod;
Graves where the verdure has not dared to shoot,
Where the chance wild-flower has not fixed its root,
Whose slumbering tenants, dead without a name,
The eternal record shall at length proclaim
Pure as the holiest in the long array
Of hooded, mitred, or tiaraed clay!

Come, seek the air; some pictures we may gain
Whose passing shadows shall not be in vain;
Not from the scenes that crowd the stranger’s soil,
Not from our own amidst the stir of toil,
But when the Sabbath brings its kind release,
And Care lies slumbering on the lap of Peace.

The air is hushed, the street is holy ground;
Hark! The sweet bells renew their welcome sound
As one by one awakes each silent tongue,
It tells the turret whence its voice is flung.
The Chapel, last of sublunary things
That stirs our echoes with the name of Kings,
Whose bell, just glistening from the font and forge,
Rolled its proud requiem for the second George,
Solemn and swelling, as of old it rang,
Flings to the wind its deep, sonorous clang;
The simpler pile, that, mindful of the hour
When Howe’s artillery shook its half-built tower,
Wears on its bosom, as a bride might do,
The iron breastpin which the “Rebels” threw,
Wakes the sharp echoes with the quivering thrill
Of keen vibrations, tremulous and shrill;
Aloft, suspended in the morning’s fire,
Crash the vast cymbals from the Southern spire;
The Giant, standing by the elm-clad green,
His white lance lifted o’er the silent scene,
Whirling in air his brazen goblet round,
Swings from its brim the swollen floods of sound;
While, sad with memories of the olden time,
Throbs from his tower the Northern Minstrel’s chime,—­
Faint, single tones, that spell their ancient song,
But tears still follow as they breathe along.

Child of the soil, whom fortune sends to range
Where man and nature, faith and customs change,
Borne in thy memory, each familiar tone
Mourns on the winds that sigh in every zone.
When Ceylon sweeps thee with her perfumed breeze
Through the warm billows of the Indian seas;
When—­ship and shadow blended both in one—­
Flames o’er thy mast the equatorial sun,
From sparkling midnight to refulgent noon
Thy canvas swelling with the still monsoon;
When through thy shrouds the wild tornado sings,
And thy poor sea-bird folds her tattered wings,—­
Oft will delusion o’er thy senses steal,
And airy echoes ring the Sabbath peal
Then, dim with grateful tears, in long array
Rise the fair town, the island-studded bay,
Home, with its smiling board, its cheering fire,
The half-choked welcome of the expecting sire,
The mother’s kiss, and, still if aught remain,
Our whispering hearts shall aid the silent strain.
Ah, let the dreamer o’er the taffrail lean
To muse unheeded, and to weep unseen;
Fear not the tropic’s dews, the evening’s chills,
His heart lies warm among his triple hills!

Turned from her path by this deceitful gleam,
My wayward fancy half forgets her theme.
See through the streets that slumbered in repose
The living current of devotion flows,
Its varied forms in one harmonious band
Age leading childhood by its dimpled hand;
Want, in the robe whose faded edges fall
To tell of rags beneath the tartan shawl;
And wealth, in silks that, fluttering to appear,
Lift the deep borders of the proud cashmere.
See, but glance briefly, sorrow-worn and pale,
Those sunken cheeks beneath the widow’s veil;
Alone she wanders where with him she trod,
No arm to stay her, but she leans on God.
While other doublets deviate here and there,
What secret handcuff binds that pretty pair?
Compactest couple! pressing side to side,—­
Ah, the white bonnet that reveals the bride!
By the white neckcloth, with its straitened tie,
The sober hat, the Sabbath-speaking eye,
Severe and smileless, he that runs may read
The stern disciple of Geneva’s creed
Decent and slow, behold his solemn march;
Silent he enters through yon crowded arch.
A livelier bearing of the outward man,
The light-hued gloves, the undevout rattan,
Now smartly raised or half profanely twirled,—­
A bright, fresh twinkle from the week-day world,—­
Tell their plain story; yes, thine eyes behold
A cheerful Christian from the liberal fold.
Down the chill street that curves in gloomiest shade
What marks betray yon solitary maid?
The cheek’s red rose that speaks of balmier air,
The Celtic hue that shades her braided hair,
The gilded missal in her kerchief tied,—­
Poor Nora, exile from Killarney’s side!
Sister in toil, though blanched by colder skies,
That left their azure in her downcast eyes,
See pallid Margaret, Labor’s patient child,
Scarce weaned from home, the nursling of the wild,
Where white Katahdin o’er the horizon shines,
And broad Penobscot dashes through the pines.
Still, as she hastes, her careful fingers hold
The unfailing hymn-book in its cambric fold.
Six days at drudgery’s heavy wheel she stands,
The seventh sweet morning folds her weary hands.
Yes, child of suffering, thou mayst well be sure
He who ordained the Sabbath loves the poor!

This weekly picture faithful Memory draws,
Nor claims the noisy tribute of applause;
Faint is the glow such barren hopes can lend,
And frail the line that asks no loftier end.
Trust me, kind listener, I will yet beguile
Thy saddened features of the promised smile.
This magic mantle thou must well divide,
It has its sable and its ermine side;
Yet, ere the lining of the robe appears,
Take thou in silence what I give in tears.

Dear listening soul, this transitory scene
Of murmuring stillness, busily serene,—­
This solemn pause, the breathing-space of man,
The halt of toil’s exhausted caravan,—­
Comes sweet with music to thy wearied ear;
Rise with its anthems to a holier sphere!

Deal meekly, gently, with the hopes that guide
The lowliest brother straying from thy side
If right, they bid thee tremble for thine own;
If wrong, the verdict is for God alone.

What though the champions of thy faith esteem
The sprinkled fountain or baptismal stream;
Shall jealous passions in unseemly strife
Cross their dark weapons o’er the waves of life?

Let my free soul, expanding as it can,
Leave to his scheme the thoughtful Puritan;
But Calvin’s dogma shall my lips deride?
In that stern faith my angel Mary died;
Or ask if mercy’s milder creed can save,
Sweet sister, risen from thy new-made grave?

True, the harsh founders of thy church reviled
That ancient faith, the trust of Erin’s child;
Must thou be raking in the crumbled past
For racks and fagots in her teeth to cast?
See from the ashes of Helvetia’s pile
The whitened skull of old Servetus smile!
Round her young heart thy “Romish Upas” threw
Its firm, deep fibres, strengthening as she grew;
Thy sneering voice may call them “Popish tricks,”
Her Latin prayers, her dangling crucifix,
But De Profundis blessed her father’s grave,
That “idol” cross her dying mother gave!
What if some angel looks with equal eyes
On her and thee, the simple and the wise,
Writes each dark fault against thy brighter creed,
And drops a tear with every foolish bead!
Grieve, as thou must, o’er history’s reeking page;
Blush for the wrongs that stain thy happier age;
Strive with the wanderer from the better path,
Bearing thy message meekly, not in wrath;
Weep for the frail that err, the weak that fall,
Have thine own faith,—­but hope and pray for all!

Faith; Conscience; Love. A meaner task remains,
And humbler thoughts must creep in lowlier strains.
Shalt thou be honest? Ask the worldly schools,
And all will tell thee knaves are busier fools;
Prudent? Industrious? Let not modern pens
Instruct “Poor Richard’s” fellow-citizens.

Be firm! One constant element in luck
Is genuine solid old Teutonic pluck.
See yon tall shaft; it felt the earthquake’s thrill,
Clung to its base, and greets the sunrise still.

Stick to your aim: the mongrel’s hold will slip,
But only crowbars loose the bulldog’s grip;
Small as he looks, the jaw that never yields
Drags down the bellowing monarch of the fields!

Yet in opinions look not always back,—­
Your wake is nothing, mind the coming track;
Leave what you’ve done for what you have to do;
Don’t be “consistent,” but be simply true.

Don’t catch the fidgets; you have found your place
Just in the focus of a nervous race,
Fretful to change and rabid to discuss,
Full of excitements, always in a fuss.
Think of the patriarchs; then compare as men
These lean-cheeked maniacs of the tongue and pen!
Run, if you like, but try to keep your breath;
Work like a man, but don’t be worked to death;
And with new notions,—­let me change the rule,—­
Don’t strike the iron till it ’s slightly cool.

Choose well your set; our feeble nature seeks
The aid of clubs, the countenance of cliques;
And with this object settle first of all
Your weight of metal and your size of ball.
Track not the steps of such as hold you cheap,
Too mean to prize, though good enough to keep;
The “real, genuine, no-mistake Tom Thumbs”
Are little people fed on great men’s crumbs.
Yet keep no followers of that hateful brood
That basely mingles with its wholesome food
The tumid reptile, which, the poet said,
Doth wear a precious jewel in his head.

If the wild filly, “Progress,” thou wouldst ride,
Have young companions ever at thy side;
But wouldst thou stride the stanch old mare, “Success,”
Go with thine elders, though they please thee less.
Shun such as lounge through afternoons and eves,
And on thy dial write, “Beware of thieves!”
Felon of minutes, never taught to feel
The worth of treasures which thy fingers steal,
Pick my left pocket of its silver dime,
But spare the right,—­it holds my golden time!

Does praise delight thee? Choose some ultra side,—­
A sure old recipe, and often tried;
Be its apostle, congressman, or bard,
Spokesman or jokesman, only drive it hard;
But know the forfeit which thy choice abides,
For on two wheels the poor reformer rides,—­
One black with epithets the anti throws,
One white with flattery painted by the pros.

Though books on MANNERS are not out of print,
An honest tongue may drop a harmless hint.
Stop not, unthinking, every friend you meet,
To spin your wordy fabric in the street;
While you are emptying your colloquial pack,
The fiend Lumbago jumps upon his back.
Nor cloud his features with the unwelcome tale
Of how he looks, if haply thin and pale;
Health is a subject for his child, his wife,
And the rude office that insures his life.
Look in his face, to meet thy neighbor’s soul,
Not on his garments, to detect a hole;
“How to observe” is what thy pages show,
Pride of thy sex, Miss Harriet Martineau!
Oh, what a precious book the one would be
That taught observers what they ’re not to see!

I tell in verse—­’t were better done in prose—­
One curious trick that everybody knows;
Once form this habit, and it’s very strange
How long it sticks, how hard it is to change.
Two friendly people, both disposed to smile,
Who meet, like others, every little while,
Instead of passing with a pleasant bow,
And “How d’ ye do?” or “How ’s your uncle now?”

Impelled by feelings in their nature kind,
But slightly weak and somewhat undefined,
Rush at each other, make a sudden stand,
Begin to talk, expatiate, and expand;
Each looks quite radiant, seems extremely struck,
Their meeting so was such a piece of luck;
Each thinks the other thinks he ’s greatly pleased
To screw the vice in which they both are squeezed;
So there they talk, in dust, or mud, or snow,
Both bored to death, and both afraid to go!
Your hat once lifted, do not hang your fire,
Nor, like slow Ajax, fighting still, retire;
When your old castor on your crown you clap,
Go off; you’ve mounted your percussion cap.

Some words on language may be well applied,
And take them kindly, though they touch your pride.
Words lead to things; a scale is more precise,—­
Coarse speech, bad grammar, swearing, drinking, vice.
Our cold Northeaster’s icy fetter clips
The native freedom of the Saxon lips;
See the brown peasant of the plastic South,
How all his passions play about his mouth!
With us, the feature that transmits the soul,
A frozen, passive, palsied breathing-hole.
The crampy shackles of the ploughboy’s walk
Tie the small muscles when he strives to talk;
Not all the pumice of the polished town
Can smooth this roughness of the barnyard down;
Rich, honored, titled, he betrays his race
By this one mark,—­he’s awkward in the face;—­
Nature’s rude impress, long before he knew
The sunny street that holds the sifted few.
It can’t be helped, though, if we’re taken young,
We gain some freedom of the lips and tongue;
But school and college often try in vain
To break the padlock of our boyhood’s chain
One stubborn word will prove this axiom true,—­
No quondam rustic can enunciate view.

A few brief stanzas may be well employed
To speak of errors we can all avoid.
Learning condemns beyond the reach of hope
The careless lips that speak of so’ap for soap;
Her edict exiles from her fair abode
The clownish voice that utters ro’ad for road
Less stern to him who calls his coat a co’at,
And steers his boat, believing it a bo’at,
She pardoned one, our classic city’s boast,
Who said at Cambridge mo’st instead of most,
But knit her brows and stamped her angry foot
To hear a Teacher call a root a ro’ot.

Once more: speak clearly, if you speak at all;
Carve every word before you let it fall;
Don’t, like a lecturer or dramatic star,
Try over-hard to roll the British R;
Do put your accents in the proper spot;
Don’t,—­let me beg you,—­don’t say “How?” for “What?”
And when you stick on conversation’s burs,
Don’t strew your pathway with those dreadful urs.

From little matters let us pass to less,
And lightly touch the mysteries of dress;
The outward forms the inner man reveal,—­
We guess the pulp before we cut the peel.

I leave the broadcloth,—­coats and all the rest,—­
The dangerous waistcoat, called by cockneys “vest,”
The things named “pants” in certain documents,
A word not made for gentlemen, but “gents;”
One single precept might the whole condense
Be sure your tailor is a man of sense;
But add a little care, a decent pride,
And always err upon the sober side.

Three pairs of boots one pair of feet demands,
If polished daily by the owner’s hands;
If the dark menial’s visit save from this,
Have twice the number,—­for he ’ll sometimes miss.
One pair for critics of the nicer sex,
Close in the instep’s clinging circumflex,
Long, narrow, light; the Gallic boot of love,
A kind of cross between a boot and glove.
Compact, but easy, strong, substantial, square,
Let native art compile the medium pair.
The third remains, and let your tasteful skill
Here show some relics of affection still;
Let no stiff cowhide, reeking from the tan,
No rough caoutchoue, no deformed brogan,
Disgrace the tapering outline of your feet,
Though yellow torrents gurgle through the street.

Wear seemly gloves; not black, nor yet too light,
And least of all the pair that once was white;
Let the dead party where you told your loves
Bury in peace its dead bouquets and gloves;
Shave like the goat, if so your fancy bids,
But be a parent,—­don’t neglect your kids.

Have a good hat; the secret of your looks
Lives with the beaver in Canadian brooks;
Virtue may flourish in an old cravat,
But man and nature scorn the shocking hat.
Does beauty slight you from her gay abodes?
Like bright Apollo, you must take to Rhoades,—­
Mount the new castor,—­ice itself will melt;
Boots, gloves, may fail; the hat is always felt.

Be shy of breastpins; plain, well-ironed white,
With small pearl buttons,—­two of them in sight,—­
Is always genuine, while your gems may pass,
Though real diamonds, for ignoble glass.
But spurn those paltry Cisatlantic lies
That round his breast the shabby rustic ties;
Breathe not the name profaned to hallow things
The indignant laundress blushes when she brings!

Our freeborn race, averse to every check,
Has tossed the yoke of Europe from its neck;
From the green prairie to the sea-girt town,
The whole wide nation turns its collars down.
The stately neck is manhood’s manliest part;
It takes the life-blood freshest from the heart.
With short, curled ringlets close around it spread,
How light and strong it lifts the Grecian head!
Thine, fair Erechtheus of Minerva’s wall;
Or thine, young athlete of the Louvre’s hall,
Smooth as the pillar flashing in the sun
That filled the arena where thy wreaths were won,
Firm as the band that clasps the antlered spoil
Strained in the winding anaconda’s coil
I spare the contrast; it were only kind
To be a little, nay, intensely blind.
Choose for yourself: I know it cuts your ear;
I know the points will sometimes interfere;
I know that often, like the filial John,
Whom sleep surprised with half his drapery on,
You show your features to the astonished town
With one side standing and the other down;—­
But, O, my friend! my favorite fellow-man!
If Nature made you on her modern plan,
Sooner than wander with your windpipe bare,—­
The fruit of Eden ripening in the air,—­
With that lean head-stalk, that protruding chin,
Wear standing collars, were they made of tin!
And have a neckcloth—­by the throat of Jove!—­
Cut from the funnel of a rusty stove!

The long-drawn lesson narrows to its close,
Chill, slender, slow, the dwindled current flows;
Tired of the ripples on its feeble springs,
Once more the Muse unfolds her upward wings.

Land of my birth, with this unhallowed tongue,
Thy hopes, thy dangers, I perchance had sung;
But who shall sing, in brutal disregard
Of all the essentials of the “native bard”?
Lake, sea, shore, prairie, forest, mountain, fall,
His eye omnivorous must devour them all;
The tallest summits and the broadest tides
His foot must compass with its giant strides,
Where Ocean thunders, where Missouri rolls,
And tread at once the tropics and the poles;
His food all forms of earth, fire, water, air,
His home all space, his birthplace everywhere.

Some grave compatriot, having seen perhaps
The pictured page that goes in Worcester’s Maps,
And, read in earnest what was said in jest,
“Who drives fat oxen”—­please to add the rest,—­
Sprung the odd notion that the poet’s dreams
Grow in the ratio of his hills and streams;
And hence insisted that the aforesaid “bard,”
Pink of the future, fancy’s pattern-card,
The babe of nature in the “giant West,”
Must be of course her biggest and her best.

Oh! when at length the expected bard shall come,
Land of our pride, to strike thine echoes dumb,
(And many a voice exclaims in prose and rhyme,
It’s getting late, and he’s behind his time,)
When all thy mountains clap their hands in joy,
And all thy cataracts thunder, “That ’s the boy,”—­
Say if with him the reign of song shall end,
And Heaven declare its final dividend!

Becalm, dear brother! whose impassioned strain
Comes from an alley watered by a drain;
The little Mincio, dribbling to the Po,
Beats all the epics of the Hoang Ho;
If loved in earnest by the tuneful maid,
Don’t mind their nonsense,—­never be afraid!

The nurse of poets feeds her winged brood
By common firesides, on familiar food;
In a low hamlet, by a narrow stream,
Where bovine rustics used to doze and dream,
She filled young William’s fiery fancy full,
While old John Shakespeare talked of beeves and wool!

No Alpine needle, with its climbing spire,
Brings down for mortals the Promethean fire,
If careless nature have forgot to frame
An altar worthy of the sacred flame.
Unblest by any save the goatherd’s lines,
Mont Blanc rose soaring through his “sea of pines;”
In vain the rivers from their ice-caves flash;
No hymn salutes them but the Ranz des Vaches,
Till lazy Coleridge, by the morning’s light,
Gazed for a moment on the fields of white,
And lo! the glaciers found at length a tongue,
Mont Blanc was vocal, and Chamouni sung!

Children of wealth or want, to each is given
One spot of green, and all the blue of heaven!
Enough if these their outward shows impart;
The rest is thine,—­the scenery of the heart.

If passion’s hectic in thy stanzas glow,
Thy heart’s best life-blood ebbing as they flow;
If with thy verse thy strength and bloom distil,
Drained by the pulses of the fevered thrill;
If sound’s sweet effluence polarize thy brain,
And thoughts turn crystals in thy fluid strain,—­
Nor rolling ocean, nor the prairie’s bloom,
Nor streaming cliffs, nor rayless cavern’s gloom,
Need’st thou, young poet, to inform thy line;
Thy own broad signet stamps thy song divine!
Let others gaze where silvery streams are rolled,
And chase the rainbow for its cup of gold;
To thee all landscapes wear a heavenly dye,
Changed in the glance of thy prismatic eye;
Nature evoked thee in sublimer throes,
For thee her inmost Arethusa flows,—­
The mighty mother’s living depths are stirred,—­
Thou art the starred Osiris of the herd!

A few brief lines; they touch on solemn chords,
And hearts may leap to hear their honest words;
Yet, ere the jarring bugle-blast is blown,
The softer lyre shall breathe its soothing tone.

New England! proudly may thy children claim
Their honored birthright by its humblest name
Cold are thy skies, but, ever fresh and clear,
No rank malaria stains thine atmosphere;
No fungous weeds invade thy scanty soil,
Scarred by the ploughshares of unslumbering toil.
Long may the doctrines by thy sages taught,
Raised from the quarries where their sires have wrought,
Be like the granite of thy rock-ribbed land,—­
As slow to rear, as obdurate to stand;
And as the ice that leaves thy crystal mine
Chills the fierce alcohol in the Creole’s wine,
So may the doctrines of thy sober school
Keep the hot theories of thy neighbors cool!

If ever, trampling on her ancient path,
Cankered by treachery or inflamed by wrath,
With smooth “Resolves” or with discordant cries,
The mad Briareus of disunion rise,
Chiefs of New England! by your sires’ renown,
Dash the red torches of the rebel down!
Flood his black hearthstone till its flames expire,
Though your old Sachem fanned his council-fire!

But if at last, her fading cycle run,
The tongue must forfeit what the arm has won,
Then rise, wild Ocean! roll thy surging shock
Full on old Plymouth’s desecrated rock!
Scale the proud shaft degenerate hands have hewn,
Where bleeding Valor stained the flowers of June!
Sweep in one tide her spires and turrets down,
And howl her dirge above Monadnock’s crown!

List not the tale; the Pilgrim’s hallowed shore,
Though strewn with weeds, is granite at the core;
Oh, rather trust that He who made her free
Will keep her true as long as faith shall be!
Farewell! yet lingering through the destined hour,
Leave, sweet Enchantress, one memorial flower!

An Angel, floating o’er the waste of snow
That clad our Western desert, long ago,
(The same fair spirit who, unseen by day,
Shone as a star along the Mayflower’s way,)—­
Sent, the first herald of the Heavenly plan,
To choose on earth a resting-place for man,—­
Tired with his flight along the unvaried field,
Turned to soar upwards, when his glance revealed
A calm, bright bay enclosed in rocky bounds,
And at its entrance stood three sister mounds.

The Angel spake: “This threefold hill shall be
The home of Arts, the nurse of Liberty!
One stately summit from its shaft shall pour
Its deep-red blaze along the darkened shore;
Emblem of thoughts that, kindling far and wide,
In danger’s night shall be a nation’s guide.
One swelling crest the citadel shall crown,
Its slanted bastions black with battle’s frown,
And bid the sons that tread its scowling heights
Bare their strong arms for man and all his rights!
One silent steep along the northern wave
Shall hold the patriarch’s and the hero’s grave;
When fades the torch, when o’er the peaceful scene
The embattled fortress smiles in living green,
The cross of Faith, the anchor staff of Hope,
Shall stand eternal on its grassy slope;
There through all time shall faithful Memory tell,
’Here Virtue toiled, and Patriot Valor fell;
Thy free, proud fathers slumber at thy side;
Live as they lived, or perish as they died!’”

FROM THE YOUNG ASTRONOMER'S POEM

I.

AMBITION

ANOTHER clouded night; the stars are hid,
The orb that waits my search is hid with them.
Patience! Why grudge an hour, a month, a year,
To plant my ladder and to gain the round
That leads my footsteps to the heaven of fame,
Where waits the wreath my sleepless midnights won?
Not the stained laurel such as heroes wear
That withers when some stronger conqueror's heel
Treads down their shrivelling trophies in the dust;
But the fair garland whose undying green
Not time can change, nor wrath of gods or men!

With quickened heart-beats I shall hear tongues
That speak my praise; but better far the sense
That in the unshaped ages, buried deep
In the dark mines of unaccomplished time
Yet to be stamped with morning's royal die
And coined in golden days,--in those dim years
I shall be reckoned with the undying dead,
My name emblazoned on the fiery arch,
Unfading till the stars themselves shall fade.
Then, as they call the roll of shining worlds,
Sages of race unborn in accents new
Shall count me with the Olympian ones of old,
Whose glories kindle through the midnight sky
Here glows the God of Battles; this recalls
The Lord of Ocean, and yon far-off sphere
The Sire of Him who gave his ancient name
To the dim planet with the wondrous rings;
Here flames the Queen of Beauty's silver lamp,
And there the moon-girt orb of mighty Jove;
But this, unseen through all earth's ions past,
A youth who watched beneath the western star
Sought in the darkness, found, and shewed to men;
Linked with his name thenceforth and evermore
So shall that name be syllabled anew
In all the tongues of all the tribes of men:
I that have been through immemorial years
Dust in the dust of my forgotten time
Shall live in accents shaped of blood-warm breath,
Yea, rise in mortal semblance, newly born
In shining stone, in undecaying bronze,
And stand on high, and look serenely down
On the new race that calls the earth its own.

Is this a cloud, that, blown athwart my soul,
Wears a false seeming of the pearly stain
Where worlds beyond the world their mingling rays
Blend in soft white,--a cloud that, born of earth,
Would cheat the soul that looks for light from heaven?
Must every coral-insect leave his sign
On each poor grain he lent to build the reef,
As Babel's builders stamped their sunburnt clay,
Or deem his patient service all in vain?
What if another sit beneath the shade
Of the broad elm I planted by the way,--
What if another heed the beacon light
I set upon the rock that wrecked my keel,--
Have I not done my task and served my kind?
Nay, rather act thy part, unnamed, unknown,
And let Fame blow her trumpet through the world
With noisy wind to swell a fool's renown,
Joined with some truth he stumbled blindly o'er,
Or coupled with some single shining deed
That in the great account of all his days
Will stand alone upon the bankrupt sheet
His pitying angel shows the clerk of Heaven.
The noblest service comes from nameless hands,
And the best servant does his work unseen.
Who found the seeds of fire and made them shoot,
Fed by his breath, in buds and flowers of flame?
Who forged in roaring flames the ponderous stone,
And shaped the moulded metal to his need?
Who gave the dragging car its rolling wheel,
And tamed the steed that whirls its circling round?
All these have left their work and not their names,--
Why should I murmur at a fate like theirs?
This is the heavenly light; the pearly stain
Was but a wind-cloud drifting o'er the stars!

II.

REGRETS

BRIEF glimpses of the bright celestial spheres,
False lights, false shadows, vague, uncertain gleams,
Pale vaporous mists, wan streaks of lurid flame,
The climbing of the upward-sailing cloud,
The sinking of the downward-falling star,--
All these are pictures of the changing moods
Borne through the midnight stillness of my soul.

Here am I, bound upon this pillared rock,
Prey to the vulture of a vast desire
That feeds upon my life. I burst my bands
And steal a moment's freedom from the beak,
The clinging talons and the shadowing plumes;
Then comes the false enchantress, with her song;

'Thou wouldst not lay thy forehead in the dust
Like the base herd that feeds and breeds and dies
Lo, the fair garlands that I weave for thee,
Unchanging as the belt Orion wears,
Bright as the jewels of the seven-starred Crown,
The spangled stream of Berenice's hair!'
And so she twines the fetters with the flowers
Around my yielding limbs, and the fierce bird
Stoops to his quarry,--then to feed his rage
Of ravening hunger I must drain my blood
And let the dew-drenched, poison-breeding night
Steal all the freshness from my fading cheek,
And leave its shadows round my caverned eyes.
All for a line in some unheeded scroll;
All for a stone that tells to gaping clowns,
'Here lies a restless wretch beneath a clod
Where squats the jealous nightmare men call
Fame!'

I marvel not at him who scorns his kind
And thinks not sadly of the time foretold
When the old hulk we tread shall be a wreck,
A slag, a cinder drifting through the sky
Without its crew of fools! We live too long,
And even so are not content to die,
But load the mould that covers up our bones
With stones that stand like beggars by the road
And show death's grievous wound and ask for tears;
Write our great books to teach men who we are,
Sing our fine songs that tell in artful phrase
The secrets of our lives, and plead and pray
For alms of memory with the after time,
Those few swift seasons while the earth shall wear
Its leafy summers, ere its core grows cold
And the moist life of all that breathes shall die;
Or as the new-born seer, perchance more wise,
Would have us deem, before its growing mass,
Pelted with star-dust, stoned with meteor-balls,
Heats like a hammered anvil, till at last
Man and his works and all that stirred itself
Of its own motion, in the fiery glow
Turns to a flaming vapor, and our orb
Shines a new sun for earths that shall be born.

I am as old as Egypt to myself,
Brother to them that squared the pyramids
By the same stars I watch. I read the page
Where every letter is a glittering world,
With them who looked from Shinar's clay-built towers,
Ere yet the wanderer of the Midland sea
Had missed the fallen sister of the seven.
I dwell in spaces vague, remote, unknown,
Save to the silent few, who, leaving earth,
Quit all communion with their living time.
I lose myself in that ethereal void,
Till I have tired my wings and long to fill
My breast with denser air, to stand, to walk
With eyes not raised above my fellow-men.
Sick of my unwalled, solitary realm,
I ask to change the myriad lifeless worlds
I visit as mine own for one poor patch
Of this dull spheroid and a little breath
To shape in word or deed to serve my kind.
Was ever giant's dungeon dug so deep,
Was ever tyrant's fetter forged so strong,
Was e'er such deadly poison in the draught
The false wife mingles for the trusting fool,
As he whose willing victim is himself,
Digs, forges, mingles, for his captive soul?

III.

SYMPATHIES

THE snows that glittered on the disk of Mars
Have melted, and the planet's fiery orb
Rolls in the crimson summer of its year;
But what to me the summer or the snow
Of worlds that throb with life in forms unknown,
If life indeed be theirs; I heed not these.
My heart is simply human; all my care
For them whose dust is fashioned like mine own;
These ache with cold and hunger, live in pain,
And shake with fear of worlds more full of woe;
There may be others worthier of my love,
But such I know not save through these I know.

There are two veils of language, hid beneath
Whose sheltering folds, we dare to be ourselves;
And not that other self which nods and smiles
And babbles in our name; the one is Prayer,
Lending its licensed freedom to the tongue
That tells our sorrows and our sins to Heaven;
The other, Verse, that throws its spangled web
Around our naked speech and makes it bold.
I, whose best prayer is silence; sitting dumb
In the great temple where I nightly serve
Him who is throned in light, have dared to claim
The poet's franchise, though I may not hope
To wear his garland; hear me while I tell
My story in such form as poets use,
But breathed in fitful whispers, as the wind
Sighs and then slumbers, wakes and sighs again.

Thou Vision, floating in the breathless air
Between me and the fairest of the stars,
I tell my lonely thoughts as unto thee.
Look not for marvels of the scholar's pen
In my rude measure; I can only show
A slender-margined, unillumined page,
And trust its meaning to the flattering eye
That reads it in the gracious light of love.
Ah, wouldst thou clothe thyself in breathing shape
And nestle at my side, my voice should lend
Whate'er my verse may lack of tender rhythm
To make thee listen.

I have stood entranced
When, with her fingers wandering o'er the keys,
The white enchantress with the golden hair
Breathed all her soul through some unvalued rhyme;
Some flower of song that long had lost its bloom;
Lo! its dead summer kindled as she sang!
The sweet contralto, like the ringdove's coo,
Thrilled it with brooding, fond, caressing tones,
And the pale minstrel's passion lived again,
Tearful and trembling as a dewy rose
The wind has shaken till it fills the air
With light and fragrance. Such the wondrous charm
A song can borrow when the bosom throbs
That lends it breath.

So from the poet's lips
His verse sounds doubly sweet, for none like him
Feels every cadence of its wave-like flow;
He lives the passion over, while he reads,
That shook him as he sang his lofty strain,
And pours his life through each resounding line,
As ocean, when the stormy winds are hushed,
Still rolls and thunders through his billowy caves.


IV.

MASTER AND SCHOLAR

LET me retrace the record of the years
That made me what I am. A man most wise,
But overworn with toil and bent with age,
Sought me to be his scholar,-me, run wild
From books and teachers,-kindled in my soul
The love of knowledge; led me to his tower,
Showed me the wonders of the midnight realm
His hollow sceptre ruled, or seemed to rule,
Taught me the mighty secrets of the spheres,
Trained me to find the glimmering specks of light
Beyond the unaided sense, and on my chart
To string them one by one, in order due,
As on a rosary a saint his beads.
I was his only scholar; I became
The echo to his thought; whate'er he knew
Was mine for asking; so from year to year
W e wrought together, till there came a time
When I, the learner, was the master half
Of the twinned being in the dome-crowned tower.

Minds roll in paths like planets; they revolve,
This in a larger, that a narrower ring,
But round they come at last to that same phase,
That selfsame light and shade they showed before.
I learned his annual and his monthly tale,
His weekly axiom and his daily phrase,
I felt them coming in the laden air,
And watched them laboring up to vocal breath,
Even as the first-born at his father's board
Knows ere he speaks the too familiar jest
Is on its way, by some mysterious sign
Forewarned, the click before the striking bell.

He shrivelled as I spread my growing leaves,
Till trust and reverence changed to pitying care;
He lived for me in what he once had been,
But I for him, a shadow, a defence,
The guardian of his fame, his guide, his staff,
Leaned on so long he fell if left alone.
I was his eye, his ear, his cunning hand,
Love was my spur and longing after fame,
But his the goading thorn of sleepless age
That sees its shortening span, its lengthening shades,
That clutches what it may with eager grasp,
And drops at last with empty, outstretched hands.
All this he dreamed not. He would sit him down
Thinking to work his problems as of old,
And find the star he thought so plain a blur,
The columned figures labyrinthine wilds
Without my comment, blind and senseless scrawls
That vexed him with their riddles; he would strive
And struggle for a while, and then his eye
Would lose its light, and over all his mind
The cold gray mist would settle; and erelong
The darkness fell, and I was left alone.


V.

ALONE

ALONE! no climber of an Alpine cliff,
No Arctic venturer on the waveless sea,
Feels the dread stillness round him as it chills
The heart of him who leaves the slumbering earth
To watch the silent worlds that crowd the sky.
Alone! And as the shepherd leaves his flock
To feed upon the hillside, he meanwhile
Finds converse in the warblings of the pipe
Himself has fashioned for his vacant hour,
So have I grown companion to myself,
And to the wandering spirits of the air
That smile and whisper round us in our dreams.
Thus have I learned to search if I may know
The whence and why of all beneath the stars
And all beyond them, and to weigh my life
As in a balance,--poising good and ill
Against each other,--asking of the Power
That flung me forth among the whirling worlds,
If I am heir to any inborn right,
Or only as an atom of the dust
That every wind may blow where'er it will.


VI.

QUESTIONING

I AM not humble; I was shown my place,
Clad in such robes as Nature had at hand;
Took what she gave, not chose; I know no shame,
No fear for being simply what I am.
I am not proud, I hold my every breath
At Nature's mercy. I am as a babe
Borne in a giant's arms, he knows not where;
Each several heart-beat, counted like the coin
A miser reckons, is a special gift
As from an unseen hand; if that withhold
Its bounty for a moment, I am left
A clod upon the earth to which I fall.

Something I find in me that well might claim
The love of beings in a sphere above
This doubtful twilight world of right and wrong;
Something that shows me of the self-same clay
That creeps or swims or flies in humblest form.
Had I been asked, before I left my bed
Of shapeless dust, what clothing I would wear,
I would have said, More angel and less worm;
But for their sake who are even such as I,
Of the same mingled blood, I would not choose
To hate that meaner portion of myself
Which makes me brother to the least of men.

I dare not be a coward with my lips
Who dare to question all things in my soul;
Some men may find their wisdom on their knees,
Some prone and grovelling in the dust like slaves;
Let the meek glowworm glisten in the dew;
I ask to lift my taper to the sky
As they who hold their lamps above their heads,
Trusting the larger currents up aloft,
Rather than crossing eddies round their breast,
Threatening with every puff the flickering blaze.

My life shall be a challenge, not a truce!
This is my homage to the mightier powers,
To ask my boldest question, undismayed
By muttered threats that some hysteric sense
Of wrong or insult will convulse the throne
Where wisdom reigns supreme; and if I err,
They all must err who have to feel their way
As bats that fly at noon; for what are we
But creatures of the night, dragged forth by day,
Who needs must stumble, and with stammering steps
Spell out their paths in syllables of pain?

Thou wilt not hold in scorn the child who dares
Look up to Thee, the Father,--dares to ask
More than thy wisdom answers. From thy hand
The worlds were cast; yet every leaflet claims
From that same hand its little shining sphere
Of star-lit dew; thine image, the great sun,
Girt with his mantle of tempestuous flame,
Glares in mid-heaven; but to his noon-tide blaze
The slender violet lifts its lidless eye,
And from his splendor steals its fairest hue,
Its sweetest perfume from his scorching fire.


VII.

WORSHIP

FROM my lone turret as I look around
O'er the green meadows to the ring of blue,
From slope, from summit, and from half-hid vale
The sky is stabbed with dagger-pointed spires,
Their gilded symbols whirling in the wind,
Their brazen tongues proclaiming to the world,
'Here truth is sold, the only genuine ware;
See that it has our trade-mark! You will buy
Poison instead of food across the way,
The lies of -----' this or that, each several name
The standard's blazon and the battle-cry
Of some true-gospel faction, and again
The token of the Beast to all beside.
And grouped round each I see a huddling crowd
Alike in all things save the words they use;
In love, in longing, hate and fear the same.

Whom do we trust and serve? We speak of one
And bow to many; Athens still would find
The shrines of all she worshipped safe within
Our tall barbarian temples, and the thrones
That crowned Olympus mighty as of old.
The god of music rules the Sabbath choir;
The lyric muse must leave the sacred nine
To help us please the dilettante's ear;
Plutus limps homeward with us, as we leave
The portals of the temple where we knelt
And listened while the god of eloquence
(Hermes of ancient days, but now disguised
In sable vestments) with that other god
Somnus, the son of Erebus and Nox,
Fights in unequal contest for our souls;
The dreadful sovereign of the under world
Still shakes his sceptre at us, and we hear
The baying of the triple-throated hound;
Eros is young as ever, and as fair
The lovely Goddess born of ocean's foam.

These be thy gods, O Israel! Who is he,
The one ye name and tell us that ye serve,
Whom ye would call me from my lonely tower
To worship with the many-headed throng?
Is it the God that walked in Eden's grove
In the cool hour to seek our guilty sire?
The God who dealt with Abraham as the sons
Of that old patriarch deal with other men?
The jealous God of Moses, one who feels
An image as an insult, and is wroth
With him who made it and his child unborn?
The God who plagued his people for the sin
Of their adulterous king, beloved of him,--
The same who offers to a chosen few
The right to praise him in eternal song
While a vast shrieking world of endless woe
Blends its dread chorus with their rapturous hymn?
Is this the God ye mean, or is it he
Who heeds the sparrow's fall, whose loving heart
Is as the pitying father's to his child,
Whose lesson to his children is 'Forgive,'
Whose plea for all, 'They know not what they do'?


VIII.

MANHOOD

I CLAIM the right of knowing whom I serve,
Else is my service idle; He that asks
My homage asks it from a reasoning soul.
To crawl is not to worship; we have learned
A drill of eyelids, bended neck and knee,
Hanging our prayers on hinges, till we ape
The flexures of the many-jointed worm.
Asia has taught her Allahs and salaams
To the world's children,-we have grown to men!
We who have rolled the sphere beneath our feet
To find a virgin forest, as we lay
The beams of our rude temple, first of all
Must frame its doorway high enough for man
To pass unstooping; knowing as we do
That He who shaped us last of living forms
Has long enough been served by creeping things,
Reptiles that left their footprints in the sand
Of old sea-margins that have turned to stone,
And men who learned their ritual; we demand
To know Him first, then trust Him and then love
When we have found Him worthy of our love,
Tried by our own poor hearts and not before;
He must be truer than the truest friend,
He must be tenderer than a woman's love,
A father better than the best of sires;
Kinder than she who bore us, though we sin
Oftener than did the brother we are told
We--poor ill-tempered mortals--must forgive,
Though seven times sinning threescore times and
ten.

This is the new world's gospel: Be ye men!
Try well the legends of the children's time;
Ye are the chosen people, God has led
Your steps across the desert of the deep
As now across the desert of the shore;
Mountains are cleft before you as the sea
Before the wandering tribe of Israel's sons;
Still onward rolls the thunderous caravan,
Its coming printed on the western sky,
A cloud by day, by night a pillared flame;
Your prophets are a hundred unto one
Of them of old who cried, 'Thus saith the Lord;'
They told of cities that should fall in heaps,
But yours of mightier cities that shall rise
Where yet the lonely fishers spread their nets,
Where hides the fox and hoots the midnight owl;
The tree of knowledge in your garden grows
Not single, but at every humble door;
Its branches lend you their immortal food,
That fills you with the sense of what ye are,
No servants of an altar hewed and carved
From senseless stone by craft of human hands,
Rabbi, or dervish, brahmin, bishop, bonze,
But masters of the charm with which they work
To keep your hands from that forbidden tree!

Ye that have tasted that divinest fruit,
Look on this world of yours with opened eyes!
Y e are as gods! Nay, makers of your gods,--
Each day ye break an image in your shrine
And plant a fairer image where it stood
Where is the Moloch of your fathers' creed,
Whose fires of torment burned for span--long babes?
Fit object for a tender mother's love!
Why not? It was a bargain duly made
For these same infants through the surety's act
Intrusted with their all for earth and heaven,
By Him who chose their guardian, knowing well
His fitness for the task,--this, even this,
Was the true doctrine only yesterday
As thoughts are reckoned,--and to--day you hear
In words that sound as if from human tongues
Those monstrous, uncouth horrors of the past
That blot the blue of heaven and shame the earth
As would the saurians of the age of slime,
Awaking from their stony sepulchres
And wallowing hateful in the eye of day!


IX.

RIGHTS

WHAT am I but the creature Thou hast made?
What have I save the blessings Thou hast lent?
What hope I but thy mercy and thy love?
Who but myself shall cloud my soul with fear?
Whose hand protect me from myself but thine?
I claim the rights of weakness, I, the babe,
Call on my sire to shield me from the ills
That still beset my path, not trying me
With snares beyond my wisdom or my strength,
He knowing I shall use them to my harm,
And find a tenfold misery in the sense
That in my childlike folly I have sprung
The trap upon myself as vermin use,
Drawn by the cunning bait to certain doom.
Who wrought the wondrous charm that leads us on
To sweet perdition, but the selfsame power
That set the fearful engine to destroy
His wretched offspring (as the Rabbis tell),
And hid its yawning jaws and treacherous springs
In such a show of innocent sweet flowers
It lured the sinless angels and they fell?
Ah! He who prayed the prayer of all mankind
Summed in those few brief words the mightiest plea
For erring souls before the courts of heaven,--
_Save us from being tempted_,--lest we fall!

If we are only as the potter's clay
Made to be fashioned as the artist wills,
And broken into shards if we offend
The eye of Him who made us, it is well;
Such love as the insensate lump of clay
That spins upon the swift-revolving wheel
Bears to the hand that shapes its growing form,--
Such love, no more, will be our hearts' return
To the great Master-workman for his care,--
Or would be, save that this, our breathing clay,
Is intertwined with fine innumerous threads
That make it conscious in its framer's hand;
And this He must remember who has filled
These vessels with the deadly draught of life,--
Life, that means death to all it claims. Our love
Must kindle in the ray that streams from heaven,
A faint reflection of the light divine;
The sun must warm the earth before the rose
Can show her inmost heart-leaves to the sun.

He yields some fraction of the Maker's right
Who gives the quivering nerve its sense of pain;
Is there not something in the pleading eye
Of the poor brute that suffers, which arraigns
The law that bids it suffer? Has it not
A claim for some remembrance in the book
That fills its pages with the idle words
Spoken of men? Or is it only clay,
Bleeding and aching in the potter's hand,
Yet all his own to treat it as He will
And when He will to cast it at his feet,
Shattered, dishonored, lost forevermore?
My dog loves me, but could he look beyond
His earthly master, would his love extend
To Him who--Hush! I will not doubt that He
Is better than our fears, and will not wrong
The least, the meanest of created things!

He would not trust me with the smallest orb
That circles through the sky; He would not give
A meteor to my guidance; would not leave
The coloring of a cloudlet to my hand;
He locks my beating heart beneath its bars
And keeps the key himself; He measures out
The draughts of vital breath that warm my blood,
Winds up the springs of instinct which uncoil,
Each in its season; ties me to my home,
My race, my time, my nation, and my creed
So closely that if I but slip my wrist
Out of the band that cuts it to the bone,
Men say, 'He hath a devil;' He has lent
All that I hold in trust, as unto one
By reason of his weakness and his years
Not fit to hold the smallest shred in fee
Of those most common things he calls his own,--
And yet--my Rabbi tells me--He has left
The care of that to which a million worlds
Filled with unconscious life were less than naught,
Has left that mighty universe, the Soul,
To the weak guidance of our baby hands,
Let the foul fiends have access at their will,
Taking the shape of angels, to our hearts,--
Our hearts already poisoned through and through
With the fierce virus of ancestral sin;
Turned us adrift with our immortal charge,
To wreck ourselves in gulfs of endless woe.

If what my Rabbi tells me is the truth
Why did the choir of angels sing for joy?
Heaven must be compassed in a narrow space,
And offer more than room enough for all
That pass its portals; but the under-world,
The godless realm, the place where demons forge
Their fiery darts and adamantine chains,
Must swarm with ghosts that for a little while
Had worn the garb of flesh, and being heirs
Of all the dulness of their stolid sires,
And all the erring instincts of their tribe,
Nature's own teaching, rudiments of 'sin,'
Fell headlong in the snare that could not fail
To trap the wretched creatures shaped of clay
And cursed with sense enough to lose their souls!

Brother, thy heart is troubled at my word;
Sister, I see the cloud is on thy brow.
He will not blame me, He who sends not peace,
But sends a sword, and bids us strike amain
At Error's gilded crest, where in the van
Of earth's great army, mingling with the best
And bravest of its leaders, shouting loud
The battle-cries that yesterday have led
The host of Truth to victory, but to-day
Are watchwords of the laggard and the slave,
He leads his dazzled cohorts. God has made
This world a strife of atoms and of spheres;
With every breath I sigh myself away
And take my tribute from the wandering wind
To fan the flame of life's consuming fire;
So, while my thought has life, it needs must burn,
And, burning, set the stubble-fields ablaze,
Where all the harvest long ago was reaped
And safely garnered in the ancient barns.
But still the gleaners, groping for their food,
Go blindly feeling through the close-shorn straw,
While the young reapers flash, their glittering steel
Where later suns have ripened nobler grain!


X.

TRUTHS

THE time is racked with birth-pangs; every hour
Brings forth some gasping truth, and truth newborn
Looks a misshapen and untimely growth,
The terror of the household and its shame,
A monster coiling in its nurse's lap
That some would strangle, some would only starve;
But still it breathes, and passed from hand to hand,
And suckled at a hundred half-clad breasts,
Comes slowly to its stature and its form,
Calms the rough ridges of its dragon-scales,
Changes to shining locks its snaky hair,
And moves transfigured into angel guise,
Welcomed by all that cursed its hour of birth,
And folded in the same encircling arms
That cast it like a serpent from their hold!

If thou wouldst live in honor, die in peace,
Have the fine words the marble-workers learn
To carve so well, upon thy funeral-stone,
And earn a fair obituary, dressed
In all the many-colored robes of praise,
Be deafer than the adder to the cry
Of that same foundling truth, until it grows
To seemly favor, and at length has won
The smiles of hard-mouthed men and light-lipped dames;
Then snatch it from its meagre nurse's breast,
Fold it in silk and give it food from gold;
So shalt thou share its glory when at last
It drops its mortal vesture, and, revealed
In all the splendor of its heavenly form,
Spreads on the startled air its mighty wings!

Alas! how much that seemed immortal truth
That heroes fought for, martyrs died to save,
Reveals its earth-born lineage, growing old
And limping in its march, its wings unplumed,
Its heavenly semblance faded like a dream!
Here in this painted casket, just unsealed,
Lies what was once a breathing shape like thine,
Once loved as thou art loved; there beamed the eyes
That looked on Memphis in its hour of pride,
That saw the walls of hundred-gated Thebes,
And all the mirrored glories of the Nile.
See how they toiled that all-consuming time
Might leave the frame immortal in its tomb;
Filled it with fragrant balms and odorous gums
That still diffuse their sweetness through the air,
And wound and wound with patient fold on fold
The flaxen bands thy hand has rudely torn!
Perchance thou yet canst see the faded stain
Of the sad mourner's tear.


XI.

IDOLS

BUT what is this?
The sacred beetle, bound upon the breast
Of the blind heathen! Snatch the curious prize,
Give it a place among thy treasured spoils,
Fossil and relic,--corals, encrinites,
The fly in amber and the fish in stone,
The twisted circlet of Etruscan gold,
Medal, intaglio, poniard, poison-ring,--
Place for the Memphian beetle with thine hoard!

AM longer than thy creed has blest the world
This toy, thus ravished from thy brother's breast,
Was to the heart of Mizraim as divine,
As holy, as the symbol that we lay
On the still bosom of our white-robed dead,
And raise above their dust that all may know
Here sleeps an heir of glory. Loving friends,
With tears of trembling faith and choking sobs,
And prayers to those who judge of mortal deeds,
Wrapped this poor image in the cerement's fold
That Isis and Osiris, friends of man,
Might know their own and claim the ransomed soul.

An idol? Man was born to worship such!
An idol is an image of his thought;
Sometimes he carves it out of gleaming stone,
And sometimes moulds it out of glittering gold,
Or rounds it in a mighty frescoed dome,
Or lifts it heavenward in a lofty spire,
Or shapes it in a cunning frame of words,
Or pays his priest to make it day by day;
For sense must have its god as well as soul;
A new-born Dian calls for silver shrines,
And Egypt's holiest symbol is our own,
The sign we worship as did they of old
When Isis and Osiris ruled the world.

Let us be true to our most subtle selves,
We long to have our idols like the rest.
Think! when the men of Israel had their God
Encamped among them, talking with their chief,
Leading them in the pillar of the cloud
And watching o'er them in the shaft of fire,
They still must have an image; still they longed
For somewhat of substantial, solid form
Whereon to hang their garlands, and to fix
Their wandering thoughts and gain a stronger hold
For their uncertain faith, not yet assured
If those same meteors of the day and night
Were not mere exhalations of the soil.
Are we less earthly than the chosen race?
Are we more neighbors of the living God
Than they who gathered manna every morn,
Reaping where none had sown, and heard the voice
Of him who met the Highest in the mount,
And brought them tables, graven with His hand?
Yet these must have their idol, brought their gold,
That star-browed Apis might be god again;
Yea, from their ears the women brake the rings
That lent such splendors to the gypsy brown
Of sunburnt cheeks,--what more could woman do
To show her pious zeal? They went astray,
But nature led them as it leads us all.
We too, who mock at Israel's golden calf
And scoff at Egypt's sacred scarabee,
Would have our amulets to clasp and kiss,
And flood with rapturous tears, and bear with us
To be our dear companions in the dust;
Such magic works an image in our souls.

Man is an embryo; see at twenty years
His bones, the columns that uphold his frame
Not yet cemented, shaft and capital,
Mere fragments of the temple incomplete.
At twoscore, threescore, is he then full grown?
Nay, still a child, and as the little maids
Dress and undress their puppets, so he tries
To dress a lifeless creed, as if it lived,
And change its raiment when the world cries shame!

We smile to see our little ones at play
So grave, so thoughtful, with maternal care
Nursing the wisps of rags they call their babes;--
Does He not smile who sees us with the toys
We call by sacred names, and idly feign
To be what we have called them? He is still
The Father of this helpless nursery-brood,
Whose second childhood joins so close its first,
That in the crowding, hurrying years between
We scarce have trained our senses to their task
Before the gathering mist has dimmed our eyes,
And with our hollowed palm we help our ear,
And trace with trembling hand our wrinkled names,
And then begin to tell our stories o'er,
And see--not hear--the whispering lips that say,
'You know? Your father knew him.--This is he,
Tottering and leaning on the hireling's arm,'--
And so, at length, disrobed of all that clad
The simple life we share with weed and worm,
Go to our cradles, naked as we came.


XII.

LOVE

WHAT if a soul redeemed, a spirit that loved
While yet on earth and was beloved in turn,
And still remembered every look and tone
Of that dear earthly sister who was left
Among the unwise virgins at the gate,--
Itself admitted with the bridegroom's train,--
What if this spirit redeemed, amid the host
Of chanting angels, in some transient lull
Of the eternal anthem, heard the cry
Of its lost darling, whom in evil hour
Some wilder pulse of nature led astray
And left an outcast in a world of fire,
Condemned to be the sport of cruel fiends,
Sleepless, unpitying, masters of the skill
To wring the maddest ecstasies of pain
From worn-out souls that only ask to die,--
Would it not long to leave the bliss of heaven,--
Bearing a little water in its hand
To moisten those poor lips that plead in vain
With Him we call our Father? Or is all
So changed in such as taste celestial joy
They hear unmoved the endless wail of woe;
The daughter in the same dear tones that hushed
Her cradle slumbers; she who once had held
A babe upon her bosom from its voice
Hoarse with its cry of anguish, yet the same?

No! not in ages when the Dreadful Bird
Stamped his huge footprints, and the Fearful Beast
Strode with the flesh about those fossil bones
We build to mimic life with pygmy hands,--
Not in those earliest days when men ran wild
And gashed each other with their knives of stone,
When their low foreheads bulged in ridgy brows
And their flat hands were callous in the palm
With walking in the fashion of their sires,
Grope as they might to find a cruel god
To work their will on such as human wrath
Had wrought its worst to torture, and had left
With rage unsated, white and stark and cold,
Could hate have shaped a demon more malign
Than him the dead men mummied in their creed
And taught their trembling children to adore!

Made in his image! Sweet and gracious souls
Dear to my heart by nature's fondest names,
Is not your memory still the precious mould
That lends its form to Him who hears my prayer?
Thus only I behold Him, like to them,
Long-suffering, gentle, ever slow to wrath,
If wrath it be that only wounds to heal,
Ready to meet the wanderer ere he reach
The door he seeks, forgetful of his sin,
Longing to clasp him in a father's arms,
And seal his pardon with a pitying tear!

Four gospels tell their story to mankind,
And none so full of soft, caressing words
That bring the Maid of Bethlehem and her Babe
Before our tear-dimmed eyes, as his who learned
In the meek service of his gracious art
The tones which, like the medicinal balms
That calm the sufferer's anguish, soothe our souls.
Oh that the loving woman, she who sat
So long a listener at her Master's feet,
Had left us Mary's Gospel,--all she heard
Too sweet, too subtle for the ear of man!
Mark how the tender-hearted mothers read
The messages of love between the lines
Of the same page that loads the bitter tongue
Of him who deals in terror as his trade
With threatening words of wrath that scorch like flame
They tell of angels whispering round the bed
Of the sweet infant smiling in its dream,
Of lambs enfolded in the Shepherd's arms,
Of Him who blessed the children; of the land
Where crystal rivers feed unfading flowers,
Of cities golden-paved with streets of pearl,
Of the white robes the winged creatures wear,
The crowns and harps from whose melodious strings
One long, sweet anthem flows forevermore!
We too had human mothers, even as Thou,
Whom we have learned to worship as remote
From mortal kindred, wast a cradled babe.
The milk of woman filled our branching veins,
She lulled us with her tender nursery-song,
And folded round us her untiring arms,
While the first unremembered twilight yeas
Shaped us to conscious being; still we feel
Her pulses in our own,--too faintly feel;
Would that the heart of woman warmed our creeds!

Not from the sad-eyed hermit's lonely cell,
Not from the conclave where the holy men
Glare on each other, as with angry eyes
They battle for God's glory and their own,
Till, sick of wordy strife, a show of hands
Fixes the faith of ages yet unborn,--
Ah, not from these the listening soul can hear
The Father's voice that speaks itself divine!
Love must be still our Master; till we learn
What he can teach us of a woman's heart,
We know not His whose love embraces all.