Oliver Wendell Holmes: Verses about Daybreak

WHEN Eve had led her lord away,
And Cain had killed his brother,
The stars and flowers, the poets say,
Agreed with one another.

To cheat the cunning tempter's art,
And teach the race its duty,
By keeping on its wicked heart
Their eyes of light and beauty.

A million sleepless lids, they say,
Will be at least a warning;
And so the flowers would watch by day,
The stars from eve to morning.

On hill and prairie, field and lawn,
Their dewy eyes upturning,
The flowers still watch from reddening dawn
Till western skies are burning.

Alas! each hour of daylight tells
A tale of shame so crushing,
That some turn white as sea-bleached shells,
And some are always blushing.

But when the patient stars look down
On all their light discovers,
The traitor's smile, the murderer's frown,
The lips of lying lovers,

They try to shut their saddening eyes,
And in the vain endeavor
We see them twinkling in the skies,
And so they wink forever.

NOVEMBER 3, 1864

O EVEN-HANDED Nature! we confess
This life that men so honor, love, and bless
Has filled thine olden measure. Not the less.

We count the precious seasons that remain;
Strike not the level of the golden grain,
But heap it high with years, that earth may gain.

What heaven can lose,--for heaven is rich in song
Do not all poets, dying, still prolong
Their broken chants amid the seraph throng,

Where, blind no more, Ionia's bard is seen,
And England's heavenly minstrel sits between
The Mantuan and the wan-cheeked Florentine?

This was the first sweet singer in the cage
Of our close-woven life. A new-born age
Claims in his vesper song its heritage.

Spare us, oh spare us long our heart's desire!
Moloch, who calls our children through the fire,
Leaves us the gentle master of the lyre.

We count not on the dial of the sun
The hours, the minutes, that his sands have run;
Rather, as on those flowers that one by one.

From earliest dawn their ordered bloom display
Till evening's planet with her guiding ray
Leads in the blind old mother of the day,

We reckon by his songs, each song a flower,
The long, long daylight, numbering hour by hour,
Each breathing sweetness like a bridal bower.

His morning glory shall we e'er forget?
His noontide's full-blown lily coronet?
His evening primrose has not opened yet;

Nay, even if creeping Time should hide the skies
In midnight from his century-laden eyes,
Darkened like his who sang of Paradise,

Would not some hidden song-bud open bright
As the resplendent cactus of the night
That floods the gloom with fragrance and with
light?

How can we praise the verse whose music flows
With solemn cadence and majestic close,
Pure as the dew that filters through the rose?

How shall we thank him that in evil days
He faltered never,--nor for blame, nor praise,
Nor hire, nor party, shamed his earlier lays?

But as his boyhood was of manliest hue,
So to his youth his manly years were true,
All dyed in royal purple through and through!

He for whose touch the lyre of Heaven is strung
Needs not the flattering toil of mortal tongue
Let not the singer grieve to die unsung!

Marbles forget their message to mankind:
In his own verse the poet still we find,
In his own page his memory lives enshrined,

As in their amber sweets the smothered bees,--
As the fair cedar, fallen before the breeze,
Lies self-embalmed amidst the mouldering trees.

Poets, like youngest children, never grow
Out of their mother's fondness. Nature so
Holds their soft hands, and will not let them go,

Till at the last they track with even feet
Her rhythmic footsteps, and their pulses beat
Twinned with her pulses, and their lips repeat.

The secrets she has told them, as their own
Thus is the inmost soul of Nature known,
And the rapt minstrel shares her awful throne!

O lover of her mountains and her woods,
Her bridal chamber's leafy solitudes,
Where Love himself with tremulous step intrudes,

Her snows fall harmless on thy sacred fire
Far be the day that claims thy sounding lyre
To join the music of the angel choir!

Yet, since life's amplest measure must be filled,
Since throbbing hearts must be forever stilled,
And all must fade that evening sunsets gild,

Grant, Father, ere he close the mortal eyes
That see a Nation's reeking sacrifice,
Its smoke may vanish from these blackened skies!

Then, when his summons comes, since come it must,
And, looking heavenward with unfaltering trust,
He wraps his drapery round him for the dust,

His last fond glance will show him o'er his head
The Northern fires beyond the zenith spread
In lambent glory, blue and white and red,--

The Southern cross without its bleeding load,
The milky way of peace all freshly strowed,
And every white-throned star fixed in its lost
abode!

THIS is our place of meeting; opposite
That towered and pillared building: look at it;
King's Chapel in the Second George's day,
Rebellion stole its regal name away,--
Stone Chapel sounded better; but at last
The poisoned name of our provincial past
Had lost its ancient venom; then once more
Stone Chapel was King's Chapel as before.
(So let rechristened North Street, when it can,
Bring back the days of Marlborough and Queen Anne!)
Next the old church your wandering eye will meet--
A granite pile that stares upon the street--
Our civic temple; slanderous tongues have said
Its shape was modelled from St. Botolph's head,
Lofty, but narrow; jealous passers-by
Say Boston always held her head too high.
Turn half-way round, and let your look survey
The white facade that gleams across the way,--
The many-windowed building, tall and wide,
The palace-inn that shows its northern side
In grateful shadow when the sunbeams beat
The granite wall in summer's scorching heat.
This is the place; whether its name you spell
Tavern, or caravansera, or hotel.
Would I could steal its echoes! you should find
Such store of vanished pleasures brought to mind
Such feasts! the laughs of many a jocund hour
That shook the mortar from King George's tower;
Such guests! What famous names its record boasts,
Whose owners wander in the mob of ghosts!
Such stories! Every beam and plank is filled
With juicy wit the joyous talkers spilled,
Ready to ooze, as once the mountain pine
The floors are laid with oozed its turpentine!

A month had flitted since The Club had met;
The day came round; I found the table set,
The waiters lounging round the marble stairs,
Empty as yet the double row of chairs.
I was a full half hour before the rest,
Alone, the banquet-chamber's single guest.
So from the table's side a chair I took,
And having neither company nor book
To keep me waking, by degrees there crept
A torpor over me,--in short, I slept.

Loosed from its chain, along the wreck-strown track
Of the dead years my soul goes travelling back;
My ghosts take on their robes of flesh; it seems
Dreaming is life; nay, life less life than dreams,
So real are the shapes that meet my eyes.
They bring no sense of wonder, no surprise,
No hint of other than an earth-born source;
All seems plain daylight, everything of course.

How dim the colors are, how poor and faint
This palette of weak words with which I paint!
Here sit my friends; if I could fix them so
As to my eyes they seem, my page would glow
Like a queen's missal, warm as if the brush
Of Titian or Velasquez brought the flush
Of life into their features. Ay de mi!
If syllables were pigments, you should see
Such breathing portraitures as never man
Found in the Pitti or the Vatican.

Here sits our POET, Laureate, if you will.
Long has he worn the wreath, and wears it still.
Dead? Nay, not so; and yet they say his bust
Looks down on marbles covering royal dust,
Kings by the Grace of God, or Nature's grace;
Dead! No! Alive! I see him in his place,
Full-featured, with the bloom that heaven denies
Her children, pinched by cold New England skies,
Too often, while the nursery's happier few
Win from a summer cloud its roseate hue.
Kind, soft-voiced, gentle, in his eye there shines
The ray serene that filled Evangeline's.
Modest he seems, not shy; content to wait
Amid the noisy clamor of debate
The looked-for moment when a peaceful word
Smooths the rough ripples louder tongues have stirred.
In every tone I mark his tender grace
And all his poems hinted in his face;
What tranquil joy his friendly presence gives!
How could. I think him dead? He lives! He lives!

There, at the table's further end I see
In his old place our Poet's vis-a-vis,
The great PROFESSOR, strong, broad-shouldered, square,
In life's rich noontide, joyous, debonair.
His social hour no leaden care alloys,
His laugh rings loud and mirthful as a boy's,--
That lusty laugh the Puritan forgot,--
What ear has heard it and remembers not?
How often, halting at some wide crevasse
Amid the windings of his Alpine pass,
High up the cliffs, the climbing mountaineer,
Listening the far-off avalanche to hear,
Silent, and leaning on his steel-shod staff,
Has heard that cheery voice, that ringing laugh,
From the rude cabin whose nomadic walls
Creep with the moving glacier as it crawls
How does vast Nature lead her living train
In ordered sequence through that spacious brain,
As in the primal hour when Adam named
The new-born tribes that young creation claimed!--
How will her realm be darkened, losing thee,
Her darling, whom we call _our_ AGASSIZ!

But who is he whose massive frame belies
The maiden shyness of his downcast eyes?
Who broods in silence till, by questions pressed,
Some answer struggles from his laboring breast?
An artist Nature meant to dwell apart,
Locked in his studio with a human heart,
Tracking its eaverned passions to their lair,
And all its throbbing mysteries laying bare.
Count it no marvel that he broods alone
Over the heart he studies,--'t is his own;
So in his page, whatever shape it wear,
The Essex wizard's shadowed self is there,--
The great ROMANCER, hid beneath his veil
Like the stern preacher of his sombre tale;
Virile in strength, yet bashful as a girl,
Prouder than Hester, sensitive as Pearl.

From his mild throng of worshippers released,
Our Concord Delphi sends its chosen priest,
Prophet or poet, mystic, sage, or seer,
By every title always welcome here.
Why that ethereal spirit's frame describe?
You know the race-marks of the Brahmin tribe,
The spare, slight form, the sloping shoulders' droop,
The calm, scholastic mien, the clerkly stoop,
The lines of thought the sharpened features wear,
Carved by the edge of keen New England air.
List! for he speaks! As when a king would choose
The jewels for his bride, he might refuse
This diamond for its flaw,--find that less bright
Than those, its fellows, and a pearl less white
Than fits her snowy neck, and yet at last,
The fairest gems are chosen, and made fast
In golden fetters; so, with light delays
He seeks the fittest word to fill his phrase;
Nor vain nor idle his fastidious quest,
His chosen word is sure to prove the best.
Where in the realm of thought, whose air is song,
Does he, the Buddha of the West, belong?
He seems a winged Franklin, sweetly wise,
Born to unlock the secrets of the skies;
And which the nobler calling,--if 't is fair
Terrestrial with celestial to compare,--
To guide the storm-cloud's elemental flame,
Or walk the chambers whence the lightning came,
Amidst the sources of its subtile fire,
And steal their effluence for his lips and lyre?
If lost at times in vague aerial flights,
None treads with firmer footstep when he lights;
A soaring nature, ballasted with sense,
Wisdom without her wrinkles or pretence,
In every Bible he has faith to read,
And every altar helps to shape his creed.
Ask you what name this prisoned spirit bears
While with ourselves this fleeting breath it shares?
Till angels greet him with a sweeter one
In heaven, on earth we call him EMERSON.

I start; I wake; the vision is withdrawn;
Its figures fading like the stars at dawn;
Crossed from the roll of life their cherished names,
And memory's pictures fading in their frames;
Yet life is lovelier for these transient gleams
Of buried friendships; blest is he who dreams!