Analysis of poems
- A Jayen Ham Nazar Jo Koi Dam Bahut Hai Yan
- Ab Jo Ik Hasrat E Jawani Hai Hai
- Andoh Se Hui Na Rihai Tamam Shab
- Ankhon Mein Ji Mera Hai Idhar Yar Dekhna
- Arzuen Hazar Rakhte Hain
- Ashk Aakhon Mai Kab Nahiin Aataa
- Barang E Bu E Gul, Is Bagh K Ham Ashna Hote
- Bat Kya Admi Ki Ban Ai
- Be-Khudii Le Gaii Kahaan Ham Ko
- Dam-E-Subah Bazm-E-Khush Jahan
Mir Taqi Mir (Urdu: میر تقی میر), whose real name was Muhammad Taqi (Urdu: محمد تقی) and takhallus (pen name) was Mir (Urdu: میر) (sometimes also spelt as Meer Taqi Meer), was the leading Urdu poet of the 18th century, and one of the pioneers who gave shape to the Urdu language itself. He was one of the principal poets of the Delhi School of the Urdu ghazal and remains arguably the foremost name in Urdu poetry often remembered as Khuda-e-sukhan (god of poetry).
The main source of information on Mir's life is his autobiography Zikr-e-Mir, which covers the period from his childhood to the beginnings of his sojourn in Lucknow. However, it is said to conceal more than it reveals, with material that is undated or presented in no chronological sequence. Therefore, many of the 'true details' of Mir's life remain a matter of speculation.
Mir was born in Agra, India (then called Akbarabad and ruled by the Mughals) ca. August or September 1723 in a family of Arab origins. His philosophy of life was formed primarily by his father, a religious man with a large following, whose emphasis on the importance of love and the value of compassion remained with Mir throughout his life and imbued his poetry. Mir's father died while the poet was in his teens. He left Agra for Delhi a few years after his father's death, to finish his education and also to find patrons who offered him financial support (Mir's many patrons and his relationships with them have been described by his translator C. M. Naim).
Some scholars consider two of Mir's masnavis (long narrative poems rhymed in couplets), Mu'amlat-e-ishq (The Stages of Love) and Khwab o khyal-e Mir ("Mir's Vision"), written in the first person, as inspired by Mir's own early love affairs, but it is by no means clear how autobiographical these accounts of a poet's passionate love affair and descent into madness are. Especially, as France W. Pritchett points out, the austere portrait of Mir from these masnavis must be juxtaposed against the picture drawn by Andalib Shadani, whose inquiry suggests a very different poet, given to unabashed eroticism in his verse.
Mir lived much of his life in Mughal Delhi. Kuchha Chelan, in Old Delhi was his address at that time. However, after Ahmad Shah Abdali's sack of Delhi each year starting 1748, he eventually moved to the court of Asaf-ud-Daulah in Lucknow, at the king's invitation. Distressed to witness the plundering of his beloved Delhi, he gave vent to his feelings through some of his couplets.
This text is based on the copyrighted Wikipedia article; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License