This is an analysis of the poem Rise, Lovers that begins with:

Rise, lovers, that we may go towards heaven; we have seen this world, so let us go to that world.
No, no, for thought these two gardens are...

Elements of the verse: questions and answers

The information we provided is prepared by means of a special computer program. Use the criteria sheet to understand greatest poems or improve your poetry analysis essay.

  • Rhyme scheme: aXXXXXaXbbXcbXc XX
  • Stanza lengths (in strings): 15,2,
  • Closest metre: trochaic pentameter
  • Сlosest rhyme: no rhyme
  • Сlosest stanza type: sonnet
  • Guessed form: unknown form
  • Metre: 11011110110111011111011 1111111011001111101111101100 11110000110101111100101001 111000101000101111001010010010110 100101110101011110111000100100 10101011110111101010110111100010 110101101101101101001100101 11110010100100010111110010 000110101011001101010111101 1011001110011001011111100101 1111101010111010011111100 1110101101001111101111011110001 11011001010010111011110110 1111101001010101110110100001 110101010011101011111111 11 10100111011101001110100101110110110100111011101001001
  • Amount of stanzas: 3
  • Average number of symbols per stanza: 634
  • Average number of words per stanza: 126
  • Amount of lines: 17
  • Average number of symbols per line: 111 (very long strings)
  • Average number of words per line: 22
  • Mood of the speaker:

    The punctuation marks are various. Neither mark predominates.

  • The author used lexical repetitions to emphasize a significant image; go, us, let, to, face, that, this, of, and, from, we are repeated.

    The poet used anaphora at the beginnings of some neighboring lines. The same words let, we are repeated.

If you write a school or university poetry essay, you should Include in your explanation of the poem:

  • summary of Rise, Lovers;
  • central theme;
  • idea of the verse;
  • history of its creation;
  • critical appreciation.

Good luck in your poetry interpretation practice!

More information about poems by Mewlana Jalaluddin Rumi