Madison Julius Cawein: Verses about Lust

Woman's a star, a rose;
Man but a moth, a bee:
High now as heaven she glows,
Low now as earth and sea:
Star of the world and rose,
Clothed on with mystery.
Ever a goal, a lure,
Man, for his joy and woe,
Strives to attain to her,
Beating wild wings below,
Dying to make him sure
If she be flame or snow.

SINCE Man first lifted up his eyes to hers
And saw her vampire beauty, which is lust,
All else is dust
Within the compass of the universe.
With heart of Jael and with face of Ruth
She sits upon the tomb of Time and quaffs
Heart's blood and laughs
At all Life calls most noble and the truth.
The fire of conquest and the wine of dreams
Are in her veins; and in her eyes the lure
Of things unsure,
Urging the world forever to extremes.
Without her, Life would stagnate in a while.—
Her touch it is puts pleasure even in pain.—
So Life attain
Her end, she cares not if the means be vile.
She knows no pity, mercy, or remorse.—
Hers is to build and then exterminate:
To slay, create,
And twixt the two maintain an equal course.

God made her body out of foam and flowers,
And for her hair the dawn and darkness blent;
Then called two planets from their heavenly towers,
And in her face, divinely eloquent,
Gave them a firmament.

God made her heart of rosy ice and fire,
Of snow and flame, that freezes while it burns;
And of a starbeam and a moth's desire
He made her soul, to'ards which my longing turns,
And all my being yearns.

So is my life a prisoner unto passion,
Enslaved of her who gives nor sign nor word;
So in the cage her loveliness doth fashion
Is love endungeoned, like a golden bird
That sings but is not heard.

Could it but once convince her with beseeching!
But once compel her as the sun the South!
Could it but once, fond arms around her reaching,
Upon the red carnation of her mouth
Dew its eternal drouth!

Then might I rise victorious over sadness,
O'er fate and change, and, with but little care,
Torched by the glory of that moment's gladness,
Breast the black mountain of my life's despair,
And die or do and dare.

In some glad way I know thereof:
A garden glows down in my heart,
Wherein I meet and often part
With many an ancient tale of love
A Romeo garden, banked with bloom,
And trellised with the eglantine;
In which a rose climbs to a room,
A balcony one mass of vine,
Dim, haunted of perfume
A balcony, whereon she gleams,
The soft Desire of all Dreams,
And smiles and bends like Juliet,
Year after year.
While to her side, all dewy wet,
A rose stuck in his ear,
Love climbs to draw her near.

II.

And in another way I know:
Down in my soul a graveyard lies,
Wherein I meet, in ghostly wise,
With many an ancient tale of woe
A graveyard of the Capulets,
Deep-vaulted with ancestral gloom,
Through whose dark yews the moonlight jets
On many a wildly caryen tomb,
That mossy mildew frets
A graveyard where the Soul's Desire
Sleeps, pale-entombed; and, kneeling by her,
Love, like that hapless Montague,
Year after year,
Weary and worn and wild of hue,
Within her sepulchre,
Falls bleeding on her bier.

I

Mother of visions, with lineaments dulcet as numbers
Breathed on the eyelids of Love by music that slumbers,
Secretly, sweetly, O presence of fire and snow,
Thou comest mysterious,
In beauty imperious,
Clad on with dreams and the light of no world that we know:
Deep to my innermost soul am I shaken,
Helplessly shaken and tossed,
And of thy tyrannous yearnings so utterly taken,
My lips, unsatisfied, thirst;
Mine eyes are accurst
With longings for visions that far in the night are forsaken;
And mine ears, in listening lost,
Yearn, waiting the note of a chord that will never awaken.

II

Like palpable music thou comest, like moonlight; and far,-
Resonant bar upon bar,-
The vibrating lyre
Of the spirit responds with melodious fire,
As thy fluttering fingers now grasp it and ardently shake,
With laughter and ache,
The chords of existence, the instrument star-sprung,
Whose frame is of clay, so wonderfully molded of mire.

III

Vested with vanquishment, come, O Desire, Desire!
Breathe in this harp of my soul the audible angel of Love!
Make of my heart an Israfel burning above,
A lute for the music of God, that lips, which are mortal, but stammer!
Smite every rapturous wire
With golden delirium, rebellion and silvery clamor,
Crying-'Awake! awake!
Too long hast thou slumbered! too far from the regions of glamour
With its mountains of magic, its fountains of faery, the spar-sprung,
Hast thou wandered away, O Heart!'

Come, oh, come and partake
Of necromance banquets of Beauty; and slake
Thy thirst in the waters of Art,
That are drawn from the streams
Of love and of dreams.

IV

'Come, oh, come!
No longer shall language be dumb!
Thy vision shall grasp-
As one doth the glittering hasp
Of a sword made splendid with gems and with gold-
The wonder and richness of life, not anguish and hate of it merely.
And out of the stark
Eternity, awful and dark,
Immensity silent and cold,-
Universe-shaking as trumpets, or cymbaling metals,
Imperious; yet pensive and pearly
And soft as the rosy unfolding of petals,
Or crumbling aroma of blossoms that wither too early,-
The majestic music of God, where He plays
On the organ, eternal and vast, of eons and days.'

Mother of visions, with lineaments dulcet as numbers
Breathed on the eyelids of love by music that slumbers,
Secretly, sweetly, O presence of fire and snow,
Thou comest mysterious,
In beauty imperious,
Clad on with dreams and the light of no world that we know.
Deep to my innermost soul am I shaken,
Helplessly shaken and tossed,
And of thy tyrannous yearnings so utterly taken,
My lips, unsatisfied, thirst;
Mine eyes are accurst
With longings for visions that far in the night are forsaken;
And mine ears, in listening lost,
Yearn, yearn for the note of a chord that will never awaken.


II


Like palpable music thou comest, like moonlight; and far,
Resonant bar upon bar,
The vibrating lyre
Of the spirit responds with melodious fire,
As thy fluttering fingers now grasp it and ardently shake,
With flame and with flake,
The chords of existence, the instrument star-sprung.
Whose frame is of clay, so wonderfully molded from mire.


III


Vested with vanquishment, come, O Desire, Desire!
Breathe in this harp of my soul the audible angel of love!
Make of my heart an Israfel burning above,
A lute for the music of God, that lips, which are mortal, but stammer!
Smite every rapturous wire
With golden delirium, rebellion and silvery clamor,
Crying-'Awake! awake!
Too long hast thou slumbered! too far from the regions of glamour,
With its mountains of magic, its fountains of Faëry, the spar-sprung,
Hast thou wandered away, O Heart!
Come, oh, come and partake
Of necromance banquets of beauty; and slake
Thy thirst in the waters of art,
That are drawn from the streams
Of love and of dreams.'


IV


'Come, oh, come!
No longer shall language be dumb!
Thy vision shall grasp
As one doth the glittering hasp
Of a dagger made splendid with gems and with gold
The wonder and richness of life, not anguish and hate of it merely.
And out of the stark
Eternity, awful and dark,
Immensity silent and cold,
Universe-shaking as trumpets, or thunderous metals
That cymbal; yet pensive and pearly
And soft as the rosy unfolding of petals,
Or crumbling aroma of blossoms that wither too early,
The majestic music of Death, where he plays
On the organ of eons and days.'

With anxious eyes and dry, expectant lips,
Within the sculptured stoa by the sea,
All day she waited while, like ghostly ships,
Long clouds rolled over Paphos: the wild bee
Hung in the sultry poppy, half asleep,
Beside the shepherd and his drowsy sheep.

White-robed she waited day by day; alone
With the white temple's shrined concupiscence,
The Paphian goddess on her obscene throne,
Binding all chastity to violence,
All innocence to lust that feels no shame-
Venus Mylitta born of filth and flame.

So must they haunt her marble portico,
The devotees of Paphos, passion-pale
As moonlight streaming through the stormy snow;
Dark eyes desirous of the stranger sail,
The gods shall bring across the Cyprian Sea,
With him elected to their mastery.

A priestess of the temple came, when eve
Blazed, like a satrap's triumph, in the west;

And watched her listening to the ocean's heave,
Dusk's golden glory on her face and breast,
And in her hair the rosy wind's caress,-
Pitying her dedicated tenderness.

When out of darkness night persuades the stars,
A dream shall bend above her saying, 'Soon
A barque shall come with purple sails and spars,
Sailing from Tarsus 'neath a low white moon;
And thou shalt see one in a robe of Tyre
Facing toward thee like the god Desire.

'Rise then! as, clad in starlight, riseth Night-
Thy nakedness clad on with loveliness!
So shalt thou see him, like the god Delight,
Breast through the foam and climb the cliff to press
Hot lips to thine and lead thee in before
Love's awful presence where ye shall adore.'

Thus at her heart the vision entered in,
With lips of lust the lips of song had kissed,
And eyes of passion laughing with sweet sin,
A shimmering splendor robed in amethyst,-
Seen like that star set in the glittering gloam,-
Venus Mylitta born of fire and foam.

So shall she dream until, near middle night,-
When on the blackness of the ocean's rim
The moon, like some war-galleon all alight
With blazing battle, from the sea shall swim,-
A shadow, with inviolate lips and eyes,
Shall rise before her speaking in this wise:

'So hast thou heard the promises of one,-
Of her, with whom the God of gods is wroth,-
For whom was prophesied at Babylon
The second death-Chaldaean Mylidoth!
Whose feet take hold on darkness and despair,
Hissing destruction in her heart and hair.

'Wouldst thou behold the vessel she would bring?-
A wreck! ten hundred years have smeared with slime:
A hulk! where all abominations cling,
The spawn and vermin of the seas of time:
Wild waves have rotted it; fierce suns have scorched;
Mad winds have tossed and stormy stars have torched.

'Can lust give birth to love? The vile and foul
Be mother to beauty? Lo! can this thing be?-
A monster like a man shall rise and howl
Upon the wreck across the crawling sea,
Then plunge; and swim unto thee; like an ape,
A beast all belly.-Thou canst not escape!'

Gone was the shadow with the suffering brow;
And in the temple's porch she lay and wept,
Alone with night, the ocean, and her vow.-
Then up the east the moon's full splendor swept,
And dark between it-wreck or argosy?-
A sudden vessel far away at sea.

Below, the tawny Tagus swept
Past royal gardens, breathing balm;
Upon his couch the monarch slept;
The world was still; the night was calm.

Gray, Gothic-gated, in the ray
Of moonrise, tower-and castle-crowned,
The city of Toledo lay
Beneath the terraced palace-ground.

Again, he dreamed, in kingly sport
He sought the tree-sequestered path,
And watched the ladies of his Court
Within the marble-basined bath.

Its porphyry stairs and fountained base
Shone, houried with voluptuous forms,
Where Andalusia vied in grace
With old Castile, in female charms.

And laughter, song, and water-splash
Rang round the place, with stone arcaded,
As here a breast or limb would flash
Where beauty swam or beauty waded.

And then, like Venus, from the wave
A maiden came, and stood below;
And by her side a woman slave
Bent down to dry her limbs of snow.

Then on the tesselated bank,
Robed on with fragrance and with fire,
Like some exotic flower-she sank,
The type of all divine desire.

Then her dark curls, that sparkled wet,
She parted from her perfect brows,
And, lo, her eyes, like lamps of jet
Within an alabaster house.

And in his sleep the monarch sighed,
'Florinda!'-Dreaming still he moaned,
'Ah, would that I had died, had died!
I have atoned! I have atoned!' ...

And then the vision changed: O'erhead
Tempest and darkness were unrolled,
Full of wild voices of the dead,
And lamentations manifold.

And wandering shapes of gaunt despair
Swept by, with faces pale as pain,
Whose eyes wept blood and seemed to glare
Fierce curses on him through the rain.

And then, it seemed, 'gainst blazing skies
A necromantic tower sate,
Crag-like on crags, of giant size;
Of adamant its walls and gate.

And from the storm a hand of might
Red-rolled in thunder, reached among
The gate's huge bolts-that burst; and night
Clanged ruin as its hinges swung.

Then far away a murmur trailed,
As of sad seas on cavern'd shores,
That grew into a voice that wailed,
'They come! they come! the Moors! the Moors!'

And with deep boom of atabals
And crash of cymbals and wild peal
Of battle-bugles, from its walls
An army rushed in glimmering steel.

And where it trod he saw the torch
Of conflagration stalk the skies,
And in the vanward of its march
The monster form of Havoc rise.

And Paynim war-cries rent the storm,
Athwart whose firmament of flame,
Destruction reared an earthquake form
On wreck and death without a name ...

And then again the vision changed:
Where flows the Guadalete, see,
The warriors of the Cross are ranged
Against the Crescent's chivalry.

With roar of trumpets and of drums
They meet; and in the battle's van
He fights; and, towering towards him, comes
Florinda's father, Julian;

And one-eyed Taric, great in war:
And where these couch their burning spears,
The Christian phalanx, near and far,
Goes down like corn before the shears.

The Moslem wins: the Christian flies:
'Allah il Allah,' hill and plain
Reverberate: the rocking skies,
'Allah il Allah,' shout again.

And then he dreamed the swing of swords
And hurl of arrows were no more;
But, louder than the howling hordes,
Strange silence fell on field and shore.

And through the night, it seemed, he fled,
Upon a white steed like a star,
Across a field of endless dead,
Beneath a blood-red scimitar.

Of sunset: And he heard a moan,
Beneath, around, on every hand-
'Accurséd! Yea, what hast thou done
To bring this curse upon thy land?'

And then an awful sense of wings:
And, lo! the answer-''Twas his lust
That was his crime. Behold! E'en kings
Must reckon with Me. All are dust.'

I HEARD a Spirit singing as, beyond the morning winging,
Its radiant form went swinging like a star:
In its song prophetic voices mixed their sounds with trumpet-noises,
As when, loud, the World rejoices after war.
And it said:
I
Hear me!
Above the roar of cities,
The clamor and conflict of trade,
The frenzy and fury of commercialism,
Is heard my voice, chanting, intoning.—
Down the long corridors of time it comes,
Bearing my message, bidding the soul of man arise
To the realization of his dream.
Now and then discords seem to intrude,
And tones that are false and feeble —
Beginnings of the perfect chord
From which is evolved the ideal, the unattainable.
Hear me!
Ever and ever,
Above the tumult of the years,
The blatant cacophonies of war,
The wrangling of politics,
Demons and spirits of unrest,
My song persists,
Addressing the soul
With the urge of an astral something,
Supernal,
Elemental,
Promethean,
Instinct with an everlasting fire.
II
Hear me!
I am the expression of the subconscious,
The utterance of the intellect,
The voice of mind,
That stands for civilization.
Out of my singing sprang, Minerva-like,
Full-armed and fearless,
Liberty,
Subduer of tyrants, who feed on the strength of Nations.
Out of my chanting arose,
As Aphrodite arose from the foam of the ocean,
The Dream of Spiritual Desire,
Mother of Knowledge,
Victor o'er Hate and Oppression,—
Ancient and elemental dæmons,
Who, with Ignorance and Evil, their consorts,
Have ruled for eons of years.
III
Hear me!
Should my chanting cease,
My music utterly fail you,
Behold!
Out of the hoary Past, most swiftly, surely,
Would gather the Evils of Earth,
The Hydras and Harpies, forgotten,
And buried in darkness:
Amorphous of form,
Tyrannies and Superstitions
Torturing body and soul:
And with them,
Gargoyls of dreams that groaned in the Middle Ages —
Aspects of darkness and death and hollow eidolons,
Cruel, inhuman,
Wearing the faces and forms of all the wrongs of the world.
Barbarian hordes whose shapes make hideous
The cycles of error and crime:
Grendels of darkness,
Devouring the manhood of Nations:
Demogorgons of War and Misrule,
Blackening the world with blood and the lust of destruction.
Hear me!—
Out of my song have grown
Beauty and joy,
And with them
The triumph of Reason;
The confirmation of Hope,
Of Faith and Endeavor:
The Dream that's immortal,
To whose creation Thought gives concrete form,
And of which Vision makes permanent substance.
IV
Fragmentary,
Out of the Past,
Down the long aisles of the Centuries,
Uncertain at first and uneasy,
Hesitant, harsh of expression,
My song was heard,
Stammering, appealing,
A murmur merely:
Coherent then,
Singing into form,
Assertive,
Ecstatic,
Louder, lovelier, and more insistent,
Sonorous, proclaiming;
Clearer and surer and stronger,
Attaining expression, evermore truer and clearer:
Masterful, mighty at last,
Committed to conquest,
And with Beauty coeval;
Part of the wonder of life,
The triumph of light over darkness:
Taking the form of Art —
Art, that is voice and vision of the soul of man.—
Hear me!
Confident ever,
One with the Loveliness song shall evolve,
My voice is become as an army of banners,
Marching irresistibly forward,
With the roll of the drums of attainment,
The blare of the bugles of fame:
Tramping, tramping, evermore advancing,
Till the last redoubt of prejudice is down,
And the Eagles and Fasces of Learning
Make glorious the van o' the world.
V
They who are deaf to my singing,
Who disregard me,—
Let them beware lest the splendor escape them,
The glory of light that is back o' the darkness of life,
And with it —
The blindness of spirit o'erwhelm them.—
They who reject me,
Reject the gleam
That goes to the making of Beauty;
And put away
The loftier impulses of heart and of mind.
They shall not possess the dream, the ideal,
Of ultimate worlds,
That is part of the soul that aspires;
That sits with the Spirit of Thought,
The radiant presence who weaves,
Directed of Destiny,
There in the Universe,
At its infinite pattern of stars.
They shall not know,
Not they,
The exaltations that make endurable here on the Earth
The ponderable curtain of flesh.
Not they! Not they!
VI
Hear me!
I control, and direct;
I wound and heal,
Elevate and subdue
The vaulting energies of Man.
I am part of the cosmic strain o' the Universe:
I captain the thoughts that grow to deeds,
Material and spiritual facts,
Pointing the world to greater and nobler things.—
Hear me!
My dædal expression peoples the Past and Present
With forms of ethereal thought
That symbolize Beauty:
The Beauty expressing itself now,
As Poetry,
As Philosophy:
As Truth and Religion now,
And now,
As science and Law,
Vaunt couriers of Civilization.