Madison Julius Cawein: Verses about Heaven

THE Day brims high its ewer
Of blue with starry light,
And crowns as King that hewer
Of clouds (which take their flight
Across the sky) old Night.
And Tempest there, who houses
Within them, like a cave,
Lies down and dreams and drowses
Upon the Earth's huge grave,
With wandering wind and wave.
The storm moves on; and winging
From out the east — a bird,
The moon drifts, calmly bringing
A message and a word
Of peace, in Heaven it heard.
Of peace and times called golden,
Whose beauty makes it glow
With love, like that of olden,
Which mortals used to know
There in the long-ago.

Corn-colored clouds upon a sky of gold,
And 'mid their sheaves,-where, like a daisy-bloom
Left by the reapers to the gathering gloom,
The star of twilight glows,-as Ruth, 'tis told,
Dreamed homesick 'mid the harvest fields of old,
The Dusk goes gleaning color and perfume
From Bible slopes of heaven, that illume
Her pensive beauty deep in shadows stoled.
Hushed is the forest; and blue vale and hill
Are still, save for the brooklet, sleepily
Stumbling the stone with one foam-fluttering foot:
Save for the note of one far whippoorwill,
And in my heart
her
name,-like some sweet bee
Within a rose,-blowing a faery flute.

THE rose, that wrote its message on the noon's
Bright manuscript, has turned her perfumed face
Towards Fall, and waits, heart-heavy, for the moon's
Pale flower to take her place.
With eyes distraught, and dark disheveled hair,
The Season dons a tattered cloak of storm
And waits with Night that, darkly, seems to share
Her trouble and alarm.
It is the close of summer. In the sky
The sunset lit a fire of drift and sat
Watching the last Day, robed in empire, die
Upon the burning ghat.
The first leaf crimsons and the last rose falls,
And Night goes stalking on, her cloak of rain
Dripping, and followed through her haunted halls
By all Death's phantom train.
The sorrow of the Earth and all that dies,
And all that suffers, in her breast she bears;
Outside the House of Life she stops and cries
The burden of her cares.
Then on the window knocks with crooked hands,
Her tree-like arms to Heaven wildly-hurled:
Love hears her crying, 'Who then understands? —
Has God forgot the world?'

Not into these dark cities,
These sordid marts and streets,
That the sun in his rising pities,
And the moon with sorrow greets,
Does she, with her dreams and flowers,
For whom our hearts are dumb,
Does she of the golden hours,
Earth's heaven-born Beauty, come.

Afar 'mid the hills she tarries,
Beyond the farthest streams,
In a world where music marries
With color that blooms and beams;
Where shadow and light are wedded,
Whose children people the Earth,
The fair, the fragrant-headed,
The pure, the wild of birth.

Where Morn with rosy kisses
Wakes ever the eyes of Day;
And, winds in her radiant tresses,
Haunts every wildwood way:
Where Eve, with her mouth's twin roses,
Her kisses sweet with balm,
The eyes of the glad Day closes,
And, crowned with stars, sits calm.

There, lost in contemplation
Of things no mortal sees,
She dwells, the incarnation
Of idealities;
Of dreams, that long have fired
Men's hearts with joy and pain,
The far, the dear-desired,
Whom no man shall attain.

Clumped in the shadow of the beech,
In whose brown top the crows are loud,
Where, every side, great briers reach
And cling like hands, the beechdrops crowd
The mossy cirque with neutral tints
Of gray; and deep, with berries bowed,
The buckbush reddens 'mid the mints.

O'erhead the forest scarcely stirs:
The wind is laid: the sky is blue:
Bush-clover, with its links of burs,
And some last blooms, few, pink of hue,
Makes wild the way- and everywhere
Slim, white-ribbed cones of fungi strew
The grass that's like a wildman's hair.

The jewel-weeds, whose pods bombard
The hush with fairy batteries
Of seeds, grow dense here; pattering hard
Their sacs explode, persuade the eyes
To search the heaven for show 'rs. One seems
To walk where old Enchantment plies
Her shuttle of lost days and dreams.

And, lo! yon rock of fern and flower,
That heaves its height from bramble deeps,
All on a sudden seems the tower
Wherein the Sleeping Beauty sleeps:
And that red vine, the fire-drake,
The flaming dragon, seems, that keeps
The world from her no man may wake.

White as a lily moulded of Earth's milk
That eve the moon bloomed in a hyacinth sky;
Soft in the gleaming glens the wind went by,
Faint as a phantom clothed in unseen silk:
Bright as a naiad's leap, from shine to shade
The runnel twinkled through the shaken brier;
Above the hills one long cloud, pulsed with fire,
Flashed like a great enchantment-welded blade.
And when the western sky seemed some weird land,
And night a witching spell at whose command
One sloping star fell green from heav'n; and deep
The warm rose opened for the moth to sleep;
Then she, consenting, laid her hands in his,
And lifted up her lips for their first kiss.

II.

There where they part, the porch's steps are strewn
With wind-blown petals of the purple vine;
Athwart the porch the shadow of a pine
Cleaves the white moonlight; and like some calm rune
Heaven says to Earth, shines the majestic moon;
And now a meteor draws a lilac line
Across the welkin, as if God would sign
The perfect poem of this night of June.
The wood-wind stirs the flowering chestnut-tree,
Whose curving blossoms strew the glimmering grass
Like crescents that wind-wrinkled waters glass;
And, like a moonstone in a frill of flame,
The dewdropp trembles on the peony,
As in a lover's heart his sweetheart's name.

THE season of the rose and peace is past:
It could not last.
There's heartbreak in the hills and stormy sighs
Of sorrow in the rain-lashed plains and skies,
While Earth regards, aghast,
The last red leaf that flies.
The world is cringing in the darkness where
War left his lair,
And everything takes on a lupine look,
Baring gaunt teeth at every peaceful nook,
And shaking torrent hair
At every little brook.
Cancers of ulcerous flame his eyes, and — hark!
There in the dark
The ponderous stir of metal, iron feet;
And with it, heard around the world, the beat
Of Battle; sounds that mark
His heart's advance, retreat.
With shrapnel pipes he goes his monstrous ways;
And, screeching, plays
The hell-born music Havoc dances to;
And, following with his skeleton-headed crew
Of ravening Nights and Days,
Horror invades the blue.
Against the Heaven he lifts a mailed fist
And writes a list
Of beautiful cities on the ghastly sky:
And underneath them, with no reason why,
In blood and tears and mist,
The postscript, 'These must die!'
Change is the portion and chief heritage
Of every Age.
The spirit of God still waits its time.— And War
May blur His message for a while, and mar
The writing on His page,
To this our sorrowful star.
But there above the conflict, orbed in rays,
Is drawn the face
Of Peace; at last who comes into her own;
Peace, from whose tomb the world shall roll the stone,
And give her highest place
In the human heart alone.

That day we wandered 'mid the hills,—so lone
Clouds are not lonelier,—the forest lay
In emerald darkness 'round us. Many a stone
And gnarly root, gray-mossed, made wild our way:
And many a bird the glimmering light along
Showered the golden bubbles of its song.
Then in the valley, where the brook went by,
Silvering the ledges that it rippled from,
An isolated slip of fallen sky,
Epitomizing heaven in its sum,
An iris bloomed—blue, as if, flower-disguised,
The gaze of Spring had there materialized.
I have forgotten many things since then
Much beauty and much happiness and grief;
And toiled and dreamed among my fellow-men,
Rejoicing in the knowledge life is brief.
''T is winter now,' so says each barren bough;
And face and hair proclaim 't is winter now.
I would forget the gladness of that spring!
I would forget that day when she and I,
Between the bird-song and the blossoming,
Went hand in hand beneath the soft spring sky!
Much is forgotten, yea— and yet, and yet,
The things we would we never can forget.
Nor I how May then minted treasuries
Of crowfoot gold; and molded out of light
The sorrel's cups, whose elfin chalices
Of limpid spar were streaked with rosy white.
Nor all the stars of twinkling spiderwort,
And mandrake moons with which her brows were girt.
But most of all, yea, it were well for me,
Me and my heart, that I forget that flower,
The wild blue iris, azure fleur-de-lis,
That she and I together found that hour.
Its recollection can but emphasize
The pain of loss, remindful of her eyes.

That day we wandered 'mid the hills,-so lone
Clouds are not lonelier, the forest lay
In emerald darkness round us. Many a stone
And gnarly root, gray-mossed, made wild our way:
And many a bird the glimmering light along
Showered the golden bubbles of its song.

Then in the valley, where the brook went by,
Silvering the ledges that it rippled from,-
An isolated slip of fallen sky,
Epitomizing heaven in its sum,-
An iris bloomed-blue, as if, flower-disguised,
The gaze of Spring had there materialized.

I have forgotten many things since then-
Much beauty and much happiness and grief;
And toiled and dreamed among my fellow-men,
Rejoicing in the knowledge life is brief.
''Tis winter now,' so says each barren bough;
And face and hair proclaim 'tis winter now.

I would forget the gladness of that spring!
I would forget that day when she and I,
Between the bird-song and the blossoming,
Went hand in hand beneath the soft May sky!-
Much is forgotten, yea-and yet, and yet,
The things we would we never can forget.

Nor I how May then minted treasuries
Of crowfoot gold; and molded out of light
The sorrel's cups, whose elfin chalices
Of limpid spar were streaked with rosy white:
Nor all the stars of twinkling spiderwort,
And mandrake moons with which her brows were girt.

But most of all, yea, it were well for me,
Me and my heart, that I forget that flower,
The blue wild iris, azure fleur-de-lis,
That she and I together found that hour.
Its recollection can but emphasize
The pain of loss, remindful of her eyes.

April calling, April calling,
April calling me!
I hear the voice of April there
In each old apple tree:
Bee-boom and wild perfume,
And wood-brook melody,
O hark, my heart, and hear, my heart,
The April Ecstasy!

Hark to the hills, the oldtime hills,
That talk with sea and sky!
Or speak in murmurs with God's winds
Who on their bosoms lie:
Bird-call and waterfall
And white clouds blowing by,
O hark, my heart, O hear, my heart,
The April's cosmic cry!

There runs a whisper through the woods,
The word of bough to bough,
A sound of dead things donning green,
Of Beauty waking now:
Fern-bower and wilding flower,
Each like a prayer or vow,
O see, my heart, O look, my heart,
Where Earth crowns white her brow!

And far away, and far away,
Yet nearer than she seems,
Look where she takes the oldtime trail
And walks again with dreams:
Bird note and blue remote
And laughter of wild streams,
O hark, my heart, O hear, my heart,
And follow where she gleams!

Earth has put off her winter garb
Of gray and drab and dun,
And robes herself in raiment green
Of love and laughter spun:
Wood-bloom and wood-perfume
And colors of the sun,
O hark, my heart, O hear, my heart,
Where her wild footsteps run!

O April, mother of my soul,
Take to your heart your child:
And let him lie a little while
Upon its rapture wild:
Lean close and near, and let him hear
The words that once beguiled,
And on his eyes the kiss again
Of longing reconciled.

O kiss, that fills the fields with flowers
And thrills with green each grove,
Dream down into this heart again
And grow to songs thereof:
Wild songs in singing throngs,
That swift shall mount above,
And, like to birds, with lyric words,
Take Earth and Heaven with love.

He closed his eyes, yet still could see
The leprous hills loom thirstily;
The mesquit glimmering; and the dust
Of alkali; and, rimmed with rust
Of emerald, a mineral pool
From which his horse had drunk him full.

Now he would drink how good to die
After the torture days gone by!
And so he rose, and through the sage
And sand groped, blind with thirst, and rage
At God, whose hand in hate had wrought
This trap of hell where he was caught.

Now what was this that held him fast?
Had he then reached relief at last,
After long years of heat and hate?
Surely there rose a marble gate,
A towered castle! and the sand
And sage had vanished from the land.

He entered where a fountain fell
On foaming crystal Like a spell
He caught its freshness. Then his ear
Heard lute-like music drawing near;
And through a rainbowed mist a girl
Beckoned, her beauty like a pearl.

And there two slave-girls on a mat,
Two naked Nubians, drowsing, sat,
Fingering dim-gemmed and nacreous lutes;
He knew at once that they were mutes,
And this the same Seraglio,
Where love had met him lives ago.

The entrance doors he knew were nine:
Three were of agate, red as wine,
And three of lapis-lazuli,
Cerulean-blue as is the sky;
And three of feldspar, veined with gold,
Each leading to her bower of old.

Behind a lattice or a screen
He knew she smiled and watched, unseen:
He felt her presence in the gloom
As one may sense a strange perfume:
And musk of myrrh and sandalwood
Were guides to lead him where she stood.

Once more he'd see her; hold her fast,
Come back again from out the past;
And, locked in her divine embrace,
Watch, in the heaven of her face,
The ardor of her heart's desire
Change her dark eyes to starry fire.

And then far-off he heard a horn,
And, turning, saw that it was morn
And there she rode, in dawn and dew,
And with her Chevaliers he knew.
The horn led on; he heard its song
The air he had forgot so long:

'How good, ' it sang, 'How good at dawn
To ride with her of Roussillon!
To ride with her through dawn and dew
Beneath a heaven gentian-blue,
With hawk on wrist, a madcap crew,
That wild the horn leads on,

With her of Roussillon!
To hear the falcons' jesses ringing
Bells that set the pulses singing!
To see the heron wildly winging,
O'er mountained Roussillon,
Far, towered Roussillon.

'How good to hear by wood and lawn
Our Lady laugh of Roussillon!
Where wild the torrent leaps the crag,
Through mists that on the mountain lag,
As in the forest leaps the stag,
While clear the horn leads on,

With her of Roussillon!
How good to hear the falcon crying,
To see it strike the quarry flying,
And watch the stricken lapwing dying
By towered Roussillon,
Old, mountained Roussillon!' . . .

The music died. His hot head swung
Upon his neck as wire-hung,
And he awoke to see again
The thirsty peaks, the fevered plain,
Shutting him in with all their hate,
Malignantly, content to wait.

Was it a dream of some old past?
Or would he see her there at last?
He sat and thought; no thing occurred.
The desert watched him, never stirred;
Like some gaunt beast with burning eyes
It stared at him with all its skies.

Around he gazed and searched again
The peaks, like blisters on the plain;
No creature moved. The pool nearby
With its green glitter caught his eye.
Yes, he would drink, and know at last
That secret of the long-gone past. . . .

They found him in that poisoned place
With blackened lips and twisted face
Dead with seared eyes on something far,
Some unknown thing perhaps a star
Or was 't the gold, for which he 'd sought?
The far mirage that turned to naught?

Wild ridge on ridge the wooded hills arise,
Between whose breezy vistas gulfs of skies
Pilot great clouds like towering argosies,
And hawk and buzzard breast the azure breeze.
With many a foaming fall and glimmering reach
Of placid murmur, under elm and beech,
The creek goes twinkling through long gleams and glooms
Of woodland quiet, summered with perfumes:
The creek, in whose clear shallows minnow-schools
Glitter or dart; and by whose deeper pools
The blue kingfishers and the herons haunt;
That, often startled from the freckled flaunt
Of blackberry-lilies-where they feed or hide-
Trail a lank flight along the forestside
With eery clangor. Here a sycamore
Smooth, wave-uprooted, builds from shore to shore
A headlong bridge; and there, a storm-hurled oak
Lays a long dam, where sand and gravel choke
The water's lazy way. Here mistflower blurs
Its bit of heaven; there the ox-eye stirs
Its gloaming hues of pearl and gold; and here,
A gray, cool stain, like dawn's own atmosphere,
The dim wild carrot lifts its crumpled crest:
And over all, at slender flight or rest,
The dragonflies, like coruscating rays
Of lapis-lazuli and chrysoprase,
Drowsily sparkle through the summer days:
And, dewlap-deep, here from the noontide heat
The bell-hung cattle find a cool retreat;
And through the willows girdling the hill,
Now far, now near, borne as the soft winds will,
Comes the low rushing of the water-mill.

Ah, lovely to me from a little child,
How changed the place! wherein once, undefiled,
The glad communion of the sky and stream
Went with me like a presence and a dream.
Where once the brambled meads and orchardlands,
Poured ripe abundance down with mellow hands
Of summer; and the birds of field and wood
Called to me in a tongue I understood;
And in the tangles of the old rail-fence
Even the insect tumult had some sense,
And every sound a happy eloquence:
And more to me than wisest books can teach
The wind and water said; whose words did reach
My soul, addressing their magnificent speech,-
Raucous and rushing,-from the old mill-wheel,
That made the rolling mill-cogs snore and reel,
Like some old ogre in a faerytale
Nodding above his meat and mug of ale.

How memory takes me back the ways that lead-
As when a boy-through woodland and through mead!
To orchards fruited; or to fields in bloom;
Or briery fallows, like a mighty room,
Through which the winds swing censers of perfume,
And where deep blackberries spread miles of fruit;-
A wildwood feast, that stayed the plowboy's foot
When to the tasseling acres of the corn
He drove his team, fresh in the primrose morn;
And from the liberal banquet, nature lent,
Plucked dewy handfuls as he whistling went.-

A boy once more, I stand with sunburnt feet
And watch the harvester sweep down the wheat;
Or laze with warm limbs in the unstacked straw
Near by the thresher, whose insatiate maw
Devours the sheaves, hot-drawling out its hum-
Like some great sleepy bee, above a bloom,
Made drunk with honey-while, grown big with grain,
The bulging sacks receive the golden rain.
Again I tread the valley, sweet with hay,
And hear the bobwhite calling far away,
Or wood-dove cooing in the elder-brake;
Or see the sassafras bushes madly shake
As swift, a rufous instant, in the glen
The red fox leaps and gallops to his den:
Or, standing in the violet-colored gloam,
Hear roadways sound with holiday riding home
From church or fair, or country barbecue,
Which half the county to some village drew.

How spilled with berries were its summer hills,
And strewn with walnuts all its autumn rills!-
And chestnuts too! burred from the spring's long flowers;
June's, when their tree-tops streamed delirious showers
Of blossoming silver, cool, crepuscular,
And like a nebulous radiance shone afar.-
And maples! how their sappy hearts would pour
Rude troughs of syrup, when the winter hoar
Steamed with the sugar-kettle, day and night,
And, red, the snow was streaked with firelight.
Then it was glorious! the mill-dam's edge
One slope of frosty crystal, laid a ledge
Of pearl across; above which, sleeted trees
Tossed arms of ice, that, clashing in the breeze,
Tinkled the ringing creek with icicles,
Thin as the peal of far-off elfin bells:
A sound that in my city dreams I hear,
That brings before me, under skies that clear,
The old mill in its winter garb of snow,
Its frozen wheel like a hoar beard below,
And its west windows, two deep eyes aglow.

Ah, ancient mill, still do I picture o'er
Thy cobwebbed stairs and loft and grain-strewn floor;
Thy door,-like some brown, honest hand of toil,
And honorable with service of the soil,-
Forever open; to which, on his back
The prosperous farmer bears his bursting sack,
And while the miller measures out his toll,
Again I hear, above the cogs' loud roll,-
That makes stout joist and rafter groan and sway,-
The harmless gossip of the passing day:
Good country talk, that says how so-and-so
Lived, died, or wedded: how curculio
And codling-moth play havoc with the fruit,
Smut ruins the corn and blight the grapes to boot:
Or what is news from town: next county fair:
How well the crops are looking everywhere:-
Now this, now that, on which their interests fix,
Prospects for rain or frost, and politics.
While, all around, the sweet smell of the meal
Filters, warm-pouring from the rolling wheel
Into the bin; beside which, mealy white,
The miller looms, dim in the dusty light.

Again I see the miller's home between
The crinkling creek and hills of beechen green:
Again the miller greets me, gaunt and brown,
Who oft o'erawed my boyhood with his frown
And gray-browed mien: again he tries to reach
My youthful soul with fervid scriptural speech.-
For he, of all the countryside confessed,
The most religious was and goodliest;
A Methodist, who at all meetings led;
Prayed with his family ere they went to bed.
No books except the Bible had he read-
At least so seemed it to my younger head.-
All things of Heaven and Earth he'd prove by this,
Be it a fact or mere hypothesis:
For to his simple wisdom, reverent,

'The Bible says'
was all of argument.-
God keep his soul! his bones were long since laid
Among the sunken gravestones in the shade
Of those dark-lichened rocks, that wall around
The family burying-ground with cedars crowned:
Where bristling teasel and the brier combine
With clambering wood-rose and the wildgrape-vine
To hide the stone whereon his name and dates
Neglect, with mossy hand, obliterates.

The trees took on fantastic shapes
That night when I came to the grange;
The very bushes seemed to change;
This seemed a hag's head, that an ape's:
The road itself seemed darkly strange
That night when I came to the grange.

The storm had passed, but still the night
Cloaked with deep clouds its true intent,
And moody on its way now went
With muttered thunder and the light,
Torch-like, of lightning that was spent
Flickering the mask of its intent.

Like some hurt thing that bleeds to death,
Yet never moves nor heaves a sigh,
Some last drops shuddered from the sky:
The darkness seemed to hold its breath
To see the sullen tempest die,
That never moved nor heaved a sigh.

Within my path, among the weeds,
The glow-worm, like an evil eye,
Glared malice; and the boughs on high
Flung curses at me, menaced deeds
Of darkness if I passed them by:
They and the glow-worm's glaring eye.

The night-wind rose, and raved at me,
Hung in the tree beside the gate;
The gate that snarled its iron hate
Above the gravel, grindingly,
And set its teeth to make me wait,
Beside the one tree near the gate.

The next thing that I knew a bat
Out of the rainy midnight swept
An evil blow: and then there crept,
Malignant with its head held flat,
A hiss before me as I stept,
A fang, that from the midnight swept.

I drew my dagger then, the blade
That never failed me in my need;
'Twere well to be prepared; indeed,
Who knew what waited there? what shade,
Or substance, banded to impede
My entrance of which there was need.

The blade, at least, was tangible
Among the shadows I must face;
Its touch was real; and in case
Hate waylaid me, would serve me well;
I needed something in that place
Among the shadows I must face.

The dead thorn took me by surprise,
A hag-like thing with twisted clutch;
From o'er the wall I felt it touch
My brow with talons; at my eyes
It seemed to wave a knotted crutch,
A hag-like thing with twisted clutch.

A hound kept howling in the night;
He and the wind were all I heard:
The wind that maundered some dark word
Of wrong, that nothing would make right,
To every rain-dropp that it stirred:
The hound and wind were all I heard.

The grange was silent as the dead:
I looked at the dark face of it:
Nowhere was any candle lit:
It looked like some huge nightmare head
With death's-head eyes. I paused a bit
To study the dark face of it.

And then I rang and knocked: I gave
The great oak door loud blow on blow:
No servant answered: wild below
The echoes clanged as in a cave:
The evil mansion seemed to know
Who struck the door with blow on blow.

Silence: no chink of light to say
That he and his were living there,
That sinful man with snow-white hair,
That creature, I had come to slay;
That wretched thing, who did not dare
Reveal that he was hiding there.

I broke my dagger on the door,
Yet woke but echoes in the hall:
Then set my hands unto the wall
And clomb the ivy as before
In boyhood, to a window tall,
That was my room's once in that hall.

At last I stood again where he,
That vile man with the sneering face,
That fiend, that foul spot on our race,
Had sworn none of our family
Should ever stand again: the place
Was dark as his own devil's face.

I stood, and felt as if some crime
Closed in on me, hedged me around:
It clutched at me from closets; bound
Its arms around me; time on time
I turned and grasped; but nothing found,
Only the blackness all around.

The darkness took me by the throat:
I could not hear but felt it hiss
'Take this, you hound! and this! and this!'
Then, all at once, afar, remote,
I heard a door clang. Murder is
More cautious yet, whose was that hiss?

Oh, for a light! The blackness jeered
And mouthed at me; its sullen face
Was as a mask on all the place,
From which two sinister sockets leered;
A death's-head, that my eyes could trace,
That stared me sullen in the face.

Then silence packed the hall and stair
And crammed the rooms from attic down,
Since that far door had clanged; its frown
Upon the darkness, everywhere,
Had settled; like a graveyard gown
It clothed the house from attic down.

And then I heard a groan and one
Long sigh then silence. Who was near?
Was it the darkness at my ear
That mocked me with a deed undone?
Or was it he, who waited here,
To kill me when I had drawn near?

I drew my sword then: stood and stared
Into the night, that was a mask
To all the house, that made my task
A hopeless one. Ah! had it bared
Its teeth at me what more to ask!
My sword had gone through teeth and mask!

It was not fair to me; my cause!
The villain darkness bound my eyes.
Why, even the moon refused to rise.
It might have helped me in that pause,
Before I groped the room, whose size
Seemed monstrous to my night-bound eyes.

What was it that I stumbled on?
God! for a light that I might see!
There! something sat that stared at me
Some loathsome, twisted thing the spawn
Of hell and midnight. Was it he?
God! for a light that I might see!

And then the moon! thank Heaven! the moon
Broke through the clouds, a face chalk-white:
Now then, at last, I had a light!
And then I saw the thing seemed hewn
From marble at the moment's sight,
Bathed in the full moon's wistful white.

He sat, or rather crouched, there dead:
Her dagger in his heart that girl's:
His open eyes as white as pearls
Malignant staring overhead:
One hand clutched full of torn-out curls.
Her dagger in his heart that girl's.

I knew the blade. Why, I had seen
The thing stuck in her gipsy hair,
Worn as they wear them over there
In Spain: its gold hilt crusted green
With jade-like gems of cruel glare.
She wore it in her gipsy hair.

She called it her'green wasp, ' and smiled
As if of some such deed she dreamed:
And yet to me she always seemed
A child, a little timid child,
Who at a mouse has often screamed
And yet of deeds like this she dreamed.

Where was she now? Some pond or pool
Would yield her body up some day.
Poor little waif, that'd gone astray!
And I! oh God! how great a fool
To know so long and yet delay!
Some pond would yield her up some day.

The world was phantomed with the mist
That night when I came from the grange.
So, she had stabbed him. It was strange.
Who would have thought that she who kiss'd
Would kill him too! Well, women change.
Their curse is on the lonely grange!

Winds that cavern heaven and the clouds
And canyon with cerulean blue,
Great rifts down which the stormy sunlight crowds
Like some bright seraph, who,
Mailed in intensity of silver mail,
Flashes his splendor over hill and vale,
Now tramp, tremendous, the loud forest through:
Or now, like mighty runners in a race,
That swing, long pace to pace,
Sweep 'round the hills, fresh as, at dawn's first start,
They swept, dew-dripping, from
The crystal-crimson ruby of her heart,
Shouting the dim world dumb.
And with their passage the gray and green
Of the earth 's washed clean;
And the cleansing breath of their might is wings
And warm aroma, we know as Spring's,
And sap and strength to her bourgeonings.

II.

My brow I bare
To the cool, clean air,
That blows from the crests of the clouds that roll,
Pearl-piled and berged as floes of Northern Seas,
Banked gray and thunder-low
Big in the heaven's peace;
Clouds, borne from nowhere that we know,
With nowhere for their goal;
With here and there a silvery glow
Of sunlight chasming deeps of sombre snow,
Great gulfs that overflow
With sky, a sapphire-blue,
Or opal, sapphire-kissed,
Wide-welled and deep and swiftly rifting through
Stratas of streaming mist;
Each opening like a pool,
Serene, cerule,
Set 'round with crag-like clouds 'mid which its eye gleams cool.

III.

What blue is bluer than the bluebird's blue!
'T is as if heaven itself sat on its wings;
As if the sky in miniature it bore
The fields and forests through,
Bringing the very heaven to our door;
The daybreak of its back soft-wedded to
The sunset-auburn of its throat that sings.
The dithyrambics of the wind and rain
Strive to, but cannot, drown its strain:
Again, and yet again
I hear it where the maples tassel red,
And blossoms of the crab round out o'erhead,
And catkins make the willow-brake
A gossamer blur around the lake
That lately was a stream,
A little stream locked in its icy dream.

IV.

Invisible crystals of aerial ring,
Against the wind I hear the bluebird fling
Its notes; and where the oak's mauve leaves uncurl
I catch the skyey glitter of its wing;
Its wing that lures me, like some magic charm,
Far in the woods
And shadowy solitudes:
And where the purple hills stretch under purple and pearl
Of clouds that sweep and swirl,
Its music seems to take material form;
A form that beckons with cerulean arm
And bids me see and follow,
Where, in the violet hollow,
There at the wood's far turn,
On starry moss and fern,
She shimmers, glimmering like a rainbowed shower,
The Spirit of Spring,
Diaphanous-limbed, who stands
With honeysuckle hands
Sowing the earth with many a firstling flower,
Footed with fragrance of their blossoming,
And clad in heaven as is the bluebird's wing.

V.

The tumult and the booming of the trees,
Shaken with shoutings of the winds of March
No mightier music have I heard than these,
The rocking and the rushing of the trees,
The organ-thunder of the forest's arch.
And in the wind their columned trunks become,
Each one, a mighty pendulum,
Swayed to and fro as if in time
To some vast song, some roaring rhyme,
Wind-shouted from sonorous hill to hill
The woods are never still:
The dead leaves frenzy by,
Innumerable and frantic as the dance
That whirled its madness once beneath the sky
In ancient Greece, like withered Corybants:
And I am caught and carried with their rush,
Their countless panic borne away,
A brother to the wind, through the deep gray
Of the old beech-wood, where the wild Marchday
Sits dreaming, filling all the boisterous hush
With murmurous laughter and swift smiles of sun;
Conspiring in its heart and plotting how
To load with leaves and blossoms every bough,
And whispering to itself, 'Now Spring's begun!
And soon her flowers shall golden through these leaves!
Away, ye sightless things and sere!
Make room for that which shall appear!
The glory and the gladness of the year;
The loveliness my eye alone perceives,
Still hidden there beneath the covering leaves,
My song shall waken! flowers, that this floor
Of whispering woodland soon shall carpet o'er
For my sweet sisters' feet to tread upon,
Months kinder than myself, the stern and strong,
Tempestuous-loving one,
Whose soul is full of wild, tumultuous song;
And whose rough hand now thrusts itself among
The dead leaves; groping for the flowers that lie
Huddled beneath, each like a sleep-closed eye:
Gold adder's-tongue and pink
Oxalis; snow-pale bloodroot blooms;
May-apple hoods, that parasol the brink,
Screening their moons, of the slim woodland stream:
And the wild iris; trillium, white as stars
And bluebells, dream on dream:
With harsh hand groping in the glooms,
I grasp their slenderness and shake
Their lovely eyes awake,
Dispelling from their souls the sleep that mars;
With heart-disturbing jars
Clasping their forms, and with rude finger-tips,
Through the dark rain that drips
Lifting them shrinking to my stormy lips,

VI.

'Already spicewood and the sassafras,
Like fragrant flames, begin
To tuft their boughs with topaz, ere they spin
Their beryl canopies a glimmering mass,
Mist-blurred, above the deepening grass.
Already where the old beech stands
Clutching the lean soil as it were with hands
Taloned and twisted, on its trunk a knot,
A huge excrescence, a great fungous clot,
Like some enormous and distorting wart,
My eyes can see how, blot on beautiful blot
Of blue, the violets blur through.
The musky and the loamy rot
Of leaf-pierced leaves; and, heaven in their hue,
The little bluets, crew on azure crew,
Prepare their myriads for invasion too.

VII.

'And in my soul I see how, soon, shall rise,
Still hidden to men's eyes,
Dim as the wind that 'round them treads,
Hosts of spring-beauties, streaked with rosy reds,
And pale anemones, whose airy heads,
As to some fairy rhyme,
All day shall nod in delicate time:
And now, even now, white peal on peal
Of pearly bells, that in bare boughs conceal
Themselves, like snowy music, chime on chime,
The huckleberries to my gaze reveal
Clusters, that soon shall toss
Above this green-starred moss,
That, like an emerald fire, gleams across
This forest-side, and from its moist deeps lifts
Slim, wire-like stems of seed;
Or, lichen-colored, glows with many a bead
Of cup-like blossoms: carpets where, I read,
When through the night's dark rifts
The moonlight's glimpsing splendor sifts,
The immaterial forms
With moonbeam-beckoning arms,
Of Fable and Romance,
Myths that are born of whispers of the wind
And foam of falling waters, music-twinned,
Shall lead the legendary dance;
The dance that never stops,
Of Earth's wild beauty on the green hill-tops.'

VIII.

The youth, the beauty and disdain
Of birth, death does not know,
Compel my heart with longing like to pain
When the spring breezes blow,
The fragrance and the heat
Of their soft breath, whose musk makes sweet
Each woodland way, each wild retreat,
Seem saying in my ear, 'Hark, and behold!
Before a week be gone
This barren woodside and this leafless wold
A million flowers shall invade
With argent and azure, pearl and gold,
Like rainbow fragments scattered of the dawn,
Here making bright, here wan
Each foot of earth, each glen and glimmering glade,
Each rood of windy wood,
Where late gaunt Winter stood,
Shaggy with snow and howling at the sky;
Where even now the Springtime seems afraid
To whisper of the beauty she designs,
The flowery campaign that she now outlines
Within her soul; her heart's conspiracy
To take the world with loveliness; defy
And then o'erwhelm the Death that Winter throned
Amid the trees, with love that she hath owned
Since God informed her of His very breath,
Giving her right triumphant over Death.
And, irresistible,
Her heart's deep ecstasy shall swell,
Taking the form of flower, leaf, and blade,
Invading every dell,
And sweeping, surge on surge,
Around the world, like some exultant raid,
Even to the heaven's verge.
Soon shall her legions storm
Death's ramparts, planting Life's fair standard there,
The banner which her beauty hath in care,
Beauty, that shall eventuate
With all the pomp and pageant and the state,
That are apart of power, and that wait
On majesty, to which it, too, is heir.'

IX.

Already purplish pink and green
The bloodroot's buds and leaves are seen
Clumped in dim cirques; one from the other
Hardly distinguished in the shadowy smother
Of last year's leaves blown brown between.
And, piercing through the layers of dead leaves,
The searching eye perceives
The dog's-tooth violet, pointed needle-keen,
Lifting its beak of mottled green;
While near it heaves
The May-apple its umbrous spike, a ball,
Like to a round, green bean,
That folds its blossom, topping its tight-closed parasol:
The clustered bluebell near
Hollows its azure ear,
Low leaning to the earth as if to hear
The sound of its own growing and perfume
Flowing into its bloom:
And softly there
The twin-leaf's stems prepare
Pale tapers of transparent white,
As if to light
The Spirit of Beauty through the wood's green night.

X.

Why does Nature love the number five?
Five-whorled leaves and five-tipped flowers?
Haply the bee that sucks i' the rose,
Laboring aye to store its hive,
And humming away the long noon hours,
Haply it knows as it comes and goes:
Or haply the butterfly,
Or moth of pansy-dye,
Flitting from bloom to bloom
In the forest's violet gloom,
It knows why:
Or the irised fly; to whom
Each bud, as it glitters near,
Lends eager and ardent ear.
And also tell
Why Nature loves so well
To prank her flowers in gold and blue.
Haply the dew,
That lies so close to them the whole night through,
Hugged to each honeyed heart,
Perhaps the dew the secret could impart:
Or haply now the bluebird there that bears,
Glad, unawares,
God's sapphire on its wings,
The lapis-lazuli
O' the clean, clear sky,
The heav'n of which he sings,
Haply he, too, could tell me why:
Or the maple there that swings,
To the wind's soft sigh,
Its winglets, crystal red,
A rainy ruby twinkling overhead:
Or haply now the wind, that breathes of rain
Amid the rosy boughs, it could explain:
And even now, in words of mystery,
That haunt the heart of me,
Low-whispered, dim and bland,
Tells me, but tells in vain,
And strives to make me see and understand,
Delaying where
The feldspar fire of the violet breaks,
And the starred myrtle aches
With heavenly blue; and the frail windflower shakes
Its trembling tresses in the opal air.

The Fool

Here is a tale for children and their grannies:
There was a fool, a man who'd had his chances
But missed them, somehow; lost them, just for fancies,
Tag-ends of things with which he'd crammed crannies
Of his cracked head, as panes are crammed with paper:
Fragments of song and bits of worthless writing,
Which he was never weary of reciting,
Fluttered his mind as night a windy taper.
A witless fool! who lived in some fair Venice
Of his own building where he dreamed of Beauty:
Who swore each weed a flower the sorry pauper!
This would not do. Men said he was a menace
To all mankind; and, as it was their duty,
Clapped him in prison where he died as proper.

II.

The Scarecrow

Here is a tale for prelates and for parsons:
There was a scarecrow once, a thing of tatters
And sticks and straw, to whom men trusted matters
Of weighty moment murders, thefts and arsons.
None saw he was a scarecrow. Every worship
And honour his. Men set him in high places,
And ladies primped their bodies, tinged their faces,
And kneeled to him as slaves to some great Sirship.
One night a storm, none knew it, blew to pieces
Our jackstraw friend, and the sweet air of heaven
Knew him no more, and was no longer tainted.
Then learned doctors put him in their theses:
The State set up his statue: and thought, even
As thought the Church, perhaps he should be sainted.

III.

Service

Here is a tale for proper men and virgins:
There was a woman once who had a daughter,
A fair-faced wench, as stable as is water,
And frailer than the first spring flower that burgeons.
She did not need to work, but then her mother
Thought it more suitable, and circumspectly
Put her with gentlefolks, where, indirectly,
She rose in service as has many another.
The house she served in soon became divided:
The wife and husband parted, with some scandal:
But she remained and, in the end, was married.
What happened then? You'll say, 'The girl decided
She loved another. 'Nay; not so. The vandal
Wrecked no more homes but lived a life unvaried.

IV.

The Ape

Here is a tale for maidens and for mothers:
There was an ape, a very prince of monkeys,
Who capered in the world of fools and flunkies,
The envy of his set and of all others.
He was the handbook of all social manners:
The beau of beaux, and simian glass of fashion,
To whom all folly functioned, played at passion,
And matrimony waved beleaguering banners.
A girl of girls, one God had given graces
And beauty, more than oft He grants to human,
Captured the creature, and they were united.
And strange to say, she loved him. Saw no traces
Of ape in him. And, like a very woman,
Reformed her countenance, and was delighted.

V.

The Pessimist

Here is a tale for uncles and old aunties:
There was a man once who denied the Devil,
Yet in the world saw nothing else but evil;
A pessimist, with face as sour as Dante's.
Still people praised him; men he loathed and hated,
And cursed beneath his breath for wretched sinners,
While still he drank with them and ate their dinners,
And listened to their talk and tolerated.
At last he wrote a book, full of invective
And vile abuse of earth and all its nations,
Denying God and Devil, Heaven and Hades.
Fame followed this. 'His was the right perspective!'
'A great philosopher!' He lost all patience.
But still went out to dine with Lords and Ladies.

VI.

An Incident

Here is a tale for men and women teachers:
There was a girl who'd ceased to be a maiden;
Who walked by night with heart like Lilith's laden;
A child of sin anathemaed of preachers.
She had been lovely once; but dye and scarlet,
On hair and face, had ravaged all her beauty;
Only her eyes still did her girl-soul duty,
Showing the hell that hounded her poor harlot!
One day a fisherman from out the river
Fished her pale body, (like a branch of willlow,
Or golden weed) self-murdered, drowned and broken:
The sight of it had made a strong man shiver;
And on her poor breast, as upon a pillow,
A picture smiled, a baby's, like some token

VII.

Vindication

Here is a tale for gossips and chaste people:
There lived a woman once, a straight-laced lady,
Whose only love was slander. Nothing shady
Escaped her vulture eye. Like some prim steeple
Her course of life pointed to Heaven ever;
And woe unto the sinner, girl or woman,
Whom love undid. She was their fiercest foeman.
No circumstance excused. Misfortune, never....
As she had lived she died. The mourners gathered:
Parson and preacher, this one and another,
And many gossips of most proper carriage.
Her will was read. And then... a child was fathered.
Fat Lechery had his day.... She'd been a mother.
A man was heir.... There'd never been a marriage.

VIII.

Treasure

Here is a tale for infants and old nurses:
There was a man who gathered rags; and peddled:
Who lived alone: with no one ever meddled:
And this old man was very fond of verses.
His house, a ruin, so the tale rehearses;
A hovel over-run of rats and vermin;
Not fit for beast to live in. (Like a sermon
Embodying misery and hell and curses.)
There, one grey dawn of rain and windy weather,
They found him dead; starved; o'er a written paper;
Beside a dim and half-expiring taper:
It was a play, the poor fool'd put together,
Of gnomes and fairies, for his own sad pleasure:
And folks destroyed it, saying, 'We seek for treasure.'

IX.

The Ass

Here is a tale for artists and for writers:
There was an ass, in other words, a critic,
Who brayed and balked and kicked most analytic,
And waved long ears above his brother smiters.
He could not tell a rose-tree from a thistle,
But oft mistook the one thing for the other;
Then wagged his ears most wisely at some brother,
Sent him his he-haw for the Penny Whistle.
A poet sent his volume to him' kindly
Asking for criticism. You might know it:
He made one mouthful of it, weed and flower.
There rose a cry that he had done it blindly.
'Twas poetry! What! would he kill a poet!
Not he! The ass had brayed him into power.

X.

The Cabbage

Here is a tale for any one who wishes:
There grew a cabbage once among the flowers,
A plain, broad cabbage a good wench, whose hours
Were kitchen-busy with plebeian dishes.
The rose and lily, toilless, without mottle,
Patricians born, despised her: 'How unpleasant!'
They cried;'What odour! Worse than any peasant
Who soils God's air! Give us our smelling- bottle.'
There came a gentleman who owned the garden,
Looking about him at both flower and edible,
Admiring here and there; a simple sinner,
Who sought some bud to be his heart's sweet warden:
But passed the flowers and took it seems incredible!
That cabbage! But a man must have his dinner.

XI.

The Criminal

Here is a tale for all who wish to listen:
There was a thief who, in his cut-throat quarter,
Was hailed as chief; he had a way of barter,
Persuasion, masked, behind a weapon's glisten,
That made it cockrow with each good man's riches.
At last he joined the Brotherhood of Murder,
And rose in his profession; lived a herder
Of crime in some dark tavern of the ditches.
There was a war. He went. Became a gunner.
And slew, as soldiers should, his many a hundred,
In authorized and most professional manner.
Here he advanced again. Was starred a oner.
Was captained, pensioned, and nobody wondered;
And lived and died respectable as a tanner.

XII.

Death And The Fool

Here is a tale for any man or woman:
A fool sought Death; and braved him with his bauble
Among the graves. At last he heard a hobble,
And something passed him, monstrous, super-human.
And by a tomb, that reared a broken column,
He heard it stop. And then Gargantuan laughter
Shattered the hush. Deep silence followed after,
Filled with the stir of bones, cadaverous, solemn.
Then said the fool:'Come! show thyself, old prancer!
I'll have a bout with thee. I, too, can clatter
My wand and motley. Come now! Death and Folly,
See who's the better man.' There was no answer;
Only his bauble broke; a serious matter
To the poor fool who died of melancholy.

XIII.

The Bagpipe

Here is a tale for poets and for players:
There was a bagpipe once, that wheezed and whistled,
And droned vile discords, notes that fairly bristled,
Nasal and harsh, outbraying all the brayers.
And then the thing assumed another bearing:
Boasted itself an organ of God's making,
A world-enduring instrument, Earth-shaking,
Greater than any organ, more sky-daring.
To prove which, lo, upon an elevation
It pranced and blew to its own satisfaction,
Until 'twas heard from Key West far as Fundy.
But while it piped, some schoolboy took occasion
There was a blow; a sudden sharp impaction;
The wind-bag burst... Sic transit gloria mundi.

XIV.

The Ox

Here is a tale for farmer and for peasant:
There was an ox, who might have ploughed for Jason,
So strong was he, his huge head like a bason,
A Gothic helmet with enormous crescent.
Stolid of look and slow of hoof and steady,
Meek was the beast and born but to be driven,
Unmindful of the yoke which toil had given,
Toil with his goad and lash for ever ready.
One day a bull, who was the bullock's neighbor,
Proud as a sultan haremed with his women,
Lowed to the ox who had received a beating:
'You are a fool! What have you for your labour?
Blows and bad food! Go to. Why don't you show men?'
The ox was but an ox and went on eating.

XV.

The Goose

Here is a tale for spinsters at their sewing:
There was a goose, a little gosling surely,
Who went her goose-girl way and looked demurely
As every goose should when 'tis wise and knowing.
Proper was she as every gosling should be,
And innocent as Margarete or Gretchen,
And did her duty in the house and kitchen,
And like a goose was happy as she could be.
Smug was she with a sleek and dove-like dimple,
Great gooseberry eyes and cheeks out of the dairy:
A goose, aye, just a goose, a little dumb thing.
One day the goose was gone. The tale is simple.
She had eloped. 'Twas nothing ordinary.
A married man with children. That was something.

XVI.

The Beast

Here is a tale for sportsmen when at table:
There was a boar, like that Atalanta hunted,
Who gorged and snored and, unmolested, grunted,
His fat way through the world as such able.
Huge-jowled and paunched and porcine-limbed and marrowed,
King of his kind, deep in his lair he squatted,
And round him fames of many maidens rotted
Where Licence whelped and Lust her monsters farrowed.
There came a damsel, like the one in Spenser,
A Britomart, as sorcerous as Circe,
Who pierced him with a tract, her spear, and ended
The beast's career. Made him a man; a censor
Of public morals; arbiter of mercy;
And led him by the nose and called him splendid.

XVII.

The Owl

Here is a tale for ladies with romances:
There was an owl; composer and musician,
Who looked as wise as if he had a mission,
And at all art cast supercilious glances.
People proclaimed him great because he said it;
And, like the great, he never played, nor printed
His compositions, 'though 'twas whispered, hinted
He'd written something but no one had read it.
Owl-eyed he posed at functions of position,
Hirsute, and eye-glassed, looking analytic,
Opening his mouth to worshipping female knowledge:
And then he married. A woman of ambition.
A singer, teacher, and a musical critic.
Just what he wanted. He became a college.

XVIII.

The Toad

Here is a tale to tell to rich relations:
There was a toad, a Calibanic monster,
In whose squat head ambition had ensconced her
Most bloated jewel, dear to highest stations.
He was received, though mottled as a lichen
In coat and character, because the creature
Croaked as the devil prompted him, or nature,
And said the right thing both in hall and kitchen.
To each he sang according to their liking,
And purred his flattery in the ear of Leisure,
Cringing attendance on the proud and wealthy.
One day a crane, with features of a Viking,
Swallowed him whole and did it with great pleasure:
His system needed such; toads kept him healthy.

XIX.

The Cricket

Here is a tale for those who sing with reason:
There was a cricket, troubadouring fellow,
Who chirped his lay, or zoomed it like a 'cello,
Day in, day out, no matter what the season.
Great was his love for his own violining;
He never wearied saying, 'What performing!'
And oft, when through, would ask, 'Was not that charming?'
Then play it over, right from the beginning.
A talent, such as his, should be rewarded,
So thought he, all unconscious of intention
Of any one among the violin sects,
Until by some one, lo, he was regarded;
Lifted, examined; given special mention;
And placed within a case with other insects.

XX.

The Torrent

Here is a tale for workmen and their masters:
There was a torrent once that down a mountain
Flashed its resistless way; a foaming fountain,
Basaltic-built, 'twixt cataract-hewn pilasters.
Down from its eagle eyrie nearer, nearer,
Its savage beauty born mid rocks and cedars,
Swept free as tempest, wild as mountain leaders,
Of stars and storms the swiftly moving mirror.
Men found it out; and set to work to tame it;
Put it to pounding rock and rafting lumber;
Made it a carrier of the filth of cities:
Harnessed its joy to engines; tried to shame it;
Saying, 'Be civilized!' and piled their cumber
Upon it; bound it. God of all the Pities!

The hurl and hurry of the winds of March,
That tore the ash and bowed the pine and larch,
Are past and done with: winds, that trampled through
The forests with enormous, scythe-like sweep,
And from the darkening deep,
The battlements of heaven, thunder-blue,
Rumbled the arch,
The rocking arch of all the booming oaks,
With stormy chariot-spokes;
Chariots from which wild bugle-blasts they blew,
Their warrior challenge.. . Now the wind flower sweet
Misses the fury of their ruining feet,
The trumpet-thunder of resistless flight,
Crashing and vast, obliterating light;
Sweeping the skeleton cohorts down
Of last year's leaves; and, overhead,
Hurrying the giant foliage of night,
Gaunt clouds that streamed with tempest. Now each crown
Of woods that stooped to clamor of their tread,
The frenzy of their passage, stoops no more,
Hearing no more their clarion-command,
Their chariot-hurl and the wild whip in hand.
No more, no more,
The forests rock and roar
And tumult with their shoutings.. . Hushed and still
Is the green-gleaming and the sunlit hill,
Along whose sides,
Flushing the dewy moss and rainy grass
Beneath the topaz-tinted sassafras,
As aromatic as some orient wine
The violet fire of the bluet glides,
The amaranthine flame
Glints of the bluebell; and the celandine,
Line upon lovely line,
Deliberate goldens into birth;
And, ruby and rose, the moccasin-flower hides:
Innumerable blooms, with which she writes her name,
April, upon the page,
The winter-withered parchment of old Earth,
Her fragrant autograph that gives it worth
And loveliness that takes away its age.

II.

Here where the woods are wet,
The blossoms of the dog's-tooth violet
Seem meteors in a miniature firmament
Of wildflowers, where, with rainy sound and scent
Of breeze and blossom, soft the April went:
Their tongue-like leaves of umber-mottled green,
So thickly seen,
Seem dropping words of gold,
The visible syllables of a magic old.
Beside them, near the wahoo-bush and haw,
Blooms the hepatica;
Its slender flowers upon swaying stems
Lifting pale, solitary blooms,
Starry, and twilight-colored, like frail gems,
That star the diadems
Of sylvan spirits, piercing pale the glooms;
Or like the wands, the torches of the fays,
That light lone, woodland ways
With slim, uncertain rays:
(The faery people, whom no eye may see,
Busy, so legend says,
With budding bough and leafing tree,
The blossom's heart o' honey and honey-sack o' the bee,
And all dim thoughts and dreams,
That take the form of flowers, as it seems,
And haunt the banks of greenwood streams,
Showing in every line and curve,
Commensurate with our love, and intimacy,
A smiling confidence or sweet reserve.)
There at that leafy turn
Of trailered rocks, rise fronds of hart's-tongue fern:
Fronds that my fancy names
Uncoiling flames
Of feathering emerald and gold,
That, kindled in the musky mould,
Now, stealthily as the morn, unfold
Their cool green fires that burn
Uneagerly, and spread around
An elfin light above the ground,
Like that green glow
A spirit, lamped with crystal, makes below
In dripping caves of labyrinthine moss.
And in the underwoods, around them, toss
The white-hearts with their penciled leaves,
That 'mid the shifting gleams and glooms,
The interchanging shine and shade,
Seem some vague garment made
By unseen hands that weave, that none perceives;
Pale hands that work invisible looms,
Now dropping shreds of light,
Now shadow-shreds, that interbraid
And form faint colors mixed with frail perfumes.
Or, are they fragments left in flight,
These flowers that scatter every glade
With windy, beckoning white,
And breezy blowing blue,
Of her wild gown that shone upon my sight,
A moment, in the woods I wandered through?
April's, whom still I follow,
Whom still my dreams pursue;
Who leads me on by many a tangled clue
Of loveliness, until, in some green hollow,
Born of her fragrance and her melody,
But lovelier than herself and happier, too,
Cradled in blossoms of the dogwood-tree,
My soul shall see
White as a sunbeam in the heart of day
The infant, May.

III.

Up, up, my Heart, and forth, where none perceives!
'T was this that that sweet lay meant
You heard in dreams.
Come, let us take rich payment,
For every care that grieves,
From Nature's prodigal purse.'T was this that May meant
By sending forth that wind which 'round our eaves
Whispered all night. Or was 't the Spirit who weaves,
From gold and glaucous green of early leaves,
Spring's radiant raiment?
Up, up, my Heart, and forth, where none perceives!
Come, let us forth, my Heart, where none divines!
Into far woodland places,
Where we may meet the fair, assembled races,
Beneath the guardian pines,
Of God's first flowers: poppy-celandines,
And wake-robins and bugled columbines,
With which her hair, her heavenly hair she twines,
And loops and laces.
Come let us forth, my Heart, where none divines!
Forth, forth, my Heart, and let us find our dreams,
There where they haunt each hollow!
Dreams, luring us with Oread feet to follow,
With flying feet of beams,
Fleeter and lighter than the soaring swallow:
Dreams, holding us with Dryad glooms and gleams;
With Naiad looks, far stiller than still streams,
That have beheld and still reflect, it seems,
The God Apollo.
Forth, forth, my Heart, and let us find our dreams!
Out, out my Heart! the world is white with spring.
Long have our dreams been pleaders:
Now let them be our firm but gentle leaders.
Come, let us forth and sing
Among the amber-emerald-tufted cedars,
And balm-o'-Gileads, cottonwoods, a-swing
Like giant censers, that from leaf-cusps fling
Balsams of gummy gold, bewildering
The winds their feeders.
Out, out, my Heart! the world is white with spring.
Up, up, my Heart, and all thy hope put on!
Array thyself in splendor!
Like some bright dragonfly, some May-fly slender,
The irised lamels don
Of thy new armor; and, where burns the centre,
Refulgent, of the widening rose of dawn,
Spread thy wild wings! and, ere the hour be gone,
Bright as a blast from some bold clarion,
Thy Dream-world enter!
Up, up, my heart, and all thy hope put on!

IV.

And then I heard it singing,
The wind that kissed my hair,
A song of wild expression,
A song that called in session
The wildflowers there up-springing,
The wildflowers lightly flinging
Their tresses to the air.
And first the bloodroot-blooms of March
In troops arose; each with its torch
Of hollow snow, within which, bright,
The calyx grottoed golden light.
Hepatica and bluet,
And gold corydalis.
Rose, swaying to the aria;
While phlox and dim dentaria
In rapture, ere they knew it,
Oped, nodding lightly to it,
Faint as a first star is.
And then a music, to the ear
Inaudible, I seemed to hear;
A symphony that seemed to rise
And speak in colors to the eyes.
I saw the Jacob's-Ladder
Ring violet peal on peal
Of perfume, azure-swinging;
The bluebell slimly ringing
Its purple chimes; and gladder,
Green note on note, the madder
Bells of the Solomon's-seal.
Now far away; now near; now lost,
I saw their fragrant music tossed,
Mixed dimly with white interludes
Of trilliums starring cool the woods.
Then choral, solitary,
I saw the celandine
Smite bright its golden cymbals;
The starwort shake its timbrels;
The whiteheart's horns of Faery,
With many a flourish airy,
Strike silvery into line.
And straight my soul they seemed to draw,
By chords of loveliness and awe,
Into a Faery World afar,
Where all man's dreams and longings are.

V.

Then the face of a spirit looked down at me
Out of the deeps of the opal morn:
Its eyes were blue as a sunlit sea,
And young with the joy of a star that has just been born:
And I seemed to hear, with my soul, the rose of its cool mouth say:
'Long I lay; long I lay,
Low on the Hills of the Break-of-Day,
Where ever the light is green and gray,
And the gleam of the moon is a silvery spray,
And the stars are glimmering bubbles:
Now from the Hills of the Break-of-Day.
I come, I come, on a rainbow ray,
To laugh and sparkle, to leap and play,
And blow from the face of the world away,
Like mists, its cares and troubles.'

VI.

And now that the dawn is everywhere
Let us take this road through this wild green place,
Where the rattlesnake-weed shows its yellow face,
And the lichens cover the rocks with lace:
Where tannin-touched is the wild free air,
Let us take this path through the oaks where thin
The low leaves whisper, 'The day is fair, '
And waters murmur, 'Come in, come in!
Where the wind of our foam can play with your hair
And blow away care.'
Berry blossoms that seem to flow
As the winds blow;
Blackberry blossoms swing and sway
To and fro
Along our way,
Like ocean spray on a breezy day,
Over the green of the grass as foam on the green of a bay
When the world is white and green with the white and the green of May.
And here the bluets blooming
Make little eyes at you;
O'er which the bees go booming,
Drunk with the honey-dew.
O slender Quaker-ladies,
O star-bright Quaker-ladies,
With eyes of heavenly blue,
With eyes of azure hue,
Who, where the mossy shade is,
Hold quiet Quaker-meeting,
Are these your serenaders?
Your gold-hipped serenaders,
Who, humming love-songs true,
And to your eyes repeating
Soft ballads, stop to woo?
Then change to ambuscaders,
To gold galloonéd raiders,
And rob the hearts of you,
The golden hearts of you.
And here the bells of the huckleberries toss, so it seems, in time,
Delicate, tenderly white, clumped by the wildwood way,
Swinging, it seems, inaudible peals of a dew clustered rhyme,
Visible music, dropped from the virginal lips of the May,
Crystally dropped, so it seems, blossoming bar upon bar,
Pendent, pensively pale, star upon hollowed star.

VII.

The dewberries are blooming now;
The days are long, the nights are short:
Each dogwood and each black-haw bough
Is bleached with bloom, and seems a part,
Reflected palely on her brow,
Of dreams that haunt the Year's young heart.
But this will pass; and instantly
The world forget the spring that was;
And underneath the wild-plum tree,
'Mid hornet hum and wild-bee's buzz,
Summer, in dreamy reverie,
Will sit, all warm and amorous.
Summer, with drowsy eyes and hair,
Who walks the orchard aisles between;
Whose hot touch tans the freckled pear,
And crimsons peach and nectarine;
And in the vineyard everywhere
Bubbles with blue the grape's ripe green.
Where now the briers blossoming are
Soon will the berries darkly glow;
Then summer pass: and, star on star,
Where now the grass is strewn below
With blossoms, soon, both near and far,
Will lie th' obliterating snow.
The star-flower, now that discs with gold
The woodland moss, the forest grass,
Already in a day is old,
Already doth its beauty pass;
Soon, undistinguished, with the mould
'T will mingle and will mix, alas!
The bluet, too, that spreads its skies,
Diminutive heavens, at our feet;
And crowfoot-bloom, that, with orbed eyes
Of amber, now our eyes doth greet,
Shall fade and pass, and none surmise
How once they made the Maytime sweet.

VIII.

But still the crowfoot trails its gold
Along the edges of the oak wood old;
And still, where spreads the water, white are seen
The lilies islanded between
The pads 'round archipelagoes of green;
The jade-dark pads that pave
The water's wrinkled wave,
In which the warbler and the sparrow lave
Their fluttered breasts and wings;
Preening their backs, with many twitterings,
With necks the moisture streaks;
Then dipping deep their beaks,
To which some bead of liquid coolness clings,
As bending back their mellow throats
They let the freshness trickle into notes.
And now you hear
The red-capped woodpecker rap close and clear;
And now that acrobat,
The yellow-breasted chat,
Chuckles his grotesque music from
Some tree that he hath clomb.
And now, and now,
Upon a locust bough,
Hark how the honey-throated thrush
Scatters the forest's emerald hush
With notes of golden harmony,
Taking the woods with witchery
Or is 't some spirit none may see,
Hid in the top of yonder tree,
Who, in his house of leaves, of haunted green,
Keeps trying, silver-sweet, his sunbeam flute serene?

IX.

Again the spirit looked down at me
Out of the sunset's ruin of gold;
Its eyes were dark as a moonless sea,
And grave with the grief of a star that with sorrow is old:
And I seemed to hear, with my soul, the flame of its sad mouth sigh:
'Now good-by! now good-by!
Down to the Caves of the Night go I:
Where a shadowy couch of the purple sky,
That the moon- and the starlight curtain high,
Is spread for my joy and sorrow:
Down to the Caves of the Night go I,
Where side by side in mystery
With all the Yesterdays I'll lie;
And where, from my body, before I die,
Will be born the young To-morrow.'

X.

And now that the dusk draws down you see,
Tipped by the weight of a passing bee,
The milkwort's spike of blue,
Of lavender hue,
Nod like a goblin night-cap, slim, sedate,
That night shall tassel with the dew,
Beneath its canopy of flowering rue.
And now, as twilight's purple state
Deepens the oaks' dark vistas through,
The owlet's cry of'Who, oh, who,
Who walks so late?'
Drifts like a challenge down to you.
Or there on the twig of the oak-tree tall,
The gray-green egg in the gray-green gall,
You, too, might hear if you, too, would try,
Might hear it open; all tinily
Split, and the little round worm and white,
That grows to a gnat in a summer night,
Uncurl in its nest as it dreams of flight:
In the heart of the weed that grows near by,
The little gray worm that becomes a fly,
A green wood-fly, a rainbowed fly,
You, too, might hear if you, too, would try,
As a leaf-bud pushes from forth a tree,
Minute of movement, steadily,
As it feels a yearning for wings begin,
Under the milk of its larval skin
The silent pressure of wings within.
The west grows ashen, the woods grow berylwan;
The redbird lifts its plaintive vesper-song,
Where faint a fox or rabbit steals along:
And in some vine-roofed hollow, far withdrawn,
The creek-frog sounds his deeply guttural gong,
As dusk comes on:
The water's gnarléd dwarf or gnome,
Seated upon his temple's oozy dome,
Calling the faithful unto prayer,
Muezzin-like, the worshippers of the moon,
The insect-folk of earth and air
That join him in his twilight tune.
Along the path where the lizard hides,
An instant shadow the spider glides,
The hairy spider that haunts the way,
Crouching black by its earth-bored hole,
An insect-ogre, that lairs with the mole,
Hungry, seeking its insect prey,
Fast to follow and swift to slay.
And over your hands and over your face
The cobweb brushes its phantom lace:
And now from many a stealthy place,
Woolly-winged and gossamer-gray,
The woodland moths come fluttering,
Marked and mottled with lichen hues,
Seal-soft umbers and downy blues,
Dark as the bark to which they cling.
Now in the hollow of a hill,
Like a glow-worm held in a giant hand,
Under the sunset's last red band,
And one star hued like a daffodil,
The windowed lamp of a cabin glows,
The charcoal-burner's, whose hut is poor,
But ever open; beside whose door
An oak grows gnarled and a pine stands slim.
Clean of heart and of feature grim,
Here he houses where no one knows,
His only neighbors the cawing crows
That make a roost of the pine's top limb;
His only friend the fiddle he bows
As he sits at his door in the eve's repose,
Making it chuckle and sing and speak,
Lovingly pressed to his swarthy cheek.
And over many a root, through ferns and weeds,
Past lonely places where the raccoon breeds,
By many a rock and water lying dim,
Roofed with the brier and the bramble-rose,
Under a star and the new-moon's rim,
Downward the wood-way leads to him,
Down where the lone lamp gleams and glows,
A pencil slim
Of marigold light'under leaf and limb.

XI.

Ere that small sisterhood of misty-stars,
The Pleiades, consents to grace the sky;
While yet through sunset's tiger-tawny bars
The evening-star shines downward like an eye,
A torch, Enchantment, in her topaz tower
Of twilight, kindles at the Day's last hour,
Listen, and you may hear, now low, now high,
A voice, a spirit, dreamier than a flower.
There is a fellowship so still and sweet,
A brotherhood, that speaks, unwordable,
In every tree, in every flower you meet,
The soul is fain to sit beneath its spell.
And heart-admitted to their presence there,
Those intimacies of the earth and air,
It shall hear words, too wonderful to tell,
Too deep to interpret, of unspoken prayer.
And you may see the things no eyes have seen,
And hear the things no ears have ever heard;
The Murmur of the Woods, in gray and green,
Will lean to you, its soul a whispered word;
Or by your side, in hushed and solemn wise,
The Silence sit; and, clothed in glimmering dyes
Of pearl and purple, herding bee and bird,
The Dusk steal by you with her shadowy eyes.
Then through the Ugliness that toils in night,
Uncouth, obscure, that hates the glare of day,
The things that pierce the earth and know no light,
And hide themselves in clamminess and clay,
The dumb, ungainly things, that make a home
Of mud and mire they hill and honeycomb,
Through these, perhaps, in some mysterious way,
Beauty may speak fairer than wind-blown foam.
Not as it speaks, an eagle message, drawn
From starry vastness of night's labyrinths:
Not uttering itself from out the dawn
In egret hues; nor from the cloud-built plinths
Of sunset's splendor, speaking burningly
Unto the spirit; nor all flowery
From cygnet-colored cymes of hyacinths,
But from the things that type humility.
From things despised: even from the crawfish there,
Hollowing its house of ooze a wet, vague sound
Of sleepy slime; or from the mole, whose lair,
Blind-tunnelled, corridores the earth around,
Beauty may draw her truths, as draws its wings
The butterfly from the dull worm that clings,
Cocoon and chrysalis; and from the ground
Address the soul through even senseless things.
For oft my soul hath heard the trees' huge roots
Fumble the darkness, clutching at the soil;
Hath heard the green beaks of th' imprisoned shoots
Peck at the boughs from which the leaves uncoil;
Hath heard the buried germ soft split its pod,
Groping its blind way up to light and God;
The mushroom, laboring with gnome-like toil,
Heave slow its white orb through the encircling sod.
The winds and waters, stars and streams and flowers,
The earth and rocks, each moss-tuft and each fern,
The very lichens speak. This world of ours
Is eloquent with things that bid us learn
To pierce appearances, and so to mark,
Within the stone and underneath the bark,
Heard through some inward sense, the dreams that turn
Outward to light and beauty from the dark.

XII.

I stood alone in a mountain place,
And it came to pass, as I gazed on space,
That I met with Mystery, face to face.
Within her eyes my wondering soul beheld
The eons past, the eons yet to come,
At cosmic labor; and the stars, that swelled,
Fiery or nebulous, from the darkness dumb,
In each appointed place and period,
I saw were words, whose hieroglyphic sum
Blazoned one word, the mystic name of God.
I walked alone 'mid the forest's maze,
And it came to pass, as I went my ways,
That I met with Beauty, face to face.
Within her eyes my worshipping spirit saw
The moments busy with the dreams whence spring
Earth's loveliness: and all fair things that awe
Man's soul with their perfection everything
That buds and bourgeons, blossoming above,
I saw were letters of enduring Law
That bloomed one word, the beautiful name of Love.