Madison Julius Cawein: Verses about Fog

The days that clothed white limbs with heat,
And rocked the red rose on their breast,
Have passed with amber-sandaled feet
Into the ruby-gated west.

These were the days that filled the heart
With overflowing riches of
Life, in whose soul no dream shall start
But hath its origin in love.

Now come the days gray-huddled in
The haze; whose foggy footsteps drip;
Who pin beneath a gypsy chin
The frosty marigold and hip.

The days, whose forms fall shadowy
Athwart the heart: whose misty breath
Shapes saddest sweets of memory
Out of the bitterness of death.

The sunset-crimson poppies are departed,
Mariana!
The dusky-centred, sultry-smelling poppies,
The drowsy-hearted,
That burnt like flames along the garden coppice:
All heavy-headed,
The ruby-cupped and opium-brimming poppies,
That slumber wedded,
Mariana!
The sunset-crimson poppies are departed.
Oh, heavy, heavy are the hours that fall,
The lonesome hours of the lonely days!
No poppy strews oblivion by the wall,
Where lone the last pod sways,
Oblivion that was hers of old that happier made her days.
Oh, weary, weary is the sky o'er all,
The days that creep, the hours that crawl,
And weary all the ways
She leans her face against the old stone wall,
The lichened wall, the mildewed wall,
And dreams, the long, long days,
Of one who will not come again whatever may befall.
. . . . .
All night it blew. The rain streamed down
And drowned the world in misty wet.
At morning, 'round the sunflower's crown
A row of glimmering drops was set;
The candytuft, heat shrivelled brown,
And beds of drought-dried mignonette,
Were beat to earth: but wearier, oh,
The rain was than the sun's fierce glow
That in the garth had wrought such woe:
That killed the moss-rose ere it bloomed,
And scorched the double-hollyhocks;
And bred great, poisonous weeds that doomed
The snapdragon and standing-phlox;
'Mid which gaunt spiders wove and loomed
Their dusty webs 'twixt rows of box;
And rotted into sleepy ooze
The lilied moat, that, lined with yews,
Lay scummed with many sickly hues.
How oft she longed and prayed for rain!
To blot the hateful landscape out!
To hem her heart, so parched with pain,
With sounds of coolth and broken drought;
And cure with change her stagnant brain,
And soothe to sleep all care and doubt.
At last when many days had past
And she had ceased to care at last
The longed-for rain came, falling fast.
At night, as late she lay awake,
And thought of him who had not come,
She heard the gray wind, moaning, shake
Her lattice; then the steady drum
Of storm upon the leads.. . The ache
Within her heart, so burdensome,
Grew heavier with the moan of rain.
The house was still, save, at her pane
The wind cried; hushed, then cried again.
All night she lay awake and wept:
There was no other thing to do:
At dawn she rose and, silent, crept
Adown the stairs that led into
The dripping garth, the storm had swept
With ruin; where, of every hue,
The flowers lay rotting, stained with mould;
Where all was old, unkempt and old,
And ragged as a marigold.
She sat her down, where oft she sat,
Upon a bench of marble, where,
In lines she oft would marvel at,
A Love was carved. She did not dare
Look on it then, remembering that
Here in past time he kissed her hair,
And murmured vows while, soft above,
The full moon lit the forth thereof,
The slowly crumbling form of Love.
She could but weep, remembering hours
Like these. Then in the drizzling rain.,
That weighed with wet the dying flowers,
She sought the old stone dial again;
The dial, among the moss-rose bowers,
Where often she had read, in vain,
Of time and change, and love and loss,
Rude-lettered and o'ergrown with moss,
That slow the gnomon moved across.
Remembering this she turned away,
The rain and tears upon her face.
There was no thing to do or say.
She stood a while, a little space,
And watched the rain bead, round and gray,
Upon the cobweb's tattered lace,
And tag the toadstool's spongy brim
With points of mist; and, orbing, dim
With fog the sunflower's ruined rim.
With fog, through which the moon at night
Would glimmer like a spectre sail;
Or, sullenly, a blur of light,
Like some huge glow-worm dimly trail;
'Neath which she 'd hear, wrapped deep in white,
The far sea moaning on its shale:
While in the garden, pacing slow,
And listening to its surge and flow,
She'd seem to hear her own heart's woe.
Now as the fog crept in from sea,
A great, white darkness, like a pall,
The yews and huddled shrubbery,
That dripped along the weedy wall,
Turned phantoms; and as shadowy
She too seemed, wandering 'mid it all
A phantom, pale and sad and strange,
And hopeless; doomed for aye to range
About the melancholy grange.
. . . . .
The pansies too are dead, the violet-varied,
Mariana!
The raven-dyed and fire-fretted pansies,
To memory married;
That from the grass, like forms in old romances,
Raised fairy faces:
All dead they lie, the violet-velvet pansies,
In many places,
Mariana!
The pansies too are dead, the violet-varied.
Oh, hateful, hateful are the hours that pass,
The lonely hours of the lonesome nights!
No pansy scatters heartsease through the grass,
That autumn sorrow blights,
The heartsease that was hers of old that happier made her nights.
Oh, barren, barren is her life, alas!
Its youth and beauty, all it has,
And barren all delights
She lays her face against the withered grass,
The sodden grass, the autumn grass,
And thinks, the long, long nights,
Of one who will not come again whatever comes to pass.

I

The hills are full of prophecies
And ancient voices of the dead;
Of hidden shapes that no man sees,
Pale, visionary presences,
That speak the things no tongue hath said,
No mind hath thought, no eye hath read.

The streams are full of oracles,
And momentary whisperings;
An immaterial beauty swells
Its breezy silver o'er the shells
With wordless speech that sings and sings
The message of diviner things.

No indeterminable thought is theirs,
The stars', the sunsets' and the flowers';
Whose inexpressible speech declares
Th' immortal Beautiful, who shares
This mortal riddle which is ours,
Beyond the forward-flying hours.

II

It holds and beckons in the streams;
It lures and touches us in all
The flowers of the golden fall-
The mystic essence of our dreams:
A nymph blows bubbling music where
Faint water ripples down the rocks;
A faun goes dancing hoiden locks,
And piping a Pandean air,
Through trees the instant wind shakes bare.

Our dreams are never otherwise
Than real when they hold us so;
We in some future life shall know
Them parts of it and recognize
Them as ideal substance, whence
The actual is-(as flowers and trees,
From color sources no one sees,
Draw dyes, the substance of a sense)-
Material with intelligence.

III

What intimations made them wise,
The mournful pine, the pleasant beech?
What strange and esoteric speech?-
(Communicated from the skies
In runic whispers)-that invokes
The boles that sleep within the seeds,
And out of narrow darkness leads
The vast assemblies of the oaks.

Within his knowledge, what one reads
The poems written by the flowers?
The sermons, past all speech of ours,
Preached by the gospel of the weeds?-
O eloquence of coloring!
O thoughts of syllabled perfume!
O beauty uttered into bloom!
Teach me your language! let me sing!

IV

Along my mind flies suddenly
A wildwood thought that will not die;
That makes me brother to the bee,
And cousin to the butterfly:
A thought, such as gives perfume to
The blushes of the bramble-rose,
And, fixed in quivering crystal, glows
A captive in the prismed dew.

It leads the feet no certain way;
No frequent path of human feet:
Its wild eyes follow me all day;
All day I hear its wild heart beat:
And in the night it sings and sighs
The songs the winds and waters love;
Its wild heart lying tranced above,
And tranced the wildness of its eyes.

V

Oh, joy, to walk the way that goes
Through woods of sweet-gum and of beech!
Where, like a ruby left in reach,
The berry of the dogwood glows:
Or where the bristling hillsides mass,
'Twixt belts of tawny sassafras,
Brown shocks of corn in wigwam rows!

Where, in the hazy morning, runs
The stony branch that pools and drips,
The red-haws and the wild-rose hips
Are strewn like pebbles; and the sun's
Own gold seems captured by the weeds;
To see, through scintillating seeds,
The hunters steal with glimmering guns!

Oh, joy, to go the path which lies
Through woodlands where the trees are tall!
Beneath the misty moon of fall,
Whose ghostly girdle prophesies
A morn wind-swept and gray with rain;
When, o'er the lonely, leaf-blown lane,
The night-hawk like a dead leaf flies!

To stand within the dewy ring
Where pale death smites the boneset blooms,
And everlasting's flowers, and plumes
Of mint, with aromatic wing!
And hear the creek,-whose sobbing seems
A wild-man murmuring in his dreams,-
And insect violins that sing.

Or where the dim persimmon tree
Rains on the path its frosty fruit,
And in the oak the owl doth hoot,
Beneath the moon and mist, to see
The outcast Year go,-Hagar-wise,-
With far-off, melancholy eyes,
And lips that sigh for sympathy.

VI

Towards evening, where the sweet-gum flung
Its thorny balls among the weeds,
And where the milkweed's sleepy seeds,-
A faery Feast of Lanterns,-swung;
The cricket tuned a plaintive lyre,
And o'er the hills the sunset hung
A purple parchment scrawled with fire.

From silver-blue to amethyst
The shadows deepened in the vale;
And belt by belt the pearly-pale
Aladdin fabric of the mist
Built up its exhalation far;
A jewel on an Afrit's wrist,
One star gemmed sunset's cinnabar.

Then night drew near, as when, alone,
The heart and soul grow intimate;
And on the hills the twilight sate
With shadows, whose wild robes were sown
With dreams and whispers;-dreams, that led
The heart once with love's monotone,
And memories of the living-dead.

VII

All night the rain-gusts shook the leaves
Around my window; and the blast
Rumbled the flickering flue, and fast
The storm streamed from the dripping eaves.
As if-'neath skies gone mad with fear-
The witches' Sabboth galloped past,
The forests leapt like startled deer.

All night I heard the sweeping sleet;
And when the morning came, as slow
As wan affliction, with the woe
Of all the world dragged at her feet,
No spear of purple shattered through
The dark gray of the east; no bow
Of gold shot arrows swift and blue.

But rain, that whipped the windows; filled
The spouts with rushings; and around
The garden stamped, and sowed the ground
With limbs and leaves; the wood-pool filled
With overgurgling.-Bleak and cold
The fields looked, where the footpath wound
Through teasel and bur-marigold.

Yet there's a kindness in such days
Of gloom, that doth console regret
With sympathy of tears, which wet
Old eyes that watch the back-log blaze.-
A kindness, alien to the deep
Glad blue of sunny days that let
No thought in of the lives that weep.

VIII

This dawn, through which the Autumn glowers,-
As might a face within our sleep,
With stone-gray eyes that weep and weep,
And wet brows bound with sodden flowers,-
Is sunset to some sister land;
A land of ruins and of palms;
Rich sunset, crimson with long calms,-
Whose burning belt low mountains bar,-
That sees some brown Rebecca stand
Beside a well the camel-band
Winds down to 'neath the evening star.

O sunset, sister to this dawn!
O dawn, whose face is turned away!
Who gazest not upon this day,
But back upon the day that's gone!
Enamored so of loveliness,
The retrospect of what thou wast,
Oh, to thyself the present trust!
And as thy past be beautiful
With hues, that never can grow less!
Waiting thy pleasure to express
New beauty lest the world grow dull.

IX

Down in the woods a sorcerer,
Out of rank rain and death, distills,-
Through chill alembics of the air,-
Aromas that brood everywhere
Among the whisper-haunted hills:
The bitter myrrh of dead leaves fills
Wet valleys (where the gaunt weeds bleach)
With rainy scents of wood-decay;-
As if a spirit all the day
Sat breathing softly 'neath the beech.

With other eyes I see her flit,
The wood-witch of the wild perfumes,
Among her elfin owls,-that sit,
A drowsy white, in crescent-lit
Dim glens of opalescent glooms:-
Where, for her magic, buds and blooms
Mysterious perfumes, while she stands,
A thornlike shadow, summoning
The sleepy odors, that take wing
Like bubbles from her dewy hands.

X

Among the woods they call to me-
The lights that haunt the wood and stream;
Voices of such white ecstasy
As moves with hushed lips through a dream:
They stand in auraed radiances,
Or flash with nimbused limbs across
Their golden shadows on the moss,
Or slip in silver through the trees.

What love can give the heart in me
More hope and exaltation than
The hand of light that tips the tree
And beckons far from marts of man?
That reaches foamy fingers through
The broken ripple, and replies
With sparkling speech of lips and eyes
To souls who seek and still pursue.

XI

Give me the streams, that counterfeit
The twilight of autumnal skies;
The shadowy, silent waters, lit
With fire like a woman's eyes!
Slow waters that, in autumn, glass
The scarlet-strewn and golden grass,
And drink the sunset's tawny dyes.

Give me the pools, that lie among
The centuried forests! give me those,
Deep, dim, and sad as darkness hung
Beneath the sunset's somber rose:
Still pools, in whose vague mirrors look-
Like ragged gypsies round a book
Of magic-trees in wild repose.

No quiet thing, or innocent,
Of water, earth, or air shall please
My soul now: but the violent
Between the sunset and the trees:
The fierce, the splendid, and intense,
That love matures in innocence,
Like mighty music, give me these!

XII

When thorn-tree copses still were bare
And black along the turbid brook;
When catkined willows blurred and shook
Great tawny tangles in the air;
In bottomlands, the first thaw makes
An oozy bog, beneath the trees,
Prophetic of the spring that wakes,
Sang the sonorous hylodes.

Now that wild winds have stripped the thorn,
And clogged with leaves the forest-creek;
Now that the woods look blown and bleak,
And webs are frosty white at morn;
At night beneath the spectral sky,
A far foreboding cry I hear—
The wild fowl calling as they fly?
Or wild voice of the dying Year?

XIII

And still my soul holds phantom tryst,
When chestnuts hiss among the coals,
Upon the Evening of All Souls,
When all the night is moon and mist,
And all the world is mystery;
I kiss dear lips that death hath kissed,
And gaze in eyes no man may see,
Filled with a love long lost to me.

I hear the night-wind's ghostly glove
Flutter the window: then the knob
Of some dark door turn, with a sob
As when love comes to gaze on love
Who lies pale-coffined in a room:
And then the iron gallop of
The storm, who rides outside; his plume
Sweeping the night with dread and gloom.

So fancy takes the mind, and paints
The darkness with eidolon light,
And writes the dead's romance in night
On the dim Evening of All Saints:
Unheard the hissing nuts; the clink
And fall of coals, whose shadow faints
Around the hearts that sit and think,
Borne far beyond the actual's brink.

XIV

I heard the wind, before the morn
Stretched gaunt, gray fingers 'thwart my pane,
Drive clouds down, a dark dragon-train;
Its iron visor closed, a horn
Of steel from out the north it wound.-
No morn like yesterday's! whose mouth,
A cool carnation, from the south
Breathed through a golden reed the sound
Of days that drop clear gold upon
Cerulean silver floors of dawn.

And all of yesterday is lost
And swallowed in to-day's wild light-
The birth deformed of day and night,
The illegitimate, who cost
Its mother secret tears and sighs;
Unlovely since unloved; and chilled
With sorrows and the shame that filled
Its parents' love; which was not wise
In passion as the day and night
That married yestermorn with light.

XV

Down through the dark, indignant trees,
On indistinguishable wings
Of storm, the wind of evening swings;
Before its insane anger flees
Distracted leaf and shattered bough:
There is a rushing as when seas
Of thunder beat an iron prow
On reefs of wrath and roaring wreck:
'Mid stormy leaves, a hurrying speck
Of flickering blackness, driven by,
A mad bat whirls along the sky.

Like some sad shadow, in the eve's
Deep melancholy-visible
As by some strange and twilight spell-
A gaunt girl stands among the leaves,
The night-wind in her dolorous dress:
Symbolic of the life that grieves,
Of toil that patience makes not less,
Her load of fagots fallen there.-
A wilder shadow sweeps the air,
And she is gone…. Was it the dumb
Eidolon of the month to come?

XVI

The song birds-are they flown away?
The song birds of the summer time,
That sang their souls into the day,
And set the laughing hours to rhyme.
No catbird scatters through the bush
The sparkling crystals of its song;
Within the woods no hermit-thrush
Thridding with vocal gold the hush.

All day the crows fly cawing past:
The acorns drop: the forests scowl:
At night I hear the bitter blast
Hoot with the hooting of the owl.
The wild creeks freeze: the ways are strewn
With leaves that clog: beneath the tree
The bird, that set its toil to tune,
And made a home for melody,
Lies dead beneath the snow-white moon.

The hurl and hurry of the winds of March,
That tore the ash and bowed the pine and larch,
Are past and done with: winds, that trampled through
The forests with enormous, scythe-like sweep,
And from the darkening deep,
The battlements of heaven, thunder-blue,
Rumbled the arch,
The rocking arch of all the booming oaks,
With stormy chariot-spokes;
Chariots from which wild bugle-blasts they blew,
Their warrior challenge.. . Now the wind flower sweet
Misses the fury of their ruining feet,
The trumpet-thunder of resistless flight,
Crashing and vast, obliterating light;
Sweeping the skeleton cohorts down
Of last year's leaves; and, overhead,
Hurrying the giant foliage of night,
Gaunt clouds that streamed with tempest. Now each crown
Of woods that stooped to clamor of their tread,
The frenzy of their passage, stoops no more,
Hearing no more their clarion-command,
Their chariot-hurl and the wild whip in hand.
No more, no more,
The forests rock and roar
And tumult with their shoutings.. . Hushed and still
Is the green-gleaming and the sunlit hill,
Along whose sides,
Flushing the dewy moss and rainy grass
Beneath the topaz-tinted sassafras,
As aromatic as some orient wine
The violet fire of the bluet glides,
The amaranthine flame
Glints of the bluebell; and the celandine,
Line upon lovely line,
Deliberate goldens into birth;
And, ruby and rose, the moccasin-flower hides:
Innumerable blooms, with which she writes her name,
April, upon the page,
The winter-withered parchment of old Earth,
Her fragrant autograph that gives it worth
And loveliness that takes away its age.

II.

Here where the woods are wet,
The blossoms of the dog's-tooth violet
Seem meteors in a miniature firmament
Of wildflowers, where, with rainy sound and scent
Of breeze and blossom, soft the April went:
Their tongue-like leaves of umber-mottled green,
So thickly seen,
Seem dropping words of gold,
The visible syllables of a magic old.
Beside them, near the wahoo-bush and haw,
Blooms the hepatica;
Its slender flowers upon swaying stems
Lifting pale, solitary blooms,
Starry, and twilight-colored, like frail gems,
That star the diadems
Of sylvan spirits, piercing pale the glooms;
Or like the wands, the torches of the fays,
That light lone, woodland ways
With slim, uncertain rays:
(The faery people, whom no eye may see,
Busy, so legend says,
With budding bough and leafing tree,
The blossom's heart o' honey and honey-sack o' the bee,
And all dim thoughts and dreams,
That take the form of flowers, as it seems,
And haunt the banks of greenwood streams,
Showing in every line and curve,
Commensurate with our love, and intimacy,
A smiling confidence or sweet reserve.)
There at that leafy turn
Of trailered rocks, rise fronds of hart's-tongue fern:
Fronds that my fancy names
Uncoiling flames
Of feathering emerald and gold,
That, kindled in the musky mould,
Now, stealthily as the morn, unfold
Their cool green fires that burn
Uneagerly, and spread around
An elfin light above the ground,
Like that green glow
A spirit, lamped with crystal, makes below
In dripping caves of labyrinthine moss.
And in the underwoods, around them, toss
The white-hearts with their penciled leaves,
That 'mid the shifting gleams and glooms,
The interchanging shine and shade,
Seem some vague garment made
By unseen hands that weave, that none perceives;
Pale hands that work invisible looms,
Now dropping shreds of light,
Now shadow-shreds, that interbraid
And form faint colors mixed with frail perfumes.
Or, are they fragments left in flight,
These flowers that scatter every glade
With windy, beckoning white,
And breezy blowing blue,
Of her wild gown that shone upon my sight,
A moment, in the woods I wandered through?
April's, whom still I follow,
Whom still my dreams pursue;
Who leads me on by many a tangled clue
Of loveliness, until, in some green hollow,
Born of her fragrance and her melody,
But lovelier than herself and happier, too,
Cradled in blossoms of the dogwood-tree,
My soul shall see
White as a sunbeam in the heart of day
The infant, May.

III.

Up, up, my Heart, and forth, where none perceives!
'T was this that that sweet lay meant
You heard in dreams.
Come, let us take rich payment,
For every care that grieves,
From Nature's prodigal purse.'T was this that May meant
By sending forth that wind which 'round our eaves
Whispered all night. Or was 't the Spirit who weaves,
From gold and glaucous green of early leaves,
Spring's radiant raiment?
Up, up, my Heart, and forth, where none perceives!
Come, let us forth, my Heart, where none divines!
Into far woodland places,
Where we may meet the fair, assembled races,
Beneath the guardian pines,
Of God's first flowers: poppy-celandines,
And wake-robins and bugled columbines,
With which her hair, her heavenly hair she twines,
And loops and laces.
Come let us forth, my Heart, where none divines!
Forth, forth, my Heart, and let us find our dreams,
There where they haunt each hollow!
Dreams, luring us with Oread feet to follow,
With flying feet of beams,
Fleeter and lighter than the soaring swallow:
Dreams, holding us with Dryad glooms and gleams;
With Naiad looks, far stiller than still streams,
That have beheld and still reflect, it seems,
The God Apollo.
Forth, forth, my Heart, and let us find our dreams!
Out, out my Heart! the world is white with spring.
Long have our dreams been pleaders:
Now let them be our firm but gentle leaders.
Come, let us forth and sing
Among the amber-emerald-tufted cedars,
And balm-o'-Gileads, cottonwoods, a-swing
Like giant censers, that from leaf-cusps fling
Balsams of gummy gold, bewildering
The winds their feeders.
Out, out, my Heart! the world is white with spring.
Up, up, my Heart, and all thy hope put on!
Array thyself in splendor!
Like some bright dragonfly, some May-fly slender,
The irised lamels don
Of thy new armor; and, where burns the centre,
Refulgent, of the widening rose of dawn,
Spread thy wild wings! and, ere the hour be gone,
Bright as a blast from some bold clarion,
Thy Dream-world enter!
Up, up, my heart, and all thy hope put on!

IV.

And then I heard it singing,
The wind that kissed my hair,
A song of wild expression,
A song that called in session
The wildflowers there up-springing,
The wildflowers lightly flinging
Their tresses to the air.
And first the bloodroot-blooms of March
In troops arose; each with its torch
Of hollow snow, within which, bright,
The calyx grottoed golden light.
Hepatica and bluet,
And gold corydalis.
Rose, swaying to the aria;
While phlox and dim dentaria
In rapture, ere they knew it,
Oped, nodding lightly to it,
Faint as a first star is.
And then a music, to the ear
Inaudible, I seemed to hear;
A symphony that seemed to rise
And speak in colors to the eyes.
I saw the Jacob's-Ladder
Ring violet peal on peal
Of perfume, azure-swinging;
The bluebell slimly ringing
Its purple chimes; and gladder,
Green note on note, the madder
Bells of the Solomon's-seal.
Now far away; now near; now lost,
I saw their fragrant music tossed,
Mixed dimly with white interludes
Of trilliums starring cool the woods.
Then choral, solitary,
I saw the celandine
Smite bright its golden cymbals;
The starwort shake its timbrels;
The whiteheart's horns of Faery,
With many a flourish airy,
Strike silvery into line.
And straight my soul they seemed to draw,
By chords of loveliness and awe,
Into a Faery World afar,
Where all man's dreams and longings are.

V.

Then the face of a spirit looked down at me
Out of the deeps of the opal morn:
Its eyes were blue as a sunlit sea,
And young with the joy of a star that has just been born:
And I seemed to hear, with my soul, the rose of its cool mouth say:
'Long I lay; long I lay,
Low on the Hills of the Break-of-Day,
Where ever the light is green and gray,
And the gleam of the moon is a silvery spray,
And the stars are glimmering bubbles:
Now from the Hills of the Break-of-Day.
I come, I come, on a rainbow ray,
To laugh and sparkle, to leap and play,
And blow from the face of the world away,
Like mists, its cares and troubles.'

VI.

And now that the dawn is everywhere
Let us take this road through this wild green place,
Where the rattlesnake-weed shows its yellow face,
And the lichens cover the rocks with lace:
Where tannin-touched is the wild free air,
Let us take this path through the oaks where thin
The low leaves whisper, 'The day is fair, '
And waters murmur, 'Come in, come in!
Where the wind of our foam can play with your hair
And blow away care.'
Berry blossoms that seem to flow
As the winds blow;
Blackberry blossoms swing and sway
To and fro
Along our way,
Like ocean spray on a breezy day,
Over the green of the grass as foam on the green of a bay
When the world is white and green with the white and the green of May.
And here the bluets blooming
Make little eyes at you;
O'er which the bees go booming,
Drunk with the honey-dew.
O slender Quaker-ladies,
O star-bright Quaker-ladies,
With eyes of heavenly blue,
With eyes of azure hue,
Who, where the mossy shade is,
Hold quiet Quaker-meeting,
Are these your serenaders?
Your gold-hipped serenaders,
Who, humming love-songs true,
And to your eyes repeating
Soft ballads, stop to woo?
Then change to ambuscaders,
To gold galloonéd raiders,
And rob the hearts of you,
The golden hearts of you.
And here the bells of the huckleberries toss, so it seems, in time,
Delicate, tenderly white, clumped by the wildwood way,
Swinging, it seems, inaudible peals of a dew clustered rhyme,
Visible music, dropped from the virginal lips of the May,
Crystally dropped, so it seems, blossoming bar upon bar,
Pendent, pensively pale, star upon hollowed star.

VII.

The dewberries are blooming now;
The days are long, the nights are short:
Each dogwood and each black-haw bough
Is bleached with bloom, and seems a part,
Reflected palely on her brow,
Of dreams that haunt the Year's young heart.
But this will pass; and instantly
The world forget the spring that was;
And underneath the wild-plum tree,
'Mid hornet hum and wild-bee's buzz,
Summer, in dreamy reverie,
Will sit, all warm and amorous.
Summer, with drowsy eyes and hair,
Who walks the orchard aisles between;
Whose hot touch tans the freckled pear,
And crimsons peach and nectarine;
And in the vineyard everywhere
Bubbles with blue the grape's ripe green.
Where now the briers blossoming are
Soon will the berries darkly glow;
Then summer pass: and, star on star,
Where now the grass is strewn below
With blossoms, soon, both near and far,
Will lie th' obliterating snow.
The star-flower, now that discs with gold
The woodland moss, the forest grass,
Already in a day is old,
Already doth its beauty pass;
Soon, undistinguished, with the mould
'T will mingle and will mix, alas!
The bluet, too, that spreads its skies,
Diminutive heavens, at our feet;
And crowfoot-bloom, that, with orbed eyes
Of amber, now our eyes doth greet,
Shall fade and pass, and none surmise
How once they made the Maytime sweet.

VIII.

But still the crowfoot trails its gold
Along the edges of the oak wood old;
And still, where spreads the water, white are seen
The lilies islanded between
The pads 'round archipelagoes of green;
The jade-dark pads that pave
The water's wrinkled wave,
In which the warbler and the sparrow lave
Their fluttered breasts and wings;
Preening their backs, with many twitterings,
With necks the moisture streaks;
Then dipping deep their beaks,
To which some bead of liquid coolness clings,
As bending back their mellow throats
They let the freshness trickle into notes.
And now you hear
The red-capped woodpecker rap close and clear;
And now that acrobat,
The yellow-breasted chat,
Chuckles his grotesque music from
Some tree that he hath clomb.
And now, and now,
Upon a locust bough,
Hark how the honey-throated thrush
Scatters the forest's emerald hush
With notes of golden harmony,
Taking the woods with witchery
Or is 't some spirit none may see,
Hid in the top of yonder tree,
Who, in his house of leaves, of haunted green,
Keeps trying, silver-sweet, his sunbeam flute serene?

IX.

Again the spirit looked down at me
Out of the sunset's ruin of gold;
Its eyes were dark as a moonless sea,
And grave with the grief of a star that with sorrow is old:
And I seemed to hear, with my soul, the flame of its sad mouth sigh:
'Now good-by! now good-by!
Down to the Caves of the Night go I:
Where a shadowy couch of the purple sky,
That the moon- and the starlight curtain high,
Is spread for my joy and sorrow:
Down to the Caves of the Night go I,
Where side by side in mystery
With all the Yesterdays I'll lie;
And where, from my body, before I die,
Will be born the young To-morrow.'

X.

And now that the dusk draws down you see,
Tipped by the weight of a passing bee,
The milkwort's spike of blue,
Of lavender hue,
Nod like a goblin night-cap, slim, sedate,
That night shall tassel with the dew,
Beneath its canopy of flowering rue.
And now, as twilight's purple state
Deepens the oaks' dark vistas through,
The owlet's cry of'Who, oh, who,
Who walks so late?'
Drifts like a challenge down to you.
Or there on the twig of the oak-tree tall,
The gray-green egg in the gray-green gall,
You, too, might hear if you, too, would try,
Might hear it open; all tinily
Split, and the little round worm and white,
That grows to a gnat in a summer night,
Uncurl in its nest as it dreams of flight:
In the heart of the weed that grows near by,
The little gray worm that becomes a fly,
A green wood-fly, a rainbowed fly,
You, too, might hear if you, too, would try,
As a leaf-bud pushes from forth a tree,
Minute of movement, steadily,
As it feels a yearning for wings begin,
Under the milk of its larval skin
The silent pressure of wings within.
The west grows ashen, the woods grow berylwan;
The redbird lifts its plaintive vesper-song,
Where faint a fox or rabbit steals along:
And in some vine-roofed hollow, far withdrawn,
The creek-frog sounds his deeply guttural gong,
As dusk comes on:
The water's gnarléd dwarf or gnome,
Seated upon his temple's oozy dome,
Calling the faithful unto prayer,
Muezzin-like, the worshippers of the moon,
The insect-folk of earth and air
That join him in his twilight tune.
Along the path where the lizard hides,
An instant shadow the spider glides,
The hairy spider that haunts the way,
Crouching black by its earth-bored hole,
An insect-ogre, that lairs with the mole,
Hungry, seeking its insect prey,
Fast to follow and swift to slay.
And over your hands and over your face
The cobweb brushes its phantom lace:
And now from many a stealthy place,
Woolly-winged and gossamer-gray,
The woodland moths come fluttering,
Marked and mottled with lichen hues,
Seal-soft umbers and downy blues,
Dark as the bark to which they cling.
Now in the hollow of a hill,
Like a glow-worm held in a giant hand,
Under the sunset's last red band,
And one star hued like a daffodil,
The windowed lamp of a cabin glows,
The charcoal-burner's, whose hut is poor,
But ever open; beside whose door
An oak grows gnarled and a pine stands slim.
Clean of heart and of feature grim,
Here he houses where no one knows,
His only neighbors the cawing crows
That make a roost of the pine's top limb;
His only friend the fiddle he bows
As he sits at his door in the eve's repose,
Making it chuckle and sing and speak,
Lovingly pressed to his swarthy cheek.
And over many a root, through ferns and weeds,
Past lonely places where the raccoon breeds,
By many a rock and water lying dim,
Roofed with the brier and the bramble-rose,
Under a star and the new-moon's rim,
Downward the wood-way leads to him,
Down where the lone lamp gleams and glows,
A pencil slim
Of marigold light'under leaf and limb.

XI.

Ere that small sisterhood of misty-stars,
The Pleiades, consents to grace the sky;
While yet through sunset's tiger-tawny bars
The evening-star shines downward like an eye,
A torch, Enchantment, in her topaz tower
Of twilight, kindles at the Day's last hour,
Listen, and you may hear, now low, now high,
A voice, a spirit, dreamier than a flower.
There is a fellowship so still and sweet,
A brotherhood, that speaks, unwordable,
In every tree, in every flower you meet,
The soul is fain to sit beneath its spell.
And heart-admitted to their presence there,
Those intimacies of the earth and air,
It shall hear words, too wonderful to tell,
Too deep to interpret, of unspoken prayer.
And you may see the things no eyes have seen,
And hear the things no ears have ever heard;
The Murmur of the Woods, in gray and green,
Will lean to you, its soul a whispered word;
Or by your side, in hushed and solemn wise,
The Silence sit; and, clothed in glimmering dyes
Of pearl and purple, herding bee and bird,
The Dusk steal by you with her shadowy eyes.
Then through the Ugliness that toils in night,
Uncouth, obscure, that hates the glare of day,
The things that pierce the earth and know no light,
And hide themselves in clamminess and clay,
The dumb, ungainly things, that make a home
Of mud and mire they hill and honeycomb,
Through these, perhaps, in some mysterious way,
Beauty may speak fairer than wind-blown foam.
Not as it speaks, an eagle message, drawn
From starry vastness of night's labyrinths:
Not uttering itself from out the dawn
In egret hues; nor from the cloud-built plinths
Of sunset's splendor, speaking burningly
Unto the spirit; nor all flowery
From cygnet-colored cymes of hyacinths,
But from the things that type humility.
From things despised: even from the crawfish there,
Hollowing its house of ooze a wet, vague sound
Of sleepy slime; or from the mole, whose lair,
Blind-tunnelled, corridores the earth around,
Beauty may draw her truths, as draws its wings
The butterfly from the dull worm that clings,
Cocoon and chrysalis; and from the ground
Address the soul through even senseless things.
For oft my soul hath heard the trees' huge roots
Fumble the darkness, clutching at the soil;
Hath heard the green beaks of th' imprisoned shoots
Peck at the boughs from which the leaves uncoil;
Hath heard the buried germ soft split its pod,
Groping its blind way up to light and God;
The mushroom, laboring with gnome-like toil,
Heave slow its white orb through the encircling sod.
The winds and waters, stars and streams and flowers,
The earth and rocks, each moss-tuft and each fern,
The very lichens speak. This world of ours
Is eloquent with things that bid us learn
To pierce appearances, and so to mark,
Within the stone and underneath the bark,
Heard through some inward sense, the dreams that turn
Outward to light and beauty from the dark.

XII.

I stood alone in a mountain place,
And it came to pass, as I gazed on space,
That I met with Mystery, face to face.
Within her eyes my wondering soul beheld
The eons past, the eons yet to come,
At cosmic labor; and the stars, that swelled,
Fiery or nebulous, from the darkness dumb,
In each appointed place and period,
I saw were words, whose hieroglyphic sum
Blazoned one word, the mystic name of God.
I walked alone 'mid the forest's maze,
And it came to pass, as I went my ways,
That I met with Beauty, face to face.
Within her eyes my worshipping spirit saw
The moments busy with the dreams whence spring
Earth's loveliness: and all fair things that awe
Man's soul with their perfection everything
That buds and bourgeons, blossoming above,
I saw were letters of enduring Law
That bloomed one word, the beautiful name of Love.