Lizette Woodworth Reese: Verses about Love

Love came back at fall o' dew,
Playing his old part;
But I had a word or two
That would break his heart.

'He who comes at candlelight,
That should come before,
Must betake him to the night
From a barred door.'

This the word that made us part
In the fall o' dew;
This the word that brake his heart --
Yet it brake mine, too.

Oh, gray and tender is the rain,
That drips, drips on the pane!
A hundred things come in the door,
The scent of herbs, the thought of yore.

I see the pool out in the grass,
A bit of broken glass;
The red flags running wet and straight,
Down to the little flapping gate.

Lombardy poplars tall and three,
Across the road I see;
There is no loveliness so plain
As a tall poplar in the rain.

But oh, the hundred things and more,
That come in at the door! --
The smack of mint, old joy, old pain,
Caught in the gray and tender rain.

This is the house where I was bred:
The wind blows through it without stint,
The wind bitten by the roadside mint;
Here brake I loaf, here climbed to bed.

The fuchsia on the window sill;
Even the candlesticks a-row,
Wrought by grave men so long ago —
I loved them once, I love them still.

Southward and westward a great sky! —
The throb of sea within mine ear —
Then something different, more near,
As though a wistful foot went by.

Ghost of a ghost down all the years! —
In low-roofed room, at turn of stair,
At table-setting, and at prayer,
Old wars, old hungers, and old tears!

To the sweet memory of Sidney Lanier

The old house stands deserted, gray,
With sharpened gables high in air,
And deep-set lattices, all gay
With massive arch and framework rare;
And o’er it is a silence laid,
That feeling, one grows sore afraid.

The eaves are dark with heavy vines;
The steep roof wears a coat of moss;
The walls are touched with dim designs
Of shadows moving slow across;
The balconies are damp with weeds,
Lifting as close as streamside reeds.

The garden is a loved retreat
Of melancholy flowers, of lone
And wild-mouthed herbs, in companies sweet,
’Mid desolate green grasses thrown;
And in its gaps the hoar stone wall
Lets sprays of tangled ivy fall.

The pebbled paths drag, here and there,
Old lichened faces, overspun
With silver spider-threads—they wear
A silence sad to look upon:
It is so long since happy feet
Made them to thrill with pressure sweet.

’Mid drear but fragrant shrubs there stands
A saint of old made mute in stone,
With tender eyes and yearning hands,
And mouth formed in a sorrow lone;
’Tis thick with dust, as long ago
’Twas thick with fairest blooms that grow.

Swallows are whirring here and there;
And oft a little soft wind blows
A hundred odors down the air;
The bees hum ’round the red, last rose;
And ceaselessly the crickets shrill
Their tunes, and yet, it seems so still.

Or else, from out the distance steals,
Half heard, the tramp of horses, or
The bleak and harsh stir of slow wheels
Bound cityward; but more and more,
As these are hushed, or yet increase,
About the old house clings its peace.