This is an analysis of the poem The House With Nobody In It that begins with:

Whenever I walk to Suffern along the Erie track
I go by a poor old farmhouse with its shingles broken and black.... full text

Elements of the verse: questions and answers

The information we provided is prepared by means of a special computer program. Use the criteria sheet to understand greatest poems or improve your poetry analysis essay.

  • Rhyme scheme: aabb XXcc ddee eeff gghh ciibbXaabb
  • Stanza lengths (in strings): 4,4,4,4,4,10,
  • Closest metre: iambic pentameter
  • Сlosest rhyme: couplets
  • Сlosest stanza type: sonnet
  • Guessed form: heroic couplets
  • Metre: 01011010010101 1110111100101011 1011100101111111001 11101010101011100 1101101011111111 11101010111100 110100101110011 101001100010111 011010101010101 1110101011101001 011111010110111 1101010101101001 01101010111101 11010101011111 11111101010100 11111011001110001 101110100101011 11001110101101001 1110100100100111 101010010101101 10111110111 0111101 1110101010101101 011110010111101001 00101101011101111 101011010010101 11011010101101101 10110110100110101001 111110011100100101
  • Amount of stanzas: 7
  • Average number of symbols per stanza: 261
  • Average number of words per stanza: 53
  • Amount of lines: 29
  • Average number of symbols per line: 62 (very long strings)
  • Average number of words per line: 13
  • Mood of the speaker:

    The punctuation marks are various. Neither mark predominates.

  • The author used lexical repetitions to emphasize a significant image; i, house, it, and, needs, to, i'd, that, has are repeated.

    The poet used anaphora at the beginnings of some neighboring lines. The same words i, i'd are repeated.

If you write a school or university poetry essay, you should Include in your explanation of the poem:

  • summary of The House With Nobody In It;
  • central theme;
  • idea of the verse;
  • history of its creation;
  • critical appreciation.

Good luck in your poetry interpretation practice!

More information about poems by Joyce Kilmer