John Greenleaf Whittier: Verses about Sympathy

Long since, a dream of heaven I had,
And still the vision haunts me oft;
I see the saints in white robes clad,
The martyrs with their palms aloft;
But hearing still, in middle song,
The ceaseless dissonance of wrong;
And shrinking, with hid faces, from the strain
Of sad, beseeching eyes, full of remorse and pain.

The glad song falters to a wail,
The harping sinks to low lament;
Before the still unlifted veil
I see the crowned foreheads bent,
Making more sweet the heavenly air,
With breathings of unselfish prayer;
And a Voice saith: 'O Pity which is pain,
O Love that weeps, fill up my sufferings which remain!

'Shall souls redeemed by me refuse
To share my sorrow in their turn?
Or, sin-forgiven, my gift abuse
Of peace with selfish unconcern?
Has saintly ease no pitying care?
Has faith no work, and love no prayer?
While sin remains, and souls in darkness dwell,
Can heaven itself be heaven, and look unmoved on hell?'

Then through the Gates of Pain, I dream,
A wind of heaven blows coolly in;
Fainter the awful discords seem,
The smoke of torment grows more thin,
Tears quench the burning soil, and thence
Spring sweet, pale flowers of penitence
And through the dreary realm of man's despair,
Star-crowned an angel walks, and to! God's hope is there!

Is it a dream? Is heaven so high
That pity cannot breathe its air?
Its happy eyes forever dry,
Its holy lips without a prayer!
My God! my God! if thither led
By Thy free grace unmerited,
No crown nor palm be mine, but let me keep
A heart that still can feel, and eyes that still can weep.

Piero Luca, known of all the town
As the gray porter by the Pitti wall
Where the noon shadows of the gardens fall,
Sick and in dolor, waited to lay down
His last sad burden, and beside his mat
The barefoot monk of La Certosa sat.

Unseen, in square and blossoming garden drifted,
Soft sunset lights through green Val d'Arno sifted;
Unheard, below the living shuttles shifted
Backward and forth, and wove, in love or strife,
In mirth or pain, the mottled web of life
But when at last came upward from the street
Tinkle of bell and tread of measured feet,
The sick man started, strove to rise in vain,
Sinking back heavily with a moan of pain.
And the monk said, ''T is but the Brotherhood
Of Mercy going on some errand good
Their black masks by the palace-wall I see.'
Piero answered faintly, 'Woe is me!
This day for the first time in forty years
In vain the bell hath sounded in my ears,
Calling me with my brethren of the mask,
Beggar and prince alike, to some new task
Of love or pity,--haply from the street
To bear a wretch plague-stricken, or, with feet
Hushed to the quickened ear and feverish brain,
To tread the crowded lazaretto's floors,
Down the long twilight of the corridors,
Midst tossing arms and faces full of pain.
I loved the work: it was its own reward.
I never counted on it to offset
My sins, which are many, or make less my debt
To the free grace and mercy of our Lord;
But somehow, father, it has come to be
In these long years so much a part of me,
I should not know myself, if lacking it,
But with the work the worker too would die,
And in my place some other self would sit
Joyful or sad,--what matters, if not I?
And now all's over. Woe is me!'--'My son,'
The monk said soothingly, 'thy work is done;
And no more as a servant, but the guest
Of God thou enterest thy eternal rest.
No toil, no tears, no sorrow for the lost,
Shall mar thy perfect bliss. Thou shalt sit down
Clad in white robes, and wear a golden crown
Forever and forever.'--Piero tossed
On his sick-pillow: 'Miserable me!
I am too poor for such grand company;
The crown would be too heavy for this gray
Old head; and God forgive me if I say
It would be hard to sit there night and day,
Like an image in the Tribune, doing naught
With these hard hands, that all my life have wrought,
Not for bread only, but for pity's sake.
I'm dull at prayers: I could not keep awake,
Counting my beads. Mine's but a crazy head,
Scarce worth the saving, if all else be dead.
And if one goes to heaven without a heart,
God knows he leaves behind his better part.
I love my fellow-men: the worst I know
I would do good to. Will death change me so
That I shall sit among the lazy saints,
Turning a deaf ear to the sore complaints
Of souls that suffer? Why, I never yet
Left a poor dog in the strada hard beset,
Or ass o'erladen! Must I rate man less
Than dog or ass, in holy selfishness?
Methinks (Lord, pardon, if the thought be sin!)
The world of pain were better, if therein
One's heart might still be human, and desires
Of natural pity drop upon its fires
Some cooling tears.'

Thereat the pale monk crossed
His brow, and, muttering, 'Madman! thou art lost!'
Took up his pyx and fled; and, left alone,
The sick man closed his eyes with a great groan
That sank into a prayer, 'Thy will be done!'
Then was he made aware, by soul or ear,
Of somewhat pure and holy bending o'er him,
And of a voice like that of her who bore him,
Tender and most compassionate: 'Never fear!
For heaven is love, as God himself is love;
Thy work below shall be thy work above.'
And when he looked, lo! in the stern monk's place
He saw the shining of an angel's face!


. . . . .

The Traveller broke the pause. 'I've seen
The Brothers down the long street steal,
Black, silent, masked, the crowd between,
And felt to doff my hat and kneel
With heart, if not with knee, in prayer,
For blessings on their pious care.'

Reader wiped his glasses: 'Friends of mine,
I'll try our home-brewed next, instead of foreign wine.'

Read at the unveiling of the bust of Elizabeth Fry at the Friends'
School, Providence, R. I.

A. D. 1209.

AMIDST Thuringia's wooded hills she dwelt,
A high-born princess, servant of the poor,
Sweetening with gracious words the food she dealt
To starving throngs at Wartburg's blazoned door.

A blinded zealot held her soul in chains,
Cramped the sweet nature that he could not kill,
Scarred her fair body with his penance-pains,
And gauged her conscience by his narrow will.

God gave her gifts of beauty and of grace,
With fast and vigil she denied them all;
Unquestioning, with sad, pathetic face,
She followed meekly at her stern guide's call.

So drooped and died her home-blown rose of bliss
In the chill rigor of a discipline
That turned her fond lips from her children's kiss,
And made her joy of motherhood a sin.

To their sad level by compassion led,
One with the low and vile herself she made,
While thankless misery mocked the hand that fed,
And laughed to scorn her piteous masquerade.

But still, with patience that outwearied hate,
She gave her all while yet she had to give;
And then her empty hands, importunate,
In prayer she lifted that the poor might live.

Sore pressed by grief, and wrongs more hard to bear,
And dwarfed and stifled by a harsh control,
She kept life fragrant with good deeds and prayer,
And fresh and pure the white flower of her soul.

Death found her busy at her task: one word
Alone she uttered as she paused to die,
'Silence!'--then listened even as one who heard
With song and wing the angels drawing nigh!

Now Fra Angelico's roses fill her hands,
And, on Murillo's canvas, Want and Pain
Kneel at her feet. Her marble image stands
Worshipped and crowned in Marburg's holy fane.

Yea, wheresoe'er her Church its cross uprears,
Wide as the world her story still is told;
In manhood's reverence, woman's prayers and tears,
She lives again whose grave is centuries old.

And still, despite the weakness or the blame
Of blind submission to the blind, she hath
A tender place in hearts of every name,
And more than Rome owns Saint Elizabeth!

A. D. 1780.

Slow ages passed: and lo! another came,
An English matron, in whose simple faith
Nor priestly rule nor ritual had claim,
A plain, uncanonized Elizabeth.

No sackcloth robe, nor ashen-sprinkled hair,
Nor wasting fast, nor scourge, nor vigil long,
Marred her calm presence. God had made her fair,
And she could do His goodly work no wrong.

Their yoke is easy and their burden light
Whose sole confessor is the Christ of God;
Her quiet trust and faith transcending sight
Smoothed to her feet the difficult paths she trod.

And there she walked, as duty bade her go,
Safe and unsullied as a cloistered nun,
Shamed with her plainness Fashion's gaudy show,
And overcame the world she did not shun.

In Earlham's bowers, in Plashet's liberal hall,
In the great city's restless crowd and din,
Her ear was open to the Master's call,
And knew the summons of His voice within.

Tender as mother, beautiful as wife,
Amidst the throngs of prisoned crime she stood
In modest raiment faultless as her life,
The type of England's worthiest womanhood.

To melt the hearts that harshness turned to stone
The sweet persuasion of her lips sufficed,
And guilt, which only hate and fear had known,
Saw in her own the pitying love of Christ.

So wheresoe'er the guiding Spirit went
She followed, finding every prison cell
It opened for her sacred as a tent
Pitched by Gennesaret or by Jacob's well.

And Pride and Fashion felt her strong appeal,
And priest and ruler marvelled as they saw
How hand in hand went wisdom with her zeal,
And woman's pity kept the bounds of law.

She rests in God's peace; but her memory stirs
The air of earth as with an angel's wings,
And warms and moves the hearts of men like hers,
The sainted daughter of Hungarian kings.

United now, the Briton and the Hun,
Each, in her own time, faithful unto death,
Live sister souls! in name and spirit one,
Thuringia's saint and our Elizabeth!

THE tossing spray of Cocheco's fall
Hardened to ice on its rocky wall,
As through Dover town in the chill, gray dawn,
Three women passed, at the cart-tail drawn!

Bared to the waist, for the north wind's grip
And keener sting of the constable's whip,
The blood that followed each hissing blow
Froze as it sprinkled the winter snow.

Priest and ruler, boy and maid
Followed the dismal cavalcade;
And from door and window, open thrown,
Looked and wondered gaffer and crone.

'God is our witness,' the victims cried,
We suffer for Him who for all men died;
The wrong ye do has been done before,
We bear the stripes that the Master bore!

And thou, O Richard Waldron, for whom
We hear the feet of a coming doom,
On thy cruel heart and thy hand of wrong
Vengeance is sure, though it tarry long.

'In the light of the Lord, a flame we see
Climb and kindle a proud roof-tree;
And beneath it an old man lying dead,
With stains of blood on his hoary head.'

'Smite, Goodman Hate-Evil!--harder still!'
The magistrate cried, 'lay on with a will!
Drive out of their bodies the Father of Lies,
Who through them preaches and prophesies!'

So into the forest they held their way,
By winding river and frost-rimmed bay,
Over wind-swept hills that felt the beat
Of the winter sea at their icy feet.

The Indian hunter, searching his traps,
Peered stealthily through the forest gaps;
And the outlying settler shook his head,--
'They're witches going to jail,' he said.

At last a meeting-house came in view;
A blast on his horn the constable blew;
And the boys of Hampton cried up and down,
'The Quakers have come!' to the wondering town.

From barn and woodpile the goodman came;
The goodwife quitted her quilting frame,
With her child at her breast; and, hobbling slow,
The grandam followed to see the show.

Once more the torturing whip was swung,
Once more keen lashes the bare flesh stung.
'Oh, spare! they are bleeding!'' a little maid cried,
And covered her face the sight to hide.

A murmur ran round the crowd: 'Good folks,'
Quoth the constable, busy counting the strokes,
'No pity to wretches like these is due,
They have beaten the gospel black and blue!'

Then a pallid woman, in wild-eyed fear,
With her wooden noggin of milk drew near.
'Drink, poor hearts!' a rude hand smote
Her draught away from a parching throat.

'Take heed,' one whispered, 'they'll take your cow
For fines, as they took your horse and plough,
And the bed from under you.' 'Even so,'
She said; 'they are cruel as death, I know.'

Then on they passed, in the waning day,
Through Seabrook woods, a weariful way;
By great salt meadows and sand-hills bare,
And glimpses of blue sea here and there.

By the meeting-house in Salisbury town,
The sufferers stood, in the red sundown,
Bare for the lash! O pitying Night,
Drop swift thy curtain and hide the sight.

With shame in his eye and wrath on his lip
The Salisbury constable dropped his whip.
'This warrant means murder foul and red;
Cursed is he who serves it,' he said.

'Show me the order, and meanwhile strike
A blow at your peril!' said Justice Pike.
Of all the rulers the land possessed,
Wisest and boldest was he and best.

He scoffed at witchcraft; the priest he met
As man meets man; his feet he set
Beyond his dark age, standing upright,
Soul-free, with his face to the morning light.

He read the warrant: 'These convey
From our precincts; at every town on the way
Give each ten lashes.' 'God judge the brute!
I tread his order under my foot!

'Cut loose these poor ones and let them go;
Come what will of it, all men shall know
No warrant is good, though backed by the Crown,
For whipping women in Salisbury town!'

The hearts of the villagers, half released
From creed of terror and rule of priest,
By a primal instinct owned the right
Of human pity in law's despite.

For ruth and chivalry only slept,
His Saxon manhood the yeoman kept;
Quicker or slower, the same blood ran
In the Cavalier and the Puritan.

The Quakers sank on their knees in praise
And thanks. A last, low sunset blaze
Flashed out from under a cloud, and shed
A golden glory on each bowed head.

The tale is one of an evil time,
When souls were fettered and thought was crime,
And heresy's whisper above its breath
Meant shameful scourging and bonds and death!

What marvel, that hunted and sorely tried,
Even woman rebuked and prophesied,
And soft words rarely answered back
The grim persuasion of whip and rack.

If her cry from the whipping-post and jail
Pierced sharp as the Kenite's driven nail,
O woman, at ease in these happier days,
Forbear to judge of thy sister's ways!

How much thy beautiful life may owe
To her faith and courage thou canst not know,
Nor how from the paths of thy calm retreat
She smoothed the thorns with her bleeding feet.

Stand still, my soul, in the silent dark
I would question thee,
Alone in the shadow drear and stark
With God and me!

What, my soul, was thy errand here?
Was it mirth or ease,
Or heaping up dust from year to year?
'Nay, none of these!'

Speak, soul, aright in His holy sight
Whose eye looks still
And steadily on thee through the night
'To do His will!'

What hast thou done, O soul of mine,
That thou tremblest so?
Hast thou wrought His task, and kept the line
He bade thee go?

Aha! thou tremblest!--well I see
Thou 'rt craven grown.
Is it so hard with God and me
To stand alone?

Summon thy sunshine bravery back,
O wretched sprite!
Let me hear thy voice through this deep and black
Abysmal night.

What hast thou wrought for Right and Truth,
For God and Man,
From the golden hours of bright-eyed youth
To life's mid span?

What, silent all! art sad of cheer?
Art fearful now?
When God seemed far and men were near,
How brave wert thou!

Ah, soul of mine, thy tones I hear,
But weak and low,
Like far sad murmurs on my ear
They come and go.

I have wrestled stoutly with the Wrong,
And borne the Right
From beneath the footfall of the throng
To life and light.

'Wherever Freedom shivered a chain,
God speed, quoth I;
To Error amidst her shouting train
I gave the lie.'

Ah, soul of mine! ah, soul of mine!
Thy deeds are well:
Were they wrought for Truth's sake or for thine?
My soul, pray tell.

'Of all the work my hand hath wrought
Beneath the sky,
Save a place in kindly human thought,
No gain have I.'

Go to, go to! for thy very self
Thy deeds were done
Thou for fame, the miser for pelf,
Your end is one!

And where art thou going, soul of mine?
Canst see the end?
And whither this troubled life of thine
Evermore doth tend?

What daunts thee now? what shakes thee so?
My sad soul say.
'I see a cloud like a curtain low
Hang o'er my way.

'Whither I go I cannot tell
That cloud hangs black,
High as the heaven and deep as hell
Across my track.

'I see its shadow coldly enwrap
The souls before.
Sadly they enter it, step by step,
To return no more.

'They shrink, they shudder, dear God! they kneel
To Thee in prayer.
They shut their eyes on the cloud, but feel
That it still is there.

'In vain they turn from the dread Before
To the Known and Gone;
For while gazing behind them evermore
Their feet glide on.

'Yet, at times, I see upon sweet pale faces
A light begin
To tremble, as if from holy places
And shrines within.

'And at times methinks their cold lips move
With hymn and prayer,
As if somewhat of awe, but more of love
And hope were there.

'I call on the souls who have left the light
To reveal their lot;
I bend mine ear to that wall of night,
And they answer not.

'But I hear around me sighs of pain
And the cry of fear,
And a sound like the slow sad dropping of rain,
Each drop a tear!

'Ah, the cloud is dark, and day by day
I am moving thither
I must pass beneath it on my way--
God pity me!--whither?'

Ah, soul of mine! so brave and wise
In the life-storm loud,
Fronting so calmly all human eyes
In the sunlit crowd!

Now standing apart with God and me
Thou art weakness all,
Gazing vainly after the things to be
Through Death's dread wall.

But never for this, never for this
Was thy being lent;
For the craven's fear is but selfishness,
Like his merriment.

Folly and Fear are sisters twain
One closing her eyes.
The other peopling the dark inane
With spectral lies.

Know well, my soul, God's hand controls
Whate'er thou fearest;
Round Him in calmest music rolls
Whate'er thou Nearest.

What to thee is shadow, to Him is day,
And the end He knoweth,
And not on a blind and aimless way
The spirit goeth.

Man sees no future,--a phantom show
Is alone before him;
Past Time is dead, and the grasses grow,
And flowers bloom o'er him.

Nothing before, nothing behind;
The steps of Faith
Fall on the seeming void, and find
The rock beneath.

The Present, the Present is all thou hast
For thy sure possessing;
Like the patriarch's angel hold it fast
Till it gives its blessing.

Why fear the night? why shrink from Death;
That phantom wan?
There is nothing in heaven or earth beneath
Save God and man.

Peopling the shadows we turn from Him
And from one another;
All is spectral and vague and dim
Save God and our brother!

Like warp and woof all destinies
Are woven fast,
Linked in sympathy like the keys
Of an organ vast.

Pluck one thread, and the web ye mar;
Break but one
Of a thousand keys, and the paining jar
Through all will run.

O restless spirit! wherefore strain
Beyond thy sphere?
Heaven and hell, with their joy and pain,
Are now and here.

Back to thyself is measured well
All thou hast given;
Thy neighbor's wrong is thy present hell,
His bliss, thy heaven.

And in life, in death, in dark and light,
All are in God's care
Sound the black abyss, pierce the deep of night,
And He is there!

All which is real now remaineth,
And fadeth never
The hand which upholds it now sustaineth
The soul forever.

Leaning on Him, make with reverent meekness
His own thy will,
And with strength from Him shall thy utter weakness
Life's task fulfil;

And that cloud itself, which now before thee
Lies dark in view,
Shall with beams of light from the inner glory
Be stricken through.

And like meadow mist through autumn's dawn
Uprolling thin,
Its thickest folds when about thee drawn
Let sunlight in.

Then of what is to be, and of what is done,
Why queriest thou?
The past and the time to be are one,
And both are now!

NOT with the splendors of the days of old,
The spoil of nations, and barbaric gold;
No weapons wrested from the fields of blood,
Where dark and stern the unyielding Roman stood,
And the proud eagles of his cohorts saw
A world, war-wasted, crouching to his law;
Nor blazoned car, nor banners floating gay,
Like those which swept along the Appian Way,
When, to the welcome of imperial Rome,
The victor warrior came in triumph home,
And trumpet peal, and shoutings wild and high,
Stirred the blue quiet of the Italian sky;
But calm and grateful, prayerful and sincere,
As Christian freemen only, gathering here,
We dedicate our fair and lofty Hall,
Pillar and arch, entablature and wall,
As Virtue's shrine, as Liberty's abode,
Sacred to Freedom, and to Freedom's God!
Far statelier Halls, 'neath brighter skies than these,
Stood darkly mirrored in the Ægean seas,
Pillar and shrine, and life-like statues seen,
Graceful and pure, the marble shafts between;
Where glorious Athens from her rocky hill
Saw Art and Beauty subject to her will;
And the chaste temple, and the classic grove,
The hall of sages, and the bowers of love,
Arch, fane, and column, graced the shores, and gave
Their shadows to the blue Saronic wave;
And statelier rose, on Tiber's winding side,
The Pantheon's dome, the Coliseum's pride,
The Capitol, whose arches backward flung
The deep, clear cadence of the Roman tongue,
Whence stern decrees, like words of fate, went forth
To the awed nations of a conquered earth,
Where the proud Caesars in their glory came,
And Brutus lightened from his lips of flame!
Yet in tire porches of Athena's halls,
And in the shadow of her stately walls,
Lurked the sad bondman, and his tears of woe
Wet the cold marble with unheeded flow;
And fetters clanked beneath the silver dome
Of the proud Pantheon of imperious Rome.
Oh, not for him, the chained and stricken slave,
By Tiber's shore, or blue Ægina's wave,
In the thronged forum, or the sages' seat,
The bold lip pleaded, and the warm heart beat;
No soul of sorrow melted at his pain,
No tear of pity rusted on his chain!
But this fair Hall to Truth and Freedom given,
Pledged to the Right before all Earth and Heaven,
A free arena for the strife of mind,
To caste, or sect, or color unconfined,
Shall thrill with echoes such as ne'er of old
From Roman hall or Grecian temple rolled;
Thoughts shall find utterance such as never yet
The Propylea or the Forum met.
Beneath its roof no gladiator's strife
Shall win applauses with the waste of life;
No lordly lictor urge the barbarous game,
No wanton Lais glory in her shame.
But here the tear of sympathy shall flow,
As the ear listens to the tale of woe;
Here in stern judgment of the oppressor's wrong
Shall strong rebukings thrill on Freedom's tongue,
No partial justice hold th' unequal scale,
No pride of caste a brother's rights assail,
No tyrant's mandates echo from this wall,
Holy to Freedom and the Rights of All!
But a fair field, where mind may close with mind,
Free as the sunshine and the chainless wind;
Where the high trust is fixed on Truth alone,
And bonds and fetters from the soul are thrown;
Where wealth, and rank, and worldly pomp, and might,
Yield to the presence of the True and Right.
And fitting is it that this Hall should stand
Where Pennsylvania's Founder led his band,.
From thy blue waters, Delaware!— to press
The virgin verdure of the wilderness.
Here, where all Europe with amazement saw
The soul's high freedom trammelled by no law;
Here, where the fierce and warlike forest-men
Gathered, in peace, around the home of Penn,
Awed by the weapons Love alone had given
Drawn from the holy armory of Heaven;
Where Nature's voice against the bondman's wrong
First found an earnest and indignant tongue;
Where Lay's bold message to the proud was borne;
And Keith's rebuke, and Franklin's manly scorn!
Fitting it is that here, where Freedom first
From her fair feet shook off the Old World's dust,
Spread her white pinions to our Western blast,
And her free tresses to our sunshine cast,
One Hall should rise redeemed from Slavery's ban,
One Temple sacred to the Rights of Man!
Oh! if the spirits of the parted come,
Visiting angels, to their olden home;
If the dead fathers of the land look forth
From their fair dwellings, to the things of earth,
Is it a dream, that with their eyes of love,
They gaze now on us from the bowers above?
Lay's ardent soul, and Benezet the mild,
Steadfast in faith, yet gentle as a child,
Meek-hearted Woolman, and that brother-band,
The sorrowing exiles from their 'Father land,'
Leaving their homes in Krieshiem's bowers of vine,
And the blue beauty of their glorious Rhine,
To seek amidst our solemn depths of wood
Freedom from man, and holy peace with God;
Who first of all their testimonial gave
Against the oppressor, for the outcast slave,
Is it a dream that such as these look down,
And with their blessing our rejoicings crown?
Let us rejoice, that while the pulpit's door
Is barred against the pleaders for the poor;
While the Church, wrangling upon points of faith,
Forgets her bondsmen suffering unto death;
While crafty Traffic and the lust of Gain
Unite to forge Oppression's triple chain,
One door is open, and one Temple free,
As a resting-place for hunted Liberty!
Where men may speak, unshackled and unawed,
High words of Truth, for Freedom and for God.
And when that truth its perfect work hath done,
And rich with blessings o'er our land hath gone;
When not a slave beneath his yoke shall pine,
From broad Potomac to the far Sabine:
When unto angel lips at last is given
The silver trump of Jubilee in Heaven;
And from Virginia's plains, Kentucky's shades,
And through the dim Floridian everglades,
Rises, to meet that angel-trumpet's sound,
The voice of millions from their chains unbound;
Then, though this Hall be crumbling in decay,
Its strong walls blending with the common clay,
Yet, round the ruins of its strength shall stand
The best and noblest of a ransomed land —
Pilgrims, like these who throng around the shrine
Of Mecca, or of holy Palestine!
A prouder glory shall that ruin own
Than that which lingers round the Parthenon.
Here shall the child of after years be taught
The works of Freedom which his fathers wrought;
Told of the trials of the present hour,
Our weary strife with prejudice and power;
How the high errand quickened woman's soul,
And touched her lip as with a living coal;
How Freedom's martyms kept their lofty faith
True and unwavering, unto bonds and death;
The pencil's art shall sketch the ruined Hall,
The Muses' garland crown its aged wall,
And History's pen for after times record
Its consecration unto Freedom's God!

It was the pleasant harvest time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns -
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks -

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autmn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs! -

On sturdy boyhood sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—­

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus’ banks the young world’s child,—­

That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,

Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear’s kiss of forfeiture.

But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;

For Mabel Martin sat apart,
And let the hay-mow’s shadow fall
Upon the loveliest face of all.

She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife’s child a friend.

The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;

And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!

Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter’s agony.

They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!

Dear God and Father of us all,
Forgive our faith in cruel lies,—­
Forgive the blindness that denies!

Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.

Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!

Poor Mabel from her mother’s grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;

With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!

The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.

And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm; -

That mother, poor, and sick, and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer; -

Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!

Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.

And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.

So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.

But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.

She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.

And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,

Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.

He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.

'Good neighbors mine,' he sternly said,
'This passes harmless mirth or jest;
I brook no insult to my guest.

'She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.

'Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows - not I.

'I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them.'

The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.

None dared withstand him to his face,
But one sly maiden spake aside
'The little witch is evil-eyed!

'Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!'

Poor Mabel, in her lonely home,
Sat by the window's narrow pane,
White in the moonlight's silver rain.

The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through

By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.

She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.

She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.

And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.

And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?

She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.

Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: 'Let me die!

'Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!

'I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!

'Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.

'O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!'

A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.

Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!

He laid his hand upon her arm
'Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.

'You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,

'The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!'

Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.

'O truest friend of all'' she said,
'God bless you for your kindly thought,
And make me worthy of my lot!'

He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.

'Good friends and neighbors!' Esek said,
'I'm weary of this lonely life;
In Mabel see my chosen wife!

'She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.

'Henceforth she stands no more alone;
You know what Esek Harden is: -
He brooks no wrong to him or his.'

Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!

For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!

Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, 'It is well!'

The elder folks shook hands at last,
Down seat by seat the signal passed.
To simple ways like ours unused,
Half solemnized and half amused,
With long-drawn breath and shrug, my guest
His sense of glad relief expressed.
Outside, the hills lay warm in sun;
The cattle in the meadow-run
Stood half-leg deep; a single bird
The green repose above us stirred.
'What part or lot have you,' he said,
'In these dull rites of drowsy-head?
Is silence worship? Seek it where
It soothes with dreams the summer air,
Not in this close and rude-benched hall,
But where soft lights and shadows fall,
And all the slow, sleep-walking hours
Glide soundless over grass and flowers!
From time and place and form apart,
Its holy ground the human heart,
Nor ritual-bound nor templeward
Walks the free spirit of the Lord!
Our common Master did not pen
His followers up from other men;
His service liberty indeed,
He built no church, He framed no creed;
But while the saintly Pharisee
Made broader his phylactery,
As from the synagogue was seen
The dusty-sandalled Nazarene
Through ripening cornfields lead the way
Upon the awful Sabbath day,
His sermons were the healthful talk
That shorter made the mountain-walk,
His wayside texts were flowers and birds,
Where mingled with His gracious words
The rustle of the tamarisk-tree
And ripple-wash of Galilee.'

'Thy words are well, O friend,' I said;
'Unmeasured and unlimited,
With noiseless slide of stone to stone,
The mystic Church of God has grown.
Invisible and silent stands
The temple never made with hands,
Unheard the voices still and small
Of its unseen confessional.
He needs no special place of prayer
Whose hearing ear is everywhere;
He brings not back the childish days
That ringed the earth with stones of praise,
Roofed Karnak's hall of gods, and laid
The plinths of Phil e's colonnade.
Still less He owns the selfish good
And sickly growth of solitude,--
The worthless grace that, out of sight,
Flowers in the desert anchorite;
Dissevered from the suffering whole,
Love hath no power to save a soul.
Not out of Self, the origin
And native air and soil of sin,
The living waters spring and flow,
The trees with leaves of healing grow.

'Dream not, O friend, because I seek
This quiet shelter twice a week,
I better deem its pine-laid floor
Than breezy hill or sea-sung shore;
But nature is not solitude
She crowds us with her thronging wood;
Her many hands reach out to us,
Her many tongues are garrulous;
Perpetual riddles of surprise
She offers to our ears and eyes;
She will not leave our senses still,
But drags them captive at her will
And, making earth too great for heaven,
She hides the Giver in the given.

'And so, I find it well to come
For deeper rest to this still room,
For here the habit of the soul
Feels less the outer world's control;
The strength of mutual purpose pleads
More earnestly our common needs;
And from the silence multiplied
By these still forms on either side,
The world that time and sense have known
Falls off and leaves us God alone.

'Yet rarely through the charmed repose
Unmixed the stream of motive flows,
A flavor of its many springs,
The tints of earth and sky it brings;
In the still waters needs must be
Some shade of human sympathy;
And here, in its accustomed place,
I look on memory's dearest face;
The blind by-sitter guesseth not
What shadow haunts that vacant spot;
No eyes save mine alone can see
The love wherewith it welcomes me!
And still, with those alone my kin,
In doubt and weakness, want and sin,
I bow my head, my heart I bare
As when that face was living there,
And strive (too oft, alas! in vain)
The peace of simple trust to gain,
Fold fancy's restless wings, and lay
The idols of my heart away.

'Welcome the silence all unbroken,
Nor less the words of fitness spoken,--
Such golden words as hers for whom
Our autumn flowers have just made room;
Whose hopeful utterance through and through
The freshness of the morning blew;
Who loved not less the earth that light
Fell on it from the heavens in sight,
But saw in all fair forms more fair
The Eternal beauty mirrored there.
Whose eighty years but added grace
And saintlier meaning to her face,--
The look of one who bore away
Glad tidings from the hills of day,
While all our hearts went forth to meet
The coming of her beautiful feet!
Or haply hers, whose pilgrim tread
Is in the paths where Jesus led;
Who dreams her childhood's Sabbath dream
By Jordan's willow-shaded stream,
And, of the hymns of hope and faith,
Sung by the monks of Nazareth,
Hears pious echoes, in the call
To prayer, from Moslem minarets fall,
Repeating where His works were wrought
The lesson that her Master taught,
Of whom an elder Sibyl gave,
The prophecies of Cuma 's cave.

'I ask no organ's soulless breath
To drone the themes of life and death,
No altar candle-lit by day,
No ornate wordsman's rhetoric-play,
No cool philosophy to teach
Its bland audacities of speech
To double-tasked idolaters
Themselves their gods and worshippers,
No pulpit hammered by the fist
Of loud-asserting dogmatist,
Who borrows for the Hand of love
The smoking thunderbolts of Jove.
I know how well the fathers taught,
What work the later schoolmen wrought;
I reverence old-time faith and men,
But God is near us now as then;
His force of love is still unspent,
His hate of sin as imminent;
And still the measure of our needs
Outgrows the cramping bounds of creeds;
The manna gathered yesterday
Already savors of decay;
Doubts to the world's child-heart unknown
Question us now from star and stone;
Too little or too much we know,
And sight is swift and faith is slow;
The power is lost to self-deceive
With shallow forms of make-believe.
W e walk at high noon, and the bells
Call to a thousand oracles,
But the sound deafens, and the light
Is stronger than our dazzled sight;
The letters of the sacred Book
Glimmer and swim beneath our look;
Still struggles in the Age's breast
With deepening agony of quest
The old entreaty: 'Art thou He,
Or look we for the Christ to be?'

'God should be most where man is least
So, where is neither church nor priest,
And never rag of form or creed
To clothe the nakedness of need,--
Where farmer-folk in silence meet,--
I turn my bell-unsummoned feet;'
I lay the critic's glass aside,
I tread upon my lettered pride,
And, lowest-seated, testify
To the oneness of humanity;
Confess the universal want,
And share whatever Heaven may grant.
He findeth not who seeks his own,
The soul is lost that's saved alone.
Not on one favored forehead fell
Of old the fire-tongued miracle,
But flamed o'er all the thronging host
The baptism of the Holy Ghost;
Heart answers heart: in one desire
The blending lines of prayer aspire;
'Where, in my name, meet two or three,'
Our Lord hath said, 'I there will be!'

'So sometimes comes to soul and sense
The feeling which is evidence
That very near about us lies
The realm of spiritual mysteries.
The sphere of the supernal powers
Impinges on this world of ours.
The low and dark horizon lifts,
To light the scenic terror shifts;
The breath of a diviner air
Blows down the answer of a prayer
That all our sorrow, pain, and doubt
A great compassion clasps about,
And law and goodness, love and force,
Are wedded fast beyond divorce.
Then duty leaves to love its task,
The beggar Self forgets to ask;
With smile of trust and folded hands,
The passive soul in waiting stands
To feel, as flowers the sun and dew,
The One true Life its own renew.

'So, to the calmly gathered thought
The innermost of truth is taught,
The mystery dimly understood,
That love of God is love of good,
And, chiefly, its divinest trace
In Him of Nazareth's holy face;
That to be saved is only this,--
Salvation from our selfishness,
From more than elemental fire,
The soul's unsanetified desire,
From sin itself, and not the pain
That warns us of its chafing chain;
That worship's deeper meaning lies
In mercy, and not sacrifice,
Not proud humilities of sense
And posturing of penitence,
But love's unforced obedience;
That Book and Church and Day are given
For man, not God,--for earth, not heaven,--
The blessed means to holiest ends,
Not masters, but benignant friends;
That the dear Christ dwells not afar,
The king of some remoter star,
Listening, at times, with flattered ear
To homage wrung from selfish fear,
But here, amidst the poor and blind,
The bound and suffering of our kind,
In works we do, in prayers we pray,
Life of our life, He lives to-day.'

A HARVEST IDYL.

PROEM.
I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,

We dreamed it over, while the thrushes made
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.

And she was with us, living o'er again
Her life in ours, despite of years and pain,--
The Autumn's brightness after latter rain.

Beautiful in her holy peace as one
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!

Her memory makes our common landscape seem
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;

For she whose speech was always truth's pure gold
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.


I. THE RIVER VALLEY.
Across the level tableland,
A grassy, rarely trodden way,
With thinnest skirt of birchen spray

And stunted growth of cedar, leads
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all

The seasons' rainfalls. On its brink
The over-leaning harebells swing,
With roots half bare the pine-trees cling;

And, through the shadow looking west,
You see the wavering river flow
Along a vale, that far below

Holds to the sun, the sheltering hills
And glimmering water-line between,
Broad fields of corn and meadows green,

And fruit-bent orchards grouped around
The low brown roofs and painted eaves,
And chimney-tops half hid in leaves.

No warmer valley hides behind
Yon wind-scourged sand-dunes, cold and bleak;
No fairer river comes to seek

The wave-sung welcome of the sea,
Or mark the northmost border line
Of sun-loved growths of nut and vine.

Here, ground-fast in their native fields,
Untempted by the city's gain,
The quiet farmer folk remain

Who bear the pleasant name of Friends,
And keep their fathers' gentle ways
And simple speech of Bible days;

In whose neat homesteads woman holds
With modest ease her equal place,
And wears upon her tranquil face

The look of one who, merging not
Her self-hood in another's will,
Is love's and duty's handmaid still.

Pass with me down the path that winds
Through birches to the open land,
Where, close upon the river strand

You mark a cellar, vine o'errun,
Above whose wall of loosened stones
The sumach lifts its reddening cones,

And the black nightshade's berries shine,
And broad, unsightly burdocks fold
The household ruin, century-old.

Here, in the dim colonial time
Of sterner lives and gloomier faith,
A woman lived, tradition saith,

Who wrought her neighbors foul annoy,
And witched and plagued the country-side,
Till at the hangman's hand she died.

Sit with me while the westering day
Falls slantwise down the quiet vale,
And, haply ere yon loitering sail,

That rounds the upper headland, falls
Below Deer Island's pines, or sees
Behind it Hawkswood's belt of trees

Rise black against the sinking sun,
My idyl of its days of old,
The valley's legend, shall be told.


II. THE HUSKING.
It was the pleasant harvest-time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns,--
Brown-gabled, long, and full of seams
Through which the rooted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks,

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autumn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On sturdy boyhood, sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,--

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus' banks the young world's child,--

That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,

Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.

But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;

For Mabel Martin sat apart,
And let the hay-mow's shadow fall
Upon the loveliest face of all.

She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife's child a friend.

The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;

And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!

Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter's agony.

They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!

Dear God and Father of us all,
Forgive our faith in cruel lies,--
Forgive the blindness that denies!

Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.

Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!

Young Mabel from her mother's grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;

With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!

Oh, dreary broke the winter days,
And dreary fell the winter nights
When, one by one, the neighboring lights

Went out, and human sounds grew still,
And all the phantom-peopled dark
Closed round her hearth-fire's dying spark.

And summer days were sad and long,
And sad the uncompanioned eves,
And sadder sunset-tinted leaves,

And Indian Summer's airs of balm;
She scarcely felt the soft caress,
The beauty died of loneliness!

The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.

And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm!

That mother, poor and sick and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer;--

Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!

Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.

And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.


IV. THE CHAMPION.
So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.

But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.

She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.

And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,

Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.

He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.

'Good neighbors mine,' he sternly said,
'This passes harmless mirth or jest;
I brook no insult to my guest.

'She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.

'Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows--not I.

'I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them.'

The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.

None dared withstand him to his face,
But one sly maiden spake aside
'The little witch is evil-eyed!

'Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!'


V. IN THE SHADOW.
Poor Mabel, homeward turning, passed
The nameless terrors of the wood,
And saw, as if a ghost pursued,

Her shadow gliding in the moon;
The soft breath of the west-wind gave
A chill as from her mother's grave.

How dreary seemed the silent house!
Wide in the moonbeams' ghastly glare
Its windows had a dead man's stare!

And, like a gaunt and spectral hand,
The tremulous shadow of a birch
Reached out and touched the door's low porch,

As if to lift its latch; hard by,
A sudden warning call she beard,
The night-cry of a boding bird.

She leaned against the door; her face,
So fair, so young, so full of pain,
White in the moonlight's silver rain.

The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through

By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.

She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.

She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.

And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.

And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?

She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.

Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: 'Let me die!

'Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!

'I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!

'Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.

'O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!'

A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.


VI. THE BETROTHAL.
Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!

He laid his hand upon her arm
'Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.

'You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,

'The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!'

Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.

'O truest friend of all'' she said,
'God bless you for your kindly thought,
And make me worthy of my lot!'

He led her forth, and, blent in one,
Beside their happy pathway ran
The shadows of the maid and man.

He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.

'Good friends and neighbors!' Esek said,
'I'm weary of this lonely life;
In Mabel see my chosen wife!

'She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.

'Henceforth she stands no more alone;
You know what Esek Harden is;--
He brooks no wrong to him or his.

'Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!

'For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!'

Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm--boughs!

On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, 'It is well!'

PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look
Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!

Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,
With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,—
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy balcony looks down
On happy homes, or where the lake in the moon
Sleeps dreaming of the mountains, fair as Ruth,
In the old Hebrew pastoral, at the feet
Of Boaz, even this simple lay of mine
May seem the burden of a prophecy,
Finding its late fulfilment in a change
Slow as the oak’s growth, lifting manhood up
Through broader culture, finer manners, love,
And reverence, to the level of the hills.

O Golden Age, whose light is of the dawn,
And not of sunset, forward, not behind,
Flood the new heavens and earth, and with thee bring
All the old virtues, whatsoever things
Are pure and honest and of good repute,
But add thereto whatever bard has sung
Or seer has told of when in trance and dream
They saw the Happy Isles of prophecy
Let Justice hold her scale, and Truth divide
Between the right and wrong; but give the heart
The freedom of its fair inheritance;
Let the poor prisoner, cramped and starved so long,
At Nature’s table feast his ear and eye
With joy and wonder; let all harmonies
Of sound, form, color, motion, wait upon
The princely guest, whether in soft attire
Of leisure clad, or the coarse frock of toil,
And, lending life to the dead form of faith,
Give human nature reverence for the sake
Of One who bore it, making it divine
With the ineffable tenderness of God;
Let common need, the brotherhood of prayer,
The heirship of an unknown destiny,
The unsolved mystery round about us, make
A man more precious than the gold of Ophir.
Sacred, inviolate, unto whom all things
Should minister, as outward types and signs
Of the eternal beauty which fulfils
The one great purpose of creation, Love,
The sole necessity of Earth and Heaven!

. . . . .
For weeks the clouds had raked the hills
And vexed the vales with raining,
And all the woods were sad with mist,
And all the brooks complaining.
At last, a sudden night-storm tore
The mountain veils asunder,
And swept the valleys clean before
The bosom of the thunder.

Through Sandwich notch the west-wind sang
Good morrow to the cotter;
And once again Chocorua’s horn
Of shadow pierced the water.

Above his broad lake Ossipee,
Once more the sunshine wearing,
Stooped, tracing on that silver shield
His grim armorial bearing.

Clear drawn against the hard blue sky,
The peaks had winter’s keenness;
And, close on autumn’s frost, the vales
Had more than June’s fresh greenness.

Again the sodden forest floors
With golden lights were checkered,
Once more rejoicing leaves in wind
And sunshine danced and flickered.

It was as if the summer’s late
Atoning for it’s sadness
Had borrowed every season’s charm
To end its days in gladness.

I call to mind those banded vales
Of shadow and of shining,
Through which, my hostess at my side,
I drove in day’s declining.

We held our sideling way above
The river’s whitening shallows,
By homesteads old, with wide-flung barns
Swept through and through by swallows,—

By maple orchards, belts of pine
And larches climbing darkly
The mountain slopes, and, over all,
The great peaks rising starkly.

You should have seen that long hill-range
With gaps of brightness riven,—
How through each pass and hollow streamed
The purpling lights of heaven,—

Rivers of gold-mist flowing down
From far celestial fountains,—
The great sun flaming through the rifts
Beyond the wall of mountains.

We paused at last where home-bound cows
Brought down the pasture’s treasure,
And in the barn the rhythmic flails
Beat out a harvest measure.

We heard the night-hawk’s sullen plunge,
The crow his tree-mates calling:
The shadows lengthening down the slopes
About our feet were falling.

And through them smote the level sun
In broken lines of splendor,
Touched the gray rocks and made the green
Of the shorn grass more tender.

The maples bending o’er the gate,
Their arch of leaves just tinted
With yellow warmth, the golden glow
Of coming autumn hinted.

Keen white between the farm-house showed,
And smiled on porch and trellis,
The fair democracy of flowers
That equals cot and palace.

And weaving garlands for her dog,
’Twixt chidings and caresses,
A human flower of childhood shook
The sunshine from her tresses.

On either hand we saw the signs
Of fancy and of shrewdness,
Where taste had wound its arms of vines
Round thrift’s uncomely rudeness.

The sun-brown farmer in his frock
Shook hands, and called to Mary
Bare-armed, as Juno might, she came,
White-aproned from her dairy.

Her air, her smile, her motions, told
Of womanly completeness;
A music as of household songs
Was in her voice of sweetness.

Not fair alone in curve and line,
But something more and better,
The secret charm eluding art,
Its spirit, not its letter;—

An inborn grace that nothing lacked
Of culture or appliance,
The warmth of genial courtesy,
The calm of self-reliance.

Before her queenly womanhood
How dared our hostess utter
The paltry errand of her need
To buy her fresh-churned butter?

She led the way with housewife pride,
Her goodly store disclosing,
Full tenderly the golden balls
With practised hands disposing.

Then, while along the western hills
We watched the changeful glory
Of sunset, on our homeward way,
I heard her simple story.

The early crickets sang; the stream
Plashed through my friend’s narration:
Her rustic patois of the hills
Lost in my free-translation.

“More wise,” she said, “than those who swarm
Our hills in middle summer,
She came, when June’s first roses blow,
To greet the early comer.

“From school and ball and rout she came,
The city’s fair, pale daughter,
To drink the wine of mountain air
Beside the Bearcamp Water.

“Her step grew firmer on the hills
That watch our homesteads over;
On cheek and lip, from summer fields,
She caught the bloom of clover.

“For health comes sparkling in the streams
From cool Chocorua stealing:
There’s iron in our Northern winds;
Our pines are trees of healing.

“She sat beneath the broad-armed elms
That skirt the mowing-meadow,
And watched the gentle west-wind weave
The grass with shine and shadow.

“Beside her, from the summer heat
To share her grateful screening,
With forehead bared, the farmer stood,
Upon his pitchfork leaning.

“Framed in its damp, dark locks, his face
Had nothing mean or common,—
Strong, manly, true, the tenderness
And pride beloved of woman.

“She looked up, glowing with the health
The country air had brought her,
And, laughing, said: ‘You lack a wife,
Your mother lacks a daughter.

“‘To mend your frock and bake your bread
You do not need a lady:
Be sure among these brown old homes
Is some one waiting ready,—

“‘Some fair, sweet girl with skilful hand
And cheerful heart for treasure,
Who never played with ivory keys,
Or danced the polka’s measure.’

“He bent his black brows to a frown,
He set his white teeth tightly.
‘’T is well,’ he said, ‘for one like you
To choose for me so lightly.

“You think, because my life is rude
I take no note of sweetness:
I tell you love has naught to do
With meetness or unmeetness.

“‘Itself its best excuse, it asks
No leave of pride or fashion
When silken zone or homespun frock
It stirs with throbs of passion.

“‘You think me deaf and blind: you bring
Your winning graces hither
As free as if from cradle-time
We two had played together.

“‘You tempt me with your laughing eyes,
Your cheek of sundown’s blushes,
A motion as of waving grain,
A music as of thrushes.

“‘The plaything of your summer sport,
The spells you weave around me
You cannot at your will undo,
Nor leave me as you found me.

“‘You go as lightly as you came,
Your life is well without me;
What care you that these hills will close
Like prison-walls about me?

“‘No mood is mine to seek a wife,
Or daughter for my mother
Who loves you loses in that love
All power to love another!

“‘I dare your pity or your scorn,
With pride your own exceeding;
I fling my heart into your lap
Without a word of pleading.’

“She looked up in his face of pain
So archly, yet so tender
‘And if I lend you mine,’ she said,
‘Will you forgive the lender?

“‘Nor frock nor tan can hide the man;
And see you not, my farmer,
How weak and fond a woman waits
Behind this silken armor?

“‘I love you: on that love alone,
And not my worth, presuming,
Will you not trust for summer fruit
The tree in May-day blooming?’

“Alone the hangbird overhead,
His hair-swung cradle straining,
Looked down to see love’s miracle,—
The giving that is gaining.

“And so the farmer found a wife,
His mother found a daughter
There looks no happier home than hers
On pleasant Bearcamp Water.

“Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.

“Our homes are cheerier for her sake,
Our door-yards brighter blooming,
And all about the social air
Is sweeter for her coming.

“Unspoken homilies of peace
Her daily life is preaching;
The still refreshment of the dew
Is her unconscious teaching.

“And never tenderer hand than hers
Unknits the brow of ailing;
Her garments to the sick man’s ear
Have music in their trailing.

“And when, in pleasant harvest moons,
The youthful huskers gather,
Or sleigh-drives on the mountain ways
Defy the winter weather,—

“In sugar-camps, when south and warm
The winds of March are blowing,
And sweetly from its thawing veins
The maple’s blood is flowing,—

“In summer, where some lilied pond
Its virgin zone is baring,
Or where the ruddy autumn fire
Lights up the apple-paring,—

“The coarseness of a ruder time
Her finer mirth displaces,
A subtler sense of pleasure fills
Each rustic sport she graces.

“Her presence lends its warmth and health
To all who come before it.
If woman lost us Eden, such
As she alone restore it.

“For larger life and wiser aims
The farmer is her debtor;
Who holds to his another’s heart
Must needs be worse or better.

“Through her his civic service shows
A purer-toned ambition;
No double consciousness divides
The man and politician.

“In party’s doubtful ways he trusts
Her instincts to determine;
At the loud polls, the thought of her
Recalls Christ’s Mountain Sermon.

“He owns her logic of the heart,
And wisdom of unreason,
Supplying, while he doubts and weighs,
The needed word in season.

“He sees with pride her richer thought,
Her fancy’s freer ranges;
And love thus deepened to respect
Is proof against all changes.

“And if she walks at ease in ways
His feet are slow to travel,
And if she reads with cultured eyes
What his may scarce unravel,

“Still clearer, for her keener sight
Of beauty and of wonder,
He learns the meaning of the hills
He dwelt from childhood under.

“And higher, warmed with summer lights,
Or winter-crowned and hoary,
The ridged horizon lifts for him
Its inner veils of glory.

“He has his own free, bookless lore,
The lessons nature taught him,
The wisdom which the woods and hills
And toiling men have brought him:

“The steady force of will whereby
Her flexile grace seems sweeter;
The sturdy counterpoise which makes
Her woman’s life completer.

“A latent fire of soul which lacks
No breath of love to fan it;
And wit, that, like his native brooks,
Plays over solid granite.

“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention.

“How life behind its accidents
Stands strong and self-sustaining,
The human fact transcending all
The losing and the gaining.

“And so in grateful interchange
Of teacher and of hearer,
Their lives their true distinctness keep
While daily drawing nearer.

“And if the husband or the wife
In home’s strong light discovers
Such slight defaults as failed to meet
The blinded eyes of lovers,

“Why need we care to ask?—who dreams
Without their thorns of roses,
Or wonders that the truest steel
The readiest spark discloses?

“For still in mutual sufferance lies
The secret of true living;
Love scarce is love that never knows
The sweetness of forgiving.

“We send the Squire to General Court,
He takes his young wife thither;
No prouder man election day
Rides through the sweet June weather.

“He sees with eyes of manly trust
All hearts to her inclining;
Not less for him his household light
That others share its shining.”

Thus, while my hostess spake, there grew
Before me, warmer tinted
And outlined with a tenderer grace,
The picture that she hinted.

The sunset smouldered as we drove
Beneath the deep hill-shadows.
Below us wreaths of white fog walked
Like ghosts the haunted meadows.

Sounding the summer night, the stars
Dropped down their golden plummets;
The pale arc of the Northern lights
Rose o’er the mountain summits,—

Until, at last, beneath its bridge,
We heard the Bearcamp flowing,
And saw across the mapled lawn
The welcome home lights glowing;—

And, musing on the tale I heard,
’T were well, thought I, if often
To rugged farm-life came the gift
To harmonize and soften;—

If more and more we found the troth
Of fact and fancy plighted,
And culture’s charm and labor’s strength
In rural homes united,—

The simple life, the homely hearth,
With beauty’s sphere surrounding,
And blessing toil where toil abounds
With graces more abounding.

Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!

But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.

The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.

Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,
And the garrison lights are burning clear,
Where Phillips' men their watch are keeping.
Let him hie him away through the dank river fog,
Never rustling the boughs nor displacing the rocks,
For the eyes and the ears which are watching for Mogg
Are keener than those of the wolf or the fox.

He starts, - there's a rustle among the leaves:
Another, - the click of his gun in heard!
A footstep, - is it the step of Cleaves,
With Indian blood on his English sword?
Steals Harmon down from the sands of York,
With hand of iron and foot of cork?
Has Scamman, versed in Indian wile,
For vengeance left his vine-hung in isle?
Hark! at that whistle, soft and low,
How lights the eye of Mogg Megone!
A smile gleams o'er his dusky brow, -
'Boon welcome, Johnny Bonython!'

Out steps, with cautious foot and slow,
And quick, keen glances to and fro,
The hunted outlaw, Bonython!
A low, lean, swarthy man is he,
With blanket-garb and buskined knee,
And naught of English fashion on;
For he hates the race from whence he sprung,
And he couches his words in the Indian tongue.

'Hush, - let the Sachem's voice be weak;
The water-rat shall hear him speak, -
The owl shall whoop in the white man's ear,
That Mogg Megone, with his scalps, is here!'
He pauses, - dark, over cheek and brow,
A flush, as of shame, is stealing now:
'Sachem!' he says, 'let me have the land,
Which stretches away upon either hand,
As far about as my feet can stray
In the half of a gentle summer's day,
From the leaping brook to the Saco river, -
And the fair-hared girl, thou hast sought of me,
Shall sit in the Sachem's wigwam, and be
The wife of Mogg Megone forever.'

There's sudden light in the Indian's glance,
A moment's trace of powerful feeling,
Of love or triumph, or both perchance,
Over his proud, calm features stealing.
'The words of my father are very good;
He shall have the land, and water, and wood;
And he who harms the Sagamore John,
Shall feel the knife of Mogg Megone;
But the fawn of the Yengees shall sleep on my breast,
And the bird of the clearing shall sing in my nest.'

'But, father!' - and the Indian's hand
Falls gently on the white man's arm,
And with a smile as shrewdly bland
As the deep voice is slow and calm, -
'Where is my father's singing-bird, -
The sunny eye, and sunset hair?
I know I have my father's word,
And that his word is good and fair;
But will my father tell me where
Megone shall go and look for his bride? -
For he sees her not by her father's side.'

The dark, stern eye of Bonython
Flashes over the features of Mogg Megone,
In one of those glances which search within ;
But the stolid calm of the Indian alone
Remains where the trace of emotion has been.
'Does the Sachem doubt? Let him go with me,
And the eyes of the Sachem his bride shall see.'

Cautious and slow, with pauses oft,
And watchful eyes and whispers soft,
The twain are stealing through the wood,
Leaving the downward-rushing flood,
Whose deep and solemn roar behind
Grows fainter on the evening wind.
Hark! - is that the angry howl
Of the wolf, the hills among? -
Or the hooting of the owl,
On his leafy cradle swung? -
Quickly glancing, to and fro,
Listening to each sound they go
Round the columns of the pine,
Indistinct, in shadow, seeming
Like some old and pillared shrine;
With the soft and white moonshine,
Round the foliage-tracery shed
Of each column's branching head,
For its lamps of worship gleaming!
And the sounds awakened there,
In the pine-leaves fine and small,
Soft and sweetly musical,
By the fingers of the air,
For the anthem's dying fall
Lingering round some temple's wall!
Niche and cornice round and round
Wailing like the ghost of sound!
Is not Nature's worship thus,
Ceaseless ever, going on?
Hath it not a voice for us
In the thunder, or the tone
Of the leaf-harp faint and small,
Speaking to the unsealed ear
Words of blended love and fear,
Of the mighty Soul of all?

Naught had the twain of thoughts like these
As they wound along through the crowded trees,
Where never had rung the axeman's stroke
On the gnarled trunk of the rough-barked oak; -
Climbing the dead tree's mossy log,
Breaking the mesh of the bramble fine,
Turning aside the wild grapevine,
And lightly crossing the quaking bog
Whose surface shakes at the leap of the frog,
And out of whose pools the ghostly fog
Creeps into the chill moonshine!
Yet, even that Indian's ear had heard
The preaching of the Holy Word:
Sanchekantacket's isle of sand
Was once his father's hunting land,
Where zealous Hiacoomes stood, -
The wild apostle of the wood,
Shook from his soul the fear of harm,
And trampled on the Powwaw's charm;
Until the wizard's curses hung
Suspended on his palsying tongue,
And the fierce warrior, grim and tall,
Trembled before the forest Paul!
A cottage hidden in the wood, -
Red through its seams a light is glowing,
On rock and bough and tree-trunk rude,
A narrow lustre throwing.
'Who's there?' a clear, firm voice demands;
'Hold, Ruth, - 'tis I, the Sage more!'
Quick, at the summons, hasty hands
Unclose the bolted door;
And on the outlaw's daughter shine
The flashes of the kindled pine.

Tall and erect the maiden stands,
Like some young priestess of the wood,
The freeborn child of Solitude,
And bearing still the wild and rude,
Yet noble trace of Nature's hands.
Her dark brown cheek has caught its stain
More from the sunshine than the rain;
Yet, where her long fair hair is parting,
A pure white brow into light is starting;
And, where the folds of her blanket sever,
Are a neck and bosom as white as ever
The foam-wreaths rise on the leaping river.
But in the convulsive quiver and grip
Of the muscles around her bloodless lip,
There is something painful and sad to see;
And her eye has a glance more sternly wild
Than even that of a forest child
In its fearless and untamed freedom should be.
Yet, seldom in hall or court are seen
So queenly a form and so noble a mien,
As freely and smiling she welcomes them there, -
Her outlawed sire and Mogg Megone:
'Pray, father, how does thy hunting fare?
And, Sachem, say, - does Scamman wear,
In spite of thy promise, a scalp of his own?'
Hurried and light is the maiden's tone;
But a fearful meaning lurks within
Her glance, as it questions the eye of Megone, -
An awful meaning of guilt and sin! -
The Indian hath opened his blanket, and there
Hangs a human scalp by its long damp hair!
With hand upraised, with quick drawn breath,
She meets that ghastly sign of death.
In one long, glassy, spectral stare
The enlarging eye is fastened there,
As if that mesh of pale brown hair
Had power to change at sight alone,
Even as the fearful locks which wound
Medusa's fatal forehead round,
The gazer into stone.
With such a look Herodias read
The features of the bleeding head,
So looked the mad Moor on his dead,
Or the young Cenci as she stood,
O'er-dabbled with a father's blood!

Look! - feeling melts that frozen glance,
It moves that marble countenance,
As if at once within her strove
Pity with shame, and hate with love.
The Past recalls its joy and pain,
Old memories rise before her brain, -
The lips which love's embraces met,
The hand her tears of parting wet,
The voice whose pleading tones beguiled
The pleased ear of the forest-child, -
And tears she may no more repress
Reveal her lingering tenderness.

O, woman wronged can cherish hate
More deep and dark than manhood may;
But when the mockery of Fate
Hath left Revenge its chosen way,
And the fell curse, which years have nursed,
Full on the spoiler's head hath burst, -
When all her wrong, and shame, and pain,
Burns fiercely on his heart and brain, -
Still lingers something of the spell
Which bound her to the traitor's bosom, -
Still, midst the vengeful fires of hell,
Some flowers of old affection blossom.

John Bonython's eyebrows together are drawn
With a fierce expression of wrath and scorn, -
He hoarsely whispers, 'Ruth, beware!
Is this the time to be playing the fool, -
Crying over a paltry lock of hair,
Like a love-sick girl at school? -
Curse on it! - an Indian can see and hear:
Away, - and prepare our evening cheer!'

How keenly the Indian is watching now
Her tearful eye and her varying brow, -
With a serpent eye, which kindles and burns,
Like a fiery star in the upper air:
On sire and daughter his fierce glance turns: -
'Has my old white father a scalp to spare?
For his young one loves the pale brown hair
Of the scalp of an English dog far more
Than Mogg Megone, or his wigwam floor;
Go, - Mogg is wise: he will keep his land, -
And Sagamore John, when he feels with his hand,
Shall miss his scalp where it grew before.

The moment's gust of grief is gone, -
The lip is clenched, - the tears are still, -
God pity thee, Ruth Bonython!
With what a strength of will
Are nature's feelings in thy breast,
As with an iron hand, repressed!
And how, upon that nameless woe,
Quick as the pulse can come and go,
While shakes the unsteadfast knee, and yet
The bosom heaves, - the eye is wet, -
Has thy dark spirit power to stay
The heart's wild current on its way?
And whence that baleful strength of guile,
Which over that still working brow
And tearful eye and cheek can throw
The mockery of a smile?
Warned by her father's blackening frown,
With one strong effort crushing down
Grief, hate, remorse, she meets again
The savage murderer's sullen gaze,
And scarcely look or tone betrays
How the heart strives beneath its chain.

'Is the Sachem angry, - angry with Ruth,
Because she cries with an ache in her tooth,
Which would make a Sagamore jump and cry,
And look about with a woman's eye?
No, - Ruth will sit in the Sachem's door
And braid the mats for his wigwam floor,
And broil his fish and tender fawn,
And weave his wampum, and grind his corn, -
For she loves the brave and the wise, and none
Are braver and wiser than Mogg Megone!'

The Indian's brow is clear once more:
With grave, calm face, and half-shut eye,
He sits upon the wigwam floor,
And watches Ruth go by,
Intent upon her household care;
And ever and anon, the while,
Or on the maiden, or her fare,
Which smokes in grateful promise there,
Bestows his quiet smile.

Ah, Mogg Megone! - what dreams are thine,
But those which love's own fancies dress, -
The sum of Indian happiness! -
A wigwam, where the warm sunshine
Looks in among the groves of pine, -
A stream, where, round thy light canoe,
The trout and salmon dart in view,
And the fair girl, before thee now,
Or plying, in the dews of morn,
Her hoe amidst thy patch of corn,
Or offering up, at eve, to thee,
Thy birchen dish of hominy!

From the rude board of Bonython,
Venison and succotash have gone, -
For long these dwellers want of food.
But untasted of Ruth is the frugal cheer, -
With head averted, yet ready ear,
She stands by the side of her austere sire,
Feeding, at times, the unequal fire
With the yellow knots of the pitch-pine tree,
Whose flaring light, as they kindle, falls
On the cottage-roof, and its black log walls,
And over its inmates three.

From Sagamore Bonython's hunting flask
The fire-water burns at the lip of Megone:
'Will the Sachem hear what his father shall ask?
Will he make his mark, that it may be known,
On the speaking-leaf, that he gives the land,
From the Sachem's own, to his father's hand?'
The fire-water shines in the Indian's eyes,
As he rises, the white man's bidding to do:
'Wuttamuttata - weekan! Mogg is wise, -
For the water he drinks is strong and new, -
Mogg's heart is great! - will he shut his hand,
When his father asks for a little land?' -
With unsteady fingers, the Indian has drawn
On the parchment the shape of a hunter's bow,
'Boon water, - boon water, - Sagamore John!
Wuttamuttata, - weekan! our hearts will grow!'
He drinks yet deeper, - he mutters low, -
He reels on his bear-skin to and fro, -
His head falls down on his naked breast, -
He struggles, and sinks to a drunken rest.

'Humph - drunk as a beast!' - and Bonython's brow
Is darker than ever with evil thought -
'The fool has signed his warrant; but how
And when shall the deed be wrought?
Speak, Ruth! why, what the devil is there,
To fix thy gaze in that empty air? -
Speak, Ruth! by my soul, if I thought that tear,
Which shames thyself and our purpose here,
Were shed for that cursed and pale-faced dog,
Whose green scalp hangs from the belt of Mogg,
And whose beastly soul is in Satan's keeping, -
This - this!' - he dashes his hand upon
The rattling stock of his loaded gun, -
'Should send thee with him to do thy weeping!'

'Father!' - the eye of Bonython
Sinks at that low, sepulchral tone,
Hollow and deep, as it were spoken
By the unmoving tongue of death, -
Or from some statue's lips had broken, -
A sound without a breath!
'Father! - my life I value less
Than yonder fool his gaudy dress;
And how it ends it matters not,
By heart-break or by rifle-shot;
But spare awhile the scoff and threat, -
Our business is not finished yet.'

'True, true, my girl, - I only meant
To draw up again the bow unbent.
Harm thee, my Ruth! I only sought
To frighten off thy gloomy thought;
Come, - let's be friends!' He seeks to clasp
His daughter's cold, damp hand in his.
Ruth startles from her father's grasp,
As if each nerve and muscle felt,
Instinctively, the touch of guilt,
Through all their subtle sympathies.

He points her to the sleeping Mogg:
'What shall be done with yonder dog?
Scamman is dead, and revenge is thine, -
The deed is signed and the land is mine;
And this drunken fool is of use no more,
Save as thy hopeful bridegroom, and sooth,
'Twere Christian mercy to finish him, Ruth,
Now, while he lies like a beast on our floor, -
If not for thine, at least for his sake,
Rather than let the poor dog awake
To drain my flask, and claim as his bride
Such a forest devil to run by his side, -
Such a Wetuomanit as thou wouldst make!'

He laughs at his jest. Hush - what is there? -
The sleeping Indian is striving to rise,
With his knife in his hand, and glaring eyes! -
'Wagh! - Mogg will have the pale-face's hair,
For his knife is sharp, and his fingers can help
The hair to pull and the skin to peel, -
Let him cry like a woman and twist like an eel,
The great Captain Scamman must lose his scalp!
And Ruth, when she sees it, shall dance with Mogg.'
His eyes are fixed, - but his lips draw in, -
With a low, hoarse chuckle, and fiendish grin, -
And he sinks again, like a senseless log.

Ruth does not speak, - she does not stir;
But she gazes down on the murderer,
Whose broken and dreamful slumbers tell
Too much for her ear of that deed of hell.
She sees the knife, with its slaughter red,
And the dark fingers clenching the bearskin bed!
What thoughts of horror and madness whirl
Through the burning brain of that fallen girl!

John Bonython lifts his gun to his eye,
Its muzzle is close to the Indian's ear, -
But he drops it again. 'Some one may be nigh,
And I would not that even the wolves should hear.'
He draws his knife from its deer-skin belt, -
Its edge with his fingers is slowly felt; -
Kneeling down on one knee, by the Indian's side,
From his throat he opens the blanket wide;
And twice or thrice he feebly essays
A trembling hand with the knife to raise.

'I cannot,' - he mutters, - 'did he not save
My life from a cold and wintry grave,
When the storm came down from Agioochook,
And the north-wind howled, and the tree-tops shook, -
And I strove, in the drifts of the rushing snow,
Till my knees grew weak and I could not go,
And I felt the cold to my vitals creep,
And my heart's blood stiffen, and pulses sleep!
I cannot strike him - Ruth Bonython!
In the Devil's name, tell me - what's to be done?'

O, when the soul, once pure and high,
Is stricken down from Virtue's sky,
As, with the downcast star of morn,
Some gems of light are with it drawn, -
And, through its night of darkness, play
Some tokens of its primal day, -
Some lofty feelings linger still, -
The strength to dare, the nerve to meet
Whatever threatens with defeat
Its all-indomitable will! -
But lacks the mean of mind and heart,
Though eager for the gains of crime,
Oft, at his chosen place and time,
The strength to bear his evil part;
And, shielded by his very Vice,
Escapes from Crime by Cowardice.

Ruth starts erect, - with bloodshot eye,
And lips drawn tight across her teeth,
Showing their locked embrace beneath,
In the red firelight: - 'Mogg must die!
Give me the knife!' - The outlaw turns,
Shuddering in the heart and limb, away, -
But, fitfully there, the hearth-fire burns,
And he sees on the wall strange shadows play.
A lifted arm, a tremulous blade,
Are dimly pictured in light and shade,
Plunging down in the darkness. Hark, that cry
Again - and again - he sees it fall, -
That shadowy arm down the lighted wall!
He hears quick footsteps - a shape flits by -
The door on its rusted hinges creaks: -
'Ruth - daughter Ruth!' the outlaw shrieks.
But no sound comes back, - he is standing alone
By the mangled corse of Mogg Megone!

To the Memory of the Household It Describes
This Poem is Dedicated by the Author:

"As the Spirits of Darkness be stronger in the dark, so Good Spirits,which be Angels of Light, are augmented not only by the Divine lightof the Sun, but also by our common Wood Fire: and as the CelestialFire drives away dark spirits, so also this our Fire of Wood doth thesame." -- Cor. Agrippa, Occult Philosophy,

Book I.ch. v.

"Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of Storm." EMERSON, The Snow Storm.




The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, --
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd's-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold's pole of birch,
The cock his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingëd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature's geometric signs,
In starry flake, and pellicle,
All day the hoary meteor fell;
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, --
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa's leaning miracle.

A prompt, decisive man, no breath
Our father wasted: "Boys, a path!"
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin's wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp's supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse thrust his long head out,
And grave with wonder gazed about;
The cock his lusty greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt's Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.


As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, --
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art
The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks' heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: "Under the tree,
When fire outdoors burns merrily,
There the witches are making tea."


The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where'er it fell
To make the coldness visible.


Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat's dark silhouette on the wall
A couchant tiger's seemed to fall;
And, for the winter fireside meet,
Between the andirons' straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October's wood.


What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire's ruddy glow.
O Time and Change! -- with hair as gray
As was my sire's that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, --
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o'er,
Those lighted faces smile no more.
We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o'er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!
We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
"The Chief of Gambia's golden shore."
How often since, when all the land
Was clay in Slavery's shaping hand,
As if a far-blown trumpet stirred
The languorous sin-sick air, I heard:
"Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of bondage to fly,
Nor deign to live a burdened slave!"
Our father rode again his ride
On Memphremagog's wooded side;
Sat down again to moose and samp
In trapper's hut and Indian camp;
Lived o'er the old idyllic ease
Beneath St. François' hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury's level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar's Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the pot.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.


Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, --
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard's conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon's weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks' black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.


Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel's ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley's Journal, old and quaint, --
Gentlest of skippers, rare sea-saint! --
Who, when the dreary calms prevailed,
And water-butt and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,
Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
"Take, eat," he said, "and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham."


Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature's unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature's heart so near
That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne's loving view, --
He told how teal and loon he shot,
And how the eagle's eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i' the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gray,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason's trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.


Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, --
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love's unselfishness,
And welcome wheresoe'er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, --
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The virgin fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.


There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.
O heart sore-tried! thou hast the best
That Heaven itself could give thee, -- rest,
Rest from all bitter thoughts and things!
How many a poor one's blessing went
With thee beneath the low green tent
Whose curtain never outward swings!


As one who held herself a part
Of all she saw, and let her heart
Against the household bosom lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: --
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where'er I went
With dark eyes full of love's content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June's unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life's late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?


Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle's hat,
Sang songs, and told us what befalls
In classic Dartmouth's college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar's gown
To peddle wares from town to town;
Or through the long vacation's reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater's keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man's-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,
Or played the athlete in the barn,
Or held the good dame's winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
'Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.


A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom's young apostles be,
Who, following in War's bloody trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason's monstrous growth,
Made murder pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery's lash the freeman's will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor's free
And unresentful rivalry,
Harvest the fields wherein they fought.


Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,
Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will's majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The vixen and the devotee,
Revealing with each freak or feint
The temper of Petruchio's Kate,
The raptures of Siena's saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath's surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.


Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna's plague-hushed thoroughfares,
Up sea-set Malta's rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord's quick coming in the flesh,
Whereof she dreams and prophesies!


Where'er her troubled path may be,
The Lord's sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul's debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!


At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull's-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love's contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O'er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.


Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.


Next morn we wakened with the shout
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O'er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature's subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball's compliments,
And reading in each missive tost
The charm with Eden never lost.


We heard once more the sleigh-bells' sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty's call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother's aid would need.
For, one in generous thought and deed,
What mattered in the sufferer's sight
The Quaker matron's inward light,
The Doctor's mail of Calvin's creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!


So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o'er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood's meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
And daft McGregor on his raids
In Costa Rica's everglades.
And up Taygetos winding slow
Rode Ypsilanti's Mainote Greeks,
A Turk's head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!


Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid'st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that slope to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands' incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century's aloe flowers to-day!


Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling's eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends -- the few
Who yet remain -- shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire's blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Or lilies floating in some pond,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.