John Greenleaf Whittier: Verses about Summer

Bland as the morning breath of June
The southwest breezes play;
And, through its haze, the winter noon
Seems warm as summer's day.
The snow-plumed Angel of the North
Has dropped his icy spear;
Again the mossy earth looks forth,
Again the streams gush clear.

The fox his hillside cell forsakes,
The muskrat leaves his nook,
The bluebird in the meadow brakes
Is singing with the brook.
'Bear up, O Mother Nature!' cry
Bird, breeze, and streamlet free;
'Our winter voices prophesy
Of summer days to thee!'

So, in those winters of the soul,
By bitter blasts and drear
O'erswept from Memory's frozen pole,
Will sunny days appear.
Reviving Hope and Faith, they show
The soul its living powers,
And how beneath the winter's snow
Lie germs of summer flowers!

The Night is mother of the Day,
The Winter of the Spring,
And ever upon old Decay
The greenest mosses cling.
Behind the cloud the starlight lurks,
Through showers the sunbeams fall;
For God, who loveth all His works,
Has left His hope with all!

Talk not of sad November, when a day
Of warm, glad sunshine fills the sky of noon,
And a wind, borrowed from some morn of June,
Stirs the brown grasses and the leafless spray.

On the unfrosted pool the pillared pines
Lay their long shafts of shadow: the small rill,
Singing a pleasant song of summer still,
A line of silver, down the hill-slope shines.

Hushed the bird-voices and the hum of bees,
In the thin grass the crickets pipe no more;
But still the squirrel hoards his winter store,
And drops his nut-shells from the shag-bark trees.

Softly the dark green hemlocks whisper: high
Above, the spires of yellowing larches show,
Where the woodpecker and home-loving crow
And jay and nut-hatch winter’s threat defy.

O gracious beauty, ever new and old!
O sights and sounds of nature, doubly dear
When the low sunshine warns the closing year
Of snow-blown fields and waves of Arctic cold!

Close to my heart I fold each lovely thing
The sweet day yields; and, not disconsolate,
With the calm patience of the woods I wait
For leaf and blossom when God gives us Spring!

Summer's last sun nigh unto setting shines
Through yon columnar pines,
And on the deepening shadows of the lawn
Its golden lines are drawn.

Dreaming of long gone summer days like this,
Feeling the wind's soft kiss,
Grateful and glad that failing ear and sight
Have still their old delight,

I sit alone, and watch the warm, sweet day
Lapse tenderly away;
And, wistful, with a feeling of forecast,
I ask, 'Is this the last?

'Will nevermore for me the seasons run
Their round, and will the sun
Of ardent summers yet to come forget
For me to rise and set?'

Thou shouldst be here, or I should be with thee
Wherever thou mayst be,
Lips mute, hands clasped, in silences of speech
Each answering unto each.

For this still hour, this sense of mystery far
Beyond the evening star,
No words outworn suffice on lip or scroll:
The soul would fain with soul

Wait, while these few swift-passing days fulfil
The wise-disposing Will,
And, in the evening as at morning, trust
The All-Merciful and Just.

The solemn joy that soul-communion feels
Immortal life reveals;
And human love, its prophecy and sign,
Interprets love divine.

Come then, in thought, if that alone may be,
O friend! and bring with thee
Thy calm assurance of transcendent Spheres
And the Eternal Years!

THE SUMMER warmth has left the sky,
The summer songs have died away;
And, withered, in the footpaths lie
The fallen leaves, but yesterday
With ruby and with topaz gay.

The grass is browning on the hills;
No pale, belated flowers recall
The astral fringes of the rills,
And drearily the dead vines fall,
Frost-blackened, from the roadside wall.

Yet through the gray and sombre wood,
Against the dusk of fir and pine,
Last of their floral sisterhood,
The hazel’s yellow blossoms shine,
The tawny gold of Afric’s mine!

Small beauty hath my unsung flower,
For spring to own or summer hail;
But, in the season’s saddest hour,
To skies that weep and winds that wail
Its glad surprisals never fail.

O days grown cold! O life grown old
No rose of June may bloom again;
But, like the hazel’s twisted gold,
Through early frost and latter rain
Shall hints of summer-time remain.

And as within the hazel’s bough
A gift of mystic virtue dwells,
That points to golden ores below,
And in dry desert places tells
Where flow unseen the cool, sweet wells,

So, in the wise Diviner’s hand,
Be mine the hazel’s grateful part
To feel, beneath a thirsty land,
The living waters thrill and start,
The beating of the rivulet’s heart!

Sufficeth me the gift to light
With latest bloom the dark, cold days;
To call some hidden spring to sight
That, in these dry and dusty ways,
Shall sing its pleasant song of praise.

O Love! the hazel-wand may fail,
But thou canst lend the surer spell,
That, passing over Baca’s vale,
Repeats the old-time miracle,
And makes the desert-land a well.

Thrice welcome from the Land of Flowers
And golden-fruited orange bowers
To this sweet, green-turfed June of ours!
To her who, in our evil time,
Dragged into light the nation's crime
With strength beyond the strength of men,
And, mightier than their swords, her pen!
To her who world-wide entrance gave
To the log-cabin of the slave;
Made all his wrongs and sorrows known,
And all earth's languages his own,--
North, South, and East and West, made all
The common air electrical,
Until the o'ercharged bolts of heaven
Blazed down, and every chain was riven!

Welcome from each and all to her
Whose Wooing of the Minister
Revealed the warm heart of the man
Beneath the creed-bound Puritan,
And taught the kinship of the love
Of man below and God above;
To her whose vigorous pencil-strokes
Sketched into life her Oldtown Folks;
Whose fireside stories, grave or gay,
In quaint Sam Lawson's vagrant way,
With old New England's flavor rife,
Waifs from her rude idyllic life,
Are racy as the legends old
By Chaucer or Boccaccio told;
To her who keeps, through change of place
And time, her native strength and grace,
Alike where warm Sorrento smiles,
Or where, by birchen-shaded isles,
Whose summer winds have shivered o'er
The icy drift of Labrador,
She lifts to light the priceless Pearl
Of Harpswell's angel-beckoned girl!
To her at threescore years and ten
Be tributes of the tongue and pen;
Be honor, praise, and heart-thanks given,
The loves of earth, the hopes of heaven!

Ah, dearer than the praise that stirs
The air to-day, our love is hers!
She needs no guaranty of fame
Whose own is linked with Freedom's name.
Long ages after ours shall keep
Her memory living while we sleep;
The waves that wash our gray coast lines,
The winds that rock the Southern pines,
Shall sing of her; the unending years
Shall tell her tale in unborn ears.
And when, with sins and follies past,
Are numbered color-hate and caste,
White, black, and red shall own as one
The noblest work by woman done.

Here is the place; right over the hill
Runs the path I took;
You can see the gap in the old wall still,
And the stepping-stones in the shallow brook.

There is the house, with the gate red-barred,
And the poplars tall;
And the barn's brown length, and the cattle-yard,
And the white horns tossing above the wall.

There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor flowers, weed-o'errun,
Pansy and daffodil, rose and pink.

A year has gone, as the tortoise goes,
Heavy and slow;
And the same rose blows, and the same sun glows,
And the same brook sings of a year ago.

There 's the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.

I mind me how with a lover's care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brookside my brow and throat.

Since we parted, a month had passed, --
To love, a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.

I can see it all now, -- the slantwise rain
Of light through the leaves,
The sundown's blaze on her window-pane,
The bloom of her roses under the eaves.

Just the same as a month before, --
The house and the trees,
The barn's brown gable, the vine by the door, --
Nothing changed but the hives of bees.

Before them, under the garden wall,
Forward and back,
Went drearily singing the chore-girl small,
Draping each hive with a shred of black.

Trembling, I listened: the summer sun
Had the chill of snow;
For I knew she was telling the bees of one
Gone on the journey we all must go!

Then I said to myself, "My Mary weeps
For the dead to-day:
Haply her blind old grandsire sleeps
The fret and the pain of his age away."

But her dog whined low; on the doorway sill,
With his cane to his chin,
The old man sat; and the chore-girl still
Sung to the bees stealing out and in.

And the song she was singing ever since
In my ear sounds on: --
"Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone!"

BOWDOIN STREET, BOSTON, 1877.

The end has come, as come it must
To all things; in these sweet June days
The teacher and the scholar trust
Their parting feet to separate ways.

They part: but in the years to be
Shall pleasant memories cling to each,
As shells bear inland from the sea
The murmur of the rhythmic beach.

One knew the joy the sculptor knows
When, plastic to his lightest touch,
His clay-wrought model slowly grows
To that fine grace desired so much.

So daily grew before her eyes
The living shapes whereon she wrought,
Strong, tender, innocently wise,
The child's heart with the woman's thought.

And one shall never quite forget
The voice that called from dream and play,
The firm but kindly hand that set
Her feet in learning's pleasant way,--

The joy of Undine soul-possessed,
The wakening sense, the strange delight
That swelled the fabled statue's breast
And filled its clouded eyes with sight.

O Youth and Beauty, loved of all!
Ye pass from girlhood's gate of dreams;
In broader ways your footsteps fall,
Ye test the truth of all that seams.

Her little realm the teacher leaves,
She breaks her wand of power apart,
While, for your love and trust, she gives
The warm thanks of a grateful heart.

Hers is the sober summer noon
Contrasted with your morn of spring,
The waning with the waxing moon,
The folded with the outspread wing.

Across the distance of the years
She sends her God-speed back to you;
She has no thought of doubts or fears
Be but yourselves, be pure, be true,

And prompt in duty; heed the deep,
Low voice of conscience; through the ill
And discord round about you, keep
Your faith in human nature still.

Be gentle: unto griefs and needs,
Be pitiful as woman should,
And, spite of all the lies of creeds,
Hold fast the truth that God is good.

Give and receive; go forth and bless
The world that needs the hand and heart
Of Martha's helpful carefulness
No less than Mary's better part.

So shall the stream of time flow by
And leave each year a richer good,
And matron loveliness outvie
The nameless charm of maidenhood.

And, when the world shall link your names
With gracious lives and manners fine,
The teacher shall assert her claims,
And proudly whisper, 'These were mine!'

How strange to greet, this frosty morn,
In graceful counterfeit of flower,
These children of the meadows, born
Of sunshine and of showers!

How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!

It was a happy thought to bring
To the dark season's frost and rime
This painted memory of spring,
This dream of summertime.

Our hearts are lighter for its sake,
Our fancy's age renews its youth,
And dim-remembered fictions take
The guise of present truth.

A wizard of the Merrimac, -
So old ancestral legends say, -
Could call green leaf and blossom back
To frosted stem and spray.

The dry logs of the cottage wall,
Beneath his touch, put out their leaves;
The clay-bound swallow, at his call,
Played round the icy eaves.

The settler saw his oaken flail
Take bud, and bloom before his eyes;
From frozen pools he saw the pale
Sweet summer lilies rise.

To their old homes, by man profaned
Came the sad dryads, exiled long,
And through their leafy tongues complained
Of household use and wrong.

The beechen platter sprouted wild,
The pipkin wore its old-time green,
The cradle o'er the sleeping child
Became a leafy screen.

Haply our gentle friend hath met,
While wandering in her sylvan quest,
Haunting his native woodlands yet,
That Druid of the West;

And while the dew on leaf and flower
Glistened in the moonlight clear and still,
Learned the dusk wizard's spell of power,
And caught his trick of skill.

But welcome, be it new or old,
The gift which makes the day more bright,
And paints, upon the ground of cold
And darkness, warmth and light!

Without is neither gold nor green;
Within, for birds, the birch-logs sing;
Yet, summer-like, we sit between
The autumn and the spring.

The one, with bridal blush of rose,
And sweetest breath of woodland balm,
And one whose matron lips unclose
In smiles of saintly calm.

Fill soft and deep, O winter snow!
The sweet azalea's oaken dells,
And hide the banks where roses blow
And swing the azure bells!

O'erlay the amber violet's leaves,
The purple aster's brookside home,
Guard all the flowers her pencil gives
A live beyond their bloom.

And she, when spring comes round again,
By greening slope and singing flood
Shall wander, seeking, not in vain
Her darlings of the wood.

FROM gold to gray
Our mild sweet day
Of Indian Summer fades too soon;
But tenderly
Above the sea
Hangs, white and calm, the hunter's moon.
In its pale fire,
The village spire
Shows like the zodiac's spectral lance;
The painted walls
Whereon it falls
Transfigured stand in marble trance!
O'er fallen leaves
The west-wind grieves,
Yet comes a seed-time round again;
And morn shall see
The State sown free
With baleful tares or healthful grain.
Along the street
The shadows meet
Of Destiny, whose hands conceal
The moulds of fate
That shape the State,
And make or mar the common weal.
Around I see
The powers that be;
I stand by Empire's primal springs;
And princes meet,
In every street,
And hear the tread of uncrowned kings!
Hark! through the crowd
The laugh runs loud,
Beneath the sad, rebuking moon.
God save the land
A careless hand
May shake or swerve ere morrow's noon!
No jest is this;
One cast amiss
May blast the hope of Freedom's year.
Oh, take me where
Are hearts of prayer,
And foreheads bowed in reverent fear!
Not lightly fall
Beyond recall
The written scrolls a breath can float;
The crowning fact
The kingliest act
Of Freedom is the freeman's vote!
For pearls that gem
A diadem
The diver in the deep sea dies;
The regal right
We boast to-night
Is ours through costlier sacrifice;
The blood of Vane,
His prison pain
Who traced the path the Pilgrim trod,
And hers whose faith
Drew strength from death,
And prayed her Russell up to God!
Our hearts grow cold,
We lightly hold
A right which brave men died to gain;
The stake, the cord,
The axe, the sword,
Grim nurses at its birth of pain.
The shadow rend,
And o'er us bend,
O martyrs, with your crowns and palms;
Breathe through these throngs
Your battle songs,
Your scaffold prayers, and dungeon psalms!
Look from the sky,
Like God's great eye,
Thou solemn moon, with searching beam,
Till in the sight
Of thy pure light
Our mean self-seekings meaner seem.
Shame from our hearts
Unworthy arts,
The fraud designed, the purpose dark;
And smite away
The hands we lay
Profanely on the sacred ark.
To party claims
And private aims,
Reveal that august face of Truth,
Whereto are given
The age of heaven,
The beauty of immortal youth.
So shall our voice
Of sovereign choice
Swell the deep bass of duty done,
And strike the key
Of time to be,
When God and man shall speak as one!

Though flowers have perished at the touch
Of Frost, the early comer,
I hail the season loved so much,
The good St. Martin's summer.

O gracious morn, with rose-red dawn,
And thin moon curving o'er it!
The old year's darling, latest born,
More loved than all before it!

How flamed the sunrise through the pines!
How stretched the birchen shadows,
Braiding in long, wind-wavered lines
The westward sloping meadows!

The sweet day, opening as a flower
Unfolds its petals tender,
Renews for us at noontide's hour
The summer's tempered splendor.

The birds are hushed; alone the wind,
That through the woodland searches,
The red-oak's lingering leaves can find,
And yellow plumes of larches.

But still the balsam-breathing pine
Invites no thought of sorrow,
No hint of loss from air like wine
The earth's content can borrow.

The summer and the winter here
Midway a truce are holding,
A soft, consenting atmosphere
Their tents of peace enfolding.

The silent woods, the lonely hills,
Rise solemn in their gladness;
The quiet that the valley fills
Is scarcely joy or sadness.

How strange! The autumn yesterday
In winter's grasp seemed dying;
On whirling winds from skies of gray
The early snow was flying.

And now, while over Nature's mood
There steals a soft relenting,
I will not mar the present good,
Forecasting or lamenting.

My autumn time and Nature's hold
A dreamy tryst together,
And, both grown old, about us fold
The golden-tissued weather.

I lean my heart against the day
To feel its bland caressing;
I will not let it pass away
Before it leaves its blessing.

God's angels come not as of old
The Syrian shepherds knew them;
In reddening dawns, in sunset gold,
And warm noon lights I view them.

Nor need there is, in times like this
When heaven to earth draws nearer,
Of wing or song as witnesses
To make their presence clearer.

O stream of life, whose swifter flow
Is of the end forewarning,
Methinks thy sundown afterglow
Seems less of night than morning!

Old cares grow light; aside I lay
The doubts and fears that troubled;
The quiet of the happy day
Within my soul is doubled.

That clouds must veil this fair sunshine
Not less a joy I find it;
Nor less yon warm horizon line
That winter lurks behind it.

The mystery of the untried days
I close my eyes from reading;
His will be done whose darkest ways
To light and life are leading!

Less drear the winter night shall be,
If memory cheer and hearten
Its heavy hours with thoughts of thee,
Sweet summer of St. Martin!

IT was late in mild October, and the long autumnal rain
Had left the summer harvest-fields all green with grass again;
The first sharp frosts had fallen, leaving all the woodlands gay
With the hues of summer's rainbow, or the meadow flowers of May.
Through a thin, dry mist, that morning, the sun rose broad and red,
At first a rayless disk of fire, he brightened as he sped;
Yet, even his noontide glory fell chastened and subdued,
On the cornfields and the orchards, and softly pictured wood.
And all that quiet afternoon, slow sloping to the night,
He wove with golden shuttle the haze with yellow light;
Slanting through the painted beeches, he glorified the hill;
And, beneath it, pond and meadow lay brighter, greener still.
And shouting boys in woodland haunts caught glimpses of that sky,
Flecked by the many-tinted leaves, and laughed, they knew not why;
And school-girls, gay with aster-flowers, beside the meadow brooks,
Mingled the glow of autumn with the sunshine of sweet looks.
From spire and barn looked westerly the patient weathercocks;
But even the birches on the hill stood motionless as rocks.
No sound was in the woodlands, save the squirrel's dropping shell,
And the yellow leaves among the boughs, low rustling as they fell.
The summer grains were harvested; the stubblefields lay dry,
Where June winds rolled, in light and shade, the pale green waves of rye;
But still, on gentle hill-slopes, in valleys fringed with wood,
Ungathered, bleaching in the sun, the heavy corn crop stood.
Bent low, by autumn's wind and rain, through husks that, dry and sere,
Unfolded from their ripened charge, shone out the yellow ear;
Beneath, the turnip lay concealed, in many a verdant fold,
And glistened in the slanting light the pumpkin's sphere of gold.
There wrought the busy harvesters; and many a creaking wain
Bore slowly to the long barn-floor is load of husk and grain;
Till broad and red, as when he rose, the sun sank down, at last,
And like a merry guest's farewell, the day in brightness passed.
And lo! as through the western pines, on meadow, stream, and pond,
Flamed the red radiance of a sky, set all afire beyond,
Slowly o'er the eastern sea-bluffs a milder glory shone,
And the sunset and the moonrise were mingled into one!
As thus into the quiet night the twilight lapsed away,
And deeper in the brightening moon the tranquil shadows lay;
From many a brown old farm-house, and hamlet without name,
Their milking and their home-tasks done, the merry huskers came.
Swung o'er the heaped-up harvest, from pitchforks in the mow,
Shone dimly down the lanterns on the pleasant scene below;
The growing pile of husks behind, the golden ears before,
And laughing eyes and busy hands and brown cheeks glimmering o'er.
Half hidden, in a quiet nook, serene of look and heart,
Talking their old times over, the old men sat apart;
While up and down the unhusked pile, or nestling in its shade,
At hide-and-seek, with laugh and shout, the happy children played.
Urged by the good host's daughter, a maiden young and fair,
Lifting to light her sweet blue eyes and pride of soft brown hair,
The master of the village school, sleek of hair and smooth of tongue,
To the quaint tune of some old psalm, a husking-ballad sung.

A sound as if from bells of silver,
Or elfin cymbals smitten clear,
Through the frost-pictured panes I hear.

A brightness which outshines the morning,
A splendor brooking no delay,
Beckons and tempts my feet away.

I leave the trodden village highway
For virgin snow-paths glimmering through
A jewelled elm-tree avenue;

Where, keen against the walls of sapphire,
The gleaming tree-bolls, ice-embossed,
Hold up their chandeliers of frost.

I tread in Orient halls enchanted,
I dream the Saga's dream of caves
Gem-lit beneath the North Sea waves!

I walk the land of Eldorado,
I touch its mimic garden bowers,
Its silver leaves and diamond flowers!

The flora of the mystic mine-world
Around me lifts on crystal stems
The petals of its clustered gems!

What miracle of weird transforming
In this wild work of frost and light,
This glimpse of glory infinite!

This foregleam of the Holy City
Like that to him of Patmos given,
The white bride coming down from heaven!

How flash the ranked and mail-clad alders,
Through what sharp-glancing spears of reeds
The brook its muffled water leads!

Yon maple, like the bush of Horeb,
Burns unconsumed: a white, cold fire
Rays out from every grassy spire.

Each slender rush and spike of mullein,
Low laurel shrub and drooping fern,
Transfigured, blaze where'er I turn.

How yonder Ethiopian hemlock
Crowned with his glistening circlet stands!
What jewels light his swarthy hands!

Here, where the forest opens southward,
Between its hospitable pines,
As through a door, the warm sun shines.

The jewels loosen on the branches,
And lightly, as the soft winds blow,
Fall, tinkling, on the ice below.

And through the clashing of their cymbals
I hear the old familiar fall
Of water down the rocky wall,

Where, from its wintry prison breaking,
In dark and silence hidden long,
The brook repeats its summer song.

One instant flashing in the sunshine,
Keen as a sabre from its sheath,
Then lost again the ice beneath.

I hear the rabbit lightly leaping,
The foolish screaming of the jay,
The chopper's axe-stroke far away;

The clamor of some neighboring barn-yard,
The lazy cock's belated crow,
Or cattle-tramp in crispy snow.

And, as in some enchanted forest
The lost knight hears his comrades sing,
And, near at hand, their bridles ring,--

So welcome I these sounds and voices,
These airs from far-off summer blown,
This life that leaves me not alone.

For the white glory overawes me;
The crystal terror of the seer
Of Chebar's vision blinds me here.

Rebuke me not, O sapphire heaven!
Thou stainless earth, lay not on me,
Thy keen reproach of purity,

If, in this August presence-chamber,
I sigh for summer's leaf-green gloom
And warm airs thick with odorous bloom!

Let the strange frost-work sink and crumble,
And let the loosened tree-boughs swing,
Till all their bells of silver ring.

Shine warmly down, thou sun of noontime,
On this chill pageant, melt and move
The winter's frozen heart with love.

And, soft and low, thou wind south-blowing,
Breathe through a veil of tenderest haze
Thy prophecy of summer days.

Come with thy green relief of promise,
And to this dead, cold splendor bring
The living jewels of the spring!

To kneel before some saintly shrine,
To breathe the health of airs divine,
Or bathe where sacred rivers flow,
The cowled and turbaned pilgrims go.
I too, a palmer, take, as they
With staff and scallop-shell, my way
To feel, from burdening cares and ills,
The strong uplifting of the hills.

The years are many since, at first,
For dreamed-of wonders all athirst,
I saw on Winnipesaukee fall
The shadow of the mountain wall.
Ah! where are they who sailed with me
The beautiful island-studded sea?
And am I he whose keen surprise
Flashed out from such unclouded eyes?

Still, when the sun of summer burns,
My longing for the hills returns;
And northward, leaving at my back
The warm vale of the Merrimac,
I go to meet the winds of morn,
Blown down the hill-gaps, mountain-born,
Breathe scent of pines, and satisfy
The hunger of a lowland eye.

Again I see the day decline
Along a ridged horizon line;
Touching the hill-tops, as a nun
Her beaded rosary, sinks the sun.
One lake lies golden, which shall soon
Be silver in the rising moon;
And one, the crimson of the skies
And mountain purple multiplies.

With the untroubled quiet blends
The distance-softened voice of friends;
The girl's light laugh no discord brings
To the low song the pine-tree sings;
And, not unwelcome, comes the hail
Of boyhood from his nearing sail.
The human presence breaks no spell,
And sunset still is miracle!

Calm as the hour, methinks I feel
A sense of worship o'er me steal;
Not that of satyr-charming Pan,
No cult of Nature shaming man,
Not Beauty's self, but that which lives
And shines through all the veils it weaves,--
Soul of the mountain, lake, and wood,
Their witness to the Eternal Good!

And if, by fond illusion, here
The earth to heaven seems drawing near,
And yon outlying range invites
To other and serener heights,
Scarce hid behind its topmost swell,
The shining Mounts Delectable
A dream may hint of truth no less
Than the sharp light of wakefulness.

As through her vale of incense smoke.
Of old the spell-rapt priestess spoke,
More than her heathen oracle,
May not this trance of sunset tell
That Nature's forms of loveliness
Their heavenly archetypes confess,
Fashioned like Israel's ark alone
From patterns in the Mount made known?

A holier beauty overbroods
These fair and faint similitudes;
Yet not unblest is he who sees
Shadows of God's realities,
And knows beyond this masquerade
Of shape and color, light and shade,
And dawn and set, and wax and wane,
Eternal verities remain.

O gems of sapphire, granite set!
O hills that charmed horizons fret
I know how fair your morns can break,
In rosy light on isle and lake;
How over wooded slopes can run
The noonday play of cloud and sun,
And evening droop her oriflamme
Of gold and red in still Asquam.

The summer moons may round again,
And careless feet these hills profane;
These sunsets waste on vacant eyes
The lavish splendor of the skies;
Fashion and folly, misplaced here,
Sigh for their natural atmosphere,
And travelled pride the outlook scorn
Of lesser heights than Matterhorn.

But let me dream that hill and sky
Of unseen beauty prophesy;
And in these tinted lakes behold
The trailing of the raiment fold
Of that which, still eluding gaze,
Allures to upward-tending ways,
Whose footprints make, wherever found,
Our common earth a holy ground.

O dwellers in the stately towns,
What come ye out to see?
This common earth, this common sky,
This water flowing free?

As gayly as these kalmia flowers
Your door-yard blossoms spring;
As sweetly as these wild-wood birds
Your caged minstrels sing.

You find but common bloom and green,
The rippling river's rune,
The beauty which is everywhere
Beneath the skies of June;

The Hawkswood oaks, the storm-torn plumes
Of old pine-forest kings,
Beneath whose century-woven shade
Deer Island's mistress sings.

And here are pictured Artichoke,
And Curson's bowery mill;
And Pleasant Valley smiles between
The river and the hill.

You know full well these banks of bloom,
The upland's wavy line,
And how the sunshine tips with fire
The needles of the pine.

Yet, like some old remembered psalm,
Or sweet, familiar face,
Not less because of commonness
You love the day and place.

And not in vain in this soft air
Shall hard-strung nerves relax,
Not all in vain the o'erworn brain
Forego its daily tax.

The lust of power, the greed of gain
Have all the year their own;
The haunting demons well may let
Our one bright day alone.

Unheeded let the newsboy call,
Aside the ledger lay
The world will keep its treadmill step
Though we fall out to-day.

The truants of life's weary school,
Without excuse from thrift
We change for once the gains of toil
For God's unpurchased gift.

From ceiled rooms, from silent books,
From crowded car and town,
Dear Mother Earth, upon thy lap,
We lay our tired heads down.

Cool, summer wind, our heated brows;
Blue river, through the green
Of clustering pines, refresh the eyes
Which all too much have seen.

For us these pleasant woodland ways
Are thronged with memories old,
Have felt the grasp of friendly hands
And heard love's story told.

A sacred presence overbroods
The earth whereon we meet;
These winding forest-paths are trod
By more than mortal feet.

Old friends called from us by the voice
Which they alone could hear,
From mystery to mystery,
From life to life, draw near.

More closely for the sake of them
Each other's hands we press;
Our voices take from them a tone
Of deeper tenderness.

Our joy is theirs, their trust is ours,
Alike below, above,
Or here or there, about us fold
The arms of one great love!

We ask to-day no countersign,
No party names we own;
Unlabelled, individual,
We bring ourselves alone.

What cares the unconventioned wood
For pass-words of the town?
The sound of fashion's shibboleth
The laughing waters drown.

Here cant forgets his dreary tone,
And care his face forlorn;
The liberal air and sunshine laugh
The bigot's zeal to scorn.

From manhood's weary shoulder falls
His load of selfish cares;
And woman takes her rights as flowers
And brooks and birds take theirs.

The license of the happy woods,
The brook's release are ours;
The freedom of the unshamed wind
Among the glad-eyed flowers.

Yet here no evil thought finds place,
Nor foot profane comes in;
Our grove, like that of Samothrace,
Is set apart from sin.

We walk on holy ground; above
A sky more holy smiles;
The chant of the beatitudes
Swells down these leafy aisles.

Thanks to the gracious Providence
That brings us here once more;
For memories of the good behind
And hopes of good before.

And if, unknown to us, sweet days
Of June like this must come,
Unseen of us these laurels clothe
The river-banks with bloom;

And these green paths must soon be trod
By other feet than ours,
Full long may annual pilgrims come
To keep the Feast of Flowers;

The matron be a girl once more,
The bearded man a boy,
And we, in heaven's eternal June,
Be glad for earthly joy!

A shallow stream, from fountains
Deep in the Sandwich mountains,
Ran lake ward Bearcamp River;
And, between its flood-torn shores,
Sped by sail or urged by oars
No keel had vexed it ever.

Alone the dead trees yielding
To the dull axe Time is wielding,
The shy mink and the otter,
And golden leaves and red,
By countless autumns shed,
Had floated down its water.

From the gray rocks of Cape Ann,
Came a skilled seafaring man,
With his dory, to the right place;
Over hill and plain he brought her,
Where the boatless Beareamp water
Comes winding down from White-Face.

Quoth the skipper: “Ere she floats forth;
I’m sure my pretty boat’s worth,
At least, a name as pretty.”
On her painted side he wrote it,
And the flag that o’er her floated
Bore aloft the name of Jettie.

On a radiant morn of summer,
Elder guest and latest comer
Saw her wed the Bearcamp water;
Heard the name the skipper gave her,
And the answer to the favor
From the Bay State’s graceful daughter.

Then, a singer, richly gifted,
Her charmed voice uplifted;
And the wood-thrush and song-sparrow
Listened, dumb with envious pain,
To the clear and sweet refrain
Whose notes they could not borrow.

Then the skipper plied his oar,
And from off the shelving shore,
Glided out the strange explorer;
Floating on, she knew not whither,—
The tawny sands beneath her,
The great hills watching o’er her.

On, where the stream flows quiet
As the meadows’ margins by it,
Or widens out to borrow a
New life from that wild water,
The mountain giant’s daughter,
The pine-besung Chocorua.

Or, mid the tangling cumber
And pack of mountain lumber
That spring floods downward force,
Over sunken snag, and bar
Where the grating shallows are,
The good boat held her course.

Under the pine-dark highlands,
Around the vine-hung islands,
She ploughed her crooked furrow
And her rippling and her lurches
Scared the river eels and perches,
And the musk-rat in his burrow.

Every sober clam below her,
Every sage and grave pearl-grower,
Shut his rusty valves the tighter;
Crow called to crow complaining,
And old tortoises sat craning
Their leathern necks to sight her.

So, to where the still lake glasses
The misty mountain masses
Rising dim and distant northward,
And, with faint-drawn shadow pictures,
Low shores, and dead pine spectres,
Blends the skyward and the earthward,

On she glided, overladen,
With merry man and maiden
Sending back their song and laughter,—
While, perchance, a phantom crew,
In a ghostly birch canoe,
Paddled dumb and swiftly after!

And the bear on Ossipee
Climbed the topmost crag to see
The strange thing drifting under;
And, through the haze of August,
Passaconaway and Paugus
Looked down in sleepy wonder.

All the pines that o’er her hung
In mimic sea-tones sung
The song familiar to her;
And the maples leaned to screen her,
And the meadow-grass seemed greener,
And the breeze more soft to woo her.

The lone stream mystery-haunted,
To her the freedom granted
To scan its every feature,
Till new and old were blended,
And round them both extended
The loving arms of Nature.

Of these hills the little vessel
Henceforth is part and parcel;
And on Bearcamp shall her log
Be kept, as if by George’s
Or Grand Menan, the surges
Tossed her skipper through the fog.

And I, who, half in sadness,
Recall the morning gladness
Of life, at evening time,
By chance, onlooking idly,
Apart from all so widely,
Have set her voyage to rhyme.

Dies now the gay persistence
Of song and laugh, in distance;
Alone with me remaining
The stream, the quiet meadow,
The hills in shine and shadow,
The sombre pines complaining.

And, musing here, I dream
Of voyagers on a stream
From whence is no returning,
Under sealed orders going,
Looking forward little knowing,
Looking back with idle yearning.

And I pray that every venture
The port of peace may enter,
That, safe from snag and fall
And siren-haunted islet,
And rock, the Unseen Pilot
May guide us one and all.

In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.

One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.

Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.

Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.

Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.

How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---

Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.

When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,

And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.

When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.

Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,

By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.

How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.

Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!

Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"

Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.

Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.

Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!

When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---

When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---

Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.

Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.

And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---

On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.

And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."

Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.

Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.

But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.

Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;

Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.

Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.

Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.

All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.

But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.

PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look
Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!

Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,
With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,—
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy balcony looks down
On happy homes, or where the lake in the moon
Sleeps dreaming of the mountains, fair as Ruth,
In the old Hebrew pastoral, at the feet
Of Boaz, even this simple lay of mine
May seem the burden of a prophecy,
Finding its late fulfilment in a change
Slow as the oak’s growth, lifting manhood up
Through broader culture, finer manners, love,
And reverence, to the level of the hills.

O Golden Age, whose light is of the dawn,
And not of sunset, forward, not behind,
Flood the new heavens and earth, and with thee bring
All the old virtues, whatsoever things
Are pure and honest and of good repute,
But add thereto whatever bard has sung
Or seer has told of when in trance and dream
They saw the Happy Isles of prophecy
Let Justice hold her scale, and Truth divide
Between the right and wrong; but give the heart
The freedom of its fair inheritance;
Let the poor prisoner, cramped and starved so long,
At Nature’s table feast his ear and eye
With joy and wonder; let all harmonies
Of sound, form, color, motion, wait upon
The princely guest, whether in soft attire
Of leisure clad, or the coarse frock of toil,
And, lending life to the dead form of faith,
Give human nature reverence for the sake
Of One who bore it, making it divine
With the ineffable tenderness of God;
Let common need, the brotherhood of prayer,
The heirship of an unknown destiny,
The unsolved mystery round about us, make
A man more precious than the gold of Ophir.
Sacred, inviolate, unto whom all things
Should minister, as outward types and signs
Of the eternal beauty which fulfils
The one great purpose of creation, Love,
The sole necessity of Earth and Heaven!

. . . . .
For weeks the clouds had raked the hills
And vexed the vales with raining,
And all the woods were sad with mist,
And all the brooks complaining.
At last, a sudden night-storm tore
The mountain veils asunder,
And swept the valleys clean before
The bosom of the thunder.

Through Sandwich notch the west-wind sang
Good morrow to the cotter;
And once again Chocorua’s horn
Of shadow pierced the water.

Above his broad lake Ossipee,
Once more the sunshine wearing,
Stooped, tracing on that silver shield
His grim armorial bearing.

Clear drawn against the hard blue sky,
The peaks had winter’s keenness;
And, close on autumn’s frost, the vales
Had more than June’s fresh greenness.

Again the sodden forest floors
With golden lights were checkered,
Once more rejoicing leaves in wind
And sunshine danced and flickered.

It was as if the summer’s late
Atoning for it’s sadness
Had borrowed every season’s charm
To end its days in gladness.

I call to mind those banded vales
Of shadow and of shining,
Through which, my hostess at my side,
I drove in day’s declining.

We held our sideling way above
The river’s whitening shallows,
By homesteads old, with wide-flung barns
Swept through and through by swallows,—

By maple orchards, belts of pine
And larches climbing darkly
The mountain slopes, and, over all,
The great peaks rising starkly.

You should have seen that long hill-range
With gaps of brightness riven,—
How through each pass and hollow streamed
The purpling lights of heaven,—

Rivers of gold-mist flowing down
From far celestial fountains,—
The great sun flaming through the rifts
Beyond the wall of mountains.

We paused at last where home-bound cows
Brought down the pasture’s treasure,
And in the barn the rhythmic flails
Beat out a harvest measure.

We heard the night-hawk’s sullen plunge,
The crow his tree-mates calling:
The shadows lengthening down the slopes
About our feet were falling.

And through them smote the level sun
In broken lines of splendor,
Touched the gray rocks and made the green
Of the shorn grass more tender.

The maples bending o’er the gate,
Their arch of leaves just tinted
With yellow warmth, the golden glow
Of coming autumn hinted.

Keen white between the farm-house showed,
And smiled on porch and trellis,
The fair democracy of flowers
That equals cot and palace.

And weaving garlands for her dog,
’Twixt chidings and caresses,
A human flower of childhood shook
The sunshine from her tresses.

On either hand we saw the signs
Of fancy and of shrewdness,
Where taste had wound its arms of vines
Round thrift’s uncomely rudeness.

The sun-brown farmer in his frock
Shook hands, and called to Mary
Bare-armed, as Juno might, she came,
White-aproned from her dairy.

Her air, her smile, her motions, told
Of womanly completeness;
A music as of household songs
Was in her voice of sweetness.

Not fair alone in curve and line,
But something more and better,
The secret charm eluding art,
Its spirit, not its letter;—

An inborn grace that nothing lacked
Of culture or appliance,
The warmth of genial courtesy,
The calm of self-reliance.

Before her queenly womanhood
How dared our hostess utter
The paltry errand of her need
To buy her fresh-churned butter?

She led the way with housewife pride,
Her goodly store disclosing,
Full tenderly the golden balls
With practised hands disposing.

Then, while along the western hills
We watched the changeful glory
Of sunset, on our homeward way,
I heard her simple story.

The early crickets sang; the stream
Plashed through my friend’s narration:
Her rustic patois of the hills
Lost in my free-translation.

“More wise,” she said, “than those who swarm
Our hills in middle summer,
She came, when June’s first roses blow,
To greet the early comer.

“From school and ball and rout she came,
The city’s fair, pale daughter,
To drink the wine of mountain air
Beside the Bearcamp Water.

“Her step grew firmer on the hills
That watch our homesteads over;
On cheek and lip, from summer fields,
She caught the bloom of clover.

“For health comes sparkling in the streams
From cool Chocorua stealing:
There’s iron in our Northern winds;
Our pines are trees of healing.

“She sat beneath the broad-armed elms
That skirt the mowing-meadow,
And watched the gentle west-wind weave
The grass with shine and shadow.

“Beside her, from the summer heat
To share her grateful screening,
With forehead bared, the farmer stood,
Upon his pitchfork leaning.

“Framed in its damp, dark locks, his face
Had nothing mean or common,—
Strong, manly, true, the tenderness
And pride beloved of woman.

“She looked up, glowing with the health
The country air had brought her,
And, laughing, said: ‘You lack a wife,
Your mother lacks a daughter.

“‘To mend your frock and bake your bread
You do not need a lady:
Be sure among these brown old homes
Is some one waiting ready,—

“‘Some fair, sweet girl with skilful hand
And cheerful heart for treasure,
Who never played with ivory keys,
Or danced the polka’s measure.’

“He bent his black brows to a frown,
He set his white teeth tightly.
‘’T is well,’ he said, ‘for one like you
To choose for me so lightly.

“You think, because my life is rude
I take no note of sweetness:
I tell you love has naught to do
With meetness or unmeetness.

“‘Itself its best excuse, it asks
No leave of pride or fashion
When silken zone or homespun frock
It stirs with throbs of passion.

“‘You think me deaf and blind: you bring
Your winning graces hither
As free as if from cradle-time
We two had played together.

“‘You tempt me with your laughing eyes,
Your cheek of sundown’s blushes,
A motion as of waving grain,
A music as of thrushes.

“‘The plaything of your summer sport,
The spells you weave around me
You cannot at your will undo,
Nor leave me as you found me.

“‘You go as lightly as you came,
Your life is well without me;
What care you that these hills will close
Like prison-walls about me?

“‘No mood is mine to seek a wife,
Or daughter for my mother
Who loves you loses in that love
All power to love another!

“‘I dare your pity or your scorn,
With pride your own exceeding;
I fling my heart into your lap
Without a word of pleading.’

“She looked up in his face of pain
So archly, yet so tender
‘And if I lend you mine,’ she said,
‘Will you forgive the lender?

“‘Nor frock nor tan can hide the man;
And see you not, my farmer,
How weak and fond a woman waits
Behind this silken armor?

“‘I love you: on that love alone,
And not my worth, presuming,
Will you not trust for summer fruit
The tree in May-day blooming?’

“Alone the hangbird overhead,
His hair-swung cradle straining,
Looked down to see love’s miracle,—
The giving that is gaining.

“And so the farmer found a wife,
His mother found a daughter
There looks no happier home than hers
On pleasant Bearcamp Water.

“Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.

“Our homes are cheerier for her sake,
Our door-yards brighter blooming,
And all about the social air
Is sweeter for her coming.

“Unspoken homilies of peace
Her daily life is preaching;
The still refreshment of the dew
Is her unconscious teaching.

“And never tenderer hand than hers
Unknits the brow of ailing;
Her garments to the sick man’s ear
Have music in their trailing.

“And when, in pleasant harvest moons,
The youthful huskers gather,
Or sleigh-drives on the mountain ways
Defy the winter weather,—

“In sugar-camps, when south and warm
The winds of March are blowing,
And sweetly from its thawing veins
The maple’s blood is flowing,—

“In summer, where some lilied pond
Its virgin zone is baring,
Or where the ruddy autumn fire
Lights up the apple-paring,—

“The coarseness of a ruder time
Her finer mirth displaces,
A subtler sense of pleasure fills
Each rustic sport she graces.

“Her presence lends its warmth and health
To all who come before it.
If woman lost us Eden, such
As she alone restore it.

“For larger life and wiser aims
The farmer is her debtor;
Who holds to his another’s heart
Must needs be worse or better.

“Through her his civic service shows
A purer-toned ambition;
No double consciousness divides
The man and politician.

“In party’s doubtful ways he trusts
Her instincts to determine;
At the loud polls, the thought of her
Recalls Christ’s Mountain Sermon.

“He owns her logic of the heart,
And wisdom of unreason,
Supplying, while he doubts and weighs,
The needed word in season.

“He sees with pride her richer thought,
Her fancy’s freer ranges;
And love thus deepened to respect
Is proof against all changes.

“And if she walks at ease in ways
His feet are slow to travel,
And if she reads with cultured eyes
What his may scarce unravel,

“Still clearer, for her keener sight
Of beauty and of wonder,
He learns the meaning of the hills
He dwelt from childhood under.

“And higher, warmed with summer lights,
Or winter-crowned and hoary,
The ridged horizon lifts for him
Its inner veils of glory.

“He has his own free, bookless lore,
The lessons nature taught him,
The wisdom which the woods and hills
And toiling men have brought him:

“The steady force of will whereby
Her flexile grace seems sweeter;
The sturdy counterpoise which makes
Her woman’s life completer.

“A latent fire of soul which lacks
No breath of love to fan it;
And wit, that, like his native brooks,
Plays over solid granite.

“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention.

“How life behind its accidents
Stands strong and self-sustaining,
The human fact transcending all
The losing and the gaining.

“And so in grateful interchange
Of teacher and of hearer,
Their lives their true distinctness keep
While daily drawing nearer.

“And if the husband or the wife
In home’s strong light discovers
Such slight defaults as failed to meet
The blinded eyes of lovers,

“Why need we care to ask?—who dreams
Without their thorns of roses,
Or wonders that the truest steel
The readiest spark discloses?

“For still in mutual sufferance lies
The secret of true living;
Love scarce is love that never knows
The sweetness of forgiving.

“We send the Squire to General Court,
He takes his young wife thither;
No prouder man election day
Rides through the sweet June weather.

“He sees with eyes of manly trust
All hearts to her inclining;
Not less for him his household light
That others share its shining.”

Thus, while my hostess spake, there grew
Before me, warmer tinted
And outlined with a tenderer grace,
The picture that she hinted.

The sunset smouldered as we drove
Beneath the deep hill-shadows.
Below us wreaths of white fog walked
Like ghosts the haunted meadows.

Sounding the summer night, the stars
Dropped down their golden plummets;
The pale arc of the Northern lights
Rose o’er the mountain summits,—

Until, at last, beneath its bridge,
We heard the Bearcamp flowing,
And saw across the mapled lawn
The welcome home lights glowing;—

And, musing on the tale I heard,
’T were well, thought I, if often
To rugged farm-life came the gift
To harmonize and soften;—

If more and more we found the troth
Of fact and fancy plighted,
And culture’s charm and labor’s strength
In rural homes united,—

The simple life, the homely hearth,
With beauty’s sphere surrounding,
And blessing toil where toil abounds
With graces more abounding.

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye
Saw only hot brick walls and close thronged streets;
Briefless as yet, but with an eye to see
Life's sunniest side, and with a heart to take
Its chances all as godsends; and his brother,
Pale from long pulpit studies, yet retaining
The warmth and freshness of a genial heart,
Whose mirror of the beautiful and true,
In Man and Nature, was as yet undimmed
By dust of theologic strife, or breath
Of sect, or cobwebs of scholastic lore;
Like a clear crystal calm of water, taking
The hue and image of o'erleaning flowers,
Sweet human faces, white clouds of the noon,
Slant starlight glimpses through the dewy leaves,
And tenderest moonrise. 'Twas, in truth, a study,
To mark his spirit, alternating between
A decent and professional gravity
And an irreverent mirthfulness, which often
Laughed in the face of his divinity,
Plucked off the sacred ephod, quite unshrined
The oracle, and for the pattern priest
Left us the man. A shrewd, sagacious merchant,
To whom the soiled sheet found in Crawford's inn,
Giving the latest news of city stocks
And sales of cotton, had a deeper meaning
Than the great presence of the awful mountains
Glorified by the sunset; and his daughter,
A delicate flower on whom had blown too long
Those evil winds, which, sweeping from the ice
And winnowing the fogs of Labrador,
Shed their cold blight round Massachusetts Bay,
With the same breath which stirs Spring's opening leaves
And lifts her half-formed flower-bell on its stem,
Poisoning our seaside atmosphere.

It chanced that as we turned upon our homeward way,
A drear northeastern storm came howling up
The valley of the Saco; and that girl
Who had stood with us upon Mount Washington,
Her brown locks ruffled by the wind which whirled
In gusts around its sharp, cold pinnacle,
Who had joined our gay trout-fishing in the streams
Which lave that giant's feet; whose laugh was heard
Like a bird's carol on the sunrise breeze
Which swelled our sail amidst the lake's green islands,
Shrank from its harsh, chill breath, and visibly drooped
Like a flower in the frost. So, in that quiet inn
Which looks from Conway on the mountains piled
Heavily against the horizon of the north,
Like summer thunder-clouds, we made our home
And while the mist hung over dripping hills,
And the cold wind-driven rain-drops all day long
Beat their sad music upon roof and pane,
We strove to cheer our gentle invalid.

The lawyer in the pauses of the storm
Went angling down the Saco, and, returning,
Recounted his adventures and mishaps;
Gave us the history of his scaly clients,
Mingling with ludicrous yet apt citations
Of barbarous law Latin, passages
From Izaak Walton's Angler, sweet and fresh
As the flower-skirted streams of Staffordshire,
Where, under aged trees, the southwest wind
Of soft June mornings fanned the thin, white hair
Of the sage fisher. And, if truth be told,
Our youthful candidate forsook his sermons,
His commentaries, articles and creeds,
For the fair page of human loveliness,
The missal of young hearts, whose sacred text
Is music, its illumining, sweet smiles.
He sang the songs she loved; and in his low,
Deep, earnest voice, recited many a page
Of poetry, the holiest, tenderest lines
Of the sad bard of Olney, the sweet songs,
Simple and beautiful as Truth and Nature,
Of him whose whitened locks on Rydal Mount
Are lifted yet by morning breezes blowing
From the green hills, immortal in his lays.
And for myself, obedient to her wish,
I searched our landlord's proffered library,—
A well-thumbed Bunyan, with its nice wood pictures
Of scaly fiends and angels not unlike them;
Watts' unmelodious psalms; Astrology's
Last home, a musty pile of almanacs,
And an old chronicle of border wars
And Indian history. And, as I read
A story of the marriage of the Chief
Of Saugus to the dusky Weetamoo,
Daughter of Passaconaway, who dwelt
In the old time upon the Merrimac,
Our fair one, in the playful exercise
Of her prerogative,—the right divine
Of youth and beauty,—bade us versify
The legend, and with ready pencil sketched
Its plan and outlines, laughingly assigning
To each his part, and barring our excuses
With absolute will. So, like the cavaliers
Whose voices still are heard in the Romance
Of silver-tongued Boccaccio, on the banks
Of Arno, with soft tales of love beguiling
The ear of languid beauty, plague-exiled
From stately Florence, we rehearsed our rhymes
To their fair auditor, and shared by turns
Her kind approval and her playful censure.

It may be that these fragments owe alone
To the fair setting of their circumstances,—
The associations of time, scene, and audience,—
Their place amid the pictures which fill up
The chambers of my memory. Yet I trust
That some, who sigh, while wandering in thought,
Pilgrims of Romance o'er the olden world,
That our broad land,—our sea-like lakes and mountains
Piled to the clouds, our rivers overhung
By forests which have known no other change
For ages than the budding and the fall
Of leaves, our valleys lovelier than those
Which the old poets sang of,—should but figure
On the apocryphal chart of speculation
As pastures, wood-lots, mill-sites, with the privileges,
Rights, and appurtenances, which make up
A Yankee Paradise, unsung, unknown,
To beautiful tradition; even their names,
Whose melody yet lingers like the last
Vibration of the red man's requiem,
Exchanged for syllables significant,
Of cotton-mill and rail-car, will look kindly
Upon this effort to call up the ghost
Of our dim Past, and listen with pleased ear
To the responses of the questioned Shade.

I. THE MERRIMAC

O child of that white-crested mountain whose springs
Gush forth in the shade of the cliff-eagle's wings,
Down whose slopes to the lowlands thy wild waters shine,
Leaping gray walls of rock, flashing through the dwarf pine;
From that cloud-curtained cradle so cold and so lone,
From the arms of that wintry-locked mother of stone,
By hills hung with forests, through vales wide and free,
Thy mountain-born brightness glanced down to the sea.

No bridge arched thy waters save that where the trees
Stretched their long arms above thee and kissed in the breeze:
No sound save the lapse of the waves on thy shores,
The plunging of otters, the light dip of oars.

Green-tufted, oak-shaded, by Amoskeag's fall
Thy twin Uncanoonucs rose stately and tall,
Thy Nashua meadows lay green and unshorn,
And the hills of Pentucket were tasselled with corn.
But thy Pennacook valley was fairer than these,
And greener its grasses and taller its trees,
Ere the sound of an axe in the forest had rung,
Or the mower his scythe in the meadows had swung.

In their sheltered repose looking out from the wood
The bark-builded wigwams of Pennacook stood;
There glided the corn-dance, the council-fire shone,
And against the red war-post the hatchet was thrown.

There the old smoked in silence their pipes, and the young
To the pike and the white-perch their baited lines flung;
There the boy shaped his arrows, and there the shy maid
Wove her many-hued baskets and bright wampum braid.

O Stream of the Mountains! if answer of thine
Could rise from thy waters to question of mine,
Methinks through the din of thy thronged banks a moan
Of sorrow would swell for the days which have gone.

Not for thee the dull jar of the loom and the wheel,
The gliding of shuttles, the ringing of steel;
But that old voice of waters, of bird and of breeze,
The dip of the wild-fowl, the rustling of trees.


II. THE BASHABA

Lift we the twilight curtains of the Past,
And, turning from familiar sight and sound,
Sadly and full of reverence let us cast
A glance upon Tradition's shadowy ground,
Led by the few pale lights which, glimmering round
That dim, strange land of Eld, seem dying fast;
And that which history gives not to the eye,
The faded coloring of Time's tapestry,
Let Fancy, with her dream-dipped brush, supply.

Roof of bark and walls of pine,
Through whose chinks the sunbeams shine,
Tracing many a golden line
On the ample floor within;
Where, upon that earth-floor stark,
Lay the gaudy mats of bark,
With the bear's hide, rough and dark,
And the red-deer's skin.

Window-tracery, small and slight,
Woven of the willow white,
Lent a dimly checkered light;
And the night-stars glimmered down,
Where the lodge-fire's heavy smoke,
Slowly through an opening broke,
In the low roof, ribbed with oak,
Sheathed with hemlock brown.

Gloomed behind the changeless shade
By the solemn pine-wood made;
Through the rugged palisade,
In the open foreground planted,
Glimpses came of rowers rowing,
Stir of leaves and wild-flowers blowing,
Steel-like gleams of water flowing,
In the sunlight slanted.

Here the mighty Bashaba
Held his long-unquestioned sway,
From the White Hills, far away,
To the great sea's sounding shore;
Chief of chiefs, his regal word
All the river Sachems heard,
At his call the war-dance stirred,
Or was still once more.

There his spoils of chase and war,
Jaw of wolf and black bear's paw,
Panther's skin and eagle's claw,
Lay beside his axe and bow;
And, adown the roof-pole hung,
Loosely on a snake-skin strung,
In the smoke his scalp-locks swung
Grimly to and fro.

Nightly down the river going,
Swifter was the hunter's rowing,
When he saw that lodge-fire, glowing
O'er the waters still and red;
And the squaw's dark eye burned brighter,
And she drew her blanket tighter,
As, with quicker step and lighter,
From that door she fled.

For that chief had magic skill,
And a Panisee's dark will,
Over powers of good and ill,
Powers which bless and powers which ban;
Wizard lord of Pennacook,
Chiefs upon their war-path shook,
When they met the steady look
Of that wise dark man.

Tales of him the gray squaw told,
When the winter night-wind cold
Pierced her blanket's thickest fold,
And her fire burned low and small,
Till the very child abed,
Drew its bear-skin over bead,
Shrinking from the pale lights shed
On the trembling wall.

All the subtle spirits hiding
Under earth or wave, abiding
In the caverned rock, or riding
Misty clouds or morning breeze;
Every dark intelligence,
Secret soul, and influence
Of all things which outward sense
Feels, or bears, or sees,—

These the wizard's skill confessed,
At his bidding banned or blessed,
Stormful woke or lulled to rest
Wind and cloud, and fire and flood;
Burned for him the drifted snow,
Bade through ice fresh lilies blow,
And the leaves of summer grow
Over winter's wood!

Not untrue that tale of old!
Now, as then, the wise and bold
All the powers of Nature hold
Subject to their kingly will;
From the wondering crowds ashore,
Treading life's wild waters o'er,
As upon a marble floor,
Moves the strong man still.

Still, to such, life's elements
With their sterner laws dispense,
And the chain of consequence
Broken in their pathway lies;
Time and change their vassals making,
Flowers from icy pillows waking,
Tresses of the sunrise shaking
Over midnight skies.
Still, to th' earnest soul, the sun
Rests on towered Gibeon,
And the moon of Ajalon
Lights the battle-grounds of life;
To his aid the strong reverses
Hidden powers and giant forces,
And the high stars, in their courses,
Mingle in his strife!


III. THE DAUGHTER

The soot-black brows of men, the yell
Of women thronging round the bed,
The tinkling charm of ring and shell,
The Powah whispering o'er the dead!

All these the Sachem's home had known,
When, on her journey long and wild
To the dim World of Souls, alone,
In her young beauty passed the mother of his child.

Three bow-shots from the Sachem's dwelling
They laid her in the walnut shade,
Where a green hillock gently swelling
Her fitting mound of burial made.
There trailed the vine in summer hours,
The tree-perched squirrel dropped his shell,—
On velvet moss and pale-hued flowers,
Woven with leaf and spray, the softened sunshine fell!

The Indian's heart is hard and cold,
It closes darkly o'er its care,
And formed in Nature's sternest mould,
Is slow to feel, and strong to bear.
The war-paint on the Sachem's face,
Unwet with tears, shone fierce and red,
And still, in battle or in chase,
Dry leaf and snow-rime crisped beneath his foremost tread.

Yet when her name was heard no more,
And when the robe her mother gave,
And small, light moccasin she wore,
Had slowly wasted on her grave,
Unmarked of him the dark maids sped
Their sunset dance and moonlit play;
No other shared his lonely bed,
No other fair young head upon his bosom lay.

A lone, stern man. Yet, as sometimes
The tempest-smitten tree receives
From one small root the sap which climbs
Its topmost spray and crowning leaves,
So from his child the Sachem drew
A life of Love and Hope, and felt
His cold and rugged nature through
The softness and the warmth of her young being melt.

A laugh which in the woodland rang
Bemocking April's gladdest bird,—
A light and graceful form which sprang
To meet him when his step was heard,—
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,—
With these the household-god had graced his wigwam well.

Child of the forest! strong and free,
Slight-robed, with loosely flowing hair,
She swam the lake or climbed the tree,
Or struck the flying bird in air.
O'er the heaped drifts of winter's moon
Her snow-shoes tracked the hunter's way;
And dazzling in the summer noon
The blade of her light oar threw off its shower of spray!

Unknown to her the rigid rule,
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter's fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned in her sight.

Unknown to her the subtle skill
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul's keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother's breast
To note her smiles of love the child of Nature lay!

It is enough for such to be
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother's arms, and sees but feels them not.

The garden rose may richly bloom
In cultured soil and genial air,
To cloud the light of Fashion's room
Or droop in Beauty's midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!

Thus o'er the heart of Weetamoo
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.


IV. THE WEDDING

Cool and dark fell the autumn night,
But the Bashaba's wigwam glowed with light,
For down from its roof, by green withes hung,
Flaring and smoking the pine-knots swung.

And along the river great wood-fires
Shot into the night their long, red spires,
Showing behind the tall, dark wood,
Flashing before on the sweeping flood.

In the changeful wind, with shimmer and shade,
Now high, now low, that firelight played,
On tree-leaves wet with evening dews,
On gliding water and still canoes.

The trapper that night on Turee's brook,
And the weary fisher on Contoocook,
Saw over the marshes, and through the pine,
And down on the river, the dance-lights shine.
For the Saugus Sachem had come to woo
The Bashaba's daughter Weetamoo,
And laid at her father's feet that night
His softest furs and wampum white.

From the Crystal Hills to the far southeast
The river Sagamores came to the feast;
And chiefs whose homes the sea-winds shook
Sat down on the mats of Pennacook.

They came from Sunapee's shore of rock,
From the snowy sources of Snooganock,
And from rough Coos whose thick woods shake
Their pine-cones in Umbagog Lake.

From Ammonoosuc's mountain pass,
Wild as his home, came Chepewass;
And the Keenomps of the bills which throw
Their shade on the Smile of Manito.

With pipes of peace and bows unstrung,
Glowing with paint came old and young,
In wampum and furs and feathers arrayed,
To the dance and feast the Bashaba made.

Bird of the air and beast of the field,
All which the woods and the waters yield,
On dishes of birch and hemlock piled,
Garnished and graced that banquet wild.

Steaks of the brown bear fat and large
From the rocky slopes of the Kearsarge;
Delicate trout from Babboosuck brook,
And salmon speared in the Contoocook;

Squirrels which fed where nuts fell thick
in the gravelly bed of the Otternic;
And small wild-hens in reed-snares caught
from the banks of Sondagardee brought;

Pike and perch from the Suncook taken,
Nuts from the trees of the Black Hills shaken,
Cranberries picked in the Squamscot bog,
And grapes from the vines of Piscataquog:

And, drawn from that great stone vase which stands
In the river scooped by a spirit's hands,
Garnished with spoons of shell and horn,
Stood the birchen dishes of smoking corn.

Thus bird of the air and beast of the field,
All which the woods and the waters yield,
Furnished in that olden day
The bridal feast of the Bashaba.

And merrily when that feast was done
On the fire-lit green the dance begun,
With squaws' shrill stave, and deeper hum
Of old men beating the Indian drum.

Painted and plumed, with scalp-locks flowing,
And red arms tossing and black eyes glowing,
Now in the light and now in the shade
Around the fires the dancers played.

The step was quicker, the song more shrill,
And the beat of the small drums louder still
Whenever within the circle drew
The Saugus Sachem and Weetamoo.

The moons of forty winters had shed
Their snow upon that chieftain's head,
And toil and care and battle's chance
Had seamed his hard, dark countenance.

A fawn beside the bison grim,—
Why turns the bride's fond eye on him,
In whose cold look is naught beside
The triumph of a sullen pride?

Ask why the graceful grape entwines
The rough oak with her arm of vines;
And why the gray rock's rugged cheek
The soft lips of the mosses seek.

Why, with wise instinct, Nature seems
To harmonize her wide extremes,
Linking the stronger with the weak,
The haughty with the soft and meek!


V. THE NEW HOME

A wild and broken landscape, spiked with firs,
Roughening the bleak horizon's northern edge;
Steep, cavernous hillsides, where black hemlock spurs
And sharp, gray splinters of the wind-swept ledge
Pierced the thin-glazed ice, or bristling rose,
Where the cold rim of the sky sunk down upon the snows.

And eastward cold, wide marshes stretched away,
Dull, dreary flats without a bush or tree,
O'er-crossed by icy creeks, where twice a day
Gurgled the waters of the moon-struck sea;
And faint with distance came the stifled roar,
The melancholy lapse of waves on that low shore.

No cheerful village with its mingling smokes,
No laugh of children wrestling in the snow,
No camp-fire blazing through the hillside oaks,
No fishers kneeling on the ice below;
Yet midst all desolate things of sound and view,
Through the long winter moons smiled dark-eyed Weetamoo.

Her heart had found a home; and freshly all
Its beautiful affections overgrew
Their rugged prop. As o'er some granite wall
Soft vine-leaves open to the moistening dew
And warm bright sun, the love of that young wife
Found on a hard cold breast the dew and warmth of life.

The steep, bleak hills, the melancholy shore,
The long, dead level of the marsh between,
A coloring of unreal beauty wore
Through the soft golden mist of young love seen.
For o'er those hills and from that dreary plain,
Nightly she welcomed home her hunter chief again.

No warmth of heart, no passionate burst of feeling,
Repaid her welcoming smile and parting kiss,
No fond and playful dalliance half concealing,
Under the guise of mirth, its tenderness;

But, in their stead, the warrior's settled pride,
And vanity's pleased smile with homage satisfied.

Enough for Weetamoo, that she alone
Sat on his mat and slumbered at his side;
That he whose fame to her young ear had flown
Now looked upon her proudly as his bride;
That he whose name the Mohawk trembling heard
Vouchsafed to her at times a kindly look or word.

For she had learned the maxims of her race,
Which teach the woman to become a slave,
And feel herself the pardonless disgrace
Of love's fond weakness in the wise and brave,—
The scandal and the shame which they incur,
Who give to woman all which man requires of her.

So passed the winter moons. The sun at last
Broke link by link the frost chain of the rills,
And the warm breathings of the southwest passed
Over the hoar rime of the Saugus hills;
The gray and desolate marsh grew green once more,
And the birch-tree's tremulous shade fell round the Sachem's door.

Then from far Pennacook swift runners came,
With gift and greeting for the Saugus chief;
Beseeching him in the great Sachem's name,
That, with the coming of the flower and leaf,
The song of birds, the warm breeze and the rain,
Young Weetamoo might greet her lonely sire again.

And Winnepurkit called his chiefs together,
And a grave council in his wigwam met,
Solemn and brief in words, considering whether
The rigid rules of forest etiquette
Permitted Weetamoo once more to look
Upon her father's face and green-banked Pennacook.

With interludes of pipe-smoke and strong water,
The forest sages pondered, and at length,
Concluded in a body to escort her
Up to her father's home of pride and strength,
Impressing thus on Pennacook a sense
Of Winnepurkit's power and regal consequence.

So through old woods which Aukeetamit's hand,
A soft and many-shaded greenness lent,
Over high breezy hills, and meadow land
Yellow with flowers, the wild procession went,
Till, rolling down its wooded banks between,
A broad, clear, mountain stream, the Merrimac was seen.

The hunter leaning on his bow undrawn,
The fisher lounging on the pebbled shores,
Squaws in the clearing dropping the seed-corn,
Young children peering through the wigwam doors,
Saw with delight, surrounded by her train
Of painted Saugus braves, their Weetamoo again.


VI. AT PENNACOOK

The hills are dearest which our childish feet
Have climbed the earliest; and the streams most sweet
Are ever those at which our young lips drank,
Stooped to their waters o'er the grassy bank.

Midst the cold dreary sea-watch, Home's hearth-light
Shines round the helmsman plunging through the night;
And still, with inward eye, the traveller sees
In close, dark, stranger streets his native trees.

The home-sick dreamer's brow is nightly fanned
By breezes whispering of his native land,
And on the stranger's dim and dying eye
The soft, sweet pictures of his childhood lie.

Joy then for Weetamoo, to sit once more
A child upon her father's wigwam floor!
Once more with her old fondness to beguile
From his cold eye the strange light of a smile.

The long, bright days of summer swiftly passed,
The dry leaves whirled in autumn's rising blast,
And evening cloud and whitening sunrise rime
Told of the coming of the winter-time.

But vainly looked, the while, young Weetamoo,
Down the dark river for her chief's canoe;
No dusky messenger from Saugus brought
The grateful tidings which the young wife sought.

At length a runner from her father sent,
To Winnepurkit's sea-cooled wigwam went
'Eagle of Saugus,—in the woods the dove
Mourns for the shelter of thy wings of love.'

But the dark chief of Saugus turned aside
In the grim anger of hard-hearted pride;
I bore her as became a chieftain's daughter,
Up to her home beside the gliding water.

If now no more a mat for her is found
Of all which line her father's wigwam round,
Let Pennacook call out his warrior train,
And send her back with wampum gifts again.'

The baffled runner turned upon his track,
Bearing the words of Winnepurkit back.
'Dog of the Marsh,' cried Pennacook, 'no more
Shall child of mine sit on his wigwam floor.

'Go, let him seek some meaner squaw to spread
The stolen bear-skin of his beggar's bed;
Son of a fish-hawk! let him dig his clams
For some vile daughter of the Agawams,

'Or coward Nipmucks! may his scalp dry black
In Mohawk smoke, before I send her back.'
He shook his clenched hand towards the ocean wave,
While hoarse assent his listening council gave.

Alas poor bride! can thy grim sire impart
His iron hardness to thy woman's heart?
Or cold self-torturing pride like his atone
For love denied and life's warm beauty flown?

On Autumn's gray and mournful grave the snow
Hung its white wreaths; with stifled voice and low
The river crept, by one vast bridge o'er-crossed,
Built by the boar-locked artisan of Frost.

And many a moon in beauty newly born
Pierced the red sunset with her silver horn,
Or, from the east, across her azure field
Rolled the wide brightness of her full-orbed shield.

Yet Winnepurkit came not,—on the mat
Of the scorned wife her dusky rival sat;
And he, the while, in Western woods afar,
Urged the long chase, or trod the path of war.

Dry up thy tears, young daughter of a chief!
Waste not on him the sacredness of grief;
Be the fierce spirit of thy sire thine own,
His lips of scorning, and his heart of stone.

What heeds the warrior of a hundred fights,
The storm-worn watcher through long hunting nights,
Cold, crafty, proud of woman's weak distress,
Her home-bound grief and pining loneliness?


VII. THE DEPARTURE

The wild March rains had fallen fast and long
The snowy mountains of the North among,
Making each vale a watercourse, each hill
Bright with the cascade of some new-made rill.

Gnawed by the sunbeams, softened by the rain,
Heaved underneath by the swollen current's strain,
The ice-bridge yielded, and the Merrimac
Bore the huge ruin crashing down its track.

On that strong turbid water, a small boat
Guided by one weak hand was seen to float;
Evil the fate which loosed it from the shore,
Too early voyager with too frail an oar!

Down the vexed centre of that rushing tide,
The thick huge ice-blocks threatening either side,
The foam-white rocks of Amoskeag in view,
With arrowy swiftness sped that light canoe.

The trapper, moistening his moose's meat
On the wet bank by Uncanoonuc's feet,
Saw the swift boat flash down the troubled stream;
Slept he, or waked he? was it truth or dream?

The straining eye bent fearfully before,
The small hand clenching on the useless oar,
The bead-wrought blanket trailing o'er the water—
He knew them all—woe for the Sachem's daughter!

Sick and aweary of her lonely life,
Heedless of peril, the still faithful wife
Had left her mother's grave, her father's door,
To seek the wigwam of her chief once more.

Down the white rapids like a sear leaf whirled,
On the sharp rocks and piled-up ices hurled,
Empty and broken, circled the canoe
In the vexed pool below—but where was Weetamoo.

VIII. SONG OF INDIAN WOMEN

The Dark eye has left us,
The Spring-bird has flown;
On the pathway of spirits
She wanders alone.
The song of the wood-dove has died on our shore
Mat wonck kunna-monee! We hear it no more!

O dark water Spirit
We cast on thy wave
These furs which may never
Hang over her grave;
Bear down to the lost one the robes that she wore
Mat wonck kunna-monee! We see her no more!

Of the strange land she walks in
No Powah has told:
It may burn with the sunshine,
Or freeze with the cold.
Let us give to our lost one the robes that she wore:
Mat wonck kunna-monee! We see her no more!

The path she is treading
Shall soon be our own;
Each gliding in shadow
Unseen and alone!
In vain shall we call on the souls gone before:
Mat wonck kunna-monee! They hear us no more!

O mighty Sowanna!
Thy gateways unfold,
From thy wigwam of sunset
Lift curtains of gold!

Take home the poor Spirit whose journey is o'er
Mat wonck kunna-monee! We see her no more!

So sang the Children of the Leaves beside
The broad, dark river's coldly flowing tide;
Now low, now harsh, with sob-like pause and swell,
On the high wind their voices rose and fell.
Nature's wild music,—sounds of wind-swept trees,
The scream of birds, the wailing of the breeze,
The roar of waters, steady, deep, and strong,—
Mingled and murmured in that farewell song.