John Greenleaf Whittier: Verses about Girl

On the wide lawn the snow lay deep,
Ridged o’er with many a drifted heap;
The wind that through the pine-trees sung
The naked elm-boughs tossed and swung;
While, through the window, frosty-starred,
Against the sunset purple barred,
We saw the sombre crow flap by,
The hawk’s gray fleck along the sky,

The crested blue-jay flitting swift,
The squirrel poising on the drift,
Erect, alert, his broad gray tail
Set to the north wind like a sail.
It came to pass, our little lass,
With flattened face against the glass,
And eyes in which the tender dew
Of pity shone, stood gazing through
The narrow space her rosy lips
Had melted from the frost’s eclipse:
“Oh, see,” she cried, “the poor blue-jays!
What is it that the black crow says?
The squirrel lifts his little legs
Because he has no hands, and begs;
He’s asking for my nuts, I know;
May I not feed them on the snow?”

Half lost within her boots, her head
Warm-sheltered in her hood of red,
Her plaid skirt close about her drawn,
She floundered down the wintry lawn;
Now struggling through the misty veil
Blown round her by the shrieking gale;
Now sinking in a drift so low
Her scarlet hood could scarcely show
Its dash of color on the snow.

She dropped for bird and beast forlorn
Her little store of nuts and corn,
And thus her timid guests bespoke:
“Come, squirrel, from your hollow oak,—
Come, black old crow,—come, poor blue-jay,
Before your supper’s blown away!
Don’t be afraid, we all are good;
And I’m mamma’s Red Riding-Hood!”

O Thou whose care is over all,
Who heedest even the sparrow’s fall,
Keep in the little maiden’s breast
The pity which is now its guest!
Let not her cultured years make less
The childhood charm of tenderness,
But let her feel as well as know,
Nor harder with her polish grow!
Unmoved by sentimental grief
That wails along some printed leaf,
But prompt with kindly word and deed
To own the claims of all who need,
Let the grown woman’s self make good
The promise of Red Riding-Hood!

Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.

On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold
Through orange-leaves shining the broad spheres of gold;
Yet with dearer delight from his home in the North,
On the fields of his harvest the Yankee looks forth,
Where crook-necks are coiling and yellow fruit shines,
And the sun of September melts down on his vines.

Ah! on Thanksgiving day, when from East and from West,
From North and from South comes the pilgrim and guest;
When the gray-haired New Englander sees round his board
The old broken links of affection restored;
When the care-wearied man seeks his mother once more,
And the worn matron smiles where the girl smiled before;
What moistens the lip and what brightens the eye,
What calls back the past, like the rich Pumpkin pie?

Oh, fruit loved of boyhood! the old days recalling,
When wood-grapes were purpling and brown nuts were falling!
When wild, ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
When we laughed round the corn-heap, with hearts all in tune,
Our chair a broad pumpkin, -- our lantern the moon,
Telling tales of the fairy who travelled like steam
In a pumpkin-shell coach, with two rats for her team!

Then thanks for thy present! none sweeter or better
E'er smoked from an oven or circled a platter!
Fairer hands never wrought at a pastry more fine,
Brighter eyes never watched o'er its baking, than thine!
And the prayer, which my mouth is too full to express,
Swells my heart that thy shadow may never be less,
That the days of thy lot may be lengthened below,
And the fame of thy worth like a pumpkin-vine grow,
And thy life be as sweet, and its last sunset sky
Golden-tinted and fair as thy own Pumpkin pie!

She sings by her wheel at that low cottage door,
Which the long evening shadow is stretching before;
With a music as sweet as the music which seems
Breathed softly and faintly in the ear of our dreams!

How brilliant and mirthful the light of her eye,
Like a star glancing out from the blue of the sky!
And lightly and freely her dark tresses play
O'er a brow and a bosom as lovely as they!

Who comes in his pride to that low cottage door-
The haughty and rich to the humble and poor?
'Tis the great Southern planter-the master who waves
His whip of dominion o'er hundreds of slaves.

'Nay, Ellen, for shame! Let those Yankee fools spin,
Who would pass for our slaves with a change of their skin;
Let them toil as they will at the loom or the wheel
Too stupid for shame and too vulgar to feel!

'But thou art too lovely and precious a gem
To be bound to their burdens and sullied by them-
For shame, Ellen, shame!-cast thy bondage aside,
And away to the South, as my blessing and pride.

'O, come where no winter thy footsteps can wrong,
But where flowers are blossoming all the year long,
Where the shade of the palm-tree is over my home,
And the lemon and orange are white in their bloom!

'O, come to my home, where my servants shall all
Depart at thy bidding and come at thy call;
They shall heed thee as mistress with trembling and awe,
And each wish of thy heart shall be felt as a law.'

O, could ye have seen her-that pride of our girls-
Arise and cast back the dark wealth of her curls,
With a scorn in her eye which the gazer could feel,
And a glance like the sunshine that flashes on steel:

'Go back, haughty Southron! thy treasures of gold
Are dim with the blood of the hearts thou hast sold!
Thy home may be lovely, but round it I hear
The crack of the whip and the footsteps of fear!

'And the sky of thy South may be brighter than ours,
And greener thy landscapes, and fairer thy flowers;
But, dearer the blast round our mountains which raves,
Than the sweet sunny zephyr which breathes over slaves!

'Full low at thy bidding thy negroes may kneel,
With the iron of bondage on spirit and heel;
Yet know that the Yankee girl sooner would be
In
fetters
with
them
, than in freedom with
thee!
'

Dark the halls, and cold the feast,
Gone the bridemaids, gone the priest.
All is over, all is done,
Twain of yesterday are one!
Blooming girl and manhood gray,
Autumn in the arms of May!

Hushed within and hushed without,
Dancing feet and wrestlers' shout;
Dies the bonfire on the hill;
All is dark and all is still,
Save the starlight, save the breeze
Moaning through the graveyard trees,
And the great sea-waves below,
Pulse of the midnight beating slow.

From the brief dream of a bride
She hath wakened, at his side.
With half-uttered shriek and start,-
Feels she not his beating heart?
And the pressure of his arm,
And his breathing near and warm?

Lightly from the bridal bed
Springs that fair dishevelled head,
And a feeling, new, intense,
Half of shame, half innocence,
Maiden fear and wonder speaks
Through her lips and changing cheeks.

From the oaken mantel glowing,
Faintest light the lamp is throwing
On the mirror's antique mould,
High-backed chair, and wainscot old,
And, through faded curtains stealing,
His dark sleeping face revealing.

Listless lies the strong man there,
Silver-streaked his careless hair;
Lips of love have left no trace
On that hard and haughty face;
And that forehead's knitted thought
Love's soft hand hath not unwrought.

'Yet,' she sighs, 'he loves me well,
More than these calm lips will tell.
Stooping to my lowly state,
He hath made me rich and great,
And I bless him, though he be
Hard and stern to all save me!'

While she speaketh, falls the light
O'er her fingers small and white;
Gold and gem, and costly ring
Back the timid lustre fling,-
Love's selectest gifts, and rare,
His proud hand had fastened there.

Gratefully she marks the glow
From those tapering lines of snow;
Fondly o'er the sleeper bending
His black hair with golden blending,
In her soft and light caress,
Cheek and lip together press.

Ha!-that start of horror! why
That wild stare and wilder cry,
Full of terror, full of pain?
Is there madness in her brain?
Hark! that gasping, hoarse and low,
'Spare me,-spare me,-let me go!'

God have mercy!-icy cold
Spectral hands her own enfold,
Drawing silently from them
Love's fair gifts of gold and gem.
'Waken! save me!' still as death
At her side he slumbereth.

Ring and bracelet all are gone,
And that ice-cold hand withdrawn;
But she hears a murmur low,
Full of sweetness, full of woe,
Half a sigh and half a moan
'Fear not! give the dead her own!'

Ah!-the dead wife's voice she knows!
That cold hand whose pressure froze,
Once in warmest life had borne
Gem and band her own hath worn.
'Wake thee! wake thee!' Lo, his eyes
Open with a dull surprise.

In his arms the strong man folds her,
Closer to his breast he holds her;
Trembling limbs his own are meeting,
And he feels her heart's quick beating
'Nay, my dearest, why this fear?'
'Hush!' she saith, 'the dead is here!'

'Nay, a dream,-an idle dream.'
But before the lamp's pale gleam
Tremblingly her hand she raises.
There no more the diamond blazes,
Clasp of pearl, or ring of gold,-
'Ah!' she sighs, 'her hand was cold!'

Broken words of cheer he saith,
But his dark lip quivereth,
And as o'er the past he thinketh,
From his young wife's arms he shrinketh;
Can those soft arms round him lie,
Underneath his dead wife's eye?

She her fair young head can rest
Soothed and childlike on his breast,
And in trustful innocence
Draw new strength and courage thence;
He, the proud man, feels within
But the cowardice of sin!

She can murmur in her thought
Simple prayers her mother taught,
And His blessed angels call,
Whose great love is over all;
He, alone, in prayerless pride,
Meets the dark Past at her side!

One, who living shrank with dread
From his look, or word, or tread,
Unto whom her early grave
Was as freedom to the slave,
Moves him at this midnight hour,
With the dead's unconscious power!

Ah, the dead, the unforgot!
From their solemn homes of thought,
Where the cypress shadows blend
Darkly over foe and friend,
Or in love or sad rebuke,
Back upon the living look.

And the tenderest ones and weakest,
Who their wrongs have borne the meekest,
Lifting from those dark, still places,
Sweet and sad-remembered faces,
O'er the guilty hearts behind
An unwitting triumph find.

BEAMS of noon, like burning lances, through the tree-tops flash and glisten,
As she stands before her lover, with raised face to look and listen.
Dark, but comely, like the maiden in the ancient Jewish song:
Scarcely has the toil of task-fields done her graceful beauty wrong.
He, the strong one and the manly, with the vassal's garb and hue,
Holding still his spirit's birthright, to his higher nature true;
Hiding deep the strengthening purpose of a freeman in his heart,
As the gregree holds his Fetich from the white man's gaze apart.
Ever foremost of his comrades, when the driver's morning horn
Calls away to stifling mill-house, to the fields of cane and corn:
Fall the keen and burning lashes never on his back or limb;
Scarce with look or word of censure, turns the driver unto him.
Yet, his brow is always thoughtful, and his eye is hard and stern;
Slavery's last and humblest lesson he has never deigned to learn.
And, at evening, when his comrades dance before their master's door,
Folding arms and knitting forehead, stands he silent evermore.
God be praised for every instinct which rebels against a lot
Where the brute survives the human, and man's upright form is not!
As the serpent-like bejuco winds his spiral fold on fold
Round the tall and stately ceiba, till it withers in his hold;
Slow decays the forest monarch, closer girds the fell embrace,
Till the tree is seen no longer, and the vine is in its place;
So a base and bestial nature round the vassal's manhood twines,
And the spirit wastes beneath it, like the ceiba choked with vines.
God is Love, saith the Evangel; and our world of woe and sin
Is made light and happy only when a Love is shining in.
Ye whose lives are free as sunshine, finding, wheresoe'er ye roam,
Smiles of welcome, looks of kindness, making all the world like home;
In the veins of whose affections kindred blood is but a part,
Of one kindly current throbbing from the universal heart;
Can ye know the deeper meaning of a love in Slavery nursed,
Last flower of a lost Eden, blooming in that Soil accursed?
Love of Home, and Love of Woman! — dear to all, but doubly dear
To the heart whose pulses elsewhere measure only hate and fear.
All around the desert circles, underneath a brazen sky,
Only one green spot remaining where the dew is never dry!
From the horror of that desert, from its atmosphere of hell,
Turns the fainting spirit thither, as the diver seeks his bell.
'Tis the fervid tropic noontime; faint and low the sea-waves beat;
Hazy rise the inland mountains through the glimmer of the heat, —
Where, through mingled leaves and blossoms, arrowy sunbeams flash and glisten,
Speaks her lover to the slave-girl, and she lifts her head to listen: —
'We shall live as slaves no longer! Freedom's hour is close at hand!
Rocks her bark upon the waters, rests the boat upon the strand!
'I have seen the Haytien Captain; I have seen his swarthy crew,
Haters of the pallid faces, to their race and color true.
'They have sworn to wait our coming till the night has passed its noon,
And the gray and darkening waters roll above the sunken moon!'
Oh, the blessed hope of freedom! how with joy and glad surprise,
For an instant throbs her bosom, for an instant beam her eyes!
But she looks across the valley, where her mother's hut is seen,
Through the snowy bloom of coffee, and the lemon-leaves so green.
And she answers, sad and earnest: 'It were wrong for thee to stay;
God hath heard thy prayer for freedom, and his finger points the way.
'Well I know with what endurance, for the sake of me and mine,
Thou hast borne too long a burden never meant for souls like thine.
'Go; and at the hour of midnight, when our last farewell is o'er,
Kneeling on our place of parting, I will bless thee from the shore.
'But for me, my mother, lying on her sick-bed all the day,
Lifts her weary head to watch me, coming through the twilight gray.
'Should I leave her sick and helpless, even freedom, shared with thee,
Would be sadder far than bondage, lonely toil, and stripes to me.
'For my heart would die within me, and my brain would soon be wild;
I should hear my mother calling through the twilight for her child!'
Blazing upward from the ocean, shines the sun of morning-time,
Through the coffee-trees in blossom, and green hedges of the lime.
Side by side, amidst the slave-gang, toil the lover and the maid;
Wherefore looks he o'er the waters, leaning forward on his spade?
Sadly looks he, deeply sighs he: 't is the Haytien's sail he sees,
Like a white cloud of the mountains, driven seaward by the breeze!
But his arm a light hand presses, and he hears a low voice call:
Hate of Slavery, hope of Freedom, Love is mightier than all.

NIGHT on the city of the Moor!
On mosque and tomb, and white-walled shore,
On sea-waves, to whose ceaseless knock
The narrow harbor gates unlock,
On corsair's galley, carack tall,
And plundered Christian caraval!
The sounds of Moslem life are still;
No mule-bell tinkles down the hill;
Stretched in the broad court of the khan,
The dusty Bornou caravan
Lies heaped in slumber, beast and man;
The Sheik is dreaming in his tent,
His noisy Arab tongue o'erspent;
The kiosk's glimmering lights are gone,
The merchant with his wares withdrawn;
Rough pillowed on some pirate breast,
The dancing-girl has sunk to rest;
And, save where measured footsteps fall
Along the Bashaw's guarded wall,
Or where, like some bad dream, the Jew
Creeps stealthily his quarter through,
Or counts with fear his golden heaps,
The City of the Corsair sleeps!
But where yon prison long and low
Stands black against the pale star-glow,
Chafed by the ceaseless wash of waves,
There watch and pine the Christian slaves;
Rough-bearded men, whose far-off wives
Wear out with grief their lonely lives;
And youth, still flashing from his eyes
The clear blue of New England skies,
A treasured lock of whose soft hair
Now wakes some sorrowing mother's prayer;
Or, worn upon some maiden breast,
Stirs with the loving heart's unrest!
A bitter cup each life must drain,
The groaning earth is cursed with pain,
And, like the scroll the angel bore
The shuddering Hebrew seer before,
O'erwrit alike, without, within,
With all the woes which follow sin;
But, bitterest of the ills beneath
Whose load man totters down to death,
Is that which plucks the regal crown
Of Freedom from his forehead down,
And snatches from his powerless hand
The sceptred sign of self-command,
Effacing with the chain and rod
The image and the seal of God;
Till from his nature, day by day,
The manly virtues fall away,
And leave him naked, blind and mute,
The godlike merging in the brute!
Why mourn the quiet ones who die
Beneath affection's tender eye,
Unto their household and their kin
Like ripened corn-sheaves gathered in?
O weeper, from that tranquil sod,
That holy harvest-home of God,
Turn to the quick and suffering, shed
Thy tears upon the living dead!
Thank God above thy dear ones' graves,
They sleep with Him, they are not slaves.
What dark mass, down the mountain-sides
Swift-pouring, like a stream divides?
A long, loose, straggling caravan,
Camel and horse and armëd man.
The moon's low crescent, glimmering o'er
Its grave of waters to the shore,
Lights up that mountain cavalcade,
And gleams from gun and spear and blade
Near and more near! now o'er them falls
The shadow of the city walls.
Hark to the sentry's challenge, drowned
In the fierce trumpet's charging sound!
The rush of men, the musket's peal,
The short, sharp clang of meeting steel!
Vain, Moslem, vain thy lifeblood poured
So freely on thy foeman's sword!
Not to the swift nor to the strong
The battles of the right belong;
For he who strikes for Freedom wears
The armor of the captive's prayers,
And Nature proffers to his cause
The strength of her eternal laws;
While he whose arm essays to bind
And herd with common brutes his kind
Strives evermore at fearful odds
With Nature and the jealous gods,
And dares the dread recoil which late
Or soon their right shall vindicate.
'T is done, the hornëd crescent falls!
The star-flag flouts the broken walls!
Joy to the captive husband! joy
To thy sick heart, O brown-locked boy!
In sullen wrath the conquered Moor
Wide open flings your dungeon-door,
And leaves ye free from cell and chain,
The owners of yourselves again.
Dark as his allies desert-born,
Soiled with the battle's stain, and worn
With the long marches of his band
Through hottest wastes of rock and sand,
Scorched by the sun and furnace-breath
Of the red desert's wind of death,
With welcome words and grasping hands,
The victor and deliverer stands!
The tale is one of distant skies;
The dust of half a century lies
Upon it; yet its hero's name
Still lingers on the lips of Fame.
Men speak the praise of him who gave
Deliverance to the Moorman's slave,
Yet dare to brand with shame and crime
The heroes of our land and time, —
The self-forgetful ones, who stake
Home, name, and life for Freedom's sake.
God mend his heart who cannot feel
The impulse of a holy zeal,
And sees not, with his sordid eyes,
The beauty of self-sacrifice!
Though in the sacred place he stands,
Uplifting consecrated hands,
Unworthy are his lips to tell
Of Jesus' martyr-miracle,
Or name aright that dread embrace
Of suffering for a fallen race!

Maud Muller on a summer's day
Raked the meadow sweet with hay.

Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry gleee
The mock-bird echoed from his tree.

But when she glanced to the far-off town
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast,-

A wish that she hardly dared to own,
For something better than she had known.

The Judge rode slowly down the lane,
Smoothing his horse's chestnut mane.

He drew his bridle in the shade
Of the apple-trees, to greet the maid,

And asked a draught from the spring that flowed
Through the meadow across the road.

She stooped where the cool spring bubbled up,
And filled for him her small tin cup,

And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.

"Thanks!" said the Judge; "a sweeter draught
From a fairer hand was never quaffed."

He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;

Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.

And Maud forgot her brier-torn gown
And her graceful ankles bare and brown;

And listened, while a pleased surprise
Looked from her long-lashed hazel eyes.

At last, like one who for delay
Seeks a vain excuse, he rode away.

Maud Muller looked and sighed: "Ah me!
That I the Judge's bride might be!

"He would dress me up in silks so fine,
And praise and toast me at his wine.

"My father should wear a broadcloth coat;
My brother should sail a pointed boat.

"I'd dress my mother so grand and gay,
And the baby should have a new toy each day.

"And I'd feed the hungry and clothe the poor,
And all should bless me who left our door."

The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.

"A form more fair, a face more sweet,
Ne'er hath it been my lot to meet.

"And her modest answer and graceful air
Show her wise and good as she is fair.

"Would she were mine, and I to-day,
Like her, a harvester of hay.

"No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,

"But low of cattle and song of birds,
And health and quiet and loving words."

But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.

So, closing his heart, the Judge rode on,
And Maud was left in the field alone.

But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;

And the young girl mused beside the well
Till the rain on the unraked clover fell.

He wedded a wife of richest dower,
Who lived for fashion, as he for power.

Yet oft, in his marble hearth's bright glow,
He watched a picture come and go;

And sweet Maud Muller's hazel eyes
Looked out in their innocent surprise.

Oft, when the wine in his glass was red,
He longed for the wayside well instead;

And closed his eyes on his garnished rooms
To dream of meadows and clover-blooms.

And the proud man sighed, and with a secret pain,
"Ah, that I were free again!

"Free as when I rode that day,
Where the barefoot maiden raked her hay."

She wedded a man unlearned and poor,
And many children played round her door.

But care and sorrow, and childbirth pain,
Left their traces on heart and brain.

And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,

And she heard the little spring brook fall
Over the roadside, through a wall,

In the shade of the apple-tree again
She saw a rider draw his rein;

And, gazing down with timid grace,
She felt his pleased eyes read her face.

Sometimes her narrow kitchen walls
Stretched away into stately halls;

The weary wheel to a spinet turned,
The tallow candle an astral burned,

And for him who sat by the chimney lug,
Dozing and grumbling o'er pipe and mug,

A manly form at her side she saw,
And joy was duty and love was law.

Then she took up her burden of life again,
Saying only, "It might have been."

Alas for the maiden, alas for the Judge,
For rich repiner and househole drudge!

God pity them both and pity us all,
Who vainly the dreams of youth recall.

For of all sad words of tongue or pen,
The saddest are these: "It might have been!"

Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;

And, in the hereafter, angels may
Roll the stone from its grave away!

FROM the heart of Waumbek Methna, from the
lake that never fails,
Falls the Saco in the green lap of Conway's
intervales;
There, in wild and virgin freshness, its waters
foam and flow,
As when Darby Field first saw them, two hundred
years ago.

But, vexed in all its seaward course with bridges,
dams, and mills,
How changed is Saco's stream, how lost its freedom
of the hills,
Since travelled Jocelyn, factor Vines, and stately
Champernoon
Heard on its banks the gray wolf's howl, the trumpet
of the loon!

With smoking axle hot with speed, with steeds of
fire and steam,
Wide-waked To-day leaves Yesterday behind him
like a dream.
Still, from the hurrying train of Life, fly backward
far and fast
The milestones of the fathers, the landmarks of
the past.

But human hearts remain unchanged: the sorrow
and the sin,
The loves and hopes and fears of old, are to our
own akin;

And if, in tales our fathers told, the songs our
mothers sung,
Tradition wears a snowy beard, Romance is always
young.

O sharp-lined man of traffic, on Saco's banks today!
O mill-girl watching late and long the shuttle's
restless play!
Let, for the once, a listening ear the working hand
beguile,
And lend my old Provincial tale, as suits, a tear or
smile!

. . . . . . . . . . . . .

The evening gun had sounded from gray Fort
Mary's walls;
Through the forest, like a wild beast, roared and
plunged the Saco's' falls.

And westward on the sea-wind, that damp and
gusty grew,
Over cedars darkening inland the smokes of Spurwink
blew.

On the hearth of Farmer Garvin, blazed the crackling
walnut log;
Right and left sat dame and goodman, and between
them lay the dog,

Head on paws, and tail slow wagging, and beside
him on her mat,
Sitting drowsy in the firelight, winked and purred
the mottled cat.

'Twenty years!' said Goodman Garvin, speaking
sadly, under breath,
And his gray head slowly shaking, as one who
speaks of death.

The goodwife dropped her needles: 'It is twenty
years to-day,
Since the Indians fell on Saco, and stole our child
away.'

Then they sank into the silence, for each knew
the other's thought,
Of a great and common sorrow, and words were,
needed not.

'Who knocks?' cried Goodman Garvin. The
door was open thrown;
On two strangers, man and maiden, cloaked and
furred, the fire-light shone.

One with courteous gesture lifted the bear-skin
from his head;
'Lives here Elkanah Garvin?' 'I am he,' the
goodman said.

'Sit ye down, and dry and warm ye, for the night
is chill with rain.'
And the goodwife drew the settle, and stirred the
fire amain.

The maid unclasped her cloak-hood, the firelight
glistened fair
In her large, moist eyes, and over soft folds of
dark brown hair.

Dame Garvin looked upon her: 'It is Mary's self
I see!'
'Dear heart!' she cried, 'now tell me, has my
child come back to me?'

'My name indeed is Mary,' said the stranger sobbing
wild;
'Will you be to me a mother? I am Mary Garvin's child!'

'She sleeps by wooded Simcoe, but on her dying
day
She bade my father take me to her kinsfolk far
away.

'And when the priest besought her to do me no
such wrong,
She said, 'May God forgive me! I have closed
my heart too long.'

''When I hid me from my father, and shut out
my mother's call,
I sinned against those dear ones, and the Father
of us all.

''Christ's love rebukes no home-love, breaks no
tie of kin apart;
Better heresy in doctrine, than heresy of heart.

''Tell me not the Church must censure: she who
wept the Cross beside
Never made her own flesh strangers, nor the claims
of blood denied;

''And if she who wronged her parents, with her
child atones to them,
Earthly daughter, Heavenly Mother! thou at least
wilt not condemn!'

'So, upon her death-bed lying, my blessed mother
spake;
As we come to do her bidding, So receive us for her
sake.'

'God be praised!' said Goodwife Garvin, 'He taketh,
and He gives;
He woundeth, but He healeth; in her child our
daughter lives!'

'Amen!' the old man answered, as he brushed a
tear away,
And, kneeling by his hearthstone, said, with reverence,
'Let us pray.'

All its Oriental symbols, and its Hebrew pararphrase,
Warm with earnest life and feeling, rose his prayer
of love and praise.

But he started at beholding, as he rose from off
his knee,
The stranger cross his forehead with the sign of
Papistrie.

'What is this?' cried Farmer Garvin. 'Is an English
Christian's home
A chapel or a mass-house, that you make the sign
of Rome?'

Then the young girl knelt beside him, kissed his
trembling hand, and cried:
Oh, forbear to chide my father; in that faith my
mother died!

'On her wooden cross at Simcoe the dews and
sunshine fall,
As they fall on Spurwink's graveyard; and the
dear God watches all!'

The old man stroked the fair head that rested on
his knee;
'Your words, dear child,' he answered, 'are God's
rebuke to me.

'Creed and rite perchance may differ, yet our
faith and hope be one.
Let me be your father's father, let him be to me
a son.'

When the horn, on Sabbath morning, through the
still and frosty air,
From Spurwink, Pool, and Black Point, called to
sermon and to prayer,

To the goodly house of worship, where, in order
due and fit,
As by public vote directed, classed and ranked the
people sit;

Mistress first and goodwife after, clerkly squire
before the clown,
'From the brave coat, lace-embroidered, to the gray
frock, shading down;'

From the pulpit read the preacher, 'Goodman
Garvin and his wife
Fain would thank the Lord, whose kindness has
followed them through life,

'For the great and crowning mercy, that their
daughter, from the wild,
Where she rests (they hope in God's peace), has
sent to them her child;

'And the prayers of all God's people they ask,
that they may prove
Not unworthy, through their weakness, of such
special proof of love.'

As the preacher prayed, uprising, the aged couple
stood,
And the fair Canadian also, in her modest maiden-
hood.

Thought the elders, grave and doubting, 'She is
Papist born and bred;'
Thought the young men, ''T is an angel in Mary
Garvin's stead!'

I.
Along Crane River's sunny slopes
Blew warm the winds of May,
And over Naumkeag's ancient oaks
The green outgrew the gray.

The grass was green on Rial-side,
The early birds at will
Waked up the violet in its dell,
The wind-flower on its hill.

'Where go you, in your Sunday coat,
Son Andrew, tell me, pray.'
For striped perch in Wenham Lake
I go to fish to-day.'

'Unharmed of thee in Wenham Lake
The mottled perch shall be
A blue-eyed witch sits on the bank
And weaves her net for thee.

'She weaves her golden hair; she sings
Her spell-song low and faint;
The wickedest witch in Salem jail
Is to that girl a saint.'

'Nay, mother, hold thy cruel tongue;
God knows,' the young man cried,
'He never made a whiter soul
Than hers by Wenham side.

'She tends her mother sick and blind,
And every want supplies;
To her above the blessed Book
She lends her soft blue eyes.

'Her voice is glad with holy songs,
Her lips are sweet with prayer;
Go where you will, in ten miles round
Is none more good and fair.'

'Son Andrew, for the love of God
And of thy mother, stay!'
She clasped her hands, she wept aloud,
But Andrew rode away.

'O reverend sir, my Andrew's soul
The Wenham witch has caught;
She holds him with the curled gold
Whereof her snare is wrought.

'She charms him with her great blue eyes,
She binds him with her hair;
Oh, break the spell with holy words,
Unbind him with a prayer!'

'Take heart,' the painful preacher said,
'This mischief shall not be;
The witch shall perish in her sins
And Andrew shall go free.

'Our poor Ann Putnam testifies
She saw her weave a spell,
Bare-armed, loose-haired, at full of moon,
Around a dried-up well.

''Spring up, O well!' she softly sang
The Hebrew's old refrain
(For Satan uses Bible words),
Till water flowed a-main.

'And many a goodwife heard her speak
By Wenham water words
That made the buttercups take wings
And turn to yellow birds.

'They say that swarming wild bees seek
The hive at her command;
And fishes swim to take their food
From out her dainty hand.

'Meek as she sits in meeting-time,
The godly minister
Notes well the spell that doth compel
The young men's eyes to her.

'The mole upon her dimpled chin
Is Satan's seal and sign;
Her lips are red with evil bread
And stain of unblest wine.

'For Tituba, my Indian, saith
At Quasycung she took
The Black Man's godless sacrament
And signed his dreadful book.

'Last night my sore-afflicted child
Against the young witch cried.
To take her Marshal Herrick rides
Even now to Wenham side.'

The marshal in his saddle sat,
His daughter at his knee;
'I go to fetch that arrant witch,
Thy fair playmate,' quoth he.

'Her spectre walks the parsonage,
And haunts both hall and stair;
They know her by the great blue eyes
And floating gold of hair.'

'They lie, they lie, my father dear!
No foul old witch is she,
But sweet and good and crystal-pure
As Wenham waters be.'

'I tell thee, child, the Lord hath set
Before us good and ill,
And woe to all whose carnal loves
Oppose His righteous will.

'Between Him and the powers of hell
Choose thou, my child, to-day
No sparing hand, no pitying eye,
When God commands to slay!'

He went his way; the old wives shook
With fear as he drew nigh;
The children in the dooryards held
Their breath as he passed by.

Too well they knew the gaunt gray horse
The grim witch-hunter rode
The pale Apocalyptic beast
By grisly Death bestrode.

II.
Oh, fair the face of Wenham Lake
Upon the young girl's shone,
Her tender mouth, her dreaming eyes,
Her yellow hair outblown.

By happy youth and love attuned
To natural harmonies,
The singing birds, the whispering wind,
She sat beneath the trees.

Sat shaping for her bridal dress
Her mother's wedding gown,
When lo! the marshal, writ in hand,
From Alford hill rode down.

His face was hard with cruel fear,
He grasped the maiden's hands
'Come with me unto Salem town,
For so the law commands!'

'Oh, let me to my mother say
Farewell before I go!'
He closer tied her little hands
Unto his saddle bow.

'Unhand me,' cried she piteously,
'For thy sweet daughter's sake.'
'I'll keep my daughter safe,' he said,
'From the witch of Wenham Lake.'

'Oh, leave me for my mother's sake,
She needs my eyes to see.'
'Those eyes, young witch, the crows shall peck
From off the gallows-tree.'

He bore her to a farm-house old,
And up its stairway long,
And closed on her the garret-door
With iron bolted strong.

The day died out, the night came down
Her evening prayer she said,
While, through the dark, strange faces seemed
To mock her as she prayed.

The present horror deepened all
The fears her childhood knew;
The awe wherewith the air was filled
With every breath she drew.

And could it be, she trembling asked,
Some secret thought or sin
Had shut good angels from her heart
And let the bad ones in?

Had she in some forgotten dream
Let go her hold on Heaven,
And sold herself unwittingly
To spirits unforgiven?

Oh, weird and still the dark hours passed;
No human sound she heard,
But up and down the chimney stack
The swallows moaned and stirred.

And o'er her, with a dread surmise
Of evil sight and sound,
The blind bats on their leathern wings
Went wheeling round and round.

Low hanging in the midnight sky
Looked in a half-faced moon.
Was it a dream, or did she hear
Her lover's whistled tune?

She forced the oaken scuttle back;
A whisper reached her ear
'Slide down the roof to me,' it said,
'So softly none may hear.'

She slid along the sloping roof
Till from its eaves she hung,
And felt the loosened shingles yield
To which her fingers clung.

Below, her lover stretched his hands
And touched her feet so small;
'Drop down to me, dear heart,' he said,
'My arms shall break the fall.'

He set her on his pillion soft,
Her arms about him twined;
And, noiseless as if velvet-shod,
They left the house behind.

But when they reached the open way,
Full free the rein he cast;
Oh, never through the mirk midnight
Rode man and maid more fast.

Along the wild wood-paths they sped,
The bridgeless streams they swam;
At set of moon they passed the Bass,
At sunrise Agawam.

At high noon on the Merrimac
The ancient ferryman
Forgot, at times, his idle oars,
So fair a freight to scan.

And when from off his grounded boat
He saw them mount and ride,
'God keep her from the evil eye,
And harm of witch!' he cried.

The maiden laughed, as youth will laugh
At all its fears gone by;
'He does not know,' she whispered low,
'A little witch am I.'

All day he urged his weary horse,
And, in the red sundown,
Drew rein before a friendly door
In distant Berwick town.

A fellow-feeling for the wronged
The Quaker people felt;
And safe beside their kindly hearths
The hunted maiden dwelt,

Until from off its breast the land
The haunting horror threw,
And hatred, born of ghastly dreams,
To shame and pity grew.

Sad were the year's spring morns, and sad
Its golden summer day,
But blithe and glad its withered fields,
And skies of ashen gray;

For spell and charm had power no more,
The spectres ceased to roam,
And scattered households knelt again
Around the hearths of home.

And when once more by Beaver Dam
The meadow-lark outsang,
And once again on all the hills
The early violets sprang,

And all the windy pasture slopes
Lay green within the arms
Of creeks that bore the salted sea
To pleasant inland farms,

The smith filed off the chains he forged,
The jail-bolts backward fell;
And youth and hoary age came forth
Like souls escaped from hell.

It was the pleasant harvest time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns -
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks -

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autmn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs! -

On sturdy boyhood sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—­

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus’ banks the young world’s child,—­

That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,

Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear’s kiss of forfeiture.

But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;

For Mabel Martin sat apart,
And let the hay-mow’s shadow fall
Upon the loveliest face of all.

She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife’s child a friend.

The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;

And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!

Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter’s agony.

They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!

Dear God and Father of us all,
Forgive our faith in cruel lies,—­
Forgive the blindness that denies!

Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.

Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!

Poor Mabel from her mother’s grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;

With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!

The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.

And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm; -

That mother, poor, and sick, and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer; -

Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!

Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.

And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.

So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.

But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.

She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.

And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,

Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.

He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.

'Good neighbors mine,' he sternly said,
'This passes harmless mirth or jest;
I brook no insult to my guest.

'She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.

'Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows - not I.

'I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them.'

The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.

None dared withstand him to his face,
But one sly maiden spake aside
'The little witch is evil-eyed!

'Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!'

Poor Mabel, in her lonely home,
Sat by the window's narrow pane,
White in the moonlight's silver rain.

The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through

By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.

She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.

She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.

And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.

And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?

She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.

Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: 'Let me die!

'Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!

'I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!

'Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.

'O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!'

A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.

Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!

He laid his hand upon her arm
'Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.

'You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,

'The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!'

Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.

'O truest friend of all'' she said,
'God bless you for your kindly thought,
And make me worthy of my lot!'

He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.

'Good friends and neighbors!' Esek said,
'I'm weary of this lonely life;
In Mabel see my chosen wife!

'She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.

'Henceforth she stands no more alone;
You know what Esek Harden is: -
He brooks no wrong to him or his.'

Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!

For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!

Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, 'It is well!'

To the God of all sure mercies let my blessing rise today,
From the scoffer and the cruel He hath plucked the spoil away;
Yes, he who cooled the furnace around the faithful three,
And tamed the Chaldean lions, hath set His handmaid free!

Last night I saw the sunset melt though my prison bars,
Last night across my damp earth-floor fell the pale gleam of stars;
In the coldness and the darkness all through the long night-time,
My grated casement whitened with autumn's early rime.

Alone, in that dark sorrow, hour after hour crept by;
Star after star looked palely in and sank adown the sky;
No sound amid night's stillness, save that which seemed to be
The dull and heavy beating of the pulses of the sea;

All night I sat unsleeping, for I knew that on the morrow
The ruler said the cruel priest would mock me in my sorrow,
Dragged to their place of market, and bargained for and sold,
Like a lamb before the shambles, like a heifer from the fold!

Oh, the weakness of the flesh was there¯the shrinking and the shame;
And the low voice of the Tempter like whispers to me came,
'Why sit'st thou thus forlornly,' the wicked murmur said,
'Damp walls thy bower beauty, cold earth thy maiden bed?

'Where be the smiling faces, and voices soft and sweet,
Seen in thy father's dwelling, hoard in the pleasant street?
Where be the youths whose glances, the summer Sabbath through,
Turned tenderly and timidly unto thy father's pew?

'Why sit'st thou here, Cassandra? Bethink thee with what mirth
Thy happy schoolmates gather around the warm, dark hearth;
How the crimson shadows tremble on foreheads white and fair,
On eyes of merry girlhood, half hid in golden hair.

'Not for thee the hearth-fire brightens, not for thee kind words are spoken,
Not for thee the nuts of Wenham woods by laughing boys are broken;
No first-fruits of the orchard within thy lap are laid,
For thee no flowers of autumn the youthful hunters braid.

'O weak, deluded maiden!¯by crazy fancies led,
With wild and raving railers an evil path to tread;
To leave a wholesome worship, and teaching pure and sound,
And mate with maniac women, loose-haired and sackcloth-bound,

'And scoffers of the priesthood, who mock at things divine,
Who rail against thy pulpit, and holy bread and wine;
Bore from their cart-tail scourgings, and from the pillory lame,
Rejoicing in their wretchedness, and glorying in their shame.

'And what a fate awaits thee!¯a sadly toiling slave,
Dragging the slowly lengthening chain of bondage to the grave!
Think of thy woman's nature, subdued in hopeless thrall,
The easy prey of any, the scoff and scorn of all!'

Oh, ever as the Tempter spoke, and feecle Nature's fears
Wrung drop by drop the scalding flow of unavailing tears,
I wrestled down the evil thoughts, and strove in silent prayer
To feel, O Helper of the weak! that Thou indeed wert there!

I thought of Paul and Silas, within Philippi's call,
And how from Peter's sleeping limbs the prison shackles fell,
Till I seemed to hear the trailing of an Angel's robe of white,
And to feel a blessed presence invisible to sight.

Bless the Lord for all his mercies!¯for the peace and love I felt,
Like the dew of Hermon's holy hill, upon my spirit melt;
When 'Get behind me, Satan! ' was the language of my heart,
And I felt the Evil Tempter with all his doubts depart.

Slow broke the gray cold morning; again the sunshine fell,
Flocked with the shade of bar and grate within my lonely cell;
The hoar-frost melted on the wall, and upward from the street
Came careless laugh and idle word, and tread of passing feet.

At length the heavy bolts fell back, my door was open cast,
And slowly at the sheriff's side, up the long street I passed;
I heard the murmur round me, and felt, but dared not see,
How, from every door and window, the people gazed on me.

And doubt and fear fell on me, shame burned upon my cheek,
Swam earth and sky around me, my trembling limbs grew weak;
'Oh Lord, support thy handmaid, and from her soul cast out
The fear of men, which brings a snare, the weakness and the doubt.

Then the dreary shadows scattered, like a cloud in morning's breeze,
And a low deep voice within me seemed whispering words like these:
'Though thy earth be as the iron, and thy heaven a brazen wall,
Trust still His loving-kindness whose power is over all.'

We paused at length, where at my feet the sunlit waters broke
On glaring roach of shining beach, and shingly wall of rock;
The merchant-ships lay idle there, in hard clear lines on high,
Treeing with rope and slender spar their network on the sky.

And there were ancient citizens, cloak-wrapped and grave and cold,
And grim and stout sea-captains with faces bronzed and old,
And on his horse, with Rawson, his cruel clerk at hand,
Sat dark and haughty Endicott, the ruler of the land.

And poisoning with his evil words the ruler's ready ear,
The priest leaned over his saddle, with laugh and scoff and jeer;
It stirred my soul, and from my lips the soul of silence broke,
As if through woman's weakness a warning spirit spoke.

I cried 'The Lord rebuke thee, thou smiter of the meek,
Thou robber of the righteous, thou trampler of the weak!
Go light the cold, dark hearth-stones,¯go turn the prison lock
Of the poor hearts though hast hunted, thou wolf amid the flock!'

Dark lowered the brows of Endicott, and with a deeper red
O'er Rawson's wine-empurpled cheek the flash of anger spread;
'Good people, ' quoth the white-lipped priest, 'heed not her words so wild,
Her Master speaks within her¯ the Devil owns his child!'

But gray heads shook, and young brows knit, the while the sheriff read
That law the wicked rulers against the poor have made,
Who to their house of Rimmon and idol priesthood bring
No bonded knee of worship, nor gainful offering.

Then to the stout sea-captains the sheriff, turning, said¯
'Wish of ye, worthy seamen, will take this Quaker maid?
On the Isle of fair Barbados, or on Virginia's shore
You may hold her at a higher price than Indian girl or Moor!'

Grim and silent stood the captains; and when again he cried,
'Speak out my worthy seamen!' no voice, no sign replied;
But I felt a hard hand press my own, and kind words met my ear,¯
'God bless thee, and preserve thee, my gentle girl and dear!'

A weight seemed lifted from my heart, a pitying friend was nigh,
I felt it in his hard, rough hand, and saw it in his eye;
And when again the sheriff spoke, that voice, so kind to me,
Growled back its stormy answer like the roaring of the sea.

'Pile my ship with bars of silver, pack with coins of Spanish gold
From keel-piece up to deck-plank, the roomage of her hold,
By the living God that made me! I would sooner in your bay
Sink ship and crew and cargo, than bear this child away!'

'Well answered, worthy captain, shame on their cruel laws!'
Ran through the crowd in murmurs loud the people's just applause.
'Like the herdsmen of Tekoa, In Israel of old,
Shall we see the poor and righteous again for silver sold ?'

I looked on haughty Endicott; with weapon half-way drawn,
Swept around the throng his lion glare of bitter hate and scorn;
Fiercely he drew his bridle-rain, and turned in silence back,
And sneering priest and baffled clerk rode murmuring in his track.

Hard after them the sheriff looked, in bitterness of soul,
Thrice smote his staff upon the ground, and crushed his parchment-roll.
'Good friends,' he said, 'since both have fled, the ruler and the priest
Judge ye, if from their further work I be not well released.'

Loud was the cheer which, full and clear, swept round the silent bay,
As, with kind words and kinder looks, he bade me go my way;
For he who turns the courses of the streamlet of the glen,
And the river of great waters, had turned the hearts of men.

Oh, at that hour the very earth seemed changed beneath my eye,
A holier wonder round no rose the blue walls of the sky,
A lovelier light on rock and hill and stream and woodland lay,
And softer lapsed on sunnier sands the waters of the bay.

Thanksgiving to the Lord of life! To him all praises be,
Who from the hands of evil men hath set his handmaid free;
All praise to Him before whose power the mighty are afraid,
Who take the crafty in the snare which for the poor is laid!

Sing, O my soul, rejoicingly, on evening's twilight calm
Uplift the loud thanksgiving, pour forth the grateful psalm;
Let all dear hearts with me rejoice, as did the saints of old,
When of the Lord's good angel the rescued Peter told.

And weep and howl, ye evil priests and mighty men of wrong,
The lord shall smite the proud, and lay His hand upon the strong.
Woe to the wicked rulers in his avenging hour!
Woe to the wolves who seek the flocks to raven and devour!

But let the humble ones arise, the poor in heart be glad,
And let the mourning ones again with robes of praise be clad,
For he who cooled the furnace, and smoothed the stormy wave,
And tamed the Chaldean lions, is mighty still to save!

A HARVEST IDYL.

PROEM.
I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,

We dreamed it over, while the thrushes made
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.

And she was with us, living o'er again
Her life in ours, despite of years and pain,--
The Autumn's brightness after latter rain.

Beautiful in her holy peace as one
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!

Her memory makes our common landscape seem
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;

For she whose speech was always truth's pure gold
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.


I. THE RIVER VALLEY.
Across the level tableland,
A grassy, rarely trodden way,
With thinnest skirt of birchen spray

And stunted growth of cedar, leads
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all

The seasons' rainfalls. On its brink
The over-leaning harebells swing,
With roots half bare the pine-trees cling;

And, through the shadow looking west,
You see the wavering river flow
Along a vale, that far below

Holds to the sun, the sheltering hills
And glimmering water-line between,
Broad fields of corn and meadows green,

And fruit-bent orchards grouped around
The low brown roofs and painted eaves,
And chimney-tops half hid in leaves.

No warmer valley hides behind
Yon wind-scourged sand-dunes, cold and bleak;
No fairer river comes to seek

The wave-sung welcome of the sea,
Or mark the northmost border line
Of sun-loved growths of nut and vine.

Here, ground-fast in their native fields,
Untempted by the city's gain,
The quiet farmer folk remain

Who bear the pleasant name of Friends,
And keep their fathers' gentle ways
And simple speech of Bible days;

In whose neat homesteads woman holds
With modest ease her equal place,
And wears upon her tranquil face

The look of one who, merging not
Her self-hood in another's will,
Is love's and duty's handmaid still.

Pass with me down the path that winds
Through birches to the open land,
Where, close upon the river strand

You mark a cellar, vine o'errun,
Above whose wall of loosened stones
The sumach lifts its reddening cones,

And the black nightshade's berries shine,
And broad, unsightly burdocks fold
The household ruin, century-old.

Here, in the dim colonial time
Of sterner lives and gloomier faith,
A woman lived, tradition saith,

Who wrought her neighbors foul annoy,
And witched and plagued the country-side,
Till at the hangman's hand she died.

Sit with me while the westering day
Falls slantwise down the quiet vale,
And, haply ere yon loitering sail,

That rounds the upper headland, falls
Below Deer Island's pines, or sees
Behind it Hawkswood's belt of trees

Rise black against the sinking sun,
My idyl of its days of old,
The valley's legend, shall be told.


II. THE HUSKING.
It was the pleasant harvest-time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns,--
Brown-gabled, long, and full of seams
Through which the rooted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks,

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autumn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On sturdy boyhood, sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,--

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus' banks the young world's child,--

That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,

Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.

But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;

For Mabel Martin sat apart,
And let the hay-mow's shadow fall
Upon the loveliest face of all.

She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife's child a friend.

The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;

And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!

Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter's agony.

They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!

Dear God and Father of us all,
Forgive our faith in cruel lies,--
Forgive the blindness that denies!

Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.

Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!

Young Mabel from her mother's grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;

With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!

Oh, dreary broke the winter days,
And dreary fell the winter nights
When, one by one, the neighboring lights

Went out, and human sounds grew still,
And all the phantom-peopled dark
Closed round her hearth-fire's dying spark.

And summer days were sad and long,
And sad the uncompanioned eves,
And sadder sunset-tinted leaves,

And Indian Summer's airs of balm;
She scarcely felt the soft caress,
The beauty died of loneliness!

The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.

And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm!

That mother, poor and sick and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer;--

Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!

Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.

And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.


IV. THE CHAMPION.
So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.

But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.

She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.

And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,

Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.

He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.

'Good neighbors mine,' he sternly said,
'This passes harmless mirth or jest;
I brook no insult to my guest.

'She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.

'Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows--not I.

'I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them.'

The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.

None dared withstand him to his face,
But one sly maiden spake aside
'The little witch is evil-eyed!

'Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!'


V. IN THE SHADOW.
Poor Mabel, homeward turning, passed
The nameless terrors of the wood,
And saw, as if a ghost pursued,

Her shadow gliding in the moon;
The soft breath of the west-wind gave
A chill as from her mother's grave.

How dreary seemed the silent house!
Wide in the moonbeams' ghastly glare
Its windows had a dead man's stare!

And, like a gaunt and spectral hand,
The tremulous shadow of a birch
Reached out and touched the door's low porch,

As if to lift its latch; hard by,
A sudden warning call she beard,
The night-cry of a boding bird.

She leaned against the door; her face,
So fair, so young, so full of pain,
White in the moonlight's silver rain.

The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through

By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.

She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.

She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.

And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.

And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?

She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.

Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: 'Let me die!

'Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!

'I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!

'Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.

'O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!'

A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.


VI. THE BETROTHAL.
Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!

He laid his hand upon her arm
'Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.

'You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,

'The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!'

Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.

'O truest friend of all'' she said,
'God bless you for your kindly thought,
And make me worthy of my lot!'

He led her forth, and, blent in one,
Beside their happy pathway ran
The shadows of the maid and man.

He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.

'Good friends and neighbors!' Esek said,
'I'm weary of this lonely life;
In Mabel see my chosen wife!

'She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.

'Henceforth she stands no more alone;
You know what Esek Harden is;--
He brooks no wrong to him or his.

'Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!

'For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!'

Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm--boughs!

On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, 'It is well!'

Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!

But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.

The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.

Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,
And the garrison lights are burning clear,
Where Phillips' men their watch are keeping.
Let him hie him away through the dank river fog,
Never rustling the boughs nor displacing the rocks,
For the eyes and the ears which are watching for Mogg
Are keener than those of the wolf or the fox.

He starts, - there's a rustle among the leaves:
Another, - the click of his gun in heard!
A footstep, - is it the step of Cleaves,
With Indian blood on his English sword?
Steals Harmon down from the sands of York,
With hand of iron and foot of cork?
Has Scamman, versed in Indian wile,
For vengeance left his vine-hung in isle?
Hark! at that whistle, soft and low,
How lights the eye of Mogg Megone!
A smile gleams o'er his dusky brow, -
'Boon welcome, Johnny Bonython!'

Out steps, with cautious foot and slow,
And quick, keen glances to and fro,
The hunted outlaw, Bonython!
A low, lean, swarthy man is he,
With blanket-garb and buskined knee,
And naught of English fashion on;
For he hates the race from whence he sprung,
And he couches his words in the Indian tongue.

'Hush, - let the Sachem's voice be weak;
The water-rat shall hear him speak, -
The owl shall whoop in the white man's ear,
That Mogg Megone, with his scalps, is here!'
He pauses, - dark, over cheek and brow,
A flush, as of shame, is stealing now:
'Sachem!' he says, 'let me have the land,
Which stretches away upon either hand,
As far about as my feet can stray
In the half of a gentle summer's day,
From the leaping brook to the Saco river, -
And the fair-hared girl, thou hast sought of me,
Shall sit in the Sachem's wigwam, and be
The wife of Mogg Megone forever.'

There's sudden light in the Indian's glance,
A moment's trace of powerful feeling,
Of love or triumph, or both perchance,
Over his proud, calm features stealing.
'The words of my father are very good;
He shall have the land, and water, and wood;
And he who harms the Sagamore John,
Shall feel the knife of Mogg Megone;
But the fawn of the Yengees shall sleep on my breast,
And the bird of the clearing shall sing in my nest.'

'But, father!' - and the Indian's hand
Falls gently on the white man's arm,
And with a smile as shrewdly bland
As the deep voice is slow and calm, -
'Where is my father's singing-bird, -
The sunny eye, and sunset hair?
I know I have my father's word,
And that his word is good and fair;
But will my father tell me where
Megone shall go and look for his bride? -
For he sees her not by her father's side.'

The dark, stern eye of Bonython
Flashes over the features of Mogg Megone,
In one of those glances which search within ;
But the stolid calm of the Indian alone
Remains where the trace of emotion has been.
'Does the Sachem doubt? Let him go with me,
And the eyes of the Sachem his bride shall see.'

Cautious and slow, with pauses oft,
And watchful eyes and whispers soft,
The twain are stealing through the wood,
Leaving the downward-rushing flood,
Whose deep and solemn roar behind
Grows fainter on the evening wind.
Hark! - is that the angry howl
Of the wolf, the hills among? -
Or the hooting of the owl,
On his leafy cradle swung? -
Quickly glancing, to and fro,
Listening to each sound they go
Round the columns of the pine,
Indistinct, in shadow, seeming
Like some old and pillared shrine;
With the soft and white moonshine,
Round the foliage-tracery shed
Of each column's branching head,
For its lamps of worship gleaming!
And the sounds awakened there,
In the pine-leaves fine and small,
Soft and sweetly musical,
By the fingers of the air,
For the anthem's dying fall
Lingering round some temple's wall!
Niche and cornice round and round
Wailing like the ghost of sound!
Is not Nature's worship thus,
Ceaseless ever, going on?
Hath it not a voice for us
In the thunder, or the tone
Of the leaf-harp faint and small,
Speaking to the unsealed ear
Words of blended love and fear,
Of the mighty Soul of all?

Naught had the twain of thoughts like these
As they wound along through the crowded trees,
Where never had rung the axeman's stroke
On the gnarled trunk of the rough-barked oak; -
Climbing the dead tree's mossy log,
Breaking the mesh of the bramble fine,
Turning aside the wild grapevine,
And lightly crossing the quaking bog
Whose surface shakes at the leap of the frog,
And out of whose pools the ghostly fog
Creeps into the chill moonshine!
Yet, even that Indian's ear had heard
The preaching of the Holy Word:
Sanchekantacket's isle of sand
Was once his father's hunting land,
Where zealous Hiacoomes stood, -
The wild apostle of the wood,
Shook from his soul the fear of harm,
And trampled on the Powwaw's charm;
Until the wizard's curses hung
Suspended on his palsying tongue,
And the fierce warrior, grim and tall,
Trembled before the forest Paul!
A cottage hidden in the wood, -
Red through its seams a light is glowing,
On rock and bough and tree-trunk rude,
A narrow lustre throwing.
'Who's there?' a clear, firm voice demands;
'Hold, Ruth, - 'tis I, the Sage more!'
Quick, at the summons, hasty hands
Unclose the bolted door;
And on the outlaw's daughter shine
The flashes of the kindled pine.

Tall and erect the maiden stands,
Like some young priestess of the wood,
The freeborn child of Solitude,
And bearing still the wild and rude,
Yet noble trace of Nature's hands.
Her dark brown cheek has caught its stain
More from the sunshine than the rain;
Yet, where her long fair hair is parting,
A pure white brow into light is starting;
And, where the folds of her blanket sever,
Are a neck and bosom as white as ever
The foam-wreaths rise on the leaping river.
But in the convulsive quiver and grip
Of the muscles around her bloodless lip,
There is something painful and sad to see;
And her eye has a glance more sternly wild
Than even that of a forest child
In its fearless and untamed freedom should be.
Yet, seldom in hall or court are seen
So queenly a form and so noble a mien,
As freely and smiling she welcomes them there, -
Her outlawed sire and Mogg Megone:
'Pray, father, how does thy hunting fare?
And, Sachem, say, - does Scamman wear,
In spite of thy promise, a scalp of his own?'
Hurried and light is the maiden's tone;
But a fearful meaning lurks within
Her glance, as it questions the eye of Megone, -
An awful meaning of guilt and sin! -
The Indian hath opened his blanket, and there
Hangs a human scalp by its long damp hair!
With hand upraised, with quick drawn breath,
She meets that ghastly sign of death.
In one long, glassy, spectral stare
The enlarging eye is fastened there,
As if that mesh of pale brown hair
Had power to change at sight alone,
Even as the fearful locks which wound
Medusa's fatal forehead round,
The gazer into stone.
With such a look Herodias read
The features of the bleeding head,
So looked the mad Moor on his dead,
Or the young Cenci as she stood,
O'er-dabbled with a father's blood!

Look! - feeling melts that frozen glance,
It moves that marble countenance,
As if at once within her strove
Pity with shame, and hate with love.
The Past recalls its joy and pain,
Old memories rise before her brain, -
The lips which love's embraces met,
The hand her tears of parting wet,
The voice whose pleading tones beguiled
The pleased ear of the forest-child, -
And tears she may no more repress
Reveal her lingering tenderness.

O, woman wronged can cherish hate
More deep and dark than manhood may;
But when the mockery of Fate
Hath left Revenge its chosen way,
And the fell curse, which years have nursed,
Full on the spoiler's head hath burst, -
When all her wrong, and shame, and pain,
Burns fiercely on his heart and brain, -
Still lingers something of the spell
Which bound her to the traitor's bosom, -
Still, midst the vengeful fires of hell,
Some flowers of old affection blossom.

John Bonython's eyebrows together are drawn
With a fierce expression of wrath and scorn, -
He hoarsely whispers, 'Ruth, beware!
Is this the time to be playing the fool, -
Crying over a paltry lock of hair,
Like a love-sick girl at school? -
Curse on it! - an Indian can see and hear:
Away, - and prepare our evening cheer!'

How keenly the Indian is watching now
Her tearful eye and her varying brow, -
With a serpent eye, which kindles and burns,
Like a fiery star in the upper air:
On sire and daughter his fierce glance turns: -
'Has my old white father a scalp to spare?
For his young one loves the pale brown hair
Of the scalp of an English dog far more
Than Mogg Megone, or his wigwam floor;
Go, - Mogg is wise: he will keep his land, -
And Sagamore John, when he feels with his hand,
Shall miss his scalp where it grew before.

The moment's gust of grief is gone, -
The lip is clenched, - the tears are still, -
God pity thee, Ruth Bonython!
With what a strength of will
Are nature's feelings in thy breast,
As with an iron hand, repressed!
And how, upon that nameless woe,
Quick as the pulse can come and go,
While shakes the unsteadfast knee, and yet
The bosom heaves, - the eye is wet, -
Has thy dark spirit power to stay
The heart's wild current on its way?
And whence that baleful strength of guile,
Which over that still working brow
And tearful eye and cheek can throw
The mockery of a smile?
Warned by her father's blackening frown,
With one strong effort crushing down
Grief, hate, remorse, she meets again
The savage murderer's sullen gaze,
And scarcely look or tone betrays
How the heart strives beneath its chain.

'Is the Sachem angry, - angry with Ruth,
Because she cries with an ache in her tooth,
Which would make a Sagamore jump and cry,
And look about with a woman's eye?
No, - Ruth will sit in the Sachem's door
And braid the mats for his wigwam floor,
And broil his fish and tender fawn,
And weave his wampum, and grind his corn, -
For she loves the brave and the wise, and none
Are braver and wiser than Mogg Megone!'

The Indian's brow is clear once more:
With grave, calm face, and half-shut eye,
He sits upon the wigwam floor,
And watches Ruth go by,
Intent upon her household care;
And ever and anon, the while,
Or on the maiden, or her fare,
Which smokes in grateful promise there,
Bestows his quiet smile.

Ah, Mogg Megone! - what dreams are thine,
But those which love's own fancies dress, -
The sum of Indian happiness! -
A wigwam, where the warm sunshine
Looks in among the groves of pine, -
A stream, where, round thy light canoe,
The trout and salmon dart in view,
And the fair girl, before thee now,
Or plying, in the dews of morn,
Her hoe amidst thy patch of corn,
Or offering up, at eve, to thee,
Thy birchen dish of hominy!

From the rude board of Bonython,
Venison and succotash have gone, -
For long these dwellers want of food.
But untasted of Ruth is the frugal cheer, -
With head averted, yet ready ear,
She stands by the side of her austere sire,
Feeding, at times, the unequal fire
With the yellow knots of the pitch-pine tree,
Whose flaring light, as they kindle, falls
On the cottage-roof, and its black log walls,
And over its inmates three.

From Sagamore Bonython's hunting flask
The fire-water burns at the lip of Megone:
'Will the Sachem hear what his father shall ask?
Will he make his mark, that it may be known,
On the speaking-leaf, that he gives the land,
From the Sachem's own, to his father's hand?'
The fire-water shines in the Indian's eyes,
As he rises, the white man's bidding to do:
'Wuttamuttata - weekan! Mogg is wise, -
For the water he drinks is strong and new, -
Mogg's heart is great! - will he shut his hand,
When his father asks for a little land?' -
With unsteady fingers, the Indian has drawn
On the parchment the shape of a hunter's bow,
'Boon water, - boon water, - Sagamore John!
Wuttamuttata, - weekan! our hearts will grow!'
He drinks yet deeper, - he mutters low, -
He reels on his bear-skin to and fro, -
His head falls down on his naked breast, -
He struggles, and sinks to a drunken rest.

'Humph - drunk as a beast!' - and Bonython's brow
Is darker than ever with evil thought -
'The fool has signed his warrant; but how
And when shall the deed be wrought?
Speak, Ruth! why, what the devil is there,
To fix thy gaze in that empty air? -
Speak, Ruth! by my soul, if I thought that tear,
Which shames thyself and our purpose here,
Were shed for that cursed and pale-faced dog,
Whose green scalp hangs from the belt of Mogg,
And whose beastly soul is in Satan's keeping, -
This - this!' - he dashes his hand upon
The rattling stock of his loaded gun, -
'Should send thee with him to do thy weeping!'

'Father!' - the eye of Bonython
Sinks at that low, sepulchral tone,
Hollow and deep, as it were spoken
By the unmoving tongue of death, -
Or from some statue's lips had broken, -
A sound without a breath!
'Father! - my life I value less
Than yonder fool his gaudy dress;
And how it ends it matters not,
By heart-break or by rifle-shot;
But spare awhile the scoff and threat, -
Our business is not finished yet.'

'True, true, my girl, - I only meant
To draw up again the bow unbent.
Harm thee, my Ruth! I only sought
To frighten off thy gloomy thought;
Come, - let's be friends!' He seeks to clasp
His daughter's cold, damp hand in his.
Ruth startles from her father's grasp,
As if each nerve and muscle felt,
Instinctively, the touch of guilt,
Through all their subtle sympathies.

He points her to the sleeping Mogg:
'What shall be done with yonder dog?
Scamman is dead, and revenge is thine, -
The deed is signed and the land is mine;
And this drunken fool is of use no more,
Save as thy hopeful bridegroom, and sooth,
'Twere Christian mercy to finish him, Ruth,
Now, while he lies like a beast on our floor, -
If not for thine, at least for his sake,
Rather than let the poor dog awake
To drain my flask, and claim as his bride
Such a forest devil to run by his side, -
Such a Wetuomanit as thou wouldst make!'

He laughs at his jest. Hush - what is there? -
The sleeping Indian is striving to rise,
With his knife in his hand, and glaring eyes! -
'Wagh! - Mogg will have the pale-face's hair,
For his knife is sharp, and his fingers can help
The hair to pull and the skin to peel, -
Let him cry like a woman and twist like an eel,
The great Captain Scamman must lose his scalp!
And Ruth, when she sees it, shall dance with Mogg.'
His eyes are fixed, - but his lips draw in, -
With a low, hoarse chuckle, and fiendish grin, -
And he sinks again, like a senseless log.

Ruth does not speak, - she does not stir;
But she gazes down on the murderer,
Whose broken and dreamful slumbers tell
Too much for her ear of that deed of hell.
She sees the knife, with its slaughter red,
And the dark fingers clenching the bearskin bed!
What thoughts of horror and madness whirl
Through the burning brain of that fallen girl!

John Bonython lifts his gun to his eye,
Its muzzle is close to the Indian's ear, -
But he drops it again. 'Some one may be nigh,
And I would not that even the wolves should hear.'
He draws his knife from its deer-skin belt, -
Its edge with his fingers is slowly felt; -
Kneeling down on one knee, by the Indian's side,
From his throat he opens the blanket wide;
And twice or thrice he feebly essays
A trembling hand with the knife to raise.

'I cannot,' - he mutters, - 'did he not save
My life from a cold and wintry grave,
When the storm came down from Agioochook,
And the north-wind howled, and the tree-tops shook, -
And I strove, in the drifts of the rushing snow,
Till my knees grew weak and I could not go,
And I felt the cold to my vitals creep,
And my heart's blood stiffen, and pulses sleep!
I cannot strike him - Ruth Bonython!
In the Devil's name, tell me - what's to be done?'

O, when the soul, once pure and high,
Is stricken down from Virtue's sky,
As, with the downcast star of morn,
Some gems of light are with it drawn, -
And, through its night of darkness, play
Some tokens of its primal day, -
Some lofty feelings linger still, -
The strength to dare, the nerve to meet
Whatever threatens with defeat
Its all-indomitable will! -
But lacks the mean of mind and heart,
Though eager for the gains of crime,
Oft, at his chosen place and time,
The strength to bear his evil part;
And, shielded by his very Vice,
Escapes from Crime by Cowardice.

Ruth starts erect, - with bloodshot eye,
And lips drawn tight across her teeth,
Showing their locked embrace beneath,
In the red firelight: - 'Mogg must die!
Give me the knife!' - The outlaw turns,
Shuddering in the heart and limb, away, -
But, fitfully there, the hearth-fire burns,
And he sees on the wall strange shadows play.
A lifted arm, a tremulous blade,
Are dimly pictured in light and shade,
Plunging down in the darkness. Hark, that cry
Again - and again - he sees it fall, -
That shadowy arm down the lighted wall!
He hears quick footsteps - a shape flits by -
The door on its rusted hinges creaks: -
'Ruth - daughter Ruth!' the outlaw shrieks.
But no sound comes back, - he is standing alone
By the mangled corse of Mogg Megone!

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye
Saw only hot brick walls and close thronged streets;
Briefless as yet, but with an eye to see
Life's sunniest side, and with a heart to take
Its chances all as godsends; and his brother,
Pale from long pulpit studies, yet retaining
The warmth and freshness of a genial heart,
Whose mirror of the beautiful and true,
In Man and Nature, was as yet undimmed
By dust of theologic strife, or breath
Of sect, or cobwebs of scholastic lore;
Like a clear crystal calm of water, taking
The hue and image of o'erleaning flowers,
Sweet human faces, white clouds of the noon,
Slant starlight glimpses through the dewy leaves,
And tenderest moonrise. 'Twas, in truth, a study,
To mark his spirit, alternating between
A decent and professional gravity
And an irreverent mirthfulness, which often
Laughed in the face of his divinity,
Plucked off the sacred ephod, quite unshrined
The oracle, and for the pattern priest
Left us the man. A shrewd, sagacious merchant,
To whom the soiled sheet found in Crawford's inn,
Giving the latest news of city stocks
And sales of cotton, had a deeper meaning
Than the great presence of the awful mountains
Glorified by the sunset; and his daughter,
A delicate flower on whom had blown too long
Those evil winds, which, sweeping from the ice
And winnowing the fogs of Labrador,
Shed their cold blight round Massachusetts Bay,
With the same breath which stirs Spring's opening leaves
And lifts her half-formed flower-bell on its stem,
Poisoning our seaside atmosphere.

It chanced that as we turned upon our homeward way,
A drear northeastern storm came howling up
The valley of the Saco; and that girl
Who had stood with us upon Mount Washington,
Her brown locks ruffled by the wind which whirled
In gusts around its sharp, cold pinnacle,
Who had joined our gay trout-fishing in the streams
Which lave that giant's feet; whose laugh was heard
Like a bird's carol on the sunrise breeze
Which swelled our sail amidst the lake's green islands,
Shrank from its harsh, chill breath, and visibly drooped
Like a flower in the frost. So, in that quiet inn
Which looks from Conway on the mountains piled
Heavily against the horizon of the north,
Like summer thunder-clouds, we made our home
And while the mist hung over dripping hills,
And the cold wind-driven rain-drops all day long
Beat their sad music upon roof and pane,
We strove to cheer our gentle invalid.

The lawyer in the pauses of the storm
Went angling down the Saco, and, returning,
Recounted his adventures and mishaps;
Gave us the history of his scaly clients,
Mingling with ludicrous yet apt citations
Of barbarous law Latin, passages
From Izaak Walton's Angler, sweet and fresh
As the flower-skirted streams of Staffordshire,
Where, under aged trees, the southwest wind
Of soft June mornings fanned the thin, white hair
Of the sage fisher. And, if truth be told,
Our youthful candidate forsook his sermons,
His commentaries, articles and creeds,
For the fair page of human loveliness,
The missal of young hearts, whose sacred text
Is music, its illumining, sweet smiles.
He sang the songs she loved; and in his low,
Deep, earnest voice, recited many a page
Of poetry, the holiest, tenderest lines
Of the sad bard of Olney, the sweet songs,
Simple and beautiful as Truth and Nature,
Of him whose whitened locks on Rydal Mount
Are lifted yet by morning breezes blowing
From the green hills, immortal in his lays.
And for myself, obedient to her wish,
I searched our landlord's proffered library,—
A well-thumbed Bunyan, with its nice wood pictures
Of scaly fiends and angels not unlike them;
Watts' unmelodious psalms; Astrology's
Last home, a musty pile of almanacs,
And an old chronicle of border wars
And Indian history. And, as I read
A story of the marriage of the Chief
Of Saugus to the dusky Weetamoo,
Daughter of Passaconaway, who dwelt
In the old time upon the Merrimac,
Our fair one, in the playful exercise
Of her prerogative,—the right divine
Of youth and beauty,—bade us versify
The legend, and with ready pencil sketched
Its plan and outlines, laughingly assigning
To each his part, and barring our excuses
With absolute will. So, like the cavaliers
Whose voices still are heard in the Romance
Of silver-tongued Boccaccio, on the banks
Of Arno, with soft tales of love beguiling
The ear of languid beauty, plague-exiled
From stately Florence, we rehearsed our rhymes
To their fair auditor, and shared by turns
Her kind approval and her playful censure.

It may be that these fragments owe alone
To the fair setting of their circumstances,—
The associations of time, scene, and audience,—
Their place amid the pictures which fill up
The chambers of my memory. Yet I trust
That some, who sigh, while wandering in thought,
Pilgrims of Romance o'er the olden world,
That our broad land,—our sea-like lakes and mountains
Piled to the clouds, our rivers overhung
By forests which have known no other change
For ages than the budding and the fall
Of leaves, our valleys lovelier than those
Which the old poets sang of,—should but figure
On the apocryphal chart of speculation
As pastures, wood-lots, mill-sites, with the privileges,
Rights, and appurtenances, which make up
A Yankee Paradise, unsung, unknown,
To beautiful tradition; even their names,
Whose melody yet lingers like the last
Vibration of the red man's requiem,
Exchanged for syllables significant,
Of cotton-mill and rail-car, will look kindly
Upon this effort to call up the ghost
Of our dim Past, and listen with pleased ear
To the responses of the questioned Shade.

I. THE MERRIMAC

O child of that white-crested mountain whose springs
Gush forth in the shade of the cliff-eagle's wings,
Down whose slopes to the lowlands thy wild waters shine,
Leaping gray walls of rock, flashing through the dwarf pine;
From that cloud-curtained cradle so cold and so lone,
From the arms of that wintry-locked mother of stone,
By hills hung with forests, through vales wide and free,
Thy mountain-born brightness glanced down to the sea.

No bridge arched thy waters save that where the trees
Stretched their long arms above thee and kissed in the breeze:
No sound save the lapse of the waves on thy shores,
The plunging of otters, the light dip of oars.

Green-tufted, oak-shaded, by Amoskeag's fall
Thy twin Uncanoonucs rose stately and tall,
Thy Nashua meadows lay green and unshorn,
And the hills of Pentucket were tasselled with corn.
But thy Pennacook valley was fairer than these,
And greener its grasses and taller its trees,
Ere the sound of an axe in the forest had rung,
Or the mower his scythe in the meadows had swung.

In their sheltered repose looking out from the wood
The bark-builded wigwams of Pennacook stood;
There glided the corn-dance, the council-fire shone,
And against the red war-post the hatchet was thrown.

There the old smoked in silence their pipes, and the young
To the pike and the white-perch their baited lines flung;
There the boy shaped his arrows, and there the shy maid
Wove her many-hued baskets and bright wampum braid.

O Stream of the Mountains! if answer of thine
Could rise from thy waters to question of mine,
Methinks through the din of thy thronged banks a moan
Of sorrow would swell for the days which have gone.

Not for thee the dull jar of the loom and the wheel,
The gliding of shuttles, the ringing of steel;
But that old voice of waters, of bird and of breeze,
The dip of the wild-fowl, the rustling of trees.


II. THE BASHABA

Lift we the twilight curtains of the Past,
And, turning from familiar sight and sound,
Sadly and full of reverence let us cast
A glance upon Tradition's shadowy ground,
Led by the few pale lights which, glimmering round
That dim, strange land of Eld, seem dying fast;
And that which history gives not to the eye,
The faded coloring of Time's tapestry,
Let Fancy, with her dream-dipped brush, supply.

Roof of bark and walls of pine,
Through whose chinks the sunbeams shine,
Tracing many a golden line
On the ample floor within;
Where, upon that earth-floor stark,
Lay the gaudy mats of bark,
With the bear's hide, rough and dark,
And the red-deer's skin.

Window-tracery, small and slight,
Woven of the willow white,
Lent a dimly checkered light;
And the night-stars glimmered down,
Where the lodge-fire's heavy smoke,
Slowly through an opening broke,
In the low roof, ribbed with oak,
Sheathed with hemlock brown.

Gloomed behind the changeless shade
By the solemn pine-wood made;
Through the rugged palisade,
In the open foreground planted,
Glimpses came of rowers rowing,
Stir of leaves and wild-flowers blowing,
Steel-like gleams of water flowing,
In the sunlight slanted.

Here the mighty Bashaba
Held his long-unquestioned sway,
From the White Hills, far away,
To the great sea's sounding shore;
Chief of chiefs, his regal word
All the river Sachems heard,
At his call the war-dance stirred,
Or was still once more.

There his spoils of chase and war,
Jaw of wolf and black bear's paw,
Panther's skin and eagle's claw,
Lay beside his axe and bow;
And, adown the roof-pole hung,
Loosely on a snake-skin strung,
In the smoke his scalp-locks swung
Grimly to and fro.

Nightly down the river going,
Swifter was the hunter's rowing,
When he saw that lodge-fire, glowing
O'er the waters still and red;
And the squaw's dark eye burned brighter,
And she drew her blanket tighter,
As, with quicker step and lighter,
From that door she fled.

For that chief had magic skill,
And a Panisee's dark will,
Over powers of good and ill,
Powers which bless and powers which ban;
Wizard lord of Pennacook,
Chiefs upon their war-path shook,
When they met the steady look
Of that wise dark man.

Tales of him the gray squaw told,
When the winter night-wind cold
Pierced her blanket's thickest fold,
And her fire burned low and small,
Till the very child abed,
Drew its bear-skin over bead,
Shrinking from the pale lights shed
On the trembling wall.

All the subtle spirits hiding
Under earth or wave, abiding
In the caverned rock, or riding
Misty clouds or morning breeze;
Every dark intelligence,
Secret soul, and influence
Of all things which outward sense
Feels, or bears, or sees,—

These the wizard's skill confessed,
At his bidding banned or blessed,
Stormful woke or lulled to rest
Wind and cloud, and fire and flood;
Burned for him the drifted snow,
Bade through ice fresh lilies blow,
And the leaves of summer grow
Over winter's wood!

Not untrue that tale of old!
Now, as then, the wise and bold
All the powers of Nature hold
Subject to their kingly will;
From the wondering crowds ashore,
Treading life's wild waters o'er,
As upon a marble floor,
Moves the strong man still.

Still, to such, life's elements
With their sterner laws dispense,
And the chain of consequence
Broken in their pathway lies;
Time and change their vassals making,
Flowers from icy pillows waking,
Tresses of the sunrise shaking
Over midnight skies.
Still, to th' earnest soul, the sun
Rests on towered Gibeon,
And the moon of Ajalon
Lights the battle-grounds of life;
To his aid the strong reverses
Hidden powers and giant forces,
And the high stars, in their courses,
Mingle in his strife!


III. THE DAUGHTER

The soot-black brows of men, the yell
Of women thronging round the bed,
The tinkling charm of ring and shell,
The Powah whispering o'er the dead!

All these the Sachem's home had known,
When, on her journey long and wild
To the dim World of Souls, alone,
In her young beauty passed the mother of his child.

Three bow-shots from the Sachem's dwelling
They laid her in the walnut shade,
Where a green hillock gently swelling
Her fitting mound of burial made.
There trailed the vine in summer hours,
The tree-perched squirrel dropped his shell,—
On velvet moss and pale-hued flowers,
Woven with leaf and spray, the softened sunshine fell!

The Indian's heart is hard and cold,
It closes darkly o'er its care,
And formed in Nature's sternest mould,
Is slow to feel, and strong to bear.
The war-paint on the Sachem's face,
Unwet with tears, shone fierce and red,
And still, in battle or in chase,
Dry leaf and snow-rime crisped beneath his foremost tread.

Yet when her name was heard no more,
And when the robe her mother gave,
And small, light moccasin she wore,
Had slowly wasted on her grave,
Unmarked of him the dark maids sped
Their sunset dance and moonlit play;
No other shared his lonely bed,
No other fair young head upon his bosom lay.

A lone, stern man. Yet, as sometimes
The tempest-smitten tree receives
From one small root the sap which climbs
Its topmost spray and crowning leaves,
So from his child the Sachem drew
A life of Love and Hope, and felt
His cold and rugged nature through
The softness and the warmth of her young being melt.

A laugh which in the woodland rang
Bemocking April's gladdest bird,—
A light and graceful form which sprang
To meet him when his step was heard,—
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,—
With these the household-god had graced his wigwam well.

Child of the forest! strong and free,
Slight-robed, with loosely flowing hair,
She swam the lake or climbed the tree,
Or struck the flying bird in air.
O'er the heaped drifts of winter's moon
Her snow-shoes tracked the hunter's way;
And dazzling in the summer noon
The blade of her light oar threw off its shower of spray!

Unknown to her the rigid rule,
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter's fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned in her sight.

Unknown to her the subtle skill
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul's keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother's breast
To note her smiles of love the child of Nature lay!

It is enough for such to be
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother's arms, and sees but feels them not.

The garden rose may richly bloom
In cultured soil and genial air,
To cloud the light of Fashion's room
Or droop in Beauty's midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!

Thus o'er the heart of Weetamoo
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.


IV. THE WEDDING

Cool and dark fell the autumn night,
But the Bashaba's wigwam glowed with light,
For down from its roof, by green withes hung,
Flaring and smoking the pine-knots swung.

And along the river great wood-fires
Shot into the night their long, red spires,
Showing behind the tall, dark wood,
Flashing before on the sweeping flood.

In the changeful wind, with shimmer and shade,
Now high, now low, that firelight played,
On tree-leaves wet with evening dews,
On gliding water and still canoes.

The trapper that night on Turee's brook,
And the weary fisher on Contoocook,
Saw over the marshes, and through the pine,
And down on the river, the dance-lights shine.
For the Saugus Sachem had come to woo
The Bashaba's daughter Weetamoo,
And laid at her father's feet that night
His softest furs and wampum white.

From the Crystal Hills to the far southeast
The river Sagamores came to the feast;
And chiefs whose homes the sea-winds shook
Sat down on the mats of Pennacook.

They came from Sunapee's shore of rock,
From the snowy sources of Snooganock,
And from rough Coos whose thick woods shake
Their pine-cones in Umbagog Lake.

From Ammonoosuc's mountain pass,
Wild as his home, came Chepewass;
And the Keenomps of the bills which throw
Their shade on the Smile of Manito.

With pipes of peace and bows unstrung,
Glowing with paint came old and young,
In wampum and furs and feathers arrayed,
To the dance and feast the Bashaba made.

Bird of the air and beast of the field,
All which the woods and the waters yield,
On dishes of birch and hemlock piled,
Garnished and graced that banquet wild.

Steaks of the brown bear fat and large
From the rocky slopes of the Kearsarge;
Delicate trout from Babboosuck brook,
And salmon speared in the Contoocook;

Squirrels which fed where nuts fell thick
in the gravelly bed of the Otternic;
And small wild-hens in reed-snares caught
from the banks of Sondagardee brought;

Pike and perch from the Suncook taken,
Nuts from the trees of the Black Hills shaken,
Cranberries picked in the Squamscot bog,
And grapes from the vines of Piscataquog:

And, drawn from that great stone vase which stands
In the river scooped by a spirit's hands,
Garnished with spoons of shell and horn,
Stood the birchen dishes of smoking corn.

Thus bird of the air and beast of the field,
All which the woods and the waters yield,
Furnished in that olden day
The bridal feast of the Bashaba.

And merrily when that feast was done
On the fire-lit green the dance begun,
With squaws' shrill stave, and deeper hum
Of old men beating the Indian drum.

Painted and plumed, with scalp-locks flowing,
And red arms tossing and black eyes glowing,
Now in the light and now in the shade
Around the fires the dancers played.

The step was quicker, the song more shrill,
And the beat of the small drums louder still
Whenever within the circle drew
The Saugus Sachem and Weetamoo.

The moons of forty winters had shed
Their snow upon that chieftain's head,
And toil and care and battle's chance
Had seamed his hard, dark countenance.

A fawn beside the bison grim,—
Why turns the bride's fond eye on him,
In whose cold look is naught beside
The triumph of a sullen pride?

Ask why the graceful grape entwines
The rough oak with her arm of vines;
And why the gray rock's rugged cheek
The soft lips of the mosses seek.

Why, with wise instinct, Nature seems
To harmonize her wide extremes,
Linking the stronger with the weak,
The haughty with the soft and meek!


V. THE NEW HOME

A wild and broken landscape, spiked with firs,
Roughening the bleak horizon's northern edge;
Steep, cavernous hillsides, where black hemlock spurs
And sharp, gray splinters of the wind-swept ledge
Pierced the thin-glazed ice, or bristling rose,
Where the cold rim of the sky sunk down upon the snows.

And eastward cold, wide marshes stretched away,
Dull, dreary flats without a bush or tree,
O'er-crossed by icy creeks, where twice a day
Gurgled the waters of the moon-struck sea;
And faint with distance came the stifled roar,
The melancholy lapse of waves on that low shore.

No cheerful village with its mingling smokes,
No laugh of children wrestling in the snow,
No camp-fire blazing through the hillside oaks,
No fishers kneeling on the ice below;
Yet midst all desolate things of sound and view,
Through the long winter moons smiled dark-eyed Weetamoo.

Her heart had found a home; and freshly all
Its beautiful affections overgrew
Their rugged prop. As o'er some granite wall
Soft vine-leaves open to the moistening dew
And warm bright sun, the love of that young wife
Found on a hard cold breast the dew and warmth of life.

The steep, bleak hills, the melancholy shore,
The long, dead level of the marsh between,
A coloring of unreal beauty wore
Through the soft golden mist of young love seen.
For o'er those hills and from that dreary plain,
Nightly she welcomed home her hunter chief again.

No warmth of heart, no passionate burst of feeling,
Repaid her welcoming smile and parting kiss,
No fond and playful dalliance half concealing,
Under the guise of mirth, its tenderness;

But, in their stead, the warrior's settled pride,
And vanity's pleased smile with homage satisfied.

Enough for Weetamoo, that she alone
Sat on his mat and slumbered at his side;
That he whose fame to her young ear had flown
Now looked upon her proudly as his bride;
That he whose name the Mohawk trembling heard
Vouchsafed to her at times a kindly look or word.

For she had learned the maxims of her race,
Which teach the woman to become a slave,
And feel herself the pardonless disgrace
Of love's fond weakness in the wise and brave,—
The scandal and the shame which they incur,
Who give to woman all which man requires of her.

So passed the winter moons. The sun at last
Broke link by link the frost chain of the rills,
And the warm breathings of the southwest passed
Over the hoar rime of the Saugus hills;
The gray and desolate marsh grew green once more,
And the birch-tree's tremulous shade fell round the Sachem's door.

Then from far Pennacook swift runners came,
With gift and greeting for the Saugus chief;
Beseeching him in the great Sachem's name,
That, with the coming of the flower and leaf,
The song of birds, the warm breeze and the rain,
Young Weetamoo might greet her lonely sire again.

And Winnepurkit called his chiefs together,
And a grave council in his wigwam met,
Solemn and brief in words, considering whether
The rigid rules of forest etiquette
Permitted Weetamoo once more to look
Upon her father's face and green-banked Pennacook.

With interludes of pipe-smoke and strong water,
The forest sages pondered, and at length,
Concluded in a body to escort her
Up to her father's home of pride and strength,
Impressing thus on Pennacook a sense
Of Winnepurkit's power and regal consequence.

So through old woods which Aukeetamit's hand,
A soft and many-shaded greenness lent,
Over high breezy hills, and meadow land
Yellow with flowers, the wild procession went,
Till, rolling down its wooded banks between,
A broad, clear, mountain stream, the Merrimac was seen.

The hunter leaning on his bow undrawn,
The fisher lounging on the pebbled shores,
Squaws in the clearing dropping the seed-corn,
Young children peering through the wigwam doors,
Saw with delight, surrounded by her train
Of painted Saugus braves, their Weetamoo again.


VI. AT PENNACOOK

The hills are dearest which our childish feet
Have climbed the earliest; and the streams most sweet
Are ever those at which our young lips drank,
Stooped to their waters o'er the grassy bank.

Midst the cold dreary sea-watch, Home's hearth-light
Shines round the helmsman plunging through the night;
And still, with inward eye, the traveller sees
In close, dark, stranger streets his native trees.

The home-sick dreamer's brow is nightly fanned
By breezes whispering of his native land,
And on the stranger's dim and dying eye
The soft, sweet pictures of his childhood lie.

Joy then for Weetamoo, to sit once more
A child upon her father's wigwam floor!
Once more with her old fondness to beguile
From his cold eye the strange light of a smile.

The long, bright days of summer swiftly passed,
The dry leaves whirled in autumn's rising blast,
And evening cloud and whitening sunrise rime
Told of the coming of the winter-time.

But vainly looked, the while, young Weetamoo,
Down the dark river for her chief's canoe;
No dusky messenger from Saugus brought
The grateful tidings which the young wife sought.

At length a runner from her father sent,
To Winnepurkit's sea-cooled wigwam went
'Eagle of Saugus,—in the woods the dove
Mourns for the shelter of thy wings of love.'

But the dark chief of Saugus turned aside
In the grim anger of hard-hearted pride;
I bore her as became a chieftain's daughter,
Up to her home beside the gliding water.

If now no more a mat for her is found
Of all which line her father's wigwam round,
Let Pennacook call out his warrior train,
And send her back with wampum gifts again.'

The baffled runner turned upon his track,
Bearing the words of Winnepurkit back.
'Dog of the Marsh,' cried Pennacook, 'no more
Shall child of mine sit on his wigwam floor.

'Go, let him seek some meaner squaw to spread
The stolen bear-skin of his beggar's bed;
Son of a fish-hawk! let him dig his clams
For some vile daughter of the Agawams,

'Or coward Nipmucks! may his scalp dry black
In Mohawk smoke, before I send her back.'
He shook his clenched hand towards the ocean wave,
While hoarse assent his listening council gave.

Alas poor bride! can thy grim sire impart
His iron hardness to thy woman's heart?
Or cold self-torturing pride like his atone
For love denied and life's warm beauty flown?

On Autumn's gray and mournful grave the snow
Hung its white wreaths; with stifled voice and low
The river crept, by one vast bridge o'er-crossed,
Built by the boar-locked artisan of Frost.

And many a moon in beauty newly born
Pierced the red sunset with her silver horn,
Or, from the east, across her azure field
Rolled the wide brightness of her full-orbed shield.

Yet Winnepurkit came not,—on the mat
Of the scorned wife her dusky rival sat;
And he, the while, in Western woods afar,
Urged the long chase, or trod the path of war.

Dry up thy tears, young daughter of a chief!
Waste not on him the sacredness of grief;
Be the fierce spirit of thy sire thine own,
His lips of scorning, and his heart of stone.

What heeds the warrior of a hundred fights,
The storm-worn watcher through long hunting nights,
Cold, crafty, proud of woman's weak distress,
Her home-bound grief and pining loneliness?


VII. THE DEPARTURE

The wild March rains had fallen fast and long
The snowy mountains of the North among,
Making each vale a watercourse, each hill
Bright with the cascade of some new-made rill.

Gnawed by the sunbeams, softened by the rain,
Heaved underneath by the swollen current's strain,
The ice-bridge yielded, and the Merrimac
Bore the huge ruin crashing down its track.

On that strong turbid water, a small boat
Guided by one weak hand was seen to float;
Evil the fate which loosed it from the shore,
Too early voyager with too frail an oar!

Down the vexed centre of that rushing tide,
The thick huge ice-blocks threatening either side,
The foam-white rocks of Amoskeag in view,
With arrowy swiftness sped that light canoe.

The trapper, moistening his moose's meat
On the wet bank by Uncanoonuc's feet,
Saw the swift boat flash down the troubled stream;
Slept he, or waked he? was it truth or dream?

The straining eye bent fearfully before,
The small hand clenching on the useless oar,
The bead-wrought blanket trailing o'er the water—
He knew them all—woe for the Sachem's daughter!

Sick and aweary of her lonely life,
Heedless of peril, the still faithful wife
Had left her mother's grave, her father's door,
To seek the wigwam of her chief once more.

Down the white rapids like a sear leaf whirled,
On the sharp rocks and piled-up ices hurled,
Empty and broken, circled the canoe
In the vexed pool below—but where was Weetamoo.

VIII. SONG OF INDIAN WOMEN

The Dark eye has left us,
The Spring-bird has flown;
On the pathway of spirits
She wanders alone.
The song of the wood-dove has died on our shore
Mat wonck kunna-monee! We hear it no more!

O dark water Spirit
We cast on thy wave
These furs which may never
Hang over her grave;
Bear down to the lost one the robes that she wore
Mat wonck kunna-monee! We see her no more!

Of the strange land she walks in
No Powah has told:
It may burn with the sunshine,
Or freeze with the cold.
Let us give to our lost one the robes that she wore:
Mat wonck kunna-monee! We see her no more!

The path she is treading
Shall soon be our own;
Each gliding in shadow
Unseen and alone!
In vain shall we call on the souls gone before:
Mat wonck kunna-monee! They hear us no more!

O mighty Sowanna!
Thy gateways unfold,
From thy wigwam of sunset
Lift curtains of gold!

Take home the poor Spirit whose journey is o'er
Mat wonck kunna-monee! We see her no more!

So sang the Children of the Leaves beside
The broad, dark river's coldly flowing tide;
Now low, now harsh, with sob-like pause and swell,
On the high wind their voices rose and fell.
Nature's wild music,—sounds of wind-swept trees,
The scream of birds, the wailing of the breeze,
The roar of waters, steady, deep, and strong,—
Mingled and murmured in that farewell song.