A Parting Guest

What delightful hosts are they --
   Life and Love!
Lingeringly I turn away,
   This late hour, yet glad enough
They have not withheld from me
   Their high hospitality.
So, with face lit with delight
   And all gratitude, I stay
   Yet to press their hands and say,
"Thanks. -- So fine a time! Good night."

She will not smile;
She will not stir;
I marvel while
I look on her.
The lips are chilly
And will not speak;
The ghost of a lily
In either cheek.

Her hair--ah me!
Her hair--her hair!
How helplessly
My hands go there!
But my caresses
Meet not hers,
O golden tresses
That thread my tears!

I kiss the eyes
On either lid,
Where her love lies
Forever hid.
I cease my weeping
And smile and say:
I will be sleeping
Thus, some day!

Song Of Parting

Say farewell, and let me go;
Shatter every vow!
All the future can bestow
Will be welcome now!
And if this fair hand I touch
I have worshipped overmuch,
It was my mistake--and so,
Say farewell, and let me go.

Say farewell, and let me go:
Murmur no regret,
Stay your tear-drops ere they flow--
Do not waste them yet!
They might pour as pours the rain,
And not wash away the pain:
I have tried them and I know.--
Say farewell, and let me go.

Say farewell, and let me go:
Think me not untrue--
True as truth is, even so
I am true to you!
If the ghost of love may stay
Where my fond heart dies to-day,
I am with you alway--so,
Say farewell, and let me go.

How It Happened

I got to thinkin' of her--both her parents dead and gone--
And all her sisters married off, and none but her and John
A-livin' all alone there in that lonesome sort o' way,
And him a blame old bachelor, confirmder ev'ry day!
I'd knowed 'em all from childern, and their daddy from the time
He settled in the neighborhood, and had n't ary a dime
Er dollar, when he married, far to start housekeepin' on!--
So I got to thinkin' of her--both her parents dead and gone!

I got to thinkin' of her; and a-wundern what she done
That all her sisters kep' a gittin' married, one by one,
And her without no chances--and the best girl of the pack--
An old maid, with her hands, you might say, tied behind her back!
And Mother, too, afore she died, she ust to jes' take on,
When none of 'em was left, you know, but Evaline and John,
And jes' declare to goodness 'at the young men must be bline
To not see what a wife they 'd git if they got Evaline!

I got to thinkin' of her; in my great affliction she
Was sich a comfert to us, and so kind and neighberly,--
She 'd come, and leave her housework, far to be'p out little Jane,
And talk of _her own_ mother 'at she 'd never see again--
Maybe sometimes cry together--though, far the most part she
Would have the child so riconciled and happy-like 'at we
Felt lonesomer 'n ever when she 'd put her bonnet on
And say she 'd railly haf to be a-gittin' back to John!

I got to thinkin' of her, as I say,--and more and more
I'd think of her dependence, and the burdens 'at she bore,--
Her parents both a-bein' dead, and all her sisters gone
And married off, and her a-livin' there alone with John--
You might say jes' a-toilin' and a-slavin' out her life
Far a man 'at hadn't pride enough to git hisse'f a wife--
'Less some one married _Evaline_, and packed her off some day!--
So I got to thinkin' of her--and it happened thataway.

Wash Lowry's Reminiscence

And you're the poet of this concern?
I've seed your name in print
A dozen times, but I'll be dern
I'd 'a' never 'a' took the hint
O' the size you are--fer I'd pictured you
A kind of a tallish man--
Dark-complected and sallor too,
And on the consumpted plan.

'Stid o' that you're little and small,
With a milk-and-water face--
'Thout no snap in your eyes at all,
Er nothin' to suit the case!
Kind o'look like a--I don't know--
One o' these fair-ground chaps
That runs a thingamajig to blow,
Er a candy-stand perhaps.

'Ll I've allus thought that poetry
Was a sort of a--some disease--
Fer I knowed a poet once, and he
Was techy and hard to please,
And moody-like, and kindo' sad
And didn't seem to mix
With other folks--like his health was bad,
Er his liver out o' fix.

Used to teach fer a livelihood--
There's folks in Pipe Crick yit
Remembers him--and he was good
At cipherin' I'll admit--
And posted up in G'ography
But when it comes to tact,
And gittin' along with the school, you see,
He fizzled, and that's a fact!

Boarded with us fer fourteen months
And in all that time I'll say
We never catched him a-sleepin' once
Er idle a single day.
But shucks! It made him worse and worse
A-writin' rhymes and stuff,
And the school committee used to furse
'At the school warn't good enough.

He warn't as strict as he ought to been,
And never was known to whip,
Or even to keep a scholard in
At work at his penmanship;
'Stid o' that he'd learn 'em notes,
And have 'em every day,
Spilin' hymns and a-splittin' th'oats
With his 'Do-sol-fa-me-ra!'

Tel finally it was jest agreed
We'd have to let him go,
And we all felt bad--we did indeed,
When we come to tell him so;
Fer I remember, he turned so white,
And smiled so sad, somehow,
I someway felt it wasn't right,
And I'm shore it wasn't now!

He hadn't no complaints at all--
He bid the school adieu,
And all o' the scholards great and small
Was mighty sorry too!
And when he closed that afternoon
They sung some lines that he
Had writ a purpose, to some old tune
That suited the case, you see.

And then he lingered and delayed
And wouldn't go away--
And shet himself in his room and stayed
A-writin' from day to day;
And kep' a-gittin' stranger still,
And thinner all the time,
You know, as any feller will
On nothin' else but rhyme.

He didn't seem adzactly right,
Er like he was crossed in love,
He'd work away night after night,
And walk the floor above;
We'd hear him read and talk, and sing
So lonesome-like and low,
My woman's cried like ever'thing--
'Way in the night, you know.

And when at last he tuck to bed
He'd have his ink and pen;
'So's he could coat the muse' he said,
'He'd die contented then';
And jest before he past away
He read with dyin' gaze
The epitaph that stands to-day
To show you where he lays.

And ever sence then I've allus thought
That poetry's some disease,
And them like you that's got it ought
To watch their q's and p's ;
And leave the sweets of rhyme, to sup
On the wholesome draughts of toil,
And git your health recruited up
By plowin' in rougher soil.

Three Dead Friends

Always suddenly they are gone--
The friends we trusted and held secure--
Suddenly we are gazing on,
Not a _smiling_ face, but the marble-pure
Dead mask of a face that nevermore
To a smile of ours will make reply--
The lips close-locked as the eyelids are--
Gone--swift as the flash of the molten ore
A meteor pours through a midnight sky,
Leaving it blind of a single star.

Tell us, O Death, Remorseless Might!
What is this old, unescapable ire
You wreak on us?--from the birth of light
Till the world be charred to a core of fire!
We do no evil thing to you--
We seek to evade you--that is all--
That is your will--you will not be known
Of men. What, then, would you have us do?--
Cringe, and wait till your vengeance fall,
And your graves be fed, and the trumpet blown?

You desire no friends; but _we_--O we
Need them so, as we falter here,
Fumbling through each new vacancy,
As each is stricken that we hold dear.
One you struck but a year ago;
And one not a month ago; and one--
(God's vast pity!)--and one lies now
Where the widow wails, in her nameless woe,
And the soldiers pace, with the sword and gun,
Where the comrade sleeps, with the laureled brow.

And what did the first?--that wayward soul,
Clothed of sorrow, yet nude of sin,
And with all hearts bowed in the strange control
Of the heavenly voice of his violin.
Why, it was music the way he _stood_,
So grand was the poise of the head and so
Full was the figure of majesty!--
One heard with the eyes, as a deaf man would,
And with all sense brimmed to the overflow
With tears of anguish and ecstasy.

And what did the girl, with the great warm light
Of genius sunning her eyes of blue,
With her heart so pure, and her soul so white--
What, O Death, did she do to you?
Through field and wood as a child she strayed,
As Nature, the dear sweet mother led;
While from her canvas, mirrored back,
Glimmered the stream through the everglade
Where the grapevine trailed from the trees to wed
Its likeness of emerald, blue and black.

And what did he, who, the last of these,
Faced you, with never a fear, O Death?
Did you hate _him_ that he loved the breeze,
And the morning dews, and the rose's breath?
Did you hate him that he answered not
Your hate again--but turned, instead,
His only hate on his country's wrongs?
Well--you possess him, dead!--but what
Of the good he wrought? With laureled head
He bides with us in his deeds and songs.

Laureled, first, that he bravely fought,
And forged a way to our flag's release;
Laureled, next--for the harp he taught
To wake glad songs in the days of peace--
Songs of the woodland haunts he held
As close in his love as they held their bloom
In their inmost bosoms of leaf and vine--
Songs that echoed, and pulsed and welled
Through the town's pent streets, and the sick child's room,
Pure as a shower in soft sunshine.

Claim them, Death; yet their fame endures,
What friend next will you rend from us
In that cold, pitiless way of yours,
And leave us a grief more dolorous?
Speak to us!--tell us, O Dreadful Power!--
Are we to have not a lone friend left?--
Since, frozen, sodden, or green the sod,--
In every second of every hour,
_Some one_, Death, you have left thus bereft,
Half inaudibly shrieks to God.

Up And Down Old Brandywine

Up and down old Brandywine,
In the days 'at's past and gone--
With a dad-burn hook-and line
And a saplin' pole--swawn!
I've had more fun, to the square
Inch, than ever ANYwhere!
Heaven to come can't discount MINE
Up and down old Brandywine!

Hain't no sense in WISHIN'--yit
Wisht to goodness I COULD jes
'Gee' the blame' world round and git
Back to that old happiness!--
Kindo' drive back in the shade
'The old Covered Bridge' there laid
'Crosst the crick, and sorto' soak
My soul over, hub and spoke!

Honest, now!--it hain't no DREAM
'At I'm wantin',--but THE FAC'S
As they wuz; the same old stream,
And the same old times, i jacks!--
Gim me back my bare feet--and
Stonebruise too!--And scratched and tanned!
And let hottest dog-days shine
Up and down old Brandywine!

In and on betwixt the trees
'Long the banks, pour down yer noon,
Kindo' curdled with the breeze
And the yallerhammer's tune;
And the smokin', chokin' dust
O' the turnpike at its wusst--
SATURD'YS, say, when it seems
Road's jes jammed with country teams!--

Whilse the old town, fur away
'Crosst the hazy pastur'-land,
Dozed-like in the heat o' day
Peaceful' as a hired hand.
Jolt the gravel th'ough the floor
O' the old bridge!--grind and roar
With yer blame percession-line--
Up and down old Brandywine!

Souse me and my new straw-hat
Off the foot-log!--what _I_ care?--
Fist shoved in the crown o' that--
Like the old Clown ust to wear.
Wouldn't swop it fer a' old
Gin-u-wine raal crown o' gold!--
Keep yer KING ef you'll gim me
Jes the boy I ust to be!

Spill my fishin'-worms! er steal
My best 'goggle-eye!'--but you
Can't lay hands on joys I feel
Nibblin' like they ust to do!
So, in memory, to-day
Same old ripple lips away
At my 'cork' and saggin' line,
Up and down old Bradywine!

There the logs is, round the hill,
Where 'Old Irvin' ust to lift
Out sunfish from daylight till
Dewfall--'fore he'd leave 'The Drift'
And give US a chance--and then
Kindo' fish back home again,
Ketchin' 'em jes left and right
Where WE hadn't got 'a bite!'

Er, 'way windin' out and in,--
Old path th'ough the iurnweeds
And dog-fennel to yer chin--
Then come suddent, th'ough the reeds
And cat-tails, smack into where
Them--air woods--hogs ust to scare
Us clean 'crosst the County-line,
Up and down old Brandywine!

But the dim roar o' the dam
It 'ud coax us furder still
To'rds the old race, slow and ca'm,
Slidin' on to Huston's mill--
Where, I'spect, 'The Freeport crowd'
Never WARMED to us er 'lowed
We wuz quite so overly
Welcome as we aimed to be.

Still it 'peared like ever'thing--
Fur away from home as THERE--
Had more RELISH-like, i jing!--
Fish in stream, er bird in air!
O them rich old bottom-lands,
Past where Cowden's Schoolhouse stands!
Wortermelons--MASTER-MINE!
Up and down old Brandywine!

And sich pop-paws!--Lumps o' raw
Gold and green,--jes oozy th'ough
With ripe yaller--like you've saw
Custard-pie with no crust to:
And jes GORGES o' wild plums,
Till a feller'd suck his thumbs
Clean up to his elbows! MY!--
ME SOME MORE ER LEM ME DIE!

Up and down old Brandywine! ...
Stripe me with pokeberry-juice!--
Flick me with a pizenvine
And yell 'Yip!' and lem me loose!
--Old now as I then wuz young,
'F I could sing as I HAVE sung,
Song 'ud surely ring DEE-VINE
Up and down old Brandywine!

Floretty's Musical Contribution

All seemed delighted, though the elders more,
Of course, than were the children.--Thus, before
Much interchange of mirthful compliment,
The story-teller said _his_ stories 'went'
(Like a bad candle) _best_ when they went _out_,--
And that some sprightly music, dashed about,
Would _wholly_ quench his 'glimmer,' and inspire
Far brighter lights.

And, answering this desire,
The flutist opened, in a rapturous strain
Of rippling notes--a perfect April-rain
Of melody that drenched the senses through;--
Then--gentler--gentler--as the dusk sheds dew,
It fell, by velvety, staccatoed halts,
Swooning away in old 'Von Weber's Waltz.'
Then the young ladies sang 'Isle of the Sea'--
In ebb and flow and wave so billowy,--
Only with quavering breath and folded eyes
The listeners heard, buoyed on the fall and rise
Of its insistent and exceeding stress
Of sweetness and ecstatic tenderness ...
With lifted finger _yet_, Remembrance--List!--
'_Beautiful isle of the sea!_' wells in a mist
Of tremulous ...

... After much whispering
Among the children, Alex came to bring
Some kind of _letter_--as it seemed to be--
To Cousin Rufus. This he carelessly
Unfolded--reading to himself alone,--
But, since its contents became, later, known,
And no one '_plagued_ so _awful_ bad,' the same
May here be given--of course without full name,
Fac-simile, or written kink or curl
Or clue. It read:--

'Wild Roved an indian Girl
Brite al Floretty'
deer freind
I now take
*this* These means to send that _Song_ to you & make
my Promus good to you in the Regards
Of doing What i Promust afterwards,
the _notes_ & _Words_ is both here _Printed_ SOS
you *kin* can git _uncle Mart_ to read you *them* those
& cousin Rufus you can git to _Play_
the _notes_ fur you on eny Plezunt day
His Legul Work aint *Pressin* Pressing.
Ever thine
As shore as the Vine
doth the Stump intwine
thou art my Lump of Sackkerrine
Rinaldo Rinaldine
the Pirut in Captivity.

... There dropped
Another square scrap.--But the hand was stopped
That reached for it--Floretty suddenly
Had set a firm foot on her property--
Thinking it was the _letter_, not the _song_,--
But blushing to discover she was wrong,
When, with all gravity of face and air,
Her precious letter _handed_ to her there
By Cousin Rufus left her even more
In apprehension than she was before.
But, testing his unwavering, kindly eye,
She seemed to put her last suspicion by,
And, in exchange, handed the song to him.--

A page torn from a song-book: Small and dim
Both notes and words were--but as plain as day
They seemed to him, as he began to play--
And plain to _all_ the singers,--as he ran
An airy, warbling prelude, then began
Singing and swinging in so blithe a strain,
That every voice rang in the old refrain:
From the beginning of the song, clean through,
Floretty's features were a study to
The flutist who 'read _notes_' so readily,
Yet read so little of the mystery
Of that face of the girl's.--Indeed _one_ thing
Bewildered him quite into worrying,
And that was, noticing, throughout it all,
The Hired Man shrinking closer to the wall,
She ever backing toward him through the throng
Of barricading children--till the song
Was ended, and at last he saw her near
Enough to reach and take him by the ear
And pinch it just a pang's worth of her ire
And leave it burning like a coal of fire.
He noticed, too, in subtle pantomime
She seemed to dust him off, from time to time;
And when somebody, later, asked if she
Had never heard the song before--'What! _me?_'
She said--then blushed again and smiled,--
'I've knowed that song sence _Adam_ was a child!--
It's jes a joke o' this-here man's.--He's learned
To _read_ and _write_ a little, and its turned
His fool-head some--That's all!'

And then some one
Of the loud-wrangling boys said--'_Course_ they's none
No more, _these_ days!--They's Fairies _ust_ to be,
But they're all dead, a hunderd years!' said he.

'Well, there's where you're _mustakened_!'--in reply
They heard Bud's voice, pitched sharp and thin and high.--

'An' how you goin' to _prove_ it!'

'Well, I _kin_!'
Said Bud, with emphasis,--'They's one lives in
Our garden--and I _see_ 'im wunst, wiv my
Own eyes--_one_ time I did.'

'_Oh, what a lie_!'
--''_Sh!_''

'Well, nen,' said the skeptic--seeing there
The older folks attracted--'Tell us _where_
You saw him, an' all _'bout_ him!'

'Yes, my son.--
If you tell 'stories,' you may tell us one,'
The smiling father said, while Uncle Mart,
Behind him, winked at Bud, and pulled apart
His nose and chin with comical grimace--
Then sighed aloud, with sanctimonious face,--
''_How good and comely it is to see
Children and parents in friendship agree!_'--
You fire away, Bud, on your Fairy-tale--
Your _Uncle's_ here to back you!'

Somewhat pale,
And breathless as to speech, the little man
Gathered himself. And thus his story ran.

He Called Her In

I

He called her in from me and shut the door.
And she so loved the sunshine and the sky!--
She loved them even better yet than I
That ne'er knew dearth of them--my mother dead,
Nature had nursed me in her lap instead:
And I had grown a dark and eerie child
That rarely smiled,
Save when, shut all alone in grasses high,
Looking straight up in God's great lonesome sky
And coaxing Mother to smile back on me.
'Twas lying thus, this fair girl suddenly
Came to me, nestled in the fields beside
A pleasant-seeming home, with doorway wide--
The sunshine beating in upon the floor

Like golden rain.--
O sweet, sweet face above me, turn again
And leave me! I had cried, but that an ache
Within my throat so gripped it I could make
No sound but a thick sobbing. Cowering so,
I felt her light hand laid
Upon my hair--a touch that ne'er before
Had tamed me thus, all soothed and unafraid--
It seemed the touch the children used to know
When Christ was here, so dear it was--so dear,--
At once I loved her as the leaves love dew
In midmost summer when the days are new.
Barely an hour I knew her, yet a curl
Of silken sunshine did she clip for me
Out of the bright May-morning of her hair,
And bound and gave it to me laughingly,
And caught my hands and called me '_Little girl_,'
Tiptoeing, as she spoke, to kiss me there!
And I stood dazed and dumb for very stress
Of my great happiness.
She plucked me by the gown, nor saw how mean
The raiment--drew me with her everywhere:
Smothered her face in tufts of grasses green:
Put up her dainty hands and peeped between
Her fingers at the blossoms--crooned and talked
To them in strange, glad whispers, as we walked,--
Said _this_ one was her angel mother--_this_,
Her baby-sister--come back, for a kiss,
Clean from the Good-World!--smiled and kissed them, then
Closed her soft eyes and kissed them o'er again.
And so did she beguile me--so we played,--
She was the dazzling Shine--I, the dark Shade--
And we did mingle like to these, and thus,
Together, made
The perfect summer, pure and glorious.
So blent we, till a harsh voice broke upon
Our happiness.--She, startled as a fawn,
Cried, 'Oh, 'tis Father!'--all the blossoms gone
From out her cheeks as those from out her grasp.--
Harsher the voice came:--She could only gasp
Affrightedly, 'Good-bye!--good-bye! good-bye!'
And lo, I stood alone, with that harsh cry
Ringing a new and unknown sense of shame
Through soul and frame,
And, with wet eyes, repeating o'er and o'er,--
'He called her in from me and shut the door!'


II

He called her in from me and shut the door!
And I went wandering alone again--
So lonely--O so very lonely then,
I thought no little sallow star, alone
In all a world of twilight, e'er had known
Such utter loneliness. But that I wore
Above my heart that gleaming tress of hair
To lighten up the night of my despair,
I think I might have groped into my grave
Nor cared to wave
The ferns above it with a breath of prayer.
And how I hungered for the sweet, sweet face
That bent above me in my hiding-place
That day amid the grasses there beside
Her pleasant home!--'Her _pleasant_ home!' I sighed,
Remembering;--then shut my teeth and feigned
The harsh voice calling _me_,--then clinched my nails
So deeply in my palms, the sharp wounds pained,
And tossed my face toward heaven, as one who pales
In splendid martyrdom, with soul serene,
As near to God as high the guillotine.
And I had _envied_ her? Not that--O no!
But I had longed for some sweet haven so!--
Wherein the tempest-beaten heart might ride
Sometimes at peaceful anchor, and abide
Where those that loved me touched me with their hands,
And looked upon me with glad eyes, and slipped
Smooth fingers o'er my brow, and lulled the strands
Of my wild tresses, as they backward tipped
My yearning face and kissed it satisfied.
Then bitterly I murmured as before,--
'He called her in from me and shut the door!'


III

He called her in from me and shut the door!
After long struggling with my pride and pain--
A weary while it seemed, in which the more
I held myself from her, the greater fain
Was I to look upon her face again;--
At last--at last--half conscious where my feet
Were faring, I stood waist-deep in the sweet
Green grasses there where she
First came to me.--
The very blossoms she had plucked that day,
And, at her father's voice, had cast away,
Around me lay,
Still bright and blooming in these eyes of mine;
And as I gathered each one eagerly,
I pressed it to my lips and drank the wine
Her kisses left there for the honey-bee.
Then, after I had laid them with the tress

Of her bright hair with lingering tenderness,
I, turning, crept on to the hedge that bound
Her pleasant-seeming home--but all around
Was never sign of her!--The windows all
Were blinded; and I heard no rippling fall
Of her glad laugh, nor any harsh voice call;--
But clutching to the tangled grasses, caught
A sound as though a strong man bowed his head
And sobbed alone--unloved--uncomforted!--
And then straightway before
My tearless eyes, all vividly, was wrought
A vision that is with me evermore:--
A little girl that lies asleep, nor hears
Nor heeds not any voice nor fall of tears.--
And I sit singing o'er and o'er and o'er,--
'God called her in from him and shut the door!'

The Silent Victors

MAY 30, 1878,

Dying for victory, cheer on cheer
Thundered on his eager ear.
--CHARLES L. HOLSTEIN.

I

Deep, tender, firm and true, the Nation's heart
Throbs for her gallant heroes passed away,
Who in grim Battle's drama played their part,
And slumber here to-day.--

Warm hearts that beat their lives out at the shrine
Of Freedom, while our country held its breath
As brave battalions wheeled themselves in line
And marched upon their death:

When Freedom's Flag, its natal wounds scarce healed,
Was torn from peaceful winds and flung again
To shudder in the storm of battle-field--
The elements of men,--

When every star that glittered was a mark
For Treason's ball, and every rippling bar
Of red and white was sullied with the dark
And purple stain of war:

When angry guns, like famished beasts of prey,
Were howling o'er their gory feast of lives,
And sending dismal echoes far away
To mothers, maids, and wives:--

The mother, kneeling in the empty night,
With pleading hands uplifted for the son
Who, even as she prayed, had fought the fight--
The victory had won:

The wife, with trembling hand that wrote to say
The babe was waiting for the sire's caress--
The letter meeting that upon the way,--
The babe was fatherless:

The maiden, with her lips, in fancy, pressed
Against the brow once dewy with her breath,
Now lying numb, unknown, and uncaressed
Save by the dews of death.

II

What meed of tribute can the poet pay
The Soldier, but to trail the ivy-vine
Of idle rhyme above his grave to-day
In epitaph design?--

Or wreathe with laurel-words the icy brows
That ache no longer with a dream of fame,
But, pillowed lowly in the narrow house,
Renowned beyond the name.

The dewy tear-drops of the night may fall,
And tender morning with her shining hand
May brush them from the grasses green and tall
That undulate the land.--

Yet song of Peace nor din of toil and thrift,
Nor chanted honors, with the flowers we heap,
Can yield us hope the Hero's head to lift
Out of its dreamless sleep:

The dear old Flag, whose faintest flutter flies
A stirring echo through each patriot breast,
Can never coax to life the folded eyes
That saw its wrongs redressed--

That watched it waver when the fight was hot,
And blazed with newer courage to its aid,
Regardless of the shower of shell and shot
Through which the charge was made;--

And when, at last, they saw it plume its wings,
Like some proud bird in stormy element,
And soar untrammeled on its wanderings,
They closed in death, content.

III

O Mother, you who miss the smiling face
Of that dear boy who vanished from your sight,
And left you weeping o'er the vacant place
He used to fill at night,--

Who left you dazed, bewildered, on a day
That echoed wild huzzas, and roar of guns
That drowned the farewell words you tried to say
To incoherent ones;--

Be glad and proud you had the life to give--
Be comforted through all the years to come,--
Your country has a longer life to live,
Your son a better home.

O Widow, weeping o'er the orphaned child,
Who only lifts his questioning eyes to send
A keener pang to grief unreconciled,--
Teach him to comprehend

He had a father brave enough to stand
Before the fire of Treason's blazing gun,
That, dying, he might will the rich old land
Of Freedom to his son.

And, Maiden, living on through lonely years
In fealty to love's enduring ties,--
With strong faith gleaming through the tender tears
That gather in your eyes,

Look up! and own, in gratefulness of prayer,
Submission to the will of Heaven's High Host:--
I see your Angel-soldier pacing there,
Expectant at his post.--

I see the rank and file of armies vast,
That muster under one supreme control;
I hear the trumpet sound the signal-blast--
The calling of the roll--

The grand divisions falling into line
And forming, under voice of One alone
Who gives command, and joins with tongue divine
The hymn that shakes the Throne.

IV

And thus, in tribute to the forms that rest
In their last camping-ground, we strew the bloom
And fragrance of the flowers they loved the best,
In silence o'er the tomb.

With reverent hands we twine the Hero's wreath
And clasp it tenderly on stake or stone
That stands the sentinel for each beneath
Whose glory is our own.

While in the violet that greets the sun,
We see the azure eye of some lost boy;
And in the rose the ruddy cheek of one
We kissed in childish joy,--

Recalling, haply, when he marched away,
He laughed his loudest though his eyes were wet.--
The kiss he gave his mother's brow that day
Is there and burning yet:

And through the storm of grief around her tossed,
One ray of saddest comfort she may see,--
Four hundred thousand sons like hers were lost
To weeping Liberty.

. . . . . . . .
But draw aside the drapery of gloom,
And let the sunshine chase the clouds away
And gild with brighter glory every tomb
We decorate to-day:

And in the holy silence reigning round,
While prayers of perfume bless the atmosphere,
Where loyal souls of love and faith are found,
Thank God that Peace is here!

And let each angry impulse that may start,
Be smothered out of every loyal breast;
And, rocked within the cradle of the heart,
Let every sorrow rest.

Another hero of those youthful years
Returns, as Noey Bixler's name appears.
And Noey--if in any special way--
Was notably good-natured.--Work or play
He entered into with selfsame delight--
A wholesome interest that made him quite
As many friends among the old as young,--
So everywhere were Noey's praises sung.

And he was awkward, fat and overgrown,
With a round full-moon face, that fairly shone
As though to meet the simile's demand.
And, cumbrous though he seemed, both eye and hand
Were dowered with the discernment and deft skill
Of the true artisan: He shaped at will,
In his old father's shop, on rainy days,
Little toy-wagons, and curved-runner sleighs;
The trimmest bows and arrows--fashioned, too.
Of 'seasoned timber,' such as Noey knew
How to select, prepare, and then complete,
And call his little friends in from the street.
'The very _best_ bow,' Noey used to say,
'Haint made o' ash ner hick'ry thataway!--
But you git _mulberry_--the _bearin_'-tree,
Now mind ye! and you fetch the piece to me,
And lem me git it _seasoned_; then, i gum!
I'll make a bow 'at you kin brag on some!
Er--ef you can't git _mulberry_,--you bring
Me a' old _locus_' hitch-post, and i jing!
I'll make a bow o' _that_ 'at _common_ bows
Won't dast to pick on ner turn up their nose!'
And Noey knew the woods, and all the trees,
And thickets, plants and myriad mysteries
Of swamp and bottom-land. And he knew where
The ground-hog hid, and why located there.--
He knew all animals that burrowed, swam,
Or lived in tree-tops: And, by race and dam,
He knew the choicest, safest deeps wherein
Fish-traps might flourish nor provoke the sin
Of theft in some chance peeking, prying sneak,
Or town-boy, prowling up and down the creek.
All four-pawed creatures tamable--he knew
Their outer and their inner natures too;
While they, in turn, were drawn to him as by
Some subtle recognition of a tie
Of love, as true as truth from end to end,
Between themselves and this strange human friend.
The same with birds--he knew them every one,
And he could 'name them, too, without a gun.'
No wonder _Johnty_ loved him, even to
The verge of worship.--Noey led him through
The art of trapping redbirds--yes, and taught
Him how to keep them when he had them caught--
What food they needed, and just where to swing
The cage, if he expected them to _sing_.

And _Bud_ loved Noey, for the little pair
Of stilts he made him; or the stout old hair
Trunk Noey put on wheels, and laid a track
Of scantling-railroad for it in the back
Part of the barn-lot; or the cross-bow, made
Just like a gun, which deadly weapon laid
Against his shoulder as he aimed, and--'_Sping!_'
He'd hear the rusty old nail zoon and sing--
And _zip!_ your Mr. Bluejay's wing would drop
A farewell-feather from the old tree-top!
And _Maymie_ loved him, for the very small
But perfect carriage for her favorite doll--
A _lady's_ carriage--not a _baby_-cab,--
But oilcloth top, and two seats, lined with drab
And trimmed with white lace-paper from a case
Of shaving-soap his uncle bought some place
At auction once.

And _Alex_ loved him yet
The best, when Noey brought him, for a pet,
A little flying-squirrel, with great eyes--
Big as a child's: And, childlike otherwise,
It was at first a timid, tremulous, coy,
Retiring little thing that dodged the boy
And tried to keep in Noey's pocket;--till,
In time, responsive to his patient will,
It became wholly docile, and content
With its new master, as he came and went,--
The squirrel clinging flatly to his breast,
Or sometimes scampering its craziest
Around his body spirally, and then
Down to his very heels and up again.

And _Little Lizzie_ loved him, as a bee
Loves a great ripe red apple--utterly.
For Noey's ruddy morning-face she drew
The window-blind, and tapped the window, too;
Afar she hailed his coming, as she heard
His tuneless whistling--sweet as any bird
It seemed to her, the one lame bar or so
Of old 'Wait for the Wagon'--hoarse and low
The sound was,--so that, all about the place,
Folks joked and said that Noey 'whistled bass'--
The light remark originally made
By Cousin Rufus, who knew notes, and played
The flute with nimble skill, and taste as wall,
And, critical as he was musical,
Regarded Noey's constant whistling thus
'Phenominally unmelodious.'
Likewise when Uncle Mart, who shared the love
Of jest with Cousin Rufus hand-in-glove,
Said 'Noey couldn't whistle '_Bonny Doon_'
Even! and, _he'd_ bet, couldn't carry a tune
If it had handles to it!'

--But forgive
The deviations here so fugitive,
And turn again to Little Lizzie, whose
High estimate of Noey we shall choose
Above all others.--And to her he was
Particularly lovable because
He laid the woodland's harvest at her feet.--
He brought her wild strawberries, honey-sweet
And dewy-cool, in mats of greenest moss
And leaves, all woven over and across
With tender, biting 'tongue-grass,' and 'sheep-sour,'
And twin-leaved beach-mast, prankt with bud and flower
Of every gypsy-blossom of the wild,
Dark, tangled forest, dear to any child.--
All these in season. Nor could barren, drear,
White and stark-featured Winter interfere
With Noey's rare resources: Still the same
He blithely whistled through the snow and came
Beneath the window with a Fairy sled;
And Little Lizzie, bundled heels-and-head,
He took on such excursions of delight
As even 'Old Santy' with his reindeer might
Have envied her! And, later, when the snow
Was softening toward Springtime and the glow
Of steady sunshine smote upon it,--then
Came the magician Noey yet again--
While all the children were away a day
Or two at Grandma's!--and behold when they
Got home once more;--there, towering taller than
The doorway--stood a mighty, old Snow-Man!

A thing of peerless art--a masterpiece
Doubtless unmatched by even classic Greece
In heyday of Praxiteles.--Alone
It loomed in lordly grandeur all its own.
And steadfast, too, for weeks and weeks it stood,
The admiration of the neighborhood
As well as of the children Noey sought
Only to honor in the work he wrought.
The traveler paid it tribute, as he passed
Along the highway--paused and, turning, cast
A lingering, last look--as though to take
A vivid print of it, for memory's sake,
To lighten all the empty, aching miles
Beyond with brighter fancies, hopes and smiles.
The cynic put aside his biting wit
And tacitly declared in praise of it;
And even the apprentice-poet of the town
Rose to impassioned heights, and then sat down
And penned a panegyric scroll of rhyme
That made the Snow-Man famous for all time.

And though, as now, the ever warmer sun
Of summer had so melted and undone
The perishable figure that--alas!--
Not even in dwindled white against the grass--
Was left its latest and minutest ghost,
The children yet--_materially_, almost--
Beheld it--circled 'round it hand-in-hand--
(Or rather 'round the place it used to stand)--
With 'Ring-a-round-a-rosy! Bottle full
O' posey!' and, with shriek and laugh, would pull
From seeming contact with it--just as when
It was the _real-est_ of old Snow-Men.

Squire Hawkins's Story

I hain't no hand at tellin' tales,
Er spinnin' yarns, as the sailors say;
Someway o' 'nother, language fails
To slide fer me in the oily way
That LAWYERS has; and I wisht it would,
Fer I've got somepin' that I call good;
But bein' only a country squire,
I've learned to listen and admire,
Ruther preferrin' to be addressed
Than talk myse'f--but I'll do my best:--

Old Jeff Thompson--well, I'll say,
Was the clos'test man I ever saw!--
Rich as cream, but the porest pay,
And the meanest man to work fer--La!
I've knowed that man to work one 'hand'--
Fer little er nothin', you understand--
From four o'clock in the morning light
Tel eight and nine o'clock at night,
And then find fault with his appetite!
He'd drive all over the neighberhood
To miss the place where a toll-gate stood,
And slip in town, by some old road
That no two men in the county knowed,
With a jag o' wood, and a sack o' wheat,
That wouldn't burn and you couldn't eat!
And the trades he'd make, 'll I jest de-clare,
Was enough to make a preacher swear!
And then he'd hitch, and hang about
Tel the lights in the toll-gate was blowed out,
And then the turnpike he'd turn in
And sneak his way back home ag'in!

Some folks hint, and I make no doubt,
That that's what wore his old wife out--
Toilin' away from day to day
And year to year, through heat and cold,
Uncomplainin'--the same old way
The martyrs died in the days of old;
And a-clingin', too, as the martyrs done,
To one fixed faith, and her ONLY one,--
Little Patience, the sweetest child
That ever wept unrickonciled,
Er felt the pain and the ache and sting
That only a mother's death can bring.

Patience Thompson!--I think that name
Must 'a' come from a power above,
Fer it seemed to fit her jest the same
As a GAITER would, er a fine kid glove!
And to see that girl, with all the care
Of the household on her--I de-clare
It was OUDACIOUS, the work she'd do,
And the thousand plans that she'd putt through;

And sing like a medder-lark all day long,
And drowned her cares in the joys o' song;
And LAUGH sometimes tel the farmer's 'hand,'
Away fur off in the fields, would stand
A-listenin', with the plow half drawn,
Tel the coaxin' echoes called him on;
And the furries seemed, in his dreamy eyes,
Like foot-paths a-leadin' to Paradise,
As off through the hazy atmosphere
The call fer dinner reached his ear.

Now LOVE'S as cunnin'a little thing
As a hummin'-bird upon the wing,
And as liable to poke his nose
Jest where folks would least suppose,--
And more'n likely build his nest
Right in the heart you'd leave unguessed,
And live and thrive at your expense--
At least, that's MY experience.
And old Jeff Thompson often thought,
In his se'fish way, that the quiet John
Was a stiddy chap, as a farm-hand OUGHT
To always be,--fer the airliest dawn
Found John busy--and 'EASY,' too,
Whenever his wages would fall due!--
To sum him up with a final touch,
He EAT so little and WORKED so much,
That old Jeff laughed to hisse'f and said,
'He makes ME money and airns his bread!--

But John, fer all of his quietude,
Would sometimes drap a word er so
That none but PATIENCE understood,
And none but her was MEANT to know!--
Maybe at meal-times John would say,
As the sugar-bowl come down his way,
'Thanky, no; MY coffee's sweet
Enough fer ME!' with sich conceit,
SHE'D know at once, without no doubt,
HE meant because she poured it out;
And smile and blush, and all sich stuff,
And ast ef it was 'STRONG enough?'
And git the answer, neat and trim,
'It COULDN'T be too 'strong' fer HIM!'

And so things went fer 'bout a year,
Tel John, at last, found pluck to go
And pour his tale in the old man's ear--
And ef it had been HOT LEAD, I know
It couldn't 'a' raised a louder fuss,
Ner 'a' riled the old man's temper wuss!
He jest LIT in, and cussed and swore,
And lunged and rared, and ripped and tore,
And told John jest to leave his door,
And not to darken it no more!
But Patience cried, with eyes all wet,
'Remember, John, and don't ferget,
WHATEVER comes, I love you yet!'
But the old man thought, in his se'fish way,
'I'll see her married rich some day;
And THAT,' thinks he, 'is money fer ME--
And my will's LAW, as it ought to be!'

So when, in the course of a month er so,
A WIDOWER, with a farm er two,
Comes to Jeff's, w'y, the folks, you know,
Had to TALK--as the folks'll do:
It was the talk of the neighberhood--
PATIENCE and JOHN, and THEIR affairs;--
And this old chap with a few gray hairs
Had 'cut John out,' it was understood.
And some folks reckoned 'Patience, too,
Knowed what SHE was a-goin' to do--
It was LIKE her--la! indeed!--
All she loved was DOLLARS and CENTS--
Like old JEFF--and they saw no need
Fer JOHN to pine at HER negligence!'

But others said, in a KINDER way,
They missed the songs she used to sing--
They missed the smiles that used to play
Over her face, and the laughin' ring
Of her glad voice--that EVERYthing
Of her OLD se'f seemed dead and gone,
And this was the ghost that they gazed on!

Tel finally it was noised about
There was a WEDDIN' soon to be
Down at Jeff's; and the 'cat was out'
Shore enough!--'Ll the JEE-MUN-NEE!
It RILED me when John told me so,--
Fer _I_ WAS A FRIEND O' JOHN'S, you know;
And his trimblin' voice jest broke in two--
As a feller's voice'll sometimes do.--
And I says, says I, 'Ef I know my biz--
And I think I know what JESTICE is,--
I've read SOME law--and I'd advise
A man like you to wipe his eyes
And square his jaws and start AGIN,
FER JESTICE IS A-GOIN' TO WIN!'
And it wasn't long tel his eyes had cleared
As blue as the skies, and the sun appeared
In the shape of a good old-fashioned smile
That I hadn't seen fer a long, long while.

So we talked on fer a' hour er more,
And sunned ourselves in the open door,--
Tel a hoss-and-buggy down the road
Come a-drivin' up, that I guess John KNOWED,--
Fer he winked and says, 'I'll dessappear--
THEY'D smell a mice ef they saw ME here!'
And he thumbed his nose at the old gray mare,
And hid hisse'f in the house somewhere.

Well.--The rig drove up: and I raised my head
As old Jeff hollered to me and said
That 'him and his old friend there had come
To see ef the squire was at home.'
. . . I told 'em 'I was; and I AIMED to be
At every chance of a weddin'-fee!'
And then I laughed--and they laughed, too,--
Fer that was the object they had in view.
'Would I be on hands at eight that night?'
They ast; and 's-I, 'You're mighty right,
I'LL be on hand!' And then I BU'ST
Out a-laughin' my very wu'st,--
And so did they, as they wheeled away
And drove to'rds town in a cloud o' dust.
Then I shet the door, and me and John
Laughed and LAUGHED, and jest LAUGHED on,
Tel Mother drapped her specs, and BY
JEEWHILLIKERS! I thought she'd DIE!--
And she couldn't 'a' told, I'll bet my hat,
What on earth she was laughin' at!

But all o' the fun o' the tale hain't done!--
Fer a drizzlin' rain had jest begun,
And a-havin' 'bout four mile' to ride,
I jest concluded I'd better light
Out fer Jeff's and save my hide,--
Fer IT WAS A-GOIN' TO STORM, THAT NIGHT!
So we went down to the barn, and John
Saddled my beast, and I got on;
And he told me somepin' to not ferget,
And when I left, he was LAUGHIN' yet.

And, 'proachin' on to my journey's end,
The great big draps o' the rain come down,
And the thunder growled in a way to lend
An awful look to the lowerin' frown
The dull sky wore; and the lightnin' glanced
Tel my old mare jest MORE'N pranced,
And tossed her head, and bugged her eyes
To about four times their natchurl size,
As the big black lips of the clouds 'ud drap
Out some oath of a thunderclap,
And threaten on in an undertone
That chilled a feller clean to the bone!

But I struck shelter soon enough
To save myse'f. And the house was jammed
With the women-folks, and the weddin'stuff:--
A great, long table, fairly CRAMMED
With big pound-cakes--and chops and steaks--
And roasts and stews--and stumick-aches
Of every fashion, form, and size,
From twisters up to punkin-pies!
And candies, oranges, and figs,
And reezins,--all the 'whilligigs'
And 'jim-cracks' that the law allows
On sich occasions!--Bobs and bows
Of gigglin' girls, with corkscrew curls,
And fancy ribbons, reds and blues,
And 'beau-ketchers' and 'curliques'
To beat the world! And seven o'clock
Brought old Jeff;-and brought--THE GROOM,--
With a sideboard-collar on, and stock
That choked him so, he hadn't room
To SWALLER in, er even sneeze,
Er clear his th'oat with any case
Er comfort--and a good square cough
Would saw his Adam's apple off!

But as fer PATIENCE--MY! Oomh-OOMH!--
I never saw her look so sweet!--
Her face was cream and roses, too;
And then them eyes o' heavenly blue
Jest made an angel all complete!
And when she split 'em up in smiles
And splintered 'em around the room,
And danced acrost and met the groom,
And LAUGHED OUT LOUD--It kind o' spiles
My language when I come to that--
Fer, as she laid away his hat,
Thinks I, 'THE PAPERS HID INSIDE
OF THAT SAID HAT MUST MAKE A BRIDE
A HAPPY ONE FER ALL HER LIFE,
Er else a WRECKED AND WRETCHED WIFE!'
And, someway, then, I thought of JOHN,--
Then looked towards PATIENCE. . . . She was GONE!--
The door stood open, and the rain
Was dashin' in; and sharp and plain
Above the storm we heerd a cry--
A ringin', laughin', loud 'Good-by!'
That died away, as fleet and fast
A hoss's hoofs went splashin' past!
And that was all. 'Twas done that quick! . . .
You've heerd o' fellers 'lookin' sick'?
I wisht you'd seen THE GROOM jest then--
I wisht you'd seen them two old men,
With starin' eyes that fairly GLARED
At one another, and the scared
And empty faces of the crowd,--
I wisht you could 'a' been allowed
To jest look on and see it all,--
And heerd the girls and women bawl
And wring their hands; and heerd old Jeff
A-cussin' as he swung hisse'f
Upon his hoss, who champed his bit
As though old Nick had holt of it:
And cheek by jowl the two old wrecks
Rode off as though they'd break their necks.

And as we all stood starin' out
Into the night, I felt the brush
Of some one's hand, and turned about,
And heerd a voice that whispered, 'HUSH!--
THEY'RE WAITIN' IN THE KITCHEN, AND
YOU'RE WANTED. DON'T YOU UNDERSTAND?'
Well, ef my MEMORY serves me now,
I think I winked.--Well, anyhow,
I left the crowd a-gawkin' there,
And jest slipped off around to where
The back door opened, and went in,
And turned and shet the door ag'in,
And maybe LOCKED it--couldn't swear,--
A woman's arms around me makes
Me liable to make mistakes.--
I read a marriage license nex',
But as I didn't have my specs
I jest INFERRED it was all right,
And tied the knot so mortal-tight
That Patience and my old friend John
Was safe enough from that time on!

Well, now, I might go on and tell
How all the joke at last leaked out,
And how the youngsters raised the yell
And rode the happy groom about
Upon their shoulders; how the bride
Was kissed a hunderd times beside
The one _I_ give her,--tel she cried
And laughed untel she like to died!
I might go on and tell you all
About the supper--and the BALL.--
You'd ought to see me twist my heel
Through jest one old Furginny reel
Afore you die! er tromp the strings
Of some old fiddle tel she sings
Some old cowtillion, don't you know,
That putts the devil in yer toe!

We kep' the dancin' up tel FOUR
O'clock, I reckon--maybe more.--
We hardly heerd the thunders roar,
ER THOUGHT about the STORM that blowed--
AND THEM TWO FELLERS ON THE ROAD!
Tel all at onc't we heerd the door
Bu'st open, and a voice that SWORE,--
And old Jeff Thompson tuck the floor.
He shuck hisse'f and looked around
Like some old dog about half-drowned--
HIS HAT, I reckon, WEIGHED TEN POUND
To say the least, and I'll say, SHORE,
HIS OVERCOAT WEIGHED FIFTY more--
THE WETTEST MAN YOU EVER SAW,
TO HAVE SO DRY A SON-IN-LAW!

He sized it all; and Patience laid
Her hand in John's, and looked afraid,
And waited. And a stiller set
O' folks, I KNOW, you never met
In any court room, where with dread
They wait to hear a verdick read.

The old man turned his eyes on me:
'And have you married 'em?' says he.
I nodded 'Yes.' 'Well, that'll do,'
He says, 'and now we're th'ough with YOU,--
YOU jest clear out, and I decide
And promise to be satisfied!'
He hadn't nothin' more to say.
I saw, of course, how matters lay,
And left. But as I rode away
I heerd the roosters crow fer day.