Laughter Holding Both His Sides

Ay, thou varlet! Laugh away!
All the world's a holiday!
Laugh away, and roar and shout
Till thy hoarse tongue lolleth out!
Bloat thy cheeks, and bulge thine eyes
Unto bursting; pelt thy thighs
With thy swollen palms, and roar
As thou never hast before!
Lustier! Wilt thou! Peal on peal!
Stiflest? Squat and grind thy heel--
Wrestle with thy loins, and then
Wheeze thee whiles, and whoop again!

Me an' Bert an' Minnie-Belle
Knows a joke, an' we won't tell!
No, we don't--'cause we don't know
_Why_ we got to laughin' so;
But we got to laughin' so,
'We ist kep' a-laughin'.

Wind wuz blowin' in the tree--
An' wuz only ist us three
Playin' there; an' ever' one
Ketched each other, like we done,
Squintin' up there at the sun
Like we wuz a-laughin'.

Nothin' funny anyway;
But I laughed, an' so did they--
An' we all three laughed, an' nen
Squint' our eyes an' laugh' again:
Ner we didn't ist _p'ten'_--
We wuz _shore-'nough_ laughin'.

'We ist laugh' an' laugh', tel Bert
Say he _can't_ quit an' it hurt.
Nen I _howl_, an' Minnie-Belle
She tear up the grass a spell
An' ist stop her yeers an' _yell_
Like she'd _die_ a-laughin'.

Never sich fool-youngens yit!
Nothin' funny,--not a bit!--
But we laugh' so; tel we whoop'
Purt'-nigh like we have the croup--
All so hoarse we'd wheeze an' whoop
An' ist _choke_ a-laughin'.

Out Of The Hitherwhere

Out of the hitherwhere into the Yon--
The land that the Lord's love rests upon;
Where one may rely on the friends he meets,
And the smiles that greet him along the streets:
Where the mother that left you years ago
Will lift the hands that were folded so,
And put them about you, with all the love
And tenderness you are dreaming of.

Out of the hitherwhere into the Yon--
Where all of the friends of your youth have gone,--
Where the old schoolmate that laughed with you,
Will laugh again as he used to do,
Running to meet you, with such a face
As lights like a moon the wondrous place
Where God is living, and glad to live,
Since He is the Master and may forgive.

Out of the hitherwhere into the Yon!--
Stay the hopes we are leaning on--
You, Divine, with Your merciful eyes
Looking down from the far-away skies,--
Smile upon us, and reach and take
Our worn souls Home for the old home's sake.--
And so Amen,--for our all seems gone
Out of the hitherwhere into the Yon.

Little brook! Little brook!
You have such a happy look--
Such a very merry manner, as you swerve and
curve and crook--
And your ripples, one and one,
Reach each other's hands and run
Like laughing little children in the sun!

Little brook, sing to me:
Sing about a bumblebee
That tumbled from a lily-bell and grumbled
mumblingly,
Because he wet the film
Of his wings, and had to swim,
While the water-bugs raced round and
laughed at him!

Little brook-sing a song
Of a leaf that sailed along
Down the golden-braided centre of your current
swift and strong,
And a dragon-fly that lit
On the tilting rim of it,
And rode away and wasn't scared a bit.

And sing--how oft in glee
Came a truant boy like me,
Who loved to lean and listen to your lilting
melody,
Till the gurgle and refrain
Of your music in his brain
Wrought a happiness as keen to him
as pain.

Little brook-laugh and leap!
Do not let the dreamer weep:
Sing him all the songs of summer till he sink in
softest sleep;
And then sing soft and low
Through his dreams of long ago--
Sing back to him the rest he used to
know!

The Little Town O' Tailholt

You kin boast about yer cities, and their stiddy growth and size,
And brag about yer County-seats, and business enterprise,
And railroads, and factories, and all sich foolery--
But the little Town o' Tailholt is big enough fer me!

You kin harp about yer churches, with their steeples in the clouds,
And gas about yer graded streets, and blow about yer crowds;
You kin talk about yer 'theaters,' and all you've got to see--
But the little Town o' Tailholt is show enough fer me!

They hain't no style in our town-- hit's little-like and small--
They hain't no 'churches,' nuther--, jes' the meetin' house is all;
They's no sidewalks, to speak of-- but the highway's allus free,
And the little Town o' Tailholt is wide enough fer me!

Some find it discommodin'-like, I'm willin' to admit,
To hev but one post-office, and a womern keepin' hit,
And the drug-store, and shoe-shop, and grocery, all three--
But the little Town o' Tailholt is handy 'nough fer me!

You kin smile and turn yer nose up, and joke and hev yer fun,
And laugh and holler 'Tail-holts is better holts'n none!
Ef the city suits you better w'y, hit's where you'd ort'o be--
But the little Town o' Tailholt's good enough fer me!

A Prospective Visit

While _any_ day was notable and dear
That gave the children Noey, history here
Records his advent emphasized indeed
With sharp italics, as he came to feed
The stock one special morning, fair and bright,
When Johnty and Bud met him, with delight
Unusual even as their extra dress--
Garbed as for holiday, with much excess
Of proud self-consciousness and vain conceit
In their new finery.--Far up the street
They called to Noey, as he came, that they,
As promised, both were going back that day
To _his_ house with him!

And by time that each
Had one of Noey's hands--ceasing their speech
And coyly anxious, in their new attire,
To wake the comment of their mute desire,--
Noey seemed rendered voiceless. Quite a while
They watched him furtively.--He seemed to smile
As though he would conceal it; and they saw
Him look away, and his lips purse and draw
In curious, twitching spasms, as though he might
Be whispering,--while in his eye the white
Predominated strangely.--Then the spell
Gave way, and his pent speech burst audible:
'They wuz two stylish little boys,
and they wuz mighty bold ones,
Had two new pairs o' britches made
out o' their daddy's old ones!'
And at the inspirational outbreak,
Both joker and his victims seemed to take
An equal share of laughter,--and all through
Their morning visit kept recurring to
The funny words and jingle of the rhyme
That just kept getting funnier all the time.

The Old Home By The Mill

This is 'The old Home by the Mill'--far we still call it so,
Although the old mill, roof and sill, is all gone long ago.
The old home, though, and old folks, and the old spring, and a few
Old cat-tails, weeds and hartychokes, is left to welcome you!

Here, Marg'et, fetch the man a tin to drink out of' Our spring
Keeps kindo-sorto cavin' in, but don't 'taste' anything!
She's kindo agein', Marg'et is--'the old process,' like me,
All ham-stringed up with rheumatiz, and on in seventy-three.

Jes' me and Marg'et lives alone here--like in long ago;
The childern all put off and gone, and married, don't you know?
One's millin' way out West somewhere; two other miller-boys
In Minnyopolis they air; and one's in Illinoise.

The oldest gyrl--the first that went--married and died right here;
The next lives in Winn's Settlement--for purt' nigh thirty year!
And youngest one--was allus far the old home here--but no!--
Her man turns in and he packs her 'way off to Idyho!

I don't miss them like _Marg'et_ does--'cause I got _her_, you see;
And when she pines for them--that's 'cause _she's_ only jes' got
_me_!
I laugh, and joke her 'bout it all.--But talkin' sense, I'll say,
When she was tuk so bad last Fall, I laughed the t'other way!

I haint so favorble impressed 'bout dyin'; but ef I
Found I was only second-best when _us two_ come to die,
I'd 'dopt the 'new process' in full, ef _Marg'et_ died, you see,--
I'd jes' crawl in my grave and pull the green grass over me!

The Funny Little Fellow

'Twas a Funny Little Fellow
Of the very purest type,
For he had a heart as mellow
As an apple over ripe;
And the brightest little twinkle
When a funny thing occurred,
And the lightest little tinkle
Of a laugh you ever heard!

His smile was like the glitter
Of the sun in tropic lands,
And his talk a sweeter twitter
Than the swallow understands;
Hear him sing--and tell a story--
Snap a joke--ignite a pun,--
'Twas a capture--rapture--glory,
An explosion--all in one!

Though he hadn't any money--
That condiment which tends
To make a fellow 'honey'
For the palate of his friends;--
Sweet simples he compounded--
Sovereign antidotes for sin
Or taint,--a faith unbounded
That his friends were genuine.

He wasn't honored, maybe--
For his songs of praise were slim,--
Yet I never knew a baby
That wouldn't crow for him;
I never knew a mother
But urged a kindly claim
Upon him as a brother,
At the mention of his name.

The sick have ceased their sighing,
And have even found the grace
Of a smile when they were dying
As they looked upon his face;
And I've seen his eyes of laughter
Melt in tears that only ran
As though, swift-dancing after,
Came the Funny Little Man.

He laughed away the sorrow
And he laughed away the gloom
We are all so prone to borrow
From the darkness of the tomb;
And he laughed across the ocean
Of a happy life, and passed,
With a laugh of glad emotion,
Into Paradise at last.

And I think the Angels knew him,
And had gathered to await
His coming, and run to him
Through the widely opened Gate,
With their faces gleaming sunny
For his laughter-loving sake,
And thinking, 'What a funny
Little Angel he will make!'

Jap Miller down at Martinsville's the blamedest feller yit!
When _he_ starts in a-talkin' other folks is apt to quit!--
'Pears like that mouth o' his'n wuz n't made fer nuthin' else
But jes' to argify 'em down and gether in their pelts:
He'll talk you down on tariff; er he'll talk you down on tax,
And prove the pore man pays 'em all--and them's about the fac's!--
Religen, law, er politics, prize-fightin', er base-ball--
Jes' tetch Jap up a little and he'll post you 'bout 'em all.

And the comicalist feller ever tilted back a cheer
And tuck a chaw tobacker kind o' like he did n't keer.--
There's where the feller's strength lays,--he's so
common-like and plain,--
They haint no dude about old Jap, you bet you--nary grain!
They 'lected him to Council and it never turned his head,
And did n't make no differunce what anybody said,--
He didn't dress no finer, ner rag out in fancy clothes;
But his voice in Council-meetin's is a turrer to his foes.

He's fer the pore man ever' time! And in the last campaign
He stumped old Morgan County, through the sunshine and the rain,
And helt the banner up'ards from a-trailin' in the dust,
And cut loose on monopolies and cuss'd and cuss'd and cuss'd!
He'd tell some funny story ever' now and then, you know,
Tel, blame it! it wuz better 'n a jack-o'-lantern show!
And I'd go furder, yit, to-day, to hear old Jap norate
Than any high-toned orator 'at ever stumped the State!

W'y, that-air blame Jap Miller, with his keen sircastic fun,
Has got more friends than ary candidate 'at ever run!
Do n't matter what _his_ views is, when he states the same to you,
They allus coincide with your'n, the same as two and two:
You _can't_ take issue with him--er, at least, they haint no sense
In startin' in to down him, so you better not commence.--
The best way's jes' to listen, like your humble servant does,
And jes' concede Jap Miller is the best man ever wuz!

Prior To Miss Belle's Appearance

What makes you come HERE fer, Mister,
So much to our house?--SAY?
Come to see our big sister!--
An' Charley he says 'at you kissed her
An' he ketched you, th'uther day!--
Didn' you, Charley?--But we p'omised Belle
An' crossed our heart to never to tell--
'Cause SHE gived us some o' them-er
Chawk'lut-drops 'at you bringed to her!

Charley he's my little b'uther--
An' we has a-mostest fun,
Don't we, Charley?--Our Muther,
Whenever we whips one anuther,
Tries to whip US--an' we RUN--
Don't we, Charley?--An' nen, bime-by,
Nen she gives us cake--an' pie--
Don't she, Charley?--when we come in
An' pomise never to do it ag'in!

HE'S named Charley.--I'm WILLIE--
An' I'm got the purtiest name!
But Uncle Bob HE calls me 'Billy'--
Don't he, Charley?--'N' our filly
We named 'Billy,' the same
Ist like me! An' our Ma said
'At 'Bob puts foolishnuss into our head!'--
Didn' she, Charley?--An' SHE don't know
Much about BOYS!--'Cause Bob said so!

Baby's a funniest feller!
Nain't no hair on his head--
IS they, Charley?--It's meller
Wite up there! An' ef Belle er
Us ask wuz WE that way, Ma said,--
'Yes; an' yer PA'S head wuz soft as that,
An' it's that way yet!'--An' Pa grabs his hat
An' says, 'Yes, childern, she's right about Pa--
'Cause that's the reason he married yer Ma!'

An' our Ma says 'at 'Belle couldn'
Ketch nothin' at all but ist 'BOWS!'--
An' PA says 'at 'you're soft as puddun!'--
An' UNCLE BOB says 'you're a good-un--
'Cause he can tell by yer nose!'-
Didn' he, Charley?--An' when Belle'll play
In the poller on th' pianer, some day,
Bob makes up funny songs about you,
Till she gits mad-like he wants her to!

Our sister FANNY she's 'LEVEN
Years old! 'At's mucher 'an _I_--
Ain't it, Charley? . . . I'm seven!--
But our sister Fanny's in HEAVEN!
Nere's where you go ef you die!--
Don't you, Charley?--Nen you has WINGS--
IST LIKE FANNY!--an' PURTIEST THINGS!--
Don't you, Charley?--An' nen you can FLY--
Ist fly-an' EVER'thing! . . . I Wisht I'D die!

Little Orphant Annie

To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.

Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board-an'-keep;
An' all us other childern, when the supper-things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!

Wunst they wuz a little boy wouldn't say his prayers,--
An' when he went to bed at night, away up-stairs,
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kivvers down, he wuzn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'-wheres, I guess;
But all they ever found wuz thist his pants an' roundabout:--
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!

An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' wunst, when they was 'company,' an' ole folks wuz there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They wuz two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!

An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parunts, an' yer teachurs fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!

The Old Swimmin' Hole

Oh! the old swimmin'-hole! whare the crick so still and deep
Looked like a baby-river that was laying half asleep,
And the gurgle of the worter round the drift jest below
Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole.

Oh! the old swimmin'-hole! In the happy days of yore,
When I ust to lean above it on the old sickamore,
Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness.
But them days is past and gone, and old Time's tuck his toll
From the old man come back to the old swimmin'-hole.

Oh! the old swimmin'-hole! In the long, lazy days
When the humdrum of school made so many run-a-ways,
How plesant was the jurney down the old dusty lane,
Whare the tracks of our bare feet was all printed so plane
You could tell by the dent of the heel and the sole
They was lots o' fun on hands at the old swimmin'-hole.
But the lost joys is past! Let your tears in sorrow roll
Like the rain that ust to dapple up the old swimmin'-hole.

Thare the bullrushes growed, and the cattails so tall,
And the sunshine and shadder fell over it all;
And it mottled the worter with amber and gold
Tel the glad lilies rocked in the ripples that rolled;
And the snake-feeder's four gauzy wings fluttered by
Like the ghost of a daisy dropped out of the sky,
Or a wownded apple-blossom in the breeze's controle
As it cut acrost some orchard to'rds the old swimmin'-hole.

Oh! the old swimmin'-hole! When I last saw the place,
The scenes was all changed, like the change in my face;
The bridge of the railroad now crosses the spot
Whare the old divin'-log lays sunk and fergot.
And I stray down the banks whare the trees ust to be -
But never again will theyr shade shelter me!
And I wish in my sorrow I could strip to the soul,
And dive off in my grave like the old swimmin'-hole.

The Nine Little Goblins

They all climbed up on a high board-fence--
Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat--
And I asked them what they were staring at.

And the first one said, as he scratched his head
With a queer little arm that reached out of his ear
And rasped its claws in his hair so red--
'This is what this little arm is fer!'
And he scratched and stared, and the next one said,
'How on earth do _you_ scratch your head?'

And he laughed like the screech of a rusty hinge--
Laughed and laughed till his face grew black;
And when he choked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.

And the third little Goblin leered round at me--
And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
'What is the style of your socks this fall?'
And he clapped his heels--and I sighed to see
That he had hands where his feet should be.

Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain--
'Would--Ah, would I'd me brows again!'

And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know--
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.

And ever they kept their green-glass eyes
Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.

And they sang 'You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!--
'Tis only a vision the mind invents
After a supper of cold mince-pies,--
And you're doomed to dream this way,' they said,--
'_And you sha'n't wake up till you're clean plum dead!_'

He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!

Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!

Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet--
He'd a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.

Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!

Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath--
'You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'

Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said--
'On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'

The Happy Little Cripple

I'm thist a little cripple boy, an' never goin' to grow
An' get a great big man at all!--'cause Aunty told me so.
When I was thist a baby onc't, I falled out of the bed
An' got 'The Curv'ture of the Spine'--'at's what the Doctor said.
I never had no Mother nen--fer my Pa runned away
An' dassn't come back here no more--'cause he was drunk one day
An' stobbed a man in thish-ere town, an' couldn't pay his fine!
An' nen my Ma she died--an' I got 'Curv'ture of the Spine!'

I'm nine years old! An' you can't guess how much I weigh, I bet!--
Last birthday I weighed thirty-three!--An' I weigh thirty yet!
I'm awful little fer my size--I'm purt' nigh littler 'nan
Some babies is!--an' neighbers all calls me 'The Little Man!'
An' Doc one time he laughed an' said: 'I 'spect, first thing you know,
You'll have a little spike-tail coat an' travel with a show!'
An' nen I laughed--till I looked round an' Aunty was a-cryin'--
Sometimes she acts like that, 'cause I got 'Curv'ture of the Spine.'

I set--while Aunty's washin'--on my little long-leg stool,
An' watch the little boys an' girls a-skippin' by to school;
An' I peck on the winder, an' holler out an' say:
'Who wants to fight The Little Man 'at dares you all today?'
An', nen the boys climbs on the fence, an' little girls peeks through,
An' they all says: 'Cause you're so big, you think we're 'feared o' you!'
An' nen they yell, an' shake their fist at me, like I shake mine--
They're thist in fun, you know, 'cause I got 'Curv'ture of the Spine!'

At evening, when the ironin's done, an' Aunty's fixed the fire,
An' filled an' lit the lamp, an' trimmed the wick an' turned it higher,
An' fetched the wood all in fer night, an' locked the kitchen door,
An' stuffed the ole crack where the wind blows in up through the floor--
She sets the kittle on the coals, an' biles an' makes the tea,
An' fries the liver an' the mush, an' cooks a egg fer me;
An' sometimes--when I cough so hard--her elderberry wine
Don't go so bad fer little boys with 'Curv'ture of the Spine!'

But Aunty's all so childish-like on my account, you see,
I'm 'most afeard she'll be took down--an' 'at's what bothers me!--
'Cause ef my good old Aunty ever would git sick an' die,
I don't know what she'd do in heaven--till _I_ come, by an' by:--
Fer she's so ust to all my ways, an' ever'thing, you know,
An' no one there like me, to nuss an' worry over so!--
'Cause all the little childerns there's so straight an' strong an' fine,
They's nary angel 'bout the place with 'Curv'ture of the Spine!'

The Raggedy Man

1 O the Raggedy Man! He works fer Pa;
2 An' he's the goodest man ever you saw!
3 He comes to our house every day,
4 An' waters the horses, an' feeds 'em hay;
5 An' he opens the shed -- an' we all ist laugh
6 When he drives out our little old wobble-ly calf;
7 An' nen -- ef our hired girl says he can --
8 He milks the cow fer 'Lizabuth Ann. --
9 Ain't he a' awful good Raggedy Man?
10 Raggedy! Raggedy! Raggedy Man!

11 W'y, The Raggedy Man -- he's ist so good,
12 He splits the kindlin' an' chops the wood;
13 An' nen he spades in our garden, too,
14 An' does most things 'at boys can't do. --
15 He clumbed clean up in our big tree
16 An' shooked a' apple down fer me --
17 An' 'nother 'n', too, fer 'Lizabuth Ann --
18 An' 'nother 'n', too, fer The Raggedy Man. --
19 Ain't he a' awful kind Raggedy Man?
20 Raggedy! Raggedy! Raggedy Man!

21 An' The Raggedy Man one time say he
22 Pick' roast' rambos from a' orchurd-tree,
23 An' et 'em -- all ist roast' an' hot! --
24 An' it's so, too! -- 'cause a corn-crib got
25 Afire one time an' all burn' down
26 On "The Smoot Farm," 'bout four mile from town --
27 On "The Smoot Farm"! Yes -- an' the hired han'
28 'At worked there nen 'uz The Raggedy Man! --
29 Ain't he the beatin'est Raggedy Man?
30 Raggedy! Raggedy! Raggedy Man!

31 The Raggedy Man's so good an' kind
32 He'll be our "horsey," an' "haw" an' mind
33 Ever'thing 'at you make him do --
34 An' won't run off -- 'less you want him to!
35 I drived him wunst way down our lane
36 An' he got skeered, when it 'menced to rain,
37 An' ist rared up an' squealed and run
38 Purt' nigh away! -- an' it's all in fun!
39 Nen he skeered ag'in at a' old tin can ...
40 Whoa! y' old runaway Raggedy Man!
41 Raggedy! Raggedy! Raggedy Man!

42 An' The Raggedy Man, he knows most rhymes,
43 An' tells 'em, ef I be good, sometimes:
44 Knows 'bout Giunts, an' Griffuns, an' Elves,
45 An' the Squidgicum-Squees 'at swallers the'rselves:
46 An', wite by the pump in our pasture-lot,
47 He showed me the hole 'at the Wunks is got,
48 'At lives 'way deep in the ground, an' can
49 Turn into me, er 'Lizabuth Ann!
50 Er Ma, er Pa, er The Raggedy Man!
51 Ain't he a funny old Raggedy Man?
52 Raggedy! Raggedy! Raggedy Man!

53 An' wunst, when The Raggedy Man come late,
54 An' pigs ist root' thue the garden-gate,
55 He 'tend like the pigs 'uz bears an' said,
56 "Old Bear-shooter'll shoot 'em dead!"
57 An' race' an' chase' 'em, an' they'd ist run
58 When he pint his hoe at 'em like it's a gun
59 An' go "Bang! -- Bang!" nen 'tend he stan'
60 An' load up his gun ag'in! Raggedy Man!
61 He's an old Bear-shooter Raggedy Man!
62 Raggedy! Raggedy! Raggedy Man!

63 An' sometimes The Raggedy Man lets on
64 We're little prince-children, an' old King's gone
65 To git more money, an' lef' us there --
66 And Robbers is ist thick ever'where;
67 An' nen -- ef we all won't cry, fer shore --
68 The Raggedy Man he'll come and "'splore
69 The Castul-halls," an' steal the "gold" --
70 An' steal us, too, an' grab an' hold
71 An' pack us off to his old "Cave"! -- An'
72 Haymow's the "cave" o' The Raggedy Man! --
73 Raggedy! Raggedy! Raggedy Man!

74 The Raggedy Man -- one time, when he
75 Wuz makin' a little bow-'n'-orry fer me,
76 Says "When you're big like your Pa is,
77 Air you go' to keep a fine store like his --
78 An' be a rich merchunt -- an' wear fine clothes? --
79 Er what air you go' to be, goodness knows?"
80 An' nen he laughed at 'Lizabuth Ann,
81 An' I says "'M go' to be a Raggedy Man! --
82 I'm ist go' to be a nice Raggedy Man!"
83 Raggedy! Raggedy! Raggedy Man!

Ot's a leedle Gristmas story
Dot I told der leedle folks--
Und I vant you stop dot laughin'
Und grackin' funny jokes!--
So help me Peter-Moses!
Ot's no time for monkey-shine,
Ober I vast told you somedings
Of dot leedle boy of mine!

Ot vas von cold Vinter vedder,
Ven der snow vas all about--
Dot you have to chop der hatchet
Eef you got der sauerkraut!
Und der cheekens on der hind leg
Vas standin' in der shine
Der sun shmile out dot morning
On dot leedle boy of mine.

He vas yoost a leedle baby
Not bigger as a doll
Dot time I got acquaintet--
Ach! you ought to heard 'im squall!--
I grackys! dot's der moosic
Ot make me feel so fine
Ven first I vas been marriet--
Oh, dot leedle boy of mine!

He look yoost like his fader!--
So, ven der vimmen said,
'Vot a purty leedle baby!'
Katrina shake der head. . . .
I dink she must 'a' notice
Dot der baby vas a-gryin',
Und she cover up der blankets
Of dot leedle boy of mine.

Vel, ven he vas got bigger,
Dot he grawl und bump his nose,
Und make der table over,
Und molasses on his glothes--
Dot make 'im all der sveeter,--
So I say to my Katrine,
'Better you vas quit a-shpankin'
Dot leedle boy of mine!'

No more he vas older
As about a dozen months
He speak der English language
Und der German--bote at vonce!
Und he dringk his glass of lager
Like a Londsman fon der Rhine--
Und I klingk my glass togeder
Mit dot leedle boy of mine!

I vish you could 'a' seen id--
Ven he glimb up on der chair
Und shmash der lookin'-glasses
Ven he try to comb his hair
Mit a hammer!--Und Katrina
Say, 'Dot's an ugly sign!'
But I laugh und vink my fingers
At dot leedle boy of mine.

But vonce, dot Vinter morning,
He shlip out in der snow
Mitout no stockin's on 'im.--
He say he 'vant to go
Und fly some mit der birdies!'
Und ve give 'im medi-cine
Ven he catch der 'parrygoric'--
Dot leedle boy of mine!

Und so I set und nurse 'im,
Vile der Gristmas vas come roun',
Und I told 'im 'bout 'Kriss Kringle,'
How he come der chimbly down:
Und I ask 'im eef he love 'im
Eef he bring 'im someding fine?
'Nicht besser as mein fader,'
Say dot leedle boy of mine.--

Und he put his arms aroun' me
Und hug so close und tight,
I hear der gclock a-tickin'
All der balance of der night! . . .
Someding make me feel so funny
Ven I say to my Katrine,
'Let us go und fill der stockin's
Of dot leedle boy of mine.'

Vell.--Ve buyed a leedle horses
Dot you pull 'im mit a shtring,
Und a leedle fancy jay-bird--
Eef you vant to hear 'im sing
You took 'im by der topknot
Und yoost blow in behine--
Und dot make much spectakel
For dot leedle boy of mine!

Und gandies, nuts und raizens--
Und I buy a leedle drum
Dot I vant to hear 'im rattle
Ven der Gristmas morning come!
Und a leedle shmall tin rooster
Dot vould crow so loud und fine
Ven he sqveeze 'im in der morning,
Dot leedle boy of mine!

Und--vile ve vas a-fixin'--
Dot leedle boy vake out!
I t'ought he been a-dreamin'
'Kriss Kringle' vas about,--
For he say--'DOT'S HIM!--I SEE 'IM
MIT DER SHTARS DOT MAKE DER SHINE!'
Und he yoost keep on a-gryin'--
Dot leedle boy of mine,--
Und gottin' vorse und vorser--
Und tumble on der bed!
So--ven der doctor seen id,
He kindo' shake his head,
Und feel his pulse--und visper,
'Der boy is a-dyin'.'
You dink I could BELIEVE id?--
DOT LEEDLE BOY OF MINE?

I told you, friends--dot's someding,
Der last time dot he speak
Und say, 'GOOT-BY, KRISS KRINGLE!'
--Dot make me feel so veak
I yoost kneel down und drimble,
Und bur-sed out a-gryin',
'MEIN GOTT, MEIN GOTT IN HIMMEL!--
DOT LEEDLE BOY OF MINE!'
. . . . . . . . . .


Der sun don't shine DOT Gristmas!
. . . Eef dot leedle boy vould LIFF'D--
No deefer-en'! for HEAVEN vas
His leedle Gristmas gift!
Und der ROOSTER, und der GANDY,
Und me--und my Katrine--
Und der jay-bird--is awaiting
For dot leedle boy of mine.

Friday Afternoon

To William Morris Pierson
[1868-1870]

Of the wealth of facts and fancies
That our memories may recall,
The old school-day romances
Are the dearest, after all!--.
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises'
On 'Friday Afternoon.'

We seem to hear the clicking
Of the pencil and the pen,
And the solemn, ceaseless ticking
Of the timepiece ticking then;
And we note the watchful master,
As he waves the warning rod,
With our own heart beating faster
Than the boy's who threw the wad.

Some little hand uplifted,
And the creaking of a shoe:--
A problem left unsifted
For the teacher's hand to do:
The murmured hum of learning--
And the flutter of a book;
The smell of something burning,
And the school's inquiring look.

The bashful boy in blushes;
And the girl, with glancing eyes,
Who hides her smiles, and hushes
The laugh about to rise,--
Then, with a quick invention,
Assumes a serious face,
To meet the words, 'Attention!
Every scholar in his place!'

The opening song, page 20.--
Ah! dear old 'Golden Wreath,'
You willed your sweets in plenty;
And some who look beneath
The leaves of Time will linger,
And loving tears will start,
As Fancy trails her finger
O'er the index of the heart.

'Good News from Home'--We hear it
Welling tremulous, yet clear
And holy as the spirit
Of the song we used to hear--
'Good news for me' (A throbbing
And an aching melody)--
'Has come across the'--(sobbing,
Yea, and salty) 'dark blue sea!'

Or the paean 'Scotland's burning!'
With its mighty surge and swell
Of chorus, still returning
To its universal yell--
Till we're almost glad to drop to
Something sad and full of pain--
And 'Skip verse three,' and stop, too,
Ere our hearts are broke again.

Then 'the big girls'' compositions,
With their doubt, and hope, and glow
Of heart and face,--conditions
Of 'the big boys'--even so,--
When themes of 'Spring,' and 'Summer'
And of 'Fall,' and 'Winter-time'
Droop our heads and hold us dumber
Than the sleigh-bell's fancied chime.

Elocutionary science--
(Still in changeless infancy!)--
With its 'Cataline's Defiance,'
And 'The Banner of the Free':
Or, lured from Grandma's attic,
A ramshackle 'rocker' there,
Adds a skreek of the dramatic
To the poet's 'Old Arm-Chair.'

Or the 'Speech of Logan' shifts us
From the pathos, to the fire;
And Tell (with Gessler) lifts us
Many noble notches higher.--
Till a youngster, far from sunny,
With sad eyes of watery blue,
Winds up with something 'funny,'
Like 'Cock-a-doodle-do!'

Then a dialogue--selected
For its realistic worth:--
The Cruel Boy detected
With a turtle turned to earth
Back downward; and, in pleading,
The Good Boy--strangely gay
At such a sad proceeding--
Says, 'Turn him over, pray!'

So the exercises taper
Through gradations of delight
To the reading of 'The Paper,'
Which is entertaining--quite!
For it goes ahead and mentions
'If a certain Mr. O.
Has serious intentions
That he ought to tell her so.'

It also 'Asks permission
To intimate to 'John'
The dubious condition
Of the ground he's standing on';
And, dropping the suggestion
To 'mind what he's about,'
It stuns him with the question:
'Does his mother know he's out?'

And among the contributions
To this 'Academic Press'
Are 'Versified Effusions'
By--'Our lady editress'--
Which fact is proudly stated
By the CHIEF of the concern,--
'Though the verse communicated
Bears the pen-name 'Fanny Fern.' '

. . . . . .
When all has been recited,
And the teacher's bell is heard,
And visitors, invited,
Have dropped a kindly word,
A hush of holy feeling
Falls down upon us there,
As though the day were kneeling,
With the twilight for the prayer.

. . . . . .
Midst the wealth of facts and fancies
That our memories may recall,
Thus the old school-day romances
Are the dearest, after all!--
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises,'
On 'Friday Afternoon.'

Floretty's Musical Contribution

All seemed delighted, though the elders more,
Of course, than were the children.--Thus, before
Much interchange of mirthful compliment,
The story-teller said _his_ stories 'went'
(Like a bad candle) _best_ when they went _out_,--
And that some sprightly music, dashed about,
Would _wholly_ quench his 'glimmer,' and inspire
Far brighter lights.

And, answering this desire,
The flutist opened, in a rapturous strain
Of rippling notes--a perfect April-rain
Of melody that drenched the senses through;--
Then--gentler--gentler--as the dusk sheds dew,
It fell, by velvety, staccatoed halts,
Swooning away in old 'Von Weber's Waltz.'
Then the young ladies sang 'Isle of the Sea'--
In ebb and flow and wave so billowy,--
Only with quavering breath and folded eyes
The listeners heard, buoyed on the fall and rise
Of its insistent and exceeding stress
Of sweetness and ecstatic tenderness ...
With lifted finger _yet_, Remembrance--List!--
'_Beautiful isle of the sea!_' wells in a mist
Of tremulous ...

... After much whispering
Among the children, Alex came to bring
Some kind of _letter_--as it seemed to be--
To Cousin Rufus. This he carelessly
Unfolded--reading to himself alone,--
But, since its contents became, later, known,
And no one '_plagued_ so _awful_ bad,' the same
May here be given--of course without full name,
Fac-simile, or written kink or curl
Or clue. It read:--

'Wild Roved an indian Girl
Brite al Floretty'
deer freind
I now take
*this* These means to send that _Song_ to you & make
my Promus good to you in the Regards
Of doing What i Promust afterwards,
the _notes_ & _Words_ is both here _Printed_ SOS
you *kin* can git _uncle Mart_ to read you *them* those
& cousin Rufus you can git to _Play_
the _notes_ fur you on eny Plezunt day
His Legul Work aint *Pressin* Pressing.
Ever thine
As shore as the Vine
doth the Stump intwine
thou art my Lump of Sackkerrine
Rinaldo Rinaldine
the Pirut in Captivity.

... There dropped
Another square scrap.--But the hand was stopped
That reached for it--Floretty suddenly
Had set a firm foot on her property--
Thinking it was the _letter_, not the _song_,--
But blushing to discover she was wrong,
When, with all gravity of face and air,
Her precious letter _handed_ to her there
By Cousin Rufus left her even more
In apprehension than she was before.
But, testing his unwavering, kindly eye,
She seemed to put her last suspicion by,
And, in exchange, handed the song to him.--

A page torn from a song-book: Small and dim
Both notes and words were--but as plain as day
They seemed to him, as he began to play--
And plain to _all_ the singers,--as he ran
An airy, warbling prelude, then began
Singing and swinging in so blithe a strain,
That every voice rang in the old refrain:
From the beginning of the song, clean through,
Floretty's features were a study to
The flutist who 'read _notes_' so readily,
Yet read so little of the mystery
Of that face of the girl's.--Indeed _one_ thing
Bewildered him quite into worrying,
And that was, noticing, throughout it all,
The Hired Man shrinking closer to the wall,
She ever backing toward him through the throng
Of barricading children--till the song
Was ended, and at last he saw her near
Enough to reach and take him by the ear
And pinch it just a pang's worth of her ire
And leave it burning like a coal of fire.
He noticed, too, in subtle pantomime
She seemed to dust him off, from time to time;
And when somebody, later, asked if she
Had never heard the song before--'What! _me?_'
She said--then blushed again and smiled,--
'I've knowed that song sence _Adam_ was a child!--
It's jes a joke o' this-here man's.--He's learned
To _read_ and _write_ a little, and its turned
His fool-head some--That's all!'

And then some one
Of the loud-wrangling boys said--'_Course_ they's none
No more, _these_ days!--They's Fairies _ust_ to be,
But they're all dead, a hunderd years!' said he.

'Well, there's where you're _mustakened_!'--in reply
They heard Bud's voice, pitched sharp and thin and high.--

'An' how you goin' to _prove_ it!'

'Well, I _kin_!'
Said Bud, with emphasis,--'They's one lives in
Our garden--and I _see_ 'im wunst, wiv my
Own eyes--_one_ time I did.'

'_Oh, what a lie_!'
--''_Sh!_''

'Well, nen,' said the skeptic--seeing there
The older folks attracted--'Tell us _where_
You saw him, an' all _'bout_ him!'

'Yes, my son.--
If you tell 'stories,' you may tell us one,'
The smiling father said, while Uncle Mart,
Behind him, winked at Bud, and pulled apart
His nose and chin with comical grimace--
Then sighed aloud, with sanctimonious face,--
''_How good and comely it is to see
Children and parents in friendship agree!_'--
You fire away, Bud, on your Fairy-tale--
Your _Uncle's_ here to back you!'

Somewhat pale,
And breathless as to speech, the little man
Gathered himself. And thus his story ran.

The South Wind And The Sun

O The South Wind and the Sun!
How each loved the other one
Full of fancy--- full folly--
Full of jollity and fun!
How they romped and ran about,
Like two boys when school is out,
With glowing face, and lisping lip,
Low laugh, and lifted shout!

And the South Wind-- he was dressed
With a ribbon round his breast
That floated, flapped and fluttered
In a riotous unrest,
And a drapery of mist
From the shoulder and the wrist
Flowing backward with the motion
Of the waving hand he kissed.

And the Sun had on a crown
Wrought of gilded thistle-down,
And a scarf of velvet vapor,
And a ravelled-rainbow gown;
And his tinsel-tangled hair,
Tossed and lost upon the air,
Was glossier and flossier
Than any anywhere.

And the South Wind's eyes were two
Little dancing drops of dew,
As he puffed his cheeks, and pursed his lips,
And blew and blew and blew!
And the Sun's-- like diamond-stone,
Brighter yet than ever known,
As he knit his brows and held his breath,
And shone and shone and shone!

And this pair of merry fays
Wandered through the summer days;
Arm-in-arm they went together
Over heights of morning haze--
Over slanting slopes of lawn
They went on and on and on,
Where the daisies looked like star-tracks
Trailing up and down the dawn.

And where'er they found the top
Of a wheat-stalk droop and lop
They chucked it underneath the chin
And praised the lavish crop,
Till it lifted with the pride
Of the heads it grew beside,
And then the South Wind and the Sun
Went onward satisfied.

Over meadow-lands they tripped,
Where the dandelions dipped
In crimson foam of clover-bloom,
And dripped and dripped and dripped;
And they clinched the bumble-stings,
Gauming honey on their wings,
And bundling them in lily-bells,
With maudlin murmurings.

And the humming-bird that hung
Like a jewel up among
The tilted honeysuckle-horns,
They mesmerized, and swung
In the palpitating air,
Drowsed with odors strange and rare,
And with whispered laughter, slipped away,
And left him hanging there.

And they braided blades of grass
Where the truant had to pass;
And they wriggled through the rushes
And the reeds of the morass,
Where they danced, in rapture sweet,
O'er the leaves that laid a street
Of undulant mosaic for
The touches of their feet.

By the brook with mossy brink
Where the cattle came to drink.
They trilled and piped and whistled
With the thrush and bobolink,
Till the kine in listless pause,
Switched their tails in mute applause,
With lifted heads and dreamy eyes,
And bubble-dripping jaws.

And where the melons grew,
Streaked with yellow, green and blue
These jolly sprites went wandering
Through spangled paths of dew;
And the melons, here and there,
They made love to, everywhere
Turning their pink souls to crimson
With caresses fond and fair.

Over orchard walls they went,
Where the fruited boughs were bent
Till they brushed the sward beneath them
Where the shine and shadow blent;
And the great green pear they shook
Till the sallow hue forsook
Its features, and the gleam of gold
Laughed out in every look.

And they stroked the downy cheek
Of the peach, and smoothed it sleek,
And flushed it into splendor;
And with many an elfish freak,
Gave the russet's rust a wipe--
Prankt the rambo with a stripe,
And the wine-sap blushed its reddest
As they spanked the pippins ripe.

Through the woven ambuscade
That the twining vines had made,
They found the grapes, in clusters,
Drinking up the shine and shade--
Plumpt like tiny skins of wine,
With a vintage so divine
That the tongue of fancy tingled
With the tang of muscadine.

And the golden-banded bees,
Droning o'er the flowery leas,
They bridled, reigned, and rode away
Across the fragrant breeze,
Till in hollow oak and elm
They had groomed and stabled them
In waxen stalls oozed with dews
Of rose and lily-stem.

Where the dusty highway leads,
High above the wayside weeds
They sowed the air with butterflies
Like blooming flower-seeds,
Till the dull grasshopper sprung
Half a man's height up, and hung
Tranced in the heat, with whirring wings,
And sung and sung and sung!

And they loitered, hand in hand,
Where the snipe along the sand
Of the river ran to meet them
As the ripple meets the land,
Till the dragon-fly, in light
Gauzy armor, burnished bright,
Came tilting down the waters
In a wild, bewildered flight.

And they heard the killdee's call,
And afar, the waterfall,
But the rustle of a falling leaf
They heard above it all;
And the trailing willow crept
Deeper in the tide that swept
The leafy shallop to the shore,
And wept and wept and wept!

And the fairy vessel veered
From its moorings-- tacked and steered
For the centre of the current
Sailed away and disappeared:
And the burthen that it bore
From the long-enchanted shore--
'Alas! The South Wind and the Sun!'
I murmur evermore.

For the South Wind and the Sun,
Each so loves the other one,
For all his jolly folly
And frivolity and fun,
That our love for them they weigh
As their fickle fancies may,
And when at last we love them most,
They laugh and sail away.

What The Wind Said

'I muse to-day, in a listless way,
In the gleam of a summer land;
I close my eyes as a lover may
At the touch of his sweetheart's hand,
And I hear these things in the whisperings
Of the zephyrs round me fanned':--

I am the Wind, and I rule mankind,
And I hold a sovereign reign
Over the lands, as God designed,
And the waters they contain:
Lo! the bound of the wide world round
Falleth in my domain!

I was born on a stormy morn
In a kingdom walled with snow,
Whose crystal cities laugh to scorn
The proudest the world can show;
And the daylight's glare is frozen there
In the breath of the blasts that blow.

Life to me was a jubilee
From the first of my youthful days:
Clinking my icy toys with glee--
Playing my childish plays;
Filling my hands with the silver sands
To scatter a thousand ways:

Chasing the flakes that the Polar shakes
From his shaggy coat of white,
Or hunting the trace of the track he makes
And sweeping it from sight,
As he turned to glare from the slippery stair
Of the iceberg's farthest height.

Till I grew so strong that I strayed ere long
From my home of ice and chill;
With an eager heart and a merry song
I traveled the snows until
I heard the thaws in the ice-crag's jaws
Crunched with a hungry will;

And the angry crash of the waves that dash
Themselves on the jagged shore
Where the splintered masts of the ice-wrecks flash,
And the frightened breakers roar
In wild unrest on the ocean's breast
For a thousand leagues or more.

And the grand old sea invited me
With a million beckoning hands,
And I spread my wings for a flight as free
As ever a sailor plans
When his thoughts are wild and his heart beguiled
With the dreams of foreign lands.

I passed a ship on its homeward trip,
With a weary and toil-worn crew;
And I kissed their flag with a welcome lip,
And so glad a gale I blew
That the sailors quaffed their grog and laughed
At the work I made them do.

I drifted by where sea-groves lie
Like brides in the fond caress
Of the warm sunshine and the tender sky--
Where the ocean, passionless
And tranquil, lies like a child whose eyes
Are blurred with drowsiness.

I drank the air and the perfume there,
And bathed in a fountain's spray;
And I smoothed the wings and the plumage rare
Of a bird for his roundelay,
And fluttered a rag from a signal-crag
For a wretched castaway.

With a sea-gull resting on my breast,
I launched on a madder flight:
And I lashed the waves to a wild unrest,
And howled with a fierce delight
Till the daylight slept; and I wailed and wept
Like a fretful babe all night.

For I heard the boom of a gun strike doom;
And the gleam of a blood-red star
Glared at me through the mirk and gloom
From the lighthouse tower afar;
And I held my breath at the shriek of death
That came from the harbor bar.

For I am the Wind, and I rule mankind,
And I hold a sovereign reign
Over the lands, as God designed,
And the waters they contain:
Lo! the bound of the wide world round
Falleth in my domain!

I journeyed on, when the night was gone,
O'er a coast of oak and pine;
And I followed a path that a stream had drawn
Through a land of vale and vine,
And here and there was a village fair
In a nest of shade and shine.

I passed o'er lakes where the sunshine shakes
And shivers his golden lance
On the glittering shield of the wave that breaks
Where the fish-boats dip and dance,
And the trader sails where the mist unveils
The glory of old romance.

I joyed to stand where the jeweled hand
Of the maiden-morning lies
On the tawny brow of the mountain-land.
Where the eagle shrieks and cries,
And holds his throne to himself alone
From the light of human eyes.

Adown deep glades where the forest shades
Are dim as the dusk of day--
Where only the foot of the wild beast wades,
Or the Indian dares to stray,
As the blacksnakes glide through the reeds and hide
In the swamp-depths grim and gray.

And I turned and fled from the place of dread
To the far-off haunts of men.
'In the city's heart is rest,' I said,--
But I found it not, and when
I saw but care and vice reign there
I was filled with wrath again:

And I blew a spark in the midnight dark
Till it flashed to an angry flame
And scarred the sky with a lurid mark
As red as the blush of shame:
And a hint of hell was the dying yell
That up from the ruins came.

The bells went wild, and the black smoke piled
Its pillars against the night,
Till I gathered them, like flocks defiled,
And scattered them left and right,
While the holocaust's red tresses tossed
As a maddened Fury's might.

'Ye overthrown!' did I jeer and groan--
'Ho! who is your master?--say!--
Ye shapes that writhe in the slag and moan
Your slow-charred souls away--
Ye worse than worst of things accurst--
Ye dead leaves of a day!'

I am the Wind, and I rule mankind,
And I hold a sovereign reign
Over the lands, as God designed,
And the waters they contain:
Lo! the bound of the wide world round
Falleth in my domain!

. . . . . . .

'I wake, as one from a dream half done,
And gaze with a dazzled eye
On an autumn leaf like a scrap of sun
That the wind goes whirling by,
While afar I hear, with a chill of fear,
The winter storm-king sigh.'

How John Quit The Farm

Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!

A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.

You see, we tuck sich pride in John--his mother more 'n me--
That's natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.

He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say--
'Jest listen, David!--listen!--Johnny's beat the birds to-day!'

High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!

And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!

At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.

But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.

He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.

And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.

But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;
But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.

'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.--
'This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'

And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!

I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.

And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!

The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.

And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.

And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.

And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.

And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!

And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,
As though she thought that I was thinkin' bad-words unbeknown.

'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,--
'And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.

'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'

'Oh, nothin' much!' says Mother, with a quiet sort o' smile--
'This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.

'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'

* * * * * *

Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!

Cousin Rufus' Story

My little story, Cousin Rufus said,
Is not so much a story as a fact.
It is about a certain willful boy--
An aggrieved, unappreciated boy,
Grown to dislike his own home very much,
By reason of his parents being not
At all up to his rigid standard and
Requirements and exactions as a son
And disciplinarian.

So, sullenly
He brooded over his disheartening
Environments and limitations, till,
At last, well knowing that the outside world
Would yield him favors never found at home,
He rose determinedly one July dawn--
Even before the call for breakfast--and,
Climbing the alley-fence, and bitterly
Shaking his clenched fist at the woodpile, he
Evanished down the turnpike.--Yes: he had,
Once and for all, put into execution
His long low-muttered threatenings--He had
_Run off!_--He had--had run away from home!

His parents, at discovery of his flight,
Bore up first-rate--especially his Pa,--
Quite possibly recalling his own youth,
And therefrom predicating, by high noon,
The absent one was very probably
Disporting his nude self in the delights
Of the old swimmin'-hole, some hundred yards
Below the slaughter-house, just east of town.
The stoic father, too, in his surmise
Was accurate--For, lo! the boy was there!

And there, too, he remained throughout the day--
Save at one starving interval in which
He clad his sunburnt shoulders long enough
To shy across a wheatfield, shadow-like,
And raid a neighboring orchard--bitterly,
And with spasmodic twitchings of the lip,
Bethinking him how all the other boys
Had _homes_ to go to at the dinner-hour--
While _he_--alas!--_he had no home!_--At least
These very words seemed rising mockingly,
Until his every thought smacked raw and sour
And green and bitter as the apples he
In vain essayed to stay his hunger with.
Nor did he join the glad shouts when the boys
Returned rejuvenated for the long
Wet revel of the feverish afternoon.--
Yet, bravely, as his comrades splashed and swam
And spluttered, in their weltering merriment,
He tried to laugh, too,--but his voice was hoarse
And sounded to him like some other boy's.
And then he felt a sudden, poking sort
Of sickness at the heart, as though some cold
And scaly pain were blindly nosing it
Down in the dreggy darkness of his breast.
The tensioned pucker of his purple lips
Grew ever chillier and yet more tense--
The central hurt of it slow spreading till
It did possess the little face entire.
And then there grew to be a knuckled knot--
An aching kind of core within his throat--
An ache, all dry and swallowless, which seemed
To ache on just as bad when he'd pretend
He didn't notice it as when he did.
It was a kind of a conceited pain--
An overbearing, self-assertive and
Barbaric sort of pain that clean outhurt
A boy's capacity for suffering--
So, many times, the little martyr needs
Must turn himself all suddenly and dive
From sight of his hilarious playmates and
Surreptitiously weep under water.

Thus
He wrestled with his awful agony
Till almost dark; and then, at last--then, with
The very latest lingering group of his
Companions, he moved turgidly toward home--
Nay, rather _oozed_ that way, so slow he went,--
With lothful, hesitating, loitering,
Reluctant, late-election-returns air,
Heightened somewhat by the conscience-made resolve
Of chopping a double-armful of wood
As he went in by rear way of the kitchen.
And this resolve he executed;--yet
The hired girl made no comment whatsoever,
But went on washing up the supper-things,
Crooning the unutterably sad song, '_Then think,
Oh, think how lonely this heart must ever be!_'
Still, with affected carelessness, the boy
Ranged through the pantry; but the cupboard-door
Was locked. He sighed then like a wet fore-stick
And went out on the porch.--At least the pump,
He prophesied, would meet him kindly and
Shake hands with him and welcome his return!
And long he held the old tin dipper up--
And oh, how fresh and pure and sweet the draught!
Over the upturned brim, with grateful eyes
He saw the back-yard, in the gathering night,
Vague, dim and lonesome, but it all looked good:
The lightning-bugs, against the grape-vines, blinked
A sort of sallow gladness over his
Home-coming, with this softening of the heart.
He did not leave the dipper carelessly
In the milk-trough.--No: he hung it back upon
Its old nail thoughtfully--even tenderly.
All slowly then he turned and sauntered toward
The rain-barrel at the corner of the house,
And, pausing, peered into it at the few
Faint stars reflected there. Then--moved by some
Strange impulse new to him--he washed his feet.
He then went in the house--straight on into
The very room where sat his parents by
The evening lamp.--The father all intent
Reading his paper, and the mother quite
As intent with her sewing. Neither looked
Up at his entrance--even reproachfully,--
And neither spoke.

The wistful runaway
Drew a long, quavering breath, and then sat down
Upon the extreme edge of a chair. And all
Was very still there for a long, long while.--
Yet everything, someway, seemed _restful_-like
And _homey_ and old-fashioned, good and kind,
And sort of _kin_ to him!--Only too _still!_
If somebody would say something--just _speak_--
Or even rise up suddenly and come
And lift him by the ear sheer off his chair--
Or box his jaws--Lord bless 'em!--_any_thing!--
Was he not there to thankfully accept
Any reception from parental source
Save this incomprehensible _voicelessness_.
O but the silence held its very breath!
If but the ticking clock would only _strike_
And for an instant drown the whispering,
Lisping, sifting sound the katydids
Made outside in the grassy nowhere.

Far
Down some back-street he heard the faint halloo
Of boys at their night-game of 'Town-fox,'
But now with no desire at all to be
Participating in their sport--No; no;--
Never again in this world would he want
To join them there!--he only wanted just
To stay in home of nights--Always--always--
Forever and a day!

He moved; and coughed--
Coughed hoarsely, too, through his rolled tongue; and yet
No vaguest of parental notice or
Solicitude in answer--no response--
No word--no look. O it was deathly still!--
So still it was that really he could not
Remember any prior silence that
At all approached it in profundity
And depth and density of utter hush.
He felt that he himself must break it: So,
Summoning every subtle artifice
Of seeming nonchalance and native ease
And naturalness of utterance to his aid,
And gazing raptly at the house-cat where
She lay curled in her wonted corner of
The hearth-rug, dozing, he spoke airily
And said: 'I see you've got the same old cat!'

You think it is a sorry thing
That I am blind. Your pitying
Is welcome to me; yet indeed,
I think I have but little need
Of it. Though you may marvel much
That _we_, who see by sense of touch
And taste and hearing, see things _you_
May never look upon; and true
Is it that even in the scent
Of blossoms _we_ find something meant
No eyes have in their faces read,
Or wept to see interpreted.

And you might think it strange if now
I told you you were smiling. How
Do I know that? I hold your hand--
_Its_ language I can understand--
Give both to me, and I will show
You many other things I know.
Listen: We never met before
Till now?--Well, you are something lower
Than five-feet-eight in height; and you
Are slender; and your eyes are blue--

Your mother's eyes--your mother's hair--
Your mother's likeness everywhere
Save in your walk--and that is quite
Your father's; nervous.--Am I right?
I thought so. And you used to sing,
But have neglected everything
Of vocalism--though you may
Still thrum on the guitar, and play
A little on the violin,--
I know that by the callous in
The finger-tips of your left hand--
And, by-the-bye, though nature planned
You as most men, you are, I see,
'_Left_-handed,' too,--the mystery
Is clear, though,--your right arm has been
Broken, to 'break' the left one in.
And so, you see, though blind of sight,
I still have ways of seeing quite
Too well for you to sympathize
Excessively, with your good eyes.--
Though _once_, perhaps, to be sincere,
Within the whole asylum here,
From cupola to basement hall,
I was the blindest of them all!

Let us move further down the walk--
The man here waiting hears my talk,
And is disturbed; besides, he may
Not be quite friendly anyway.
In fact--(this will be far enough;
Sit down)--the man just spoken of
Was once a friend of mine. He came
For treatment here from Burlingame--
A rich though brilliant student there,
Who read his eyes out of repair,
And groped his way up here, where we
Became acquainted, and where he
Met one of our girl-teachers, and,
If you 'll believe me, asked her hand
In marriage, though the girl was blind
As I am--and the girl _declined_.
Odd, wasn't it? Look, you can see
Him waiting there. Fine, isn't he?
And handsome, eloquently wide
And high of brow, and dignified
With every outward grace, his sight
Restored to him, clear and bright
As day-dawn; waiting, waiting still
For the blind girl that never will
Be wife of his. How do I know?
You will recall a while ago
I told you he and I were friends.
In all that friendship comprehends,
I was his friend, I swear! why now,
Remembering his love, and how
His confidence was all my own,
I hear, in fancy, the low tone
Of his deep voice, so full of pride
And passion, yet so pacified
With his affliction, that it seems
An utterance sent out of dreams
Of saddest melody, withal
So sorrowfully musical
It was, and is, must ever be--
But I'm digressing, pardon me.
_I_ knew not anything of love
In those days, but of that above
All worldly passion,--for my art--
Music,--and that, with all my heart
And soul, blent in a love too great
For words of mine to estimate.
And though among my pupils she
Whose love my friend sought came to me
I only knew her fingers' touch
Because they loitered overmuch
In simple scales, and needs must be
Untangled almost constantly.
But she was bright in other ways,
And quick of thought, with ready plays
Of wit, and with a voice as sweet
To listen to as one might meet
In any oratorio--
And once I gravely told her so,--
And, at my words, her limpid tone
Of laughter faltered to a moan,
And fell from that into a sigh
That quavered all so wearily,
That I, without the tear that crept
Between the keys, had known she wept;
And yet the hand I reached for then
She caught away, and laughed again.
And when that evening I strolled
With my old friend, I, smiling, told
Him I believed the girl and he
Were matched and mated perfectly:
He was so noble; she, so fair
Of speech, and womanly of air;
He, strong, ambitious; she, as mild
And artless even as a child;
And with a nature, I was sure,
As worshipful as it was pure
And sweet, and brimmed with tender things
Beyond his rarest fancyings.
He stopped me solemnly. He knew,
He said, how good, and just, and true
Was all I said of her; but as
For his own virtues, let them pass,
Since they were nothing to the one
That he had set his heart upon;
For but that morning she had turned
Forever from him. Then I learned
That for a month he had delayed
His going from us, with no aid
Of hope to hold him,--meeting still
Her ever firm denial, till
Not even in his new-found sight
He found one comfort or delight.
And as his voice broke there, I felt
The brother-heart within me melt
In warm compassion for his own
That throbbed so utterly alone.
And then a sudden fancy hit
Along my brain; and coupling it
With a belief that I, indeed,
Might help my friend in his great need,
I warmly said that I would go
Myself, if he decided so,
And see her for him--that I knew
My pleadings would be listened to
Most seriously, and that she
Should love him, listening to me.
Go; bless me! And that was the last--
The last time his warm hand shut fast
Within my own--so empty since,
That the remembered finger-prints
I 've kissed a thousand times, and wet
Them with the tears of all regret!

I know not how to rightly tell
How fared my quest, and what befell
Me, coming in the presence of
That blind girl, and her blinder love.
I know but little else than that
Above the chair in which she sat
I leant--reached for, and found her hand,
And held it for a moment, and
Took up the other--held them both--
As might a friend, I will take oath:
Spoke leisurely, as might a man
Praying for no thing other than
He thinks Heaven's justice;--She was blind,
I said, and yet a noble mind
Most truly loved her; one whose fond
Clear-sighted vision looked beyond
The bounds of her infirmity,
And saw the woman, perfectly
Modeled, and wrought out pure and true
And lovable. She quailed, and drew
Her hands away, but closer still
I caught them. 'Rack me as you will!'
She cried out sharply--'Call me 'blind'--
Love ever is--I am resigned!
Blind is your friend; as blind as he
Am I--but blindest of the three--
Yea, blind as death--you will not see
My love for you is killing me!'

There is a memory that may
Not ever wholly fade away
From out my heart, so bright and fair
The light of it still glimmers there.
Why, it did seem as though my sight
Flamed back upon me, dazzling white
And godlike. Not one other word
Of hers I listened for or heard,
But I _saw_ songs sung in her eyes
Till they did swoon up drowning-wise,
As my mad lips did strike her own
And we flashed one and one alone!
Ah! was it treachery for me
To kneel there, drinking eagerly
That torrent-flow of words that swept
Out laughingly the tears she wept?--
Sweet words! O sweeter far, maybe,
Than light of day to those that see,--
God knows, who did the rapture send
To me, and hold it from my friend.

And we were married half a year
Ago,--and he is--waiting here,
Heedless of that--or anything,
But just that he is lingering
To say good-bye to her, and bow--
As you may see him doing now,--
For there's her footstep in the hall;
God bless her!--help him!--save us all!

The Hired Man And Floretty

The Hired Man's supper, which he sat before,
In near reach of the wood-box, the stove-door
And one leaf of the kitchen-table, was
Somewhat belated, and in lifted pause
His dextrous knife was balancing a bit
Of fried mush near the port awaiting it.

At the glad children's advent--gladder still
To find _him_ there--'Jest tickled fit to kill
To see ye all!' he said, with unctious cheer.--
'I'm tryin'-like to he'p Floretty here
To git things cleared away and give ye room
Accordin' to yer stren'th. But I p'sume
It's a pore boarder, as the poet says,
That quarrels with his victuals, so I guess
I'll take another wedge o' that-air cake,
Florett', that you're a-_learnin_' how to bake.'
He winked and feigned to swallow painfully.--

'Jest 'fore ye all come in, Floretty she
Was boastin' 'bout her _biscuits_--and they _air_
As good--sometimes--as you'll find anywhere.--
But, women gits to braggin' on their _bread_,
I'm s'picious 'bout their _pie_--as Danty said.'
This raillery Floretty strangely seemed
To take as compliment, and fairly beamed
With pleasure at it all.

--'Speakin' o' _bread_--
When she come here to live,' The Hired Man said,--
'Never ben out o' _Freeport_ 'fore she come
Up here,--of course she needed '_sperience_ some.--
So, one day, when yer Ma was goin' to set
The risin' fer some bread, she sent Florett
To borry _leaven_, 'crost at Ryans'--So,
She went and asked fer _twelve_.--She didn't _know_,
But thought, _whatever_ 'twuz, that she could keep
_One_ fer _herse'f_, she said. O she wuz deep!'

Some little evidence of favor hailed
The Hired Man's humor; but it wholly failed
To touch the serious Susan Loehr, whose air
And thought rebuked them all to listening there
To her brief history of the _city_-man
And his pale wife--'A sweeter woman than
_She_ ever saw!'--So Susan testified,--
And so attested all the Loehrs beside.--
So entertaining was the history, that
The Hired Man, in the corner where he sat
In quiet sequestration, shelling corn,
Ceased wholly, listening, with a face forlorn
As Sorrow's own, while Susan, John and Jake
Told of these strangers who had come to make
Some weeks' stay in the town, in hopes to gain
Once more the health the wife had sought in vain:
Their doctor, in the city, used to know
The Loehrs--Dan and Rachel--years ago,--
And so had sent a letter and request
For them to take a kindly interest
In favoring the couple all they could--
To find some home-place for them, if they would,
Among their friends in town. He ended by
A dozen further lines, explaining why
His patient must have change of scene and air--
New faces, and the simple friendships there
With _them_, which might, in time, make her forget
A grief that kept her ever brooding yet
And wholly melancholy and depressed,--
Nor yet could she find sleep by night nor rest
By day, for thinking--thinking--thinking still Upon a grief beyond the doctor's skill,--
The death of her one little girl.

'Pore thing!'
Floretty sighed, and with the turkey-wing
Brushed off the stove-hearth softly, and peered in
The kettle of molasses, with her thin
Voice wandering into song unconsciously--
In purest, if most witless, sympathy.--

''Then sleep no more:
Around thy heart
Some ten-der dream may i-dlee play.
But mid-night song,
With mad-jick art,
Will chase that dree muh-way!''

'That-air besetment of Floretty's,' said
The Hired Man,--'_singin_--she _inhairited_,--
Her _father_ wuz addicted--same as her--
To singin'--yes, and played the dulcimer!
But--gittin' back,--I s'pose yer talkin' 'bout
Them _Hammondses_. Well, Hammond he gits out
_Pattents_ on things--inventions-like, I'm told--
And's got more money'n a house could hold!
And yit he can't git up no pattent-right
To do away with _dyin'_.--And he might
Be worth a _million_, but he couldn't find
Nobody sellin' _health_ of any kind!...
But they's no thing onhandier fer _me_
To use than other people's misery.--
Floretty, hand me that-air skillet there
And lem me git 'er het up, so's them-air
Childern kin have their popcorn.'

It was good
To hear him now, and so the children stood
Closer about him, waiting.

'Things to _eat_,'
The Hired Man went on, ''s mighty hard to beat!
Now, when _I_ wuz a boy, we was so pore,
My parunts couldn't 'ford popcorn no more
To pamper _me_ with;--so, I hat to go
_Without_ popcorn--sometimes a _year_ er so!--
And _suffer'n' saints!_ how hungry I would git
Fer jest one other chance--like this--at it!
Many and many a time I've _dreamp_', at night,
About popcorn,--all busted open white,
And hot, you know--and jest enough o' salt
And butter on it fer to find no fault--
_Oomh!_--Well! as I was goin' on to say,--
After a-_dreamin_' of it thataway,
_Then_ havin' to wake up and find it's all
A _dream_, and hain't got no popcorn at-tall,
Ner haint _had_ none--I'd think, '_Well, where's the use!_'
And jest lay back and sob the plaster'n' loose!
And I have _prayed_, what_ever_ happened, it
'Ud eether be popcorn er death!.... And yit
I've noticed--more'n likely so have you--
That things don't happen when you _want_ 'em to.'

And thus he ran on artlessly, with speech
And work in equal exercise, till each
Tureen and bowl brimmed white. And then he greased
The saucers ready for the wax, and seized
The fragrant-steaming kettle, at a sign
Made by Floretty; and, each child in line,
He led out to the pump--where, in the dim
New coolness of the night, quite near to him
He felt Floretty's presence, fresh and sweet
As ... dewy night-air after kitchen-heat.

There, still, with loud delight of laugh and jest,
They plied their subtle alchemy with zest--
Till, sudden, high above their tumult, welled
Out of the sitting-room a song which held
Them stilled in some strange rapture, listening
To the sweet blur of voices chorusing:--

''When twilight approaches the season
That ever is sacred to song,
Does some one repeat my name over,
And sigh that I tarry so long?
And is there a chord in the music
That's missed when my voice is away?--
And a chord in each heart that awakens
Regret at my wearisome stay-ay--
Regret at my wearisome stay.''

All to himself, The Hired Man thought--'Of course
_They'll_ sing _Floretty_ homesick!'

... O strange source
Of ecstasy! O mystery of Song!--
To hear the dear old utterance flow along:--

''Do they set me a chair near the table
When evening's home-pleasures are nigh?--
When the candles are lit in the parlor.
And the stars in the calm azure sky.''...

Just then the moonlight sliced the porch slantwise,
And flashed in misty spangles in the eyes
Floretty clenched--while through the dark--'I jing!'
A voice asked, 'Where's that song '_you'd_ learn to sing
Ef I sent you the _ballat_?'--which I done
Last I was home at Freeport.--S'pose you run
And git it--and we'll all go in to where
They'll know the notes and sing it fer ye there.'
And up the darkness of the old stairway
Floretty fled, without a word to say--
Save to herself some whisper muffled by
Her apron, as she wiped her lashes dry.

Returning, with a letter, which she laid
Upon the kitchen-table while she made
A hasty crock of 'float,'--poured thence into
A deep glass dish of iridescent hue
And glint and sparkle, with an overflow
Of froth to crown it, foaming white as snow.--
And then--poundcake, and jelly-cake as rare,
For its delicious complement,--with air
Of Hebe mortalized, she led her van
Of votaries, rounded by The Hired Man.

Coming, clean from the Maryland-end
Of this great National Road of ours,
Through your vast West; with the time to spend,
Stopping for days in the main towns, where
Every citizen seemed a friend,
And friends grew thick as the wayside flowers,--
I found no thing that I might narrate
More singularly strange or queer
Than a thing I found in your sister-state
Ohio,--at a river-town--down here
In my notebook: _Zanesville--situate
On the stream Muskingum--broad and clear,
And navigable, through half the year,
North, to Coshocton; south, as far
As Marietta._--But these facts are
Not of the _story_, but the _scene_
Of the simple little tale I mean
To tell _directly_--from this, straight through
To the _end_ that is best worth listening to:

Eastward of Zanesville, two or three
Miles from the town, as our stage drove in,
I on the driver's seat, and he
Pointing out this and that to me,--
On beyond us--among the rest--
A grovey slope, and a fluttering throng
Of little children, which he 'guessed'
Was a picnic, as we caught their thin
High laughter, as we drove along,
Clearer and clearer. Then suddenly
He turned and asked, with a curious grin,
What were my views on _Slavery? 'Why?'_
I asked, in return, with a wary eye.
'Because,' he answered, pointing his whip
At a little, whitewashed house and shed
On the edge of the road by the grove ahead,--
'Because there are two slaves _there_,' he said--
'Two Black slaves that I've passed each trip
For eighteen years.--Though they've been set free,
They have been slaves ever since!' said he.
And, as our horses slowly drew
Nearer the little house in view,
All briefly I heard the history
Of this little old Negro woman and
Her husband, house and scrap of land;
How they were slaves and had been made free
By their dying master, years ago
In old Virginia; and then had come
North here into a _free_ state--so,
Safe forever, to found a home--
For themselves alone?--for they left South there
Five strong sons, who had, alas!
All been sold ere it came to pass
This first old master with his last breath
Had freed the _parents_.--(He went to death
Agonized and in dire despair
That the poor slave _children_ might not share
Their parents' freedom. And wildly then
He moaned for pardon and died. Amen!)

Thus, with their freedom, and little sum
Of money left them, these two had come
North, full twenty long years ago;
And, settling there, they had hopefully
Gone to work, in their simple way,
Hauling--gardening--raising sweet
Corn, and popcorn.--Bird and bee
In the garden-blooms and the apple-tree
Singing with them throughout the slow
Summer's day, with its dust and heat--
The crops that thirst and the rains that fail;
Or in Autumn chill, when the clouds hung low,
And hand-made hominy might find sale
In the near town-market; or baking pies
And cakes, to range in alluring show
At the little window, where the eyes
Of the Movers' children, driving past,
Grew fixed, till the big white wagons drew
Into a halt that would sometimes last
Even the space of an hour or two--
As the dusty, thirsty travelers made
Their noonings there in the beeches' shade
By the old black Aunty's spring-house, where,
Along with its cooling draughts, were found
Jugs of her famous sweet spruce-beer,
Served with her gingerbread-horses there,
While Aunty's snow-white cap bobbed 'round
Till the children's rapture knew no bound,
As she sang and danced for them, quavering clear
And high the chant of her old slave-days--

'Oh, Lo'd, Jinny! my toes is so',
Dancin' on yo' sandy flo'!'

Even so had they wrought all ways
To earn the pennies, and hoard them, too,--
And with what ultimate end in view?--
They were saving up money enough to be
Able, in time, to buy their own
Five children back.

Ah! the toil gone through!
And the long delays and the heartaches, too,
And self-denials that they had known!
But the pride and glory that was theirs
When they first hitched up their shackly cart
For the long, long journey South.--The start
In the first drear light of the chilly dawn,
With no friends gathered in grieving throng,--
With no farewells and favoring prayers;
But, as they creaked and jolted on,
Their chiming voices broke in song--

''Hail, all hail! don't you see the stars a-fallin'?
Hail, all hail! I'm on my way.
Gideon[1] am
A healin' ba'm--
I belong to the blood-washed army.
Gideon am
A healin' ba'm--
On my way!''

And their _return!_--with their oldest boy
Along with them! Why, their happiness
Spread abroad till it grew a joy
_Universal_--It even reached
And thrilled the town till the _Church_ was stirred
Into suspecting that wrong was wrong!--
And it stayed awake as the preacher preached
A _Real_ 'Love'-text that he had not long
To ransack for in the Holy Word.

And the son, restored, and welcomed so,
Found service readily in the town;
And, with the parents, sure and slow,
_He_ went 'saltin' de cole cash down.'

So with the _next_ boy--and each one
In turn, till _four_ of the five at last
Had been bought back; and, in each case,
With steady work and good homes not
Far from the parents, _they_ chipped in
To the family fund, with an equal grace.
Thus they managed and planned and wrought,
And the old folks throve--Till the night before
They were to start for the lone last son
In the rainy dawn--their money fast
Hid away in the house,--two mean,
Murderous robbers burst the door.
...Then, in the dark, was a scuffle--a fall--
An old man's gasping cry--and then
A woman's fife-like shriek.

...Three men
Splashing by on horseback heard
The summons: And in an instant all
Sprung to their duty, with scarce a word.
And they were _in time_--not only to save
The lives of the old folks, but to bag
Both the robbers, and buck-and-gag
And land them safe in the county-jail--
Or, as Aunty said, with a blended awe
And subtlety,--'Safe in de calaboose whah
De dawgs caint bite 'em!'

--So prevail
The faithful!--So had the Lord upheld
His servants of both deed and prayer,--
HIS the glory unparalleled--
_Theirs_ the reward,--their every son
Free, at last, as the parents were!
And, as the driver ended there
In front of the little house, I said,
All fervently, 'Well done! well done!'
At which he smiled, and turned his head
And pulled on the leaders' lines and--'See!'
He said,--''you can read old Aunty's sign?'
And, peering down through these specs of mine
On a little, square board-sign, I read:

'Stop, traveler, if you think it fit,
And quench your thirst for a-fip-and-a-bit.
The rocky spring is very clear,
And soon converted into beer.'

And, though I read aloud, I could
Scarce hear myself for laugh and shout
Of children--a glad multitude
Of little people, swarming out
Of the picnic-grounds I spoke about.--
And in their rapturous midst, I see
Again--through mists of memory--
A black old Negress laughing up
At the driver, with her broad lips rolled
Back from her teeth, chalk-white, and gums
Redder than reddest red-ripe plums.
He took from her hand the lifted cup
Of clear spring-water, pure and cold,
And passed it to me: And I raised my hat
And drank to her with a reverence that
My conscience knew was justly due
The old black face, and the old eyes, too--
The old black head, with its mossy mat
Of hair, set under its cap and frills
White as the snows on Alpine hills;
Drank to the old _black_ smile, but yet
Bright as the sun on the violet,--
Drank to the gnarled and knuckled old
Black hands whose palms had ached and bled
And pitilessly been worn pale
And white almost as the palms that hold
Slavery's lash while the victim's wail
Fails as a crippled prayer might fail.--
Aye, with a reverence infinite,
I drank to the old black face and head--
The old black breast with its life of light--
The old black hide with its heart of gold.

What Chris'Mas Fetched The Wigginses

Wintertime, er Summertime,
Of late years I notice I'm,
Kindo'-like, more subjec' to
What the _weather_ is. Now, you
Folks 'at lives in town, I s'pose,
Thinks its bully when it snows;
But the chap 'at chops and hauls
Yer wood fer ye, and then stalls,
And snapps tuggs and swingletrees,
And then has to walk er freeze,
Haint so much 'stuck on' the snow
As stuck _in_ it--Bless ye, no!--
When its packed, and sleighin's good,
And _church_ in the neighborhood,
Them 'at's _got_ their girls, I guess,
Takes 'em, likely, more er less,
Tell the plain facts o' the case,
No men-folks about our place
On'y me and Pap--and he
'Lows 'at young folks' company
Allus made him sick! So I
Jes don't want, and jes don't try!
Chinkypin, the dad-burn town,
'S too fur off to loaf aroun'
Either day er night--and no
Law compellin' me to go!--
'Less 'n some Old-Settlers' Day,
Er big-doin's thataway--
_Then_, to tell the p'inted fac',
I've went more so's to come back
By old Guthrie's 'still-house, where
Minors _has_ got licker there--
That's pervidin' we could show 'em
Old folks sent fer it from home!
Visit roun' the neighbors some,
When the boys wants me to come.--
Coon-hunt with 'em; er set traps
Fer mussrats; er jes, perhaps,
Lay in roun' the stove, you know,
And parch corn, and let her snow!
Mostly, nights like these, you'll be
(Ef you' got a writ fer _me_)
Ap' to skeer me up, I guess,
In about the Wigginses.
Nothin' roun' _our_ place to keep
Me at home--with Pap asleep
'Fore it's dark; and Mother in
Mango pickles to her chin;
And the girls, all still as death,
Piecin' quilts.--Sence I drawed breath
Twenty year' ago, and heerd
Some girls whispern' so's it 'peared
Like they had a row o' pins
In their mouth--right there begins
My first rickollections, built
On that-air blame old piece-quilt!

Summertime, it's jes the same--
'Cause I've noticed,--and I claim,
As I said afore, I'm more
Subjec' to the weather, _shore_,
'Proachin' my majority,
Than I ever ust to be!
Callin' back _last_ Summer, say,--
Don't seem hardly past away--
With night closin' in, and all
S' lonesome-like in the dew-fail:
Bats--ad-drat their ugly muggs!--
Flickern' by; and lightnin'-bugs
Huckstern' roun' the airly night
Little sickly gasps o' light;--
Whip-poor-wills, like all possessed,
Moanin' out their mournfullest;--
Frogs and katydids and things
Jes clubs in and sings and sings
Their _ding-dangdest_!--Stock's all fed,
And Pap's washed his feet fer bed;--
Mother and the girls all down
At the milk-shed, foolin' roun'--
No wunder 'at I git blue,
And lite out--and so would you!
I caint stay aroun' no place
Whur they haint no livin' face:--
'Crost the fields and thue the gaps
Of the hills they's friends, perhaps,
Waitin' somers, 'at kin be
Kindo' comfertin' to me!

Neighbors all 'is plenty good,
Scattered thue this neighberhood;
Yit, of all, I like to jes
Drap in on the Wigginses.--
Old man, and old lady too,
'Pear-like, makes so much o' you--,
Least, they've allus pampered me
Like one of the fambily.--
The boys, too, 's all thataway--
Want you jes to come and stay;--
Price, and Chape, and Mandaville,
Poke, Chasteen, and 'Catfish Bill'--
Poke's the runt of all the rest,
But he's jes the beatinest
Little schemer, fer fourteen,
Anybody ever seen!--
'Like his namesake,' old man claims,
'Jeems K. Poke, the first o' names!
Full o' tricks and jokes--and you
Never know what _Poke's_ go' do!'
Genius, too, that-air boy is,
With them awk'ard hands o' his:
Gits this blame pokeberry-juice,
Er some stuff, fer ink--and goose-
Quill pen-p'ints: And then he'll draw
Dogdest pictures yevver saw!
Er make deers and eagles good
As a writin'-teacher could!
Then they's two twin boys they've riz
Of old Coonrod Wigginses
'At's deceast--and glad of it,
'Cause his widder's livin' yit!

Course _the boys_ is mostly jes'
Why I go to Wigginses.---
Though _Melviney_, sometimes, _she_
Gits her slate and algebry
And jes' sets there ciphern' thue
Sums old Ray hisse'f caint do!--
Jes' sets there, and tilts her chair
Forreds tel, 'pear-like, her hair
Jes' _spills_ in her lap--and then
She jes' dips it up again
With her hands, as white, I swan,
As the apern she's got on!

Talk o' hospitality!--
Go to Wigginses with me--
Overhet, or froze plum thue,
You'll find welcome waitin' you:--
Th'ow out yer tobacker 'fore
You set foot acrost that floor,--
'Got to eat whatever's set--
Got to drink whatever's wet!'
Old man's sentimuns--them's his---
And means jes the best they is!
Then he lights his pipe; and she,
The old lady, presen'ly
She lights her'n; and Chape and Poke.
I haint got none, ner don't smoke,--
(In the crick afore their door--
Sorto so's 'at I'd be shore--
Drownded mine one night and says
'I won't smoke at _Wigginses_!')
Price he's mostly talkin' 'bout
Politics, and 'thieves turned out'--
What he's go' to be, ef he
Ever 'gits there'--and 'we'll see!'--
Poke he 'lows they's blame few men
Go' to hold their breath tel then!
Then Melviney smiles, as she
Goes on with her algebry,
And the clouds clear, and the room's
Sweeter 'n crabapple-blooms!
(That Melviney, she' got some
Most surprisin' ways, I gum!--
Don't 'pear like she ever _says_
Nothin', yit you'll _listen_ jes
Like she was a-talkin', and
Half-way seem to understand,
But not quite,--_Poke_ does, I know,
'Cause he good as told me so,--
Poke's her favo-rite; and he--
That is, confidentially--
He's _my_ favo-rite--and I
Got my whurfore and my why!)

I haint never ben no hand
Much at talkin', understand,
But they's _thoughts_ o' mine 'at's jes
Jealous o' them Wigginses!--
Gift o' talkin 's what they got,
Whether they want to er not--
F'r instunce, start the old man on
Huntin'-scrapes, 'fore game was gone,
'Way back in the Forties, when
Bears stold pigs right out the pen,
Er went waltzin' 'crost the farm
With a bee-hive on their arm!--
And--sir, _ping_! the old man's gun
Has plumped-over many a one,
Firin' at him from afore
That-air very cabin-door!
Yes--and _painters_, prowlin' 'bout,
Allus darkest nights.--Lay out
Clost yer cattle.--Great, big red
Eyes a-blazin' in their head,
Glittern' 'long the timber-line--
Shine out some, and then _un_-shine,
And shine back--Then, stiddy! whizz!
'N there yer Mr. Painter is
With a hole bored spang between
Them-air eyes! Er start Chasteen,
Say, on blooded racin'-stock,
Ef you want to hear him talk;
Er tobacker--how to raise,
Store, and k-yore it, so's she pays:
The old lady--and she'll cote
Scriptur' tel she'll git yer vote!

Prove to you 'at wrong is right,
Jes as plain as black is white:
Prove when you're asleep in bed
You're a-standin' on yer head,
And yer train 'at's goin' West,
'S goin' East its level best;
And when bees dies, it's their wings
Wears out--and a thousand things!
And the boys is 'chips,' you know;
'Off the old block'--So I go
To the Wigginses, 'cause--jes
'Cause I _like_ the Wigginses--
Even ef Melviney _she_
Hardly 'pears to notice me!

Rid to Chinkypin this week--
Yisterd'y.--No snow to speak
Of, and didn't have no sleigh
Anyhow; so, as I say,
I rid in--and froze one ear
And both heels--and I don't keer!--
'Mother and the girls kin jes
Bother 'bout their Chris'mases
_Next_ time fer _theirse'vs_, I jack!'
Thinks-says-I, a-startin' back,--
Whole durn meal-bag full of things
Wrapped in paper-sacks, and strings
Liable to snap their holt
Jes at any little jolt!
That in front o' me, and _wind_
With _nicks_ in it, 'at jes skinned
Me alive!--I'm here to say
Nine mile' hossback thataway
Would a-walked my log! But, as
Somepin' allus comes to pass,
As I topped old Guthrie's hill.
Saw a buggy, front the 'Still,
P'inted home'ards, and a thin
Little chap jes climbin' in.
Six more minutes I were there
On the groun's'--And course it were--
It were little Poke--and he
Nearly fainted to see me!--
'You ben in to Chinky, too?'
'Yes; and go' ride back with you,'
I-says-I. He he'pped me find
Room fer my things in behind--
Stript my hoss's reins down, and
Put his mitt' on the right hand
So's to lead--'Pile in!' says he,
'But you 've struck pore company!'
Noticed he was pale--looked sick,
Kindo-like, and had a quick
Way o' flickin' them-air eyes
0' his roun' 'at didn't size
Up right with his usual style--
s' I, 'You well?' He tried to smile,
But his chin shuck and tears come.--
'_I've run 'Viney 'way from home_!'

Don't know jes what all occurred
Next ten seconds--Nary word,
But my heart jes drapt, stobbed thue,
And whirlt over and come to.--
Wrenched a big quart bottle from
That fool-boy!--and cut my thumb
On his little fiste-teeth--helt
Him snug in one arm, and felt
That-air little heart o' his
Churn the blood o' Wigginses
Into that old bead 'at spun
Roun' her, spilt at Lexington!
His k'niptions, like enough,
He'pped us both,--though it was rough--
Rough on him, and rougher on
Me when last his nerve was gone,
And he laid there still, his face
Fishin' fer some hidin'-place
Jes a leetle lower down
In my breast than he 'd yit foun'!

Last I kindo' soothed him, so's
He could talk.--And what you s'pose
Them-air revelations of
Poke's was? . . . He'd ben writin' love-
Letters to Melviney, and
Givin her to understand
They was from 'a young man who
Loved her,' and--'the violet's blue
'N sugar's sweet'--and Lord knows what!
Tel, 'peared-like, Melviney got
S' interested in 'the young
Man,' Poke _he_ says, 'at she brung
A' answer onc't fer him to take,
Statin' 'she'd die fer his sake,'
And writ fifty xs 'fer
Love-kisses fer him from her!'
I was standin' in the road
By the buggy, all I knowed
When Poke got that fer.--'That's why,'
Poke says, 'I 'fessed up the lie--
_Had_ to--'cause I see,' says he,
''Viney was in airnest--she
Cried, too, when I told her.--Then
She swore me, and smiled again,
And got Pap and Mother to
Let me hitch and drive her thue
Into Chinkypin, to be
At Aunt 'Rindy's Chris'mas-tree--
That's to-night.' Says I, 'Poke--durn
Your lyin' soul!--'s that beau o' hern--
That--_she_--loves--Does _he_ live in
That hellhole o' Chinkypin?'
'No,' says Poke, 'er 'Viney would
Went some _other_ neighborhood.'
'Who _is_ the blame whelp?' says I.
'Promised 'Viney, hope I'd die
Ef I ever told!' says Poke,
Pittiful and jes heart-broke--
''Sides that's why she left the place,--
'She caint look him in the face
Now no more on earth!' she says.--'
And the child broke down and jes
Sobbed! Says I, 'Poke, I p'tend
T' be _your_ friend, and your _Pap's_ friend,
And your _Mother's_ friend, and all
The _boys_' friend, little, large and small--
The _whole fambily's_ friend--and you
Know that means _Melviney_, too.--
Now--you hush yer troublin!'--I'm
Go' to he'p friends ever' time--
On'y in _this_ case, _you_ got
To he'p _me_--and, like as not
I kin he'p Melviney then,
And we'll have her home again.
And now, Poke, with your consent,
I'm go' go to that-air gent
She's in love with, and confer
With _him_ on his views o' _her_.--
Blast him! give the man _some_ show.--
Who is he?--_I'm go' to know_!'
Somepin' struck the little chap
Funny, 'peared-like.--Give a slap
On his leg--laughed thue the dew
In his eyes, and says: 'It's you!'

Yes, and--'cordin' to the last
Love-letters of ours 'at passed
Thue his hands--we was to be
Married Chris'mas.--'Gee-mun-_nee_!
Poke,' says I, 'it's _suddent_--yit
We _kin_ make it! You're to git
Up tomorry, say, 'bout _three_--
Tell your folks you're go' with me:--
We'll hitch up, and jes drive in
'N take the town o' Chinkypin!'

Squire Hawkins's Story

I hain't no hand at tellin' tales,
Er spinnin' yarns, as the sailors say;
Someway o' 'nother, language fails
To slide fer me in the oily way
That LAWYERS has; and I wisht it would,
Fer I've got somepin' that I call good;
But bein' only a country squire,
I've learned to listen and admire,
Ruther preferrin' to be addressed
Than talk myse'f--but I'll do my best:--

Old Jeff Thompson--well, I'll say,
Was the clos'test man I ever saw!--
Rich as cream, but the porest pay,
And the meanest man to work fer--La!
I've knowed that man to work one 'hand'--
Fer little er nothin', you understand--
From four o'clock in the morning light
Tel eight and nine o'clock at night,
And then find fault with his appetite!
He'd drive all over the neighberhood
To miss the place where a toll-gate stood,
And slip in town, by some old road
That no two men in the county knowed,
With a jag o' wood, and a sack o' wheat,
That wouldn't burn and you couldn't eat!
And the trades he'd make, 'll I jest de-clare,
Was enough to make a preacher swear!
And then he'd hitch, and hang about
Tel the lights in the toll-gate was blowed out,
And then the turnpike he'd turn in
And sneak his way back home ag'in!

Some folks hint, and I make no doubt,
That that's what wore his old wife out--
Toilin' away from day to day
And year to year, through heat and cold,
Uncomplainin'--the same old way
The martyrs died in the days of old;
And a-clingin', too, as the martyrs done,
To one fixed faith, and her ONLY one,--
Little Patience, the sweetest child
That ever wept unrickonciled,
Er felt the pain and the ache and sting
That only a mother's death can bring.

Patience Thompson!--I think that name
Must 'a' come from a power above,
Fer it seemed to fit her jest the same
As a GAITER would, er a fine kid glove!
And to see that girl, with all the care
Of the household on her--I de-clare
It was OUDACIOUS, the work she'd do,
And the thousand plans that she'd putt through;

And sing like a medder-lark all day long,
And drowned her cares in the joys o' song;
And LAUGH sometimes tel the farmer's 'hand,'
Away fur off in the fields, would stand
A-listenin', with the plow half drawn,
Tel the coaxin' echoes called him on;
And the furries seemed, in his dreamy eyes,
Like foot-paths a-leadin' to Paradise,
As off through the hazy atmosphere
The call fer dinner reached his ear.

Now LOVE'S as cunnin'a little thing
As a hummin'-bird upon the wing,
And as liable to poke his nose
Jest where folks would least suppose,--
And more'n likely build his nest
Right in the heart you'd leave unguessed,
And live and thrive at your expense--
At least, that's MY experience.
And old Jeff Thompson often thought,
In his se'fish way, that the quiet John
Was a stiddy chap, as a farm-hand OUGHT
To always be,--fer the airliest dawn
Found John busy--and 'EASY,' too,
Whenever his wages would fall due!--
To sum him up with a final touch,
He EAT so little and WORKED so much,
That old Jeff laughed to hisse'f and said,
'He makes ME money and airns his bread!--

But John, fer all of his quietude,
Would sometimes drap a word er so
That none but PATIENCE understood,
And none but her was MEANT to know!--
Maybe at meal-times John would say,
As the sugar-bowl come down his way,
'Thanky, no; MY coffee's sweet
Enough fer ME!' with sich conceit,
SHE'D know at once, without no doubt,
HE meant because she poured it out;
And smile and blush, and all sich stuff,
And ast ef it was 'STRONG enough?'
And git the answer, neat and trim,
'It COULDN'T be too 'strong' fer HIM!'

And so things went fer 'bout a year,
Tel John, at last, found pluck to go
And pour his tale in the old man's ear--
And ef it had been HOT LEAD, I know
It couldn't 'a' raised a louder fuss,
Ner 'a' riled the old man's temper wuss!
He jest LIT in, and cussed and swore,
And lunged and rared, and ripped and tore,
And told John jest to leave his door,
And not to darken it no more!
But Patience cried, with eyes all wet,
'Remember, John, and don't ferget,
WHATEVER comes, I love you yet!'
But the old man thought, in his se'fish way,
'I'll see her married rich some day;
And THAT,' thinks he, 'is money fer ME--
And my will's LAW, as it ought to be!'

So when, in the course of a month er so,
A WIDOWER, with a farm er two,
Comes to Jeff's, w'y, the folks, you know,
Had to TALK--as the folks'll do:
It was the talk of the neighberhood--
PATIENCE and JOHN, and THEIR affairs;--
And this old chap with a few gray hairs
Had 'cut John out,' it was understood.
And some folks reckoned 'Patience, too,
Knowed what SHE was a-goin' to do--
It was LIKE her--la! indeed!--
All she loved was DOLLARS and CENTS--
Like old JEFF--and they saw no need
Fer JOHN to pine at HER negligence!'

But others said, in a KINDER way,
They missed the songs she used to sing--
They missed the smiles that used to play
Over her face, and the laughin' ring
Of her glad voice--that EVERYthing
Of her OLD se'f seemed dead and gone,
And this was the ghost that they gazed on!

Tel finally it was noised about
There was a WEDDIN' soon to be
Down at Jeff's; and the 'cat was out'
Shore enough!--'Ll the JEE-MUN-NEE!
It RILED me when John told me so,--
Fer _I_ WAS A FRIEND O' JOHN'S, you know;
And his trimblin' voice jest broke in two--
As a feller's voice'll sometimes do.--
And I says, says I, 'Ef I know my biz--
And I think I know what JESTICE is,--
I've read SOME law--and I'd advise
A man like you to wipe his eyes
And square his jaws and start AGIN,
FER JESTICE IS A-GOIN' TO WIN!'
And it wasn't long tel his eyes had cleared
As blue as the skies, and the sun appeared
In the shape of a good old-fashioned smile
That I hadn't seen fer a long, long while.

So we talked on fer a' hour er more,
And sunned ourselves in the open door,--
Tel a hoss-and-buggy down the road
Come a-drivin' up, that I guess John KNOWED,--
Fer he winked and says, 'I'll dessappear--
THEY'D smell a mice ef they saw ME here!'
And he thumbed his nose at the old gray mare,
And hid hisse'f in the house somewhere.

Well.--The rig drove up: and I raised my head
As old Jeff hollered to me and said
That 'him and his old friend there had come
To see ef the squire was at home.'
. . . I told 'em 'I was; and I AIMED to be
At every chance of a weddin'-fee!'
And then I laughed--and they laughed, too,--
Fer that was the object they had in view.
'Would I be on hands at eight that night?'
They ast; and 's-I, 'You're mighty right,
I'LL be on hand!' And then I BU'ST
Out a-laughin' my very wu'st,--
And so did they, as they wheeled away
And drove to'rds town in a cloud o' dust.
Then I shet the door, and me and John
Laughed and LAUGHED, and jest LAUGHED on,
Tel Mother drapped her specs, and BY
JEEWHILLIKERS! I thought she'd DIE!--
And she couldn't 'a' told, I'll bet my hat,
What on earth she was laughin' at!

But all o' the fun o' the tale hain't done!--
Fer a drizzlin' rain had jest begun,
And a-havin' 'bout four mile' to ride,
I jest concluded I'd better light
Out fer Jeff's and save my hide,--
Fer IT WAS A-GOIN' TO STORM, THAT NIGHT!
So we went down to the barn, and John
Saddled my beast, and I got on;
And he told me somepin' to not ferget,
And when I left, he was LAUGHIN' yet.

And, 'proachin' on to my journey's end,
The great big draps o' the rain come down,
And the thunder growled in a way to lend
An awful look to the lowerin' frown
The dull sky wore; and the lightnin' glanced
Tel my old mare jest MORE'N pranced,
And tossed her head, and bugged her eyes
To about four times their natchurl size,
As the big black lips of the clouds 'ud drap
Out some oath of a thunderclap,
And threaten on in an undertone
That chilled a feller clean to the bone!

But I struck shelter soon enough
To save myse'f. And the house was jammed
With the women-folks, and the weddin'stuff:--
A great, long table, fairly CRAMMED
With big pound-cakes--and chops and steaks--
And roasts and stews--and stumick-aches
Of every fashion, form, and size,
From twisters up to punkin-pies!
And candies, oranges, and figs,
And reezins,--all the 'whilligigs'
And 'jim-cracks' that the law allows
On sich occasions!--Bobs and bows
Of gigglin' girls, with corkscrew curls,
And fancy ribbons, reds and blues,
And 'beau-ketchers' and 'curliques'
To beat the world! And seven o'clock
Brought old Jeff;-and brought--THE GROOM,--
With a sideboard-collar on, and stock
That choked him so, he hadn't room
To SWALLER in, er even sneeze,
Er clear his th'oat with any case
Er comfort--and a good square cough
Would saw his Adam's apple off!

But as fer PATIENCE--MY! Oomh-OOMH!--
I never saw her look so sweet!--
Her face was cream and roses, too;
And then them eyes o' heavenly blue
Jest made an angel all complete!
And when she split 'em up in smiles
And splintered 'em around the room,
And danced acrost and met the groom,
And LAUGHED OUT LOUD--It kind o' spiles
My language when I come to that--
Fer, as she laid away his hat,
Thinks I, 'THE PAPERS HID INSIDE
OF THAT SAID HAT MUST MAKE A BRIDE
A HAPPY ONE FER ALL HER LIFE,
Er else a WRECKED AND WRETCHED WIFE!'
And, someway, then, I thought of JOHN,--
Then looked towards PATIENCE. . . . She was GONE!--
The door stood open, and the rain
Was dashin' in; and sharp and plain
Above the storm we heerd a cry--
A ringin', laughin', loud 'Good-by!'
That died away, as fleet and fast
A hoss's hoofs went splashin' past!
And that was all. 'Twas done that quick! . . .
You've heerd o' fellers 'lookin' sick'?
I wisht you'd seen THE GROOM jest then--
I wisht you'd seen them two old men,
With starin' eyes that fairly GLARED
At one another, and the scared
And empty faces of the crowd,--
I wisht you could 'a' been allowed
To jest look on and see it all,--
And heerd the girls and women bawl
And wring their hands; and heerd old Jeff
A-cussin' as he swung hisse'f
Upon his hoss, who champed his bit
As though old Nick had holt of it:
And cheek by jowl the two old wrecks
Rode off as though they'd break their necks.

And as we all stood starin' out
Into the night, I felt the brush
Of some one's hand, and turned about,
And heerd a voice that whispered, 'HUSH!--
THEY'RE WAITIN' IN THE KITCHEN, AND
YOU'RE WANTED. DON'T YOU UNDERSTAND?'
Well, ef my MEMORY serves me now,
I think I winked.--Well, anyhow,
I left the crowd a-gawkin' there,
And jest slipped off around to where
The back door opened, and went in,
And turned and shet the door ag'in,
And maybe LOCKED it--couldn't swear,--
A woman's arms around me makes
Me liable to make mistakes.--
I read a marriage license nex',
But as I didn't have my specs
I jest INFERRED it was all right,
And tied the knot so mortal-tight
That Patience and my old friend John
Was safe enough from that time on!

Well, now, I might go on and tell
How all the joke at last leaked out,
And how the youngsters raised the yell
And rode the happy groom about
Upon their shoulders; how the bride
Was kissed a hunderd times beside
The one _I_ give her,--tel she cried
And laughed untel she like to died!
I might go on and tell you all
About the supper--and the BALL.--
You'd ought to see me twist my heel
Through jest one old Furginny reel
Afore you die! er tromp the strings
Of some old fiddle tel she sings
Some old cowtillion, don't you know,
That putts the devil in yer toe!

We kep' the dancin' up tel FOUR
O'clock, I reckon--maybe more.--
We hardly heerd the thunders roar,
ER THOUGHT about the STORM that blowed--
AND THEM TWO FELLERS ON THE ROAD!
Tel all at onc't we heerd the door
Bu'st open, and a voice that SWORE,--
And old Jeff Thompson tuck the floor.
He shuck hisse'f and looked around
Like some old dog about half-drowned--
HIS HAT, I reckon, WEIGHED TEN POUND
To say the least, and I'll say, SHORE,
HIS OVERCOAT WEIGHED FIFTY more--
THE WETTEST MAN YOU EVER SAW,
TO HAVE SO DRY A SON-IN-LAW!

He sized it all; and Patience laid
Her hand in John's, and looked afraid,
And waited. And a stiller set
O' folks, I KNOW, you never met
In any court room, where with dread
They wait to hear a verdick read.

The old man turned his eyes on me:
'And have you married 'em?' says he.
I nodded 'Yes.' 'Well, that'll do,'
He says, 'and now we're th'ough with YOU,--
YOU jest clear out, and I decide
And promise to be satisfied!'
He hadn't nothin' more to say.
I saw, of course, how matters lay,
And left. But as I rode away
I heerd the roosters crow fer day.

The Old-Home Folks

Such was the Child-World of the long-ago--
The little world these children used to know:--
Johnty, the oldest, and the best, perhaps,
Of the five happy little Hoosier chaps
Inhabiting this wee world all their own.--
Johnty, the leader, with his native tone
Of grave command--a general on parade
Whose each punctilious order was obeyed
By his proud followers.

But Johnty yet--
After all serious duties--could forget
The gravity of life to the extent,
At times, of kindling much astonishment
About him: With a quick, observant eye,
And mind and memory, he could supply
The tamest incident with liveliest mirth;
And at the most unlooked-for times on earth
Was wont to break into some travesty
On those around him--feats of mimicry
Of this one's trick of gesture--that one's walk--
Or this one's laugh--or that one's funny talk,--
The way 'the watermelon-man' would try
His humor on town-folks that wouldn't buy;--
How he drove into town at morning--then
At dusk (alas!) how he drove out again.

Though these divertisements of Johnty's were
Hailed with a hearty glee and relish, there
Appeared a sense, on his part, of regret--
A spirit of remorse that would not let
Him rest for days thereafter.--Such times he,
As some boy said, 'jist got too overly
Blame good fer common boys like us, you know,
To '_so_ciate with--less'n we 'ud go
And jine his church!'

Next after Johnty came
His little tow-head brother, Bud by name.--
And O how white his hair was--and how thick
His face with freckles,--and his ears, how quick
And curious and intrusive!--And how pale
The blue of his big eyes;--and how a tale
Of Giants, Trolls or Fairies, bulged them still
Bigger and bigger!--and when 'Jack' would kill
The old 'Four-headed Giant,' Bud's big eyes
Were swollen truly into giant-size.
And Bud was apt in make-believes--would hear
His Grandma talk or read, with such an ear
And memory of both subject and big words,
That he would take the book up afterwards
And feign to 'read aloud,' with such success
As caused his truthful elders real distress.
But he _must_ have _big words_--they seemed to give
Extremer range to the superlative--
That was his passion. 'My Gran'ma,' he said,
One evening, after listening as she read
Some heavy old historical review--
With copious explanations thereunto
Drawn out by his inquiring turn of mind,--
'My Gran'ma she's read _all_ books--ever' kind
They is, 'at tells all 'bout the land an' sea
An' Nations of the Earth!--An' she is the
Historicul-est woman ever wuz!'
(Forgive the verse's chuckling as it does
In its erratic current.--Oftentimes
The little willowy waterbrook of rhymes
Must falter in its music, listening to
The children laughing as they used to do.)

Who shall sing a simple ditty all about the Willow,
Dainty-fine and delicate as any bending spray
That dandles high the happy bird that flutters there to trill a
Tremulously tender song of greeting to the May.

Ah, my lovely Willow!--Let the Waters lilt your graces,--
They alone with limpid kisses lave your leaves above,
Flashing back your sylvan beauty, and in shady places
Peering up with glimmering pebbles, like the eyes of love.

Next, Maymie, with her hazy cloud of hair,
And the blue skies of eyes beneath it there.
Her dignified and 'little lady' airs
Of never either romping up the stairs
Or falling down them; thoughtful everyway
Of others first--The kind of child at play
That 'gave up,' for the rest, the ripest pear
Or peach or apple in the garden there
Beneath the trees where swooped the airy swing--
She pushing it, too glad for anything!
Or, in the character of hostess, she
Would entertain her friends delightfully
In her play-house,--with strips of carpet laid
Along the garden-fence within the shade
Of the old apple-trees--where from next yard
Came the two dearest friends in her regard,
The little Crawford girls, Ella and Lu--
As shy and lovely as the lilies grew
In their idyllic home,--yet sometimes they
Admitted Bud and Alex to their play,
Who did their heavier work and helped them fix
To have a 'Festibul'--and brought the bricks
And built the 'stove,' with a real fire and all,
And stovepipe-joint for chimney, looming tall
And wonderfully smoky--even to
Their childish aspirations, as it blew
And swooped and swirled about them till their sight
Was feverish even as their high delight.
Then Alex, with his freckles, and his freaks
Of temper, and the peach-bloom of his cheeks,
And '_amber-colored_ hair'--his mother said
'Twas that, when others laughed and called it '_red_'
And Alex threw things at them--till they'd call
A truce, agreeing ''t'uz n't red _ut-tall_!'

But Alex was affectionate beyond
The average child, and was extremely fond
Of the paternal relatives of his
Of whom he once made estimate like this:--
'_I'm_ only got _two_ brothers,--but my _Pa_
He's got most brothers'n you ever saw!--
He's got _seben_ brothers!--Yes, an' they're all my
Seben Uncles!--Uncle John, an' Jim,--an' I'
Got Uncle George, an' Uncle Andy, too,
An' Uncle Frank, an' Uncle Joe.--An' you
_Know_ Uncle _Mart_.--An', all but _him_, they're great
Big mens!--An' nen s Aunt Sarah--she makes eight!--
I'm got _eight_ uncles!--'cept Aunt Sarah _can't_
Be ist my _uncle_ 'cause she's ist my _aunt_!'

Then, next to Alex--and the last indeed
Of these five little ones of whom you read--
Was baby Lizzie, with her velvet lisp,--
As though her Elfin lips had caught some wisp
Of floss between them as they strove with speech,
Which ever seemed just in yet out of reach--
Though what her lips missed, her dark eyes could say
With looks that made her meaning clear as day.

And, knowing now the children, you must know
The father and the mother they loved so:--
The father was a swarthy man, black-eyed,
Black-haired, and high of forehead; and, beside
The slender little mother, seemed in truth
A very king of men--since, from his youth,
To his hale manhood _now_--(worthy as then,--
A lawyer and a leading citizen
Of the proud little town and county-seat--
His hopes his neighbors', and their fealty sweet)--
He had known outdoor labor--rain and shine--
Bleak Winter, and bland Summer--foul and fine.
So Nature had ennobled him and set
Her symbol on him like a coronet:
His lifted brow, and frank, reliant face.--
Superior of stature as of grace,
Even the children by the spell were wrought
Up to heroics of their simple thought,
And saw him, trim of build, and lithe and straight
And tall, almost, as at the pasture-gate
The towering ironweed the scythe had spared
For their sakes, when The Hired Man declared
It would grow on till it became a _tree_,
With cocoanuts and monkeys in--maybe!

Yet, though the children, in their pride and awe
And admiration of the father, saw
A being so exalted--even more
Like adoration was the love they bore
The gentle mother.--Her mild, plaintive face
Was purely fair, and haloed with a grace
And sweetness luminous when joy made glad
Her features with a smile; or saintly sad
As twilight, fell the sympathetic gloom
Of any childish grief, or as a room
Were darkened suddenly, the curtain drawn
Across the window and the sunshine gone.
Her brow, below her fair hair's glimmering strands,
Seemed meetest resting-place for blessing hands
Or holiest touches of soft finger-tips
And little roseleaf-cheeks and dewy lips.

Though heavy household tasks were pitiless,
No little waist or coat or checkered dress
But knew her needle's deftness; and no skill
Matched hers in shaping pleat or flounce or frill;
Or fashioning, in complicate design,
All rich embroideries of leaf and vine,
With tiniest twining tendril,--bud and bloom
And fruit, so like, one's fancy caught perfume
And dainty touch and taste of them, to see
Their semblance wrought in such rare verity.

Shrined in her sanctity of home and love,
And love's fond service and reward thereof,
Restore her thus, O blessed Memory!--
Throned in her rocking-chair, and on her knee
Her sewing--her workbasket on the floor
Beside her,--Springtime through the open door
Balmily stealing in and all about
The room; the bees' dim hum, and the far shout
And laughter of the children at their play,
And neighbor-children from across the way
Calling in gleeful challenge--save alone
One boy whose voice sends back no answering tone--
The boy, prone on the floor, above a book
Of pictures, with a rapt, ecstatic look--
Even as the mother's, by the selfsame spell,
Is lifted, with a light ineffable--
As though her senses caught no mortal cry,
But heard, instead, some poem going by.

The Child-heart is so strange a little thing--
So mild--so timorously shy and small.--
When _grown-up_ hearts throb, it goes scampering
Behind the wall, nor dares peer out at all!--
It is the veriest mouse
That hides in any house--
So wild a little thing is any Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

So lorn at times the Child-heart needs must be.
With never one maturer heart for friend
And comrade, whose tear-ripened sympathy
And love might lend it comfort to the end,--
Whose yearnings, aches and stings.
Over poor little things
Were pitiful as ever any Child-heart.

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

Times, too, the little Child-heart must be glad--
Being so young, nor knowing, as _we_ know.
The fact from fantasy, the good from bad,
The joy from woe, the--_all_ that hurts us so!
What wonder then that thus
It hides away from us?--
So weak a little thing is any Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

Nay, little Child-heart, you have never need
To fear _us_,--we are weaker far than you--
Tis _we_ who should be fearful--we indeed
Should hide us, too, as darkly as you do,--
Safe, as yourself, withdrawn,
Hearing the World roar on
Too willful, woful, awful for the Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

The clock chats on confidingly; a rose
Taps at the window, as the sunlight throws
A brilliant, jostling checkerwork of shine
And shadow, like a Persian-loom design,
Across the homemade carpet--fades,--and then
The dear old colors are themselves again.
Sounds drop in visiting from everywhere--
The bluebird's and the robin's trill are there,
Their sweet liquidity diluted some
By dewy orchard spaces they have come:
Sounds of the town, too, and the great highway--
The Mover-wagons' rumble, and the neigh
Of overtraveled horses, and the bleat
Of sheep and low of cattle through the street--
A Nation's thoroughfare of hopes and fears,
First blazed by the heroic pioneers
Who gave up old-home idols and set face
Toward the unbroken West, to found a race
And tame a wilderness now mightier than
All peoples and all tracts American.
Blent with all outer sounds, the sounds within:--
In mild remoteness falls the household din
Of porch and kitchen: the dull jar and thump
Of churning; and the 'glung-glung' of the pump,
With sudden pad and skurry of bare feet
Of little outlaws, in from field or street:
The clang of kettle,--rasp of damper-ring
And bang of cookstove-door--and everything
That jingles in a busy kitchen lifts
Its individual wrangling voice and drifts
In sweetest tinny, coppery, pewtery tone
Of music hungry ear has ever known
In wildest famished yearning and conceit
Of youth, to just cut loose and eat and eat!--
The zest of hunger still incited on
To childish desperation by long-drawn
Breaths of hot, steaming, wholesome things that stew
And blubber, and up-tilt the pot-lids, too,
Filling the sense with zestful rumors of
The dear old-fashioned dinners children love:
Redolent savorings of home-cured meats,
Potatoes, beans, and cabbage; turnips, beets
And parsnips--rarest composite entire
That ever pushed a mortal child's desire
To madness by new-grated fresh, keen, sharp
Horseradish--tang that sets the lips awarp
And watery, anticipating all
The cloyed sweets of the glorious festival.--
Still add the cinnamony, spicy scents
Of clove, nutmeg, and myriad condiments
In like-alluring whiffs that prophesy
Of sweltering pudding, cake, and custard pie--
The swooning-sweet aroma haunting all
The house--upstairs and down--porch, parlor, hall
And sitting-room--invading even where
The Hired Man sniffs it in the orchard-air,
And pauses in his pruning of the trees
To note the sun minutely and to--sneeze.

Then Cousin Rufus comes--the children hear
His hale voice in the old hall, ringing clear
As any bell. Always he came with song
Upon his lips and all the happy throng
Of echoes following him, even as the crowd
Of his admiring little kinsmen--proud
To have a cousin _grown_--and yet as young
Of soul and cheery as the songs he sung.

He was a student of the law--intent
Soundly to win success, with all it meant;
And so he studied--even as he played,--
With all his heart: And so it was he made
His gallant fight for fortune--through all stress
Of battle bearing him with cheeriness
And wholesome valor.

And the children had
Another relative who kept them glad
And joyous by his very merry ways--
As blithe and sunny as the summer days,--
Their father's youngest brother--Uncle Mart.
The old 'Arabian Nights' he knew by heart--
'Baron Munchausen,' too; and likewise 'The
Swiss Family Robinson.'--And when these three
Gave out, as he rehearsed them, he could go
Straight on in the same line--a steady flow
Of arabesque invention that his good
Old mother never clearly understood.
He _was_ to be a _printer_--wanted, though,
To be an _actor_.--But the world was 'show'
Enough for _him_,--theatric, airy, gay,--
Each day to him was jolly as a play.
And some poetic symptoms, too, in sooth,
Were certain.--And, from his apprentice youth,
He joyed in verse-quotations--which he took
Out of the old 'Type Foundry Specimen Book.'
He craved and courted most the favor of
The children.--They were foremost in his love;
And pleasing _them_, he pleased his own boy-heart
And kept it young and fresh in every part.
So was it he devised for them and wrought
To life his quaintest, most romantic thought:--
Like some lone castaway in alien seas,
He built a house up in the apple-trees,
Out in the corner of the garden, where
No man-devouring native, prowling there,
Might pounce upon them in the dead o' night--
For lo, their little ladder, slim and light,
They drew up after them. And it was known
That Uncle Mart slipped up sometimes alone
And drew the ladder in, to lie and moon
Over some novel all the afternoon.
And one time Johnty, from the crowd below,--
Outraged to find themselves deserted so--
Threw bodily their old black cat up in
The airy fastness, with much yowl and din.
Resulting, while a wild periphery
Of cat went circling to another tree,
And, in impassioned outburst, Uncle Mart
Loomed up, and thus relieved his tragic heart:

''_Hence, long-tailed, ebon-eyed, nocturnal ranger!
What led thee hither 'mongst the types and cases?
Didst thou not know that running midnight races
O'er standing types was fraught with imminent danger?
Did hunger lead thee--didst thou think to find
Some rich old cheese to fill thy hungry maw?
Vain hope! for none but literary jaw
Can masticate our cookery for the mind!_''

So likewise when, with lordly air and grace,
He strode to dinner, with a tragic face
With ink-spots on it from the office, he
Would aptly quote more 'Specimen-poetry--'
Perchance like ''Labor's bread is sweet to eat,
(_Ahem!_) And toothsome is the toiler's meat.''

Ah, could you see them _all_, at lull of noon!--
A sort of _boisterous_ lull, with clink of spoon
And clatter of deflecting knife, and plate
Dropped saggingly, with its all-bounteous weight,
And dragged in place voraciously; and then
Pent exclamations, and the lull again.--
The garland of glad faces 'round the board--
Each member of the family restored
To his or her place, with an extra chair
Or two for the chance guests so often there.--
The father's farmer-client, brought home from
The courtroom, though he 'didn't _want_ to come
Tel he jist saw he _hat_ to!' he'd explain,
Invariably, time and time again,
To the pleased wife and hostess, as she pressed
Another cup of coffee on the guest.--
Or there was Johnty's special chum, perchance,
Or Bud's, or both--each childish countenance
Lit with a higher glow of youthful glee,
To be together thus unbrokenly,--
Jim Offutt, or Eck Skinner, or George Carr--
The very nearest chums of Bud's these are,--
So, very probably, _one_ of the three,
At least, is there with Bud, or _ought_ to be.
Like interchange the town-boys each had known--
His playmate's dinner better than his own--
_Yet_ blest that he was ever made to stay
At _Almon Keefer's, any_ blessed day,
For _any_ meal!... Visions of biscuits, hot
And flaky-perfect, with the golden blot
Of molten butter for the center, clear,
Through pools of clover-honey--_dear-o-dear!_--
With creamy milk for its divine 'farewell':
And then, if any one delectable
Might yet exceed in sweetness, O restore
The cherry-cobbler of the days of yore
Made only by Al Keefer's mother!--Why,
The very thought of it ignites the eye
Of memory with rapture--cloys the lip
Of longing, till it seems to ooze and drip
With veriest juice and stain and overwaste
Of that most sweet delirium of taste
That ever visited the childish tongue,
Or proved, as now, the sweetest thing unsung.