James Whitcomb Riley: Verses about City

Such a dear little street it is, nestled away
From the noise of the city and heat of the day,
In cool shady coverts of whispering trees,
With their leaves lifted up to shake hands with the breeze
Which in all its wide wanderings never may meet
With a resting-place fairer than Lockerbie street!

There is such a relief, from the clangor and din
Of the heart of the town, to go loitering in
Through the dim, narrow walks, with the sheltering shade
Of the trees waving over the long promenade,
And littering lightly the ways of our feet
With the gold of the sunshine of Lockerbie street.

And the nights that come down the dark pathways of dusk,
With the stars in their tresses, and odors of musk
In their moon-woven raiments, bespangled with dews,
And looped up with lilies for lovers to use
In the songs that they sing to the tinkle and beat
Of their sweet serenadings through Lockerbie street.

O my Lockerbie street! You are fair to be seen--
Be it noon of the day, or the rare and serene
Afternoon of the night-- you are one to my heart,
And I love you above all the phrases of art,
For no language could frame and no lips could repeat
My rhyme-haunted raptures of Lockerbie street.

The Beautiful City! Forever
Its rapturous praises resound;
We fain would behold it-- but never
A glimpse of its dory is found:
We slacken our lips at the tender
White breasts of our mothers to hear
Of its marvellous beauty and splendor--;
We see-- but the gleam of a tear!

Yet never the story may tire us--
First graven in symbols of stone--
Rewritten on scrolls of papyrus
And parchment, and scattered and blown
By the winds of the tongues of all nations,
Like a litter of leaves wildly whirled
Down the rack of a hundred translations,
From the earliest lisp of the world.

We compass the earth and the ocean,
From the Orient's uttermost light,
To where the last ripple in motion
Lips hem of the skirt of the night--,
But the Beautiful City evades us--
No spire of it glints in the sun--
No glad-bannered battlement shades us
When all our Journey is done.

Where lies it? We question and listen;
We lean from the mountain, or mast,
And see but dull earth, or the glisten
Of seas inconceivably vast:
The dust of the one blurs our vision,
The glare of the other our brain,
Nor city nor island Elysian
In all of the land or the main!

We kneel in dim fanes where the thunders
Of organs tumultuous roll,
And the longing heart listens and wonders,
And the eyes look aloft from the soul:
But the chanson grows fainter and fainter,
Swoons wholly away and is dead;
AND our eyes only reach where the painter
Has dabbled a saint overhead.

The Beautiful City! O mortal,
Fare hopefully on in thy quest,
Pass down through the green grassy portal
That leads to the Valley of Rest;
There first passed the One who, in pity
Of all thy great yearning, awaits
To point out The Beautiful City,
And loosen the trump at the gates.

What is it in old fiddle-chunes 'at makes me ketch my breath
And ripples up my backbone tel I'm tickled most to death?--
Kindo' like that sweet-sick feelin', in the long sweep of a swing,
The first you ever swung in, with yer first sweet-heart, i jing!--
Yer first picnic--yer first ice-cream--yer first o' _ever'thing_
'At happened 'fore yer dancin'-days wuz over!

I never understood it--and I s'pose I never can,--
But right in town here, yisterd'y, I heerd a pore blindman
A-fiddlin' old 'Gray Eagle'--_And_-sir! I jes stopped my load
O' hay and listened at him--yes, and watched the way he 'bow'd,'--
And back I went, plum forty year', with boys and girls I knowed
And loved, long 'fore my dancin'-days wuz over!--

At high noon in yer city,--with yer blame Magnetic-Cars
A-hummin' and a-screetchin' past--and bands and G.A.R.'s
A-marchin'--and fire-ingines.--_All_ the noise, the whole street through,
Wuz lost on me!--I only heerd a whipperwill er two,
It 'peared-like, kindo' callin' 'crost the darkness and the dew,
Them nights afore my dancin'-days wuz over.

T'uz Chused'y-night at Wetherell's, er We'nsd'y-night at Strawn's,
Er Fourth-o'-July-night at uther Tomps's house er John's!--
With old Lew Church from Sugar Crick, with that old fiddle he
Had sawed clean through the Army, from Atlanty to the sea--
And yit he'd fetched, her home ag'in, so's he could play fer me
One't more afore my dancin'-days wuz over!

The woods 'at's all ben cut away wuz growin' same as then;
The youngsters all wuz boys ag'in 'at's now all oldish men;
And all the girls 'at _then_ wuz girls--I saw 'em, one and all,
As _plain_ as then--the middle-sized, the short-and-fat, and tall--
And, 'peared-like, I danced 'Tucker' fer 'em up and down the wall
Jes like afore my dancin' days wuz over!

* * * * *

Yer _po_-leece they can holler 'Say! _you_, Uncle! drive ahead!--
You can't use _all_ the right-o'-way!'--fer that wuz what they said!--
But, jes the same,--in spite of all 'at you call 'interprise
And prog-gress of _you_-folks Today,' we're all of _fambly-ties_--
We're all got feelin's fittin' fer the _tears_ 'at's in our eyes
Er the _smiles_ afore our dancin'-days is over.

They called him Mr. What's-his-name:
From where he was, or why he came,
Or when, or what he found to do,
Nobody in the city knew.

He lived, it seemed, shut up alone
In a low hovel of his own;
There cooked his meals and made his bed,
Careless of all his neighbors said.

His neighbors, too, said many things
Expressive of grave wonderings,
Since none of them had ever been
Within his doors, or peered therein.

In fact, grown watchful, they became
Assured that Mr. What's-his-name
Was up to something wrong--indeed,
Small doubt of it, we all agreed.

At night were heard strange noises there,
When honest people everywhere
Had long retired; and his light
Was often seen to burn all night.

He left his house but seldom--then
Would always hurry back again,
As though he feared some stranger's knock,
Finding him gone, might burst the lock.

Beside, he carried, every day,
At the one hour he went away,
A basket, with the contents hid
Beneath its woven willow lid.

And so we grew to greatly blame
This wary Mr. What's-his-name,
And look on him with such distrust
His actions seemed to sanction just.

But when he died--he died one day--
Dropped in the street while on his way
To that old wretched hut of his--
You'll think it strange--perhaps it is--

But when we lifted him, and past
The threshold of his home at last,
No man of all the crowd but stepped
With reverence,--Aye, _quailed_ and _wept_!

What was it? Just a shriek of pain
I pray to never hear again--
A withered woman, old and bowed,
That fell and crawled and cried aloud--

And kissed the dead man's matted hair--
Lifted his face and kissed him there--
Called to him, as she clutched his hand,
In words no one could understand.

Insane? Yes.--Well, we, searching, found
An unsigned letter, in a round
Free hand, within the dead man's breast:
'Look to my mother--_I'm_ at rest.

You'll find my money safely hid
Under the lining of the lid
Of my work-basket. It is hers,
And God will bless her ministers!'

And some day--though he died unknown--
If through the City by the Throne
I walk, all cleansed of earthly shame,
I'll ask for Mr. What's-his-name.

'Hey, Bud! O Bud!' rang out a gleeful call,--
'_The Loehrs is come to your house!_' And a small
But very much elated little chap,
In snowy linen-suit and tasseled cap,
Leaped from the back-fence just across the street
From Bixlers', and came galloping to meet
His equally delighted little pair
Of playmates, hurrying out to join him there--
'_The Loehrs is come!--The Loehrs is come!_' his glee
Augmented to a pitch of ecstasy
Communicated wildly, till the cry
'_The Loehrs is come!_' in chorus quavered high
And thrilling as some paean of challenge or
Soul-stirring chant of armied conqueror.
And who this _avant courier_ of 'the Loehrs'?--
This happiest of all boys out-o'-doors--
Who but Will Pierson, with his heart's excess
Of summer-warmth and light and breeziness!
'From our front winder I 'uz first to see
'Em all a-drivin' into town!' bragged he--
'An' seen 'em turnin' up the alley where
_Your_ folks lives at. An' John an' Jake wuz there
Both in the wagon;--yes, an' Willy, too;
An' Mary--Yes, an' Edith--with bran-new
An' purtiest-trimmed hats 'at ever wuz!--
An' Susan, an' Janey.--An' the _Hammonds-uz_
In their fine buggy 'at they're ridin' roun'
So much, all over an' aroun' the town
An' _ever_'wheres,--them _city_-people who's
A-visutin' at Loehrs-uz!'

Glorious news!--
Even more glorious when verified
In the boys' welcoming eyes of love and pride,
As one by one they greeted their old friends
And neighbors.--Nor until their earth-life ends
Will that bright memory become less bright
Or dimmed indeed.

... Again, at candle-light,
The faces all are gathered. And how glad
The Mother's features, knowing that she had
Her dear, sweet Mary Loehr back again.--
She always was so proud of her; and then
The dear girl, in return, was happy, too,
And with a heart as loving, kind and true
As that maturer one which seemed to blend
As one the love of mother and of friend.
From time to time, as hand-in-hand they sat,
The fair girl whispered something low, whereat
A tender, wistful look would gather in
The mother-eyes; and then there would begin
A sudden cheerier talk, directed to
The stranger guests--the man and woman who,
It was explained, were coming now to make
Their temporary home in town for sake
Of the wife's somewhat failing health. Yes, they
Were city-people, seeking rest this way,
The man said, answering a query made
By some well meaning neighbor--with a shade
Of apprehension in the answer.... No,--
They had no _children_. As he answered so,
The man's arm went about his wife, and she
Leant toward him, with her eyes lit prayerfully:
Then she arose--he following--and bent
Above the little sleeping innocent
Within the cradle at the mother's side--
He patting her, all silent, as she cried.--
Though, haply, in the silence that ensued,
His musings made melodious interlude.

In the warm, health-giving weather
My poor pale wife and I
Drive up and down the little town
And the pleasant roads thereby:
Out in the wholesome country
We wind, from the main highway,
In through the wood's green solitudes--
Fair as the Lord's own Day.

We have lived so long together.
And joyed and mourned as one,
That each with each, with a look for speech,
Or a touch, may talk as none
But Love's elect may comprehend--
Why, the touch of her hand on mine
Speaks volume-wise, and the smile of her eyes,
To me, is a song divine.

There are many places that lure us:--
'The Old Wood Bridge' just west
Of town we know--and the creek below,
And the banks the boys love best:
And 'Beech Grove,' too, on the hill-top;
And 'The Haunted House' beyond,
With its roof half off, and its old pump-trough
Adrift in the roadside pond.

We find our way to 'The Marshes'--
At least where they used to be;
And 'The Old Camp Grounds'; and 'The Indian Mounds,'
And the trunk of 'The Council Tree:'
We have crunched and splashed through 'Flint-bed Ford';
And at 'Old Big Bee-gum Spring'
We have stayed the cup, half lifted up.
Hearing the redbird sing.

And then, there is 'Wesley Chapel,'
With its little graveyard, lone
At the crossroads there, though the sun sets fair
On wild-rose, mound and stone ...
A wee bed under the willows--
My wife's hand on my own--
And our horse stops, too ... And we hear the coo
Of a dove in undertone.

The dusk, the dew, and the silence.
'Old Charley' turns his head
Homeward then by the pike again,
Though never a word is said--
One more stop, and a lingering one--
After the fields and farms,--
At the old Toll Gate, with the woman await
With a little girl in her arms.


The silence sank--Floretty came to call
The children in the kitchen, where they all
Went helter-skeltering with shout and din
Enough to drown most sanguine silence in,--
For well indeed they knew that summons meant
Taffy and popcorn--so with cheers they went.

A Child-World, yet a wondrous world no less,
To those who knew its boundless happiness.
A simple old frame house--eight rooms in all--
Set just one side the center of a small
But very hopeful Indiana town,--
The upper-story looking squarely down
Upon the main street, and the main highway
From East to West,--historic in its day,
Known as The National Road--old-timers, all
Who linger yet, will happily recall
It as the scheme and handiwork, as well
As property, of 'Uncle Sam,' and tell
Of its importance, 'long and long afore
Railroads wuz ever _dreamp_' of!'--Furthermore,
The reminiscent first Inhabitants
Will make that old road blossom with romance
Of snowy caravans, in long parade
Of covered vehicles, of every grade
From ox-cart of most primitive design,
To Conestoga wagons, with their fine
Deep-chested six-horse teams, in heavy gear,
High names and chiming bells--to childish ear
And eye entrancing as the glittering train
Of some sun-smitten pageant of old Spain.
And, in like spirit, haply they will tell
You of the roadside forests, and the yell
Of 'wolfs' and 'painters,' in the long night-ride,
And 'screechin' catamounts' on every side.--
Of stagecoach-days, highwaymen, and strange crimes,
And yet unriddled mysteries of the times
Called 'Good Old.' 'And why 'Good Old'?' once a rare
Old chronicler was asked, who brushed the hair
Out of his twinkling eyes and said,--'Well John,
They're 'good old times' because they're dead and gone!'

The old home site was portioned into three
Distinctive lots. The front one--natively
Facing to southward, broad and gaudy-fine
With lilac, dahlia, rose, and flowering vine--
The dwelling stood in; and behind that, and
Upon the alley north and south, left hand,
The old wood-house,--half, trimly stacked with wood,
And half, a work-shop, where a workbench stood
Steadfastly through all seasons.--Over it,
Along the wall, hung compass, brace-and-bit,
And square, and drawing-knife, and smoothing-plane--
And little jack-plane, too--the children's vain
Possession by pretense--in fancy they
Manipulating it in endless play,
Turning out countless curls and loops of bright,
Fine satin shavings--Rapture infinite!
Shelved quilting-frames; the toolchest; the old box
Of refuse nails and screws; a rough gun-stock's
Outline in 'curly maple'; and a pair
Of clamps and old krout-cutter hanging there.
Some 'patterns,' in thin wood, of shield and scroll,
Hung higher, with a neat 'cane-fishing-pole'
And careful tackle--all securely out
Of reach of children, rummaging about.

Beside the wood-house, with broad branches free
Yet close above the roof, an apple-tree
Known as 'The Prince's Harvest'--Magic phrase!
That was _a boy's own tree_, in many ways!--
Its girth and height meet both for the caress
Of his bare legs and his ambitiousness:
And then its apples, humoring his whim,
Seemed just to fairly _hurry_ ripe for him--
Even in June, impetuous as he,
They dropped to meet him, halfway up the tree.
And O their bruised sweet faces where they fell!--
And ho! the lips that feigned to 'kiss them _well_'!

'The Old Sweet-Apple-Tree,' a stalwart, stood
In fairly sympathetic neighborhood
Of this wild princeling with his early gold
To toss about so lavishly nor hold
In bounteous hoard to overbrim at once
All Nature's lap when came the Autumn months.
Under the spacious shade of this the eyes
Of swinging children saw swift-changing skies
Of blue and green, with sunshine shot between,
And 'when the old cat died' they saw but green.
And, then, there was a cherry-tree.--We all
And severally will yet recall
From our lost youth, in gentlest memory,
The blessed fact--There was a cherry-tree.

There was a cherry-tree. Its bloomy snows
Cool even now the fevered sight that knows
No more its airy visions of pure joy--
As when you were a boy.

There was a cherry-tree. The Bluejay set
His blue against its white--O blue as jet
He seemed there then!--But _now_--Whoever knew
He was so pale a blue!

There was a cherry-tree--Our child-eyes saw
The miracle:--Its pure white snows did thaw
Into a crimson fruitage, far too sweet
But for a boy to eat.

There was a cherry-tree, give thanks and joy!--
There was a bloom of snow--There was a boy--
There was a Bluejay of the realest blue--
And fruit for both of you.

Then the old garden, with the apple-trees
Grouped 'round the margin, and 'a stand of bees'
By the 'white-winter-pearmain'; and a row
Of currant-bushes; and a quince or so.
The old grape-arbor in the center, by
The pathway to the stable, with the sty
Behind it, and _upon_ it, cootering flocks
Of pigeons, and the cutest 'martin-box'!--
Made like a sure-enough house--with roof, and doors
And windows in it, and veranda-floors
And balusters all 'round it--yes, and at
Each end a chimney--painted red at that
And penciled white, to look like little bricks;
And, to cap all the builder's cunning tricks,
Two tiny little lightning-rods were run
Straight up their sides, and twinkled in the sun.
Who built it? Nay, no answer but a smile.--
It _may_ be you can guess who, afterwhile.
Home in his stall, 'Old Sorrel' munched his hay
And oats and corn, and switched the flies away,
In a repose of patience good to see,
And earnest of the gentlest pedigree.
With half pathetic eye sometimes he gazed
Upon the gambols of a colt that grazed
Around the edges of the lot outside,
And kicked at nothing suddenly, and tried
To act grown-up and graceful and high-bred,
But dropped, _k'whop!_ and scraped the buggy-shed,
Leaving a tuft of woolly, foxy hair
Under the sharp-end of a gate-hinge there.
Then, all ignobly scrambling to his feet
And whinneying a whinney like a bleat,
He would pursue himself around the lot
And--do the whole thing over, like as not!...
Ah! what a life of constant fear and dread
And flop and squawk and flight the chickens led!
Above the fences, either side, were seen
The neighbor-houses, set in plots of green
Dooryards and greener gardens, tree and wall
Alike whitewashed, and order in it all:
The scythe hooked in the tree-fork; and the spade
And hoe and rake and shovel all, when laid
Aside, were in their places, ready for
The hand of either the possessor or
Of any neighbor, welcome to the loan
Of any tool he might not chance to own.