James Whitcomb Riley: Verses about Beautiful

Who shall sing a simple ditty about the Willow,
Dainty-fine and delicate as any bending spray
That dandles high the dainty bird that flutters there to trill a
Tremulously tender song of greeting to the May.

Bravest, too, of all the trees! -- none to match your daring,--
First of greens to greet the Spring and lead in leafy sheen;--
Aye, and you're the last -- almost into winter wearing
Still the leaf of loyalty -- still the badge of green.

Ah, my lovely willow! --let the waters lilt your graces,--
They alone with limped kisses lave your leaves above,
Flashing back your silvan beauty, and in shady places
Peering up with glimmering pebbles, like the eyes of love.

O her beautiful eyes! they are as blue as the dew
On the violet's bloom when the morning is new,
And the light of their love is the gleam of the sun
O'er the meadows of Spring where the quick shadows run:
As the morn shirts the mists and the clouds from the skies-
So I stand in the dawn of her beautiful eyes.

And her beautiful eyes are as midday to me,
When the lily-bell bends with the weight of the bee,
And the throat of the thrush is a-pulse in the heat,
And the senses are drugged with the subtle and sweet
And delirious breaths of the air's lullabies-
So I swoon in the noon of her beautiful eyes.

O her beautiful eyes! they have smitten mine own
As a glory glanced down from the glare of The Throne;
And I reel, and I falter and fall, as afar
Fell the shepherds that looked on the mystical Star,
And yet dazed in the tidings that bade them arise-
So I grope through the night of her beautiful eyes.

Your hands- they are strangely fair!
O Fair- for the jewels that sparkle there,-
Fair- for the witchery of the spell
That ivory keys alone can tell;
But when their delicate touches rest
Here in my own do I love them best,
As I clasp with eager, acquisitive spans
My glorious treasure of beautiful hands!

Marvelous- wonderful- beautiful hands!
They can coax roses to bloom in the strands
Of your brown tresses; and ribbons will twine,
Under mysterious touches of thine,
Into such knots as entangle the soul
And fetter the heart under such a control
As only the strength of my love understands-
My passionate love for your beautiful hands.

As I remember the first fair touch
Of those beautiful hands that I love so much,
I seem to thrill as I then was thrilled,
Kissing the glove that I found unfilled-
When I met your gaze, and the queenly bow,
As you said to me, laughingly, 'Keep it now! '...
And dazed and alone in a dream I stand,
Kissing this ghost of your beautiful hand.

When first I loved, in the long ago,
And held your hand as I told you so-
Pressed and caressed it and gave it a kiss
And said 'I could die for a hand like this! '
Little I dreamed love's fullness yet
Had to ripen when eyes were wet
And prayers were vain in their wild demands
For one warm touch of your beautiful hands.

.........
Beautiful Hands! - O Beautiful Hands!
Could you reach out of the alien lands
Where you are lingering, and give me, to-night,
Only a touch- were it ever so light-
My heart were soothed, and my weary brain
Would lull itself into rest again;
For there is no solace the world commands
Like the caress of your beautiful hands.

The Beautiful City! Forever
Its rapturous praises resound;
We fain would behold it-- but never
A glimpse of its dory is found:
We slacken our lips at the tender
White breasts of our mothers to hear
Of its marvellous beauty and splendor--;
We see-- but the gleam of a tear!

Yet never the story may tire us--
First graven in symbols of stone--
Rewritten on scrolls of papyrus
And parchment, and scattered and blown
By the winds of the tongues of all nations,
Like a litter of leaves wildly whirled
Down the rack of a hundred translations,
From the earliest lisp of the world.

We compass the earth and the ocean,
From the Orient's uttermost light,
To where the last ripple in motion
Lips hem of the skirt of the night--,
But the Beautiful City evades us--
No spire of it glints in the sun--
No glad-bannered battlement shades us
When all our Journey is done.

Where lies it? We question and listen;
We lean from the mountain, or mast,
And see but dull earth, or the glisten
Of seas inconceivably vast:
The dust of the one blurs our vision,
The glare of the other our brain,
Nor city nor island Elysian
In all of the land or the main!

We kneel in dim fanes where the thunders
Of organs tumultuous roll,
And the longing heart listens and wonders,
And the eyes look aloft from the soul:
But the chanson grows fainter and fainter,
Swoons wholly away and is dead;
AND our eyes only reach where the painter
Has dabbled a saint overhead.

The Beautiful City! O mortal,
Fare hopefully on in thy quest,
Pass down through the green grassy portal
That leads to the Valley of Rest;
There first passed the One who, in pity
Of all thy great yearning, awaits
To point out The Beautiful City,
And loosen the trump at the gates.

As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of Fancy, till in shadowy design
I find the smiling features of an old sweetheart of mine.

The lamplight seems to glimmer with a flicker of surprise,
As I turn it low, to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco, and to vanish with the smoke.

'Tis a fragrant retrospection, for the loving thoughts that start
Into being are like perfumes from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancies wander with that old sweetheart of mine.

Though I hear, beneath my study, like a fluttering of wings,
The voices of my children and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.

In fact, to speak in earnest, I believe it adds a charm
To spice the good a trifle with a little dust of harm;
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.

A face of lily-beauty, with a form of airy grace,
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes,
As glowing as the summer and as tender as the skies.

I can see the pink sunbonnet and the little checkered dress
She wore when first I kissed her, and she answered the caress
With the written declaration that, 'as surely as the vine
Grew round the stump,' she loved me,—that old sweetheart of mine!

And again I feel the pressure of her slender little hand,
As we used to talk together of the future we had planned:
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to;

When we should live together in a cozy little cot,
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine;

And I should be her lover forever and a day,
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in heaven till the other's kiss had come.

But ah! my dream is broken by a step upon the stair,
And the door is softly opened, and my wife is standing there!
Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.

I

SONG

[W.S.]

With a hey! and a hi! and a hey-ho rhyme!
O the shepherd lad
He is ne'er so glad
As when he pipes, in the blossom-time,
So rare!
While Kate picks by, yet looks not there.
So rare! so rare!
_With a hey! and a hi! and a ho!_
_The grasses curdle where the daisies blow!_

With a hey! and a hi! and a hey-ho vow!
Then he sips her face
At the sweetest place--
And ho! how white is the hawthorn now!--
So rare!--
And the daisied world rocks round them there.
So rare! so rare!
_With a hey! and a hi! and a ho!_
_The grasses curdle where the daisies blow!_



II

TO THE CHILD JULIA

[R.H.]


Little Julia, since that we
May not as our elders be,
Let us blithely fill the days
Of our youth with pleasant plays.
First we'll up at earliest dawn,
While as yet the dew is on
The sooth'd grasses and the pied
Blossomings of morningtide;
Next, with rinsed cheeks that shine
As the enamell'd eglantine,
We will break our fast on bread
With both cream and honey spread;
Then, with many a challenge-call,
We will romp from house and hall,
Gypsying with the birds and bees
Of the green-tress'd garden trees.
In a bower of leaf and vine
Thou shalt be a lady fine
Held in duress by the great
Giant I shall personate.
Next, when many mimics more
Like to these we have played o'er,

We'll betake us home-along
Hand in hand at evensong.

III

THE DOLLY'S MOTHER

[W.W.]


A little maid, of summers four--
Did you compute her years,--
And yet how infinitely more
To me her age appears:

I mark the sweet child's serious air,
At her unplayful play,--
The tiny doll she mothers there
And lulls to sleep away,

Grows--'neath the grave similitude--
An infant real, to me,
And _she_ a saint of motherhood
In hale maturity.

So, pausing in my lonely round,
And all unseen of her,
I stand uncovered--her profound
And abject worshipper.

IV

WIND OF THE SEA

[A.T.]


Wind of the Sea, come fill my sail--
Lend me the breath of a freshening gale
And bear my port-worn ship away!
For O the greed of the tedious town--
The shutters up and the shutters down!
Wind of the Sea, sweep over the bay
And bear me away!--away!

Whither you bear me, Wind of the Sea,
Matters never the least to me:
Give me your fogs, with the sails adrip,
Or the weltering path thro' the starless night--
On, somewhere, is a new daylight
And the cheery glint of another ship
As its colors dip and dip!


Wind of the Sea, sweep over the bay
And bear me away!--away!

V

SUBTLETY

[R.B .]


Whilst little Paul, convalescing, was staying
Close indoors, and his boisterous classmates paying

Him visits, with fresh school-notes and surprises,--
With nettling pride they sprung the word 'Athletic,'
With much advice and urgings sympathetic
Anent 'Athletic exercises.' Wise as
Lad might look, quoth Paul: 'I've pondered o'er that
'Athletic,' but I mean to take, before that,
Downstairic and outdooric exercises.'



VI

BORN TO THE PURPLE

[W.M.]


Most-like it was this kingly lad
Spake out of the pure joy he had
In his child-heart of the wee maid
Whose eerie beauty sudden laid
A spell upon him, and his words
Burst as a song of any bird's:--

A peerless Princess thou shalt be,
Through wit of love's rare sorcery:
To crown the crown of thy gold hair
Thou shalt have rubies, bleeding there
Their crimson splendor midst the marred
Pulp of great pearls, and afterward

Leaking in fainter ruddy stains
Adown thy neck-and-armlet-chains
Of turquoise, chrysoprase, and mad
Light-frenzied diamonds, dartling glad
Swift spirts of shine that interfuse
As though with lucent crystal dews
That glance and glitter like split rays
Of sunshine, born of burgeoning Mays
When the first bee tilts down the lip
Of the first blossom, and the drip
Of blended dew and honey heaves
Him blinded midst the underleaves.
For raiment, Fays shall weave for thee--
Out of the phosphor of the sea
And the frayed floss of starlight, spun
With counterwarp of the firm sun--
A vesture of such filmy sheen
As, through all ages, never queen
Therewith strove truly to make less
One fair line of her loveliness.
Thus gowned and crowned with gems and gold,
Thou shalt, through centuries untold,
Rule, ever young and ever fair,
As now thou rulest, smiling there.

Such was the Child-World of the long-ago--
The little world these children used to know:--
Johnty, the oldest, and the best, perhaps,
Of the five happy little Hoosier chaps
Inhabiting this wee world all their own.--
Johnty, the leader, with his native tone
Of grave command--a general on parade
Whose each punctilious order was obeyed
By his proud followers.

But Johnty yet--
After all serious duties--could forget
The gravity of life to the extent,
At times, of kindling much astonishment
About him: With a quick, observant eye,
And mind and memory, he could supply
The tamest incident with liveliest mirth;
And at the most unlooked-for times on earth
Was wont to break into some travesty
On those around him--feats of mimicry
Of this one's trick of gesture--that one's walk--
Or this one's laugh--or that one's funny talk,--
The way 'the watermelon-man' would try
His humor on town-folks that wouldn't buy;--
How he drove into town at morning--then
At dusk (alas!) how he drove out again.

Though these divertisements of Johnty's were
Hailed with a hearty glee and relish, there
Appeared a sense, on his part, of regret--
A spirit of remorse that would not let
Him rest for days thereafter.--Such times he,
As some boy said, 'jist got too overly
Blame good fer common boys like us, you know,
To '_so_ciate with--less'n we 'ud go
And jine his church!'

Next after Johnty came
His little tow-head brother, Bud by name.--
And O how white his hair was--and how thick
His face with freckles,--and his ears, how quick
And curious and intrusive!--And how pale
The blue of his big eyes;--and how a tale
Of Giants, Trolls or Fairies, bulged them still
Bigger and bigger!--and when 'Jack' would kill
The old 'Four-headed Giant,' Bud's big eyes
Were swollen truly into giant-size.
And Bud was apt in make-believes--would hear
His Grandma talk or read, with such an ear
And memory of both subject and big words,
That he would take the book up afterwards
And feign to 'read aloud,' with such success
As caused his truthful elders real distress.
But he _must_ have _big words_--they seemed to give
Extremer range to the superlative--
That was his passion. 'My Gran'ma,' he said,
One evening, after listening as she read
Some heavy old historical review--
With copious explanations thereunto
Drawn out by his inquiring turn of mind,--
'My Gran'ma she's read _all_ books--ever' kind
They is, 'at tells all 'bout the land an' sea
An' Nations of the Earth!--An' she is the
Historicul-est woman ever wuz!'
(Forgive the verse's chuckling as it does
In its erratic current.--Oftentimes
The little willowy waterbrook of rhymes
Must falter in its music, listening to
The children laughing as they used to do.)

Who shall sing a simple ditty all about the Willow,
Dainty-fine and delicate as any bending spray
That dandles high the happy bird that flutters there to trill a
Tremulously tender song of greeting to the May.

Ah, my lovely Willow!--Let the Waters lilt your graces,--
They alone with limpid kisses lave your leaves above,
Flashing back your sylvan beauty, and in shady places
Peering up with glimmering pebbles, like the eyes of love.

Next, Maymie, with her hazy cloud of hair,
And the blue skies of eyes beneath it there.
Her dignified and 'little lady' airs
Of never either romping up the stairs
Or falling down them; thoughtful everyway
Of others first--The kind of child at play
That 'gave up,' for the rest, the ripest pear
Or peach or apple in the garden there
Beneath the trees where swooped the airy swing--
She pushing it, too glad for anything!
Or, in the character of hostess, she
Would entertain her friends delightfully
In her play-house,--with strips of carpet laid
Along the garden-fence within the shade
Of the old apple-trees--where from next yard
Came the two dearest friends in her regard,
The little Crawford girls, Ella and Lu--
As shy and lovely as the lilies grew
In their idyllic home,--yet sometimes they
Admitted Bud and Alex to their play,
Who did their heavier work and helped them fix
To have a 'Festibul'--and brought the bricks
And built the 'stove,' with a real fire and all,
And stovepipe-joint for chimney, looming tall
And wonderfully smoky--even to
Their childish aspirations, as it blew
And swooped and swirled about them till their sight
Was feverish even as their high delight.
Then Alex, with his freckles, and his freaks
Of temper, and the peach-bloom of his cheeks,
And '_amber-colored_ hair'--his mother said
'Twas that, when others laughed and called it '_red_'
And Alex threw things at them--till they'd call
A truce, agreeing ''t'uz n't red _ut-tall_!'

But Alex was affectionate beyond
The average child, and was extremely fond
Of the paternal relatives of his
Of whom he once made estimate like this:--
'_I'm_ only got _two_ brothers,--but my _Pa_
He's got most brothers'n you ever saw!--
He's got _seben_ brothers!--Yes, an' they're all my
Seben Uncles!--Uncle John, an' Jim,--an' I'
Got Uncle George, an' Uncle Andy, too,
An' Uncle Frank, an' Uncle Joe.--An' you
_Know_ Uncle _Mart_.--An', all but _him_, they're great
Big mens!--An' nen s Aunt Sarah--she makes eight!--
I'm got _eight_ uncles!--'cept Aunt Sarah _can't_
Be ist my _uncle_ 'cause she's ist my _aunt_!'

Then, next to Alex--and the last indeed
Of these five little ones of whom you read--
Was baby Lizzie, with her velvet lisp,--
As though her Elfin lips had caught some wisp
Of floss between them as they strove with speech,
Which ever seemed just in yet out of reach--
Though what her lips missed, her dark eyes could say
With looks that made her meaning clear as day.

And, knowing now the children, you must know
The father and the mother they loved so:--
The father was a swarthy man, black-eyed,
Black-haired, and high of forehead; and, beside
The slender little mother, seemed in truth
A very king of men--since, from his youth,
To his hale manhood _now_--(worthy as then,--
A lawyer and a leading citizen
Of the proud little town and county-seat--
His hopes his neighbors', and their fealty sweet)--
He had known outdoor labor--rain and shine--
Bleak Winter, and bland Summer--foul and fine.
So Nature had ennobled him and set
Her symbol on him like a coronet:
His lifted brow, and frank, reliant face.--
Superior of stature as of grace,
Even the children by the spell were wrought
Up to heroics of their simple thought,
And saw him, trim of build, and lithe and straight
And tall, almost, as at the pasture-gate
The towering ironweed the scythe had spared
For their sakes, when The Hired Man declared
It would grow on till it became a _tree_,
With cocoanuts and monkeys in--maybe!

Yet, though the children, in their pride and awe
And admiration of the father, saw
A being so exalted--even more
Like adoration was the love they bore
The gentle mother.--Her mild, plaintive face
Was purely fair, and haloed with a grace
And sweetness luminous when joy made glad
Her features with a smile; or saintly sad
As twilight, fell the sympathetic gloom
Of any childish grief, or as a room
Were darkened suddenly, the curtain drawn
Across the window and the sunshine gone.
Her brow, below her fair hair's glimmering strands,
Seemed meetest resting-place for blessing hands
Or holiest touches of soft finger-tips
And little roseleaf-cheeks and dewy lips.

Though heavy household tasks were pitiless,
No little waist or coat or checkered dress
But knew her needle's deftness; and no skill
Matched hers in shaping pleat or flounce or frill;
Or fashioning, in complicate design,
All rich embroideries of leaf and vine,
With tiniest twining tendril,--bud and bloom
And fruit, so like, one's fancy caught perfume
And dainty touch and taste of them, to see
Their semblance wrought in such rare verity.

Shrined in her sanctity of home and love,
And love's fond service and reward thereof,
Restore her thus, O blessed Memory!--
Throned in her rocking-chair, and on her knee
Her sewing--her workbasket on the floor
Beside her,--Springtime through the open door
Balmily stealing in and all about
The room; the bees' dim hum, and the far shout
And laughter of the children at their play,
And neighbor-children from across the way
Calling in gleeful challenge--save alone
One boy whose voice sends back no answering tone--
The boy, prone on the floor, above a book
Of pictures, with a rapt, ecstatic look--
Even as the mother's, by the selfsame spell,
Is lifted, with a light ineffable--
As though her senses caught no mortal cry,
But heard, instead, some poem going by.

The Child-heart is so strange a little thing--
So mild--so timorously shy and small.--
When _grown-up_ hearts throb, it goes scampering
Behind the wall, nor dares peer out at all!--
It is the veriest mouse
That hides in any house--
So wild a little thing is any Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

So lorn at times the Child-heart needs must be.
With never one maturer heart for friend
And comrade, whose tear-ripened sympathy
And love might lend it comfort to the end,--
Whose yearnings, aches and stings.
Over poor little things
Were pitiful as ever any Child-heart.

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

Times, too, the little Child-heart must be glad--
Being so young, nor knowing, as _we_ know.
The fact from fantasy, the good from bad,
The joy from woe, the--_all_ that hurts us so!
What wonder then that thus
It hides away from us?--
So weak a little thing is any Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

Nay, little Child-heart, you have never need
To fear _us_,--we are weaker far than you--
Tis _we_ who should be fearful--we indeed
Should hide us, too, as darkly as you do,--
Safe, as yourself, withdrawn,
Hearing the World roar on
Too willful, woful, awful for the Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

The clock chats on confidingly; a rose
Taps at the window, as the sunlight throws
A brilliant, jostling checkerwork of shine
And shadow, like a Persian-loom design,
Across the homemade carpet--fades,--and then
The dear old colors are themselves again.
Sounds drop in visiting from everywhere--
The bluebird's and the robin's trill are there,
Their sweet liquidity diluted some
By dewy orchard spaces they have come:
Sounds of the town, too, and the great highway--
The Mover-wagons' rumble, and the neigh
Of overtraveled horses, and the bleat
Of sheep and low of cattle through the street--
A Nation's thoroughfare of hopes and fears,
First blazed by the heroic pioneers
Who gave up old-home idols and set face
Toward the unbroken West, to found a race
And tame a wilderness now mightier than
All peoples and all tracts American.
Blent with all outer sounds, the sounds within:--
In mild remoteness falls the household din
Of porch and kitchen: the dull jar and thump
Of churning; and the 'glung-glung' of the pump,
With sudden pad and skurry of bare feet
Of little outlaws, in from field or street:
The clang of kettle,--rasp of damper-ring
And bang of cookstove-door--and everything
That jingles in a busy kitchen lifts
Its individual wrangling voice and drifts
In sweetest tinny, coppery, pewtery tone
Of music hungry ear has ever known
In wildest famished yearning and conceit
Of youth, to just cut loose and eat and eat!--
The zest of hunger still incited on
To childish desperation by long-drawn
Breaths of hot, steaming, wholesome things that stew
And blubber, and up-tilt the pot-lids, too,
Filling the sense with zestful rumors of
The dear old-fashioned dinners children love:
Redolent savorings of home-cured meats,
Potatoes, beans, and cabbage; turnips, beets
And parsnips--rarest composite entire
That ever pushed a mortal child's desire
To madness by new-grated fresh, keen, sharp
Horseradish--tang that sets the lips awarp
And watery, anticipating all
The cloyed sweets of the glorious festival.--
Still add the cinnamony, spicy scents
Of clove, nutmeg, and myriad condiments
In like-alluring whiffs that prophesy
Of sweltering pudding, cake, and custard pie--
The swooning-sweet aroma haunting all
The house--upstairs and down--porch, parlor, hall
And sitting-room--invading even where
The Hired Man sniffs it in the orchard-air,
And pauses in his pruning of the trees
To note the sun minutely and to--sneeze.

Then Cousin Rufus comes--the children hear
His hale voice in the old hall, ringing clear
As any bell. Always he came with song
Upon his lips and all the happy throng
Of echoes following him, even as the crowd
Of his admiring little kinsmen--proud
To have a cousin _grown_--and yet as young
Of soul and cheery as the songs he sung.

He was a student of the law--intent
Soundly to win success, with all it meant;
And so he studied--even as he played,--
With all his heart: And so it was he made
His gallant fight for fortune--through all stress
Of battle bearing him with cheeriness
And wholesome valor.

And the children had
Another relative who kept them glad
And joyous by his very merry ways--
As blithe and sunny as the summer days,--
Their father's youngest brother--Uncle Mart.
The old 'Arabian Nights' he knew by heart--
'Baron Munchausen,' too; and likewise 'The
Swiss Family Robinson.'--And when these three
Gave out, as he rehearsed them, he could go
Straight on in the same line--a steady flow
Of arabesque invention that his good
Old mother never clearly understood.
He _was_ to be a _printer_--wanted, though,
To be an _actor_.--But the world was 'show'
Enough for _him_,--theatric, airy, gay,--
Each day to him was jolly as a play.
And some poetic symptoms, too, in sooth,
Were certain.--And, from his apprentice youth,
He joyed in verse-quotations--which he took
Out of the old 'Type Foundry Specimen Book.'
He craved and courted most the favor of
The children.--They were foremost in his love;
And pleasing _them_, he pleased his own boy-heart
And kept it young and fresh in every part.
So was it he devised for them and wrought
To life his quaintest, most romantic thought:--
Like some lone castaway in alien seas,
He built a house up in the apple-trees,
Out in the corner of the garden, where
No man-devouring native, prowling there,
Might pounce upon them in the dead o' night--
For lo, their little ladder, slim and light,
They drew up after them. And it was known
That Uncle Mart slipped up sometimes alone
And drew the ladder in, to lie and moon
Over some novel all the afternoon.
And one time Johnty, from the crowd below,--
Outraged to find themselves deserted so--
Threw bodily their old black cat up in
The airy fastness, with much yowl and din.
Resulting, while a wild periphery
Of cat went circling to another tree,
And, in impassioned outburst, Uncle Mart
Loomed up, and thus relieved his tragic heart:

''_Hence, long-tailed, ebon-eyed, nocturnal ranger!
What led thee hither 'mongst the types and cases?
Didst thou not know that running midnight races
O'er standing types was fraught with imminent danger?
Did hunger lead thee--didst thou think to find
Some rich old cheese to fill thy hungry maw?
Vain hope! for none but literary jaw
Can masticate our cookery for the mind!_''

So likewise when, with lordly air and grace,
He strode to dinner, with a tragic face
With ink-spots on it from the office, he
Would aptly quote more 'Specimen-poetry--'
Perchance like ''Labor's bread is sweet to eat,
(_Ahem!_) And toothsome is the toiler's meat.''

Ah, could you see them _all_, at lull of noon!--
A sort of _boisterous_ lull, with clink of spoon
And clatter of deflecting knife, and plate
Dropped saggingly, with its all-bounteous weight,
And dragged in place voraciously; and then
Pent exclamations, and the lull again.--
The garland of glad faces 'round the board--
Each member of the family restored
To his or her place, with an extra chair
Or two for the chance guests so often there.--
The father's farmer-client, brought home from
The courtroom, though he 'didn't _want_ to come
Tel he jist saw he _hat_ to!' he'd explain,
Invariably, time and time again,
To the pleased wife and hostess, as she pressed
Another cup of coffee on the guest.--
Or there was Johnty's special chum, perchance,
Or Bud's, or both--each childish countenance
Lit with a higher glow of youthful glee,
To be together thus unbrokenly,--
Jim Offutt, or Eck Skinner, or George Carr--
The very nearest chums of Bud's these are,--
So, very probably, _one_ of the three,
At least, is there with Bud, or _ought_ to be.
Like interchange the town-boys each had known--
His playmate's dinner better than his own--
_Yet_ blest that he was ever made to stay
At _Almon Keefer's, any_ blessed day,
For _any_ meal!... Visions of biscuits, hot
And flaky-perfect, with the golden blot
Of molten butter for the center, clear,
Through pools of clover-honey--_dear-o-dear!_--
With creamy milk for its divine 'farewell':
And then, if any one delectable
Might yet exceed in sweetness, O restore
The cherry-cobbler of the days of yore
Made only by Al Keefer's mother!--Why,
The very thought of it ignites the eye
Of memory with rapture--cloys the lip
Of longing, till it seems to ooze and drip
With veriest juice and stain and overwaste
Of that most sweet delirium of taste
That ever visited the childish tongue,
Or proved, as now, the sweetest thing unsung.