Wordsworth
Two voices are there: one is of the deep;
It learns the storm cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now birdlike pipes, now closes soft in sleep;
And one is of an old half-witted sheep
Who bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times,
Forth from the heart of thy melodious rhymes
The form and pressure of high thoughts will burst;
At other times--good Lord! I'd rather be
Quite unacquainted with the A, B, C,
Than write such hopeless rubbish as thy worst.
A Sonnet (Two Voices Are There)
Two voices are there: one is of the deep;
It learns the storm-cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now bird-like pipes, now closes soft in sleep:
And one is of an old half-witted sheep
Which bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times
Forth from the heart of thy melodious rhymes,
The form and pressure of high thoughts will burst:
At other times -- good Lord! I'd rather be
Quite unacquainted with the A.B.C.
Than write such hopeless rubbish as thy worst.
A Sonnet
Two voices are there: one is of the deep;
It learns the storm-cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now bird-like pipes, now closes soft in sleep:
And one is of an old half-witted sheep
Which bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times
Forth from the heart of thy melodious rhymes,
The form and pressure of high thoughts will burst:
At other times -- good Lord! I'd rather be
Quite unacquainted with the A.B.C.
Than write such hopeless rubbish as thy worst.
Steam-Launches On The Thames
Henley, June 7, 1891.
Shall we, to whom the stream by right belongs,
Who travel silent, save, perchance, for songs;
Whose track's a ripple,--leaves the Thames a lake,
Nor frights the swan--scarce makes the rushes shake;
Who harmonize, exemplify, complete
And vivify a scene already sweet:
Who travel careless on, from lock to lock,
Oblivious that the world contains a clock,
With pace commensurate to our desires,
Propelled by other force than Stygian fire's;
Shall we be driven hence to leave a place
For these, who bring upon our stream disgrace:
The rush, the roar, the stench, the smoke, the steam,
The nightmare striking through our heavenly dream;
The scream as shrill and hateful to the ear
As when a peacock vents his rage and fear;
Which churn to fury all a glassy reach,
And heave rude breakers on a pebbly beach:
Which half o'erwhelm with waves our frailer craft,
While graceless shop-boys chuckle fore and aft:
Foul water-toadstools, noisome filth-stained shapes,
Fit only to be manned by dogs and apes:
Blots upon nature: scars that mar her smile:
Obscene, obtrusive, execrable, vile?
