(A SPRING CONTRAST.)
A quarter of a century agone,
Just such a face as this upon me shone,
And in a 'bus too;
And then, as now, it was the warm springtide;
And then, as now, there was no soul inside
Excepting us two.

There are the same blue eyes, the delicate nose.
Same rosebud mouth, and cheeks of blushful rose,
Same chin bewitching;
Same throat of sheeny white and perfect mould,
Same light-brown hair, with scattered threads of gold
The brown enriching.
Ah! how this present beauty's counterpart
Woke instant tumult in my fluttering heart—
Pain, pleasure, blended!
Yet this one is as beautiful as that . .
Dear me! why don't my heart go pit-a-pat
Now, as it then did?

One glance of those bright eyes, and all was o'er:
I wished to die; at least I cared no more
For life without her:—
These, glancing on me now, are quite as fair;
Yet, strange to say, I do not seem to care
One bit about her.

I wished I were a glove upon that hand—
The eardrop in her ear, the zone that spanned
Her waist so trimly;
And now, in view of equal charms, the bliss
Of such astounding metamorphosis
I see but dimly.

Well I recall the mad desire to hear
Her name who turned the common atmosphere
To heavenly ether:—
Why is it that I do not now, as then,
Care twopence if the name be M. or N.,
Or both, or neither?

Well I remember how I longed to pay
Her fare, or in some other lordly way

Impress her duly:—
Why is it, then, though not less generous grown,
I'm better pleased this nymph should pay her own
Than mulct “yours truly”?

And how quick-soaring hope as quickly fell
When I descried a military swell
Her brooch portrayed in;
Why is it, then, 'twould leave me undistressed
If a whole regiment adorned the breast
Of this fair maiden?

And how my anguish, when she drew her glove,
And showed the plain gold sign of wedded love,
Refused assuagement:—
Why is it that I do not care a jot
If this one wears such fateful ring, or not—
Plain, or engagement?

Is it because my taste hath changed its style,
And now prefers, in place of Venus' smile,
The frown of Pallas?
Ah no: Minerva, too, has lost her sway;
I met her antitype this very day,
And felt quite callous.

Is it the climate? Ah, if vernal airs
Incline the heart to amorous affairs,
This Austral season
Should stir in every vein, when beauty's by,
The throb of lusty youth! Oh no; the cli-
mate's not the reason.

Is it the place! Still, no; this threepenny 'bus
Is much the same as rolled the twain of us
Through Piccadilly;
And fitter place, when all is said and done,
There could not be for “bussing.” (Pass the pun;
I know it's silly.)

Is it that I have learned their sweetest smiles
And airs and graces are but “wanton wiles,”
And mere pretences?
Or is it that the naked eye of youth
Sees all through glamour, while I see the truth
Through convex lenses?

But wherefore beat about the bush, old man?
You know that you can give, if any can,
Reasons in plenty.

Must I, then, own it?.. 'Tis—because—because—
I am not quite—not quite—the man I was
At five-and-twenty!

An empty socket shows where passion burned;
My sense of beauty now, alas, has turned
Pure intellectual,
And to arouse a tumult in the brain,
Or thrill the system with delicious pain,
Quite ineffectual.

So, I may gaze on her, and gaze my fill. . . .
D'ye know, I think I'm somewhat human still;
I like her, rather;
But oh, how things are changed from what they were!
For all she is so fair, I feel to her
Just like a father.

She dowers me with a smile from lip and eye,
And while I wonder what she meaneth by
The sweet bestowment,
“Please pass my fare,” comes from her beauteous lips,
And, as I take the coin, our finger tips
Meet for a moment.

A thrill! A thrill! I do declare, a thrill!
Upon my honour, I believe I'm still
Intensely human!
I pause and ponder what I mean to do.
Methinks I'd better scuttle home unto
My own old woman.

Lo by the “humpy” door a smockless Venus!
Unblushing bronze, she shrinks not, having seen us,
Though there is nought but short couch-grass between us.

She hath no polonaise, no Dolly Varden;
Yet turns she not away, nor asketh pardon;
Fact is, she doesn't care a copper “farden.”

Ah yet, her age her reputation spareth;
At three years old pert Venus little careth,
She puts her hand upon her hip and stareth;

All unabashed, unhaberdashed, unheeding,
No Medicean, charmingly receding,
But quite unconscious of improper breeding.

'Tis well; it smacks of Eden ere came sin in,
Or any rag of consciousness or linen,
Or anything that one could stick a pin in.

Could boundaries be neater? posture meeter?
Could bronze antique or terra cotta beat her?
Saw ever artist any thing completer?

A shade protuberant, beyond contesting,
Where this day's 'possum is just now digesting,
But otherwise, all over interesting;

Trim without trimming, furbelow, or bow on;
Was ever sable skin with such a glow on?
So darkly soft, so softly sleek, and—so on?

Was ever known so dark, so bright an iris,
Where sleep of light, but never play of fire is—
Where not a soupçon of a wild desire is?

O swarthy statuette! hast thou no notion
That life is fire and war and wild commotion?
A burning bush, a chafed and raging ocean?

Hast thou no questioning of what's before thee?
Of who shall envy thee, or who adore thee?
Or whose the jealous weapon that shall score thee?

Hast thou no faint prevision of disaster—
Of dark abduction from thy lord and master—
Of aliens fleeing, kindred following faster?

No faint forehearing of the waddies banging,
Of club and heelaman together clanging,
War shouts, and universal boomeranging?

And thou the bone of all the fierce contention—
The direful spring of broken-nosed dissension—
A Helen in the nigger apprehension?

Nay, my black tulip, I congratulate thee,
Thou canst not guess the troubles that await thee,
Nor carest who shall love or who shall hate thee:

Recking as little of the human passions
As of the very latest Paris fashions,
And soaring not beyond thy daily rations!

Die young, for mercy's sake! If thou grow older,
Thou shalt grow lean at calf and sharp at shoulder,
And daily greedier and daily bolder;

A pipe between thy savage grinders thrusting,
For rum and everlasting 'baccy lusting,
And altogether filthy and disgusting;

Just such another as the dam that bore thee—
That haggard Sycorax now bending o'er thee!
Die young, my sable pippin, I implore thee!

Why shouldst thou live to know deterioration?
To walk a spectre of emaciation?
To grow, like that, all over corrugation?

A trifle miscellaneous like her, too,
An object not “de luxe” and not “de vertu”—
A being odious even to refer to?

Her childhood, too, like thine, was soft and tender;
Her womanhood hath nought to recommend her;
At thirty she is not of any gender.

Oh, dusky fondling, let the warning teach thee!
Through muddiest brain-pulp may the lesson reach thee.
Oh, die of something fatal, I beseech thee!

While yet thou wear'st the crown of morning graces,
While yet the touch of dawn upon thy face is—
Back, little nigger, to the night's embraces!

Hope nought: each year some new defect discloses;
As sure as o'er thy mouth thy little nose is,
Thy only hope is in metempsychosis.

Who knows but after some few short gradations,
After a brace or so of generations,
We two may have exchanged our hues and stations?

Methinks I see thee suddenly grow bigger,
White in the face and stately in the figure,
And I a miserable little nigger!

Should this be thus—oh come not moralising!
Approach not thou my humpy poetising!
Spare thine Iambics and apostrophising!

Let subtle nature, if it suit her, black me,
Let vesture lack me, bigger niggers whack me,
Let hunger rack me, let disaster track me,
And anguish hoist me to her highest acme—

Let me bear all thine incidental curses,
Nor share the smallest of thy scanty mercies,
But put me not—oh, put me not in verses!

She grins. She heedeth not advice or warning,
Alike philosophy and triplets scorning.
Adieu, then. Fare thee well. Ta-ta. Good morning

The Goths In Campania (Placidia, In The Tent Of Adolphus.)

I.

I am not Roman when he looks upon me
With those mild eyes of unaccustomed blue;
Woman, not Roman, when his strong embraces
Crush me with rugged promises of love.
Time was, ere yet the Gothic trump had broken
The dream of that inviolate majesty
Whose very sleep was empire—Rome its pillow—
Its couch, the world—its overhanging, heaven;
Time was, when only words of courtly homage
Brought to mine ear the import of such praise,
As had bestirred Divinity to wonder
That men should deem it of so high account,
When careful speech of long premeditation
Lost grace and aptitude in present awe;
When lips, late ruddy with the blood of Caesars,
Grew white in rash petition for such boons
As gods had smiled at—unrewarding favour,
A word, a look, yea, even indifference,
As if in me the fear of adverse fortune
Had recognized some godhead of caprice.
But when the sun shone in the palace garden,
And May was in the roses and in me,
And all my soul cried out for what it had not,
To crown the life of summer and my own,
Honorius' sister, Theodosius' daughter,
Placidia, I, of Roman maidens first,
Had welcomed fellowship and clasped intrusion;—
Yet no man asked my heart, no man my love.
None to the longing of my life made answer;
None broke the still Imperial solitude
With sweet audacity of hardy wooing;
None wronged the princess by the woman's right.
Such time had been, until this bold Adolphus
With warrior-laugh o'erleaped prerogative,
And caught me for a spoil beneath his buckler,
The princess captive, but the woman free.
A dreary code of law inscribed in purple
Had been the record of Placidia's years,
But that this Goth from out the Boreal lustre

Of his blue eye shed heav'n upon the page,
And wrote in crimson characters of triumph
The story of a glad captivity.
For in restraint of foot I leaped to rescue
From golden chains and regal servitude;
And this my durance is a fond redemption
That makes me free to love, and to be loved.

II.
Yet there are moments, when as now he slumbers
Beside my feet, 'mid these disorder'd spoils
That make my prison-tent a Roman ruin—
Fierce moments of resurgent memory,
Full of rebuke of race and name forsaken,
And peopled with the spirits of the past.
Oh, it doth wrench me when his heedless fingers,
Circling the chalice in Falernian dreams—
The golden chalice that my father drank of,
Enriched with his own emblems, priceless work,
Gazing whereon his well-instructed spirit
Enhanced the vintage with the pride of art—
Relax and glide adown the rare embossment,
Until they touch that laurelled head, whose nod,
More than of Jove, shook not Olympus only,
But Jove himself, and all his kindred gods.
Then, daughter, sister, princess, rise within me,
A trinity abhorrent of itself—
That other self, which, when Adolphus sleepeth,
Sleeps, and, when he awaketh, wakes to him.

III.
Why should the spirit of my father vex me?
Or what allegiance owe I unto him
Who dwells apart, inglorious in Ravenna,
And could not, if he would, renew my state?
I see them not, and wherefore should I deem me
So much beholden to the unbeheld?
I hear them not; shall I be answerable
To irresponsive death and voiceless sloth?
They touch me not; can unembracing shadow
With close assurance compass me about?
Nor eye, nor ear, nor any sense declares them,
Unseen, unechoing, uncomforting:
But eye, and ear, and every sense is captive,
And thrall for ever to the comely Goth.

Why should the spirit of my father vex me?
Behold, I give to him a worthier son!
And though he be barbarian who woos me,
The Roman bride shall wed his heart to Rome.

IV.
One thing I owe—beyond all ransom precious—
To father, brother, and Imperial name,
The chastity that makes me worth the winning,
A virgin love unstained of force or guile.
For this I thank thee, Theodosius, father;
For this, Honorius, thy fraternal name;
Nor thee the less, thou sleeping soul of honour,
That no barbarian art in sense of law.
For this, to silk and purple, crowns historic,
Goblets of gold and priceless spoil of pearl—
To all the glories of the cunning workman,
Sculptured or graven, or inlaid with gems—
To all the glittering legacies of triumph,
And hoarded trophies of a thousand years—
To all the wealth of harvest, pasture, vintage,
To corn and cattle, oil, and spice, and wine—
Yea, to the sacred things of God, most welcome!
Since thou hast kept me sacred, even from thee.
The noon consumes me in the thick pavilion,
Yet I am fain of close-drawn solitude,
Lest I should look upon the godless riot,
That, once seen, haunts me like a dream of shame
For all around the large-limbed Goths were lying
Beneath the plane-trees—yet but half-perceived
'Mid soft entanglement of arms and tresses
By captive beauty wreathed around its lords;
The pride of Romans, daughters of great houses,
Hiding their faces from my pitying gaze
In hideous refuge of barbarian bosoms . . .
God pardon them the wrong He hindered not!
God take my thanks for what is more than empire,
And speed the warrior whom no greedy haste
Hath spurred beyond the pace of loyal loving,
The pure caress, and broken utterance
Of mingling tongues half-learnt in march of conquest—
To which the ordered flow of Roman speech
Is feeble—rich in sweetest hesitations,
And wishful voids of tongueless eloquence.
He stirs, and this pavilion's girth becometh
My orb of lands, and hallowed round of love.

He wakes, and country is a dream forgotten:
Where thou, Adolphus, art, there is my Rome.

Macaulay's New Zealander

It little profits that, an idle man,
On this worn arch, in sight of wasted halls,
I mope, a solitary pelican,
And glower and glower for ever on Saint Paul's:—
Will no soft-hearted mortal be so very
Obliging as to row me o'er the ferry?

Here three-and-thirty years* I've stood estranged,
A dream of ruin all around me stretching;
And centuries shall see me yet unchanged,
Ever in act to sketch, but nothing sketching;
Mutely immutable, constrain'dly still,
With nought to stand against, except my will.

A wondrous lot is mine; ye bide your doom
Till men say Vixit: mine begins ere birth;
A lonely ghost projected from the womb
Of Time-to-come, I linger now on earth.
Ye vertebrates date back, while I commence
My weary present in the future tense.

A weird eidolon; a born paradox;
A fixture framed of incorporeal particles;
Yet dropped in many an Editorial box,
Blown thence in squibs, or hurled in Leading Articles;
A Nomad, though my permanent address is
In Volume Second of Macaulay's Essays.

I was not born of woman (see Macduff—
Nor stare to hear my lore so far extends;
The sire who bore me trafficked in such stuff,
And had his Shakespeare at his finger-ends:
The quitch is in the blood—such blood as ghost has;
I know as much as he; at least, almost as).

I was not born of woman; gave no pain;
Through no preliminary stage did pass;
But sprang, a Pallas, from Macaulay's brain,
Though not like her, with spear and helm of brass;
My spear, a pencil of Queensland plumbago;
My casque, a felt one—latest from Otago.

And therein lies the sting of all I bear—
That after brooding ages on mine arch,
And treasuring what the centuries prepare,
And noting what ye proudly term the March

Of Progress, and assimilating all
“The long result of Time,” see “Locksley-hall;”—

That after seeing all that mortal can,
That after learning all that man can learn,
This forecast shade, already more than man,
Must go and be a baby in its turn!
I've got to go and be a little kid,
When old perhaps as Cheops' Pyramid!

I've got to wear a little purfled cap;
Pass through, perchance, some brutal mode of swaddling;
To gather tissue from a bowl of pap;
To undergo no end of molly-coddling;
To be brought up by hand, or, worse and worse,
To be a parasite upon a nurse.

And in due course this cultured soul of mine
Must learn its Catechism by easy stages;
And sundry rods shall yet be steeped in brine,
To stimulate the heir of all the ages;
And men shall file away with prose and rhyme
To sharpen me, the foremost file of time.

I pray you, purist, faint not at the word;
For in the distant day whereof I speak,
Your chastened phrases shall be held absurd;
What you call slang shall be our Attic Greek;
And every man be file, or bloke, or cove;
And bloods make oath by Gum, instead of Jove!

For standing here, immovable and dumb,
An arch-Stylites, birth, not death, awaiting,
Faint inklings reach me of the time to come,
Beneath the loud To-day reverberating;
And I could tell of things so strange and wild,
Your wisest don would feel himself a child;—

Could show up many a now-belauded quackery;
Could play the deuce with half your saints and sages;
Could settle for you whether Boz or Thackeray
Shall be the admiration of the ages;
And whether Morris, Swinburne, and Rossetti
Shall number with the great, or with the petty;—

Could tell how empire shall have changed its place,
But must not “blow,” although an Australasian;
Could tell you which shall be the ruling race,
But may not shock the orthodox Caucasian,
Nor dare your curiosity assuage,

Lest I should make half-castes become the rage;—

Could tell you quite a fairy tale of science,
And wonders in Political Economy,
That set your time-worn statutes at defiance,
And hold them out of date as Deuteronomy:
The darky, boss; the trashy white, a “brudder;”
Man at the prow, and woman at the rudder;—

How all shall go by natural selection;
No man allowed to live unless good-looking;
How love shall vent itself in vivisection,
And charms be rated subsequent to cooking;
How girls instead of knitting sofa-covers,
Shall spend their leisure in tattooing lovers;

And how magnetic belts with dazzling hues
Shall draw unwilling arms around the waist;
How damsels to enhance their lips shall use
Odyllic force condensed into a paste;
And woo the bashful from his slow simplicity
With cakes of desiccated electricity; —

How education, as a general rule,
Shall be conducted by familiar spirits;
How “circles” shall be formed in every school,
And rappings shall reward superior merits;
And how the spectroscope, applied to spectres,
Shall re-enact all history, on reflectors; —

And how your vaunted patents and inventions
Shall be for playthings to the great hereafter
And all your philosophical pretensions
Be themes of inextinguishable laughter
Your engineering form for future times
The droll machinery of pantomimes.
Your steam—your boast! What is it but a vapour?
Or what more fleeting simile will do:
'Twill be effete as—let me see—what paper?
Eureka!—say, the “Saturday Review!”
Whose name, indeed, shall live—simply because
These lines give token such a paper was.

For there be those whose memory shall rot,
And pass, and be as it had never been;
Of such my famed progenitor's is not;
Valhalla holds him in the high serene:—
My Prospero! Oh may he prosper where he is,
Untouched by that unenviable caries!

For though I dumbly execrate the day
When first he chained me here, a lorn eidolon,
To be a literary popinjay,
And market-stock for every sucking Solon,
Be Hyperborean calm his long reward!
I'm proud of him; you know, he was a lord.

Mundanes, I say Good-bye, as on ye march;
I fain would shake your hands, but can't get at you,—
My prison-ruin waiting in the arch,
As in the marble waits the future statue.
I hate you, London-bridge! And if Saint Paul is
A name I loathe, the fault is Lord Macaulay's.

Witlings, a word: bring me no more to book;
And take not any more my name in vain;
Cast, if ye will, one final, loving look,
As upon one ye ne'er shall see again.
Behold me—let it be the last occasion—
Served up in verses for “The Australasian.”

* Macaulay's New Zealander dates from 1840.

“Fulmina. . . . coelo nulla sereno.”

—LUCRETIUS.

God speaks by silence. Voice-dividing man,
Who cannot triumph but he saith, Aha—
Who cannot suffer without Woe is me—
Who, ere obedience follow on the will,
Must say, Thou shalt—who, looking back, saith Then,
And forward, Then; and feebly nameth, Now,
His changing foothold 'twixt eternities;
Whose love is pain until it finds a voice—
Whose seething anger bubbles in a curse—
Who summarizes truth in party-cries,
And bounds the universe with category,—
This word-dividing, speech-preëminent man,
Deeming his Maker even as himself,
Must find Him in a voice ere he believe.
We fret at silence, and our turbulent hearts
Say, “If He be a God He will speak out.”
We rail at silence, and would fain disturb
The duly ordered course of signless years.
We moan at silence, till our quivering need
Becomes incarnate, and our sore desire
Passes into a voice. Then say we, “Lo,
He is, for He hath spoken; thus and thus
He said.”
So ever radiating self,
Conditioning a God to our degree,
We make a word the top of argument—
Fond weaklings we, whose utmost scope and goal
Is but a pillared formula, whereon
To hang the garlands of our faith and love.
Well was it in the childhood of the world
To cry for open vision and a voice:
But in the riper time, when we have reached
The kindly heart of universal law,
And safe assurance of essential good,
Say, rather, now that had there been no God,
There had been many voices, freaks of sound,
Capricious thunders in unclouded skies,
Portentous utterance on the trembling hills
And Pythian antics in oracular caves—
Yea, signs and wonders had been multiplied,

And god succeeded god, the latest ever
Lord-paramount, until the crazèd world
Had lost its judgment 'mid contending claims.
O men! It is the child's heart in the man's
That will not rest without a lullaby—
That will not trust the everlasting arm
Unless it hear the voice in tale or song.
It is the child's heart in the man's that seeks,
In elements of old Semitic thought,
And wondrous syllables of Grecian tongue,
Recorded witness of another way
Of things than that which God hath willed to be
Our daily life. And if in times of old
The child-heart caught at wonder, and the charm
Of sundered system—if untutored faith
Found confirmation in arrested suns,
And gnomon-shadows of reverted hours,
And in the agonized Thus saith the Lord
Of mantled seers with fateful burden bowed—
We, children of a clearer, purer light
(Despising not the day of smaller things,
Nor calling out to kick the ladder foot
Because our finger-tips have verged on rest)—
We, youths, whose spring brings on the lawful hope
To loose the girdle of the maiden Truth,—
We, men, whose joyous summer morn hath heard
The marriage bell of Reason and of Faith—
We, turning from the windy ways of the world,
And gazing nearly on the silent march
Of love in law, and law in love, proclaim
“In that He works in silence He is God!”
So, from the very permanence of things,
And voiceless continuity of love,
Unmixed with human passion, fretted not
By jealousy, impatience, or revenge,
We gather courage, and confirm our faith.
So, casting back the scoffer's words, we say,
Even because there is no fitful sign,
And since our fathers fell asleep all things
Continue as at first—this wonder of no change
Reputes the God, to whom a thousand years
Are as one day. Yea, to the willing ear,
The dumb supremacy of patience speaks
Louder than Sinai. And if yet we lack
The witness and the voucher of a voice,
What hindereth that we who stand between
The living Nature and the living God,

Between them, yet in both—their ministers—
By noble life and converse pure, should be
Ourselves the very voice of God on earth,
Living epistles, known and read of all?
O Brothers! Were we wholly soul-possessed
With this Divine regard—would we but soar
Beyond the cloud, and centralize our faith
Upon the stable sun—would we reject
Kaleidoscopic views of broken truth
Distorted to the turn of perverse will—
Make daylight through traditionary ranks
Of intervening hells, and fix the eye
Upon the shining heart of Supreme Love,—
Would we . . . But why prolong the bootless “would”?—
I, who know all the weakness and the fear,
The weary ways of labyrinthine doubt,
The faintness on the dizzy height—who lack
The Gabriel-pinion wherewithal to range
The unsupporting medium of pure sky—
Who know the struggle of the natural soul,
Breathing a finer ether than its own—
Who, venturing on specular power too vast,
Scathed by my own reflector, fall down blind;
Who, at the least wind of calamity,
Drag shiftlessly the anchor of my hope,
And, shrieking from the waves, catch gladly at
A Name and Sake wherewith to close a prayer!
Yet though I faint and fail, I may not take
My weakness for the Truth, nor dare misread
The manual sign of God upon the heart,
The pledge, beyond the power of any voice,
Of sure advance unto the perfect whole;
Nor treat the tablet-tracing of His hand
As it were some old tombstone left apart
In grave-yard places for the years to hide
Deep in irrelevant and noxious growth.
Oh, Brothers! push the weeds aside, lay bare
The monument, and clear the earthy mould
From the Divine intaglio. Read thereon
The uncancelled charter of your native hope,
Nor crave articulate thunders any more,
Read there the universal law of good;
Unqualified evangel; blessedness,
The birthright of all being; peace, that lends
No weak subscription unto sin, and yet
Disarms despair. Read, and believe no more
In final triumph of concreted sin

In any soul that cometh forth from God,
And lives, and moves, and hath its being in Him.
Read thus, and pray the while that he who writes
Reck his own rede.
Oh, Sister, would I bruise
The snowy petals of thy prayerful faith,
Or chill the tendril-twinings of thy hope
With evil influence of wintry scorn?
Would God that any faith of mine could give
Such quiet stability unto my feet
As thine to thine! Oh, if thy kneeling wakes
A smile at all, 'tis Heaven that smiles because
Thou ask'st so little! God will o'erfulfil
Thy dreams of silver with unmeted gold.
Oh, Sister, though thou dost believe in wrath,
Though shapes of woe flit through thine imagery,
Though thou has ta'en the cloud into thy faith,
The little rift of blue that breaks thy dark
Brings thee more comfort and more fixèd hope
Than unto me this cloudless open vast
Wherein my soul floats weary and alone!
Yet think not we are voyaging apart
To different havens. Truth is one. Yet One
Alone hath reached it in straight course. Each soul
Hath its own track, its currents, and its gales;
And each toward sequel of attainment must
Fetch many a compass. Some keep land in view—
The beacon-hills of old authority—
And draw assurance from a shore defined,
Though it be dire with cloud, and capes of wrath;
While some shoot boldly into perilous seas—
Pacific-seeming seas, yet not without
A weary loneliness of land forsook,
And fear of sudden cyclone, and still more
Deceitful calm. Or, if the metaphor
Be yet too cruel for a sister's heart,
Oh, think that in the common way of love
We are never out of hearing; but may each,
Whene'er we will, join hand with each, and say,
“God—Father—Love,” the triune sum of truth,
And Watchword of the universal Christ.
Sister, I think, and in the thought take heart,
That when the Day of Reconcilement comes,
As come it will, the all-transmuting Truth
May find affinities in things that seem
To us the very elements of war.
Dost thou remember how, in childhood's days,

One gave us with to recognize the south
By turning faceward to the mid-day sun;
And we believed, and took the facile plan
For unexceptioned law? But even now
I hear the chime of Austral noon, and, lo,
The sun is in the north? Yet 'tis the same
Bright sun that shone and shines upon us both,
On me the evil, and on thee the good;
Yea, more, it is the same, noon-glaring here,
That now with hints of orient twilight steals
Over the stillness of thy morning dreams.
Dost thou remember how in those old days,
The dear old days that ne'er may come again—
Though love, like history, repeats itself,
But with the larger feature, stronger hand,
And keener sense, evoked of common grief—
When we would scan the circling mountain-cope
That made our little valley all a world,
One taught our young unlearnèd lips to say,
“The Sensible Horizon;” then dissolved
Our bounded dream, and showed our widening minds
That this was not the limit of the truth,
But grew from our own petty finitude; and far
In unconceived remote another line,
Yet only in concession named a line,
“The Rational,” made space intelligible,
And gave relation to the stars. Yet not
The less our early mountain-narrowed sky
Was still the sky to us, cloud, storm, and all.
Oh take my parable, and fondly think
That though the years have brought me wider range,
And shifting zeniths been my law of life,
Did thou and I yet tread the native vale,
I not the less, beneath that homely sky,
Would point to it whene'er we spoke of heaven.