Isabella Valancy Crawford: Verses about Happiness

He stood beside her in the dawn
(And she his Dawn and she his Spring),
From her bright palm she fed her fawn,
Her swift eyes chased the swallow's wing:
Her restless lips, smile-haunted, cast
Shrill silver calls to hound and dove:
Her young locks wove them with the blast.
To the flush'd, azure shrine above,
The light boughs o'er her golden head
Toss'd em'rald arm and blossom palm.
The perfume of their prayer was spread
On the sweet wind in breath of balm.

'Dawn of my heart,' he said, 'O child,
Knit thy pure eyes a space with mine:
O chrystal, child eyes, undefiled,
Let fair love leap from mine to thine!'
'The Dawn is young,' she smiled and said,
'Too young for Love's dear joy and woe;
Too young to crown her careless head
With his ripe roses. Let me go--
Unquestion'd for a longer space,
Perchance, when day is at the flood,
In thy true palm I'll gladly place
Love's flower in its rounding bud.
But now the day is all too young,
The Dawn and I are playmates still.'
She slipped the blossomed boughs among,
He strode beyond the violet hill.

Again they stand (Imperial noon
Lays her red sceptre on the earth),
Where golden hangings make a gloom,
And far off lutes sing dreamy mirth.
The peacocks cry to lily cloud,
From the white gloss of balustrade:
Tall urns of gold the gloom make proud,
Tall statues whitely strike the shade,
And pulse in the dim quivering light
Until, most Galatea-wise--
Each looks from base of malachite
With mystic life in limbs and eyes.

Her robe, (a golden wave that rose,
And burst, and clung as water clings
To her long curves) about her flows.
Each jewel on her white breast sings
Its silent song of sun and fire.
No wheeling swallows smite the skies
And upward draw the faint desire,
Weaving its myst'ry in her eyes.
In the white kisses of the tips
Of her long fingers lies a rose,
Snow-pale beside her curving lips,
Red by her snowy breast it glows.

'Noon of my soul,' he says, 'behold!
The day is ripe, the rose full blown,
Love stands in panoply of gold,
To Jovian height and strength now grown,
No infant he, a king he stands,
And pleads with thee for love again.'
'Ah, yes!' she says, 'in known lands,
He kings it--lord of subtlest pain;
The moon is full, the rose is fair--
Too fair! 'tis neither white nor red:
'I know the rose that love should wear,
Must redden as the heart had bled!
The moon is mellow bright, and I
Am happy in its perfect glow.
The slanting sun the rose may dye--
But for the sweet noon--let me go.'
She parted--shimm'ring thro' the shade,
Bent the fair splendour of her head:
'Would the rich noon were past,' he said,
Would the pale rose were flush'd to red!'

Again. The noon is past and night
Binds on his brow the blood red Mars--
Down dusky vineyards dies the fight,
And blazing hamlets slay the stars.
Shriek the shrill shells: the heated throats
Of thunderous cannon burst--and high
Scales the fierce joy of bugle notes:
The flame-dimm'd splendours of the sky.
He, dying, lies beside his blade:
Clear smiling as a warrior blest
With victory smiles, thro' sinister shade
Gleams the White Cross upon her breast.

'Soul of my soul, or is it night
Or is it dawn or is it day?
I see no more nor dark nor light,
I hear no more the distant fray.'
''Tis Dawn,' she whispers: 'Dawn at last!
Bright flush'd with love's immortal glow
For me as thee, all earth is past!
Late loved--well loved, now let us go!'

Said the high hill, in the morning: 'Look on me--
'Behold, sweet earth, sweet sister sky, behold
'The red flames on my peaks, and how my pines
'Are cressets of pure gold; my quarried scars
'Of black crevase and shadow-fill'd canon,
'Are trac'd in silver mist. How on my breast
'Hang the soft purple fringes of the night;
'Close to my shoulder droops the weary moon,
'Dove-pale, into the crimson surf the sun
'Drives up before his prow; and blackly stands
'On my slim, loftiest peak, an eagle, with
'His angry eyes set sunward, while his cry
'Falls fiercely back from all my ruddy heights;
'And his bald eaglets, in their bare, broad nest,
'Shrill pipe their angry echoes: ''Sun, arise,
''And show me that pale dove, beside her nest,
''Which I shall strike with piercing beak and tear
''With iron talons for my hungry young.''
And that mild dove, secure for yet a space,
Half waken'd, turns her ring'd and glossy neck
To watch dawn's ruby pulsing on her breast,
And see the first bright golden motes slip down
The gnarl'd trunks about her leaf-deep nest,
Nor sees nor fears the eagle on the peak.

* * * * *

'Aye, lassie, sing--I'll smoke my pipe the while,
'And let it be a simple, bonnie song,
'Such as an old, plain man can gather in
'His dulling ear, and feel it slipping thro'
'The cold, dark, stony places of his heart.'
'Yes, sing, sweet Kate,' said Alfred in her ear;
'I often heard you singing in my dreams
'When I was far away the winter past.'
So Katie on the moonlit window lean'd,
And in the airy silver of her voice
Sang of the tender, blue 'Forget-me-not.'

Could every blossom find a voice,
And sing a strain to me;
I know where I would place my choice,
Which my delight should be.
I would not choose the lily tall,
The rose from musky grot;
But I would still my minstrel call
The blue 'Forget-me-not!'

And I on mossy bank would lie
Of brooklet, ripp'ling clear;
And she of the sweet azure eye,
Close at my list'ning ear,
Should sing into my soul a strain
Might never be forgot--
So rich with joy, so rich with pain
The blue 'Forget-me-not!'

Ah, ev'ry blossom hath a tale
With silent grace to tell,
From rose that reddens to the gale
To modest heather bell;
But O, the flow'r in ev'ry heart
That finds a sacred spot
To bloom, with azure leaves apart,
Is the 'Forget-me-not!'

Love plucks it from the mosses green
When parting hours are nigh,
And places it loves palms between,
With many an ardent sigh;
And bluely up from grassy graves
In some lov'd churchyard spot,
It glances tenderly and waves,
The dear 'Forget-me-not!'

And with the faint last cadence, stole a glance
At Malcolm's soften'd face--a bird-soft touch
Let flutter on the rugged silver snarls
Of his thick locks, and laid her tender lips
A second on the iron of his hand.
'And did you ever meet,' he sudden ask'd,
Of Alfred, sitting pallid in the shade,
'Out by yon unco place, a lad,--a lad
'Nam'd Maxwell Gordon; tall, and straight, and strong;
'About my size, I take it, when a lad?'
And Katie at the sound of Max's name,
First spoken for such space by Malcolm's lips,
Trembl'd and started, and let down her brow,
Hiding its sudden rose on Malcolm's arm.
'Max Gordon? Yes. Was he a friend of yours?'
'No friend of mine, but of the lassie's here--
'How comes he on? I wager he's a drone,
'And never will put honey in the hive.'
'No drone,' said Alfred, laughing; 'when I left
'He and his axe were quarr'ling with the woods
'And making forests reel--love steels a lover's arm.'
O, blush that stole from Katie's swelling heart,
And with its hot rose brought the happy dew
Into her hidden eyes. 'Aye, aye! is that the way?'
Said Malcolm smiling. 'Who may be his love?'
'In that he is a somewhat simple soul,
'Why, I suppose he loves--' he paused, and Kate
Look'd up with two 'forget-me-nots' for eyes,
With eager jewels in their centres set
Of happy, happy tears, and Alfred's heart
Became a closer marble than before.
'--Why I suppose he loves--his lawful wife.'
'His wife! his wife!' said Malcolm, in a maze,
And laid his heavy hand on Katie's head;
'Did you play me false, my little lass?
'Speak and I'll pardon! Katie, lassie, what?'
'He has a wife,' said Alfred, 'lithe and bronz'd,
'An Indian woman, comelier than her kind;
'And on her knee a child with yellow locks,
'And lake-like eyes of mystic Indian brown.
'And so you knew him? He is doing well.'
'False, false!' said Katie, lifting up her head.
'O, you know not the Max my father means!'
'He came from yonder farm-house on the slope.'
'Some other Max--we speak not of the same.'
'He has a red mark on his temple set.'
'It matters not--'tis not the Max we know.'
'He wears a turquoise ring slung round his neck.'
'And many wear them--they are common stones.'
'His mother's ring--her name was Helen Wynde.'
'And there be many Helens who have sons.'
'O Katie, credit me--it is the man.'
'O not the man! Why, you have never told
'Us of the true soul that the true Max has;
'The Max we know has such a soul, I know.'
'How know you that, my foolish little lass?'
Said Malcolm, a storm of anger bound
Within his heart, like Samson with green withs--
'Belike it is the false young cur we know!'
'No, no,' said Katie, simply, and low-voic'd;
'If he were traitor I must needs be false,
'For long ago love melted our two hearts.
'And time has moulded those two hearts in one,
'And he is true since I am faithful still.'
She rose and parted, trembling as she went,
Feeling the following steel of Alfred's eyes,
And with the icy hand of scorn'd mistrust
Searching about the pulses of her heart--
Feeling for Max's image in her breast.
'To-night she conquers Doubt; to-morrow's noon
'His following soldiers sap the golden wall,
'And I shall enter and possess the fort,'
Said Alfred, in his mind. 'O Katie, child,
'Wilt thou be Nemesis, with yellow hair,
'To rend my breast? for I do feel a pulse
'Stir when I look into thy pure-barb'd eyes--
'O, am I breeding that false thing, a heart?
'Making my breast all tender for the fangs
'Of sharp Remorse to plunge their hot fire in.
'I am a certain dullard! Let me feel
'But one faint goad, fine as a needle's point,
'And it shall be the spur in my soul's side
'To urge the madd'ning thing across the jags
'And cliffs of life, into the soft embrace
'Of that cold mistress, who is constant too,
'And never flings her lovers from her arms--
'Not Death, for she is still a fruitful wife,
'Her spouse the Dead, and their cold marriage yields
'A million children, born of mould'ring flesh--
'So Death and Flesh live on--immortal they!
'I mean the blank-ey'd queen whose wassail bowl
'Is brimm'd from Lethe, and whose porch is red
'With poppies, as it waits the panting soul--
'She, she alone is great! No scepter'd slave
'Bowing to blind creative giants, she;
'No forces seize her in their strong, mad hands,
'Nor say, ''Do this--be that!'' Were there a God,
'His only mocker, she, great Nothingness!
'And to her, close of kin, yet lover too,
'Flies this large nothing that we call the soul.'

* * * * *

'Doth true Love lonely grow?
Ah, no! ah, no!
Ah, were it only so--
That it alone might show
Its ruddy rose upon its sapful tree,
Then, then in dewy morn,
Joy might his brow adorn
With Love's young rose as fair and glad as he.'

* * * * *

But with Love's rose doth blow
Ah, woe! ah, woe!
Truth with its leaves of snow,
And Pain and Pity grow
With Love's sweet roses on its sapful tree!
Love's rose buds not alone,
But still, but still doth own
A thousand blossoms cypress-hued to see!

* * * * *