Fire. (Sonnet Ii.)

Not without fire can any workman mould
The iron to his preconceived design,
Nor can the artist without fire refine
And purify from all its dross the gold;
Nor can revive the phoenix, we are told,
Except by fire. Hence if such death be mine
I hope to rise again with the divine,
Whom death augments, and time cannot make old.
O sweet, sweet death! O fortunate fire that burns
Within me still to renovate my days,
Though I am almost numbered with the dead!
If by its nature unto heaven returns
This element, me, kindled in its blaze,
Will it bear upward when my life is fled.

Youth And Age. (Sonnet Iii.)

Oh give me back the days when loose and free
To my blind passion were the curb and rein,
Oh give me back the angelic face again,
With which all virtue buried seems to be!
Oh give my panting footsteps back to me,
That are in age so slow and fraught with pain,
And fire and moisture in the heart and brain,
If thou wouldst have me burn and weep for thee!
If it be true thou livest alone, Amor,
On the sweet-bitter tears of human hearts,
In an old man thou canst not wake desire;
Souls that have almost reached the other shore
Of a diviner love should feel the darts,
And be as tinder to a holier fire.

The Nature Of Love. (From The Italian)

To noble heart Love doth for shelter fly,
As seeks the bird the forest's leafy shade;
Love was not felt till noble heart beat high,
Nor before love the noble heart was made.
Soon as the sun's broad flame
Was formed, so soon the clear light filled the air;
Yet was not till he came:
So love springs up in noble breasts, and there
Has its appointed space,
As heat in the bright flames finds its allotted place.
Kindles in noble heart the fire of love,
As hidden virtue in the precious stone:
This virtue comes not from the stars above,
Till round it the ennobling sun has shone;
But when his powerful blaze
Has drawn forth what was vile, the stars impart
Strange virtue in their rays;
And thus when Nature doth create the heart
Noble and pure and high,
Like virtue from the star, love comes from woman's eye.

Tales Of A Wayside Inn : Part 2. Finale

'Nunc plaudite!' the Student cried,
When he had finished; 'now applaud,
As Roman actors used to say
At the conclusion of a play;?
And rose, and spread his hands abroad,
And smiling bowed from side to side,
As one who bears the palm away.
And generous was the applause and loud,
But less for him than for the sun,

That even as the tale was done
Burst from its canopy of cloud,
And lit the landscape with the blaze
Of afternoon on autumn days,
And filled the room with light, and made
The fire of logs a painted shade.

A sudden wind from out the west
Blew all its trumpets loud and shrill;
The windows rattled with the blast,
The oak-trees shouted as it passed,
And straight, as if by fear possessed,
The cloud encampment on the hill
Broke up, and fluttering flag and tent
Vanished into the firmament,
And down the valley fled amain
The rear of the retreating rain.

Only far up in the blue sky
A mass of clouds, like drifted snow
Suffused with a faint Alpine glow,
Was heaped together, vast and high,
On which a shattered rainbow hung,
Not rising like the ruined arch
Of some aerial aqueduct,
But like a roseate garland plucked
From an Olympian god, and flung
Aside in his triumphal march.

Like prisoners from their dungeon gloom,
Like birds escaping from a snare,
Like school-boys at the hour of play,
All left at once the pent-up room,
And rushed into the open air;
And no more tales were told that day.

Tales Of A Wayside Inn : Part 3. The Spanish Jew's Tale; Azrael

King Solomon, before his palace gate
At evening, on the pavement tessellate
Was walking with a stranger from the East,
Arrayed in rich attire as for a feast,
The mighty Runjeet-Sing, a learned man,
And Rajah of the realms of Hindostan.
And as they walked the guest became aware
Of a white figure in the twilight air,
Gazing intent, as one who with surprise
His form and features seemed to recognize;
And in a whisper to the king he said:
'What is yon shape, that, pallid as the dead,
Is watching me, as if he sought to trace_
In the dim light the features of my face?'

The king looked, and replied: 'I know him well;
It is the Angel men call Azrael,
'T is the Death Angel; what hast thou to fear?'
And the guest answered: 'Lest he should come near,
And speak to me, and take away my breath!
Save me from Azrael, save me from death!
O king, that hast dominion o'er the wind,
Bid it arise and bear me hence to Ind.'

The king gazed upward at the cloudless sky,
Whispered a word, and raised his hand on high,
And lo! the signet-ring of chrysoprase
On his uplifted finger seemed to blaze
With hidden fire, and rushing from the west
There came a mighty wind, and seized the guest
And lifted him from earth, and on they passed,
His shining garments streaming in the blast,
A silken banner o'er the walls upreared,
A purple cloud, that gleamed and disappeared.
Then said the Angel, smiling: 'If this man
Be Rajah Runjeet-Sing of Hindostan,
Thou hast done well in listening to his prayer;
I was upon my way to seek him there.'

By The Seaside : The Fire Of Driftwood

We sat within the farm-house old,
Whose windows, looking o'er the bay,
Gave to the sea-breeze damp and cold,
An easy entrance, night and day.

Not far away we saw the port,
The strange, old-fashioned, silent town,
The lighthouse, the dismantled fort,
The wooden houses, quaint and brown.

We sat and talked until the night,
Descending, filled the little room;
Our faces faded from the sight,
Our voices only broke the gloom.

We spake of many a vanished scene,
Of what we once had thought and said,
Of what had been, and might have been,
And who was changed, and who was dead;

And all that fills the hearts of friends,
When first they feel, with secret pain,
Their lives thenceforth have separate ends,
And never can be one again;

The first slight swerving of the heart,
That words are powerless to express,
And leave it still unsaid in part,
Or say it in too great excess.

The very tones in which we spake
Had something strange, I could but mark;
The leaves of memory seemed to make
A mournful rustling in the dark.

Oft died the words upon our lips,
As suddenly, from out the fire
Built of the wreck of stranded ships,
The flames would leap and then expire.

And, as their splendor flashed and failed,
We thought of wrecks upon the main,
Of ships dismasted, that were hailed
And sent no answer back again.

The windows, rattling in their frames,
The ocean, roaring up the beach,
The gusty blast, the bickering flames,
All mingled vaguely in our speech;

Until they made themselves a part
Of fancies floating through the brain,
The long-lost ventures of the heart,
That send no answers back again.

O flames that glowed! O hearts that yearned!
They were indeed too much akin,
The drift-wood fire without that burned,
The thoughts that burned and glowed within.

The Fire Of Drift-Wood

DEVEREUX FARM, NEAR MARBLEHEAD.
We sat within the farm-house old,
Whose windows, looking o'er the bay,
Gave to the sea-breeze damp and cold,
An easy entrance, night and day.
Not far away we saw the port,
The strange, old-fashioned, silent town,
The lighthouse, the dismantled fort,
The wooden houses, quaint and brown.
We sat and talked until the night,
Descending, filled the little room;

Our faces faded from the sight,
Our voices only broke the gloom.

We spake of many a vanished scene,
Of what we once had thought and said,
Of what had been, and might have been,
And who was changed, and who was dead;

And all that fills the hearts of friends,
When first they feel, with secret pain,
Their lives thenceforth have separate ends,
And never can be one again;

The first slight swerving of the heart,
That words are powerless to express,
And leave it still unsaid in part,
Or say it in too great excess.

The very tones in which we spake
Had something strange, I could but mark;
The leaves of memory seemed to make
A mournful rustling in the dark.

Oft died the words upon our lips,
As suddenly, from out the fire
Built of the wreck of stranded ships,
The flames would leap and then expire.

And, as their splendor flashed and failed,
We thought of wrecks upon the main,
Of ships dismasted, that were hailed
And sent no answer back again.

The windows, rattling in their frames,
The ocean, roaring up the beach,
The gusty blast, the bickering flames,
All mingled vaguely in our speech;

Until they made themselves a part
Of fancies floating through the brain,
The long-lost ventures of the heart,
That send no answers back again.

O flames that glowed! O hearts that yearned!
They were indeed too much akin,
The drift-wood fire without that burned,
The thoughts that burned and glowed within.

Flower-De-Luce: The Wind Over The Chimney

See, the fire is sinking low,
Dusky red the embers glow,
While above them still I cower,
While a moment more I linger,
Though the clock, with lifted finger,
Points beyond the midnight hour.

Sings the blackened log a tune
Learned in some forgotten June
From a school-boy at his play,
When they both were young together,
Heart of youth and summer weather
Making all their holiday.

And the night-wind rising, hark!
How above there in the dark,
In the midnight and the snow,
Ever wilder, fiercer, grander,
Like the trumpets of Iskander,
All the noisy chimneys blow!

Every quivering tongue of flame
Seems to murmur some great name,
Seems to say to me, 'Aspire!'
But the night-wind answers, 'Hollow
Are the visions that you follow,
Into darkness sinks your fire!'

Then the flicker of the blaze
Gleams on volumes of old days,
Written by masters of the art,
Loud through whose majestic pages
Rolls the melody of ages,
Throb the harp-strings of the heart.

And again the tongues of flame
Start exulting and exclaim:
'These are prophets, bards, and seers;
In the horoscope of nations,
Like ascendant constellations,
They control the coming years.'

But the night-wind cries: 'Despair!
Those who walk with feet of air
Leave no long-enduring marks;
At God's forges incandescent
Mighty hammers beat incessant,
These are but the flying sparks.

'Dust are all the hands that wrought;
Books are sepulchres of thought;
The dead laurels of the dead
Rustle for a moment only,
Like the withered leaves in lonely
Churchyards at some passing tread.'

Suddenly the flame sinks down;
Sink the rumors of renown;
And alone the night-wind drear
Clamors louder, wilder, vaguer,--
''Tis the brand of Meleager
Dying on the hearth-stone here!'

And I answer,--'Though it be,
Why should that discomfort me?
No endeavor is in vain;
Its reward is in the doing,
And the rapture of pursuing
Is the prize the vanquished gain.'

The Luck Of Edenhall. From The German Of Uhland

Of Edenhall, the youthful Lord
Bids sound the festal trumpet's call.
He rises at the banquet board,
And cries, 'mid the drunken revellers all,
'Now bring me the Luck of Edenhall!'

The butler hears the words with pain,
The house's oldest seneschal,
Takes slow from its silken cloth again
The drinking glass of crystal tall;
They call it The Luck of Edenhall.

Then said the Lord, 'This glass to praise,
Fill with red wine from Portugal!'
The graybeard with trembling hand obeys;
A purple light shines over all,
It beams from the Luck of Edenhall.

Then speaks the Lord, and waves it light:
'This glass of flashing crystal tall
Gave to my sires the Fountain-Sprite;
She wrote in it,
If this glass doth fall,
Farewell then, O Luck of Edenhall!


''Twas right a goblet the Fate should be
Of the joyous race of Edenhall!
Deep draughts drink we right willingly:
And willingly ring, with merry call,
Kling! klang! to the Luck of Edenhall!'

First rings it deep, and full, and mild,
Like to the song of a nightingale
Then like the roar of a torrent wild;
Then mutters at last like the thunder's fall,
The glorious Luck of Edenhall.

'For its keeper takes a race of might,
The fragile goblet of crystal tall;
It has lasted longer than is right;
King! klang!--with a harder blow than all
Will I try the Luck of Edenhall!'

As the goblet ringing flies apart,
Suddenly cracks the vaulted hall;
And through the rift, the wild flames start;
The guests in dust are scattered all,
With the breaking Luck of Edenhall!

In storms the foe, with fire and sword;
He in the night had scaled the wall,
Slain by the sword lies the youthful Lord,
But holds in his hand the crystal tall,
The shattered Luck of Edenhall.

On the morrow the butler gropes alone,
The graybeard in the desert hall,
He seeks his Lord's burnt skeleton,
He seeks in the dismal ruin's fall
The shards of the Luck of Edenhall.

'The stone wall,' saith he, 'doth fall aside,
Down must the stately columns fall;
Glass is this earth's Luck and Pride;
In atoms shall fall this earthly ball
One day like the Luck of Edenhall!'

Tales Of A Wayside Inn : Part 3. Finale

These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.

These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.

And still, reluctant to retire,
The friends sat talking by the fire
And watched the smouldering embers burn
To ashes, and flash up again
Into a momentary glow,
Lingering like them when forced to go,
And going when they would remain;
For on the morrow they must turn
Their faces homeward, and the pain
Of parting touched with its unrest
A tender nerve in every breast.

But sleep at last the victory won;
They must be stirring with the sun,
And drowsily good night they said,
And went still gossiping to bed,
And left the parlor wrapped in gloom,
The only live thing in the room
Was the old clock, that in its pace
Kept time with the revolving spheres
And constellations in their flight,
And struck with its uplifted mace
The dark, unconscious hours of night,
To senseless and unlistening ears.

Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: ?Farewell forevermore.?

?Farewell!? the portly Landlord cried;
?Farewell!? the parting guests replied,
But little thought that nevermore
Their feet would pass that thershold o?er;
That nevermore together there
Would they assemble, free from care,
To hear the oaks? mysterious roar,
And breathe the wholesome country air.

Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.

By The Seaside : The Lighthouse

The rocky ledge runs far into the sea,
And on its outer point, some miles away,
The Lighthouse lifts its massive masonry,
A pillar of fire by night, of cloud by day.

Even at this distance I can see the tides,
Upheaving, break unheard along its base,
A speechless wrath, that rises and subsides
In the white lip and tremor of the face.

And as the evening darkens, lo! how bright,
Through the deep purple of the twilight air,
Beams forth the sudden radiance of its light
With strange, unearthly splendor in the glare!

Not one alone; from each projecting cape
And perilous reef along the ocean's verge,
Starts into life a dim, gigantic shape,
Holding its lantern o'er the restless surge.

Like the great giant Christopher it stands
Upon the brink of the tempestuous wave,
Wading far out among the rocks and sands,
The night-o'ertaken mariner to save.

And the great ships sail outward and return,
Bending and bowing o'er the billowy swells,
And ever joyful, as they see it burn,
They wave their silent welcomes and farewells.

They come forth from the darkness, and their sails
Gleam for a moment only in the blaze,
And eager faces, as the light unveils,
Gaze at the tower, and vanish while they gaze.

The mariner remembers when a child,
On his first voyage, he saw it fade and sink;
And when, returning from adventures wild,
He saw it rise again o'er ocean's brink.

Steadfast, serene, immovable, the same
Year after year, through all the silent night
Burns on forevermore that quenchless flame,
Shines on that inextinguishable light!

It sees the ocean to its bosom clasp
The rocks and sea-sand with the kiss of peace;
It sees the wild winds lift it in their grasp,
And hold it up, and shake it like a fleece.

The startled waves leap over it; the storm
Smites it with all the scourges of the rain,
And steadily against its solid form
Press the great shoulders of the hurricane.

The sea-bird wheeling round it, with the din
Of wings and winds and solitary cries,
Blinded and maddened by the light within,
Dashes himself against the glare, and dies.

A new Prometheus, chained upon the rock,
Still grasping in his hand the fire of Jove,
It does not hear the cry, nor heed the shock,
But hails the mariner with words of love.

'Sail on!' it says, 'sail on, ye stately ships!
And with your floating bridge the ocean span;
Be mine to guard this light from all eclipse,
Be yours to bring man nearer unto man!'

Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga Of King Olaf Ii. -- The King's Return

And King Olaf heard the cry,
Saw the red light in the sky,
Laid his hand upon his sword,
As he leaned upon the railing,
And his ships went sailing, sailing
Northward into Drontheim fiord.

There he stood as one who dreamed;
And the red light glanced and gleamed
On the armor that he wore;
And he shouted, as the rifted
Streamers o'er him shook and shifted,
'I accept thy challenge, Thor!'

To avenge his father slain,
And reconquer realm and reign,
Came the youthful Olaf home,
Through the midnight sailing, sailing,
Listening to the wild wind's wailing,
And the dashing of the foam.

To his thoughts the sacred name
Of his mother Astrid came,
And the tale she oft had told
Of her flight by secret passes
Through the mountains and morasses,
To the home of Hakon old.

Then strange memories crowded back
Of Queen Gunhild's wrath and wrack,
And a hurried flight by sea;
Of grim Vikings, and the rapture
Of the sea-fight, and the capture,
And the life of slavery.

How a stranger watched his face
In the Esthonian market-place,
Scanned his features one by one,
Saying, 'We should know each other;
I am Sigurd, Astrid's brother,
Thou art Olaf, Astrid's son!'

Then as Queen Allogia's page,
Old in honors, young in age,
Chief of all her men-at-arms;
Till vague whispers, and mysterious,
Reached King Valdemar, the imperious,
Filling him with strange alarms.

Then his cruisings o'er the seas,
Westward to the Hebrides,
And to Scilly's rocky shore;
And the hermit's cavern dismal,
Christ's great name and rites baptismal
In the ocean's rush and roar.

All these thoughts of love and strife
Glimmered through his lurid life,
As the stars' intenser light
Through the red flames o'er him trailing,
As his ships went sailing, sailing,
Northward in the summer night.

Trained for either camp or court,
Skilful in each manly sport,
Young and beautiful and tall;
Art of warfare, craft of chases,
Swimming, skating, snow-shoe races,
Excellent alike in all.

When at sea, with all his rowers,
He along the bending oars
Outside of his ship could run.
He the Smalsor Horn ascended,
And his shining shield suspended
On its summit, like a sun.

On the ship-rails he could stand,
Wield his sword with either hand,
And at once two javelins throw;
At all feasts where ale was strongest
Sat the merry monarch longest,
First to come and last to go.

Norway never yet had seen
One so beautiful of mien,
One so royal in attire,
When in arms completely furnished,
Harness gold-inlaid and burnished,
Mantle like a flame of fire.

Thus came Olaf to his own,
When upon the night-wind blown
Passed that cry along the shore;
And he answered, while the rifted
Streamers o'er him shook and shifted,
'I accept thy challenge, Thor!'

Three Friends Of Mine

When I remember them, those friends of mine,
Who are no longer here, the noble three,
Who half my life were more than friends to me,
And whose discourse was like a generous wine,
I most of all remember the divine
Something, that shone in them, and made us see
The archetypal man, and what might be
The amplitude of Nature's first design.
In vain I stretch my hands to clasp their hands;
I cannot find them. Nothing now is left
But a majestic memory. They meanwhile
Wander together in Elysian lands,
Perchance remembering me, who am bereft
Of their dear presence, and, remembering, smile.

II.
In Attica thy birthplace should have been,
Or the Ionian Isles, or where the seas
Encircle in their arms the Cyclades,
So wholly Greek wast thou in thy serene
And childlike joy of life, O Philhellene!
Around thee would have swarmed the Attic bees;
Homer had been thy friend, or Socrates,
And Plato welcomed thee to his demesne.
For thee old legends breathed historic breath;
Thou sawest Poseidon in the purple sea,
And in the sunset Jason's fleece of gold!
O, what hadst thou to do with cruel Death,
Who wast so full of life, or Death with thee,
That thou shouldst die before thou hadst grown old!

III.
I stand again on the familiar shore,
And hear the waves of the distracted sea
Piteously calling and lamenting thee,
And waiting restless at thy cottage door.
The rocks, the sea-weed on the ocean floor,
The willows in the meadow, and the free
Wild winds of the Atlantic welcome me;
Then why shouldst thou be dead, and come no more?
Ah, why shouldst thou be dead, when common men
Are busy with their trivial affairs,
Having and holding? Why, when thou hadst read
Nature's mysterious manuscript, and then
Wast ready to reveal the truth it bears,
Why art thou silent! Why shouldst thou be dead?

IV.
River, that stealest with such silent pace
Around the City of the Dead, where lies
A friend who bore thy name, and whom these eyes
Shall see no more in his accustomed place,
Linger and fold him in thy soft embrace
And say good night, for now the western skies
Are red with sunset, and gray mists arise
Like damps that gather on a dead man's face.
Good night! good night! as we so oft have said
Beneath this roof at midnight in the days
That are no more, and shall no more return.
Thou hast but taken thy lamp and gone to bed;
I stay a little longer, as one stays
To cover up the embers that still burn.

V.
The doors are all wide open; at the gate
The blossomed lilacs counterfeit a blaze,
And seem to warm the air; a dreamy haze
Hangs o'er the Brighton meadows like a fate,
And on their margin, with sea-tides elate,
The flooded Charles, as in the happier days,
Writes the last letter of his name, and stays
His restless steps, as if compelled to wait.
I also wait; but they will come no more,
Those friends of mine, whose presence satisfied
The thirst and hunger of my heart. Ah me!
They have forgotten the pathway to my door!
Something is gone from nature since they died,
And summer is not summer, nor can be.

Monte Cassino. Terra Di Lavoro. (Birds Of Passage. Flight The Fourth)

Beautiful valley! through whose verdant meads
Unheard the Garigliano glides along;--
The Liris, nurse of rushes and of reeds,
The river taciturn of classic song.

The Land of Labor and the Land of Rest,
Where mediaeval towns are white on all
The hillsides, and where every mountain's crest
Is an Etrurian or a Roman wall.

There is Alagna, where Pope Boniface
Was dragged with contumely from his throne;
Sciarra Colonna, was that day's disgrace
The Pontiff's only, or in part thine own?

There is Ceprano, where a renegade
Was each Apulian, as great Dante saith,
When Manfred by his men-at-arms betrayed
Spurred on to Benevento and to death.

There is Aquinum, the old Volscian town,
Where Juvenal was born, whose lurid light
Still hovers o'er his birthplace like the crown
Of splendor seen o'er cities in the night.

Doubled the splendor is, that in its streets
The Angelic Doctor as a school-boy played,
And dreamed perhaps the dreams, that he repeats
In ponderous folios for scholastics made.

And there, uplifted, like a passing cloud
That pauses on a mountain summit high,
Monte Cassino's convent rears its proud
And venerable walls against the sky.

Well I remember how on foot I climbed
The stony pathway leading to its gate;
Above, the convent bells for vespers chimed,
Below, the darkening town grew desolate.

Well I remember the low arch and dark,
The courtyard with its well, the terrace wide,
From which, far down, the valley like a park,
Veiled in the evening mists, was dim descried.

The day was dying, and with feeble hands
Caressed the mountain-tops; the vales between
Darkened; the river in the meadow-lands
Sheathed itself as a sword, and was not seen.

The silence of the place was like a sleep,
So full of rest it seemed; each passing tread
Was a reverberation from the deep
Recesses of the ages that are dead.

For, more than thirteen centuries ago,
Benedict fleeing from the gates of Rome,
A youth disgusted with its vice and woe,
Sought in these mountain solitudes a home.

He founded here his Convent and his Rule
Of prayer and work, and counted work as prayer;
The pen became a clarion, and his school
Flamed like a beacon in the midnight air.

What though Boccaccio, in his reckless way,
Mocking the lazy brotherhood, deplores
The illuminated manuscripts, that lay
Torn and neglected on the dusty floors?

Boccaccio was a novelist, a child
Of fancy and of fiction at the best!
This the urbane librarian said, and smiled
Incredulous, as at some idle jest.

Upon such themes as these, with one young friar
I sat conversing late into the night,
Till in its cavernous chimney the wood-fire
Had burnt its heart out like an anchorite.

And then translated, in my convent cell,
Myself yet not myself, in dreams I lay,
And, as a monk who hears the matin bell,
Started from sleep;-- already it was day.

From the high window I beheld the scene
On which Saint Benedict so oft had gazed,--
The mountains and the valley in the sheen
Of the bright sun,--and stood as one amazed.

Gray mists were rolling, rising, vanishing;
The woodlands glistened with their jewelled crowns;
Far off the mellow bells began to ring
For matins in the half-awakened towns.

The conflict of the Present and the Past,
The ideal and the actual in our life,
As on a field of battle held me fast,
Where this world and the next world were at strife.

For, as the valley from its sleep awoke,
I saw the iron horses of the steam
Toss to the morning air their plumes of smoke,
And woke, as one awaketh from a dream.

Tales Of A Wayside Inn : Part 3. The Spanish Jew's Second Tale; Scanderbeg

The battle is fought and won
By King Ladislaus, the Hun,
In fire of hell and death's frost,
On the day of Pentecost.
And in rout before his path
From the field of battle red
Flee all that are not dead
Of the army of Amurath.

In the darkness of the night
Iskander, the pride and boast
Of that mighty Othman host,
With his routed Turks, takes flight
From the battle fought and lost
On the day of Pentecost;
Leaving behind him dead
The army of Amurath,
The vanguard as it led,
The rearguard as it fled,
Mown down in the bloody swath
Of the battle's aftermath.

But he cared not for Hospodars,
Nor for Baron or Voivode,
As on through the night he rode
And gazed at the fateful stars,
That were shining overhead;
But smote his steed with his staff,
And smiled to himself, and said;
'This is the time to laugh.'

In the middle of the night,
In a halt of the hurrying flight,
There came a Scribe of the King
Wearing his signet ring,
And said in a voice severe:
'This is the first dark blot
On thy name, George Castriot!
Alas! why art thou here,
And the army of Amurath slain,
And left on the battle plain?'

And Iskander answered and said:
'They lie on the bloody sod
By the hoofs of horses trod;
But this was the decree
Of the watchers overhead;
For the war belongeth to God,
And in battle who are we,
Who are we, that shall withstand
The wind of his lifted hand?'

Then he bade them bind with chains
This man of books and brains;
And the Scribe said: 'What misdeed
Have I done, that, without need,
Thou doest to me this thing?'
And Iskander answering
Said unto him: 'Not one
Misdeed to me hast thou done;
But for fear that thou shouldst run
And hide thyself from me,
Have I done this unto thee.

'Now write me a writing, O Scribe,
And a blessing be on thy tribe!
A writing sealed with thy ring,
To King Amurath's Pasha
In the city of Croia,
The city moated and walled,
That he surrender the same
In the name of my master, the King;
For what is writ in his name
Can never be recalled.'

And the Scribe bowed low in dread,
And unto Iskander said:
'Allah is great and just,
But we are as ashes and dust;
How shall I do this thing,
When I know that my guilty head
Will be forfeit to the King?'

Then swift as a shooting star
The curved and shining blade
Of Iskander's scimetar
From its sheath, with jewels bright,
Shot, as he thundered: 'Write!'
And the trembling Scribe obeyed,
And wrote in the fitful glare
Of the bivouac fire apart,
With the chill of the midnight air
On his forehead white and bare,
And the chill of death in his heart.

Then again Iskander cried:
'Now follow whither I ride,
For here thou must not stay.
Thou shalt be as my dearest friend,
And honors without end
Shall surround thee on every side,
And attend thee night and day.'
But the sullen Scribe replied
'Our pathways here divide;
Mine leadeth not thy way.'

And even as he spoke
Fell a sudden scimetar-stroke,
When no one else was near;
And the Scribe sank to the ground,
As a stone, pushed from the brink
Of a black pool, might sink
With a sob and disappear;
And no one saw the deed;
And in the stillness around
No sound was heard but the sound
Of the hoofs of Iskander's steed,
As forward he sprang with a bound.

Then onward he rode and afar,
With scarce three hundred men,
Through river and forest and fen,
O'er the mountains of Argentar;
And his heart was merry within,
When he crossed the river Drin,
And saw in the gleam of the morn
The White Castle Ak-Hissar,
The city Croia called,
The city moated and walled,
The city where he was born,--
And above it the morning star.

Then his trumpeters in the van
On their silver bugles blew,
And in crowds about him ran
Albanian and Turkoman,
That the sound together drew.
And he feasted with his friends,
And when they were warm with wine,
He said: 'O friends of mine,
Behold what fortune sends,
And what the fates design!
King Amurath commands
That my father's wide domain,
This city and all its lands,
Shall be given to me again.'

Then to the Castle White
He rode in regal state,
And entered in at the gate
In all his arms bedight,
And gave to the Pasha
Who ruled in Croia
The writing of the King,
Sealed with his signet ring.
And the Pasha bowed his head,
And after a silence said:
'Allah is just and great!
I yield to the will divine,
The city and lands are thine;
Who shall contend with fate?'

Anon from the castle walls
The crescent banner falls,
And the crowd beholds instead,
Like a portent in the sky,
Iskander's banner fly,
The Black Eagle with double head;
And a shout ascends on high,
For men's souls are tired of the Turks,
And their wicked ways and works,
That have made of Ak-Hissar
A city of the plague;
And the loud, exultant cry
That echoes wide and far
Is: 'Long live Scanderbeg!'

It was thus Iskander came
Once more unto his own;
And the tidings, like the flame
Of a conflagration blown
By the winds of summer, ran,
Till the land was in a blaze,
And the cities far and near,
Sayeth Ben Joshua Ben Meir,
In his Book of the Words of the Days,
'Were taken as a man
Would take the tip of his ear.'

The Hanging Of The Crane

The lights are out, and gone are all the guests
That thronging came with merriment and jests
To celebrate the Hanging of the Crane
In the new house,--into the night are gone;
But still the fire upon the hearth burns on,
And I alone remain.

O fortunate, O happy day,
When a new household finds its place
Among the myriad homes of earth,
Like a new star just sprung to birth,
And rolled on its harmonious way
Into the boundless realms of space!

So said the guests in speech and song,
As in the chimney, burning bright,
We hung the iron crane to-night,
And merry was the feast and long.

II.

And now I sit and muse on what may be,
And in my vision see, or seem to see,
Through floating vapors interfused with light,
Shapes indeterminate, that gleam and fade,
As shadows passing into deeper shade
Sink and elude the sight.

For two alone, there in the hall,
As spread the table round and small;
Upon the polished silver shine
The evening lamps, but, more divine,
The light of love shines over all;
Of love, that says not mine and thine,
But ours, for ours is thine and mine.

They want no guests, to come between
Their tender glances like a screen,
And tell them tales of land and sea,
And whatsoever may betide
The great, forgotten world outside;
They want no guests; they needs must be
Each other's own best company.

III.

The picture fades; as at a village fair
A showman's views, dissolving into air,
Again appear transfigured on the screen,
So in my fancy this; and now once more,
In part transfigured, through the open door
Appears the selfsame scene.

Seated, I see the two again,
But not alone; they entertain
A little angel unaware,
With face as round as is the moon;
A royal guest with flaxen hair,
Who, throned upon his lofty chair,
Drums on the table with his spoon,
Then drops it careless on the floor,
To grasp at things unseen before.


Are these celestial manners? these
The ways that win, the arts that please?
Ah yes; consider well the guest,
And whatsoe'er he does seems best;
He ruleth by the right divine
Of helplessness, so lately born
In purple chambers of the morn,
As sovereign over thee and thine.
He speaketh not; and yet there lies
A conversation in his eyes;
The golden silence of the Greek,
The gravest wisdom of the wise,
Not spoken in language, but in looks
More legible than printed books,
As if he could but would not speak.
And now, O monarch absolute,
Thy power is put to proof; for, lo!
Resistless, fathomless, and slow,
The nurse comes rustling like the sea,
And pushes back thy chair and thee,
And so good night to King Canute.

IV.

As one who walking in a forest sees
A lovely landscape through the parted frees,
Then sees it not, for boughs that intervene
Or as we see the moon sometimes revealed
Through drifting clouds, and then again concealed,
So I behold the scene.

There are two guests at table now;
The king, deposed and older grown,
No longer occupies the throne,--
The crown is on his sister's brow;
A Princess from the Fairy Isles,
The very pattern girl of girls.
All covered and embowered in curls,
Rose-tinted from the Isle of Flowers,
And sailing with soft, silken sails
From far-off Dreamland into ours.
Above their bowls with rims of blue
Four azure eyes of deeper hue
Are looking, dreamy with delight;
Limpid as planets that emerge
Above the ocean's rounded verge,
Soft-shining through the summer night.
Steadfast they gaze, yet nothing see
Beyond the horizon of their bowls;
Nor care they for the world that rolls
With all its freight of troubled souls
Into the days that are to be.

V.

Again the tossing boughs shut out the scene,
Again the drifting vapors intervene,
And the moon's pallid disk is hidden quite;
And now I see the table wider grown,
As round a pebble into water thrown
Dilates a ring of light.

I see the table wider grown,
I see it garlanded with guests,
As if fair Ariadne's Crown
Out of the sky had fallen down;
Maidens within whose tender breasts
A thousand restless hopes and fears,
Forth reaching to the coming years,
Flutter awhile, then quiet lie
Like timid birds that fain would fly,
But do not dare to leave their nests;--
And youths, who in their strength elate
Challenge the van and front of fate,
Eager as champions to be
In the divine knight-errantry
Of youth, that travels sea and land
Seeking adventures, or pursues,
Through cities, and through solitudes
Frequented by the lyric Muse,
The phantom with the beckoning hand,
That still allures and still eludes.
O sweet illusions of the brain!
O sudden thrills of fire and frost!
The world is bright while ye remain,
And dark and dead when ye are lost!

VI.

The meadow-brook, that seemeth to stand still,
Quickens its current as it nears the mill;
And so the stream of Time that lingereth
In level places, and so dull appears,
Runs with a swifter current as it nears
The gloomy mills of Death.

And now, like the magician's scroll,
That in the owner's keeping shrinks
With every wish he speaks or thinks,
Till the last wish consumes the whole,
The table dwindles, and again
I see the two alone remain.
The crown of stars is broken in parts;
Its jewels, brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
One is a wanderer now afar
In Ceylon or in Zanzibar,
Or sunny regions of Cathay;
And one is in the boisterous camp
Mid clink of arms and horses' tramp,
And battle's terrible array.
I see the patient mother read,
With aching heart, of wrecks that float
Disabled on those seas remote,
Or of some great heroic deed
On battle-fie1ds where thousands bleed
To lift one hero into fame.
Anxious she bends her graceful head
Above these chronicles of pain,
And trembles with a secret dread
Lest there among the drowned or slain
She find the one beloved name.

VII.

After a day of cloud and wind and rain
Sometimes the setting sun breaks out again,
And touching all the darksome woods with light,
Smiles on the fields, until they laugh and sing,
Then like a ruby from the horizon's ring
Drops down into the night.

What see I now? The night is fair,
The storm of grief, the clouds of care,
The wind, the rain, have passed away;
The lamps are lit, the fires burn bright,
The house is full of life and light:
It is the Golden Wedding day.
The guests come thronging in once more,
Quick footsteps sound along the floor,
The trooping children crowd the stair,
And in and out and everywhere
Flashes along the corridor
The sunshine of their golden hair.
On the round table in the hall
Another Ariadne's Crown
Out of the sky hath fallen down;
More than one Monarch of the Moon
Is drumming with his silver spoon;
The light of love shines over all.

O fortunate, O happy day!
The people sing, the people say.
The ancient bridegroom and the bride,
Smiling contented and serene
Upon the blithe, bewildering scene,
Behold, well pleased, on every side
Their forms and features multiplied,
As the reflection of a light
Between two burnished mirrors gleams,
Or lamps upon a bridge at night
Stretch on and on before the sight,
Till the long vista endless seems.

Ovid In Exile, At Tomis, In Bessarabia, Near The Mouths Of The Danube

(Tristia, Book III. Elegy X.)

Should any one there in Rome remember Ovid the exile,
And, without me, my name still in the city survive;

Tell him that under stars which never set in the ocean
I am existing still, here in a barbarous land.

Fierce Sarmatians encompass me round, and the Bessi and Getae;
Names how unworthy to be sung by a genius like mine!

Yet when the air is warm, intervening Ister defends us:
He, as he flows, repels inroads of war with his waves.

But when the dismal winter reveals its hideous aspect,
When all the earth becomes white with a marble-like frost;

And when Boreas is loosed, and the snow hurled under Arcturus,
Then these nations, in sooth, shudder and shiver with cold.

Deep lies the snow, and neither the sun nor the rain can dissolve
it;
Boreas hardens it still, makes it forever remain.

Hence, ere the first ha-s melted away, another succeeds it,
And two years it is wont, in many places, to lie.

And so great is the power of the Northwind awakened, it levels
Lofty towers with the ground, roofs uplifted bears off.

Wrapped in skins, and with trousers sewed, they contend with the
weather,
And their faces alone of the whole body are seen.

Often their tresses, when shaken, with pendent icicles tinkle,
And their whitened beards shine with the gathering frost.

Wines consolidate stand, preserving the form of the vessels;
No more draughts of wine,--pieces presented they drink.

Why should I tell you how all the rivers are frozen and solid,
And from out of the lake frangible water is dug?

Ister,--no narrower stream than the river that bears the
papyrus,--
Which through its many mouths mingles its waves with the deep;

Ister, with hardening winds, congeals its cerulean waters,
Under a roof of ice, winding its way to the sea.

There where ships have sailed, men go on foot; and the billows,
Solid made by the frost, hoof-beats of horses indent.

Over unwonted bridges, with water gliding beneath them,
The Sarmatian steers drag their barbarian carts.

Scarcely shall I be believed; yet when naught is gained by a
falsehood,
Absolute credence then should to a witness be given.

I have beheld the vast Black Sea of ice all compacted,
And a slippery crust pressing its motionless tides.

'Tis not enough to have seen, I have trodden this indurate
ocean;
Dry shod passed my foot over its uppermost wave.

If thou hadst had of old such a sea as this is, Leander!
Then thy death had not been charged as a crime to the Strait.

Nor can the curved dolphins uplift themselves from the water;
All their struggles to rise merciless winter prevents;

And though Boreas sound with roar of wings in commotion,
In the blockaded gulf never a wave will there be;

And the ships will stand hemmed in by the frost, as in marble,
Nor will the oar have power through the stiff waters to cleave.

Fast-bound in the ice have I seen the fishes adhering,
Yet notwithstanding this some of them still were alive.

Hence, if the savage strength of omnipotent Boreas freezes
Whether the salt-sea wave, whether the refluent stream,--

Straightway,--the Ister made level by arid blasts of the North-wind,--
Comes the barbaric foe borne on his swift-footed steed;

Foe, that powerful made by his steed and his far-flying arrows,
All the neighboring land void of inhabitants makes.

Some take flight, and none being left to defend their possessions,
Unprotected, their goods pillage and plunder become;

Cattle and creaking carts, the little wealth of the country,
And what riches beside indigent peasants possess.

Some as captives are driven along, their hands bound behind them,
Looking backward in vain toward their Lares and lands.

Others, transfixed with barbed arrows, in agony perish,
For the swift arrow-heads all have in poison been dipped.

What they cannot carry or lead away they demolish,
And the hostile flames burn up the innocent cots.

Even when there is peace, the fear of war is impending;
None, with the ploughshare pressed, furrows the soil any more.

Either this region sees, or fears a foe that it sees not,
And the sluggish land slumbers in utter neglect.

No sweet grape lies hidden here in the shade of its vine-leaves,
No fermenting must fills and o'erflows the deep vats.

Apples the region denies; nor would Acontius have found here
Aught upon which to write words for his mistress to read.

Naked and barren plains without leaves or trees we behold here,--
Places, alas! unto which no happy man would repair.

Since then this mighty orb lies open so wide upon all sides,
Has this region been found only my prison to be?


(Tristia, Book III. Elegy XII.)

Now the zephyrs diminish the cold, and the year being ended,
Winter Maeotian seems longer than ever before;

And the Ram that bore unsafely the burden of Helle,
Now makes the hours of the day equal with those of the night.

Now the boys and the laughing girls the violet gather,
Which the fields bring forth, nobody sowing the seed.

Now the meadows are blooming with flowers of various colors,
And with untaught throats carol the garrulous birds.

Now the swallow, to shun the crime of her merciless mother,
Under the rafters builds cradles and dear little homes;

And the blade that lay hid, covered up in the furrows of Ceres,
Now from the tepid ground raises its delicate head.

Where there is ever a vine, the bud shoots forth from the tendrils,
But from the Getic shore distant afar is the vine!

Where there is ever a tree, on the tree the branches are swelling,
But from the Getic land distant afar is the tree!

Now it is holiday there in Rome, and to games in due order
Give place the windy wars of the vociferous bar.

Now they are riding the horses; with light arms now they are playing,
Now with the ball, and now round rolls the swift-flying hoop:

Now, when the young athlete with flowing oil is anointed,
He in the Virgin's Fount bathes, over-wearied, his limbs.

Thrives the stage; and applause, with voices at variance, thunders,
And the Theatres three for the three Forums resound.

Four times happy is he, and times without number is happy,
Who the city of Rome, uninterdicted, enjoys.

But all I see is the snow in the vernal sunshine dissolving,
And the waters no more delved from the indurate lake.

Nor is the sea now frozen, nor as before o'er the Ister
Comes the Sarmatian boor driving his stridulous cart.

Hitherward, nevertheless, some keels already are steering,
And on this Pontic shore alien vessels will be.

Eagerly shall I run to the sailor, and, having saluted,
Who he may be, I shall ask; wherefore and whence he hath come.

Strange indeed will it be, if he come not from regions adjacent,
And incautious unless ploughing the neighboring sea.

Rarely a mariner over the deep from Italy passes,
Rarely he comes to these shores, wholly of harbors devoid.

Whether he knoweth Greek, or whether in Latin he speaketh,
Surely on this account he the more welcome will be.

Also perchance from the mouth of the Strait and the waters Propontic,
Unto the steady South-wind, some one is spreading his sails.

Whosoever he is, the news he can faithfully tell me,
Which may become a part and an approach to the truth.

He, I pray, may he able to tell me the triumphs of Caesar,
Which he has heard of, and vows paid to the Latian Jove;

And that thy sorrowful head, Germania, thou, the rebellious,
Under the feet, at last, of the Great Captain hast laid.

Whoso shall tell me these things, that not to have seen will afflict me,
Forthwith unto my house welcomed as guest shall he be.

Woe is me! Is the house of Ovid in Scythian lands now?
And doth punishment now give me its place for a home?

Grant, ye gods, that Caesar make this not my house and my homestead,
But decree it to be only the inn of my pain.

Evangeline: Part The First. V.

FOUR times the sun had risen and set; and now on the fifth day
Cheerily called the cock to the sleeping maids of the farm-house.
Soon o'er the yellow fields, in silent and mournful procession,
Came from the neighboring hamlets and farms the Acadian women,
Driving in ponderous wains their household goods to the sea-shore,
Pausing and looking back to gaze once more on their dwellings,
Ere they were shut from sight by the winding road and the woodland.
Close at their sides their children ran, and urged on the oxen,
While in their little hands they clasped some fragments of playthings.

Thus to the Gaspereau's mouth they hurried; and there on the sea-beach
Piled in confusion lay the household goods of the peasants.
All day long between theshore and the ships did the boats ply;
All day long the wains came laboring down from the village.
Late in the afternoon, when the sun was near to his setting,
Echoed far o'er the fields came the roll of drums from the churchyard.
Thither the women and children thronged. On a sudden the church-doors
Opened, and forth came the guard, and marching in gloomy procession
Followed the long-imprisoned, but patient, Acadian farmers.
Even as pilgrims, who journey afar from their homes and their country,
Sing as they go, and in singing forget they are weary and wayworn,
So with songs on their lips the Acadian peasants descended
Down from the church to the shore, amid their wives and their daughters.
Foremost the young men came; and, raising together their voices,
Sang they with tremulous lips a chant of the Catholic Missions:-
'Sacred heart of the Saviour! O inexhaustible fountain!
Fill our hearts this day with strength and submission and patience!'
Then the old men, as they marched, and the women that stood by the wayside
Joined in the sacred psalm, and the birds in the sunshine above them
Mingled their notes therewith, like voices of spirits departed.

Half-way down to the shore Evangeline waited in silence,
Not overcome with grief, but strong in the hour of affliction,-
Calmly and sadly she waited, until the procession approached her,
And she beheld the face of Gabriel pale with emotion.
Tears then filled her eyes, and, eagerly running to meet him,
Clasped she his hands, and laid her head on his shoulder and whispered,-
'Gabriel! be of good cheer! for if we love one another,
Nothing, in truth, can harm us, whatever mischances may happen!'
Smiling she spake these words; then suddenly paused, for her father
Saw she slowly advancing. Alas! how changed was his aspect!
Gone was the glow from his cheek, and the fire from his eye, and his footstep
Heavier seemed with the weight of the heavy heart in his bosom.
But with a smile and a sigh, she clasped his neck and embraced him,
Speaking words of endearment where words of comfort availed not.
Thus to the Gaspereau's mouth moved on that mournful procession.

There disorder prevailed, and the tumult and stir of embarking.
Busily plied the freighted boats; and in the confusion
Wives were torn from their husbands, and mothers, too late, saw their children
Left on the land, extending their arms, with wildest entreaties.
So unto separate ships were Basil and Gabriel carried,
While in despair on the shore Evangeline stood with her father.
Half the task was not done when the sun went down, and the twilight
Deepened and darkened around; and in haste the refluent ocean
Fled away from the shore, and left the line of the sand-beach
Covered with waifs of the tide, with kelp and the slippery sea-weed.
Farther back in the midst of the household goods and the wagons,
Like to a gypsy camp, or a leaguer after a battle,
All escape cut off by the sea, and the sentinels near them,
Lay encamped for the night the houseless Acadian farmers.
Back to its nethermost caves retreated the bellowing ocean,
Dragging adown the beach the rattling pebbles, and leaving
Inland and far up the shore the stranded boats of the sailors.
Then, as the night descended, the herds returned from their pastures;
Sweet was the moist still air with the odor of milk from their udders;
Lowing they waited, and long, at the well-known bars of the farm-yard,-
Waited and looked in vain for the voice and the hand of the milkmaid.
Silence reigned in the streets; from the church no Angelus sounded,
Rose no smoke from the roofs, and gleamed no lights from the windows.

But on the shores meanwhile the evening fires had been kindled,
Built of the drift-wood thrown on the sands from wrecks in the tempest.
Round them shapes of gloom and sorrowful faces were gathered,
Voices of women were heard, and of men, and the crying of children.
Onward from fire to fire, as from hearth to hearth in his parish,
Wandered the faithful priest, consoling and blessing and cheering,
Like unto shipwrecked Paul on Melita's desolate sea-shore.
Thus he approached the place where Evangeline sat with her father,
And in the flickering light beheld the face of the old man,
Haggard and hollow and wan, and without either thought or emotion,
E'en as the face of a clock from which the hands have been taken.
Vainly Evangeline strove with words and caresses to cheer him,
Vainly offered him food; yet he moved not, he looked not, he spake not,
But, with a vacant stare, ever gazed at the flickering fire-light.
'Benedicite!' murmured the priest; in tones of compassion.
More he fain would have said, but his heart was full, and his accents
Faltered and paused on his lips, as the feet of a child on a threshold,
Hushed by the scene he beholds, and the awful presence of sorrow.
Silently, therefore, he laid his hand on the head of the maiden,
Raising his eyes full of tears to the silent stars that above them
Moved on their way, unperturbed by the wrongs and sorrows of mortals.
Then sat he down at her side, and they wept together in silence.

Suddenly rose from the south a light, as in autumn the blood-red
Moon climbs the crystal walls of heaven, and o'er the horizon
Titan-like stretches its hundred hands upon mountain and meadow,
Seizing the rocks and the rivers, and piling huge shadows together.
Broader and ever broader it gleamed on the roofs of the village,
Gleamed on the sky and the sea, and the ships that lay in the roadstead.
Columns of shining smoke uprose, and flashes of flame were
Thrust through their folds and withdrawn, like the quivering hands of a martyr.
Then as the wind seized the gleeds and the burning thatch, and, uplifting,
Whirled them aloft through the air, at once from a hundred house-tops
Started the sheeted smoke with flashes of flame intermingled.

These things beheld in dismay the crowd on the shore and on shipboard.
Speechless at first they stood, then cried aloud in their anguish,
'We shall behold no more our homes in the village of Grand-Pré!'
Loud on a sudden the cocks began to crow in the farm-yards,
Thinking the day had dawned; and anon the lowing of cattle
Came on the evening breeze, by the barking of dogs interrupted.
Then rose a sound of dread, such as startles the sleeping encampments
Far in the western prairies or forests that skirt the Nebraska,
When the wild horses affrighted sweep by with the speed of the whirlwind,
Or the loud bellowing herds of buffaloes rush to the river.
Such was the sound that arose on the night, as the herds and the horses
Broke through their folds and fences, and madly rushed o'er the meadows.

Overwhelmed with the sight, yet speechless, the priest and the maiden
Gazed on the scene of terror that reddened and widened before them;
And as they turned at length to speak to their silent companion,
Lo! from his seat he had fallen, and stretched abroad on the sea-shore
Motionless lay his form, from which the soul had departed.
Slowly the priest uplifted the lifeless head, and the maiden
Knelt at her father's side, and wailed aloud in her terror.
Then in a swoon she sank, and lay with her head on his bosom.
Through the long night she lay in deep, oblivious slumber;
And when she woke from the trance, she beheld a multitude near her.
Faces of friends she beheld, that were mournfully gazing upon her,
Pallid, with tearful eyes, and looks of saddest compassion.
Still the blaze of the burning village illumined the landscape,
Reddened the sky overhead, and gleamed on the faces around her,
And like the day of doom it seemed to her wavering senses.
Then a familiar voice she heard, as it said to the people,-
'Let us bury him here by the sea. When a happier season
Brings us again to our homes from the unknown land of our exile,
Then shall his sacred dust be piously laid in the churchyard.'
Such were the words of the priest. And there in haste by the seaside,
Having the glare of the burning village for funeral torches,
But without bell or book, they buried the farmer of Grand-Pré.
And as the voice of the priest repeated the service of sorrow,
Lo! with a mournful sound, like the voice of a vast congregation,
Solemnly answered the sea, and mingled its roar with the dirges.
'Twas the returning tide, that afar from the waste of the ocean,
With the first dawn of the day, came heaving and hurrying landward.
Then recommenced once more the stir and noise of embarking;
And with the ebb of the tide the ships sailed out of the harbor,
Leaving behind them the dead on the shore, and the village in ruins.

Tales Of A Wayside Inn : Part 1. The Theologian's Tale; Torquemada

In the heroic days when Ferdinand
And Isabella ruled the Spanish land,
And Torquemada, with his subtle brain,
Ruled them, as Grand Inquisitor of Spain,
In a great castle near Valladolid,
Moated and high and by fair woodlands hid,
There dwelt, as from the chronicles we learn,
An old Hidalgo proud and taciturn,
Whose name has perished, with his towers of stone,
And all his actions save this one alone;
This one, so terrible, perhaps 't were best
If it, too, were forgotten with the rest;
Unless, perchance, our eyes can see therein
The martyrdom triumphant o'er the sin;
A double picture, with its gloom and glow,
The splendor overhead, the death below.

This sombre man counted each day as lost
On which his feet no sacred threshold crossed;
And when he chanced the passing Host to meet,
He knelt and prayed devoutly in the street;
Oft he confessed; and with each mutinous thought,
As with wild beasts at Ephesus, he fought.
In deep contrition scourged himself in Lent,
Walked in processions, with his head down bent,
At plays of Corpus Christi oft was seen,
And on Palm Sunday bore his bough of green.
His sole diversion was to hunt the boar
Through tangled thickets of the forest hoar,
Or with his jingling mules to hurry down
To some grand bull-fight in the neighboring town,
Or in the crowd with lighted taper stand,
When Jews were burned, or banished from the land.
Then stirred within him a tumultuous joy;
The demon whose delight is to destroy
Shook him, and shouted with a trumpet tone,
Kill! kill! and let the Lord find out his own!'

And now, in that old castle in the wood,
His daughters, in the dawn of womanhood,
Returning from their convent school, had made
Resplendent with their bloom the forest shade,
Reminding him of their dead mother's face,
When first she came into that gloomy place,--
A memory in his heart as dim and sweet
As moonlight in a solitary street,
Where the same rays, that lift the sea, are thrown
Lovely but powerless upon walls of stone.
These two fair daughters of a mother dead
Were all the dream had left him as it fled.
A joy at first, and then a growing care,
As if a voice within him cried, 'Beware!?
A vague presentiment of impending doom,
Like ghostly footsteps in a vacant room,
Haunted him day and night; a formless fear
That death to some one of his house was near,
With dark surmises of a hidden crime,
Made life itself a death before its time.
Jealous, suspicious, with no sense of shame,
A spy upon his daughters he became;
With velvet slippers, noiseless on the floors,
He glided softly through half-open doors;
Now in the room, and now upon the stair,
He stood beside them ere they were aware;
He listened in the passage when they talked,
He watched them from the casement when they walked,
He saw the gypsy haunt the river's side,
He saw the monk among the cork-trees glide;
And, tortured by the mystery and the doubt
Of some dark secret, past his finding out,
Baffled he paused; then reassured again
Pursued the flying phantom of his brain.
He watched them even when they knelt in church;
And then, descending lower in his search,
Questioned the servants, and with eager eyes
Listened incredulous to their replies;
The gypsy? none had seen her in the wood!
The monk? a mendicant in search of food!

At length the awful revelation came,
Crushing at once his pride of birth and name;
The hopes his yearning bosom forward cast,
And the ancestral glories of the past,
All fell together, crumbling in disgrace,
A turret rent from battlement to base.
His daughters talking in the dead of night
In their own chamber, and without a light,
Listening, as he was wont, he overheard,
And learned the dreadful secret, word by word;
And hurrying from his castle, with a cry
He raised his hands to the unpitying sky,
Repeating one dread word, till bush and tree
Caught it, and shuddering answered, 'Heresy!'

Wrapped in his cloak, his hat drawn o'er his face,
Now hurrying forward, now with lingering pace,
He walked all night the alleys of his park,
With one unseen companion in the dark,
The demon who within him lay in wait,
And by his presence turned his love to hate,
Forever muttering in an undertone,
'Kill! kill! and let the Lord find out his own!'

Upon the morrow, after early Mass,
While yet the dew was glistening on the grass,
And all the woods were musical with birds,
The old Hidalgo, uttering fearful words,
Walked homeward with the Priest, and in his room
Summoned his trembling daughters to their doom.
When questioned, with brief answers they replied,
Nor when accused evaded or denied;
Expostulations, passionate appeals,
All that the human heart most fears or feels,
In vain the Priest with earnest voice essayed;
In vain the father threatened, wept, and prayed;
Until at last he said, with haughty mien,
'The Holy Office, then, must intervene!'

And now the Grand Inquisitor of Spain,
With all the fifty horsemen of his train,
His awful name resounding, like the blast
Of funeral trumpets, as he onward passed,
Came to Valladolid, and there began
To harry the rich Jews with fire and ban.
To him the Hidalgo went, and at the gate
Demanded audience on affairs of state,
And in a secret chamber stood before
A venerable graybeard of fourscore,
Dressed in the hood and habit of a friar;
Out of his eyes flashed a consuming fire,
And in his hand the mystic horn he held,
Which poison and all noxious charms dispelled.
He heard in silence the Hidalgo's tale,
Then answered in a voice that made him quail:
'Son of the Church! when Abraham of old
To sacrifice his only son was told,
He did not pause to parley nor protest,
But hastened to obey the Lord's behest.
In him it was accounted righteousness;
The Holy Church expects of thee no less!'

A sacred frenzy seized the father's brain,
And Mercy from that hour implored in vain.
Ah! who will e'er believe the words I say?
His daughters he accused, and the same day
They both were cast into the dungeon's gloom,
That dismal antechamber of the tomb,
Arraigned, condemned, and sentenced to the flame,
The secret torture and the public shame.

Then to the Grand Inquisitor once more
The Hidalgo went, more eager than before,
And said: 'When Abraham offered up his son,
He clave the wood wherewith it might be done.
By his example taught, let me too bring
Wood from the forest for my offering!'
And the deep voice, without a pause, replied:
'Son of the Church! by faith now justified,
Complete thy sacrifice, even as thou wilt;
The Church absolves thy conscience from all guilt!'

Then this most wretched father went his way
Into the woods, that round his castle lay,
Where once his daughters in their childhood played
With their young mother in the sun and shade.
Now all the leaves had fallen; the branches bare
Made a perpetual moaning in the air,
And screaming from their eyries overhead
The ravens sailed athwart the sky of lead.
With his own hands he lopped the boughs and bound
Fagots, that crackled with foreboding sound,
And on his mules, caparisoned and gay
With bells and tassels, sent them on their way.

Then with his mind on one dark purpose bent,
Again to the Inquisitor he went,
And said: 'Behold, the fagots I have brought,
And now, lest my atonement be as naught,
Grant me one more request, one last desire,--
With my own hand to light the funeral fire!'
And Torquemada answered from his seat,
'Son of the Church! Thine offering is complete;
Her servants through all ages shall not cease
To magnify thy deed. Depart in peace!'

Upon the market-place, builded of stone
The scaffold rose, whereon Death claimed his own.
At the four corners, in stern attitude,
Four statues of the Hebrew Prophets stood,
Gazing with calm indifference in their eyes
Upon this place of human sacrifice,
Round which was gathering fast the eager crowd,
With clamor of voices dissonant and loud,
And every roof and window was alive
With restless gazers, swarming like a hive.

The church-bells tolled, the chant of monks drew near,
Loud trumpets stammered forth their notes of fear,
A line of torches smoked along the street,
There was a stir, a rush, a tramp of feet,
And, with its banners floating in the air,
Slowly the long procession crossed the square,
And, to the statues of the Prophets bound,
The victims stood, with fagots piled around.
Then all the air a blast of trumpets shook,
And louder sang the monks with bell and book,
And the Hidalgo, lofty, stern, and proud,
Lifted his torch, and, bursting through the crowd,
Lighted in haste the fagots, and then fled,
Lest those imploring eyes should strike him dead!

O pitiless skies! why did your clouds retain
For peasants' fields their floods of hoarded rain?
O pitiless earth! why open no abyss
To bury in its chasm a crime like this?

That night a mingled column of fire and smoke
From the dark thickets of the forest broke,
And, glaring o'er the landscape leagues away,
Made all the fields and hamlets bright as day.
Wrapped in a sheet of flame the castle blazed,
And as the villagers in terror gazed,
They saw the figure of that cruel knight
Lean from a window in the turret's height,
His ghastly face illumined with the glare,
His hands upraised above his head in prayer,
Till the floor sank beneath him, and he fell
Down the black hollow of that burning well.

Three centuries and more above his bones
Have piled the oblivious years like funeral stones;
His name has perished with him, and no trace
Remains on earth of his afflicted race;
But Torquemada's name, with clouds o'ercast,
Looms in the distant landscape of the Past,
Like a burnt tower upon a blackened heath,
Lit by the fires of burning woods beneath!

Tales Of A Wayside Inn : Part 1. The Theologian's Tale; Torquemada

In the heroic days when Ferdinand
And Isabella ruled the Spanish land,
And Torquemada, with his subtle brain,
Ruled them, as Grand Inquisitor of Spain,
In a great castle near Valladolid,
Moated and high and by fair woodlands hid,
There dwelt, as from the chronicles we learn,
An old Hidalgo proud and taciturn,
Whose name has perished, with his towers of stone,
And all his actions save this one alone;
This one, so terrible, perhaps 't were best
If it, too, were forgotten with the rest;
Unless, perchance, our eyes can see therein
The martyrdom triumphant o'er the sin;
A double picture, with its gloom and glow,
The splendor overhead, the death below.

This sombre man counted each day as lost
On which his feet no sacred threshold crossed;
And when he chanced the passing Host to meet,
He knelt and prayed devoutly in the street;
Oft he confessed; and with each mutinous thought,
As with wild beasts at Ephesus, he fought.
In deep contrition scourged himself in Lent,
Walked in processions, with his head down bent,
At plays of Corpus Christi oft was seen,
And on Palm Sunday bore his bough of green.
His sole diversion was to hunt the boar
Through tangled thickets of the forest hoar,
Or with his jingling mules to hurry down
To some grand bull-fight in the neighboring town,
Or in the crowd with lighted taper stand,
When Jews were burned, or banished from the land.
Then stirred within him a tumultuous joy;
The demon whose delight is to destroy
Shook him, and shouted with a trumpet tone,
Kill! kill! and let the Lord find out his own!'

And now, in that old castle in the wood,
His daughters, in the dawn of womanhood,
Returning from their convent school, had made
Resplendent with their bloom the forest shade,
Reminding him of their dead mother's face,
When first she came into that gloomy place,--
A memory in his heart as dim and sweet
As moonlight in a solitary street,
Where the same rays, that lift the sea, are thrown
Lovely but powerless upon walls of stone.
These two fair daughters of a mother dead
Were all the dream had left him as it fled.
A joy at first, and then a growing care,
As if a voice within him cried, 'Beware!?
A vague presentiment of impending doom,
Like ghostly footsteps in a vacant room,
Haunted him day and night; a formless fear
That death to some one of his house was near,
With dark surmises of a hidden crime,
Made life itself a death before its time.
Jealous, suspicious, with no sense of shame,
A spy upon his daughters he became;
With velvet slippers, noiseless on the floors,
He glided softly through half-open doors;
Now in the room, and now upon the stair,
He stood beside them ere they were aware;
He listened in the passage when they talked,
He watched them from the casement when they walked,
He saw the gypsy haunt the river's side,
He saw the monk among the cork-trees glide;
And, tortured by the mystery and the doubt
Of some dark secret, past his finding out,
Baffled he paused; then reassured again
Pursued the flying phantom of his brain.
He watched them even when they knelt in church;
And then, descending lower in his search,
Questioned the servants, and with eager eyes
Listened incredulous to their replies;
The gypsy? none had seen her in the wood!
The monk? a mendicant in search of food!

At length the awful revelation came,
Crushing at once his pride of birth and name;
The hopes his yearning bosom forward cast,
And the ancestral glories of the past,
All fell together, crumbling in disgrace,
A turret rent from battlement to base.
His daughters talking in the dead of night
In their own chamber, and without a light,
Listening, as he was wont, he overheard,
And learned the dreadful secret, word by word;
And hurrying from his castle, with a cry
He raised his hands to the unpitying sky,
Repeating one dread word, till bush and tree
Caught it, and shuddering answered, 'Heresy!'

Wrapped in his cloak, his hat drawn o'er his face,
Now hurrying forward, now with lingering pace,
He walked all night the alleys of his park,
With one unseen companion in the dark,
The demon who within him lay in wait,
And by his presence turned his love to hate,
Forever muttering in an undertone,
'Kill! kill! and let the Lord find out his own!'

Upon the morrow, after early Mass,
While yet the dew was glistening on the grass,
And all the woods were musical with birds,
The old Hidalgo, uttering fearful words,
Walked homeward with the Priest, and in his room
Summoned his trembling daughters to their doom.
When questioned, with brief answers they replied,
Nor when accused evaded or denied;
Expostulations, passionate appeals,
All that the human heart most fears or feels,
In vain the Priest with earnest voice essayed;
In vain the father threatened, wept, and prayed;
Until at last he said, with haughty mien,
'The Holy Office, then, must intervene!'

And now the Grand Inquisitor of Spain,
With all the fifty horsemen of his train,
His awful name resounding, like the blast
Of funeral trumpets, as he onward passed,
Came to Valladolid, and there began
To harry the rich Jews with fire and ban.
To him the Hidalgo went, and at the gate
Demanded audience on affairs of state,
And in a secret chamber stood before
A venerable graybeard of fourscore,
Dressed in the hood and habit of a friar;
Out of his eyes flashed a consuming fire,
And in his hand the mystic horn he held,
Which poison and all noxious charms dispelled.
He heard in silence the Hidalgo's tale,
Then answered in a voice that made him quail:
'Son of the Church! when Abraham of old
To sacrifice his only son was told,
He did not pause to parley nor protest,
But hastened to obey the Lord's behest.
In him it was accounted righteousness;
The Holy Church expects of thee no less!'

A sacred frenzy seized the father's brain,
And Mercy from that hour implored in vain.
Ah! who will e'er believe the words I say?
His daughters he accused, and the same day
They both were cast into the dungeon's gloom,
That dismal antechamber of the tomb,
Arraigned, condemned, and sentenced to the flame,
The secret torture and the public shame.

Then to the Grand Inquisitor once more
The Hidalgo went, more eager than before,
And said: 'When Abraham offered up his son,
He clave the wood wherewith it might be done.
By his example taught, let me too bring
Wood from the forest for my offering!'
And the deep voice, without a pause, replied:
'Son of the Church! by faith now justified,
Complete thy sacrifice, even as thou wilt;
The Church absolves thy conscience from all guilt!'

Then this most wretched father went his way
Into the woods, that round his castle lay,
Where once his daughters in their childhood played
With their young mother in the sun and shade.
Now all the leaves had fallen; the branches bare
Made a perpetual moaning in the air,
And screaming from their eyries overhead
The ravens sailed athwart the sky of lead.
With his own hands he lopped the boughs and bound
Fagots, that crackled with foreboding sound,
And on his mules, caparisoned and gay
With bells and tassels, sent them on their way.

Then with his mind on one dark purpose bent,
Again to the Inquisitor he went,
And said: 'Behold, the fagots I have brought,
And now, lest my atonement be as naught,
Grant me one more request, one last desire,--
With my own hand to light the funeral fire!'
And Torquemada answered from his seat,
'Son of the Church! Thine offering is complete;
Her servants through all ages shall not cease
To magnify thy deed. Depart in peace!'

Upon the market-place, builded of stone
The scaffold rose, whereon Death claimed his own.
At the four corners, in stern attitude,
Four statues of the Hebrew Prophets stood,
Gazing with calm indifference in their eyes
Upon this place of human sacrifice,
Round which was gathering fast the eager crowd,
With clamor of voices dissonant and loud,
And every roof and window was alive
With restless gazers, swarming like a hive.

The church-bells tolled, the chant of monks drew near,
Loud trumpets stammered forth their notes of fear,
A line of torches smoked along the street,
There was a stir, a rush, a tramp of feet,
And, with its banners floating in the air,
Slowly the long procession crossed the square,
And, to the statues of the Prophets bound,
The victims stood, with fagots piled around.
Then all the air a blast of trumpets shook,
And louder sang the monks with bell and book,
And the Hidalgo, lofty, stern, and proud,
Lifted his torch, and, bursting through the crowd,
Lighted in haste the fagots, and then fled,
Lest those imploring eyes should strike him dead!

O pitiless skies! why did your clouds retain
For peasants' fields their floods of hoarded rain?
O pitiless earth! why open no abyss
To bury in its chasm a crime like this?

That night a mingled column of fire and smoke
From the dark thickets of the forest broke,
And, glaring o'er the landscape leagues away,
Made all the fields and hamlets bright as day.
Wrapped in a sheet of flame the castle blazed,
And as the villagers in terror gazed,
They saw the figure of that cruel knight
Lean from a window in the turret's height,
His ghastly face illumined with the glare,
His hands upraised above his head in prayer,
Till the floor sank beneath him, and he fell
Down the black hollow of that burning well.

Three centuries and more above his bones
Have piled the oblivious years like funeral stones;
His name has perished with him, and no trace
Remains on earth of his afflicted race;
But Torquemada's name, with clouds o'ercast,
Looms in the distant landscape of the Past,
Like a burnt tower upon a blackened heath,
Lit by the fires of burning woods beneath!

The Song Of Hiawatha Ix: Hiawatha And The Pearl-Feather

On the shores of Gitche Gumee,
Of the shining Big-Sea-Water,
Stood Nokomis, the old woman,
Pointing with her finger westward,
O'er the water pointing westward,
To the purple clouds of sunset.
Fiercely the red sun descending
Burned his way along the heavens,
Set the sky on fire behind him,
As war-parties, when retreating,
Burn the prairies on their war-trail;
And the moon, the Night-sun, eastward,
Suddenly starting from his ambush,
Followed fast those bloody footprints,
Followed in that fiery war-trail,
With its glare upon his features.
And Nokomis, the old woman,
Pointing with her finger westward,
Spake these words to Hiawatha:
'Yonder dwells the great Pearl-Feather,
Megissogwon, the Magician,
Manito of Wealth and Wampum,
Guarded by his fiery serpents,
Guarded by the black pitch-water.
You can see his fiery serpents,
The Kenabeek, the great serpents,
Coiling, playing in the water;
You can see the black pitch-water
Stretching far away beyond them,
To the purple clouds of sunset!
'He it was who slew my father,
By his wicked wiles and cunning,
When he from the moon descended,
When he came on earth to seek me.
He, the mightiest of Magicians,
Sends the fever from the marshes,
Sends the pestilential vapors,
Sends the poisonous exhalations,
Sends the white fog from the fen-lands,
Sends disease and death among us!
'Take your bow, O Hiawatha,
Take your arrows, jasper-headed,
Take your war-club, Puggawaugun,
And your mittens, Minjekahwun,
And your birch-canoe for sailing,
And the oil of Mishe-Nahma,
So to smear its sides, that swiftly
You may pass the black pitch-water;
Slay this merciless magician,
Save the people from the fever
That he breathes across the fen-lands,
And avenge my father's murder!'
Straightway then my Hiawatha
Armed himself with all his war-gear,
Launched his birch-canoe for sailing;
With his palm its sides he patted,
Said with glee, 'Cheemaun, my darling,
O my Birch-canoe! leap forward,
Where you see the fiery serpents,
Where you see the black pitch-water!'
Forward leaped Cheemaun exulting,
And the noble Hiawatha
Sang his war-song wild and woful,
And above him the war-eagle,
The Keneu, the great war-eagle,
Master of all fowls with feathers,
Screamed and hurtled through the heavens.
Soon he reached the fiery serpents,
The Kenabeek, the great serpents,
Lying huge upon the water,
Sparkling, rippling in the water,
Lying coiled across the passage,
With their blazing crests uplifted,
Breathing fiery fogs and vapors,
So that none could pass beyond them.
But the fearless Hiawatha
Cried aloud, and spake in this wise,
'Let me pass my way, Kenabeek,
Let me go upon my journey!'
And they answered, hissing fiercely,
With their fiery breath made answer:
'Back, go back! O Shaugodaya!
Back to old Nokomis, Faint-heart!'
Then the angry Hiawatha
Raised his mighty bow of ash-tree,
Seized his arrows, jasper-headed,
Shot them fast among the serpents;
Every twanging of the bow-string
Was a war-cry and a death-cry,
Every whizzing of an arrow
Was a death-song of Kenabeek.
Weltering in the bloody water,
Dead lay all the fiery serpents,
And among them Hiawatha
Harmless sailed, and cried exulting:
'Onward, O Cheemaun, my darling!
Onward to the black pitch-water!'
Then he took the oil of Nahma,
And the bows and sides anointed,
Smeared them well with oil, that swiftly
He might pass the black pitch-water.
All night long he sailed upon it,
Sailed upon that sluggish water,
Covered with its mould of ages,
Black with rotting water-rushes,
Rank with flags and leaves of lilies,
Stagnant, lifeless, dreary, dismal,
Lighted by the shimmering moonlight,
And by will-o'-the-wisps illumined,
Fires by ghosts of dead men kindled,
In their weary night-encampments.
All the air was white with moonlight,
All the water black with shadow,
And around him the Suggema,
The mosquito, sang his war-song,
And the fire-flies, Wah-wah-taysee,
Waved their torches to mislead him;
And the bull-frog, the Dahinda,
Thrust his head into the moonlight,
Fixed his yellow eyes upon him,
Sobbed and sank beneath the surface;
And anon a thousand whistles,
Answered over all the fen-lands,
And the heron, the Shuh-shuh-gah,
Far off on the reedy margin,
Heralded the hero's coming.
Westward thus fared Hiawatha,
Toward the realm of Megissogwon,
Toward the land of the Pearl-Feather,
Till the level moon stared at him
In his face stared pale and haggard,
Till the sun was hot behind him,
Till it burned upon his shoulders,
And before him on the upland
He could see the Shining Wigwam
Of the Manito of Wampum,
Of the mightiest of Magicians.
Then once more Cheemaun he patted,
To his birch-canoe said, 'Onward!'
And it stirred in all its fibres,
And with one great bound of triumph
Leaped across the water-lilies,
Leaped through tangled flags and rushes,
And upon the beach beyond them
Dry-shod landed Hiawatha.
Straight he took his bow of ash-tree,
On the sand one end he rested,
With his knee he pressed the middle,
Stretched the faithful bow-string tighter,
Took an arrow, jasperheaded,
Shot it at the Shining Wigwam,
Sent it singing as a herald,
As a bearer of his message,
Of his challenge loud and lofty:
'Come forth from your lodge, Pearl-Feather!
Hiawatha waits your coming!'
Straightway from the Shining Wigwam
Came the mighty Megissogwon,
Tall of stature, broad of shoulder,
Dark and terrible in aspect,
Clad from head to foot in wampum,
Armed with all his warlike weapons,
Painted like the sky of morning,
Streaked with crimson, blue, and yellow,
Crested with great eagle-feathers,
Streaming upward, streaming outward.
'Well I know you, Hiawatha!'
Cried he in a voice of thunder,
In a tone of loud derision.
'Hasten back, O Shaugodaya!
Hasten back among the women,
Back to old Nokomis, Faint-heart!
I will slay you as you stand there,
As of old I slew her father!'
But my Hiawatha answered,
Nothing daunted, fearing nothing:
'Big words do not smite like war-clubs,
Boastful breath is not a bow-string,
Taunts are not so sharp as arrows,
Deeds are better things than words are,
Actions mightier than boastings!'
Then began the greatest battle
That the sun had ever looked on,
That the war-birds ever witnessed.
All a Summer's day it lasted,
From the sunrise to the sunset;
For the shafts of Hiawatha
Harmless hit the shirt of wampum,
Harmless fell the blows he dealt it
With his mittens, Minjekahwun,
Harmless fell the heavy war-club;
It could dash the rocks asunder,
But it could not break the meshes
Of that magic shirt of wampum.
Till at sunset Hiawatha,
Leaning on his bow of ash-tree,
Wounded, weary, and desponding,
With his mighty war-club broken,
With his mittens torn and tattered,
And three useless arrows only,
Paused to rest beneath a pine-tree,
From whose branches trailed the mosses,
And whose trunk was coated over
With the Dead-man's Moccasin-leather,
With the fungus white and yellow.
Suddenly from the boughs above him
Sang the Mama, the woodpecker:
'Aim your arrows, Hiawatha,
At the head of Megissogwon,
Strike the tuft of hair upon it,
At their roots the long black tresses;
There alone can he be wounded!'
Winged with feathers, tipped with jasper,
Swift flew Hiawatha's arrow,
Just as Megissogwon, stooping,
Raised a heavy stone to throw it.
Full upon the crown it struck him,
At the roots of his long tresses,
And he reeled and staggered forward,
Plunging like a wounded bison,
Yes, like Pezhekee, the bison,
When the snow is on the prairie.
Swifter flew the second arrow,
In the pathway of the other,
Piercing deeper than the other,
Wounding sorer than the other;
And the knees of Megissogwon
Shook like windy reeds beneath him,
Bent and trembled like the rushes.
But the third and latest arrow
Swiftest flew, and wounded sorest,
And the mighty Megissogwon
Saw the fiery eyes of Pauguk,
Saw the eyes of Death glare at him,
Heard his voice call in the darkness;
At the feet of Hiawatha
Lifeless lay the great Pearl-Feather,
Lay the mightiest of Magicians.
Then the grateful Hiawatha
Called the Mama, the woodpecker,
From his perch among the branches
Of the melancholy pine-tree,
And, in honor of his service,
Stained with blood the tuft of feathers
On the little head of Mama;
Even to this day he wears it,
Wears the tuft of crimson feathers,
As a symbol of his service.
Then he stripped the shirt of wampum
From the back of Megissogwon,
As a trophy of the battle,
As a signal of his conquest.
On the shore he left the body,
Half on land and half in water,
In the sand his feet were buried,
And his face was in the water.
And above him, wheeled and clamored
The Keneu, the great war-eagle,
Sailing round in narrower circles,
Hovering nearer, nearer, nearer.
From the wigwam Hiawatha
Bore the wealth of Megissogwon,
All his wealth of skins and wampum,
Furs of bison and of beaver,
Furs of sable and of ermine,
Wampum belts and strings and pouches,
Quivers wrought with beads of wampum,
Filled with arrows, silver-headed.
Homeward then he sailed exulting,
Homeward through the black pitch-water,
Homeward through the weltering serpents,
With the trophies of the battle,
With a shout and song of triumph.
On the shore stood old Nokomis,
On the shore stood Chibiabos,
And the very strong man, Kwasind,
Waiting for the hero's coming,
Listening to his songs of triumph.
And the people of the village
Welcomed him with songs and dances,
Made a joyous feast, and shouted:
'Honor be to Hiawatha!
He has slain the great Pearl-Feather,
Slain the mightiest of Magicians,
Him, who sent the fiery fever,
Sent the white fog from the fen-lands,
Sent disease and death among us!'
Ever dear to Hiawatha
Was the memory of Mama!
And in token of his friendship,
As a mark of his remembrance,
He adorned and decked his pipe-stem
With the crimson tuft of feathers,
With the blood-red crest of Mama.
But the wealth of Megissogwon,
All the trophies of the battle,
He divided with his people,
Shared it equally among them.

The Song Of Hiawatha Ii: The Four Winds

'Honor be to Mudjekeewis!'
Cried the warriors, cried the old men,
When he came in triumph homeward
With the sacred Belt of Wampum,
From the regions of the North-Wind,
From the kingdom of Wabasso,
From the land of the White Rabbit.
He had stolen the Belt of Wampum
From the neck of Mishe-Mokwa,
From the Great Bear of the mountains,
From the terror of the nations,
As he lay asleep and cumbrous
On the summit of the mountains,
Like a rock with mosses on it,
Spotted brown and gray with mosses.
Silently he stole upon him
Till the red nails of the monster
Almost touched him, almost scared him,
Till the hot breath of his nostrils
Warmed the hands of Mudjekeewis,
As he drew the Belt of Wampum
Over the round ears, that heard not,
Over the small eyes, that saw not,
Over the long nose and nostrils,
The black muffle of the nostrils,
Out of which the heavy breathing
Warmed the hands of Mudjekeewis.
Then he swung aloft his war-club,
Shouted loud and long his war-cry,
Smote the mighty Mishe-Mokwa
In the middle of the forehead,
Right between the eyes he smote him.
With the heavy blow bewildered,
Rose the Great Bear of the mountains;
But his knees beneath him trembled,
And he whimpered like a woman,
As he reeled and staggered forward,
As he sat upon his haunches;
And the mighty Mudjekeewis,
Standing fearlessly before him,
Taunted him in loud derision,
Spake disdainfully in this wise:
'Hark you, Bear! you are a coward;
And no Brave, as you pretended;
Else you would not cry and whimper
Like a miserable woman!
Bear! you know our tribes are hostile,
Long have been at war together;
Now you find that we are strongest,
You go sneaking in the forest,
You go hiding in the mountains!
Had you conquered me in battle
Not a groan would I have uttered;
But you, Bear! sit here and whimper,
And disgrace your tribe by crying,
Like a wretched Shaugodaya,
Like a cowardly old woman!'
Then again he raised his war-club,
Smote again the Mishe-Mokwa
In the middle of his forehead,
Broke his skull, as ice is broken
When one goes to fish in Winter.
Thus was slain the Mishe-Mokwa,
He the Great Bear of the mountains,
He the terror of the nations.
'Honor be to Mudjekeewis!'
With a shout exclaimed the people,
'Honor be to Mudjekeewis!
Henceforth he shall be the West-Wind,
And hereafter and forever
Shall he hold supreme dominion
Over all the winds of heaven.
Call him no more Mudjekeewis,
Call him Kabeyun, the West-Wind!'
Thus was Mudjekeewis chosen
Father of the Winds of Heaven.
For himself he kept the West-Wind,
Gave the others to his children;
Unto Wabun gave the East-Wind,
Gave the South to Shawondasee,
And the North-Wind, wild and cruel,
To the fierce Kabibonokka.
Young and beautiful was Wabun;
He it was who brought the morning,
He it was whose silver arrows
Chased the dark o'er hill and valley;
He it was whose cheeks were painted
With the brightest streaks of crimson,
And whose voice awoke the village,
Called the deer, and called the hunter.
Lonely in the sky was Wabun;
Though the birds sang gayly to him,
Though the wild-flowers of the meadow
Filled the air with odors for him;
Though the forests and the rivers
Sang and shouted at his coming,
Still his heart was sad within him,
For he was alone in heaven.
But one morning, gazing earthward,
While the village still was sleeping,
And the fog lay on the river,
Like a ghost, that goes at sunrise,
He beheld a maiden walking
All alone upon a meadow,
Gathering water-flags and rushes
By a river in the meadow.
Every morning, gazing earthward,
Still the first thing he beheld there
Was her blue eyes looking at him,
Two blue lakes among the rushes.
And he loved the lonely maiden,
Who thus waited for his coming;
For they both were solitary,
She on earth and he in heaven.
And he wooed her with caresses,
Wooed her with his smile of sunshine,
With his flattering words he wooed her,
With his sighing and his singing,
Gentlest whispers in the branches,
Softest music, sweetest odors,
Till he drew her to his bosom,
Folded in his robes of crimson,
Till into a star he changed her,
Trembling still upon his bosom;
And forever in the heavens
They are seen together walking,
Wabun and the Wabun-Annung,
Wabun and the Star of Morning.
But the fierce Kabibonokka
Had his dwelling among icebergs,
In the everlasting snow-drifts,
In the kingdom of Wabasso,
In the land of the White Rabbit.
He it was whose hand in Autumn
Painted all the trees with scarlet,
Stained the leaves with red and yellow;
He it was who sent the snow-flake,
Sifting, hissing through the forest,
Froze the ponds, the lakes, the rivers,
Drove the loon and sea-gull southward,
Drove the cormorant and curlew
To their nests of sedge and sea-tang
In the realms of Shawondasee.
Once the fierce Kabibonokka
Issued from his lodge of snow-drifts
From his home among the icebergs,
And his hair, with snow besprinkled,
Streamed behind him like a river,
Like a black and wintry river,
As he howled and hurried southward,
Over frozen lakes and moorlands.
There among the reeds and rushes
Found he Shingebis, the diver,
Trailing strings of fish behind him,
O'er the frozen fens and moorlands,
Lingering still among the moorlands,
Though his tribe had long departed
To the land of Shawondasee.
Cried the fierce Kabibonokka,
'Who is this that dares to brave me?
Dares to stay in my dominions,
When the Wawa has departed,
When the wild-goose has gone southward,
And the heron, the Shuh-shuh-gah,
Long ago departed southward?
I will go into his wigwam,
I will put his smouldering fire out!'
And at night Kabibonokka,
To the lodge came wild and wailing,
Heaped the snow in drifts about it,
Shouted down into the smoke-flue,
Shook the lodge-poles in his fury,
Flapped the curtain of the door-way.
Shingebis, the diver, feared not,
Shingebis, the diver, cared not;
Four great logs had he for firewood,
One for each moon of the winter,
And for food the fishes served him.
By his blazing fire he sat there,
Warm and merry, eating, laughing,
Singing, 'O Kabibonokka,
You are but my fellow-mortal!'
Then Kabibonokka entered,
And though Shingebis, the diver,
Felt his presence by the coldness,
Felt his icy breath upon him,
Still he did not cease his singing,
Still he did not leave his laughing,
Only turned the log a little,
Only made the fire burn brighter,
Made the sparks fly up the smoke-flue.
From Kabibonokka's forehead,
From his snow-besprinkled tresses,
Drops of sweat fell fast and heavy,
Making dints upon the ashes,
As along the eaves of lodges,
As from drooping boughs of hemlock,
Drips the melting snow in spring-time,
Making hollows in the snow-drifts.
Till at last he rose defeated,
Could not bear the heat and laughter,
Could not bear the merry singing,
But rushed headlong through the door-way,
Stamped upon the crusted snow-drifts,
Stamped upon the lakes and rivers,
Made the snow upon them harder,
Made the ice upon them thicker,
Challenged Shingebis, the diver,
To come forth and wrestle with him,
To come forth and wrestle naked
On the frozen fens and moorlands.
Forth went Shingebis, the diver,
Wrestled all night with the North-Wind,
Wrestled naked on the moorlands
With the fierce Kabibonokka,
Till his panting breath grew fainter,
Till his frozen grasp grew feebler,
Till he reeled and staggered backward,
And retreated, baffled, beaten,
To the kingdom of Wabasso,
To the land of the White Rabbit,
Hearing still the gusty laughter,
Hearing Shingebis, the diver,
Singing, 'O Kabibonokka,
You are but my fellow-mortal!'
Shawondasee, fat and lazy,
Had his dwelling far to southward,
In the drowsy, dreamy sunshine,
In the never-ending Summer.
He it was who sent the wood-birds,
Sent the robin, the Opechee,
Sent the bluebird, the Owaissa,
Sent the Shawshaw, sent the swallow,
Sent the wild-goose, Wawa, northward,
Sent the melons and tobacco,
And the grapes in purple clusters.
From his pipe the smoke ascending
Filled the sky with haze and vapor,
Filled the air with dreamy softness,
Gave a twinkle to the water,
Touched the rugged hills with smoothness,
Brought the tender Indian Summer
To the melancholy north-land,
In the dreary Moon of Snow-shoes.
Listless, careless Shawondasee!
In his life he had one shadow,
In his heart one sorrow had he.
Once, as he was gazing northward,
Far away upon a prairie
He beheld a maiden standing,
Saw a tall and slender maiden
All alone upon a prairie;
Brightest green were all her garments,
And her hair was like the sunshine.
Day by day he gazed upon her,
Day by day he sighed with passion,
Day by day his heart within him
Grew more hot with love and longing
For the maid with yellow tresses.
But he was too fat and lazy
To bestir himself and woo her.
Yes, too indolent and easy
To pursue her and persuade her;
So he only gazed upon her,
Only sat and sighed with passion
For the maiden of the prairie.
Till one morning, looking northward,
He beheld her yellow tresses
Changed and covered o'er with whiteness,
Covered as with whitest snow-flakes.
'Ah! my brother from the North-land,
From the kingdom of Wabasso,
From the land of the White Rabbit!
You have stolen the maiden from me,
You have laid your hand upon her,
You have wooed and won my maiden,
With your stories of the North-land!'
Thus the wretched Shawondasee
Breathed into the air his sorrow;
And the South-Wind o'er the prairie
Wandered warm with sighs of passion,
With the sighs of Shawondasee,
Till the air seemed full of snow-flakes,
Full of thistle-down the prairie,
And the maid with hair like sunshine
Vanished from his sight forever;
Never more did Shawondasee
See the maid with yellow tresses!
Poor, deluded Shawondasee!
'T was no woman that you gazed at,
'T was no maiden that you sighed for,
'T was the prairie dandelion
That through all the dreamy Summer
You had gazed at with such longing,
You had sighed for with such passion,
And had puffed away forever,
Blown into the air with sighing.
Ah! deluded Shawondasee!
Thus the Four Winds were divided
Thus the sons of Mudjekeewis
Had their stations in the heavens,
At the corners of the heavens;
For himself the West-Wind only
Kept the mighty Mudjekeewis.

Hiawatha And The Pearl-Feather


On the shores of Gitche Gumee,
Of the shining Big-Sea-Water,
Stood Nokomis, the old woman,
Pointing with her finger westward,
O'er the water pointing westward,
To the purple clouds of sunset.
Fiercely the red sun descending
Burned his way along the heavens,
Set the sky on fire behind him,
As war-parties, when retreating,
Burn the prairies on their war-trail;
And the moon, the Night-sun, eastward,
Suddenly starting from his ambush,
Followed fast those bloody footprints,
Followed in that fiery war-trail,
With its glare upon his features.
And Nokomis, the old woman,
Pointing with her finger westward,
Spake these words to Hiawatha:
"Yonder dwells the great Pearl-Feather,
Megissogwon, the Magician,
Manito of Wealth and Wampum,
Guarded by his fiery serpents,
Guarded by the black pitch-water.
You can see his fiery serpents,
The Kenabeek, the great serpents,
Coiling, playing in the water;
You can see the black pitch-water
Stretching far away beyond them,
To the purple clouds of sunset!
"He it was who slew my father,
By his wicked wiles and cunning,
When he from the moon descended,
When he came on earth to seek me.
He, the mightiest of Magicians,
Sends the fever from the marshes,
Sends the pestilential vapors,
Sends the poisonous exhalations,
Sends the white fog from the fen-lands,
Sends disease and death among us!
"Take your bow, O Hiawatha,
Take your arrows, jasper-headed,
Take your war-club, Puggawaugun,
And your mittens, Minjekahwun,
And your birch-canoe for sailing,
And the oil of Mishe-Nahma,
So to smear its sides, that swiftly
You may pass the black pitch-water;
Slay this merciless magician,
Save the people from the fever
That he breathes across the fen-lands,
And avenge my father's murder!"
Straightway then my Hiawatha
Armed himself with all his war-gear,
Launched his birch-canoe for sailing;
With his palm its sides he patted,
Said with glee, "Cheemaun, my darling,
O my Birch-canoe! leap forward,
Where you see the fiery serpents,
Where you see the black pitch-water!"
Forward leaped Cheemaun exulting,
And the noble Hiawatha
Sang his war-song wild and woful,
And above him the war-eagle,
The Keneu, the great war-eagle,
Master of all fowls with feathers,
Screamed and hurtled through the heavens.
Soon he reached the fiery serpents,
The Kenabeek, the great serpents,
Lying huge upon the water,
Sparkling, rippling in the water,
Lying coiled across the passage,
With their blazing crests uplifted,
Breathing fiery fogs and vapors,
So that none could pass beyond them.
But the fearless Hiawatha
Cried aloud, and spake in this wise,
"Let me pass my way, Kenabeek,
Let me go upon my journey!"
And they answered, hissing fiercely,
With their fiery breath made answer:
"Back, go back! O Shaugodaya!
Back to old Nokomis, Faint-heart!"
Then the angry Hiawatha
Raised his mighty bow of ash-tree,
Seized his arrows, jasper-headed,
Shot them fast among the serpents;
Every twanging of the bow-string
Was a war-cry and a death-cry,
Every whizzing of an arrow
Was a death-song of Kenabeek.
Weltering in the bloody water,
Dead lay all the fiery serpents,
And among them Hiawatha
Harmless sailed, and cried exulting:
"Onward, O Cheemaun, my darling!
Onward to the black pitch-water!"
Then he took the oil of Nahma,
And the bows and sides anointed,
Smeared them well with oil, that swiftly
He might pass the black pitch-water.
All night long he sailed upon it,
Sailed upon that sluggish water,
Covered with its mould of ages,
Black with rotting water-rushes,
Rank with flags and leaves of lilies,
Stagnant, lifeless, dreary, dismal,
Lighted by the shimmering moonlight,
And by will-o'-the-wisps illumined,
Fires by ghosts of dead men kindled,
In their weary night-encampments.
All the air was white with moonlight,
All the water black with shadow,
And around him the Suggema,
The mosquito, sang his war-song,
And the fire-flies, Wah-wah-taysee,
Waved their torches to mislead him;
And the bull-frog, the Dahinda,
Thrust his head into the moonlight,
Fixed his yellow eyes upon him,
Sobbed and sank beneath the surface;
And anon a thousand whistles,
Answered over all the fen-lands,
And the heron, the Shuh-shuh-gah,
Far off on the reedy margin,
Heralded the hero's coming.
Westward thus fared Hiawatha,
Toward the realm of Megissogwon,
Toward the land of the Pearl-Feather,
Till the level moon stared at him
In his face stared pale and haggard,
Till the sun was hot behind him,
Till it burned upon his shoulders,
And before him on the upland
He could see the Shining Wigwam
Of the Manito of Wampum,
Of the mightiest of Magicians.
Then once more Cheemaun he patted,
To his birch-canoe said, "Onward!"
And it stirred in all its fibres,
And with one great bound of triumph
Leaped across the water-lilies,
Leaped through tangled flags and rushes,
And upon the beach beyond them
Dry-shod landed Hiawatha.
Straight he took his bow of ash-tree,
On the sand one end he rested,
With his knee he pressed the middle,
Stretched the faithful bow-string tighter,
Took an arrow, jasperheaded,
Shot it at the Shining Wigwam,
Sent it singing as a herald,
As a bearer of his message,
Of his challenge loud and lofty:
"Come forth from your lodge, Pearl-Feather!
Hiawatha waits your coming!"
Straightway from the Shining Wigwam
Came the mighty Megissogwon,
Tall of stature, broad of shoulder,
Dark and terrible in aspect,
Clad from head to foot in wampum,
Armed with all his warlike weapons,
Painted like the sky of morning,
Streaked with crimson, blue, and yellow,
Crested with great eagle-feathers,
Streaming upward, streaming outward.
"Well I know you, Hiawatha!"
Cried he in a voice of thunder,
In a tone of loud derision.
"Hasten back, O Shaugodaya!
Hasten back among the women,
Back to old Nokomis, Faint-heart!
I will slay you as you stand there,
As of old I slew her father!"
But my Hiawatha answered,
Nothing daunted, fearing nothing:
"Big words do not smite like war-clubs,
Boastful breath is not a bow-string,
Taunts are not so sharp as arrows,
Deeds are better things than words are,
Actions mightier than boastings!"
Then began the greatest battle
That the sun had ever looked on,
That the war-birds ever witnessed.
All a Summer's day it lasted,
From the sunrise to the sunset;
For the shafts of Hiawatha
Harmless hit the shirt of wampum,
Harmless fell the blows he dealt it
With his mittens, Minjekahwun,
Harmless fell the heavy war-club;
It could dash the rocks asunder,
But it could not break the meshes
Of that magic shirt of wampum.
Till at sunset Hiawatha,
Leaning on his bow of ash-tree,
Wounded, weary, and desponding,
With his mighty war-club broken,
With his mittens torn and tattered,
And three useless arrows only,
Paused to rest beneath a pine-tree,
From whose branches trailed the mosses,
And whose trunk was coated over
With the Dead-man's Moccasin-leather,
With the fungus white and yellow.
Suddenly from the boughs above him
Sang the Mama, the woodpecker:
"Aim your arrows, Hiawatha,
At the head of Megissogwon,
Strike the tuft of hair upon it,
At their roots the long black tresses;
There alone can he be wounded!"
Winged with feathers, tipped with jasper,
Swift flew Hiawatha's arrow,
Just as Megissogwon, stooping,
Raised a heavy stone to throw it.
Full upon the crown it struck him,
At the roots of his long tresses,
And he reeled and staggered forward,
Plunging like a wounded bison,
Yes, like Pezhekee, the bison,
When the snow is on the prairie.
Swifter flew the second arrow,
In the pathway of the other,
Piercing deeper than the other,
Wounding sorer than the other;
And the knees of Megissogwon
Shook like windy reeds beneath him,
Bent and trembled like the rushes.
But the third and latest arrow
Swiftest flew, and wounded sorest,
And the mighty Megissogwon
Saw the fiery eyes of Pauguk,
Saw the eyes of Death glare at him,
Heard his voice call in the darkness;
At the feet of Hiawatha
Lifeless lay the great Pearl-Feather,
Lay the mightiest of Magicians.
Then the grateful Hiawatha
Called the Mama, the woodpecker,
From his perch among the branches
Of the melancholy pine-tree,
And, in honor of his service,
Stained with blood the tuft of feathers
On the little head of Mama;
Even to this day he wears it,
Wears the tuft of crimson feathers,
As a symbol of his service.
Then he stripped the shirt of wampum
From the back of Megissogwon,
As a trophy of the battle,
As a signal of his conquest.
On the shore he left the body,
Half on land and half in water,
In the sand his feet were buried,
And his face was in the water.
And above him, wheeled and clamored
The Keneu, the great war-eagle,
Sailing round in narrower circles,
Hovering nearer, nearer, nearer.
From the wigwam Hiawatha
Bore the wealth of Megissogwon,
All his wealth of skins and wampum,
Furs of bison and of beaver,
Furs of sable and of ermine,
Wampum belts and strings and pouches,
Quivers wrought with beads of wampum,
Filled with arrows, silver-headed.
Homeward then he sailed exulting,
Homeward through the black pitch-water,
Homeward through the weltering serpents,
With the trophies of the battle,
With a shout and song of triumph.
On the shore stood old Nokomis,
On the shore stood Chibiabos,
And the very strong man, Kwasind,
Waiting for the hero's coming,
Listening to his songs of triumph.
And the people of the village
Welcomed him with songs and dances,
Made a joyous feast, and shouted:
'Honor be to Hiawatha!
He has slain the great Pearl-Feather,
Slain the mightiest of Magicians,
Him, who sent the fiery fever,
Sent the white fog from the fen-lands,
Sent disease and death among us!"
Ever dear to Hiawatha
Was the memory of Mama!
And in token of his friendship,
As a mark of his remembrance,
He adorned and decked his pipe-stem
With the crimson tuft of feathers,
With the blood-red crest of Mama.
But the wealth of Megissogwon,
All the trophies of the battle,
He divided with his people,
Shared it equally among them.

"Honor be to Mudjekeewis!"
Cried the warriors, cried the old men,
When he came in triumph homeward
With the sacred Belt of Wampum,
From the regions of the North-Wind,
From the kingdom of Wabasso,
From the land of the White Rabbit.
He had stolen the Belt of Wampum
From the neck of Mishe-Mokwa,
From the Great Bear of the mountains,
From the terror of the nations,
As he lay asleep and cumbrous
On the summit of the mountains,
Like a rock with mosses on it,
Spotted brown and gray with mosses.
Silently he stole upon him
Till the red nails of the monster
Almost touched him, almost scared him,
Till the hot breath of his nostrils
Warmed the hands of Mudjekeewis,
As he drew the Belt of Wampum
Over the round ears, that heard not,
Over the small eyes, that saw not,
Over the long nose and nostrils,
The black muffle of the nostrils,
Out of which the heavy breathing
Warmed the hands of Mudjekeewis.
Then he swung aloft his war-club,
Shouted loud and long his war-cry,
Smote the mighty Mishe-Mokwa
In the middle of the forehead,
Right between the eyes he smote him.
With the heavy blow bewildered,
Rose the Great Bear of the mountains;
But his knees beneath him trembled,
And he whimpered like a woman,
As he reeled and staggered forward,
As he sat upon his haunches;
And the mighty Mudjekeewis,
Standing fearlessly before him,
Taunted him in loud derision,
Spake disdainfully in this wise:
"Hark you, Bear! you are a coward;
And no Brave, as you pretended;
Else you would not cry and whimper
Like a miserable woman!
Bear! you know our tribes are hostile,
Long have been at war together;
Now you find that we are strongest,
You go sneaking in the forest,
You go hiding in the mountains!
Had you conquered me in battle
Not a groan would I have uttered;
But you, Bear! sit here and whimper,
And disgrace your tribe by crying,
Like a wretched Shaugodaya,
Like a cowardly old woman!"
Then again he raised his war-club,
Smote again the Mishe-Mokwa
In the middle of his forehead,
Broke his skull, as ice is broken
When one goes to fish in Winter.
Thus was slain the Mishe-Mokwa,
He the Great Bear of the mountains,
He the terror of the nations.
"Honor be to Mudjekeewis!"
With a shout exclaimed the people,
"Honor be to Mudjekeewis!
Henceforth he shall be the West-Wind,
And hereafter and forever
Shall he hold supreme dominion
Over all the winds of heaven.
Call him no more Mudjekeewis,
Call him Kabeyun, the West-Wind!"
Thus was Mudjekeewis chosen
Father of the Winds of Heaven.
For himself he kept the West-Wind,
Gave the others to his children;
Unto Wabun gave the East-Wind,
Gave the South to Shawondasee,
And the North-Wind, wild and cruel,
To the fierce Kabibonokka.
Young and beautiful was Wabun;
He it was who brought the morning,
He it was whose silver arrows
Chased the dark o'er hill and valley;
He it was whose cheeks were painted
With the brightest streaks of crimson,
And whose voice awoke the village,
Called the deer, and called the hunter.
Lonely in the sky was Wabun;
Though the birds sang gayly to him,
Though the wild-flowers of the meadow
Filled the air with odors for him;
Though the forests and the rivers
Sang and shouted at his coming,
Still his heart was sad within him,
For he was alone in heaven.
But one morning, gazing earthward,
While the village still was sleeping,
And the fog lay on the river,
Like a ghost, that goes at sunrise,
He beheld a maiden walking
All alone upon a meadow,
Gathering water-flags and rushes
By a river in the meadow.
Every morning, gazing earthward,
Still the first thing he beheld there
Was her blue eyes looking at him,
Two blue lakes among the rushes.
And he loved the lonely maiden,
Who thus waited for his coming;
For they both were solitary,
She on earth and he in heaven.
And he wooed her with caresses,
Wooed her with his smile of sunshine,
With his flattering words he wooed her,
With his sighing and his singing,
Gentlest whispers in the branches,
Softest music, sweetest odors,
Till he drew her to his bosom,
Folded in his robes of crimson,
Till into a star he changed her,
Trembling still upon his bosom;
And forever in the heavens
They are seen together walking,
Wabun and the Wabun-Annung,
Wabun and the Star of Morning.
But the fierce Kabibonokka
Had his dwelling among icebergs,
In the everlasting snow-drifts,
In the kingdom of Wabasso,
In the land of the White Rabbit.
He it was whose hand in Autumn
Painted all the trees with scarlet,
Stained the leaves with red and yellow;
He it was who sent the snow-flake,
Sifting, hissing through the forest,
Froze the ponds, the lakes, the rivers,
Drove the loon and sea-gull southward,
Drove the cormorant and curlew
To their nests of sedge and sea-tang
In the realms of Shawondasee.
Once the fierce Kabibonokka
Issued from his lodge of snow-drifts
From his home among the icebergs,
And his hair, with snow besprinkled,
Streamed behind him like a river,
Like a black and wintry river,
As he howled and hurried southward,
Over frozen lakes and moorlands.
There among the reeds and rushes
Found he Shingebis, the diver,
Trailing strings of fish behind him,
O'er the frozen fens and moorlands,
Lingering still among the moorlands,
Though his tribe had long departed
To the land of Shawondasee.
Cried the fierce Kabibonokka,
"Who is this that dares to brave me?
Dares to stay in my dominions,
When the Wawa has departed,
When the wild-goose has gone southward,
And the heron, the Shuh-shuh-gah,
Long ago departed southward?
I will go into his wigwam,
I will put his smouldering fire out!"
And at night Kabibonokka,
To the lodge came wild and wailing,
Heaped the snow in drifts about it,
Shouted down into the smoke-flue,
Shook the lodge-poles in his fury,
Flapped the curtain of the door-way.
Shingebis, the diver, feared not,
Shingebis, the diver, cared not;
Four great logs had he for firewood,
One for each moon of the winter,
And for food the fishes served him.
By his blazing fire he sat there,
Warm and merry, eating, laughing,
Singing, "O Kabibonokka,
You are but my fellow-mortal!"
Then Kabibonokka entered,
And though Shingebis, the diver,
Felt his presence by the coldness,
Felt his icy breath upon him,
Still he did not cease his singing,
Still he did not leave his laughing,
Only turned the log a little,
Only made the fire burn brighter,
Made the sparks fly up the smoke-flue.
From Kabibonokka's forehead,
From his snow-besprinkled tresses,
Drops of sweat fell fast and heavy,
Making dints upon the ashes,
As along the eaves of lodges,
As from drooping boughs of hemlock,
Drips the melting snow in spring-time,
Making hollows in the snow-drifts.
Till at last he rose defeated,
Could not bear the heat and laughter,
Could not bear the merry singing,
But rushed headlong through the door-way,
Stamped upon the crusted snow-drifts,
Stamped upon the lakes and rivers,
Made the snow upon them harder,
Made the ice upon them thicker,
Challenged Shingebis, the diver,
To come forth and wrestle with him,
To come forth and wrestle naked
On the frozen fens and moorlands.
Forth went Shingebis, the diver,
Wrestled all night with the North-Wind,
Wrestled naked on the moorlands
With the fierce Kabibonokka,
Till his panting breath grew fainter,
Till his frozen grasp grew feebler,
Till he reeled and staggered backward,
And retreated, baffled, beaten,
To the kingdom of Wabasso,
To the land of the White Rabbit,
Hearing still the gusty laughter,
Hearing Shingebis, the diver,
Singing, "O Kabibonokka,
You are but my fellow-mortal!"
Shawondasee, fat and lazy,
Had his dwelling far to southward,
In the drowsy, dreamy sunshine,
In the never-ending Summer.
He it was who sent the wood-birds,
Sent the robin, the Opechee,
Sent the bluebird, the Owaissa,
Sent the Shawshaw, sent the swallow,
Sent the wild-goose, Wawa, northward,
Sent the melons and tobacco,
And the grapes in purple clusters.
From his pipe the smoke ascending
Filled the sky with haze and vapor,
Filled the air with dreamy softness,
Gave a twinkle to the water,
Touched the rugged hills with smoothness,
Brought the tender Indian Summer
To the melancholy north-land,
In the dreary Moon of Snow-shoes.
Listless, careless Shawondasee!
In his life he had one shadow,
In his heart one sorrow had he.
Once, as he was gazing northward,
Far away upon a prairie
He beheld a maiden standing,
Saw a tall and slender maiden
All alone upon a prairie;
Brightest green were all her garments,
And her hair was like the sunshine.
Day by day he gazed upon her,
Day by day he sighed with passion,
Day by day his heart within him
Grew more hot with love and longing
For the maid with yellow tresses.
But he was too fat and lazy
To bestir himself and woo her.
Yes, too indolent and easy
To pursue her and persuade her;
So he only gazed upon her,
Only sat and sighed with passion
For the maiden of the prairie.
Till one morning, looking northward,
He beheld her yellow tresses
Changed and covered o'er with whiteness,
Covered as with whitest snow-flakes.
"Ah! my brother from the North-land,
From the kingdom of Wabasso,
From the land of the White Rabbit!
You have stolen the maiden from me,
You have laid your hand upon her,
You have wooed and won my maiden,
With your stories of the North-land!"
Thus the wretched Shawondasee
Breathed into the air his sorrow;
And the South-Wind o'er the prairie
Wandered warm with sighs of passion,
With the sighs of Shawondasee,
Till the air seemed full of snow-flakes,
Full of thistle-down the prairie,
And the maid with hair like sunshine
Vanished from his sight forever;
Never more did Shawondasee
See the maid with yellow tresses!
Poor, deluded Shawondasee!
'T was no woman that you gazed at,
'T was no maiden that you sighed for,
'T was the prairie dandelion
That through all the dreamy Summer
You had gazed at with such longing,
You had sighed for with such passion,
And had puffed away forever,
Blown into the air with sighing.
Ah! deluded Shawondasee!
Thus the Four Winds were divided
Thus the sons of Mudjekeewis
Had their stations in the heavens,
At the corners of the heavens;
For himself the West-Wind only
Kept the mighty Mudjekeewis.

Four Winds, The

"Honor be to Mudjekeewis!"
Cried the warriors, cried the old men,
When he came in triumph homeward
With the sacred Belt of Wampum,
From the regions of the North-Wind,
From the kingdom of Wabasso,
From the land of the White Rabbit.
He had stolen the Belt of Wampum
From the neck of Mishe-Mokwa,
From the Great Bear of the mountains,
From the terror of the nations,
As he lay asleep and cumbrous
On the summit of the mountains,
Like a rock with mosses on it,
Spotted brown and gray with mosses.
Silently he stole upon him
Till the red nails of the monster
Almost touched him, almost scared him,
Till the hot breath of his nostrils
Warmed the hands of Mudjekeewis,
As he drew the Belt of Wampum
Over the round ears, that heard not,
Over the small eyes, that saw not,
Over the long nose and nostrils,
The black muffle of the nostrils,
Out of which the heavy breathing
Warmed the hands of Mudjekeewis.
Then he swung aloft his war-club,
Shouted loud and long his war-cry,
Smote the mighty Mishe-Mokwa
In the middle of the forehead,
Right between the eyes he smote him.
With the heavy blow bewildered,
Rose the Great Bear of the mountains;
But his knees beneath him trembled,
And he whimpered like a woman,
As he reeled and staggered forward,
As he sat upon his haunches;
And the mighty Mudjekeewis,
Standing fearlessly before him,
Taunted him in loud derision,
Spake disdainfully in this wise:
"Hark you, Bear! you are a coward;
And no Brave, as you pretended;
Else you would not cry and whimper
Like a miserable woman!
Bear! you know our tribes are hostile,
Long have been at war together;
Now you find that we are strongest,
You go sneaking in the forest,
You go hiding in the mountains!
Had you conquered me in battle
Not a groan would I have uttered;
But you, Bear! sit here and whimper,
And disgrace your tribe by crying,
Like a wretched Shaugodaya,
Like a cowardly old woman!"
Then again he raised his war-club,
Smote again the Mishe-Mokwa
In the middle of his forehead,
Broke his skull, as ice is broken
When one goes to fish in Winter.
Thus was slain the Mishe-Mokwa,
He the Great Bear of the mountains,
He the terror of the nations.
"Honor be to Mudjekeewis!"
With a shout exclaimed the people,
"Honor be to Mudjekeewis!
Henceforth he shall be the West-Wind,
And hereafter and forever
Shall he hold supreme dominion
Over all the winds of heaven.
Call him no more Mudjekeewis,
Call him Kabeyun, the West-Wind!"
Thus was Mudjekeewis chosen
Father of the Winds of Heaven.
For himself he kept the West-Wind,
Gave the others to his children;
Unto Wabun gave the East-Wind,
Gave the South to Shawondasee,
And the North-Wind, wild and cruel,
To the fierce Kabibonokka.
Young and beautiful was Wabun;
He it was who brought the morning,
He it was whose silver arrows
Chased the dark o'er hill and valley;
He it was whose cheeks were painted
With the brightest streaks of crimson,
And whose voice awoke the village,
Called the deer, and called the hunter.
Lonely in the sky was Wabun;
Though the birds sang gayly to him,
Though the wild-flowers of the meadow
Filled the air with odors for him;
Though the forests and the rivers
Sang and shouted at his coming,
Still his heart was sad within him,
For he was alone in heaven.
But one morning, gazing earthward,
While the village still was sleeping,
And the fog lay on the river,
Like a ghost, that goes at sunrise,
He beheld a maiden walking
All alone upon a meadow,
Gathering water-flags and rushes
By a river in the meadow.
Every morning, gazing earthward,
Still the first thing he beheld there
Was her blue eyes looking at him,
Two blue lakes among the rushes.
And he loved the lonely maiden,
Who thus waited for his coming;
For they both were solitary,
She on earth and he in heaven.
And he wooed her with caresses,
Wooed her with his smile of sunshine,
With his flattering words he wooed her,
With his sighing and his singing,
Gentlest whispers in the branches,
Softest music, sweetest odors,
Till he drew her to his bosom,
Folded in his robes of crimson,
Till into a star he changed her,
Trembling still upon his bosom;
And forever in the heavens
They are seen together walking,
Wabun and the Wabun-Annung,
Wabun and the Star of Morning.
But the fierce Kabibonokka
Had his dwelling among icebergs,
In the everlasting snow-drifts,
In the kingdom of Wabasso,
In the land of the White Rabbit.
He it was whose hand in Autumn
Painted all the trees with scarlet,
Stained the leaves with red and yellow;
He it was who sent the snow-flake,
Sifting, hissing through the forest,
Froze the ponds, the lakes, the rivers,
Drove the loon and sea-gull southward,
Drove the cormorant and curlew
To their nests of sedge and sea-tang
In the realms of Shawondasee.
Once the fierce Kabibonokka
Issued from his lodge of snow-drifts
From his home among the icebergs,
And his hair, with snow besprinkled,
Streamed behind him like a river,
Like a black and wintry river,
As he howled and hurried southward,
Over frozen lakes and moorlands.
There among the reeds and rushes
Found he Shingebis, the diver,
Trailing strings of fish behind him,
O'er the frozen fens and moorlands,
Lingering still among the moorlands,
Though his tribe had long departed
To the land of Shawondasee.
Cried the fierce Kabibonokka,
"Who is this that dares to brave me?
Dares to stay in my dominions,
When the Wawa has departed,
When the wild-goose has gone southward,
And the heron, the Shuh-shuh-gah,
Long ago departed southward?
I will go into his wigwam,
I will put his smouldering fire out!"
And at night Kabibonokka,
To the lodge came wild and wailing,
Heaped the snow in drifts about it,
Shouted down into the smoke-flue,
Shook the lodge-poles in his fury,
Flapped the curtain of the door-way.
Shingebis, the diver, feared not,
Shingebis, the diver, cared not;
Four great logs had he for firewood,
One for each moon of the winter,
And for food the fishes served him.
By his blazing fire he sat there,
Warm and merry, eating, laughing,
Singing, "O Kabibonokka,
You are but my fellow-mortal!"
Then Kabibonokka entered,
And though Shingebis, the diver,
Felt his presence by the coldness,
Felt his icy breath upon him,
Still he did not cease his singing,
Still he did not leave his laughing,
Only turned the log a little,
Only made the fire burn brighter,
Made the sparks fly up the smoke-flue.
From Kabibonokka's forehead,
From his snow-besprinkled tresses,
Drops of sweat fell fast and heavy,
Making dints upon the ashes,
As along the eaves of lodges,
As from drooping boughs of hemlock,
Drips the melting snow in spring-time,
Making hollows in the snow-drifts.
Till at last he rose defeated,
Could not bear the heat and laughter,
Could not bear the merry singing,
But rushed headlong through the door-way,
Stamped upon the crusted snow-drifts,
Stamped upon the lakes and rivers,
Made the snow upon them harder,
Made the ice upon them thicker,
Challenged Shingebis, the diver,
To come forth and wrestle with him,
To come forth and wrestle naked
On the frozen fens and moorlands.
Forth went Shingebis, the diver,
Wrestled all night with the North-Wind,
Wrestled naked on the moorlands
With the fierce Kabibonokka,
Till his panting breath grew fainter,
Till his frozen grasp grew feebler,
Till he reeled and staggered backward,
And retreated, baffled, beaten,
To the kingdom of Wabasso,
To the land of the White Rabbit,
Hearing still the gusty laughter,
Hearing Shingebis, the diver,
Singing, "O Kabibonokka,
You are but my fellow-mortal!"
Shawondasee, fat and lazy,
Had his dwelling far to southward,
In the drowsy, dreamy sunshine,
In the never-ending Summer.
He it was who sent the wood-birds,
Sent the robin, the Opechee,
Sent the bluebird, the Owaissa,
Sent the Shawshaw, sent the swallow,
Sent the wild-goose, Wawa, northward,
Sent the melons and tobacco,
And the grapes in purple clusters.
From his pipe the smoke ascending
Filled the sky with haze and vapor,
Filled the air with dreamy softness,
Gave a twinkle to the water,
Touched the rugged hills with smoothness,
Brought the tender Indian Summer
To the melancholy north-land,
In the dreary Moon of Snow-shoes.
Listless, careless Shawondasee!
In his life he had one shadow,
In his heart one sorrow had he.
Once, as he was gazing northward,
Far away upon a prairie
He beheld a maiden standing,
Saw a tall and slender maiden
All alone upon a prairie;
Brightest green were all her garments,
And her hair was like the sunshine.
Day by day he gazed upon her,
Day by day he sighed with passion,
Day by day his heart within him
Grew more hot with love and longing
For the maid with yellow tresses.
But he was too fat and lazy
To bestir himself and woo her.
Yes, too indolent and easy
To pursue her and persuade her;
So he only gazed upon her,
Only sat and sighed with passion
For the maiden of the prairie.
Till one morning, looking northward,
He beheld her yellow tresses
Changed and covered o'er with whiteness,
Covered as with whitest snow-flakes.
"Ah! my brother from the North-land,
From the kingdom of Wabasso,
From the land of the White Rabbit!
You have stolen the maiden from me,
You have laid your hand upon her,
You have wooed and won my maiden,
With your stories of the North-land!"
Thus the wretched Shawondasee
Breathed into the air his sorrow;
And the South-Wind o'er the prairie
Wandered warm with sighs of passion,
With the sighs of Shawondasee,
Till the air seemed full of snow-flakes,
Full of thistle-down the prairie,
And the maid with hair like sunshine
Vanished from his sight forever;
Never more did Shawondasee
See the maid with yellow tresses!
Poor, deluded Shawondasee!
'T was no woman that you gazed at,
'T was no maiden that you sighed for,
'T was the prairie dandelion
That through all the dreamy Summer
You had gazed at with such longing,
You had sighed for with such passion,
And had puffed away forever,
Blown into the air with sighing.
Ah! deluded Shawondasee!
Thus the Four Winds were divided
Thus the sons of Mudjekeewis
Had their stations in the heavens,
At the corners of the heavens;
For himself the West-Wind only
Kept the mighty Mudjekeewis.

Tales Of A Wayside Inn : Part 1. Prelude; The Wayside Inn

One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.

As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.

A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.

But from the parlor of the inn
A pleasant murmur smote the ear,
Like water rushing through a weir:
Oft interrupted by the din
Of laughter and of loud applause,
And, in each intervening pause,
The music of a violin.
The fire-light, shedding over all
The splendor of its ruddy glow,
Filled the whole parlor large and low;
It gleamed on wainscot and on wall,
It touched with more than wonted grace
Fair Princess Mary's pictured face;
It bronzed the rafters overhead,
On the old spinet's ivory keys
It played inaudible melodies,
It crowned the sombre clock with flame,
The hands, the hours, the maker's name,
And painted with a livelier red
The Landlord's coat-of-arms again;
And, flashing on the window-pane,
Emblazoned with its light and shade
The jovial rhymes, that still remain,
Writ near a century ago,
By the great Major Molineaux,
Whom Hawthorne has immortal made.

Before the blazing fire of wood
Erect the rapt musician stood;
And ever and anon he bent
His head upon his instrument,
And seemed to listen, till he caught
Confessions of its secret thought,--
The joy, the triumph, the lament,
The exultation and the pain;
Then, by the magic of his art,
He soothed the throbbings of its heart,
And lulled it into peace again.

Around the fireside at their ease
There sat a group of friends, entranced
With the delicious melodies
Who from the far-off noisy town
Had to the wayside inn come down,
To rest beneath its old oak-trees.
The fire-light on their faces glanced,
Their shadows on the wainscot danced,
And, though of different lands and speech,
Each had his tale to tell, and each
Was anxious to be pleased and please.
And while the sweet musician plays,
Let me in outline sketch them all,
Perchance uncouthly as the blaze
With its uncertain touch portrays
Their shadowy semblance on the wall.

But first the Landlord will I trace;
Grave in his aspect and attire;
A man of ancient pedigree,
A Justice of the Peace was he,
Known in all Sudbury as 'The Squire.'
Proud was he of his name and race,
Of old Sir William and Sir Hugh,
And in the parlor, full in view,
His coat-of-arms, well framed and glazed,
Upon the wall in colors blazed;
He beareth gules upon his shield,
A chevron argent in the field,
With three wolf's-heads, and for the crest
A Wyvern part-per-pale addressed
Upon a helmet barred; below
The scroll reads, 'By the name of Howe.'
And over this, no longer bright,
Though glimmering with a latent light,
Was hung the sword his grandsire bore
In the rebellious days of yore,
Down there at Concord in the fight.

A youth was there, of quiet ways,
A Student of old books and days,
To whom all tongues and lands were known,
And yet a lover of his own;
With many a social virtue graced,
And yet a friend of solitude;
A man of such a genial mood
The heart of all things he embraced,
And yet of such fastidious taste,
He never found the best too good.
Books were his passion and delight,
And in his upper room at home
Stood many a rare and sumptuous tome,
In vellum bound, with gold bedight,
Great volumes garmented in white,
Recalling Florence, Pisa, Rome.
He loved the twilight that surrounds
The border-land of old romance;
Where glitter hauberk, helm, and lance,
And banner waves, and trumpet sounds,
And ladies ride with hawk on wrist,
And mighty warriors sweep along,
Magnified by the purple mist,
The dusk of centuries and of song.
The chronicles of Charlemagne,
Of Merlin and the Mort d'Arthure,
Mingled together in his brain
With tales of Flores and Blanchefleur,
Sir Ferumbras, Sir Eglamour,
Sir Launcelot, Sir Morgadour,
Sir Guy, Sir Bevis, Sir Gawain.

A young Sicilian, too, was there;
In sight of Etna born and bred,
Some breath of its volcanic air
Was glowing in his heart and brain,
And, being rebellious to his liege,
After Palermo's fatal siege,
Across the western seas he fled,
In good King Bomba's happy reign.
His face was like a summer night,
All flooded with a dusky light;
His hands were small; his teeth shone white
As sea-shells, when he smiled or spoke;
His sinews supple and strong as oak;
Clean shaven was he as a priest,
Who at the mass on Sunday sings,
Save that upon his upper lip
His beard, a good palm's length least,
Level and pointed at the tip,
Shot sideways, like a swallow's wings.
The poets read he o'er and o'er,
And most of all the Immortal Four
Of Italy; and next to those,
The story-telling bard of prose,
Who wrote the joyous Tuscan tales
Of the Decameron, that make
Fiesole's green hills and vales
Remembered for Boccaccio's sake.
Much too of music was his thought;
The melodies and measures fraught
With sunshine and the open air,
Of vineyards and the singing sea
Of his beloved Sicily;
And much it pleased him to peruse
The songs of the Sicilian muse,--
Bucolic songs by Meli sung
In the familiar peasant tongue,
That made men say, 'Behold! once more
The pitying gods to earth restore
Theocritus of Syracuse!'

A Spanish Jew from Alicant
With aspect grand and grave was there;
Vender of silks and fabrics rare,
And attar of rose from the Levant.
Like an old Patriarch he appeared,
Abraham or Isaac, or at least
Some later Prophet or High-Priest;
With lustrous eyes, and olive skin,
And, wildly tossed from cheeks and chin,
The tumbling cataract of his beard.
His garments breathed a spicy scent
Of cinnamon and sandal blent,
Like the soft aromatic gales
That meet the mariner, who sails
Through the Moluccas, and the seas
That wash the shores of Celebes.
All stories that recorded are
By Pierre Alphonse he knew by heart,
And it was rumored he could say
The Parables of Sandabar,
And all the Fables of Pilpay,
Or if not all, the greater part!
Well versed was he in Hebrew books,
Talmud and Targum, and the lore
Of Kabala; and evermore
There was a mystery in his looks;
His eyes seemed gazing far away,
As if in vision or in trance
He heard the solemn sackbut play,
And saw the Jewish maidens dance.

A Theologian, from the school
Of Cambridge on the Charles, was there;
Skilful alike with tongue and pen,
He preached to all men everywhere
The Gospel of the Golden Rule,
The New Commandment given to men,
Thinking the deed, and not the creed,
Would help us in our utmost need.
With reverent feet the earth he trod,
Nor banished nature from his plan,
But studied still with deep research
To build the Universal Church,
Lofty as in the love of God,
And ample as the wants of man.

A Poet, too, was there, whose verse
Was tender, musical, and terse;
The inspiration, the delight,
The gleam, the glory, the swift flight,
Of thoughts so sudden, that they seem
The revelations of a dream,
All these were his; but with them came
No envy of another's fame;
He did not find his sleep less sweet,
For music in some neighboring street
Nor rustling hear in every breeze
The laurels of Miltiades.
Honor and blessings on his head
While living, good report when dead,
Who, not too eager for renown,
Accepts, but does not clutch, the crown!

Last the Musician, as he stood
Illumined by that fire of wood;
Fair-haired, blue-eyed, his aspect blithe,
His figure tall and straight and lithe,
And every feature of his face
Revealing his Norwegian race;
A radiance, streaming from within,
Around his eyes and forehead beamed,
The Angel with the violin,
Painted by Raphael, he seemed.
He lived in that ideal world
Whose language is not speech, but song;
Around him evermore the throng
Of elves and sprites their dances whirled;
The Strömkarl sang, the cataract hurled
Its headlong waters from the height;
And mingled in the wild delight
The scream of sea-birds in their flight,
The rumor of the forest trees,
The plunge of the implacable seas,
The tumult of the wind at night,
Voices of eld, like trumpets blowing,
Old ballads, and wild melodies
Through mist and darkness pouring forth,
Like Elivagar's river flowing
Out of the glaciers of the North.

The instrument on which he played
Was in Cremona's workshops made,
By a great master of the past,
Ere yet was lost the art divine;
Fashioned of maple and of pine,
That in Tyrolean forests vast
Had rocked and wrestled with the blast;
Exquisite was it in design,
Perfect in each minutest part,
A marvel of the lutist's art;
And in its hollow chamber, thus,
The maker from whose hands it came
Had written his unrivalled name,--
'Antonius Stradivarius.'

And when he played, the atmosphere
Was filled with magic, and the ear
Caught echoes of that Harp of Gold,
Whose music had so weird a sound,
The hunted stag forgot to bound,
The leaping rivulet backward rolled,
The birds came down from bush and tree,
The dead came from beneath the sea,
The maiden to the harper's knee!

The music ceased; the applause was loud,
The pleased musician smiled and bowed;
The wood-fire clapped its hands of flame,
The shadows on the wainscot stirred,
And from the harpsichord there came
A ghostly murmur of acclaim,
A sound like that sent down at night
By birds of passage in their flight,
From the remotest distance heard.

Then silence followed; then began
A clamor for the Landlord's tale,--
The story promised them of old,
They said, but always left untold;
And he, although a bashful man,
And all his courage seemed to fail,
Finding excuse of no avail,
Yielded; and thus the story ran.

Tales Of A Wayside Inn : Part 2. The Student's Second Tale; The Baron Of St. Castine

Baron Castine of St. Castine
Has left his château in the Pyrenees,
And sailed across the western seas.
When he went away from his fair demesne
The birds were building, the woods were green;
And now the winds of winter blow
Round the turrets of the old château,
The birds are silent and unseen,
The leaves lie dead in the ravine,
And the Pyrenees are white with snow.

His father, lonely, old, and gray,
Sits by the fireside day by day,
Thinking ever one thought of care;
Through the southern windows, narrow and tall,
The sun shines into the ancient hall,
And makes a glory round his hair.
The house-dog, stretched beneath his chair,
Groans in his sleep as if in pain,
Then wakes, and yawns, and sleeps again,
So silent is it everywhere,--
So silent you can hear the mouse
Run and rummage along the beams
Behind the wainscot of the wall;
And the old man rouses from his dreams,
And wanders restless through the house,
As if he heard strange voices call.

His footsteps echo along the floor
Of a distant passage, and pause awhile;
He is standing by an open door
Looking long, with a sad, sweet smile,
Into the room of his absent son.
There is the bed on which he lay,
There are the pictures bright and gay,
Horses and hounds and sun-lit seas;
There are his powder-flask and gun,
And his hunting-knives in shape of a fan;
The chair by the window where he sat,
With the clouded tiger-skin for a mat,
Looking out on the Pyrenees,
Looking out on Mount Marboré
And the Seven Valleys of Lavedan.
Ah me! he turns away and sighs;
There is a mist before his eyes.

At night whatever the weather be,
Wind or rain or starry heaven,
Just as the clock is striking seven,
Those who look from the windows see
The village Curate, with lantern and maid,
Come through the gateway from the park
And cross the courtyard damp and dark,--
A ring of light in a ring of shade.

And now at the old man's side he stands,
His voice is cheery, his heart expands,
He gossips pleasantly, by the blaze
Of the fire of fagots, about old days,
And Cardinal Mazarin and the Fronde,
And the Cardinal's nieces fair and fond,
And what they did, and what they said,
When they heard his Eminence was dead.

And after a pause the old man says,
His mind still coming back again
To the one sad thought that haunts his brain,
'Are there any tidings from over sea?
Ah, why has that wild boy gone from me?'
And the Curate answers, looking down,
Harmless and docile as a lamb,
'Young blood! young blood! It must so be!'
And draws from the pocket of his gown
A handkerchief like an oriflamb,
And wipes his spectacles, and they play
Their little game of lansquenet
In silence for an hour or so,
Till the clock at nine strikes loud and clear
From the village lying asleep below,
And across the courtyard, into the dark
Of the winding pathway in the park,
Curate and lantern disappear,
And darkness reigns in the old château .
The ship has come back from over sea,
She has been signalled from below,
And into the harbor of Bordeaux
She sails with her gallant company.
But among them is nowhere seen
The brave young Baron of St. Castine;
He hath tarried behind, I ween,
In the beautiful land of Acadie!

And the father paces to and fro
Through the chambers of the old château ,
Waiting, waiting to hear the hum
Of wheels on the road that runs below,
Of servants hurrying here and there,
The voice in the courtyard, the step on the stair,
Waiting for some one who doth not come!
But letters there are, which the old man reads
To the Curate, when he comes at night
Word by word, as an acolyte
Repeats his prayers and tells his beads;
Letters full of the rolling sea,
Full of a young man's joy to be
Abroad in the world, alone and free;
Full of adventures and wonderful scenes
Of hunting the deer through forests vast
In the royal grant of Pierre du Gast;
Of nights in the tents of the Tarratines;
Of Madocawando the Indian chief,
And his daughters, glorious as queens,
And beautiful beyond belief;
And so soft the tones of their native tongue,
The words are not spoken, they are sung!

And the Curate listens, and smiling says:
'Ah yes, dear friend! in our young days
We should have liked to hunt the deer
All day amid those forest scenes,
And to sleep in the tents of the Tarratines;
But now it is better sitting here
Within four walls, and without the fear
Of losing our hearts to Indian queens;
For man is fire and woman is tow,
And the Somebody comes and begins to blow.'
Then a gleam of distrust and vague surmise
Shines in the father's gentle eyes,
As fire-light on a window-pane
Glimmers and vanishes again;
But naught he answers; he only sighs,
And for a moment bows his head;
Then, as their custom is, they play
Their little game of lansquenet,
And another day is with the dead.

Another day, and many a day
And many a week and month depart,
When a fatal letter wings its way
Across the sea, like a bird of prey,
And strikes and tears the old man's heart.
Lo! the young Baron of St. Castine,
Swift as the wind is, and as wild,
Has married a dusky Tarratine,
Has married Madocawando's child!

The letter drops from the father's hand;
Though the sinews of his heart are wrung,
He utters no cry, he breathes no prayer,
No malediction falls from his tongue;
But his stately figure, erect and grand,
Bends and sinks like a column of sand
In the whirlwind of his great despair.
Dying, yes, dying! His latest breath
Of parley at the door of death
Is a blessing on his wayward son.
Lower and lower on his breast
Sinks his gray head; he is at rest;
No longer he waits for any one.

For many a year the old château
Lies tenantless and desolate;
Rank grasses in the courtyard grow,
About its gables caws the crow;
Only the porter at the gate
Is left to guard it, and to wait
The coming of the rightful heir;
No other life or sound is there;
No more the Curate comes at night,
No more is seen the unsteady light,
Threading the alleys of the park;
The windows of the hall are dark,
The chambers dreary, cold, and bare!

At length, at last, when the winter is past,
And birds are building, and woods are green,
With flying skirts is the Curate seen
Speeding along the woodland way,
Humming gayly, 'No day is so long
But it comes at last to vesper-song.'
He stops at the porter's lodge to say
That at last the Baron of St. Castine
Is coming home with his Indian queen,
Is coming without a week's delay;
And all the house must be swept and clean,
And all things set in good array!
And the solemn porter shakes his head;
And the answer he makes is: 'Lackaday!
We will see, as the blind man said!'

Alert since first the day began,
The cock upon the village church
Looks northward from his airy perch,
As if beyond the ken of man
To see the ships come sailing on,
And pass the isle of Oléron,
And pass the Tower of Cordouan.

In the church below is cold in clay
The heart that would have leaped for joy?
O tender heart of truth and trust!?
To see the coming of that day;
In the church below the lips are dust;
Dust are the hands, and dust the feet,
That would have been so swift to meet
The coming of that wayward boy.

At night the front of the old château
Is a blaze of light above and below;
There's a sound of wheels and hoofs in the street,
A cracking of whips, and scamper of feet,
Bells are ringing, and horns are blown,
And the Baron hath come again to his own.
The Curate is waiting in the hall,
Most eager and alive of all
To welcome the Baron and Baroness;
But his mind is full of vague distress,
For he hath read in Jesuit books
Of those children of the wilderness,
And now, good, simple man! he looks
To see a painted savage stride
Into the room, with shoulders bare,
And eagle feathers in her hair,
And around her a robe of panther's hide.

Instead, he beholds with secret shame
A form of beauty undefined,
A loveliness with out a name,
Not of degree, but more of kind;
Nor bold nor shy, nor short nor tall,
But a new mingling of them all.
Yes, beautiful beyond belief,
Transfigured and transfused, he sees
The lady of the Pyrenees,
The daughter of the Indian chief.
Beneath the shadow of her hair
The gold-bronze color of the skin
Seems lighted by a fire within,
As when a burst of sunlight shines
Beneath a sombre grove of pines,--
A dusky splendor in the air.
The two small hands, that now are pressed
In his, seem made to be caressed,
They lie so warm and soft and still,
Like birds half hidden in a nest,
Trustful, and innocent of ill.
And ah! he cannot believe his ears
When her melodious voice he hears
Speaking his native Gascon tongue;
The words she utters seem to be
Part of some poem of Goudouli,
They are not spoken, they are sung!
And the Baron smiles, and says, 'You see,
I told you but the simple truth;
Ah, you may trust the eyes of youth!'

Down in the village day by day
The people gossip in their way,
And stared to see the Baroness pass
On Sunday morning to early Mass;
And when she kneeleth down to pray,
They wonder, and whisper together, and say,
'Surely this is no heathen lass!'
And in course of time they learn to bless
The Baron and the Baroness.

And in course of time the Curate learns
A secret so dreadful, that by turns
He is ice and fire, he freezes and burns.
The Baron at confession hath said,
That though this woman be his wife,
He hath wed her as the Indians wed,
He hath bought her for a gun and a knife!
And the Curate replies: 'O profligate,
O Prodigal Son! return once more
To the open arms and the open door
Of the Church, or ever it be too late.
Thank God, thy father did not live
To see what he could not forgive;
On thee, so reckless and perverse,
He left his blessing, not his curse.
But the nearer the dawn the darker the night,
And by going wrong all things come right;
Things have been mended that were worse,
And the worse, the nearer they are to mend.
For the sake of the living and the dead,
Thou shalt be wed as Christians wed,
And all things come to a happy end.'

O sun, that followest the night,
In yon blue sky, serene and pure,
And pourest thine impartial light
Alike on mountain and on moor,
Pause for a moment in thy course,
And bless the bridegroom and the bride!

O Gave, that from thy hidden source
In yon mysterious mountain-side
Pursuest thy wandering way alone,
And leaping down its steps of stone,
Along the meadow-lands demure
Stealest away to the Adour,
Pause for a moment in thy course
To bless the bridegroom and the bride!

The choir is singing the matin song,
The doors of the church are opened wide,
The people crowd, and press, and throng
To see the bridegroom and the bride.
They enter and pass along the nave;
They stand upon the father's grave;
The bells are ringing soft and slow;
The living above and the dead below
Give their blessing on one and twain;
The warm wind blows from the hills of Spain,
The birds are building, the leaves are green,
And Baron Castine of St. Castine
Hath come at last to his own again.

Morituri Salutamus: Poem For The Fiftieth Anniversary

Tempora labuntur, tacitisque senescimus annis,
Et fugiunt freno non remorante dies.
Ovid, Fastorum, Lib. vi.
'O Cæsar, we who are about to die
Salute you! ' was the gladiators' cry
In the arena, standing face to face
With death and with the Roman populace.
O ye familiar scenes,- ye groves of pine,
That once were mine and are no longer mine,-
Thou river, widening through the meadows green
To the vast sea, so near and yet unseen,-
Ye halls, in whose seclusion and repose

Phantoms of fame, like exhalations, rose
And vanished,- we who are about to die,
Salute you; earth and air and sea and sky,
And the Imperial Sun that scatters down
His sovereign splendors upon grove and town.

Ye do not answer us! ye do not hear!
We are forgotten; and in your austere
And calm indifference, ye little care
Whether we come or go, or whence or where.
What passing generations fill these halls,
What passing voices echo from these walls,
Ye heed not; we are only as the blast,
A moment heard, and then forever past.

Not so the teachers who in earlier days
Led our bewildered feet through learning's maze;
They answer us- alas! what have I said?
What greetings come there from the voiceless dead?
What salutation, welcome, or reply?
What pressure from the hands that lifeless lie?
They are no longer here; they all are gone
Into the land of shadows,- all save one.
Honor and reverence, and the good repute
That follows faithful service as its fruit,
Be unto him, whom living we salute.

The great Italian poet, when he made
His dreadful journey to the realms of shade,
Met there the old instructor of his youth,
And cried in tones of pity and of ruth:
'Oh, never from the memory of my heart

Your dear, paternal image shall depart,
Who while on earth, ere yet by death surprised,
Taught me how mortals are immortalized;
How grateful am I for that patient care
All my life long my language shall declare.'

To-day we make the poet's words our own,
And utter them in plaintive undertone;
Nor to the living only be they said,
But to the other living called the dead,
Whose dear, paternal images appear
Not wrapped in gloom, but robed in sunshine here;
Whose simple lives, complete and without flaw,
Were part and parcel of great Nature's law;
Who said not to their Lord, as if afraid,
'Here is thy talent in a napkin laid,'
But labored in their sphere, as men who live
In the delight that work alone can give.
Peace be to them; eternal peace and rest,
And the fulfilment of the great behest:
'Ye have been faithful over a few things,
Over ten cities shall ye reign as kings.'

And ye who fill the places we once filled,
And follow in the furrows that we tilled,
Young men, whose generous hearts are beating high,
We who are old, and are about to die,
Salute you; hail you; take your hands in ours,
And crown you with our welcome as with flowers!

How beautiful is youth! how bright it gleams
With its illusions, aspirations, dreams!
Book of Beginnings, Story without End,
Each maid a heroine, and each man a friend!
Aladdin's Lamp, and Fortunatus' Purse,
That holds the treasures of the universe!
All possibilities are in its hands,
No danger daunts it, and no foe withstands;
In its sublime audacity of faith,
'Be thou removed! ' it to the mountain saith,
And with ambitious feet, secure and proud,
Ascends the ladder leaning on the cloud!

As ancient Priam at the Scæan gate
Sat on the walls of Troy in regal state
With the old men, too old and weak to fight,
Chirping like grasshoppers in their delight
To see the embattled hosts, with spear and shield,
Of Trojans and Achaians in the field;
So from the snowy summits of our years
We see you in the plain, as each appears,
And question of you; asking, 'Who is he
That towers above the others? Which may be
Atreides, Menelaus, Odysseus,
Ajax the great, or bold Idomeneus? '

Let him not boast who puts his armor on
As he who puts it off, the battle done.
Study yourselves; and most of all note well
Wherein kind Nature meant you to excel.
Not every blossom ripens into fruit;
Minerva, the inventress of the flute,
Flung it aside, when she her face surveyed
Distorted in a fountain as she played;
The unlucky Marsyas found it, and his fate
Was one to make the bravest hesitate.


Write on your doors the saying wise and old,
'Be bold! be bold! ' and everywhere, 'Be bold;
Be not too bold! ' Yet better the excess
Than the defect; better the more than less;
Better like Hector in the field to die,
Than like a perfumed Paris turn and fly.


And now, my classmates; ye remaining few
That number not the half of those we knew,
Ye, against whose familiar names not yet
The fatal asterisk of death is set,
Ye I salute! The horologe of Time
Strikes the half-century with a solemn chime,
And summons us together once again,
The joy of meeting not unmixed with pain.


Where are the others? Voices from the deep
Caverns of darkness answer me: 'They sleep! '
I name no names; instinctively I feel
Each at some well-remembered grave will kneel,
And from the inscription wipe the weeds and moss,
For every heart best knoweth its own loss.
I see their scattered gravestones gleaming white
Through the pale dusk of the impending night;
O'er all alike the impartial sunset throws
Its golden lilies mingled with the rose;
We give to each a tender thought, and pass
Out of the graveyards with their tangled grass,
Unto these scenes frequented by our feet
When we were young, and life was fresh and sweet.


What shall I say to you? What can I say
Better than silence is? When I survey
This throng of faces turned to meet my own,
Friendly and fair, and yet to me unknown,
Transformed the very landscape seems to be;
It is the same, yet not the same to me.
So many memories crowd upon my brain,
So many ghosts are in the wooded plain,
I fain would steal away, with noiseless tread,
As from a house where some one lieth dead.
I cannot go; - I pause; - I hesitate;
My feet reluctant linger at the gate;
As one who struggles in a troubled dream
To speak and cannot, to myself I seem.


Vanish the dream! Vanish the idle fears!
Vanish the rolling mists of fifty years!
Whatever time or space may intervene,
I will not be a stranger in this scene.
Here every doubt, all indecision, ends;
Hail, my companions, comrades, classmates, friends!


Ah me! the fifty years since last we met
Seem to me fifty folios bound and set
By Time, the great transcriber, on his shelves,
Wherein are written the histories of ourselves.
What tragedies, what comedies, are there;
What joy and grief, what rapture and despair!
What chronicles of triumph and defeat,
Of struggle, and temptation, and retreat!
What records of regrets, and doubts, and fears!
What pages blotted, blistered by our tears!
What lovely landscapes on the margin shine,
What sweet, angelic faces, what divine
And holy images of love and trust,
Undimmed by age, unsoiled by damp or dust!
Whose hand shall dare to open and explore
These volumes, closed and clasped forevermore?
Not mine. With reverential feet I pass;
I hear a voice that cries, 'Alas! alas!
Whatever hath been written shall remain,
Nor be erased nor written o'er again;
The unwritten only still belongs to thee:
Take heed, and ponder well what that shall be.'


As children frightened by a thunder-cloud
Are reassured if some one reads aloud
A tale of wonder, with enchantment fraught,
Or wild adventure, that diverts their thought,
Let me endeavor with a tale to chase
The gathering shadows of the time and place,
And banish what we all too deeply feel
Wholly to say, or wholly to conceal.


In mediæval Rome, I know not where,
There stood an image with its arm in air,
And on its lifted finger, shining clear,
A golden ring with the device, 'Strike here! '
Greatly the people wondered, though none guessed
The meaning that these words but half expressed,
Until a learned clerk, who at noonday
With downcast eyes was passing on his way,
Paused, and observed the spot, and marked it well,
Whereon the shadow of the finger fell;
And, coming back at midnight, delved, and found
A secret stairway leading underground.
Down this he passed into a spacious hall,
Lit by a flaming jewel on the wall;
And opposite, in threatening attitude,
With bow and shaft a brazen statue stood.
Upon its forehead, like a coronet,
Were these mysterious words of menace set:
'That which I am, I am; my fatal aim
None can escape, not even yon luminous flame! '


Midway the hall was a fair table placed,
With cloth of gold, and golden cups enchased
With rubies, and the plates and knives were gold,
And gold the bread and viands manifold.
Around it, silent, motionless, and sad,
Were seated gallant knights in armor clad,
And ladies beautiful with plume and zone,
But they were stone, their hearts within were stone;
And the vast hall was filled in every part
With silent crowds, stony in face and heart.


Long at the scene, bewildered and amazed
The trembling clerk in speechless wonder gazed;
Then from the table, by his greed made bold,
He seized a goblet and a knife of gold,
And suddenly from their seats the guests upsprang,
The vaulted ceiling with loud clamors rang,
The archer sped his arrow, at their call,
Shattering the lambent jewel on the wall,
And all was dark around and overhead; -
Stark on the floor the luckless clerk lay dead!


The writer of this legend then records
Its ghostly application in these words:
The image is the Adversary old,
Whose beckoning finger points to realms of gold;
Our lusts and passions are the downward stair
That leads the soul from a diviner air;
The archer, Death; the flaming jewel, Life;
Terrestrial goods, the goblet and the knife;
The knights and ladies, all whose flesh and bone
By avarice have been hardened into stone;
The clerk, the scholar whom the love of pelf
Tempts from his books and from his nobler self.


The scholar and the world! The endless strife,
The discord in the harmonies of life!
The love of learning, the sequestered nooks,
And all the sweet serenity of books;
The market-place, the eager love of gain,
Whose aim is vanity, and whose end is pain!


But why, you ask me, should this tale be told
To men grown old, or who are growing old?
It is too late! Ah, nothing is too late
Till the tired heart shall cease to palpitate.
Cato learned Greek at eighty; Sophocles
Wrote his grand Oedipus, and Simonides
Bore off the prize of verse from his compeers,
When each had numbered more than fourscore years,
And Theophrastus, at fourscore and ten,
Had but begun his 'Characters of Men.'
Chaucer, at Woodstock with the nightingales,
At sixty wrote the Canterbury Tales;
Goethe at Weimar, toiling to the last,
Completed Faust when eighty years were past.
These are indeed exceptions; but they show
How far the gulf-stream of our youth may flow
Into the arctic regions of our lives,
Where little else than life itself survives.
As the barometer foretells the storm
While still the skies are clear, the weather warm
So something in us, as old age draws near,
Betrays the pressure of the atmosphere.
The nimble mercury, ere we are aware,
Descends the elastic ladder of the air;
The telltale blood in artery and vein
Sinks from its higher levels in the brain;
Whatever poet, orator, or sage
May say of it, old age is still old age.
It is the waning, not the crescent moon;
The dusk of evening, not the blaze of noon;
It is not strength, but weakness; not desire,
But its surcease; not the fierce heat of fire,
The burning and consuming element,
But that of ashes and of embers spent,
In which some living sparks we still discern,
Enough to warm, but not enough to burn.


What then? Shall we sit idly down and say
The night hath come; it is no longer day?
The night hath not yet come; we are not quite
Cut off from labor by the failing light;
Something remains for us to do or dare;
Even the oldest tree some fruit may bear;
Not Oedipus Coloneus, or Greek Ode,
Or tales of pilgrims that one morning rode
Out of the gateway of the Tabard Inn,
But other something, would we but begin;
For age is opportunity no less
Than youth itself, though in another dress,
And as the evening twilight fades away
The sky is filled with stars, invisible by day.

Turn, turn, my wheel? Turn round and round
Without a pause, without a sound:
So spins the flying world away!
This clay, well mixed with marl and sand,
Follows the motion of my hand;
Far some must follow, and some command,
Though all are made of clay!


Thus sang the Potter at his task
Beneath the blossoming hawthorn-tree,
While o'er his features, like a mask,
The quilted sunshine and leaf-shade
Moved, as the boughs above him swayed,
And clothed him, till he seemed to be
A figure woven in tapestry,
So sumptuously was he arrayed
In that magnificent attire
Of sable tissue flaked with fire.
Like a magician he appeared,
A conjurer without book or beard;
And while he plied his magic art--
For it was magical to me--
I stood in silence and apart,
And wondered more and more to see
That shapeless, lifeless mass of clay
Rise up to meet the master's hand,
And now contract and now expand,
And even his slightest touch obey;
While ever in a thoughtful mood
He sang his ditty, and at times
Whistled a tune between the rhymes,
As a melodious interlude.


Turn, turn, my wheel! All things must change
To something new, to something strange;
Nothing that is can pause or stay;
The moon will wax, the moon will wane,
The mist and cloud will turn to rain,
The rain to mist and cloud again,
To-morrow be to-day.


Thus still the Potter sang, and still,
By some unconscious act of will,
The melody and even the words
Were intermingled with my thought
As bits of colored thread are caught
And woven into nests of birds.
And thus to regions far remote,
Beyond the ocean's vast expanse,
This wizard in the motley coat
Transported me on wings of song,
And by the northern shores of France
Bore me with restless speed along.
What land is this that seems to be
A mingling of the land and sea?
This land of sluices, dikes, and dunes?
This water-net, that tessellates
The landscape? this unending maze
Of gardens, through whose latticed gates
The imprisoned pinks and tulips gaze;
Where in long summer afternoons
The sunshine, softened by the haze,
Comes streaming down as through a screen;
Where over fields and pastures green
The painted ships float high in air,
And over all and everywhere
The sails of windmills sink and soar
Like wings of sea-gulls on the shore?

What land is this? Yon pretty town
Is Delft, with all its wares displayed;
The pride, the market-place, the crown
And centre of the Potter's trade.
See! every house and room is bright
With glimmers of reflected light
From plates that on the dresser shine;
Flagons to foam with Flemish beer,
Or sparkle with the Rhenish wine,
And pilgrim flasks with fleurs-de-lis,
And ships upon a rolling sea,
And tankards pewter topped, and queer
With comic mask and musketeer!
Each hospitable chimney smiles
A welcome from its painted tiles;
The parlor walls, the chamber floors,
The stairways and the corridors,
The borders of the garden walks,
Are beautiful with fadeless flowers,
That never droop in winds or showers,
And never wither on their stalks.


Turn, turn, my wheel! All life is brief;
What now is bud wilt soon be leaf,
What now is leaf will soon decay;
The wind blows east, the wind blows west;
The blue eyes in the robin's nest
Will soon have wings and beak and breast,
And flutter and fly away.


Now southward through the air I glide,
The song my only pursuivant,
And see across the landscape wide
The blue Charente, upon whose tide
The belfries and the spires of Saintes
Ripple and rock from side to side,
As, when an earthquake rends its walls,
A crumbling city reels and falls.

Who is it in the suburbs here,
This Potter, working with such cheer,
In this mean house, this mean attire,
His manly features bronzed with fire,
Whose figulines and rustic wares
Scarce find him bread from day to day?
This madman, as the people say,
Who breaks his tables and his chairs
To feed his furnace fires, nor cares
Who goes unfed if they are fed,
Nor who may live if they are dead?
This alchemist with hollow cheeks
And sunken, searching eyes, who seeks,
By mingled earths and ores combined
With potency of fire, to find
Some new enamel, hard and bright,
His dream, his passion, his delight?

O Palissy! within thy breast
Burned the hot fever of unrest;
Thine was the prophets vision, thine
The exultation, the divine
Insanity of noble minds,
That never falters nor abates,
But labors and endures and waits,
Till all that it foresees it finds,
Or what it cannot find creates!


Turn, turn, my wheel! This earthen jar
A touch can make, a touch can mar;
And shall it to the Potter say,
What makest thou. Thou hast no hand?
As men who think to understand
A world by their Creator planned,
Who wiser is than they.


Still guided by the dreamy song,
As in a trance I float along
Above the Pyrenean chain,
Above the fields and farms of Spain,
Above the bright Majorcan isle,
That lends its softened name to art,--
A spot, a dot upon the chart,
Whose little towns, red-roofed with tile,
Are ruby-lustred with the light
Of blazing furnaces by night,
And crowned by day with wreaths of smoke.
Then eastward, wafted in my flight
On my enchanter's magic cloak,
I sail across the Tyrrhene Sea
Into the land of Italy,
And o'er the windy Apennines,
Mantled and musical with pines.

The palaces, the princely halls,
The doors of houses and the walls
Of churches and of belfry towers,
Cloister and castle, street and mart,
Are garlanded and gay with flowers
That blossom in the fields of art.
Here Gubbio's workshops gleam and glow
With brilliant, iridescent dyes,
The dazzling whiteness of the snow,
The cobalt blue of summer skies;
And vase and scutcheon, cup and plate,
In perfect finish emulate
Faenza, Florence, Pesaro.

Forth from Urbino's gate there came
A youth with the angelic name
Of Raphael, in form and face
Himself angelic, and divine
In arts of color and design.
From him Francesco Xanto caught
Something of his transcendent grace,
And into fictile fabrics wrought
Suggestions of the master's thought.
Nor less Maestro Giorgio shines
With madre-perl and golden lines
Of arabesques, and interweaves
His birds and fruits and flowers and leaves
About some landscape, shaded brown,
With olive tints on rock and town.
Behold this cup within whose bowl,
Upon a ground of deepest blue
With yellow-lustred stars o'erlaid,
Colors of every tint and hue
Mingle in one harmonious whole!
With large blue eyes and steadfast gaze,
Her yellow hair in net and braid,
Necklace and ear-rings all ablaze
With golden lustre o'er the glaze,
A woman's portrait; on the scroll,
Cana, the Beautiful! A name
Forgotten save for such brief fame
As this memorial can bestow,--
A gift some lover long ago
Gave with his heart to this fair dame.

A nobler title to renown
Is thine, O pleasant Tuscan town,
Seated beside the Arno's stream;
For Lucca della Robbia there
Created forms so wondrous fair,
They made thy sovereignty supreme.
These choristers with lips of stone,
Whose music is not heard, but seen,
Still chant, as from their organ-screen,
Their Maker's praise; nor these alone,
But the more fragile forms of clay,
Hardly less beautiful than they,
These saints and angels that adorn
The walls of hospitals, and tell
The story of good deeds so well
That poverty seems less forlorn,
And life more like a holiday.

Here in this old neglected church,
That long eludes the traveller's search,
Lies the dead bishop on his tomb;
Earth upon earth he slumbering lies,
Life-like and death-like in the gloom;
Garlands of fruit and flowers in bloom
And foliage deck his resting place;
A shadow in the sightless eyes,
A pallor on the patient face,
Made perfect by the furnace heat;
All earthly passions and desires
Burnt out by purgatorial fires;
Seeming to say, 'Our years are fleet,
And to the weary death is sweet.'

But the most wonderful of all
The ornaments on tomb or wall
That grace the fair Ausonian shores
Are those the faithful earth restores,
Near some Apulian town concealed,
In vineyard or in harvest field,--
Vases and urns and bas-reliefs,
Memorials of forgotten griefs,
Or records of heroic deeds
Of demigods and mighty chiefs:
Figures that almost move and speak,
And, buried amid mould and weeds,
Still in their attitudes attest
The presence of the graceful Greek,--
Achilles in his armor dressed,
Alcides with the Cretan bull,
And Aphrodite with her boy,
Or lovely Helena of Troy,
Still living and still beautiful.


Turn, turn, my wheel! 'T is nature's plan
The child should grow into the man,
The man grow wrinkled, old, and gray;
In youth the heart exults and sings,
The pulses leap, the feet have wings;
In age the cricket chirps, and brings
The harvest home of day.


And now the winds that southward blow,
And cool the hot Sicilian isle,
Bear me away. I see below
The long line of the Libyan Nile,
Flooding and feeding the parched land
With annual ebb and overflow,
A fallen palm whose branches lie
Beneath the Abyssinian sky,
Whose roots are in Egyptian sands,
On either bank huge water-wheels,
Belted with jars and dripping weeds,
Send forth their melancholy moans,
As if, in their gray mantles hid,
Dead anchorites of the Thebaid
Knelt on the shore and told their beads,
Beating their breasts with loud appeals
And penitential tears and groans.

This city, walled and thickly set
With glittering mosque and minaret,
Is Cairo, in whose gay bazaars
The dreaming traveller first inhales
The perfume of Arabian gales,
And sees the fabulous earthen jars,
Huge as were those wherein the maid
Morgiana found the Forty Thieves
Concealed in midnight ambuscade;
And seeing, more than half believes
The fascinating tales that run
Through all the Thousand Nights and One,
Told by the fair Scheherezade.

More strange and wonderful than these
Are the Egyptian deities,
Ammonn, and Emeth, and the grand
Osiris, holding in his hand
The lotus; Isis, crowned and veiled;
The sacred Ibis, and the Sphinx;
Bracelets with blue enamelled links;
The Scarabee in emerald mailed,
Or spreading wide his funeral wings;
Lamps that perchance their night-watch kept
O'er Cleopatra while she slept,--
All plundered from the tombs of kings.

Turn, turn, my wheel! The human race,
Of every tongue, of every place,
Caucasian, Coptic, or Malay,
All that inhabit this great earth,
Whatever be their rank or worth,
Are kindred and allied by birth,
And made of the same clay.

O'er desert sands, o'er gulf and bay,
O'er Ganges and o'er Himalay,
Bird-like I fly, and flying sing,
To flowery kingdoms of Cathay,
And bird-like poise on balanced wing
Above the town of King-te-tching,
A burning town, or seeming so,--
Three thousand furnaces that glow
Incessantly, and fill the air
With smoke uprising, gyre on gyre
And painted by the lurid glare,
Of jets and flashes of red fire.

As leaves that in the autumn fall,
Spotted and veined with various hues,
Are swept along the avenues,
And lie in heaps by hedge and wall,
So from this grove of chimneys whirled
To all the markets of the world,
These porcelain leaves are wafted on,--
Light yellow leaves with spots and stains
Of violet and of crimson dye,
Or tender azure of a sky
Just washed by gentle April rains,
And beautiful with celadon.

Nor less the coarser household wares,--
The willow pattern, that we knew
In childhood, with its bridge of blue
Leading to unknown thoroughfares;
The solitary man who stares
At the white river flowing through
Its arches, the fantastic trees
And wild perspective of the view;
And intermingled among these
The tiles that in our nurseries
Filled us with wonder and delight,
Or haunted us in dreams at night.

And yonder by Nankin, behold!
The Tower of Porcelain, strange and old,
Uplifting to the astonished skies
Its ninefold painted balconies,
With balustrades of twining leaves,
And roofs of tile, beneath whose eaves
Hang porcelain bells that all the time
Ring with a soft, melodious chime;
While the whole fabric is ablaze
With varied tints, all fused in one
Great mass of color, like a maze
Of flowers illumined by the sun.


Turn, turn, my wheel! What is begun
At daybreak must at dark be done,
To-morrow will be another day;
To-morrow the hot furnace flame
Will search the heart and try the frame,
And stamp with honor or with shame
These vessels made of clay.


Cradled and rocked in Eastern seas,
The islands of the Japanese
Beneath me lie; o'er lake and plain
The stork, the heron, and the crane
Through the clear realms of azure drift,
And on the hillside I can see
The villages of Imari,
Whose thronged and flaming workshops lift
Their twisted columns of smoke on high,
Cloud cloisters that in ruins lie,
With sunshine streaming through each rift,
And broken arches of blue sky.

All the bright flowers that fill the land,
Ripple of waves on rock or sand,
The snow on Fusiyama's cone,
The midnight heaven so thickly sown
With constellations of bright stars,
The leaves that rustle, the reeds that make
A whisper by each stream and lake,
The saffron dawn, the sunset red,
Are painted on these lovely jars;
Again the skylark sings, again
The stork, the heron, and the crane
Float through the azure overhead,
The counterfeit and counterpart
Of Nature reproduced in Art.

Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mother's face,
Her aspect and her attitude,
All her majestic loveliness
Chastened and softened and subdued
Into a more attractive grace,
And with a human sense imbued.
He is the greatest artist, then,
Whether of pencil or of pen,
Who follows Nature. Never man,
As artist or as artisan,
Pursuing his own fantasies,
Can touch the human heart, or please,
Or satisfy our nobler needs,
As he who sets his willing feet
In Nature's footprints, light and fleet,
And follows fearless where she leads.

Thus mused I on that morn in May,
Wrapped in my visions like the Seer,
Whose eyes behold not what is near,
But only what is far away,
When, suddenly sounding peal on peal,
The church-bell from the neighboring town
Proclaimed the welcome hour of noon.
The Potter heard, and stopped his wheel,
His apron on the grass threw down,
Whistled his quiet little tune,
Not overloud nor overlong,
And ended thus his simple song:

Stop, stop, my wheel! Too soon, too soon
The noon will be the afternoon,
Too soon to-day be yesterday;
Behind us in our path we cast
The broken potsherds of the past,
And all are ground to dust a last,
And trodden into clay!

The Golden Legend: Prologue & 1.

THE SPIRE OF STRASBURG CATHEDRAL.

Night and storm. LUCIFER, with the Powers of the
Air, trying to tear down the Cross.

_Lucifer._ HASTEN! hasten!
O ye spirits!
From its station drag the ponderous
Cross of iron, that to mock us
Is uplifted high in air!

_Voices._ O, we cannot!
For around it
All the Saints and Guardian Angels
Throng in legions to protect it;
They defeat us everywhere!

_The Bells._ Laudo Deum verum
Plebem voco!
Congrego clerum!

_Lucifer._ Lower! lower!
Hover downward!
Seize the loud, vociferous bells, and
Clashing, clanging, to the pavement
Hurl them from their windy tower!

_Voices._ All thy thunders
Here are harmless!
For these bells have been anointed,
And baptized with holy water!
They defy our utmost power.

_The Bells. Defunctos ploro!
Pestem fugo!
Festa decoro!

_Lucifer._ Shake the casements!
Break the painted
Panes that flame with gold and crimson!
Scatter them like leaves of Autumn,
Swept away before the blast!

_Voices._ O, we cannot!
The Archangel
Michael flames from every window,
With the sword of fire that drove us
Headlong, out of heaven, aghast!

_The Bells._ Funera plango!
Fulgora frango!
Sabbata pango!

_Lucifer._ Aim your lightnings
At the oaken,
Massive, iron-studded portals!
Sack the house of God, and scatter
Wide the ashes of the dead!

_Voices._ O, we cannot!
The Apostles
And the Martyrs, wrapped in mantles,
Stand as wardens at the entrance,
Stand as sentinels o'erhead!

_The Bells._ Excito lentos!
Dissipo ventos!
Paco cruentos!

_Lucifer._ Baffled! baffled!
Inefficient,
Craven spirits! leave this labor
Unto Time, the great Destroyer!
Come away, ere night is gone!

_Voices._ Onward! onward!
With the night-wind,
Over field and farm and forest,
Lonely homestead, darksome hamlet,
Blighting all we breathe upon!

(They sweep away. Organ and Gregorian Chant.)

Choir. Nocte surgentes
Vig lemus omnes!

* * * * *

I. THE CASTLE OF VAUTSBERG ON THE RHINE.

A chamber in a tower. PRINCE HENRY, sitting alone,
ill and restless.

_Prince Henry. I cannot sleep! my fervid brain
Calls up the vanished Past again,
And throws its misty splendors deep
Into the pallid realms of sleep!
A breath from that far-distant shore
Comes freshening ever more and more,
And wafts o'er intervening seas
Sweet odors from the Hesperides!
A wind, that through the corridor
Just stirs the curtain, and no more,
And, touching the aeolian strings,
Faints with the burden that it brings!
Come back! ye friendships long departed!
That like o'erflowing streamlets started,
And now are dwindled, one by one,
To stony channels in the sun!
Come back! ye friends, whose lives are ended!
Come back, with all that light attended,
Which seemed to darken and decay
When ye arose and went away!
They come, the shapes of joy and woe,
The airy crowds of long-ago,
The dreams and fancies known of yore,
That have been, and shall be no more.
They change the cloisters of the night
Into a garden of delight;
They make the dark and dreary hours
Open and blossom into flowers!
I would not sleep! I love to be
Again in their fair company;
But ere my lips can bid them stay,
They pass and vanish quite away!

Alas! our memories may retrace
Each circumstance of time and place,
Season and scene come back again,
And outward things unchanged remain;
The rest we cannot reinstate;
Ourselves we cannot re-create,
Nor set our souls to the same key
Of the remembered harmony!

Rest! rest! O, give me rest and peace!
The thought of life that ne'er shall cease
Has something in it like despair,
A weight I am too weak to bear!
Sweeter to this afflicted breast
The thought of never-ending rest!
Sweeter the undisturbed and deep
Tranquillity of endless sleep!


(_A flash of lightning, out of which_ LUCIFER _appears,
in the garb of a travelling Physician._)

_Lucifer_. All hail Prince Henry!

_Prince Henry_ (_starting_). Who is it speaks?
Who and what are you?

_Lucifer_. One who seeks
A moment's audience with the Prince.

_Prince Henry_. When came you in?

_Lucifer_. A moment since.
I found your study door unlocked,
And thought you answered when I knocked.

_Prince Henry_. I did not hear you.

_Lucifer_. You heard the thunder;
It was loud enough to waken the dead.
And it is not a matter of special wonder
That, when God is walking overhead,
You should not have heard my feeble tread.

_Prince Henry_. What may your wish or purpose be?

_Lucifer_. Nothing or everything, as it pleases
Your Highness. You behold in me
Only a traveling Physician;
One of the few who have a mission
To cure incurable diseases,
Or those that are called so.

_Prince Henry_. Can you bring
The dead to life?

_Lucifer_. Yes; very nearly.
And, what is a wiser and better thing,
Can keep the living from ever needing
Such an unnatural, strange proceeding,
By showing conclusively and clearly
That death is a stupid blunder merely,
And not a necessity of our lives.
My being here is accidental;
The storm, that against your casement drives,
In the little village below waylaid me.
And there I heard, with a secret delight,
Of your maladies physical and mental,
Which neither astonished nor dismayed me.
And I hastened hither, though late in the night,
To proffer my aid!

_Prince Henry (ironically)_ For this you came!
Ah, how can I ever hope to requite
This honor from one so erudite?

_Lucifer_. The honor is mine, or will be when
I have cured your disease.

_Prince Henry_. But not till then.

_Lucifer_. What is your illness?

_Prince Henry_. It has no name.
A smouldering, dull, perpetual flame,
As in a kiln, burns in my veins,
Sending up vapors to the head,
My heart has become a dull lagoon,
Which a kind of leprosy drinks and drains;
I am accounted as one who is dead,
And, indeed, I think that I shall be soon.

_Lucifer_ And has Gordonius the Divine,
In his famous Lily of Medicine,--
I see the book lies open before you,--
No remedy potent enough to restore you?

_Prince Henry_. None whatever!

_Lucifer_ The dead are dead,
And their oracles dumb, when questioned
Of the new diseases that human life
Evolves in its progress, rank and rife.
Consult the dead upon things that were,
But the living only on things that are.
Have you done this, by the appliance
And aid of doctors?

_Prince Henry_. Ay, whole schools
Of doctors, with their learned rules,
But the case is quite beyond their science.
Even the doctors of Salern
Send me back word they can discern
No cure for a malady like this,
Save one which in its nature is
Impossible, and cannot be!

_Lucifer_ That sounds oracular!

_Prince Henry_ Unendurable!

_Lucifer_ What is their remedy?

_Prince Henry_ You shall see;
Writ in this scroll is the mystery.

_Lucifer (reading)._ 'Not to be cured, yet not incurable!
The only remedy that remains
Is the blood that flows from a maiden's veins,
Who of her own free will shall die,
And give her life as the price of yours!'
That is the strangest of all cures,
And one, I think, you will never try;
The prescription you may well put by,
As something impossible to find
Before the world itself shall end!
And yet who knows? One cannot say
That into some maiden's brain that kind
Of madness will not find its way.
Meanwhile permit me to recommend,
As the matter admits of no delay,
My wonderful Catholicon,
Of very subtile and magical powers!

_Prince Henry._ Purge with your nostrums and drugs infernal
The spouts and gargoyles of these towers,
Not me! My faith is utterly gone
In every power but the Power Supernal!
Pray tell me, of what school are you?

_Lucifer._ Both of the Old and of the New!
The school of Hermes Trismegistus,
Who uttered his oracles sublime
Before the Olympiads, in the dew
Of the early dawn and dusk of Time,
The reign of dateless old Hephaestus!
As northward, from its Nubian springs,
The Nile, forever new and old,
Among the living and the dead,
Its mighty, mystic stream has rolled;
So, starting from its fountain-head
Under the lotus-leaves of Isis,
From the dead demigods of eld,
Through long, unbroken lines of kings
Its course the sacred art has held,
Unchecked, unchanged by man's devices.
This art the Arabian Geber taught,
And in alembics, finely wrought,
Distilling herbs and flowers, discovered
The secret that so long had hovered
Upon the misty verge of Truth,
The Elixir of Perpetual Youth,
Called Alcohol, in the Arab speech!
Like him, this wondrous lore I teach!

_Prince Henry._ What! an adept?

_Lucifer._ Nor less, nor more!

_Prince Henry._ I am a reader of such books,
A lover of that mystic lore!
With such a piercing glance it looks
Into great Nature's open eye,
And sees within it trembling lie
The portrait of the Deity!
And yet, alas! with all my pains,
The secret and the mystery
Have baffled and eluded me,
Unseen the grand result remains!

_Lucifer (showing a flask)._ Behold it here! this little flask
Contains the wonderful quintessence,
The perfect flower and efflorescence,
Of all the knowledge man can ask!
Hold it up thus against the light!

_Prince Henry._ How limpid, pure, and crystalline,
How quick, and tremulous, and bright
The little wavelets dance and shine,
As were it the Water of Life in sooth!

_Lucifer._ It is! It assuages every pain,
Cures all disease, and gives again
To age the swift delights of youth.
Inhale its fragrance.

_Prince Henry._ It is sweet.
A thousand different odors meet
And mingle in its rare perfume,
Such as the winds of summer waft
At open windows through a room!

_Lucifer._ Will you not taste it?

_Prince Henry._ Will one draught
Suffice?

_Lucifer._ If not, you can drink more.

_Prince Henry._ Into this crystal goblet pour
So much as safely I may drink.

_Lucifer (pouring)._ Let not the quantity alarm you:
You may drink all; it will not harm you.

_Prince Henry._ I am as one who on the brink
Of a dark river stands and sees
The waters flow, the landscape dim
Around him waver, wheel, and swim,
And, ere he plunges, stops to think
Into what whirlpools he may sink;
One moment pauses, and no more,
Then madly plunges from the shore!
Headlong into the dark mysteries
Of life and death I boldly leap,
Nor fear the fateful current's sweep,
Nor what in ambush lurks below!
For death is better than disease!

(_An_ ANGEL _with an aeolian harp hovers in the air_.)

_Angel._ Woe! woe! eternal woe!
Not only the whispered prayer
Of love,
But the imprecations of hate,
Reverberate
Forever and ever through the air
Above!
This fearful curse
Shakes the great universe!

_Lucifer (disappearing)._ Drink! drink!
And thy soul shall sink
Down into the dark abyss,
Into the infinite abyss,
From which no plummet nor rope
Ever drew up the silver sand of hope!

_Prince Henry (drinking)._ It is like a draught of fire!
Through every vein
I feel again
The fever of youth, the soft desire;
A rapture that is almost pain
Throbs in my heart and fills my brain!
O joy! O joy! I feel
The band of steel
That so long and heavily has pressed
Upon my breast
Uplifted, and the malediction
Of my affliction
Is taken from me, and my weary breast
At length finds rest.

_The Angel._ It is but the rest of the fire, from which the air
has been taken!
It is but the rest of the sand, when the hour-glass is not shaken!
It is but the rest of the tide between the ebb and the flow!
It is but the rest of the wind between the flaws that blow!
With fiendish laughter,
Hereafter,
This false physician
Will mock thee in thy perdition.

_Prince Henry._ Speak! speak!
Who says that I am ill?
I am not ill! I am not weak!
The trance, the swoon, the dream, is o'er!
I feel the chill of death no more!
At length,
I stand renewed in all my strength!
Beneath me I can feel
The great earth stagger and reel,
As it the feet of a descending God
Upon its surface trod,
And like a pebble it rolled beneath his heel!
This, O brave physician! this
Is thy great Palingenesis!

(_Drinks again_.)

_The Angel._ Touch the goblet no more!
It will make thy heart sore
To its very core!
Its perfume is the breath
Of the Angel of Death,
And the light that within it lies
Is the flash of his evil eyes.
Beware! O, beware!
For sickness, sorrow, and care
All are there!

_Prince Henry (sinking back)._ O thou voice within my breast!
Why entreat me, why upbraid me,
When the steadfast tongues of truth
And the flattering hopes of youth
Have all deceived me and betrayed me?
Give me, give me rest, O, rest!
Golden visions wave and hover,
Golden vapors, waters streaming,
Landscapes moving, changing, gleaming!
I am like a happy lover
Who illumines life with dreaming!
Brave physician! Rare physician!
Well hast thou fulfilled thy mission!

(_His head falls On his book_.)

_The Angel (receding)._ Alas! alas!
Like a vapor the golden vision
Shall fade and pass,
And thou wilt find in thy heart again
Only the blight of pain,
And bitter, bitter, bitter contrition!

* * * * *

COURT-YARD OF THE CASTLE.

* * * * *

HUBERT _standing by the gateway._

_Hubert._ How sad the grand old castle looks!
O'erhead, the unmolested rooks
Upon the turret's windy top
Sit, talking of the farmer's crop;
Here in the court-yard springs the grass,
So few are now the feet that pass;
The stately peacocks, bolder grown,
Come hopping down the steps of stone,
As if the castle were their own;
And I, the poor old seneschal,
Haunt, like a ghost, the banquet-hall.
Alas! the merry guests no more
Crowd through the hospital door;
No eyes with youth and passion shine,
No cheeks glow redder than the wine;
No song, no laugh, no jovial din
Of drinking wassail to the pin;
But all is silent, sad, and drear,
And now the only sounds I hear
Are the hoarse rooks upon the walls,
And horses stamping in their stalls!

(_A horn sounds_.)

What ho! that merry, sudden blast
Reminds me of the days long past!
And, as of old resounding, grate
The heavy hinges of the gate,
And, clattering loud, with iron clank,
Down goes the sounding bridge of plank,
As if it were in haste to greet
The pressure of a traveler's feet!

(_Enter_ WALTER _the Minnesinger_.)

_Walter._ How now, my friend! This looks quite lonely!
No banner flying from the walls,
No pages and no seneschals,
No wardens, and one porter only!
Is it you, Hubert?

_Hubert._ Ah! Master Walter!

_Walter._ Alas! how forms and faces alter!
I did not know you. You look older!
Your hair has grown much grayer and thinner,
And you stoop a little in the shoulder!

_Hubert._ Alack! I am a poor old sinner,
And, like these towers, begin to moulder;
And you have been absent many a year!

_Walter._ How is the Prince?

_Hubert._ He is not here;
He has been ill: and now has fled.

_Walter._ Speak it out frankly: say he's dead!
Is it not so?

_Hubert._ No; if you please;
A strange, mysterious disease
Fell on him with a sudden blight.
Whole hours together he would stand
Upon the terrace, in a dream,
Resting his head upon his hand,
Best pleased when he was most alone,
Like Saint John Nepomuck in stone,
Looking down into a stream.
In the Round Tower, night after night,
He sat, and bleared his eyes with books;
Until one morning we found him there
Stretched on the floor, as if in a swoon
He had fallen from his chair.
We hardly recognized his sweet looks!

_Walter._ Poor Prince!

_Hubert._ I think he might have mended;
And he did mend; but very soon
The Priests came flocking in, like rooks,
With all their crosiers and their crooks,
And so at last the matter ended.

_Walter._ How did it end?

_Hubert._ Why, in Saint Rochus
They made him stand, and wait his doom;
And, as if he were condemned to the tomb,
Began to mutter their hocus pocus.
First, the Mass for the Dead they chaunted.
Then three times laid upon his head
A shovelful of church-yard clay,
Saying to him, as he stood undaunted,
'This is a sign that thou art dead,
So in thy heart be penitent!'
And forth from the chapel door he went
Into disgrace and banishment,
Clothed in a cloak of hodden gray,
And bearing a wallet, and a bell,
Whose sound should be a perpetual knell
To keep all travelers away.

_Walter._ O, horrible fate! Outcast, rejected,
As one with pestilence infected!

_Hubert._ Then was the family tomb unsealed,
And broken helmet, sword and shield,
Buried together, in common wreck,
As is the custom, when the last
Of any princely house has passed,
And thrice, as with a trumpet-blast,
A herald shouted down the stair
The words of warning and despair,--
'O Hoheneck! O Hoheneck!'

_Walter_. Still in my soul that cry goes on,--
Forever gone! forever gone!
Ah, what a cruel sense of loss,
Like a black shadow, would fall across
The hearts of all, if he should die!
His gracious presence upon earth
Was as a fire upon a hearth;
As pleasant songs, at morning sung,
The words that dropped from his sweet tongue
Strengthened our hearts; or, heard at night,
Made all our slumbers soft and light.
Where is he?

_Hubert._ In the Odenwald.
Some of his tenants, unappalled
By fear of death, or priestly word,--
A holy family, that make
Each meal a Supper of the Lord,--
Have him beneath their watch and ward,
For love of him, and Jesus' sake!
Pray you come in. For why should I
With outdoor hospitality
My prince's friend thus entertain?

_Walter._ I would a moment here remain.
But you, good Hubert, go before,
Fill me a goblet of May-drink,
As aromatic as the May
From which it steals the breath away,
And which he loved so well of yore;
It is of him that I would think
You shall attend me, when I call,
In the ancestral banquet hall.
Unseen companions, guests of air,
You cannot wait on, will be there;
They taste not food, they drink not wine,
But their soft eyes look into mine,
And their lips speak to me, and all
The vast and shadowy banquet-hall
Is full of looks and words divine!

(_Leaning over the parapet_.)

The day is done; and slowly from the scene
The stooping sun upgathers his spent shafts,
And puts them back into his golden quiver!
Below me in the valley, deep and green
As goblets are, from which in thirsty draughts
We drink its wine, the swift and mantling river
Flows on triumphant through these lovely regions,
Etched with the shadows of its sombre margent,
And soft, reflected clouds of gold and argent!
Yes, there it flows, forever, broad and still,
As when the vanguard of the Roman legions
First saw it from the top of yonder hill!
How beautiful it is! Fresh fields of wheat,
Vineyard, and town, and tower with fluttering flag,
The consecrated chapel on the crag,
And the white hamlet gathered round its base,
Like Mary sitting at her Saviour's feet,
And looking up at his beloved face!
O friend! O best of friends! Thy absence more
Than the impending night darkens the landscape o'er!

The Golden Legend: Vi. The School Of Salerno

A traveling Scholastic affixing his Theses to the gate
of the College.

_Scholastic._ There, that is my gauntlet, my banner, my shield,
Hung up as a challenge to all the field!
One hundred and twenty-five propositions,
Which I will maintain with the sword of the tongue
Against all disputants, old and young.
Let us see if doctors or dialecticians
Will dare to dispute my definitions,
Or attack any one of my learned theses.
Here stand I; the end shall be as God pleases.
I think I have proved, by profound research
The error of all those doctrines so vicious
Of the old Areopagite Dionysius,
That are making such terrible work in the churches,
By Michael the Stammerer sent from the East,
And done into Latin by that Scottish beast,
Erigena Johannes, who dares to maintain,
In the face of the truth, the error infernal,
That the universe is and must be eternal;
At first laying down, as a fact fundamental,
That nothing with God can be accidental;
Then asserting that God before the creation
Could not have existed, because it is plain
That, had he existed, he would have created;
Which is begging the question that should be debated,
And moveth me less to anger than laughter.
All nature, he holds, is a respiration
Of the Spirit of God, who, in breathing, hereafter
Will inhale it into his bosom again,
So that nothing but God alone will remain.
And therein he contradicteth himself;
For he opens the whole discussion by stating,
That God can only exist in creating.
That question I think I have laid on the shelf!

(_He goes out. Two Doctors come in disputing, and
followed by pupils._)

_Doctor Serafino._ I, with the Doctor Seraphic, maintain,
That a word which is only conceived in the brain
Is a type of eternal Generation;
The spoken word is the Incarnation.

_Doctor Cherubino._ What do I care for the Doctor Seraphic,
With all his wordy chaffer and traffic?

_Doctor Serafino._ You make but a paltry show of resistance;
Universals have no real existence!

_Doctor Cherubino._ Your words are but idle and empty chatter;
Ideas are eternally joined to matter!

_Doctor Serafino_. May the Lord have mercy on your position,
You wretched, wrangling culler of herbs!

_Doctor Cherubino_. May he send your soul to eternal perdition,
For your Treatise on the Irregular Verbs!

(_They rush out fighting. Two Scholars come in._)

_First Scholar_. Monte Cassino, then, is your College.
What think you of ours here at Salern?

_Second Scholar_. To tell the truth, I arrived so lately,
I hardly yet have had time to discern.
So much, at least, I am bound to acknowledge:
The air seems healthy, the buildings stately,
And on the whole I like it greatly.

_First Scholar_. Yes, the air is sweet; the Calabrian hills
Send us down puffs of mountain air;
And in summer time the sea-breeze fills
With its coolness cloister, and court, and square.
Then at every season of the year
There are crowds of guests and travellers here;
Pilgrims, and mendicant friars, and traders
From the Levant, with figs and wine,
And bands of wounded and sick Crusaders,
Coming back from Palestine.

_Second Scholar_. And what are the studies you pursue?
What is the course you here go through?

_First Scholar_. The first three years of the college course
Are given to Logic alone, as the source
Of all that is noble, and wise, and true.

_Second Scholar_. That seems rather strange, I must confess.
In a Medical School; yet, nevertheless,
You doubtless have reasons for that.

_First Scholar_. Oh yes!
For none but a clever dialectician
Can hope to become a great physician;
That has been settled long ago.
Logic makes an important part
Of the mystery of the healing art;
For without it how could you hope to show
That nobody knows so much as you know?
After this there are five years more
Devoted wholly to medicine,
With lectures on chirurgical lore,
And dissections of the bodies of swine,
As likest the human form divine.

_Second Scholar_. What are the books now most in vogue?

_First Scholar_. Quite an extensive catalogue;
Mostly, however, books of our own;
As Gariopontus' Passionarius,
And the writings of Matthew Platearius;
And a volume universally known
As the Regimen of the School of Salern,
For Robert of Normandy written in terse
And very elegant Latin verse.
Each of these writings has its turn.
And when at length we have finished these,
Then comes the struggle for degrees,
With all the oldest and ablest critics;
The public thesis and disputation,
Question, and answer, and explanation
Of a passage out of Hippocrates,
Or Aristotle's Analytics.
There the triumphant Magister stands!
A book is solemnly placed in his hands,
On which he swears to follow the rule
And ancient forms of the good old School;
To report if any confectionarius
Mingles his drugs with matters various,
And to visit his patients twice a day,
And once in the night, if they live in town,
And if they are poor, to take no pay.
Having faithfully promised these,
His head is crowned with a laurel crown;
A kiss on his cheek, a ring on his hand,
The Magister Artium et Physices
Goes forth from the school like a lord of the land.
And now, as we have the whole morning before us
Let us go in, if you make no objection,
And listen awhile to a learned prelection
On Marcus Aurelius Cassiodorus.

(_They go in. Enter_ LUCIFER _as a Doctor._)

_Lucifer_. This is the great School of Salern!
A land of wrangling and of quarrels,
Of brains that seethe, and hearts that burn,
Where every emulous scholar hears,
In every breath that comes to his ears,
The rustling of another's laurels!
The air of the place is called salubrious;
The neighborhood of Vesuvius lends it
An odor volcanic, that rather mends it,
And the buildings have an aspect lugubrious,
That inspires a feeling of awe and terror
Into the heart of the beholder,
And befits such an ancient homestead of error,
Where the old falsehoods moulder and smoulder,
And yearly by many hundred hands
Are carried away, in the zeal of youth,
And sown like tares in the field of truth,
To blossom and ripen in other lands.
What have we here, affixed to the gate?
The challenge of some scholastic wight,
Who wishes to hold a public debate
On sundry questions wrong or right!
Ah, now this is my great delight!
For I have often observed of late
That such discussions end in a fight.
Let us see what the learned wag maintains
With such a prodigal waste of brains.

(_Reads._)

'Whether angels in moving from place to place
Pass through the intermediate space.
Whether God himself is the author of evil,
Or whether that is the work of the Devil.
When, where, and wherefore Lucifer fell,
And whether he now is chained in hell.'

I think I can answer that question well!
So long as the boastful human mind
Consents in such mills as this to grind,
I sit very firmly upon my throne!
Of a truth it almost makes me laugh,
To see men leaving the golden grain
To gather in piles the pitiful chaff
That old Peter Lombard thrashed with his brain,
To have it caught up and tossed again
On the horns of the Dumb Ox of Cologne!

But my guests approach! there is in the air
A fragrance, like that of the Beautiful Garden
Of Paradise, in the days that were!
An odor of innocence, and of prayer,
And of love, and faith that never fails,
Which as the fresh-young heart exhales
Before it begins to wither and harden!
I cannot breathe such an atmosphere!
My soul is filled with a nameless fear,
That, after all my trouble and pain,
After all my restless endeavor,
The youngest, fairest soul of the twain,
The most ethereal, most divine,
Will escape from my hands forever and ever.
But the other is already mine!
Let him live to corrupt his race,
Breathing among them, with every breath,
Weakness, selfishness, and the base
And pusillanimous fear of death.
I know his nature, and I know
That of all who in my ministry
Wander the great earth to and fro,
And on my errands come and go,
The safest and subtlest are such as he.

(_Enter_ PRINCE HENRY _and_ ELSIE _with
attendants_.)

_Prince Henry._ Can you direct us to Friar Angelo?

_Lucifer._ He stands before you.

_Prince Henry._ Then you know our purpose.
I am Prince Henry of Hoheneck, and this
The maiden that I spake of in my letters.

_Lucifer._ It is a very grave and solemn business!
We must not be precipitate. Does she
Without compulsion, of her own free will,
Consent to this?

_Prince Henry._ Against all opposition,
Against all prayers, entreaties, protestations.
She will not be persuaded.

_Lucifer._ That is strange!
Have you thought well of it?

_Elsie._ I come not here
To argue, but to die. Your business is not
to question, but to kill me. I am ready.
I am impatient to be gone from here
Ere any thoughts of earth disturb again
The spirit of tranquillity within me.

_Prince Henry._ Would I had not come here
Would I were dead,
And thou wert in thy cottage in the forest,
And hadst not known me! Why have I done this?
Let me go back and die.

_Elsie._ It cannot be;
Not if these cold, flat stones on which we tread
Were coulters heated white, and yonder gateway
Flamed like a furnace with a sevenfold heat.
I must fulfil my purpose.

_Prince Henry._ I forbid it!
Not one step farther. For I only meant
To put thus far thy courage to the proof.
It is enough. I, too, have courage to die,
For thou hast taught me!

_Elsie._ O my Prince! remember
Your promises. Let me fulfill my errand.
You do not look on life and death as I do.
There are two angels, that attend unseen
Each one of us, and in great books record
Our good and evil deeds. He who writes down
The good ones, after every action closes
His volume, and ascends with it to God.
The other keeps his dreadful day-book open
Till sunset, that we may repent; which doing,
The record of the action fades away,
And leaves a line of white across the page.
Now if my act be good, as I believe it,
It cannot be recalled. It is already
Sealed up in heaven, as a good deed accomplished.
The rest is yours. Why wait you? I am ready.

(_To her attendants._)

Weep not, my friends! rather rejoice with me.
I shall not feel the pain, but shall be gone,
And you will have another friend in heaven.
Then start not at the creaking of the door
Through which I pass. I see what lies beyond it.

(_To_ PRINCE HENRY.)

And you, O Prince! bear back my benison
Unto my father's house, and all within it.
This morning in the church I prayed for them,
After confession, after absolution,
When my whole soul was white, I prayed for them.
God will take care of them, they need me not.
And in your life let my remembrance linger,
As something not to trouble and disturb it,
But to complete it, adding life to life.
And if at times beside the evening fire
You see my face among the other faces,
Let it not be regarded as a ghost
That haunts your house, but as a guest that loves you.
Nay, even as one of your own family,
Without whose presence there were something wanting.
I have no more to say. Let us go in.

_Prince Henry._ Friar Angelo! I charge you on your life,
Believe not what she says, for she is mad,
And comes here not to die, but to be healed.

_Elsie._ Alas! Prince Henry!

_Lucifer._ Come with me; this way.

(ELSIE _goes in with_ LUCIFER, _who thrusts_ PRINCE
HENRY _back and closes the door._)

_Prince Henry._ Gone! and the light of all my life gone with her!
A sudden darkness falls upon the world!

_Forester._ News from the Prince!

_Ursula._ Of death or life?

_Forester._ You put your questions eagerly!

_Ursula._ Answer me, then! How is the Prince?

_Forester._ I left him only two hours since
Homeward returning down the river,
As strong and well as if God, the Giver,
Had given him back in his youth again.

_Ursula (despairing)._ Then Elsie, my poor child, is dead!

_Forester._ That, my good woman, I have not said.
Don't cross the bridge till you come to it,
Is a proverb old, and of excellent wit.

_Ursula._ Keep me no longer in this pain!

_Forester._ It is true your daughter is no more;--
That is, the peasant she was before.

_Ursula._ Alas! I am simple and lowly bred
I am poor, distracted, and forlorn.
And it is not well that you of the court
Should mock me thus, and make a sport
Of a joyless mother whose child is dead,
For you, too, were of mother, born!

_Forester._ Your daughter lives, and the Prince is well!
You will learn ere long how it all befell.
Her heart for a moment never failed;
But when they reached Salerno's gate,
The Prince's nobler self prevailed,
And saved her for a nobler fate,
And he was healed, in his despair,
By the touch of St. Matthew's sacred bones;
Though I think the long ride in the open air,
That pilgrimage over stocks and stones,
In the miracle must come in for a share!

_Ursula._ Virgin! who lovest the poor and lonely,
If the loud cry of a mother's heart
Can ever ascend to where thou art,
Into thy blessed hands and holy
Receive my prayer of praise and thanksgiving!
Let the hands that bore our Saviour bear it
Into the awful presence of God;
For thy feet with holiness are shod,
And if thou bearest it he will hear it.
Our child who was dead again is living!

_Forester._ I did not tell you she was dead;
If you thought so 'twas no fault of mine;
At this very moment, while I speak,
They are sailing homeward down the Rhine,
In a splendid barge, with golden prow,
And decked with banners white and red
As the colors on your daughter's cheek.
They call her the Lady Alicia now;
For the Prince in Salerno made a vow
That Elsie only would he wed.

_Ursula._ Jesu Maria! what a change!
All seems to me so weird and strange!

_Forester._ I saw her standing on the deck,
Beneath an awning cool and shady;
Her cap of velvet could not hold
The tresses of her hair of gold,
That flowed and floated like the stream,
And fell in masses down her neck.
As fair and lovely did she seem
As in a story or a dream
Some beautiful and foreign lady.
And the Prince looked so grand and proud,
And waved his hand thus to the crowd
That gazed and shouted from the shore,
All down the river, long and loud.

_Ursula._ We shall behold our child once more;
She is not dead! She is not dead!
God, listening, must have overheard
The prayers, that, without sound or word,
Our hearts in secrecy have said!
O, bring me to her; for mine eyes
Are hungry to behold her face;
My very soul within me cries;
My very hands seem to caress her,
To see her, gaze at her, and bless her;
Dear Elsie, child of God and grace!

(_Goes out toward the garden._)

_Forester._ There goes the good woman out of her head;
And Gottlieb's supper is waiting here;
A very capacious flagon of beer,
And a very portentous loaf of bread.
One would say his grief did not much oppress him.
Here's to the health of the Prince, God bless him!

(_He drinks._)

Ha! it buzzes and stings like a hornet!
And what a scene there, through the door!
The forest behind and the garden before,
And midway an old man of threescore,
With a wife and children that caress him.
Let me try still further to cheer and adorn it
With a merry, echoing blast of my cornet!

(_Goes out blowing his horn._)

* * * * *

THE CASTLE OF VAUTSBERG ON THE RHINE.

* * * * *

PRINCE HENRY _and_ ELSIE _standing on the terrace at
evening. The sound of bells heard from a distance._


_Prince Henry._ We are alone. The wedding guests
Ride down the hill, with plumes and cloaks,
And the descending dark invests
The Niederwald, and all the nests
Among its hoar and haunted oaks.

_Elsie._ What bells are those, that ring so slow,
So mellow, musical, and low?

_Prince Henry._ They are the bells of Geisenheim,
That with their melancholy chime
Ring out the curfew of the sun.

_Elsie._ Listen, beloved.

_Prince Henry._ They are done!
Dear Elsie! many years ago
Those same soft bells at eventide
Rang in the ears of Charlemagne,
As, seated by Fastrada's side
At Ingelheim, in all his pride
He heard their sound with secret pain.

_Elsie._ Their voices only speak to me
Of peace and deep tranquillity,
And endless confidence in thee!

_Prince Henry._ Thou knowest the story of her ring,
How, when the court went back to Aix,
Fastrada died; and how the king
Sat watching by her night and day,
Till into one of the blue lakes,
That water that delicious land,
They cast the ring, drawn from her hand;
And the great monarch sat serene
And sad beside the fated shore,
Nor left the land forever more.

_Elsie._ That was true love.

_Prince Henry._ For him the queen
Ne'er did what thou hast done for me.

_Elsie._ Wilt thou as fond and faithful be?
Wilt thou so love me after death?

_Prince Henry._ In life's delight, in death's dismay,
In storm and sunshine, night and day,
In health, in sickness, in decay,
Here and hereafter, I am thine!
Thou hast Fastrada's ring. Beneath
The calm, blue waters of thine eyes
Deep in thy steadfast soul it lies,
And, undisturbed by this world's breath,
With magic light its jewels shine!
This golden ring, which thou hast worn
Upon thy finger since the morn,
Is but a symbol and a semblance,
An outward fashion, a remembrance,
Of what thou wearest within unseen,
O my Fastrada, O my queen!
Behold! the hilltops all aglow
With purple and with amethyst;
While the whole valley deep below
Is filled, and seems to overflow,
With a fast-rising tide of mist.
The evening air grows damp and chill;
Let us go in.

_Elsie._ Ah, not so soon.
See yonder fire! It is the moon
Slow rising o'er the eastern hill.
It glimmers on the forest tips,
And through the dewy foliage drips
In little rivulets of light,
And makes the heart in love with night.

_Prince Henry._ Oft on this terrace, when the day
Was closing, have I stood and gazed,
And seen the landscape fade away,
And the white vapors rise and drown
Hamlet and vineyard, tower and town
While far above the hilltops blazed.
But men another hand than thine
Was gently held and clasped in mine;
Another head upon my breast
Was laid, as thine is now, at rest.
Why dost thou lift those tender eyes
With so much sorrow and surprise?
A minstrel's, not a maiden's hand,
Was that which in my own was pressed.
A manly form usurped thy place,
A beautiful, but bearded face,
That now is in the Holy Land,
Yet in my memory from afar
Is shining on us like a star.
But linger not. For while I speak,
A sheeted spectre white and tall,
The cold mist climbs the castle wall,
And lays his hand upon thy cheek!

(_They go in._)

* * * * *

EPILOGUE.

* * * * *

THE TWO RECORDING ANGELS ASCENDING.

_The Angel of Good Deeds (with closed book_). God sent his
messenger the rain,
And said unto the mountain brook,
'Rise up, and from thy caverns look
And leap, with naked, snow-white feet.
From the cool hills into the heat
Of the broad, arid plain.'

God sent his messenger of faith,
And whispered in the maiden's heart,
'Rise up, and look from where thou art,
And scatter with unselfish hands
Thy freshness on the barren sands
And solitudes of Death.'
O beauty of holiness,
Of self-forgetfulness, of lowliness!
O power of meekness,
Whose very gentleness and weakness
Are like the yielding, but irresistible air!
Upon the pages
Of the sealed volume that I bear,
The deed divine
Is written in characters of gold,
That never shall grow old,
But all through ages
Burn and shine,
With soft effulgence!
O God! it is thy indulgence
That fills the world with the bliss
Of a good deed like this!

_The Angel of Evil Deeds (with open book)._ Not yet, not yet
Is the red sun wholly set,
But evermore recedes,
While open still I bear
The Book of Evil Deeds,
To let the breathings of the upper air
Visit its pages and erase
The records from its face!
Fainter and fainter as I gaze
On the broad blaze
The glimmering landscape shines,
And below me the black river
Is hidden by wreaths of vapor!
Fainter and fainter the black lines
Begin to quiver
Along the whitening surface of the paper;
Shade after shade
The terrible words grow faint and fade,
And in their place
Runs a white space!

Down goes the sun!
But the soul of one,
Who by repentance
Has escaped the dreadful sentence,
Shines bright below me as I look.
It is the end!
With closed Book
To God do I ascend.

Lo! over the mountain steeps
A dark, gigantic shadow sweeps
Beneath my feet;
A blackness inwardly brightening
With sullen heat,
As a storm-cloud lurid with lightning.
And a cry of lamentation,
Repeated and again repeated,
Deep and loud
As the reverberation
Of cloud answering unto cloud,
Swells and rolls away in the distance,
As if the sheeted
Lightning retreated,
Baffled and thwarted by the wind's resistance.

It is Lucifer,
The son of mystery;
And since God suffers him to be,
He, too, is God's minister,
And labors for some good
By us not understood!

The Children Of The Lord's Supper. (From The Swedish Of Bishop Tegner)

Pentecost, day of rejoicing, had come. The church of the village
Gleaming stood in the morning's sheen. On the spire of the bell
Decked with a brazen cock, the friendly flames of the Spring-sun
Glanced like the tongues of fire, beheld by Apostles aforetime.
Clear was the heaven and blue, and May, with her cap crowned with roses,
Stood in her holiday dress in the fields, and the wind and the brooklet
Murmured gladness and peace, God's-peace! with lips rosy-tinted
Whispered the race of the flowers, and merry on balancing branches
Birds were singing their carol, a jubilant hymn to the Highest.
Swept and clean was the churchyard. Adorned like a leaf-woven arbor
Stood its old-fashioned gate; and within upon each cross of iron
Hung was a fragrant garland, new twined by the hands of
affection.
Even the dial, that stood on a mound among the departed,
(There full a hundred years had it stood,) was embellished with blossoms
Like to the patriarch hoary, the sage of his kith and the hamlet,
Who on his birthday is crowned by children and children's children,
So stood the ancient prophet, and mute with his pencil of iron
Marked on the tablet of stone, and measured the time and its changes,
While all around at his feet, an eternity slumbered in quiet.
Also the church within was adorned, for this was the season
When the young, their parents' hope, and the loved-ones of heaven,
Should at the foot of the altar renew the vows of their
baptism.
Therefore each nook and corner was swept and cleaned, and the dust was
Blown from the walls and ceiling, and from the oil-painted benches.
There stood the church like a garden; the Feast of the Leafy Pavilions
Saw we in living presentment. From noble arms on the church wall
Grew forth a cluster of leaves, and the preacher's pulpit of oak-wood
Budded once more anew, as aforetime the rod before Aaron.
Wreathed thereon was the Bible with leaves, and the dove, washed with silver
Under its canopy fastened, had on it a necklace of wind-flowers.
But in front of the choir, round the altar-piece painted by
Horberg,
Crept a garland gigantic; and bright-curling tresses of
angels
Peeped, like the sun from a cloud, from out of the shadowy leaf-work.
Likewise the lustre of brass, new-polished, blinked from the ceiling,
And for lights there were lilies of Pentecost set in the sockets.

Loud rang the bells already; the thronging crowd was
assembled
Far from valleys and hills, to list to the holy preaching.
Hark! then roll forth at once the mighty tones of the organ,
Hover like voices from God, aloft like invisible spirits.
Like as Elias in heaven, when he cast from off him his
mantle,
So cast off the soul its garments of earth; and with one voice
Chimed in the congregation, and sang an anthem immortal
Of the sublime Wallin, of David's harp in the North-land
Tuned to the choral of Luther; the song on its mighty pinions
Took every living soul, and lifted it gently to heaven,
And each face did shine like the Holy One's face upon Tabor.
Lo! there entered then into the church the Reverend Teacher.
Father he hight and he was in the parish; a Christianly
plainness
Clothed from his head to his feet the old man of seventy winters.
Friendly was he to behold, and glad as the heralding angel
Walked he among the crowds, but still a contemplative
grandeur
Lay on his forehead as clear as on moss-covered gravestone a sunbeam.
As in his inspiration (an evening twilight that faintly
Gleams in the human soul, even now, from the day of creation)
Th' Artist, the friend of heaven, imagines Saint John when in Patmos,
Gray, with his eyes uplifted to heaven, so seemed then the old man:
Such was the glance of his eye, and such were his tresses of silver.
All the congregation arose in the pews that were numbered.
But with a cordial look, to the right and the left hand, the old man
Nodding all hail and peace, disappeared in the innermost chancel.

Simply and solemnly now proceeded the Christian service,
Singing and prayer, and at last an ardent discourse from the old man.
Many a moving word and warning, that out of the heart came,
Fell like the dew of the morning, like manna on those in the desert.
Then, when all was finished, the Teacher re-entered the
chancel
Followed therein by the young. The boys on the right had their places,
Delicate figures, with close-curling hair and cheeks rosy-blooming.
But on the left of these there stood the tremulous lilies,
Tinged with the blushing light of the dawn, the diffident maidens,--
Folding their hands in prayer, and their eyes cast down on the pavement
Now came, with question and answer, the catechism. In the beginning
Answered the children with troubled and faltering voice, but the old man's
Glances of kindness encouraged them soon, and the doctrines eternal
Flowed, like the waters of fountains, so clear from lips unpolluted.
Each time the answer was closed, and as oft as they named the Redeemer,
Lowly louted the boys, and lowly the maidens all courtesied.
Friendly the Teacher stood, like an angel of light there among them.
And to the children explained the holy, the highest, in few words,
Thorough, yet simple and clear, for sublimity always is simple,
Both in sermon and song, a child can seize on its meaning.
E'en as the green-growing bud unfolds when Springtide
approaches.
Leaf by leaf puts forth, and wanued, by the radiant sunshine,
Blushes with purple and gold, till at last the perfected blossom
Opens its odorous chalice, and rocks with its crown in the breezes,
So was unfolded here the Christian lore of salvation,
Line by line from the soul of childhood. The fathers and mothers
Stood behind them in tears, and were glad at the well-worded answer.

Now went the old man up to the altar;--and straightway transfigured
(So did it seem unto me) was then the affectionate Teacher.
Like the Lord's Prophet sublime, and awful as Death and as Judgment
Stood he, the God-commissioned, the soul-searcher, earthward descending
Glances, sharp as a sword, into hearts that to him were
transparent
Shot he; his voice was deep, was low like the thunder afar off.
So on a sudden transfigured he stood there, lie spake and he questioned.

'This is the faith of the Fathers, the faith the Apostles delivered,
This is moreover the faith whereunto I baptized you, while still ye
Lay on your mothers' breasts, and nearer the portals of heaven,
Slumbering received you then the Holy Church in its bosom;
Wakened from sleep are ye now, and the light in its radiant splendor
Downward rains from the heaven;--to-day on the threshold of childhood
Kindly she frees you again, to examine and make your election,
For she knows naught of compulsion, and only conviction
desireth.
This is the hour of your trial, the turning-point of existence,
Seed for the coming days; without revocation departeth
Now from your lips the confession; Bethink ye, before ye make answer!
Think not, O think not with guile to deceive the questioning Teacher.
Sharp is his eye to-day, and a curse ever rests upon falsehood.
Enter not with a lie on Life's journey; the multitude hears you,
Brothers and sisters and parents, what dear upon earth is and holy
Standeth before your sight as a witness; the Judge everlasting
Looks from the sun down upon you, and angels in waiting beside him
Grave your confession in letters of fire upon tablets eternal.
Thus, then,--believe ye in God, in the Father who this world created?
Him who redeemed it, the Son, and the Spirit where both are united?
Will ye promise me here, (a holy promise!) to cherish
God more than all things earthly, and every man as a brother?
Will ye promise me here, to confirm your faith by your living,
Th' heavenly faith of affection! to hope, to forgive, and to suffer,
Be what it may your condition, and walk before God in
uprightness?
Will ye promise me this before God and man?'--With a clear voice
Answered the young men Yes! and Yes! with lips softly-breathing
Answered the maidens eke. Then dissolved from the brow of the Teacher
Clouds with the lightnings therein, and lie spake in accents more gentle,
Soft as the evening's breath, as harps by Babylon's rivers.

'Hail, then, hail to you all! To the heirdom of heaven be ye welcome!
Children no more from this day, but by covenant brothers and sisters!
Yet,--for what reason not children? Of such is the kingdom of heaven.
Here upon earth an assemblage of children, in heaven one Father,
Ruling them all as his household,--forgiving in turn and chastising,
That is of human life a picture, as Scripture has taught us.
Blest are the pure before God! Upon purity and upon virtue
Resteth the Christian Faith: she herself from on high is descended.
Strong as a man and pure as a child, is the sum of the doctrine,
Which the Divine One taught, and suffered and died on the cross for
Oh, as ye wander this day from childhood's sacred asylum
Downward and ever downward, and deeper in Age's chill valley,
Oh, how soon will ye come,--too soon!--and long to turn
backward
Up to its hill-tops again, to the sun-illumined, where Judgment
Stood like a father before you, and Pardon, clad like a mother,
Gave you her hand to kiss, and the loving heart was for given
Life was a play and your hands grasped after the roses of heaven!
Seventy years have I lived already; the Father eternal
Gave rue gladness and care; but the loveliest hours of
existence,
When I have steadfastly gazed in their eyes, I have instantly known them,
Known them all again;-- the were my childhood's acquaintance.
Therefore take from henceforth, as guides in the paths of existence,
Prayer, with her eyes raised to heaven, and. Innocence, bride of man's childhood
Innocence, child beloved, is a guest from the world of the blessed,
Beautiful, and in her hand a lily; on life's roaring billows
Swings she in safety, she heedeth them not in the ship she is sleeping.
Calmly she gazes around in the turmoil of men; in the desert
Angels descend and minister unto her; she herself knoweth
Naught of her glorious attendance; but follows faithful and humble,
Follows so long as she may her friend; oh do not reject her,
For she cometh from God and she holdeth the keys of the heavens.
Prayer is Innocence' friend; and willingly flieth incessant
'Twixt rhe earth and the sky, the carrier-pigeon of heaven,
Son of Eternity, fettered in Time, and an exile, the Spirit
Tugs at his chains evermore, and struggles like flame ever upward.
Still he recalls with emotion his Father's manifold mansions,
Thinks of the land of his fathers, where blossomed more freshly the flowerets,
Shone a more beautiful sun, and he played with the winged angels.
Then grows the earth too narrow, too close; and homesick for heaven
Longs the wanderer again; and the Spirit's longings are worship;
Worship is called his most beautiful hour, and its tongue is entreaty.
Aid when the infinite burden of life descendeth upon us,
Crushes to earth our hope, and, under the earth, in the
graveyard,
Then it is good to pray unto God; for his sorrowiug children
Turns he ne'er from his door, but he heals and helps and consoles them,
Yet is it better to pray when all things are prosperous with us,
Pray in fortunate days, for life's most beautiful Fortune
Kneels before the Eternal's throne; and with hands interfolded,
Praises thankful and moved the only giver of blessings.
Or do ye know, ye children, one blessing that comes not from Heaven?
What has mankind forsooth, the poor! that it has not received?
Therefore, fall in the dust and pray! The seraphs adoring
Cover with pinions six their face in the glory of him who
Hung his masonry pendent on naught, when the world be created.
Earth declareth his might, and the firmament utters his glory.
Races blossom and die, and stars fall downward from heaven,
Downward like withered leaves; at the last stroke of midnight, millenniums
Lay themselves down at his feet, and he sees them, but counts them as nothing
Who shall stand in his presence? The wrath of the judge is terrific,
Casting the insolent down at a glance. When he speaks in his anger
Hillocks skip like the kid, and mountains leap like the roebuck.
Yet,--why are ye afraid, ye children? This awful avenger,
Ah! is a merciful God! God's voice was not in the earthquake,
Not in the fire, nor the storm, but it was in the whispering breezes.
Love is the root of creation; God's essence; worlds without number
Lie in his bosom like children; he made them for this purpose only.
Only to love and to be loved again, he breathed forth his spirit
Into the slumbering dust, and upright standing, it laid its
Hand on its heart, and felt it was warm with a flame out of heaven.
Quench, oh quench not that flame! It is the breath of your being.
Love is life, but hatred is death. Not father, nor mother
Loved you, as God has loved you; for 't was that you may be happy
Gave he his only Son. When he bowed down his head in the death-hour
Solemnized Love its triumph; the sacrifice then was completed.
Lo! then was rent on a sudden the veil of the temple, dividing
Earth and heaven apart, and the dead from their sepulchres rising
Whispered with pallid lips and low in the ears of each other
Th' answer, but dreamed of before, to creation's enigma,-- Atonement!
Depths of Love are Atonement's depths, for Love is Atonement.
Therefore, child of mortality, love thou the merciful Father;
Wish what the Holy One wishes, and not from fear, but affection
Fear is the virtue of slaves ; but the heart that loveth is willing
Perfect was before God, and perfect is Love, and Love only.
Lovest thou God as thou oughtest, then lovest thou likewise thy brethren:
One is the sun in heaven, and one, only one, is Love also.
Bears not each human figure the godlike stamp on his forehead
Readest thou not in his face thou origin? Is he not sailing
Lost like thyself on an ocean unknown, and is he not guided
By the same stars that guide thee? Why shouldst thou hate then thy brother?
Hateth he thee, forgive! For 't is sweet to stammer one letter
Of the Eternal's language;--on earth it is called Forgiveness!
Knowest thou Him, who forgave, with the crown of thorns on his temples?
Earnestly prayed for his foes, for his murderers? Say, dost thou know him?
Ah! thou confessest his name, so follow likewise his example,
Think of thy brother no ill, but throw a veil over his failings,
Guide the erring aright; for the good, the heavenly shepherd
Took the lost lamb in his arms, and bore it back to its mother.
This is the fruit of Love, and it is by its fruits that we know it.
Love is the creature's welfare, with God; but Love among mortals
Is but an endless sigh! He longs, and endures, and stands waiting,
Suffers and yet rejoices, and smiles with tears on his eyelids.
Hope,--so is called upon earth, his recompense, Hope, the befriending,
Does what she can, for she points evermore up to heaven, and faithful
Plunges her anchor's peak in the depths of the grave, and beneath it
Paints a more beautiful world, a dim, but a sweet play of shadows!
Races, better than we, have leaned on her wavering promise,
Having naught else but Hope. Then praise we our Father in heaven,
Him, who has given us more; for to us has Hope been
transfigured,
Groping no longer in night; she is Faith, she is living
assurance.
Faith is enlightened Hope; she is light, is the eye of
affection,
Dreams of the longing interprets, and carves their visions in marble.
Faith is the sun of life ; and her countenance shines like the Hebrew's,
For she has looked upon God; the heaven on its stable foundation
Draws she with chains down to earth, and the New Jerusalem sinketh
Splendid with portals twelve in golden vapors descending.
There enraptured she wanders. and looks at the figures majestic,
Fears not the winged crowd, in the midst of them all is her homestead.
Therefore love and believe; for works will follow spontaneous
Even as day does the sun; the Right from the Good is an
offspring,
Love in a bodily shape; and Christian works are no more than
Animate Love and faith, as flowers are the animate Springtide.
Works do follow us all unto God; there stand and bear witness
Not what they seemed,--but what they were only. Blessed is he who
Hears their confession secure; they are mute upon earth until death's hand
Opens the mouth of the silent. Ye children, does Death e'er alarm you?
Death is the brother of Love, twin-brother is he, and is only
More austere to behold. With a kiss upon lips that are fading
Takes he the soul and departs, and, rocked in the arms of affection,
Places the ransomed child, new born, 'fore the face of its father.
Sounds of his coming already I hear,--see dimly his pinions,
Swart as the night, but with stars strewn upon them! I fear not before him.
Death is only release, and in mercy is mute. On his bosom
Freer breathes, in its coolness, my breast; and face to face standing
Look I on God as he is, a sun unpolluted by vapors;
Look on the light of the ages I loved, the spirits majestic,
Nobler, better than I; they stand by the throne all
transfigured,
Vested in white, and with harps of gold, and are singing an anthem,
Writ in the climate of heaven, in the language spoken by angels.
You, in like manner, ye children beloved, he one day shall gather,
Never forgets he the weary;--then welcome, ye loved ones, hereafter!
Meanwhile forget not the keeping of vows, forget not the promise,
Wander from holiness onward to holiness; earth shall ye heed not
Earth is but dust and heaven is light; I have pledged you to heaven.
God of the universe, hear me! thou fountain of Love
everlasting,
Hark to the voice of thy servant! I send up my prayer to thy heaven!
Let me hereafter not miss at thy throne one spirit of all these,
Whom thou hast given me here! I have loved them all like a father.
May they bear witness for me, that I taught them the way of salvation,
Faithful, so far as I knew, of thy word; again may they know me,
Fall on their Teacher's breast, and before thy face may I place them,
Pure as they now are, but only more tried, and exclaiming with gladness,
Father, lo! I am here, and the children, whom thou hast given me!'

Weeping he spake in these words; and now at the beck of the old man
Knee against knee they knitted a wreath round the altar's enclosure.
Kneeling he read then the prayers of the consecration, and softly
With him the children read; at the close, with tremulous accents,
Asked he the peace of Heaven, a benediction upon them.
Now should have ended his task for the day; the following Sunday
Was for the young appointed to eat of the Lord's holy Supper.
Sudden, as struck from the clouds, stood the Teacher silent and laid his
Hand on his forehead, and cast his looks upward; while thoughts high and holy,
Flew through the midst of his soul, and his eyes glanced with wonderful brightness.
'On the next Sunday, who knows! perhaps I shall rest in the graveyard!
Some one perhaps of yourselves, a lily broken untimely,
Bow down his head to the earth; why delay I? the hour is accomplished,
Warm is the heart;--I will! for to-day grows the harvest of heaven.
What I began accomplish I now; what failing therein is
I, the old man, will answer to God and the reverend father.
Say to me only, ye children, ye denizens new-come in heaven,
Are ye ready this day to eat of the bread of Atonement?
What it denoteth, that know ye full well, I have told it you often.
Of the new covenant symbol it is, of Atonement a token,
Stablished between earth and heaven. Man by his sins and transgressions
Far has wandered from God, from his essence. 'T was in the beginning
Fast by the Tree of Knowledge he fell, and it hangs its crown o'er the
Fall to this day; in the Thought is the Fall; in the Heart the Atonement.
Infinite is the fall,--the Atonement infinite likewise.
See! behind me, as far as the old man remembers, and forward,
Far as Hope in her flight can reach with her wearied pinions,
Sin and Atonement incessant go through the lifetime of mortals.
Sin is brought forth full-grown; but Atonement sleeps in our bosoms
Still as the cradled babe; and dreams of heaven and of angels,
Cannot awake to sensation; is like the tones in the harp's strings,
Spirits imprisoned, that wait evermore the deliverer's finger.
Therefore, ye children beloved, descended the Prince of
Atonement,
Woke the slumberer from sleep, and she stands now with eyes all resplendent.
Bright as the vault of the sky, and battles with Sin and o'ercomes her.
Downward to earth he came and, transfigured, thence reascended,
Not from the heart in like wise, for there he still lives in the Spirit,
Loves and atones evermore. So long as Time is, is Atonement.
Therefore with reverence take this day her visible token.
Tokens are dead if the things live not. The light everlasting
Unto the blind is not, but is born of the eye that has vision.
Neither in bread nor in wine, but in the heart that is hallowed
Lieth forgiveness enshrined; the intention alone of amendment
Fruits of the earth ennobles to heavenly things, and removes all
Sin and the guerdon of sin. Only Love with his arms wide extended,
Penitence wee ping and praying; the Will that is tried, and whose gold flows
Purified forth from the flames; in a word, mankind by Atonement
Breaketh Atonement's bread, and drinketh Atonement's wine-cup.
But he who cometh up hither, unworthy, with hate in his bosom,
Scoffing at men and at God, is guilty of Christ's blessed body,
And the Redeemer's blood! To himself he eateth and drinketh
Death and doom ! And from this, preserve us, thou heavenly Father!
Are ye ready, ye children, to eat of the bread of Atonement?
Thus with emotion he asked, and together answered the children,
'Yes!' with deep sobs interrupted. Then read he the due
supplications,
Read the Form of Communion, and in chimed the organ and anthem:
'O Holy Lamb of God, who takest away our transgressions,
Hear us! give us thy peace! have mercy, have mercy upon us!'
Th' old man, with trembling hand, and heavenly pearls on his eyelids,
Filled now the chalice and paten, and dealt round the mystical symbols.
Oh, then seemed it to me as if God, with the broad eye of midday,
Clearer looked in at the windows, and all the trees in the church yard
Bowed down their summits of green, and the grass on the graves 'gan to shiver
But in the children (I noted it well ; I knew it) there ran a
Tremor of holy rapture along through their ice-cold members.
Decked like an altar before them, there stood the green earth, and above it
Heaven opened itself, as of old before Stephen; they saw there
Radiant in glory the Father, and on his right hand the
Redeemer.
Under them hear they the clang of harpstrings, and angels from gold clouds
Beckon to them like brothers, and fan with their pinions of purple.

Closed was the Teacher's task, and with heaven in their hearts and their faces,
Up rose the children all, and each bowed him, weeping full sorely,
Downward to kiss that reverend hand, but all of them pressed he
Moved to his bosom, and laid, with a prayer, his hands full of blessings,
Now on the holy breast, and now on the innocent tresses.

The Masque Of Pandora

THE WORKSHOP OF HEPHAESTUS

HEPHAESTUS (standing before the statue of Pandora.)
Not fashioned out of gold, like Hera's throne,
Nor forged of iron like the thunderbolts
Of Zeus omnipotent, or other works
Wrought by my hands at Lemnos or Olympus,
But moulded in soft clay, that unresisting
Yields itself to the touch, this lovely form
Before me stands, perfect in every part.
Not Aphrodite's self appeared more fair,
When first upwafted by caressing winds
She came to high Olympus, and the gods
Paid homage to her beauty. Thus her hair
Was cinctured; thus her floating drapery
Was like a cloud about her, and her face
Was radiant with the sunshine and the sea.

THE VOICE OF ZEUS.
Is thy work done, Hephaestus?

HEPHAESTUS.
It is finished!

THE VOICE.
Not finished till I breathe the breath of life
Into her nostrils, and she moves and speaks.

HEPHAESTUS.
Will she become immortal like ourselves?

THE VOICE.
The form that thou hast fashioned out of clay
Is of the earth and mortal; but the spirit,
The life, the exhalation of my breath,
Is of diviner essence and immortal.
The gods shall shower on her their benefactions,
She shall possess all gifts: the gift of song,
The gift of eloquence, the gift of beauty,
The fascination and the nameless charm
That shall lead all men captive.

HEPHAESTUS.
Wherefore? wherefore?

(A wind shakes the house.)

I hear the rushing of a mighty wind
Through all the halls and chambers of my house!
Her parted lips inhale it, and her bosom
Heaves with the inspiration. As a reed
Beside a river in the rippling current
Bends to and fro, she bows or lifts her head.
She gazes round about as if amazed;
She is alive; she breathes, but yet she speaks not!

(PANDORA descends from the pedestal.)

CHORUS OF THE GRACES

AGLAIA.
In the workshop of Hephaestus
What is this I see?
Have the Gods to four increased us
Who were only three?
Beautiful in form and feature,
Lovely as the day,
Can there be so fair a creature
Formed of common clay?

THALIA.
O sweet, pale face! O lovely eyes of azure,
Clear as the waters of a brook that run
Limpid and laughing in the summer sun!
O golden hair that like a miser's treasure
In its abundance overflows the measure!
O graceful form, that cloudlike floatest on
With the soft, undulating gait of one
Who moveth as if motion were a pleasure!
By what name shall I call thee? Nymph or Muse,
Callirrhoe or Urania? Some sweet name
Whose every syllable is a caress
Would best befit thee; but I cannot choose,
Nor do I care to choose; for still the same,
Nameless or named, will be thy loveliness.

EUPHROSYNE.
Dowered with all celestial gifts,
Skilled in every art
That ennobles and uplifts
And delights the heart,
Fair on earth shall be thy fame
As thy face is fair,
And Pandora be the name
Thou henceforth shalt bear.

II.

OLYMPUS

HERMES (putting on his sandals.)
Much must he toil who serves the Immortal Gods,
And I, who am their herald, most of all.
No rest have I, nor respite. I no sooner
Unclasp the winged sandals from my feet,
Than I again must clasp them, and depart
Upon some foolish errand. But to-day
The errand is not foolish. Never yet
With greater joy did I obey the summons
That sends me earthward. I will fly so swiftly
That my caduceus in the whistling air
Shall make a sound like the Pandaean pipes,
Cheating the shepherds; for to-day I go,
Commissioned by high-thundering Zeus, to lead
A maiden to Prometheus, in his tower,
And by my cunning arguments persuade him
To marry her. What mischief lies concealed
In this design I know not; but I know
Who thinks of marrying hath already taken
One step upon the road to penitence.
Such embassies delight me. Forth I launch
On the sustaining air, nor fear to fall
Like Icarus, nor swerve aside like him
Who drove amiss Hyperion's fiery steeds.
I sink, I fly! The yielding element
Folds itself round about me like an arm,
And holds me as a mother holds her child.

III.

TOWER OF PROMETHEUS ON MOUNT CAUCASUS

PROMETHEUS.
I hear the trumpet of Alectryon
Proclaim the dawn. The stars begin to fade,
And all the heavens are full of prophecies
And evil auguries. Blood-red last night
I saw great Kronos rise; the crescent moon
Sank through the mist, as if it were the scythe
His parricidal hand had flung far down
The western steeps. O ye Immortal Gods,
What evil are ye plotting and contriving?

(HERMES and PANDORA at the threshold.)

PANDORA.
I cannot cross the threshold. An unseen
And icy hand repels me. These blank walls
Oppress me with their weight!

PROMETHEUS.
Powerful ye are,
But not omnipotent. Ye cannot fight
Against Necessity. The Fates control you,
As they do us, and so far we are equals!

PANDORA.
Motionless, passionless, companionless,
He sits there muttering in his beard. His voice
Is like a river flowing underground!

HERMES.
Prometheus, hail!

PROMETHEUS.
Who calls me?

HERMES.
It is I.
Dost thou not know me?

PROMETHEUS.
By thy winged cap
And winged heels I know thee. Thou art Hermes,
Captain of thieves! Hast thou again been stealing
The heifers of Admetus in the sweet
Meadows of asphodel? or Hera's girdle?
Or the earth-shaking trident of Poseidon?

HERMES.
And thou, Prometheus; say, hast thou again
Been stealing fire from Helios' chariot-wheels
To light thy furnaces?

PROMETHEUS.
Why comest thou hither
So early in the dawn?

HERMES.
The Immortal Gods
Know naught of late or early. Zeus himself
The omnipotent hath sent me.

PROMETHEUS.
For what purpose?

HERMES.
To bring this maiden to thee.

PROMETHEUS.
I mistrust
The Gods and all their gifts. If they have sent her
It is for no good purpose.

HERMES.
What disaster
Could she bring on thy house, who is a woman?

PROMETHEUS.
The Gods are not my friends, nor am I theirs.
Whatever comes from them, though in a shape
As beautiful as this, is evil only.
Who art thou?

PANDORA.
One who, though to thee unknown,
Yet knoweth thee.

PROMETHEUS.
How shouldst thou know me, woman?

PANDORA.
Who knoweth not Prometheus the humane?

PROMETHEUS.
Prometheus the unfortunate; to whom
Both Gods and men have shown themselves ungrateful.
When every spark was quenched on every hearth
Throughout the earth, I brought to man the fire
And all its ministrations. My reward
Hath been the rock and vulture.

HERMES.
But the Gods
At last relent and pardon.

PROMETHEUS.
They relent not;
They pardon not; they are implacable,
Revengeful, unforgiving!

HERMES.
As a pledge
Of reconciliation they have sent to thee
This divine being, to be thy companion,
And bring into thy melancholy house
The sunshine and the fragrance of her youth.

PROMETHEUS.
I need them not. I have within myself
All that my heart desires; the ideal beauty
Which the creative faculty of mind
Fashions and follows in a thousand shapes
More lovely than the real. My own thoughts
Are my companions; my designs and labors
And aspirations are my only friends.

HERMES.
Decide not rashly. The decision made
Can never be recalled. The Gods implore not,
Plead not, solicit not; they only offer
Choice and occasion, which once being passed
Return no more. Dost thou accept the gift?

PROMETHEUS.
No gift of theirs, in whatsoever shape
It comes to me, with whatsoever charm
To fascinate my sense, will I receive.
Leave me.

PANDORA.
Let us go hence. I will not stay.

HERMES.
We leave thee to thy vacant dreams, and all
The silence and the solitude of thought,
The endless bitterness of unbelief,
The loneliness of existence without love.

CHORUS OF THE FATES

CLOTHO.
How the Titan, the defiant,
The self-centred, self-reliant,
Wrapped in visions and illusions,
Robs himself of life's best gifts!
Till by all the storm-winds shaken,
By the blast of fate o'ertaken,
Hopeless, helpless, and forsaken,
In the mists of his confusions
To the reefs of doom he drifts!

LACHESIS.
Sorely tried and sorely tempted,
From no agonies exempted,
In the penance of his trial,
And the discipline of pain;
Often by illusions cheated,
Often baffled and defeated
In the tasks to be completed,
He, by toil and self-denial,
To the highest shall attain.


ATROPOS.
Tempt no more the noble schemer;
Bear unto some idle dreamer
This new toy and fascination,
This new dalliance and delight!
To the garden where reposes
Epimetheus crowned with roses,
To the door that never closes
Upon pleasure and temptation,
Bring this vision of the night!

IV.

THE AIR

HERMES (returning to Olympus.)
As lonely as the tower that he inhabits,
As firm and cold as are the crags about him,
Prometheus stands. The thunderbolts of Zeus
Alone can move him; but the tender heart
Of Epimetheus, burning at white heat,
Hammers and flames like all his brother's forges!
Now as an arrow from Hyperion's bow,
My errand done, I fly, I float, I soar
Into the air, returning to Olympus.
O joy of motion! O delight to cleave
The infinite realms of space, the liquid ether,
Through the warm sunshine and the cooling cloud,
Myself as light as sunbeam or as cloud!
With one touch of my swift and winged feet,
I spurn the solid earth, and leave it rocking
As rocks the bough from which a bird takes wing.

V.

THE HOUSE OF EPIMETHEUS

EPIMETHEUS.
Beautiful apparition! go not hence!
Surely thou art a Goddess, for thy voice
Is a celestial melody, and thy form
Self-poised as if it floated on the air!

PANDORA.
No Goddess am I, nor of heavenly birth,
But a mere woman fashioned out of clay
And mortal as the rest.

EPIMETHEUS.
Thy face is fair;
There is a wonder in thine azure eyes
That fascinates me. Thy whole presence seems
A soft desire, a breathing thought of love.
Say, would thy star like Merope's grow dim
If thou shouldst wed beneath thee?

PANDORA.
Ask me not;
I cannot answer thee. I only know
The Gods have sent me hither.

EPIMETHEUS.
I believe,
And thus believing am most fortunate.
It was not Hermes led thee here, but Eros,
And swifter than his arrows were thine eves
In wounding me. There was no moment's space
Between my seeing thee and loving thee.
O, what a telltale face thou hast! Again
I see the wonder in thy tender eyes.

PANDORA.
They do but answer to the love in thine,
Yet secretly I wonder thou shouldst love me.
Thou knowest me not.

EPIMETHEUS.
Perhaps I know thee better
Than had I known thee longer. Yet it seems
That I have always known thee, and but now
Have found thee. Ah, I have been waiting long.

PANDORA.
How beautiful is this house! The atmosphere
Breathes rest and comfort, and the many chambers
Seem full of welcomes.

EPIMETHEUS.
They not only seem,
But truly are. This dwelling and its master
Belong to thee.

PANDORA.
Here let me stay forever!
There is a spell upon me.

EPIMETHEUS.
Thou thyself
Art the enchantress, and I feel thy power
Envelop me, and wrap my soul and sense
In an Elysian dream.

PANDORA.
O, let me stay.
How beautiful are all things round about me,
Multiplied by the mirrors on the walls!
What treasures hast thou here! Yon oaken chest,
Carven with figures and embossed with gold,
Is wonderful to look upon! What choice
And precious things dost thou keep hidden in it?

EPIMETHEUS.
I know not. 'T is a mystery.

PANDORA.
Hast thou never
Lifted the lid?

EPIMETHEUS.
The oracle forbids.
Safely concealed there from all mortal eyes
Forever sleeps the secret of the Gods.
Seek not to know what they have hidden from thee,
Till they themselves reveal it.

PANDORA.
As thou wilt.

EPIMETHEUS.
Let us go forth from this mysterious place.
The garden walks are pleasant at this hour;
The nightingales among the sheltering boughs
Of populous and many-nested trees
Shall teach me how to woo thee, and shall tell me
By what resistless charms or incantations
They won their mates.

PANDORA.
Thou dost not need a teacher.

(They go out.)

CHORUS OF THE EUMENIDES.
What the Immortals
Confide to thy keeping,
Tell unto no man;
Waking or sleeping,
Closed be thy portals
To friend as to foeman.

Silence conceals it;
The word that is spoken
Betrays and reveals it;
By breath or by token
The charm may be broken.

With shafts of their splendors
The Gods unforgiving
Pursue the offenders,
The dead and the living!
Fortune forsakes them,
Nor earth shall abide them,
Nor Tartarus hide them;
Swift wrath overtakes them!

With useless endeavor,
Forever, forever,
Is Sisyphus rolling
His stone up the mountain!
Immersed in the fountain,
Tantalus tastes not
The water that wastes not!
Through ages increasing
The pangs that afflict him,
With motion unceasing
The wheel of Ixion
Shall torture its victim!

VI.

IN THE GARDEN

EPIMETHEUS.
Yon snow-white cloud that sails sublime in ether
Is but the sovereign Zeus, who like a swan
Flies to fair-ankled Leda!

PANDORA.
Or perchance
Ixion's cloud, the shadowy shape of Hera,
That bore the Centaurs.

EPIMETHEUS.
The divine and human.

CHORUS OF BIRDS.
Gently swaying to and fro,
Rocked by all the winds that blow,
Bright with sunshine from above
Dark with shadow from below,
Beak to beak and breast to breast
In the cradle of their nest,
Lie the fledglings of our love.

ECHO.
Love! love!

EPIMETHEUS.
Hark! listen! Hear how sweetly overhead
The feathered flute-players pipe their songs of love,
And echo answers, love and only love.

CHORUS OF BIRDS.
Every flutter of the wing,
Every note of song we sing,
Every murmur, every tone,
Is of love and love alone.

ECHO.
Love alone!

EPIMETHEUS.
Who would not love, if loving she might be
Changed like Callisto to a star in heaven?

PANDORA.
Ah, who would love, if loving she might be
Like Semele consumed and burnt to ashes?

EPIMETHEUS.
Whence knowest thou these stories?

PANDORA.
Hermes taught me;
He told me all the history of the Gods.

CHORUS OF REEDS.
Evermore a sound shall be
In the reeds of Arcady,
Evermore a low lament
Of unrest and discontent,
As the story is retold
Of the nymph so coy and cold,
Who with frightened feet outran
The pursuing steps of Pan.

EPIMETHEUS.
The pipe of Pan out of these reeds is made,
And when he plays upon it to the shepherds
They pity him, so mournful is the sound.
Be thou not coy and cold as Syrinx was.

PANDORA.
Nor thou as Pan be rude and mannerless.

PROMETHEUS (without).
Ho! Epimetheus!

EPIMETHEUS.
'T is my brother's voice;
A sound unwelcome and inopportune
As was the braying of Silenus' ass,
Once heard in Cybele's garden.

PANDORA.
Let me go.
I would not be found here. I would not see him.

(She escapes among the trees.)

CHORUS OF DRYADES.
Haste and hide thee,
Ere too late,
In these thickets intricate;
Lest Prometheus
See and chide thee,
Lest some hurt
Or harm betide thee,
Haste and hide thee!

PROMETHEUS (entering.)
Who was it fled from here? I saw a shape
Flitting among the trees.

EPIMETHEUS.
It was Pandora.

PROMETHEUS.
O Epimetheus! Is it then in vain
That I have warned thee? Let me now implore.
Thou harborest in thy house a dangerous guest.

EPIMETHEUS.
Whom the Gods love they honor with such guests.

PROMETHEUS.
Whom the Gods would destroy they first make mad.

EPIMETHEUS.
Shall I refuse the gifts they send to me?

PROMETHEUS.
Reject all gifts that come from higher powers.

EPIMETHEUS.
Such gifts as this are not to be rejected.

PROMETHEUS.
Make not thyself the slave of any woman.

EPIMETHEUS.
Make not thyself the judge of any man.

PROMETHEUS.
I judge thee not; for thou art more than man;
Thou art descended from Titanic race,
And hast a Titan's strength, and faculties
That make thee godlike; and thou sittest here
Like Heracles spinning Omphale's flax,
And beaten with her sandals.

EPIMETHEUS.
O my brother!
Thou drivest me to madness with thy taunts.

PROMETHEUS.
And me thou drivest to madness with thy follies.
Come with me to my tower on Caucasus:
See there my forges in the roaring caverns,
Beneficent to man, and taste the joy
That springs from labor. Read with me the stars,
And learn the virtues that lie hidden in plants,
And all things that are useful.

EPIMETHEUS.
O my brother!
I am not as thou art. Thou dost inherit
Our father's strength, and I our mother's weakness:
The softness of the Oceanides,
The yielding nature that cannot resist.

PROMETHEUS.
Because thou wilt not.

EPIMETHEUS.
Nay; because I cannot.

PROMETHEUS.
Assert thyself; rise up to thy full height;
Shake from thy soul these dreams effeminate,
These passions born of indolence and ease.
Resolve, and thou art free. But breathe the air
Of mountains, and their unapproachable summits
Will lift thee to the level of themselves.

EPIMETHEUS.
The roar of forests and of waterfalls,
The rushing of a mighty wind, with loud
And undistinguishable voices calling,
Are in my ear!

PROMETHEUS.
O, listen and obey.

EPIMETHEUS.
Thou leadest me as a child, I follow thee.

(They go out.)

CHORUS OF OREADES.
Centuries old are the monntains;
Their foreheads wrinkled and rifted
Helios crowns by day,
Pallid Selene by night;
From their bosoms uptossed
The snows are driven and drifted,
Like Tithonus' beard
Streaming dishevelled and white.

Thunder and tempest of wind
Their trumpets blow in the vastness;
Phantoms of mist and rain,
Cloud and the shadow of cloud,
Pass and repass by the gates
Of their inaccessible fastness;
Ever unmoved they stand,
Solemn, eternal, and proud,

VOICES OF THE WATERS.
Flooded by rain and snow
In their inexhaustible sources,
Swollen by affluent streams
Hurrying onward and hurled
Headlong over the crags,
The impetuous water-courses,
Rush and roar and plunge
Down to the nethermost world.

Say, have the solid rocks
Into streams of silver been melted,
Flowing over the plains,
Spreading to lakes in the fields?
Or have the mountains, the giants,
The ice-helmed, the forest-belted,
Scattered their arms abroad;
Flung in the meadows their shields?

VOICES OF THE WINDS.
High on their turreted cliffs
That bolts of thunder have shattered,
Storm-winds muster and blow
Trumpets of terrible breath;
Then from the gateways rush,
And before them routed and scattered
Sullen the cloud-rack flies,
Pale with the pallor of death.

Onward the hurricane rides,
And flee for shelter the shepherds;
White are the frightened leaves,
Harvests with terror are white;
Panic seizes the herds,
And even the lions and leopards,
Prowling no longer for prey,
Crouch in their caverns with fright.

VOICES OF THE FOREST.
Guarding the mountains around
Majestic the forests are standing,
Bright are their crested helms,
Dark is their armor of leaves;
Filled with the breath of freedom
Each bosom subsiding, expanding,
Now like the ocean sinks,
Now like the ocean upheaves.

Planted firm on the rock,
With foreheads stern and defiant,
Loud they shout to the winds,
Loud to the tempest they call;
Naught but Olympian thunders,
That blasted Titan and Giant,
Them can uproot and o'erthrow,
Shaking the earth with their fall.

CHORUS OF OREADES.
These are the Voices Three
Of winds and forests and fountains,
Voices of earth and of air,
Murmur and rushing of streams,
Making together one sound,
The mysterious voice of the mountains,
Waking the sluggard that sleeps,
Waking the dreamer of dreams.

These are the Voices Three,
That speak of endless endeavor,
Speak of endurance and strength,
Triumph and fulness of fame,
Sounding about the world,
An inspiration forever,
Stirring the hearts of men,
Shaping their end and their aim.

VII.

THE HOUSE OF EPIMETHEUS

PANDORA.
Left to myself I wander as I will,
And as my fancy leads me, through this house,
Nor could I ask a dwelling more complete
Were I indeed the Goddess that he deems me.
No mansion of Olympus, framed to be
The habitation of the Immortal Gods,
Can be more beautiful. And this is mine
And more than this, the love wherewith he crowns me.
As if impelled by powers invisible
And irresistible, my steps return
Unto this spacious hall. All corridors
And passages lead hither, and all doors
But open into it. Yon mysterious chest
Attracts and fascinates me. Would I knew
What there lies hidden! But the oracle
Forbids. Ah me! The secret then is safe.
So would it be if it were in my keeping.
A crowd of shadowy faces from the mirrors
That line these walls are watching me. I dare not
Lift up the lid. A hundred times the act
Would be repeated, and the secret seen
By twice a hundred incorporeal eyes.

(She walks to the other side of the hall.)

My feet are weary, wandering to and fro,
My eyes with seeing and my heart with waiting.
I will lie here and rest till he returns,
Who is my dawn, my day, my Helios.

(Throws herself upon a couch, and falls asleep.)

ZEPHYRUS.
Come from thy caverns dark and deep.
O son of Erebus and Night;
All sense of hearing and of sight
Enfold in the serene delight
And quietude of sleep!

Set all the silent sentinels
To bar and guard the Ivory Gate,
And keep the evil dreams of fate
And falsehood and infernal hate
Imprisoned in their cells.

But open wide the Gate of Horn,
Whence, beautiful as planets, rise
The dreams of truth, with starry eyes,
And all the wondrous prophecies
And visions of the morn.

CHORUS OF DREAMS FROM THE IVORY GATE.
Ye sentinels of sleep,
It is in vain ye keep
Your drowsy watch before the Ivory Gate;
Though closed the portal seems,
The airy feet of dreams
Ye cannot thus in walls incarcerate.

We phantoms are and dreams
Born by Tartarean streams,
As ministers of the infernal powers;
O son of Erebus
And Night, behold! we thus
Elude your watchful warders on the towers!

From gloomy Tartarus
The Fates have summoned us
To whisper in her ear, who lies asleep,
A tale to fan the fire
Of her insane desire
To know a secret that the Gods would keep.

This passion, in their ire,
The Gods themselves inspire,
To vex mankind with evils manifold,
So that disease and pain
O'er the whole earth may reign,
And nevermore return the Age of Gold.

PANDORA (waking).
A voice said in my sleep: 'Do not delay:
Do not delay; the golden moments fly!
The oracle hath forbidden; yet not thee
Doth it forbid, but Epimetheus only!'
I am alone. These faces in the mirrors
Are but the shadows and phantoms of myself;
They cannot help nor hinder. No one sees me,
Save the all-seeing Gods, who, knowing good
And knowing evil, have created me
Such as I am, and filled me with desire
Of knowing good and evil like themselves.

(She approaches the chest.)

I hesitate no longer. Weal or woe,
Or life or death, the moment shall decide.

(She lifts the lid. A dense mist rises from
the chest, and fills the room. PANDORA
falls senseless on the floor. Storm without.)

CHORUS OF DREAMS FROM THE GATE OF HORN.
Yes, the moment shall decide!
It already hath decided;
And the secret once confided
To the keeping of the Titan
Now is flying far and wide,
Whispered, told on every side,
To disquiet and to frighten.

Fever of the heart and brain,
Sorrow, pestilence, and pain,
Moans of anguish, maniac laughter,
All the evils that hereafter
Shall afflict and vex mankind,
All into the air have risen
From the chambers of their prison;
Only Hope remains behind.

VIII.

IN THE GARDEN

EPIMETHEUS.
The storm is past, but it hath left behind it
Ruin and desolation. All the walks
Are strewn with shattered boughs; the birds are silent;
The flowers, downtrodden by the wind, lie dead;
The swollen rivulet sobs with secret pain,
The melancholy reeds whisper together
As if some dreadful deed had been committed
They dare not name, and all the air is heavy
With an unspoken sorrow! Premonitions,
Foreshadowings of some terrible disaster
Oppress my heart. Ye Gods, avert the omen!

PANDORA (coming from the house).
O Epimetheus, I no longer dare
To lift mine eyes to thine, nor hear thy voice,
Being no longer worthy of thy love.

EPIMETHEUS.
What hast thou done?

PANDORA.
Forgive me not, but kill me.

EPIMETHEUS.
What hast thou done?

PANDORA.
I pray for death, not pardon.

EPIMETHEUS.
What hast thou done?

PANDORA.
I dare not speak of it.

EPIMETHEUS.
Thy pallor and thy silence terrify me!

PANDORA.
I have brought wrath and ruin on thy house!
My heart hath braved the oracle that guarded
The fatal secret from us, and my hand
Lifted the lid of the mysterious chest!

EPIMETHEUS.
Then all is lost! I am indeed undone.

PANDORA.
I pray for punishment, and not for pardon.

EPIMETHEUS.
Mine is the fault not thine. On me shall fall
The vengeance of the Gods, for I betrayed
Their secret when, in evil hour, I said
It was a secret; when, in evil hour,
I left thee here alone to this temptation.
Why did I leave thee?

PANDORA.
Why didst thou return?
Eternal absence would have been to me
The greatest punishment. To be left alone
And face to face with my own crime, had been
Just retribution. Upon me, ye Gods,
Let all your vengeance fall!

EPIMETHEUS.
On thee and me.
I do not love thee less for what is done,
And cannot be undone. Thy very weakness
Hath brought thee nearer to me, and henceforth
My love will have a sense of pity in it,
Making it less a worship than before.

PANDORA.
Pity me not; pity is degradation.
Love me and kill me.

EPIMETHEUS.
Beautiful Pandora!
Thou art a Goddess still!

PANDORA.
I am a woman;
And the insurgent demon in my nature,
That made me brave the oracle, revolts
At pity and compassion. Let me die;
What else remains for me?

EPIMETHEUS.
Youth, hope, and love:
To build a new life on a ruined life,
To make the future fairer than the past,
And make the past appear a troubled dream.
Even now in passing through the garden walks
Upon the ground I saw a fallen nest
Ruined and full of rain; and over me
Beheld the uncomplaining birds already
Busy in building a new habitation.

PANDORA.
Auspicious omen!

EPIMETHEUS.
May the Eumenides
Put out their torches and behold us not,
And fling away their whips of scorpions
And touch us not.

PANDORA.
Me let them punish.
Only through punishment of our evil deeds,
Only through suffering, are we reconciled
To the immortal Gods and to ourselves.

CHORUS OF THE EUMENIDES.
Never shall souls like these
Escape the Eumenides,
The daughters dark of Acheron and Night!
Unquenched our torches glare,
Our scourges in the air
Send forth prophetic sounds before they smite.

Never by lapse of time
The soul defaced by crime
Into its former self returns again;
For every guilty deed
Holds in itself the seed
Of retribution and undying pain.

Never shall be the loss
Restored, till Helios
Hath purified them with his heavenly fires;
Then what was lost is won,
And the new life begun,
Kindled with nobler passions and desires.

Evangeline: A Tale Of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.



PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
Mingled their sound with the whir of the wheels and the songs of the maidens,
Solemnly down the street came the parish priest, and the children
Paused in their play to kiss the hand he extended to bless them.
Reverend walked he among them; and up rose matrons and maidens,
Hailing his slow approach with words of affectionate welcome.
Then came the laborers home from the field, and serenely the sun sank
Down to his rest, and twilight prevailed. Anon from the belfry
Softly the Angelus sounded, and over the roofs of the village
Columns of pale blue smoke, like clouds of incense ascending,
Rose from a hundred hearths, the homes of peace and contentment.
Thus dwelt together in love these simple Acadian farmers,--
Dwelt in the love of God and of man. Alike were they free from
Fear, that reigns with the tyrant, and envy, the vice of republics.
Neither locks had they to their doors, nor bars to their windows;
But their dwellings were open as day and the hearts of their owners;
There the richest was poor, and the poorest lived in abundance.

Somewhat apart from the village, and nearer the Basin of Minas,
Benedict Bellefontaine, the wealthiest farmer of Grand-Pre,
Dwelt on his goodly acres: and with him, directing his household,
Gentle Evangeline lived, his child, and the pride of the village.
Stalworth and stately in form was the man of seventy winters;
Hearty and hale was he, an oak that is covered with snow-flakes;
White as the snow were his locks, and his cheeks as brown as the oak-leaves.
Fair was she to behold, that maiden of seventeen summers.
Black were her eyes as the berry that grows on the thorn by the wayside,
Black, yet how softly they gleamed beneath the brown shade of her tresses!
Sweet was her breath as the breath of kine that feed in the meadows.
When in the harvest heat she bore to the reapers at noontide
Flagons of home-brewed ale, ah! fair in sooth was the maiden,
Fairer was she when, on Sunday morn, while the bell from its turret
Sprinkled with holy sounds the air, as the priest with his hyssop
Sprinkles the congregation, and scatters blessings upon them,
Down the long street she passed, with her chaplet of beads and her missal,
Wearing her Norman cap and her kirtle of blue, and the ear-rings,
Brought in the olden time from France, and since, as an heirloom,
Handed down from mother to child, through long generations.
But a celestial brightness--a more ethereal beauty--
Shone on her face and encircled her form, when, after confession,
Homeward serenely she walked with God's benediction upon her.
When she had passed, it seemed like the ceasing of exquisite music.

Firmly builded with rafters of oak, the house of the farmer
Stood on the side of a hill commanding the sea; and a shady
Sycamore grew by the door, with a woodbine wreathing around it.
Rudely carved was the porch, with seats beneath; and a footpath
Led through an orchard wide, and disappeared in the meadow.
Under the sycamore-tree were hives overhung by a penthouse,
Such as the traveller sees in regions remote by the roadside,
Built o'er a box for the poor, or the blessed image of Mary.
Farther down, on the slope of the hill, was the well with its moss-grown
Bucket, fastened with iron, and near it a trough for the horses.
Shielding the house from storms, on the north, were the barns and the farm-yard,
There stood the broad-wheeled wains and the antique ploughs and the harrows;
There were the folds for the sheep; and there, in his feathered seraglio,
Strutted the lordly turkey, and crowed the cock, with the selfsame
Voice that in ages of old had startled the penitent Peter.
Bursting with hay were the barns, themselves a village. In each one
Far o'er the gable projected a roof of thatch; and a staircase,
Under the sheltering eaves, led up to the odorous corn-loft.
There too the dove-cot stood, with its meek and innocent inmates
Murmuring ever of love; while above in the variant breezes
Numberless noisy weathercocks rattled and sang of mutation.

Thus, at peace with God and the world, the farmer of Grand-Pre
Lived on his sunny farm, and Evangeline governed his household.
Many a youth, as he knelt in the church and opened his missal,
Fixed his eyes upon her as the saint of his deepest devotion;
Happy was he who might touch her hand or the hem of her garment!
Many a suitor came to her door, by the darkness befriended,
And, as he knocked and waited to hear the sound of her footsteps,
Knew not which beat the louder, his heart or the knocker of iron;
Or at the joyous feast of the Patron Saint of the village,
Bolder grew, and pressed her hand in the dance as he whispered
Hurried words of love, that seemed a part of the music.
But, among all who came, young Gabriel only was welcome;
Gabriel Lajeunesse, the son of Basil the blacksmith,
Who was a mighty man in the village, and honored of all men;
For, since the birth of time, throughout all ages and nations,
Has the craft of the smith been held in repute by the people.
Basil was Benedict's friend. Their children from earliest childhood
Grew up together as brother and sister; and Father Felician,
Priest and pedagogue both in the village, had taught them their letters
Out of the selfsame book, with the hymns of the church and the plain-song.
But when the hymn was sung, and the daily lesson completed,
Swiftly they hurried away to the forge of Basil the blacksmith.
There at the door they stood, with wondering eyes to behold him
Take in his leathern lap the hoof of the horse as a plaything,
Nailing the shoe in its place; while near him the tire of the cart-wheel
Lay like a fiery snake, coiled round in a circle of cinders.
Oft on autumnal eves, when without in the gathering darkness
Bursting with light seemed the smithy, through every cranny and crevice,
Warm by the forge within they watched the laboring bellows,
And as its panting ceased, and the sparks expired in the ashes,
Merrily laughed, and said they were nuns going into the chapel.
Oft on sledges in winter, as swift as the swoop of the eagle,
Down the hillside hounding, they glided away o'er the meadow.
Oft in the barns they climbed to the populous nests on the rafters,
Seeking with eager eyes that wondrous stone, which the swallow
Brings from the shore of the sea to restore the sight of its fledglings;
Lucky was he who found that stone in the nest of the swallow!
Thus passed a few swift years, and they no longer were children.
He was a valiant youth, and his face, like the face of the morning,
Gladdened the earth with its light, and ripened thought into action.
She was a woman now, with the heart and hopes of a woman.
"Sunshine of Saint Eulalie" was she called; for that was the sunshine
Which, as the farmers believed, would load their orchards with apples
She, too, would bring to her husband's house delight and abundance,
Filling it full of love and the ruddy faces of children.



II

Now had the season returned, when the nights grow colder and longer,
And the retreating sun the sign of the Scorpion enters.
Birds of passage sailed through the leaden air, from the ice-bound,
Desolate northern bays to the shores of tropical islands,
Harvests were gathered in; and wild with the winds of September
Wrestled the trees of the forest, as Jacob of old with the angel.
All the signs foretold a winter long and inclement.
Bees, with prophetic instinct of want, had hoarded their honey
Till the hives overflowed; and the Indian bunters asserted
Cold would the winter be, for thick was the fur of the foxes.
Such was the advent of autumn. Then followed that beautiful season,
Called by the pious Acadian peasants the Summer of All-Saints!
Filled was the air with a dreamy and magical light; and the landscape
Lay as if new-created in all the freshness of childhood.
Peace seemed to reign upon earth, and the restless heart of the ocean
Was for a moment consoled. All sounds were in harmony blended.
Voices of children at play, the crowing of cocks in the farm-yards,
Whir of wings in the drowsy air, and the cooing of pigeons,
All were subdued and low as the murmurs of love, and the great sun
Looked with the eye of love through the golden vapors around him;
While arrayed in its robes of russet and scarlet and yellow,
Bright with the sheen of the dew, each glittering tree of the forest
Flashed like the plane-tree the Persian adorned with mantles and jewels.

Now recommenced the reign of rest and affection and stillness.
Day with its burden and heat had departed, and twilight descending
Brought back the evening star to the sky, and the herds to the homestead.
Pawing the ground they came, and resting their necks on each other,
And with their nostrils distended inhaling the freshness of evening.
Foremost, bearing the bell, Evangeline's beautiful heifer,
Proud of her snow-white hide, and the ribbon that waved from her collar,
Quietly paced and slow, as if conscious of human affection.
Then came the shepherd back with his bleating flocks from the seaside,
Where was their favorite pasture. Behind them followed the watch-dog,
Patient, full of importance, and grand in the pride of his instinct,
Walking from side to side with a lordly air, and superbly
Waving his bushy tail, and urging forward the stragglers;
Regent of flocks was he when the shepherd slept; their protector,
When from the forest at night, through the starry silence, the wolves howled.
Late, with the rising moon, returned the wains from the marshes,
Laden with briny hay, that filled the air with its odor.
Cheerily neighed the steeds, with dew on their manes and their fetlocks,
While aloft on their shoulders the wooden and ponderous saddles,
Painted with brilliant dyes, and adorned with tassels of crimson,
Nodded in bright array, like hollyhocks heavy with blossoms.
Patiently stood the cows meanwhile, and yielded their udders
Unto the milkmaid's hand; whilst loud and in regular cadence
Into the sounding pails the foaming streamlets descended.
Lowing of cattle and peals of laughter were heard in the farm-yard,
Echoed back by the barns. Anon they sank into stillness;
Heavily closed, with a jarring sound, the valves of the barn-doors,
Rattled the wooden bars, and all for a season was silent.

In-doors, warm by the wide-mouthed fireplace, idly the farmer
Sat in his elbow-chair, and watched how the flames and the smoke-wreaths
Struggled together like foes in a burning city. Behind him,
Nodding and mocking along the wall, with gestures fantastic,
Darted his own huge shadow, and vanished away into darkness.
Faces, clumsily carved in oak, on the back of his arm-chair
Laughed in the flickering light, and the pewter plates on the dresser
Caught and reflected the flame, as shields of armies the sunshine.
Fragments of song the old man sang, and carols of Christmas,
Such as at home, in the olden time, his fathers before him
Sang in their Norman orchards and bright Burgundian vineyards.
Close at her father's side was the gentle Evangeline seated,
Spinning flax for the loom, that stood in the corner behind her.
Silent awhile were its treadles, at rest was its diligent shuttle,
While the monotonous drone of the wheel, like the drone of a bagpipe,
Followed the old man's songs and united the fragments together.
As in a church, when the chant of the choir at intervals ceases,
Footfalls are heard in the aisles, or words of the priest at the altar,
So, in each pause of the song, with measured motion the clock clicked.

Thus as they sat, there were footsteps heard, and, suddenly lifted,
Sounded the wooden latch, and the door swung back on its hinges.
Benedict knew by the hob-nailed shoes it was Basil the blacksmith,
And by her beating heart Evangeline knew who was with him.
"Welcome!" the farmer exclaimed, as their footsteps paused of the threshold.
"Welcome, Basil, my friend! Come, take thy place on the settle
Close by the chimney-side, which is always empty without thee;
Take from the shelf overhead thy pipe and the box of tobacco;
Never so much thyself art thou as when through the curling
Smoke of the pipe or the forge thy friendly and jovial face gleams
Round and red as the harvest moon through the mist of the marshes."
Then, with a smile of content, thus answered Basil the blacksmith,
Taking with easy air the accustomed seat by the fireside:--
"Benedict Bellefontaine, thou hast ever thy jest and thy ballad!
Ever in cheerfullest mood art thou, when others are filled with
Gloomy forebodings of ill, and see only ruin before them.
Happy art thou, as if every day thou hadst picked up a horseshoe."
Pausing a moment, to take the pipe that Evangeline brought him,
And with a coal from the embers had lighted, he slowly continued:--
"Four days now are passed since the English ships at their anchors
Ride in the Gaspereau's mouth, with their cannon pointed against us.
What their design may be is unknown; but all are commanded
On the morrow to meet in the church, where his Majesty's mandate
Will be proclaimed as law in the land. Alas! in the mean time
Many surmises of evil alarm the hearts of the people."
Then made answer the farmer:--"Perhaps some friendlier purpose
Brings these ships to our shores. Perhaps the harvests in England
By untimely rains or untimelier heat have been blighted,
And from our bursting barns they would feed their cattle and children."
"Not so thinketh the folk in the village," said, warmly, the blacksmith,
Shaking his head, as in doubt; then, heaving a sigh, he continued:--
"Louisburg is not forgotten, nor Beau Sejour, nor Port Royal.
Many already have fled to the forest, and lurk on its outskirts,
Waiting with anxious hearts the dubious fate of to-morrow.
Arms have been taken from us, and warlike weapons of all kinds;
Nothing is left but the blacksmith's sledge and the scythe of the mower."
Then with a pleasant smile made answer the jovial farmer:--
"Safer are we unarmed, in the midst of our flocks and our cornfields,
Safer within these peaceful dikes, besieged by the ocean,
Than our fathers in forts, besieged by the enemy's cannon.
Fear no evil, my friend, and to-night may no shadow of sorrow
Fall on this house and hearth; for this is the night of the contract.
Built are the house and the barn. The merry lads of the village
Strongly have built them and well; and, breaking the glebe round about them,
Filled the barn with hay, and the house with food for a twelvemonth.
Rene Leblanc will be here anon, with his papers and inkhorn.
Shall we not then be glad, and rejoice in the joy of our children?"
As apart by the window she stood, with her hand in her lover's,
Blushing Evangeline heard the words that her father had spoken,
And, as they died on his lips, the worthy notary entered.



III

Bent like a laboring oar, that toils in the surf of the ocean,
Bent, but not broken, by age was the form of the notary public;
Shocks of yellow hair, like the silken floss of the maize, hung
Over his shoulders; his forehead was high; and glasses with horn bows
Sat astride on his nose, with a look of wisdom supernal.
Father of twenty children was he, and more than a hundred
Children's children rode on his knee, and heard his great watch tick.
Four long years in the times of the war had he languished a captive,
Suffering much in an old French fort as the friend of the English.
Now, though warier grown, without all guile or suspicion,
Ripe in wisdom was he, but patient, and simple, and childlike.
He was beloved by all, and most of all by the children;
For he told them tales of the Loup-garou in the forest,
And of the goblin that came in the night to water the horses,
And of the white Letiche, the ghost of a child who unchristened
Died, and was doomed to haunt unseen the chambers of children;
And how on Christmas eve the oxen talked in the stable,
And how the fever was cured by a spider shut up in a nutshell,
And of the marvellous powers of four-leaved clover and horseshoes,
With whatsoever else was writ in the lore of the village.
Then up rose from his seat by the fireside Basil the blacksmith,
Knocked from his pipe the ashes, and slowly extending his right hand,
"Father Leblanc," he exclaimed, "thou hast heard the talk in the village,
And, perchance, canst tell us some news of these ships and their errand."
Then with modest demeanor made answer the notary public,--
"Gossip enough have I heard, in sooth, yet am never the wiser;
And what their errand may be I know not better than others.
Yet am I not of those who imagine some evil intention
Brings them here, for we are at peace; and why then molest us?"
"God's name!" shouted the hasty and somewhat irascible blacksmith;
"Must we in all things look for the how, and the why, and the wherefore?
Daily injustice is done, and might is the right of the strongest!"
But, without heeding his warmth, continued the notary public,--
"Man is unjust, but God is just; and finally justice
Triumphs; and well I remember a story, that often consoled me,
When as a captive I lay in the old French fort at Port Royal."
This was the old man's favorite tale, and he loved to repeat it
When his neighbors complained that any injustice was done them.
"Once in an ancient city, whose name I no longer remember,
Raised aloft on a column, a brazen statue of Justice
Stood in the public square, upholding the scales in its left hand,
And in its right a sword, as an emblem that justice presided
Over the laws of the land, and the hearts and homes of the people.
Even the birds had built their nests in the scales of the balance,
Having no fear of the sword that flashed in the sunshine above them.
But in the course of time the laws of the land were corrupted;
Might took the place of right, and the weak were oppressed, and the mighty
Ruled with an iron rod. Then it chanced in a nobleman's palace
That a necklace of pearls was lost, and erelong a suspicion
Fell on an orphan girl who lived as maid in the household.
She, after form of trial condemned to die on the scaffold,
Patiently met her doom at the foot of the statue of Justice.
As to her Father in heaven her innocent spirit ascended,
Lo! o'er the city a tempest rose; and the bolts of the thunder
Smote the statue of bronze, and hurled in wrath from its left hand
Down on the pavement below the clattering scales of the balance,
And in the hollow thereof was found the nest of a magpie,
Into whose clay-built walls the necklace of pearls was inwoven."
Silenced, but not convinced, when the story was ended, the blacksmith
Stood like a man who fain would speak, but findeth no language;
All his thoughts were congealed into lines on his face, as the vapors
Freeze in fantastic shapes on the window-panes in the winter.

Then Evangeline lighted the brazen lamp on the table,
Filled, till it overflowed, the pewter tankard with home-brewed
Nut-brown ale, that was famed for its strength in the village of Grand-Pre;
While from his pocket the notary drew his papers and inkhorn,
Wrote with a steady hand the date and the age of the parties,
Naming the dower of the bride in flocks of sheep and in cattle.
Orderly all things proceeded, and duly and well were completed,
And the great seal of the law was set like a sun on the margin.
Then from his leathern pouch the farmer threw on the table
Three times the old man's fee in solid pieces of silver;
And the notary rising, and blessing the bride and the bridegroom,
Lifted aloft the tankard of ale and drank to their welfare.
Wiping the foam from his lip, he solemnly bowed and departed,
While in silence the others sat and mused by the fireside,
Till Evangeline brought the draught-board out of its corner.
Soon was the game begun. In friendly contention the old men
Laughed at each lucky hit, or unsuccessful manoeuver,
Laughed when a man was crowned, or a breach was made in the king-row
Meanwhile apart, in the twilight gloom of a window's embrasure,
Sat the lovers, and whispered together, beholding the moon rise
Over the pallid sea and the silvery mist of the meadows.
Silently one by one, in the infinite meadows of heaven,
Blossomed the lovely stars, the forget-me-nots of the angels.

Thus was the evening passed. Anon the bell from the belfry
Rang out the hour of nine, the village curfew, and straightway
Rose the guests and departed; and silence reigned in the household.
Many a farewell word and sweet good-night on the door-step
Lingered long in Evangeline's heart, and filled it with gladness.
Carefully then were covered the embers that glowed on the hearth-stone,
And on the oaken stairs resounded the tread of the farmer.
Soon with a soundless step the foot of Evangeline followed.
Up the staircase moved a luminous space in the darkness,
Lighted less by the lamp than the shining face of the maiden.
Silent she passed the hall, and entered the door of her chamber.
Simple that chamber was, with its curtains of white, and its clothes-press
Ample and high, on whose spacious shelves were carefully folded
Linen and woollen stuffs, by the hand of Evangeline woven.
This was the precious dower she would bring to her husband in marriage,
Better than flocks and herds, being proofs of her skill as a housewife.
Soon she extinguished her lamp, for the mellow and radiant moonlight
Streamed through the windows, and lighted the room, till the heart of the maiden
Swelled and obeyed its power, like the tremulous tides of the ocean.
Ah! she was fair, exceeding fair to behold, as she stood with
Naked snow-white feet on the gleaming floor of her chamber!
Little she dreamed that below, among the trees of the orchard,
Waited her lover and watched for the gleam of her lamp and her shadow.
Yet were her thoughts of him, and at times a feeling of sadness
Passed o'er her soul, as the sailing shade of clouds in the moonlight
Flitted across the floor and darkened the room for a moment.
And, as she gazed from the window, she saw serenely the moon pass
Forth from the folds of a cloud, and one star follow her footsteps,
As out of Abraham's tent young Ishmael wandered with Hagar!


IV

Pleasantly rose next morn the sun on the village of Grand-Pre.
Pleasantly gleamed in the soft, sweet air the Basin of Minas,
Where the ships, with their wavering shadows, were riding at anchor.
Life had long been astir in the village, and clamorous labor
Knocked with its hundred hands at the golden gates of the morning.
Now from the country around, from the farms and neighboring hamlets,
Came in their holiday dresses the blithe Acadian peasants.
Many a glad good-morrow and jocund laugh from the young folk
Made the bright air brighter, as up from the numerous meadows,
Where no path could be seen but the track of wheels in the greensward,
Group after group appeared, and joined, or passed on the highway.
Long ere noon, in the village all sounds of labor were silenced.
Thronged were the streets with people; and noisy groups at the house-doors
Sat in the cheerful sun, and rejoiced and gossiped together.
Every house was an inn, where all were welcomed and feasted;
For with this simple people, who lived like brothers together,
All things were held in common, and what one had was another's.
Yet under Benedict's roof hospitality seemed more abundant:
For Evangeline stood among the guests of her father;
Bright was her face with smiles, and words of welcome and gladness
Fell from her beautiful lips, and blessed the cup as she gave it.

Under the open sky, in the odorous air of the orchard,
Stript of its golden fruit, was spread the feast of betrothal.
There in the shade of the porch were the priest and the notary seated;
There good Benedict sat, and sturdy Basil the blacksmith.
Not far withdrawn from these, by the cider-press and the beehives,
Michael the fiddler was placed, with the gayest of hearts and of waistcoats.
Shadow and light from the leaves alternately played on his snow-white
Hair, as it waved in the wind; and the jolly face of the fiddler
Glowed like a living coal when the ashes are blown from the embers.
Gayly the old man sang to the vibrant sound of his fiddle,
Tous les Bourgeois de Chartres, and Le Carillon de Dunkerque,
And anon with his wooden shoes beat time to the music.
Merrily, merrily whirled the wheels of the dizzying dances
Under the orchard-trees and down the path to the meadows;
Old folk and young together, and children mingled among them.
Fairest of all the maids was Evangeline, Benedict's daughter!
Noblest of all the youths was Gabriel, son of the blacksmith!

So passed the morning away. And lo! with a summons sonorous
Sounded the bell from its tower, and over the meadows a drum beat.
Thronged erelong was the church with men. Without, in the churchyard,
Waited the women. They stood by the graves, and hung on the headstones
Garlands of autumn-leaves and evergreens fresh from the forest.
Then came the guard from the ships, and marching proudly among them
Entered the sacred portal. With loud and dissonant clangor
Echoed the sound of their brazen drums from ceiling and casement,--
Echoed a moment only, and slowly the ponderous portal
Closed, and in silence the crowd awaited the will of the soldiers.
Then uprose their commander, and spoke from the steps of the altar,
Holding aloft in his hands, with its seals, the royal commission.
"You are convened this day," he said, "by his Majesty's orders.
Clement and kind has he been; but how you have answered his kindness,
Let your own hearts reply! To my natural make and my temper
Painful the task is I do, which to you I know must be grievous.
Yet must I bow and obey, and deliver the will of our monarch;
Namely, that all your lands, and dwellings, and cattle of all kinds
Forfeited be to the crown; and that you yourselves from this province
Be transported to other lands. God grant you may dwell there
Ever as faithful subjects, a happy and peaceable people!
Prisoners now I declare you; for such is his Majesty's pleasure!"
As, when the air is serene in the sultry solstice of summer,
Suddenly gathers a storm, and the deadly sling of the hailstones
Beats down the farmer's corn in the field and shatters his windows,
Hiding the sun, and strewing the ground with thatch from the house-roofs,
Bellowing fly the herds, and seek to break their enclosures;
So on the hearts of the people descended the words of the speaker.
Silent a moment they stood in speechless wonder, and then rose
Louder and ever louder a wail of sorrow and anger,
And, by one impulse moved, they madly rushed to the door-way.
Vain was the hope of escape; and cries and fierce imprecations
Rang through the house of prayer; and high o'er the heads of the others
Rose, with his arms uplifted, the figure of Basil the blacksmith,
As, on a stormy sea, a spar is tossed by the billows.
Flushed was his face and distorted with passion; and wildly he shouted,--
"Down with the tyrants of England! we never have sworn them allegiance!
Death to these foreign soldiers, who seize on our homes and our harvests!"
More he fain would have said, but the merciless hand of a soldier
Smote him upon the mouth, and dragged him down to the pavement.

In the midst of the strife and tumult of angry contention,
Lo! the door of the chancel opened, and Father Felician
Entered, with serious mien, and ascended the steps of the altar.
Raising his reverend hand, with a gesture he awed into silence
All that clamorous throng; and thus he spake to his people;
Deep were his tones and solemn; in accents measured and mournful
Spake he, as, after the tocsin's alarum, distinctly the clock strikes.
"What is this that ye do, my children? what madness has seized you?
Forty years of my life have I labored among you, and taught you,
Not in word alone, but in deed, to love one another!
Is this the fruit of my toils, of my vigils and prayers and privations?
Have you so soon forgotten all lessons of love and forgiveness?
This is the house of the Prince of Peace, and would you profane
it
Thus with violent deeds and hearts overflowing with hatred?
Lo! where the crucified Christ from his cross is gazing upon you!
See! in those sorrowful eyes what meekness and holy compassion!
Hark! how those lips still repeat the prayer, 'O Father, forgive them!'
Let us repeat that prayer in the hour when the wicked assail us,
Let us repeat it now, and say, 'O Father, forgive them!'"
Few were his words of rebuke, but deep in the hearts of his people
Sank they, and sobs of contrition succeeded the passionate outbreak,
While they repeated his prayer, and said, "O Father, forgive them!"

Then came the evening service. The tapers gleamed from the altar.
Fervent and deep was the voice of the priest and the people responded,
Not with their lips alone, but their hearts; and the Ave Maria
Sang they, and fell on their knees, and their souls, with devotion translated,
Rose on the ardor of prayer, like Elijah ascending to heaven.

Meanwhile had spread in the village the tidings of ill, and on all sides
Wandered, wailing, from house to house the women and children.
Long at her father's door Evangeline stood, with her right hand
Shielding her eyes from the level rays of the sun, that, descending,
Lighted the village street with mysterious splendor, and roofed each
Peasant's cottage with golden thatch, and emblazoned its windows.
Long within had been spread the snow-white cloth on the table;
There stood the wheaten loaf, and the honey fragrant with wild-flowers;
There stood the tankard of ale, and the cheese fresh brought from the dairy;
And, at the head of the board, the great arm-chair of the farmer.
Thus did Evangeline wait at her father's door, as the sunset
Threw the long shadows of trees o'er the broad ambrosial meadows.
Ah! on her spirit within a deeper shadow had fallen,
And from the fields of her soul a fragrance celestial ascended,--
Charity, meekness, love, and hope, and forgiveness, and patience!
Then, all-forgetful of self, she wandered into the village,
Cheering with looks and words the mournful hearts of the women,
As o'er the darkening fields with lingering steps they departed,
Urged by their household cares, and the weary feet of their children.
Down sank the great red sun, and in golden, glimmering vapors
Veiled the light of his face, like the Prophet descending from Sinai.
Sweetly over the village the bell of the Angelus sounded.

Meanwhile, amid the gloom, by the church Evangeline lingered.
All was silent within; and in vain at the door and the windows
Stood she, and listened and looked, till, overcome by emotion,
"Gabriel!" cried she aloud with tremulous voice; but no answer
Came from the graves of the dead, nor the gloomier grave of the living.
Slowly at length she returned to the tenantless house of her father.
Smouldered the fire on the hearth, on the board was the supper untasted,
Empty and drear was each room, and haunted with phantoms of terror.
Sadly echoed her step on the stair and the floor of her chamber.
In the dead of the night she heard the disconsolate rain fall
Loud on the withered leaves of the sycamore-tree by the window.
Keenly the lightning flashed; and the voice of the echoing thunder
Told her that God was in heaven, and governed the world he created!
Then she remembered the tale she had heard of the justice of Heaven;
Soothed was her troubled soul, and she peacefully slumbered till
morning.


V

Four times the sun had risen and set; and now on the fifth day
Cheerily called the cock to the sleeping maids of the farm-house.
Soon o'er the yellow fields, in silent and mournful procession,
Came from the neighboring hamlets and farms the Acadian women,
Driving in ponderous wains their household goods to the sea-shore,
Pausing and looking back to gaze once more on their dwellings,
Ere they were shut from sight by the winding road and the woodland.
Close at their sides their children ran, and urged on the oxen,
While in their little hands they clasped some fragments of playthings.

Thus to the Gaspereau's mouth they hurried; and there on the sea-beach
Piled in confusion lay the household goods of the peasants.
All day long between the shore and the ships did the boats ply;
All day long the wains came laboring down from the village.
Late in the afternoon, when the sun was near to his setting,
Echoed far o'er the fields came the roll of drums from the churchyard.
Thither the women and children thronged. On a sudden the church-doors
Opened, and forth came the guard, and marching in gloomy procession
Followed the long-imprisoned, but patient, Acadian farmers.
Even as pilgrims, who journey afar from their homes and their country,
Sing as they go, and in singing forget they are weary and wayworn,
So with songs on their lips the Acadian peasants descended
Down from the church to the shore, amid their wives and their daughters.
Foremost the young men came; and, raising together their voices,
Sang with tremulous lips a chant of the Catholic Missions:--
"Sacred heart of the Saviour! O inexhaustible fountain!
Fill our hearts this day with strength and submission and patience!"
Then the old men, as they marched, and the women that stood by the wayside
Joined in the sacred psalm, and the birds in the sunshine above them
Mingled their notes therewith, like voices of spirits departed.

Half-way down to the shore Evangeline waited in silence,
Not overcome with grief, but strong in the hour of affliction,--
Calmly and sadly she waited, until the procession approached her,
And she beheld the face of Gabriel pale with emotion.
Team then filled her eyes, and, eagerly running to meet him,
Clasped she his hands, and laid her head on his shoulder, and whispered,--
"Gabriel! be of good cheer! for if we love one another
Nothing, in truth, can harm us, whatever mischances may happen!"
Smiling she spake these words; then suddenly paused, for her father
Saw she slowly advancing. Alas! how changed was his aspect!
Gone was the glow from his cheek, and the fire from his eye, and his footstep
Heavier seemed with the weight of the heavy heart in his bosom.
But with a smile and a sigh, she clasped his neck and embraced him,
Speaking words of endearment where words of comfort availed not.
Thus to the Gaspereau's mouth moved on that mournful procession.

There disorder prevailed, and the tumult and stir of embarking.
Busily plied the freighted boats; and in the confusion
Wives were torn from their husbands, and mothers, too late, saw their children
Left on the land, extending their arms, with wildest entreaties.
So unto separate ships were Basil and Gabriel carried,
While in despair on the shore Evangeline stood with her father.
Half the task was not done when the sun went down, and the twilight
Deepened and darkened around; and in haste the refluent ocean
Fled away from the shore, and left the line of the sand-beach
Covered with waifs of the tide, with kelp and the slippery sea-weed.
Farther back in the midst of the household goods and the wagons,
Like to a gypsy camp, or a leaguer after a battle,
All escape cut off by the sea, and the sentinels near them,
Lay encamped for the night the houseless Acadian farmers.
Back to its nethermost caves retreated the bellowing ocean,
Dragging adown the beach the rattling pebbles, and leaving
Inland and far up the shore the stranded boats of the sailors.
Then, as the night descended, the herds returned from their pastures;
Sweet was the moist still air with the odor of milk from their udders;
Lowing they waited, and long, at the well-known bars of the farm-yard,--
Waited and looked in vain for the voice and the hand of the milkmaid.
Silence reigned in the streets; from the church no Angelus sounded,
Rose no smoke from the roofs, and gleamed no lights from the windows.

But on the shores meanwhile the evening fires had been kindled,
Built of the drift-wood thrown on the sands from wrecks in the tempest.
Round them shapes of gloom and sorrowful faces were gathered,
Voices of women were heard, and of men, and the crying of children.
Onward from fire to fire, as from hearth to hearth in his parish,
Wandered the faithful priest, consoling and blessing and cheering,
Like unto shipwrecked Paul on Melita's desolate sea-shore.
Thus he approached the place where Evangeline sat with her father,
And in the flickering light beheld the face of the old man,
Haggard and hollow and wan, and without either thought or emotion,
E'en as the face of a clock from which the hands have been taken.
Vainly Evangeline strove with words and caresses to cheer him,
Vainly offered him food; yet he moved not, he looked not, he spake not
But, with a vacant stare, ever gazed at the flickering fire-light.
"Benedicite!" murmured the priest, in tones of compassion.
More he fain would have said, but his heart was full, and his accents
Faltered and paused on his lips, as the feet of a child on a threshold,
Hushed by the scene he beholds, and the awful presence of sorrow.
Silently, therefore, he laid his hand on the head of the maiden,
Raising his tearful eyes to the silent stars that above them
Moved on their way, unperturbed by the wrongs and sorrows of mortals.
Then sat he down at her side, and they wept together in silence.

Suddenly rose from the south a light, as in autumn the blood-red
Moon climbs the crystal walls of heaven, and o'er the horizon
Titan-like stretches its hundred hands upon mountain and meadow,
Seizing the rocks and the rivers, and piling huge shadows together.
Broader and ever broader it gleamed on the roofs of the village,
Gleamed on the sky and the sea, and the ships that lay in the roadstead.
Columns of shining smoke uprose, and flashes of flame were
Thrust through their folds and withdrawn, like the quivering hands of a martyr.
Then as the wind seized the gleeds and the burning thatch, and, uplifting,
Whirled them aloft through the air, at once from a hundred house-tops
Started the sheeted smoke with flashes of flame intermingled.

These things beheld in dismay the crowd on the shore and on shipboard.
Speechless at first they stood, then cried aloud in their anguish,
"We shall behold no more our homes in the village of Grand-Pre!"
Loud on a sudden the cocks began to crow in the farm-yards,
Thinking the day had dawned; and anon the lowing of cattle
Came on the evening breeze, by the barking of dogs interrupted.
Then rose a sound of dread, such as startles the sleeping encampments
Far in the western prairies or forests that skirt the Nebraska,
When the wild horses affrighted sweep by with the speed of the whirlwind,
Or the loud bellowing herds of buffaloes rush to the river.
Such was the sound that arose on the night, as the herds and the horses
Broke through their folds and fences, and madly rushed o'er the meadows.

Overwhelmed with the sight, yet speechless, the priest and the maiden
Gazed on the scene of terror that reddened and widened before them;
And as they turned at length to speak to their silent companion,
Lo! from his seat he had fallen, and stretched abroad on the sea-shore
Motionless lay his form, from which the soul had departed.
Slowly the priest uplifted the lifeless head, and the maiden
Knelt at her father's side, and wailed aloud in her terror.
Then in a swoon she sank, and lay with her head on his bosom.
Through the long night she lay in deep, oblivious slumber;
And when she woke from the trance, she beheld a multitude near her.
Faces of friends she beheld, that were mournfully gazing upon her,
Pallid, with tearful eyes, and looks of saddest compassion.
Still the blaze of the burning village illumined the landscape,
Reddened the sky overhead, and gleamed on the faces around her,
And like the day of doom it seemed to her wavering senses.
Then a familiar voice she heard, as it said to the people,--
"Let us bury him here by the sea. When a happier season
Brings us again to our homes from the unknown land of our exile,
Then shall his sacred dust be piously laid in the churchyard."
Such were the words of the priest. And there in haste by the sea-side,
Having the glare of the burning village for funeral torches,
But without bell or book, they buried the farmer of Grand-Pre.
And as the voice of the priest repeated the service of sorrow,
Lo! with a mournful sound, like the voice of a vast congregation,
Solemnly answered the sea, and mingled its roar with the dirges.
'T was the returning tide, that afar from the waste of the ocean,
With the first dawn of the day, came heaving and hurrying landward.
Then recommenced once more the stir and noise of embarking;
And with the ebb of the tide the ships sailed out of the harbor,
Leaving behind them the dead on the shore, and the village in
ruins.



PART THE SECOND

I

Many a weary year had passed since the burning of Grand-Pre,
When on the falling tide the freighted vessels departed,
Bearing a nation, with all its household gods, into exile.
Exile without an end, and without an example in story.
Far asunder, on separate coasts, the Acadians landed;
Scattered were they, like flakes of snow, when the wind from the northeast
Strikes aslant through the fogs that darken the Banks of Newfoundland.
Friendless, homeless, hopeless, they wandered from city to city,
From the cold lakes of the North to sultry Southern savannas,--
From the bleak shores of the sea to the lands where the Father of Waters
Seizes the hills in his hands, and drags them down to the ocean,
Deep in their sands to bury the scattered bones of the mammoth.
Friends they sought and homes; and many, despairing, heart-broken,
Asked of the earth but a grave, and no longer a friend nor a fireside.
Written their history stands on tablets of stone in the churchyards.
Long among them was seen a maiden who waited and wandered,
Lowly and meek in spirit, and patiently suffering all things.
Fair was she and young; but, alas! before her extended,
Dreary and vast and silent, the desert of life, with its pathway
Marked by the graves of those who had sorrowed and suffered before her,
Passions long extinguished, and hopes long dead and abandoned,
As the emigrant's way o'er the Western desert is marked by
Camp-fires long consumed, and bones that bleach in the sunshine.
Something there was in her life incomplete, imperfect, unfinished;
As if a morning of June, with all its music and sunshine,
Suddenly paused in the sky, and, fading, slowly descended
Into the east again, from whence it late had arisen.
Sometimes she lingered in towns, till, urged by the fever within her,
Urged by a restless longing, the hunger and thirst of the spirit,
She would commence again her endless search and endeavor;
Sometimes in churchyards strayed, and gazed on the crosses and tombstones,
Sat by some nameless grave, and thought that perhaps in its bosom
He was already at rest, and she longed to slumber beside him.
Sometimes a rumor, a hearsay, an inarticulate whisper,
Came with its airy hand to point and beckon her forward.
Sometimes she spake with those who had seen her beloved and known him,
But it was long ago, in some far-off place or forgotten.
"Gabriel Lajeunesse!" they said; yes! we have seen him.
He was with Basil the blacksmith, and both have gone to the prairies;
Coureurs-des-Bois are they, and famous hunters and trappers."
"Gabriel Lajeunesse!" said others; "O yes! we have seen him.
He is a Voyageur in the lowlands of Louisiana."
Then would they say, "Dear child! why dream and wait for him longer?
Are there not other youths as fair as Gabriel? others
Who have hearts as tender and true, and spirits as loyal?
Here is Baptiste Leblanc, the notary's son, who has loved thee
Many a tedious year; come, give him thy hand and be happy!
Thou art too fair to be left to braid St. Catherine's tresses."
Then would Evangeline answer, serenely but sadly, "I cannot!
Whither my heart has gone, there follows my hand, and not elsewhere.
For when the heart goes before, like a lamp, and illumines the pathway,
Many things are made clear, that else lie hidden in darkness."
Thereupon the priest, her friend and father-confessor,
Said, with a smile, "O daughter! thy God thus speaketh within thee!
Talk not of wasted affection, affection never was wasted;
If it enrich not the heart of another, its waters, returning
Back to their springs, like the rain, shall fill them full of refreshment;
That which the fountain sends forth returns again to the fountain.
Patience; accomplish thy labor; accomplish thy work of affection!
Sorrow and silence are strong, and patient endurance is godlike.
Therefore accomplish thy labor of love, till the heart is made godlike,
Purified, strengthened, perfected, and rendered more worthy of heaven!"
Cheered by the good man's words, Evangeline labored and waited.
Still in her heart she heard the funeral dirge of the ocean,
But with its sound there was mingled a voice that whispered, "Despair not?"
Thus did that poor soul wander in want and cheerless discomfort
Bleeding, barefooted, over the shards and thorns of existence.
Let me essay, O Muse! to follow the wanderer's footsteps;--
Not through each devious path, each changeful year of existence;
But as a traveller follows a streamlet's course through the valley:
Far from its margin at times, and seeing the gleam of its water
Here and there, in some open space, and at intervals only;
Then drawing nearer its banks, through sylvan glooms that conceal it,
Though he behold it not, he can hear its continuous murmur;
Happy, at length, if he find the spot where it reaches an outlet.



II

It was the month of May. Far down the Beautiful River,
Past the Ohio shore and past the mouth of the Wabash,
Into the golden stream of the broad and swift Mississippi,
Floated a cumbrous boat, that was rowed by Acadian boatmen.
It was a band of exiles: a raft, as it were, from the shipwrecked
Nation, scattered along the coast, now floating together,
Bound by the bonds of a common belief and a common misfortune;
Men and women and children, who, guided by hope or by hearsay,
Sought for their kith and their kin among the few-acred farmers
On the Acadian coast, and the prairies of fair Opelousas.
With them Evangeline went, and her guide, the Father Felician.
Onward o'er sunken sands, through a wilderness sombre with forests,
Day after day they glided adown the turbulent river;
Night after night, by their blazing fires, encamped on its borders.
Now through rushing chutes, among green islands, where plumelike
Cotton-trees nodded their shadowy crests, they swept with the current,
Then emerged into broad lagoons, where silvery sand-bars
Lay in the stream, and along the wimpling waves of their margin,
Shining with snow-white plumes, large flocks of pelicans waded.
Level the landscape grew, and along the shores of the river,
Shaded by china-trees, in the midst of luxuriant gardens,
Stood the houses of planters, with negro-cabins and dove-cots.
They were approaching the region where reigns perpetual summer,
Where through the Golden Coast, and groves of orange and citron,
Sweeps with majestic curve the river away to the eastward.
They, too, swerved from their course; and, entering the Bayou of Plaquemine,
Soon were lost in a maze of sluggish and devious waters,
Which, like a network of steel, extended in every direction.
Over their heads the towering and tenebrous boughs of the cypress
Met in a dusky arch, and trailing mosses in mid-air
Waved like banners that hang on the walls of ancient cathedrals.
Deathlike the silence seemed, and unbroken, save by the herons
Home to their roasts in the cedar-trees returning at sunset,
Or by the owl, as he greeted the moon with demoniac laughter.
Lovely the moonlight was as it glanced and gleamed on the water,
Gleamed on the columns of cypress and cedar sustaining the arches,
Down through whose broken vaults it fell as through chinks in a ruin.
Dreamlike, and indistinct, and strange were all things around them;
And o'er their spirits there came a feeling of wonder and sadness,--
Strange forebodings of ill, unseen and that cannot be compassed.
As, at the tramp of a horse's hoof on the turf of the prairies,
Far in advance are closed the leaves of the shrinking mimosa,
So, at the hoof-beats of fate, with sad forebodings of evil,
Shrinks and closes the heart, ere the stroke of doom has attained it.
But Evangeline's heart was sustained by a vision, that faintly
Floated before her eyes, and beckoned her on through the moonlight.
It was the thought of her brain that assumed the shape of a phantom.
Through those shadowy aisles had Gabriel wandered before her,
And every stroke of the oar now brought him nearer and nearer.

Then in his place, at the prow of the boat, rose one of the oarsmen,
And, as a signal sound, if others like them peradventure
Sailed on those gloomy and midnight streams, blew a blast on his bugle.
Wild through the dark colonnades and corridors leafy the blast rang,
Breaking the seal of silence, and giving tongues to the forest.
Soundless above them the banners of moss just stirred to the music.
Multitudinous echoes awoke and died in the distance,
Over the watery floor, and beneath the reverberant branches;
But not a voice replied; no answer came from the darkness;
And, when the echoes had ceased, like a sense of pain was the silence.
Then Evangeline slept; but the boatmen rowed through the midnight,
Silent at times, then singing familiar Canadian boat-songs,
Such as they sang of old on their own Acadian rivers,
While through the night were heard the mysterious sounds of the desert,
Far off,--indistinct,--as of wave or wind in the forest,
Mixed with the whoop of the crane and the roar of the grim alligator.

Thus ere another noon they emerged from the shades; and before them
Lay, in the golden sun, the lakes of the Atchafalaya.
Water-lilies in myriads rocked on the slight undulations
Made by the passing oars, and, resplendent in beauty, the lotus
Lifted her golden crown above the heads of the boatmen.
Faint was the air with the odorous breath of magnolia blossoms,
And with the heat of noon; and numberless sylvan islands,
Fragrant and thickly embowered with blossoming hedges of roses,
Near to whose shores they glided along, invited to slumber.
Soon by the fairest of these their weary oars were suspended.
Under the boughs of Wachita willows, that grew by the margin,
Safely their boat was moored; and scattered about on the greensward,
Tired with their midnight toil, the weary travellers slumbered.
Over them vast and high extended the cope of a cedar.
Swinging from its great arms, the trumpet-flower and the grapevine
Hung their ladder of ropes aloft like the ladder of Jacob,
On whose pendulous stairs the angels ascending, descending,
Were the swift humming-birds, that flitted from blossom to blossom.
Such was the vision Evangeline saw as she slumbered beneath it.
Filled was her heart with love, and the dawn of an opening heaven
Lighted her soul in sleep with the glory of regions celestial.

Nearer, ever nearer, among the numberless islands,
Darted a light, swift boat, that sped away o'er the water,
Urged on its course by the sinewy arms of hunters and trappers.
Northward its prow was turned, to the land of the bison and beaver.
At the helm sat a youth, with countenance thoughtful and careworn.
Dark and neglected locks overshadowed his brow, and a sadness
Somewhat beyond his years on his face was legibly written.
Gabriel was it, who, weary with waiting, unhappy and restless,
Sought in the Western wilds oblivion of self and of sorrow.
Swiftly they glided along, close under the lee of the island,
But by the opposite bank, and behind a screen of palmettos,
So that they saw not the boat, where it lay concealed in the willows,
All undisturbed by the dash of their oars, and unseen, were the sleepers,
Angel of God was there none to awaken the slumbering maiden.
Swiftly they glided away, like the shade of a cloud on the prairie.
After the sound of their oars on the tholes had died in the distance,
As from a magic trance the sleepers awoke, and the maiden
Said with a sigh to the friendly priest, "O Father Felician!
Something says in my heart that near me Gabriel wanders.
Is it a foolish dream, an idle and vague superstition?
Or has an angel passed, and revealed the truth to my spirit?"
Then, with a blush, she added, "Alas for my credulous fancy!
Unto ears like thine such words as these have no meaning."
But made answer the reverend man, and he smiled as he answered,--
"Daughter, thy words are not idle; nor are they to me without meaning.
Feeling is deep and still; and the word that floats on the surface
Is as the tossing buoy, that betrays where the anchor is hidden.
Therefore trust to thy heart, and to what the world calls illusions.
Gabriel truly is near thee; for not far away to the southward,
On the banks of the Teche, are the towns of St. Maur and St. Martin.
There the long-wandering bride shall be given again to her bridegroom,
There the long-absent pastor regain his flock and his sheepfold.
Beautiful is the land, with its prairies and forests of fruit-trees;
Under the feet a garden of flowers, and the bluest of heavens
Bending above, and resting its dome on the walls of the forest.
They who dwell there have named it the Eden of Louisiana."

With these words of cheer they arose and continued their journey.
Softly the evening came. The sun from the western horizon
Like a magician extended his golden wand o'er the landscape;
Twinkling vapors arose; and sky and water and forest
Seemed all on fire at the touch, and melted and mingled together.
Hanging between two skies, a cloud with edges of silver,
Floated the boat, with its dripping oars, on the motionless water.
Filled was Evangeline's heart with inexpressible sweetness.
Touched by the magic spell, the sacred fountains of feeling
Glowed with the light of love, as the skies and waters around her.
Then from a neighboring thicket the mocking-bird, wildest of singers,
Swinging aloft on a willow spray that hung o'er the water,
Shook from his little throat such floods of delirious music,
That the whole air and the woods and the waves seemed silent to listen.
Plaintive at first were the tones and sad; then soaring to madness
Seemed they to follow or guide the revel of frenzied Bacchantes.
Single notes were then heard, in sorrowful, low lamentation;
Till, having gathered them all, he flung them abroad in derision,
As when, after a storm, a gust of wind through the tree-tops
Shakes down the rattling rain in a crystal shower on the branches.
With such a prelude as this, and hearts that throbbed with emotion,
Slowly they entered the Teche, where it flows through the green Opelousas,
And, through the amber air, above the crest of the woodland,
Saw the column of smoke that arose from a neighboring dwelling;--
Sounds of a horn they heard, and the distant lowing of cattle.


III

Near to the bank of the river, o'ershadowed by oaks, from whose branches
Garlands of Spanish moss and of mystic mistletoe flaunted,
Such as the Druids cut down with golden hatchets at Yule-tide,
Stood, secluded and still, the house of the herdsman. A garden
Girded it round about with a belt of luxuriant blossoms,
Filling the air with fragrance. The house itself was of timbers
Hewn from the cypress-tree, and carefully fitted together.
Large and low was the roof; and on slender columns supported,
Rose-wreathed, vine-encircled, a broad and spacious veranda,
Haunt of the humming-bird and the bee, extended around it.
At each end of the house, amid the flowers of the garden,
Stationed the dove-cots were, as love's perpetual symbol,
Scenes of endless wooing, and endless contentions of rivals.
Silence reigned o'er the place. The line of shadow and sunshine
Ran near the tops of the trees; but the house itself was in shadow,
And from its chimney-top, ascending and slowly expanding
Into the evening air, a thin blue column of smoke rose.
In the rear of the house, from the garden gate, ran a pathway
Through the great groves of oak to the skirts of the limitless prairie,
Into whose sea of flowers the sun was slowly descending.
Full in his track of light, like ships with shadowy canvas
Hanging loose from their spars in a motionless calm in the tropics,
Stood a cluster of trees, with tangled cordage of grapevines.

Just where the woodlands met the flowery surf of the prairie,
Mounted upon his horse, with Spanish saddle and stirrups,
Sat a herdsman, arrayed in gaiters and doublet of deerskin.
Broad and brown was the face that from under the Spanish sombrero
Gazed on the peaceful scene, with the lordly look of its master.
Round about him were numberless herds of kine, that were grazing
Quietly in the meadows, and breathing the vapory freshness
That uprose from the river, and spread itself over the landscape.
Slowly lifting the horn that hung at his side, and expanding
Fully his broad, deep chest, he blew a blast, that resounded
Wildly and sweet and far, through the still damp air of the evening.
Suddenly out of the grass the long white horns of the cattle
Rose like flakes of foam on the adverse currents of ocean.
Silent a moment they gazed, then bellowing rushed o'er the prairie,
And the whole mass became a cloud, a shade in the distance.
Then, as the herdsman turned to the house, through the gate of the garden
Saw he the forms of the priest and the maiden advancing to meet him.
Suddenly down from his horse he sprang in amazement, and forward
Rushed with extended arms and exclamations of wonder;
When they beheld his face, they recognized Basil the blacksmith.
Hearty his welcome was, as he led his guests to the garden.
There in an arbor of roses with endless question and answer
Gave they vent to their hearts, and renewed their friendly embraces,
Laughing and weeping by turns, or sitting silent and thoughtful.
Thoughtful, for Gabriel came not; and now dark doubts and misgivings
Stole o'er the maiden's heart; and Basil, somewhat embarrassed,
Broke the silence and said, "If you came by the Atchafalaya,
How have you nowhere encountered my Gabriel's boat on the bayous?"
Over Evangeline's face at the words of Basil a shade passed.
Tears came into her eyes, and she said, with a tremulous accent,
"Gone? is Gabriel gone?" and, concealing her face on his shoulder,
All her o'erburdened heart gave way, and she wept and lamented.
Then the good Basil said,--and his voice grew blithe as he said it,--
"Be of good cheer, my child; it is only to-day he departed.
Foolish boy! he has left me alone with my herds and my horses.
Moody and restless grown, and tried and troubled, his spirit
Could no longer endure the calm of this quiet existence.
Thinking ever of thee, uncertain and sorrowful ever,
Ever silent, or speaking only of thee and his troubles,
He at length had become so tedious to men and to maidens,
Tedious even to me, that at length I bethought me, and sent him
Unto the town of Adayes to trade for mules with the Spaniards.
Thence he will follow the Indian trails to the Ozark Mountains,
Hunting for furs in the forests, on rivers trapping the beaver.
Therefore be of good cheer; we will follow the fugitive lover;
He is not far on his way, and the Fates and the streams are against him.
Up and away to-morrow, and through the red dew of the morning
We will follow him fast, and bring him back to his prison."

Then glad voices were heard, and up from the banks of the river,
Borne aloft on his comrades' arms, came Michael the fiddler.
Long under Basil's roof had he lived like a god on Olympus,
Having no other care than dispensing music to mortals.
Far renowned was he for his silver locks and his fiddle.
"Long live Michael," they cried, "our brave Acadian minstrel!"
As they bore him aloft in triumphal procession; and straightway
Father Felician advanced with Evangeline, greeting the old man
Kindly and oft, and recalling the past, while Basil, enraptured,
Hailed with hilarious joy his old companions and gossips,
Laughing loud and long, and embracing mothers and daughters.
Much they marvelled to see the wealth of the cidevant blacksmith,
All his domains and his herds, and his patriarchal demeanor;
Much they marvelled to hear his tales of the soil and the climate,
And of the prairie; whose numberless herds were his who would take them;
Each one thought in his heart, that he, too, would go and do likewise.
Thus they ascended the steps, and, crossing the breezy veranda,
Entered the hall of the house, where already the supper of Basil
Waited his late return; and they rested and feasted together.

Over the joyous feast the sudden darkness descended.
All was silent without, and, illuming the landscape with silver,
Fair rose the dewy moon and the myriad stars; but within doors,
Brighter than these, shone the faces of friends in the glimmering lamplight.
Then from his station aloft, at the head of the table, the herdsman
Poured forth his heart and his wine together in endless profusion.
Lighting his pipe, that was filled with sweet Natchitoches tobacco,
Thus he spake to his guests, who listened, and smiled as they listened:--
"Welcome once more, my friends, who long have been friendless and homeless,
Welcome once more to a home, that is better perchance than the old one!
Here no hungry winter congeals our blood like the rivers;
Here no stony ground provokes the wrath of the farmer.
Smoothly the ploughshare runs through the soil, as a keel through the water.
All the year round the orange-groves are in blossom; and grass grows
More in a single night than a whole Canadian summer.
Here, too, numberless herds run wild and unclaimed in the prairies;
Here, too, lands may be had for the asking, and forests of timber
With a few blows of the axe are hewn and framed into houses.
After your houses are built, and your fields are yellow with harvests,
No King George of England shall drive you away from your homesteads,
Burning your dwellings and barns, and stealing your farms and your cattle."
Speaking these words, he blew a wrathful cloud from his nostrils,
While his huge, brown hand came thundering down on the table,
So that the guests all started; and Father Felician, astounded,
Suddenly paused, with a pinch of snuff half-way to his nostrils.
But the brave Basil resumed, and his words were milder and gayer:--
"Only beware of the fever, my friends, beware of the fever!
For it is not like that of our cold Acadian climate,
Cured by wearing a spider hung round one's neck in a nutshell!"
Then there were voices heard at the door, and footsteps approaching
Sounded upon the stairs and the floor of the breezy veranda.
It was the neighboring Creoles and small Acadian planters,
Who had been summoned all to the house of Basil the Herdsman.
Merry the meeting was of ancient comrades and neighbors:
Friend clasped friend in his arms; and they who before were as strangers,
Meeting in exile, became straightway as friends to each other,
Drawn by the gentle bond of a common country together.
But in the neighboring hall a strain of music, proceeding
From the accordant strings of Michael's melodious fiddle,
Broke up all further speech. Away, like children delighted,
All things forgotten beside, they gave themselves to the maddening
Whirl of the dizzy dance, as it swept and swayed to the music,
Dreamlike, with beaming eyes and the rush of fluttering garments.

Meanwhile, apart, at the head of the hall, the priest and the herdsman
Sat, conversing together of past and present and future;
While Evangeline stood like one entranced, for within her
Olden memories rose, and loud in the midst of the music
Heard she the sound of the sea, and an irrepressible sadness
Came o'er her heart, and unseen she stole forth into the garden.
Beautiful was the night. Behind the black wall of the forest,
Tipping its summit with silver, arose the moon. On the river
Fell here and there through the branches a tremulous gleam of the moonlight,
Like the sweet thoughts of love on a darkened and devious spirit.
Nearer and round about her, the manifold flowers of the garden
Poured out their souls in odors, that were their prayers and confessions
Unto the night, as it went its way, like a silent Carthusian.
Fuller of fragrance than they, and as heavy with shadows and night-dews,
Hung the heart of the maiden. The calm and the magical moonlight
Seemed to inundate her soul with indefinable longing;
As, through the garden gate, and beneath the shade of the oak-trees,
Passed she along the path to the edge of the measureless prairie.
Silent it lay, with a silvery haze upon it, and fire-flies
Gleaming and floating away in mingled and infinite numbers.
Over her head the stars, the thoughts of God in the heavens,
Shone on the eyes of man who had ceased to marvel and worship,
Save when a blazing comet was seen on the walls of that temple,
As if a hand had appeared and written upon them, "Upharsin."
And the soul of the maiden, between the stars and the fire-flies,
Wandered alone, and she cried, "O Gabriel! O my beloved!
Art thou so near unto me, and yet I cannot behold thee?
Art thou so near unto me, and yet thy voice does not reach me?
Ah! how often thy feet have trod this path to the prairie!
Ah! how often thine eyes have looked on the woodlands around me!
Ah! how often beneath this oak, returning from labor,
Thou hast lain down to rest and to dream of me in thy slumbers!
When shall these eyes behold, these arms be folded about thee?"
Loud and sudden and near the note of a whippoorwill sounded
Like a flute in the woods; and anon, through the neighboring thickets,
Farther and farther away it floated and dropped into silence.
"Patience!" whispered the oaks from oracular caverns of darkness:
And, from the moonlit meadow, a sigh responded, "To-morrow!"

Bright rose the sun next day; and all the flowers of the garden
Bathed his shining feet with their tears, and anointed his tresses
With the delicious balm that they bore in their vases of crystal.
"Farewell!" said the priest, as he stood at the shadowy threshold;
"See that you bring us the Prodigal Son from his fasting and famine,
And, too, the Foolish Virgin, who slept when the bridegroom was coming."
"Farewell!" answered the maiden, and, smiling, with Basil descended
Down to the river's brink, where the boatmen already were waiting.
Thus beginning their journey with morning, and sunshine, and gladness,
Swiftly they followed the flight of him who was speeding before them,
Blown by the blast of fate like a dead leaf over the desert.
Not that day, nor the next, nor yet the day that succeeded,
Found they trace of his course, in lake or forest or river,
Nor, after many days, had they found him; but vague and uncertain
Rumors alone were their guides through a wild and desolate Country;
Till, at the little inn of the Spanish town of Adayes,
Weary and worn, they alighted, and learned from the garrulous landlord,
That on the day before, with horses and guides and companions,
Gabriel left the village, and took the road of the prairies.



IV

Far in the West there lies a desert land, where the mountains
Lift, through perpetual snows, their lofty and luminous summits.
Down from their jagged, deep ravines, where the gorge, like a gateway,
Opens a passage rude to the wheels of the emigrant's wagon,
Westward the Oregon flows and the Walleway and Owyhee.
Eastward, with devious course, among the Wind-river Mountains,
Through the Sweet-water Valley precipitate leaps the Nebraska;
And to the south, from Fontaine-qui-bout and the Spanish sierras,
Fretted with sands and rocks, and swept by the wind of the desert,
Numberless torrents, with ceaseless sound, descend to the ocean,
Like the great chords of a harp, in loud and solemn vibrations.
Spreading between these streams are the wondrous, beautiful prairies,
Billowy bays of grass ever rolling in shadow and sunshine,
Bright with luxuriant clusters of roses and purple amorphas.
Over them wandered the buffalo herds, and the elk and the roebuck;
Over them wandered the wolves, and herds of riderless horses;
Fires that blast and blight, and winds that are weary with travel;
Over them wander the scattered tribes of Ishmael's children,
Staining the desert with blood; and above their terrible war-trails
Circles and sails aloft, on pinions majestic, the vulture,
Like the implacable soul of a chieftain slaughtered in battle,
By invisible stairs ascending and scaling the heavens.
Here and there rise smokes from the camps of these savage marauders;
Here and there rise groves from the margins of swift-running rivers;
And the grim, taciturn bear, the anchorite monk of the desert,
Climbs down their dark ravines to dig for roots by the brook-side,
And over all is the sky, the clear and crystalline heaven,
Like the protecting hand of God inverted above them.

Into this wonderful land, at the base of the Ozark Mountains,
Gabriel far had entered, with hunters and trappers behind him.
Day after day, with their Indian guides, the maiden and Basil
Followed his flying steps, and thought each day to o'ertake him.
Sometimes they saw, or thought they saw, the smoke of his camp-fire
Rise in the morning air from the distant plain; but at nightfall,
When they had reached the place, they found only embers and ashes.
And, though their hearts were sad at times and their bodies were weary,
Hope still guided them on, as the magic Fata Morgana
Showed them her lakes of light, that retreated and vanished before them.

Once, as they sat by their evening fire, there silently entered
Into the little camp an Indian woman, whose features
Wore deep traces of sorrow, and patience as great as her sorrow.
She was a Shawnee woman returning home to her people,
From the far-off hunting-grounds of the cruel Camanches,
Where her Canadian husband, a Coureur-des-Bois, had been murdered.
Touched were their hearts at her story, and warmest and friendliest welcome
Gave they, with words of cheer, and she sat and feasted among them
On the buffalo-meat and the venison cooked on the embers.
But when their meal was done, and Basil and all his companions,
Worn with the long day's march and the chase of the deer and the bison,
Stretched themselves on the ground, and slept where the quivering fire-light
Flashed on their swarthy cheeks, and their forms wrapped up in their blankets
Then at the door of Evangeline's tent she sat and repeated
Slowly, with soft, low voice, and the charm of her Indian accent,
All the tale of her love, with its pleasures, and pains, and reverses.
Much Evangeline wept at the tale, and to know that another
Hapless heart like her own had loved and had been disappointed.
Moved to the depths of her soul by pity and woman's compassion,
Yet in her sorrow pleased that one who had suffered was near her,
She in turn related her love and all its disasters.
Mute with wonder the Shawnee sat, and when she had ended
Still was mute; but at length, as if a mysterious horror
Passed through her brain, she spake, and repeated the tale of the Mowis;
Mowis, the bridegroom of snow, who won and wedded a maiden,
But, when the morning came, arose and passed from the wigwam,
Fading and melting away and dissolving into the sunshine,
Till she beheld him no more, though she followed far into the forest.
Then, in those sweet, low tones, that seemed like a weird incantation,
Told she the tale of the fair Lilinau, who was wooed by a phantom,
That, through the pines o'er her father's lodge, in the hush of the twilight,
Breathed like the evening wind, and whispered love to the maiden,
Till she followed his green and waving plume through the forest,
And nevermore returned, nor was seen again by her people.
Silent with wonder and strange surprise, Evangeline listened
To the soft flow of her magical words, till the region around her
Seemed like enchanted ground, and her swarthy guest the enchantress.
Slowly over the tops of the Ozark Mountains the moon rose,
Lighting the little tent, and with a mysterious splendor
Touching the sombre leaves, and embracing and filling the woodland.
With a delicious sound the brook rushed by, and the branches
Swayed and sighed overhead in scarcely audible whispers.
Filled with the thoughts of love was Evangeline's heart, but a secret,
Subtile sense crept in of pain and indefinite terror,
As the cold, poisonous snake creeps into the nest of the swallow.
It was no earthly fear. A breath from the region of spirits
Seemed to float in the air of night; and she felt for a moment
That, like the Indian maid, she, too, was pursuing a phantom.
With this thought she slept, and the fear and the phantom had vanished.

Early upon the morrow the march was resumed; and the Shawnee
Said, as they journeyed along, "On the western slope of these mountains
Dwells in his little village the Black Robe chief of the Mission.
Much he teaches the people, and tells them of Mary and Jesus;
Loud laugh their hearts with joy, and weep with pain, as they hear him."
Then, with a sudden and secret emotion, Evangeline answered,
"Let us go to the Mission, for there good tidings await us!"
Thither they turned their steeds; and behind a spur of the mountains,
Just as the sun went down, they heard a murmur of voices,
And in a meadow green and broad, by the bank of a river,
Saw the tents of the Christians, the tents of the Jesuit Mission.
Under a towering oak, that stood in the midst of the village,
Knelt the Black Robe chief with his children. A crucifix fastened
High on the trunk of the tree, and overshadowed by grapevines,
Looked with its agonized face on the multitude kneeling beneath it.
This was their rural chapel. Aloft, through the intricate arches
Of its aerial roof, arose the chant of their vespers,
Mingling its notes with the soft susurrus and sighs of the branches.
Silent, with heads uncovered, the travellers, nearer approaching,
Knelt on the swarded floor, and joined in the evening devotions.
But when the service was done, and the benediction had fallen
Forth from the hands of the priest, like seed from the hands of the sower,
Slowly the reverend man advanced to the strangers, and bade them
Welcome; and when they replied, he smiled with benignant expression,
Hearing the homelike sounds of his mother-tongue in the forest,
And, with words of kindness, conducted them into his wigwam.
There upon mats and skins they reposed, and on cakes of the maize-ear
Feasted, and slaked their thirst from the water-gourd of the teacher.
Soon was their story told; and the priest with solemnity answered:--
"Not six suns have risen and set since Gabriel, seated
On this mat by my side, where now the maiden reposes,
Told me this same sad tale then arose and continued his journey!"
Soft was the voice of the priest, and he spake with an accent of kindness;
But on Evangeline's heart fell his words as in winter the snow-flakes
Fall into some lone nest from which the birds have departed.
"Far to the north he has gone," continued the priest; "but in autumn,
When the chase is done, will return again to the Mission."
Then Evangeline said, and her voice was meek and submissive,
"Let me remain with thee, for my soul is sad and afflicted."
So seemed it wise and well unto all; and betimes on the morrow,
Mounting his Mexican steed, with his Indian guides and companions.
Homeward Basil returned, and Evangeline stayed at the Mission.

Slowly, slowly, slowly the days succeeded each other,--
Days and weeks and months; and the fields of maize that were springing
Green from the ground when a stranger she came, now waving above her,
Lifted their slender shafts, with leaves interlacing, and forming
Cloisters for mendicant crows and granaries pillaged by squirrels.
Then in the golden weather the maize was husked, and the maidens
Blushed at each blood-red ear, for that betokened a lover,
But at the crooked laughed, and called it a thief in the corn-field.
Even the blood-red ear to Evangeline brought not her lover.
"Patience!" the priest would say; "have faith, and thy prayer will be answered!
Look at this vigorous plant that lifts its head from the meadow,
See how its leaves are turned to the north, as true as the magnet;
This is the compass-flower, that the finger of God has planted
Here in the houseless wild, to direct the traveller's journey
Over the sea-like, pathless, limitless waste of the desert.
Such in the soul of man is faith. The blossoms of passion,
Gay and luxuriant flowers, are brighter and fuller of fragrance,
But they beguile us, and lead us astray, and their odor is deadly.
Only this humble plant can guide us here, and hereafter
Crown us with asphodel flowers, that are wet with the dews of nepenthe."

So came the autumn, and passed, and the winter,--yet Gabriel came not;
Blossomed the opening spring, and the notes of the robin and bluebird
Sounded sweet upon wold and in wood, yet Gabriel came not.
But on the breath of the summer winds a rumor was wafted
Sweeter than song of bird, or hue or odor of blossom.
Far to the north and east, it said, in the Michigan forests,
Gabriel had his lodge by the banks of the Saginaw River,
And, with returning guides, that sought the lakes of St. Lawrence,
Saying a sad farewell, Evangeline went from the Mission.
When over weary ways, by long and perilous marches,
She had attained at length the depths of the Michigan forests,
Found she the hunter's lodge deserted and fallen to ruin!

Thus did the long sad years glide on, and in seasons and places
Divers and distant far was seen the wandering maiden;--
Now in the Tents of Grace of the meek Moravian Missions,
Now in the noisy camps and the battle-fields of the army,
Now in secluded hamlets, in towns and populous cities.
Like a phantom she came, and passed away unremembered.
Fair was she and young, when in hope began the long journey;
Faded was she and old, when in disappointment it ended.
Each succeeding year stole something away from her beauty,
Leaving behind it, broader and deeper, the gloom and the shadow.
Then there appeared and spread faint streaks of gray o'er her forehead,
Dawn of another life, that broke o'er her earthy horizon,
As in the eastern sky the first faint streaks of the morning.



V

In that delightful land which is washed by the Delaware's waters,
Guarding in sylvan shades the name of Penn the apostle,
Stands on the banks of its beautiful stream the city he founded.
There all the air is balm, and the peach is the emblem of beauty,
And the streets still re-echo the names of the trees of the forest,
As if they fain would appease the Dryads whose haunts they molested.
There from the troubled sea had Evangeline landed, an exile,
Finding among the children of Penn a home and a country.
There old Rene Leblanc had died; and when he departed,
Saw at his side only one of all his hundred descendants.
Something at least there was in the friendly streets of the city,
Something that spake to her heart, and made her no longer a stranger;
And her ear was pleased with the Thee and Thou of the Quakers,
For it recalled the past, the old Acadian country,
Where all men were equal, and all were brothers and sisters.
So, when the fruitless search, the disappointed endeavor,
Ended, to recommence no more upon earth, uncomplaining,
Thither, as leaves to the light, were turned her thoughts and her footsteps.
As from a mountain's top the rainy mists of the morning
Roll away, and afar we behold the landscape below us,
Sun-illumined, with shining rivers and cities and hamlets,
So fell the mists from her mind, and she saw the world far below her,
Dark no longer, but all illumined with love; and the pathway
Which she had climbed so far, lying smooth and fair in the distance.
Gabriel was not forgotten. Within her heart was his image,
Clothed in the beauty of love and youth, as last she beheld him,
Only more beautiful made by his deathlike silence and absence.
Into her thoughts of him time entered not, for it was not.
Over him years had no power; he was not changed, but transfigured;
He had become to her heart as one who is dead, and not absent;
Patience and abnegation of self, and devotion to others,
This was the lesson a life of trial and sorrow had taught her.
So was her love diffused, but, like to some odorous spices,
Suffered no waste nor loss, though filling the air with aroma.
Other hope had she none, nor wish in life, but to follow
Meekly, with reverent steps, the sacred feet of her Saviour.
Thus many years she lived as a Sister of Mercy; frequenting
Lonely and wretched roofs in the crowded lanes of the city,
Where distress and want concealed themselves from the sunlight,
Where disease and sorrow in garrets languished neglected.
Night after night, when the world was asleep, as the watchman repeated
Loud, through the gusty streets, that all was well in the city,
High at some lonely window he saw the light of her taper.
Day after day, in the gray of the dawn, as slow through the suburbs
Plodded the German farmer, with flowers and fruits for the market,
Met he that meek, pale face, returning home from its watchings.

Then it came to pass that a pestilence fell on the city,
Presaged by wondrous signs, and mostly by flocks of wild pigeons,
Darkening the sun in their flight, with naught in their craws but an acorn.
And, as the tides of the sea arise in the month of September,
Flooding some silver stream, till it spreads to a lake in the meadow,
So death flooded life, and, o'erflowing its natural margin,
Spread to a brackish lake, the silver stream of existence.
Wealth had no power to bribe, nor beauty to charm, the oppressor;
But all perished alike beneath the scourge of his anger;--
Only, alas! the poor, who had neither friends nor attendants,
Crept away to die in the almshouse, home of the homeless.
Then in the suburbs it stood, in the midst of meadows and woodlands;
Now the city surrounds it; but still, with its gateway and wicket
Meek, in the midst of splendor, its humble walls seem to echo
Softly the words of the Lord:--"The poor ye always have with you."
Thither, by night and by day, came the Sister of Mercy. The dying
Looked up into her face, and thought, indeed, to behold there
Gleams of celestial light encircle her forehead with splendor,
Such as the artist paints o'er the brows of saints and apostles,
Or such as hangs by night o'er a city seen at a distance.
Unto their eyes it seemed the lamps of the city celestial,
Into whose shining gates erelong their spirits would enter.

Thus, on a Sabbath morn, through the streets, deserted and silent,
Wending her quiet way, she entered the door of the almshouse.
Sweet on the summer air was the odor of flowers in the garden;
And she paused on her way to gather the fairest among them,
That the dying once more might rejoice in their fragrance and beauty.
Then, as she mounted the stairs to the corridors, cooled by the east-wind,
Distant and soft on her ear fell the chimes from the belfry of Christ Church,
While, intermingled with these, across the meadows were wafted
Sounds of psalms, that were sung by the Swedes in their church at Wicaco.
Soft as descending wings fell the calm of the hour on her spirit;
Something within her said, "At length thy trials are ended";
And, with light in her looks, she entered the chambers of sickness.
Noiselessly moved about the assiduous, careful attendants,
Moistening the feverish lip, and the aching brow, and in silence
Closing the sightless eyes of the dead, and concealing their faces,
Where on their pallets they lay, like drifts of snow by the roadside.
Many a languid head, upraised as Evangeline entered,
Turned on its pillow of pain to gaze while she passed, for her presence
Fell on their hearts like a ray of the sun on the walls of a prison.
And, as she looked around, she saw how Death, the consoler,
Laying his hand upon many a heart, had healed it forever.
Many familiar forms had disappeared in the night time;
Vacant their places were, or filled already by strangers.

Suddenly, as if arrested by fear or a feeling of wonder,
Still she stood, with her colorless lips apart, while a shudder
Ran through her frame, and, forgotten, the flowerets dropped from her fingers,
And from her eyes and cheeks the light and bloom of the morning.
Then there escaped from her lips a cry of such terrible anguish,
That the dying heard it, and started up from their pillows.
On the pallet before her was stretched the form of an old man.
Long, and thin, and gray were the locks that shaded his temples;
But, as he lay in the in morning light, his face for a moment
Seemed to assume once more the forms of its earlier manhood;
So are wont to be changed the faces of those who are dying.
Hot and red on his lips still burned the flush of the fever,
As if life, like the Hebrew, with blood had besprinkled its portals,
That the Angel of Death might see the sign, and pass over.
Motionless, senseless, dying, he lay, and his spirit exhausted
Seemed to be sinking down through infinite depths in the darkness,
Darkness of slumber and death, forever sinking and sinking.
Then through those realms of shade, in multiplied reverberations,
Heard he that cry of pain, and through the hush that succeeded
Whispered a gentle voice, in accents tender and saint-like,
"Gabriel! O my beloved!" and died away into silence.
Then he beheld, in a dream, once more the home of his childhood;
Green Acadian meadows, with sylvan rivers among them,
Village, and mountain, and woodlands; and, walking under their shadow,
As in the days of her youth, Evangeline rose in his vision.
Tears came into his eyes; and as slowly he lifted his eyelids,
Vanished the vision away, but Evangeline knelt by his bedside.
Vainly he strove to whisper her name, for the accents unuttered
Died on his lips, and their motion revealed what his tongue would have spoken.
Vainly he strove to rise; and Evangeline, kneeling beside him,
Kissed his dying lips, and laid his head on her bosom.
Sweet was the light of his eyes; but it suddenly sank into darkness,
As when a lamp is blown out by a gust of wind at a casement.

All was ended now, the hope, and the fear, and the sorrow,
All the aching of heart, the restless, unsatisfied longing,
All the dull, deep pain, and constant anguish of patience!
And, as she pressed once more the lifeless head to her bosom,
Meekly she bowed her own, and murmured, "Father, I thank thee!"

-------------

Still stands the forest primeval; but far away from its shadow,
Side by side, in their nameless graves, the lovers are sleeping.
Under the humble walls of the little Catholic churchyard,
In the heart of the city, they lie, unknown and unnoticed.
Daily the tides of life go ebbing and flowing beside them,
Thousands of throbbing hearts, where theirs are at rest and forever,
Thousands of aching brains, where theirs no longer are busy,
Thousands of toiling hands, where theirs have ceased from their labors,
Thousands of weary feet, where theirs have completed their journey!

Still stands the forest primeval; but under the shade of its branches
Dwells another race, with other customs and language.
Only along the shore of the mournful and misty Atlantic
Linger a few Acadian peasants, whose fathers from exile
Wandered back to their native land to die in its bosom.
In the fisherman's cot the wheel and the loom are still busy;
Maidens still wear their Norman caps and their kirtles of homespun,
And by the evening fire repeat Evangeline's story,
While from its rocky caverns the deep-voiced, neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.