Grace Jennings Carmicheal

I hate the pen, the foolscap fair,
The poet’s corner, and the page,
For Grief and Death are written there,
In every land and every age.
The poets sing and play their parts,
Their daring cheers, their humour shines,
But, ah! my friends! their broken hearts
Have writ in blood between the lines.
They fought to build a Commonwealth,
They write for women and for men,
They give their youth, we give their health
And never prostitute the pen.
Their work in other tongues is read,
And when sad years wear out the pen,
Then they may seek their happy dead
Or go and starve in exile then.

A grudging meed of praise you give,
Or, your excuse, the ready lie—
(O! God, you don’t know how they live!
O! God, you don’t know how they die!)
The poetess, whose gentle tone
Oft cheered your mothers’ hearts when down;
A lonely woman, fought alone
The bitter fight in London town.

Your rich to lilac lands resort,
And old-world luxuries they buy;
You pour out gold to Cant and Sport
And give a million to a lie.
You give to cheats who rant and rave
With eyes that glare and arms that whirl,
But not a penny that might save
The children of the Gippsland girl.

Oh! this is a joyful dirge, my friends, and this is a hymn of praise;
And this is a clamour of Victory, and a pæan of Ancient Days.
It isn’t a Yelp of the Battlefield; nor a Howl of the Bounding Wave,
But an ode to the Things that the War has Killed, and a lay of the Festive Grave.
’Tis a triolet of the Tomb, you bet, and a whoop because of Despair,
And it’s sung as I stand on my hoary head and wave my legs in the air!
Oh! I dance on the grave of the Suffragette (I dance on my hands and dome),
And the Sanctity-of-the-Marriage-Tie and the Breaking-Up-of-the-Home.
And I dance on the grave of the weird White-Slave that died when the war began;
And Better-Protection-for-Women-and-Girls, and Men-Made-Laws-for-Man!

Oh, I dance on the Liberal Lady’s grave and the Labour Woman’s, too;
And the grave of the Female lie and shriek, with a dance that is wild and new.
And my only regret in this song-a-let as I dance over dale and hill,
Is the Yarn-of-the-Wife and the Tale-of-the-Girl that never a war can kill.

Oh, I dance on the grave of the want-ter-write, and I dance on the Tomb of the Sneer,
And poet-and-author-and-critic, too, who used to be great round here.
But “Old Mother Often” (“Mother of Ten”) and “Parent” escaped from the grave—
And “Pro Bono Publico” liveth again, as “Victis,” or “Honour the Brave.”

Oh, lightly I danced upon Politics’ grave where the Friend of the Candidate slept,
And over the Female Political Devil, oh wildly I bounded and leapt.
But this dance shall be nothing compared with the dance of the spook of the writer who sings
On the grave of the bard and the Bulletin’s grave, out there at the Finish of Things!

The Separated Women

THE Separated Women
Go lying through the land,
For they have plenty dresses,
And money, too, in hand;
They married brutes and drunkards
And blackguards “frightful low”,
But why are they so eager
For all the world to know?

The shamed and ill-used woman
Who really longs to die,
She slaves at home in silence
And hides her poor black eye!
She lives a life of terror
Eased off at times in woe—
But why is she so frightened
That any one might know?

The Separated Woman
She rushes to the court,
Sad, shabby and pathetic,
Or flaunting or distraught;
The real wronged wife would rather
Lose both eyes and her hair—
She swears a lie to save him
When he is taken there.

The Separated Woman
She mostly goes the same,
Bag-woman, sham-nurse, “pretty”,
Or on her husband’s name;
The real loafed-on woman,
With courage almost grim,
“Goes out” and takes in washing
To keep the kids—and him.

The Separated Woman—
I knew her course so well:
“The Stage”, then first-class barmaid,
Then third-class bar—and hell:
And “hell” means all things vicious
That prey upon the town
(She wishes her poor husband
Had sometimes knocked her down).

Masseur and manicurist,
Or anything by chance,
They vilify their husbands—
And draw the maintenance.
Sham artists, “music teachers”—
Oh! they are flinty nuts!
Their friends are man-shaped crawlers
And lower than the dust.

The separated “Monsters”
Are missing from the tale—
They seem to have cleared out—or,
Perhaps they are in gaol.
The separated husband
Is heard of here and there,
A mild and decent citizen
And mostly bowed with care.

The Separated Women,
When upset in the track,
Are often very eager
To take the “Monster” back.
They’ve moved all hell to crush him
And, startled, find too late
The Monster’s grown content with
The separated state.

The Women Of The Town

It is up from out the alleys, from the alleys dark and vile—
It is up from out the alleys I have struggled for a while—
Just to breathe the breath of Heaven ere my devil drags me down,
And to sing a song of pity for the women of the town.

Johnnies in the private bar room, weak and silly, vain and blind—
Even they would shrink and shudder if they knew the hell behind,
And the meanest wouldn’t grumble when he’s bilked of half-a-crown
If he knew as much as I do of the women of the town.

For I see the end too plainly of the golden-headed star
Who is smiling like an angel in the gilded private bar—
Drifting to the third-rate houses, drifting, sinking lower down
Till she raves in some foul parlour with the women of the town.

To the dingy beer-stained parlour all day long the outcasts come—
Draggled, dirty, bleared, repulsive, shameless, aye, and rotten some—
They have sold their bodies and would sell their souls for drink to drown
Memories of wrong that haunt them—haunt the women of the town.

I have seen the haunting terror of the ‘horrors’ in their eyes,
Heard them cry to Christ to help them as the mansoul never cries,
While the smirking landlord listened with a grin or with a frown.
Oh, they suffer hell in drinking, do the women of the town.

I have known too well, God help me! to what depths a man can sink,
Sacrificing wife and children, fame and honour, all for drink.
Deeper, deeper sink the women, for the veriest drunken clown
Has his feet upon the shoulders of the women of the town.

There’s a heavy cloud that’s lying on my spirit like a pall—
’Tis the horror and injustice and the hopelessness of all—
There’s the love of one for ever that no sea of sin can drown,
And she loves a brute, God help her! does the woman of the town.

O my sisters, O my sisters, I am powerless to aid;
’Tis a world of prostitution, it is business, it is trade,
And they profit from the brewer and the smirking landlord down
To the bully and the bludger, on the women of the town.

Oh, the heart of one great poet* called to heaven in a line—
Crying, ‘Mary, pity women!’—You have whiter souls than mine.
And if in the grand Hereafter there is one shall wear a crown—
For the hell that men made for her—’tis the Woman of the Town.

The Sorrows Of A Simple Bard

WHEN I tell a tale of virtue and of injured innocence,
Then my publishers and lawyers are the densest of the dense:
With the blank face of an image and the nod of keep-it-dark
And a wink of mighty meaning at their confidential clerk.

(When, Oh! tell me when shall poets cease to be misunderstood?
When, Oh! When? shall people reckon rhymers can be any good?
Do their work and pay their debts and drink their pint of beer, and then,
Look in woman’s eyes and leave them, just like ordinary men?)

“Is there literary friendship ’twix the sexes? don’t you think?”
And they wink their idiotic and exasperating wink.
“Can’t we kiss a clever woman without wanting any more?”
And their clock-work nod is only more decided than before.

But if I should hint that there’s a little woman somewhere, say,
Then the public and the law are interested straight away,
The impassive confidential gets a bright and cheerful glance—
Things are straightway on a footing that may lead to an advance.

Both are married and respected and they both are rising higher:
One’s church warden, one’s a deacon in a fashionable choir.
And the clerks have both unblemished private characters to show—
What do they know about woman? That’s what I should like to know.

(Flash of dark eyes in the moonlight, in the scrub or far afield,
Blouse-sleeves back from white arms clinging—clinging while she will not yield,
Or the fair head on your shoulder and the grey eyes moist and mild—
Weary of the strife with passion, yielding like a tired child.)

There’s my aunt; the dear old lady hints about “experience”
When I go to her for comfort with my injured innocence.
She screws up a wise expression, while she listens, for my pains—
Isn’t it an awful pity women haven’t any brains?

Now I’m serious and angry, for it isn’t any joke—
Poets have been damned for ages by such evil-minded folk.
Must we all be public blackguards? Can’t a rhymer be a man,
Spite of Byron’s silly mistress—Burns’s gawky Mary Ann?

As tame bards they will not have us, and I don’t know what they want,
There’s my publisher and lawyer, my admirers and my aunt.
Do they want a rake and a spendthrift? Look out! Tradesman trusting me!
Look out! Husbands! Fathers! Brothers! I’ll be wicked as can be!
There now.

The Men Who Made Bad Matches

'Tis the song of many husbands, and you all must understand
That you cannot call me coward now that women rule the land;
I have written much for women, where I thought that they were right,
But the men who made bad matches claim a song from me to-night.
Oh, the men who made bad matches are of every tribe and clime,
And, if Adam was the first man, then they date from Adam’s time.
They shall live and they shall suffer, until married life is past,
And the last sad son of Adam stands alone—at peace at last.

Oh, the men who made bad matches, and the Great Misunderstood,
Are through all the world a mighty and a silent brotherhood.
If a wife is discontented, every other woman knows—
But the men who made bad matches keep the cruel secret close.

You may say that you can tell them, by their clothing, if you will,
But a man may seem neglected, and his home be happy still.
You may tell by their assumption of conventional disguise—
But, the men who made bad matches, I can tell them by their eyes!

I have seen them by the camp-fire, where a child’s voice never comes,
I have seen them by the fireside, in their seeming happy homes—
Seen their wives’ false arms go round them, and the kisses that were lies—
Oh, the men who made bad matches! I can tell them by their eyes.

I have seen them bad in prison—seen them sullen, seen them sad;
I have seen them (in the mad-house)—I have seen them raving mad.
Watched them fight the battle bravely, for the children’s sake alone,
Like a father who has wronged them, and who lives but to atone.

But it’s cruel, oh! it’s cruel, for the husband and the wife,
Who have not one thought in common, and are yoked for weary life.
They must see it through and suffer, for the children they must rear—
Oh, the folk who made bad matches have a heavy cross to bear.

There is not a ray of comfort, in the future’s gloomy sky,
For the children of bad matches will make trouble by-and-bye.
And though second wives be angels, while the first wives were the worst,
No second wife yet wedded makes a man forget the first.

Ah! the men who made bad matches think more often than we know,
Of the girls they should have married, in the glorious long ago,
And there’s many a wife and mother thinks with bitter pain to-day,
Of her giddy, silly girlhood, and the man she sent away.

Life is sad for men and women, but the thoughts are bitter sad
Of the girls we should have married, and the boys we should have had.
But we’ll part now with a handshake, if we cannot with a kiss,
And bad matches may be mended in a better world than this.

The Army Of The Rear

I listened through the music and the sounds of revelry,
And all the hollow noises of that year of Jubilee;
I heard beyond the music and beyond the local cheer,
The steady tramp of thousands that were marching in the rear.
Tramp! tramp! tramp!
They seem to shake the air,
Those never-ceasing footsteps of the outcasts in the rear.
I heard defiance ringing from the men of rags and dirt,
I heard wan woman singing that sad “Song of the Shirt”,
And o’er the sounds of menace and moaning low and drear,
I heard the steady tramping of their feet along the rear.
Tramp! tramp! tramp!
Vibrating in the air —
They’re swelling fast, those footsteps of the Army of the Rear!

I hate the wrongs I read about, I hate the wrongs I see!
The tramping of that army sounds as music unto me!
A music that is terrible, that frights the anxious ear,
Is beaten from the weary feet that tramp along the rear.
Tramp! tramp! tramp!
In dogged, grim despair —
They have a goal, those footsteps of the Army of the Rear!

I looked upon the nobles, with their lineage so old;
I looked upon their mansions, on their acres and their gold,
I saw their women radiant in jewelled robes appear,
And then I joined the army of the outcasts in the rear.
Tramp! tramp! tramp!
We’ll show what Want can dare,
My brothers and my sisters of the Army of the Rear!

I looked upon the mass of poor, in filthy alleys pent;
And on rich men’s Edens, that are built on grinding rent;
I looked o’er London’s miles of slums — I saw the horrors there,
And swore to die a soldier of the Army of the Rear.
Tramp! tramp! tramp!
I’ve sworn to do and dare,
I’ve sworn to die a soldier of the Army of the Rear!

“They’re brutes,” so say the wealthy, “and by steel must be dismayed” —
Be brutes among us, nobles, they are brutes that ye have made;
We want what God hath given us, we want our portion here,
And that is why we’re marching — and we’ll march beyond the rear!
Tramp! tramp! tramp!
Awake and have a care,
Ye proud and haughty spurners of the wretches in the rear.

We’ll nurse our wrongs to strengthen us, our hate that it may grow,
For, outcast from society, society’s our foe.
Beware! who grind out human flesh, for human life is dear!
There’s menace in the marching of the Army of the Rear.
Tramp! tramp! tramp!
There’s danger in despair,
There’s danger in the marching of the Army of the Rear!

The wealthy care not for our wants, nor for the pangs we feel;
Our hands have clutched in vain for bread, and now they clutch for steel!
Come, men of rags and hunger, come! There’s work for heroes here!
There’s room still in the vanguard of the Army of the Rear!
Tramp! tramp! tramp!
O men of want and care!
There’s glory in the vanguard of the Army of the Rear!

It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.

Our beef is just like scrapin's from the inside of a hide,
And the spuds were pulled too early, for they're mostly green inside;
But from somewhere back amidships there's a smell o' cookin' waft,
An' I'd give my earthly prospects for a real good tuck-out aft --
Ham an' eggs 'n' coffee, aft,
Say, cold fowl for luncheon, aft,
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft.

They feed our women sep'rate, an' they make a blessed fuss,
Just as if they couldn't trust 'em for to eat along with us!
Just because our hands are horny an' our hearts are rough with graft --
But the gentlemen and ladies always DINE together, aft --
With their ferns an' mirrors, aft,
With their flow'rs an' napkins, aft --
`I'll assist you to an orange' -- `Kindly pass the sugar', aft.

We are shabby, rough, 'n' dirty, an' our feelin's out of tune,
An' it's hard on fellers for'ard that was used to go saloon;
There's a broken swell among us -- he is barracked, he is chaffed,
An' I wish at times, poor devil, for his own sake he was aft;
For they'd understand him, aft,
(He will miss the bath-rooms aft),
Spite of all there's no denyin' that there's finer feelin's aft.

Last night we watched the moonlight as it spread across the sea --
`It is hard to make a livin',' said the broken swell to me.
`There is ups an' downs,' I answered, an' a bitter laugh he laughed --
There were brighter days an' better when he always travelled aft --
With his rug an' gladstone, aft,
With his cap an' spyglass, aft --
A careless, rovin', gay young spark as always travelled aft.

There's a notice by the gangway, an' it seems to come amiss,
For it says that second-classers `ain't allowed abaft o' this';
An' there ought to be a notice for the fellows from abaft --
But the smell an' dirt's a warnin' to the first-salooners, aft;
With their tooth and nail-brush, aft,
With their cuffs 'n' collars, aft --
Their cigars an' books an' papers, an' their cap-peaks fore-'n'-aft.

I want to breathe the mornin' breeze that blows against the boat,
For there's a swellin' in my heart -- a tightness in my throat --
We are for'ard when there's trouble! We are for'ard when there's graft!
But the men who never battle always seem to travel aft;
With their dressin'-cases, aft,
With their swell pyjamas, aft --
Yes! the idle and the careless, they have ease an' comfort, aft.

I feel so low an' wretched, as I mooch about the deck,
That I'm ripe for jumpin' over -- an' I wish there was a wreck!
We are driven to New Zealand to be shot out over there --
Scarce a shillin' in our pockets, nor a decent rag to wear,
With the everlastin' worry lest we don't get into graft --
There is little left to land for if you cannot travel aft;
No anxiety abaft,
They have stuff to land with, aft --
Oh, there's little left to land for if you cannot travel aft;

But it's grand at sea this mornin', an' Creation almost speaks,
Sailin' past the Bay of Islands with its pinnacles an' peaks,
With the sunny haze all round us an' the white-caps on the blue,
An' the orphan rocks an' breakers -- Oh, it's glorious sailin' through!
To the south a distant steamer, to the west a coastin' craft,
An' we see the beauty for'ard, better than if we were aft;
Spite of op'ra-glasses, aft;
But, ah well, they're brothers aft --
Nature seems to draw us closer -- bring us nearer fore-'n'-aft.

What's the use of bein' bitter? What's the use of gettin' mad?
What's the use of bein' narrer just because yer luck is bad?
What's the blessed use of frettin' like a child that wants the moon?
There is broken hearts an' trouble in the gilded first saloon!
We are used to bein' shabby -- we have got no overdraft --
We can laugh at troubles for'ard that they couldn't laugh at aft;
Spite o' pride an' tone abaft
(Keepin' up appearance, aft)
There's anxiety an' worry in the breezy cabins aft.

But the curse o' class distinctions from our shoulders shall be hurled,
An' the influence of woman revolutionize the world;
There'll be higher education for the toilin' starvin' clown,
An' the rich an' educated shall be educated down;
An' we all will meet amidships on this stout old earthly craft,
An' there won't be any friction 'twixt the classes fore-'n'-aft.
We'll be brothers, fore-'n'-aft!
Yes, an' sisters, fore-'n'-aft!
When the people work together, and there ain't no fore-'n'-aft.


It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.

Our beef is just like scrapin's from the inside of a hide,
And the spuds were pulled too early, for they're mostly green inside;
But from somewhere back amidships there's a smell o' cookin' waft,
An' I'd give my earthly prospects for a real good tuck-out aft --
Ham an' eggs 'n' coffee, aft,
Say, cold fowl for luncheon, aft,
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft.

They feed our women sep'rate, an' they make a blessed fuss,
Just as if they couldn't trust 'em for to eat along with us!
Just because our hands are horny an' our hearts are rough with graft --
But the gentlemen and ladies always DINE together, aft --
With their ferns an' mirrors, aft,
With their flow'rs an' napkins, aft --
`I'll assist you to an orange' -- `Kindly pass the sugar', aft.

We are shabby, rough, 'n' dirty, an' our feelin's out of tune,
An' it's hard on fellers for'ard that was used to go saloon;
There's a broken swell among us -- he is barracked, he is chaffed,
An' I wish at times, poor devil, for his own sake he was aft;
For they'd understand him, aft,
(He will miss the bath-rooms aft),
Spite of all there's no denyin' that there's finer feelin's aft.

Last night we watched the moonlight as it spread across the sea --
`It is hard to make a livin',' said the broken swell to me.
`There is ups an' downs,' I answered, an' a bitter laugh he laughed --
There were brighter days an' better when he always travelled aft --
With his rug an' gladstone, aft,
With his cap an' spyglass, aft --
A careless, rovin', gay young spark as always travelled aft.

There's a notice by the gangway, an' it seems to come amiss,
For it says that second-classers `ain't allowed abaft o' this';
An' there ought to be a notice for the fellows from abaft --
But the smell an' dirt's a warnin' to the first-salooners, aft;
With their tooth and nail-brush, aft,
With their cuffs 'n' collars, aft --
Their cigars an' books an' papers, an' their cap-peaks fore-'n'-aft.

I want to breathe the mornin' breeze that blows against the boat,
For there's a swellin' in my heart -- a tightness in my throat --
We are for'ard when there's trouble! We are for'ard when there's graft!
But the men who never battle always seem to travel aft;
With their dressin'-cases, aft,
With their swell pyjamas, aft --
Yes! the idle and the careless, they have ease an' comfort, aft.

I feel so low an' wretched, as I mooch about the deck,
That I'm ripe for jumpin' over -- an' I wish there was a wreck!
We are driven to New Zealand to be shot out over there --
Scarce a shillin' in our pockets, nor a decent rag to wear,
With the everlastin' worry lest we don't get into graft --
There is little left to land for if you cannot travel aft;
No anxiety abaft,
They have stuff to land with, aft --
Oh, there's little left to land for if you cannot travel aft;

But it's grand at sea this mornin', an' Creation almost speaks,
Sailin' past the Bay of Islands with its pinnacles an' peaks,
With the sunny haze all round us an' the white-caps on the blue,
An' the orphan rocks an' breakers -- Oh, it's glorious sailin' through!
To the south a distant steamer, to the west a coastin' craft,
An' we see the beauty for'ard, better than if we were aft;
Spite of op'ra-glasses, aft;
But, ah well, they're brothers aft --
Nature seems to draw us closer -- bring us nearer fore-'n'-aft.

What's the use of bein' bitter? What's the use of gettin' mad?
What's the use of bein' narrer just because yer luck is bad?
What's the blessed use of frettin' like a child that wants the moon?
There is broken hearts an' trouble in the gilded first saloon!
We are used to bein' shabby -- we have got no overdraft --
We can laugh at troubles for'ard that they couldn't laugh at aft;
Spite o' pride an' tone abaft
(Keepin' up appearance, aft)
There's anxiety an' worry in the breezy cabins aft.

But the curse o' class distinctions from our shoulders shall be hurled,
An' the influence of woman revolutionize the world;
There'll be higher education for the toilin' starvin' clown,
An' the rich an' educated shall be educated down;
An' we all will meet amidships on this stout old earthly craft,
An' there won't be any friction 'twixt the classes fore-'n'-aft.
We'll be brothers, fore-'n'-aft!
Yes, an' sisters, fore-'n'-aft!
When the people work together, and there ain't no fore-'n'-aft.

The Last Review

Turn the light down, nurse, and leave me, while I hold my last review,
For
the Bush
is slipping from me, and the town is going too:
Draw the blinds, the streets are lighted, and I hear the tramp of feet—
And I’m weary, very weary, of the
Faces in the Street
.

In the dens of Grind and Heartbreak, in the streets of Never-Rest,
I have lost the scent and colour and the music of the West:
And I would recall old faces with the memories they bring—
Where are Bill and Jim and Mary and the
Songs They used to Sing
?

They are coming! They are coming! they are passing through the room
With the smell of gum leaves burning, and the scent of
Wattle bloom!

And behind them in the timber, after dust and heat and toil,
Others sit beside the camp fire yarning while the billies boil.

In the Gap above the ridges there’s a flash and there’s a glow—
Swiftly down the scrub-clad siding come the
Lights of Cobb and Co
.:
Red face from the box-seat beaming—Oh, how plain those faces come!
From his ‘Golden-Hole’ ’tis Peter M’Intosh who’s going home.

Dusty patch in desolation, bare slab walls and earthen floor,
And a blinding drought is blazing from horizons to the door:
Milkless tea and ration sugar, damper junk and pumpkin mash—
And a
Day on our Selection
passes by me in a flash.

Rush of big wild-eyed store bullocks while the sheep crawl hopelessly,
And the loaded wool teams rolling, lurching on like ships at sea:
With his whip across his shoulder (and the wind just now abeam),
There goes
Jimmy Nowlett
ploughing through the dust beside his team!

Sunrise on the diggings! (Oh! what life and hearts and hopes are here)
From a hundred pointing forges comes a tinkle, tinkle clear—
Strings of drays with wash to puddle, clack of countless windlass boles,
Here and there
the red flag flying
, flying over golden holes.

Picturesque, unreal, romantic, chivalrous, and brave and free;
Clean in living, true in mateship—reckless generosity.
Mates are buried here as comrades who on fields of battle fall—
And—the dreams, the aching, hoping lover hearts beneath it all!

Rough-built theatres and stages where the world’s best actors trod—
Singers bringing reckless rovers nearer boyhood, home and God;
Paid in laughter, tears and nuggets in the play that fortune plays—
’Tis the palmy days of Gulgong—Gulgong in
the Roaring Days.


Pass the same old scenes before me—and again my heart can ache—
There the
Drover’s Wife
sits watching (not as Eve did) for a snake.
And I see the drear deserted goldfields when the night is late,
And the stony face of Mason watching by his
Father’s Mate.


And I see my
Haggard Women
plainly as they were in life,
’Tis the form of Mrs. Spicer and her friend,
Joe Wilson’s wife,

Sitting hand in hand
‘Past Carin
’,’ not a sigh and not a moan,
Staring steadily before her and the tears just trickle down.

It was
No Place for a Woman
—where the women worked like men—
From the Bush and Jones’ Alley come their haunting forms again.
And, let this thing be remembered when I’ve answered to the roll,
That I pitied haggard women—wrote for them with all my soul.

Narrow bed-room in the City in the hard days that are dead—
An alarm clock on the table, and a pale boy on the bed:
Arvie Aspinalls Alarm Clock with its harsh and startling call
Never more shall break his slumbers—I was Arvie Aspinall.


Maoriland
and
Steelman
, cynic, spieler, stiff-lipped, battler-through
(Kept a wife and child in comfort, but of course they never knew—
Thought he was an honest bagman)—Well, old man, you needn’t hug—
Sentimental; you of all men!—Steelman, Oh! I was a mug!

Ghostly lines of scrub at daybreak—dusty daybreak in the drought—
And a lonely swagman tramping on the track to
Further Out
:
Like a shade the form of Mitchell, nose-bag full and bluey up
And between the swag and shoulders lolls his foolish cattle-pup.

Kindly cynic, sad comedian! Mitchell! when you’ve left the Track,
And have shed your load of sorrow as we slipped our swags out back,
We shall have a yarn together in the land of
Rest Awhile

And across his ragged shoulder Mitchell smiles his quiet smile.

Shearing sheds and tracks and shanties—girls that wait at homestead gates—
Camps and stern-eyed Union leaders, and
Joe Wilson and his Mates

True and straight, and to my fancy, each one as he passes through
Deftly down upon the table slips a dusty ‘note’ or two.


So at last the end has found me—(end of all the human push)
And again in silence round me come my
Children of the Bush
!—
Listen, who are young, and let them—if I in late and bitter days
Wrote some reckless lines—forget them—there is little there to praise.

I was human, very human, and if in the days misspent
I have injured man or woman, it was done without intent.
If at times I blundered blindly—bitter heart and aching brow—
If I wrote a line unkindly—I am sorry for it now.


Days in London
like a nightmare—dreams of foreign lands and sea—
And
Australia
is the only land that seemeth real to me.
Tell the Bushmen to Australia and each other to be true—
‘Tell the boys to stick together!’ I have held my
Last Review.

I scorn the man—a fool at most,
And ignorant and blind—
Who loves to go about and boast
“He understands mankind.”
I thought I had that knowledge too,
And boasted it with pride—
But since, I’ve learned that human hearts
Cannot be classified.

In days when I was young and wild
I had no vanity—
I always thought when women smiled
That they were fooling me.
I was content to let them fool,
And let them deem I cared;
For, tutored in a narrow school,
I held myself prepared.

But Lily had a pretty face,
And great blue Irish eyes—
And she was fair as any race
Beneath the Northern skies—
The sweetest voice I ever heard,
Although it was unschooled.
So for a season I preferred
By Lily to be fooled.

A friend embittered all my life
With careless words of his;
He said I’d “never win a wife
With such an ugly phiz.”
I laughed the loudest at the wit.
Though loud the laughter rung—
So be it to his credit writ—
He never knew it stung.

As far as human nature goes,
The cynic I would teach
That fruit’s not always sour to those
For whom none hangs in reach.
I only gazed as captives might
Gaze through their prison bars—
Fair women seemed to me as bright
Though far away, as stars.

And Lily was to me a star
As fair as those above,
As beautiful but just as far
From my revengeful love.
The love I bore was not exempt
From hate, if this might be;
I hated her for that contempt
I thought she had for me.

The “sour grapes” are often sweet
To lips that cannot touch,
And it is soothing to repeat:
“It does not matter much.”
But O to think that fruit so dear
To me in manhood’s prime,
Though seeming far, was clustered near
And red-ripe all the time.

My fault, perhaps, in Heav’n above
May not be deemed a sin.
I never thought that she would love
Or I’d the power to win.
And even now it puzzles me—
The butt of station chaff,
For I was plain as man could be
And awkward as a calf.

I would have liked to break the bow
That Lily never bent—
I thought she’d only laugh to know
How well her shafts were sent.
If my contempt had power to gall
Or careless sneers to touch
The heart that loved me after all,
She must have suffered much.

Ah! I was blind, and could not see
The plain things in my way.
When Lily’s mistress twitted me
About the “wedding day”,
I answered with a careless word
And half-unconscious sneer—
I never thought that Lily heard,
Nor dreamed that she was near.

We talked of other things and joked,
Till tongues began to tire—
Then I and Lily’s master smoked
Our pipes beside the fire.
The day wore on, and then she brought
The kettle to the hob,
And as she turned to go I thought
I heard a stifled sob.

I spoke; she never answered me.
I sneered, “I’ll not forget;
Above all things I hate to see
A woman in a pet!”—
Those cruel words, that were the last
That Lily ever heard—
I’ve heard them shrieking in the blast
And twittered by the bird.

Deep in the creek that wandered near
There lay a grassy pool,
’Neath oaks that sighed through all the year
And kept the water cool.
The stars that pierced the reedy bower
Made water lilies bright,
And underneath her sister flower
Our Lily slept that night.

She’d brought a pole the pool to sound
(It must have tried her strength).
We found it lying on the ground
And wet for half its length.
We found it there upon the grass,
But ah! it was not all!
An open prayer book lay, alas!
Beside poor Lily’s shawl.

We drew her out and laid her down
Upon a granite ledge—
The water from her dripping gown
Went trickling o’er the edge.
Like drops into a pool of fears
I saw the crystals dart,
Or one by one like scalding tears
That plash upon the heart.

The circles died upon the shore,
The frogs began to croak.
The wind that passed to list once more
Went sighing through the oak—
The oak that seemed to say to me
(I think I hear it yet),
“Above all things I hate to see
A woman in a pet!”

The blackest thoughts are swift to fill
The evil minds of men—
I knew the meaning of the looks
They bent upon me then;
And then I did as cowards do:
I vanished like a cur;
For many years I never knew
Where they had buried her.

But, drawn by that same power that brings
The slayer to the slain,
Or driven like the bird that wings
Against the storm in vain,
I journeyed from another shore
Across the weary wave
And wandered by the creek once more,
And sought for Lily’s grave.

I rode across the ridges brown
And through a rocky pass,
And took the track that led me down
To great white flats of grass.
I passed the homestead’s skeleton
That rotted in the sun,
And by the broken stockyards on
The long-deserted run.

Whole beds of reeds were covered o’er
With coats of yellow mud,
And all along the creek I saw
The traces of a flood.
I reached the place where Lily died.
The banks were washed away;
Before me on the other side
There rose a wall of clay.

I saw a thing that seemed a weed
Outgrowing from the “face”;
I stood and marvelled that a seed
Had grown in such a place.
I climbed the bank, and with a rod
I pushed the weed about—
And from the dry and crumbling sod
I saw a skull roll out!

I started back from where I stood,
For she was buried there!
I’d seen the coffin’s rotting wood.
The weed was Lily’s hair!
They’d laid her in the rushes dank
Upon a sandy bend;
The floods had washed away the bank
And reached the coffin’s end.

Ah, coward heart and conscience, too!
Did I reclaim the dead?
Ah, no, I did as cowards do—
A second time I fled!
And still I see the flying form,
I see myself again—
A madman riding through the storm
With terror in his brain.

That night the rain in torrents dashed,
The sky seemed flushed with blood,
And here and there the she-oaks crashed
Beneath the yellow flood.
And still I see the murderous sky
That never seems to change,
And hear the flood go growling by
That thundered from the range.

My inner sight as years went o’er
Grew sharp instead of dull,
And nearly every night I saw
The coffin and the skull.
Three ghastly things, unaltered still,
I knew would haunt my night—
I knew would fill my dreams until
I buried them from sight.

I journeyed to the creek once more
When five long years had flown,
And buried in the sand I saw
A piece of fashioned stone:
And bit by bit and bone by bone
In those long years of rain,
The cruel creek had claimed its own
And buried it again!

I clambered down the bank and knelt
And scraped away the sand,
And graven on the stone, I felt
Her name beneath my hand;
And in the she-oak over me
The wind was sneering yet:
“Above all things I hate to see
A woman in a pet.”

When I Was King

The second time I lived on earth
Was several hundred years ago;
And—royal by my second birth—
I know as much as most men know.
I was a king who held the reins
As never modern monarch can;
I was a king, and I had brains,
And, what was more, I was a man!
Called to the throne in stormy times,
When things were at their very worst,
I had to fight—and not with rhymes—
My own self and my kindred first;
And after that my friends and foes,
And great abuses born of greed;
And when I’d fairly conquered those,
I ruled the land a king indeed.

I found a deal of rottenness,
Such as in modern towns we find;
I camped my poor in palaces
And tents upon the plain behind.
I marked the hovels, dens and drums
In that fair city by the sea.
And burnt the miles of wretched slums
And built the homes as they should be.

I stripped the baubles from the State,
And on the land I spent the spoil;
I hunted off the sullen great,
And to the farmers gave the soil.
My people were their own police;
My courts were free to everyone.
My priests were to preach love and peace;
My Judges to see justice done.

I’d studied men and studied kings,
No crawling cant would I allow;
I hated mean and paltry things,
As I can hate them even now.
A land of men I meant to see,
A strong and clean and noble race—
No subject dared kneel down to me,
But looked his king straight in the face

Had I not been a king in fact,
A king in council-hall and tent,
I might have let them crawl and act
The courtier to their heart’s content;
But when I called on other kings,
And saw men kneel, I felt inclined
To gently tip the abject things
And kick them very hard behind.

My subjects were not slaves, I guess,
But though the women in one thing—
A question ’twas of healthy dress—
Would dare to argue with their king
(I had to give in there, I own,
Though none denied that I was strong),
Yet they would hear my telephone
If anything went very wrong.

I also had some poets bright—
Their songs were grand, I will allow—
They were, if I remember right,
About as bad as bards are now.
I had to give them best at last,
And let them booze and let them sing;
As it is now, so in the past,
They’d small respect for gods or king.

I loved to wander through the streets—
I carried neither sword nor dirk—
And watch the building of my fleets,
And watch my artisans at work.
At times I would take off my coat
And show them how to do a thing—
Till someone, clucking in his throat,
Would stare and gasp, ‘It is the king!’

And I would say, ‘Shut up, you fools!
Is it for this my towns I burn?
You don’t know how to handle tools,
And by my faith you’ll have to learn!’
I was a king, but what of that?
A king may warble in the spring
And carry eggs home in his hat,
Provided that he is a king.

I loved to stroll about the town
With chums at night, and talk of things,
And, though I chanced to wear the crown,
My friends, by intellect, were kings.
When I was doubtful, then I might
Discuss a matter quietly,
But when I felt that I was right
No power on earth could alter me!

And now and then it was no sin
Nor folly to relax a bit—
I’d take my friends into an inn
And call for wine and pay for it.
And then of many things we’d clack
With loosened tongues and visions clear—
I often heard behind my back
The whispered ‘Peace, the king is here!’

The women harped about a queen,
I knew they longed to have a court
And flaunt their feathers on the scene,
But hitherto I’d held the fort.
My subjects wanted me, no doubt,
To give the throne a son and heir—
(There were some little kings about,
But that was neither here nor there).

I’d no occasion for a wife—
A queen as yet was not my plan;
I’d seen a lot of married life—
My sire had been a married man.
‘A son and heir be hanged!’ I said—
‘How dare you ask for such a thing,
‘You fight it out when I am dead
‘And let the best man be the king!’

‘Your Majesty, we love you well!’
A candid friend would say to me—
‘But there be tales that people tell
‘Unfitted to thy dignity’—
‘My dignity be damned!’ I’d say,
‘Bring me no women’s chattering!
‘I’ll be a man while yet I may—
‘When trouble comes I’ll be a king!

I’d kept my kingdom clean and strong
While other kingdoms were like ours—
I had no need to brook a wrong,
I feared not all the rotten Powers
I did not eat my heart out then,
Nor feebly fight in verse or prose
I’d take five hundred thousand men
To argue matters with my foes!

It thrilled me through, the mighty tramp
Of armëd men, the thundering cheer—
The pregnant whisper through the camp
At dead of night: ‘The King is here!’
And though we paid for victory
On some fields that were hard to hold,
The faith my soldiers had in me
Oft strengthened mine a hundredfold.

I’d chat with soldiers by the fires
On rocky heights and river banks,
I’d seek the brains that war requires,
And take my captains from the ranks.
And so, until the storm was by,
And came the peace just war can bring,
I bore me so that men might cry
With all their hearts, ‘God Save the King.’

When I was king the world was wide,
And I was strong and I was free.
I knew no hatred, knew no pride,
No envy and no treachery.
I feared no lies. I feared no truth,
Nor any storm that time might bring.
I had my love, I had my youth,
The world was mine when I was king.

Peace came at last—and strange is Fate—
The women begged just once alone
To see me robed in royal state
And seated on my father’s throne.
I thought, ‘Shall I this boon deny?’
And said—and ’twas a paltry thing:
‘I’ll show the fools just once that I
‘Can look, as well as be, a king.’

They dusted out the castle old,
And from the closet and the chest
They dug the jewels set in gold—
The crown and robes and all the rest.
They came with eyes like stars of night,
With diamonds set in raven hair,
They came with arms and bosoms white—
And, Oh my God! but one was fair!

They dressed me as the kings had been,
The ancient royal purple spread,
And one that was to be my queen,
She placed the circlet on my head.
They pressed their hearts and bowed to me,
They knelt with arms uplifted all.
I felt the rush of vanity—
The pride that goes before the fall.


And then the banquet and the wine
With Satan’s music and the glance
Of siren eyes. Those captains mine
Were reeling in the maddening dance:
A finger writing on the wall,
While girls sang as the angels sing—
A drunken boaster in the hall,
The fool that used to be a king.
I rose again—no matter how—
A woman, and a deeper fall—
I move amongst my people now
The most degraded of them all.
But, if in centuries to come,
I live once more and claim my own,
I’ll see my subjects blind and dumb
Before they set me on a throne

Brighten’s Sister-In-Law [or The Carrier's Story]

AT A POINT where the old road crosses
The river, and turns to the right,
I’d camped with the team; and the hosses
Was all fixed up for the night.
I’d been to the town to carry
A load to the Cudgegong;
And I’d taken the youngster, Harry,
On a trip as I’d promis’d him long.

I had seven more, and another
That died at the age of three;
But they all took arter the mother,
And Harry took arter me.
And from the tiniest laddie
’Twas always his fondest dream
To go on the roads with his daddy,
And help him to drive the team.

He was bright at the school and clever,
The best of the youngsters there;
And the teacher said there was never
A lad that promised so fair.
And I half forgot life’s battle,
An’ its long, hard-beaten road,
In the sound of the youngster’s prattle
From his perch on top o’ the load.

An’ when he was tired o’ ridin’
I’d lift him down for a walk,
And he’d say, at my silence chidin’,
“Now, daddy tell me some talk.”
And oft by the camp-fire sittin’,
When the bush was round us wild,
I’d yarn by the hour, forgittin’
That Harry was only a child.

But to-day he’d been strange and quiet,
An’ lay on the chaff-bags still;
An’ though he’d bravely deny it,
I know’d as the boy was ill.
He said he was “only dosey”,
In his queer old-fashioned way;
And I fixed him up warm an’ cosey
In the hammock under the dray.

I fried him some eggs and some bakin’
Which I couldn’t git him to touch;
And it set my heart a-achin
For he’d always eaten so much.
I wandered about half silly,
And thought that my heart would stop;
And the tea got cold in the billy,
For I couldn’t ’a’ tasted a drop.

I’d seen the same sickness of’en;
An’ my spirits began to droop,
For as soon as he started coughin’
I know’d as he’d got the croup.
’Twas fifteen mile to the river;
An’ Gulgong was twenty-five;
An’ I thought ’twas a chance if ever
I got him back home alive.

The thought of the loss was horrid
If the young ’un was taken away;
And I went and leaned my forehead
Against the tire o’ the dray.
And sudden I started cryin’,
And sobbed like a woman too;
For I felt that the boy was dyin’,
And I didn’t know what to do.

All helpless I was, and lonely;
But I thought ’twas a coward’s cry
To call on the Saviour only
When trouble or death was nigh.
But after a while I lifted
My eyes to the steely blue
Of the sky where somethin’ drifted
Like a great white cockatoo.

An’ nearer it came, and nearer,
Right down to the branch of the tree;
And it seemed when its shape grew clearer,
Like the form of a woman to me.
For a moment it seemed to tarry,
An’ p’int away up the road,
An’ then seemed pintin’ at Harry,
A-coughin’ beneath the load.

I don’t want ter arger; there’s chances
The vision was only the sky,
Or the smoke outlin’d on the branches,
Or a lonely cloud on high.
But I says ’twas a message from glory;
I sees as yer goin’ to chaff;
Just wait till I done my story,
An’ laugh if yer want to laugh.

Away went the vision flyin’;
Up into the blue it went;
And I stood for a minute tryin’
To think what its comin’ meant.
When it flashed on my brain like lightnin’;
An’ arter I thought it strange
I’d almost forgotten old Brighten
Who lived on the top of the range.

He lived on a small selection,
Or used ter live there I know’d;
An’ it lay in a west direction,
’Bout five miles back from the road.
I harnessed the horses quicker
Than ever I’d taken ’em out;
An’ they must ’a’ thought me in liquor,
For the way as I shov’d ’em about.

I’d allers bin fond o’ sneerin’
An’ laughin’ at women’s ways;
I could see in their lives, I’m fearin’,
But little as called for praise;
But now when I thought he’d smother
With croup in the lonely wild,
Good God, how I longed for a mother
To save the life of my child!

I seed in a vision each minit
The youngster nursed back into life;
An’ the hand of a woman was in it;
An’ the woman was Brighten’s wife.
There’s times when not knowin’ a bliss is,
As Harry’s school-teacher ’ud say:
And I didn’t know Brighten’s missis
Had gone to the town that day.

In a moment I’d lifted Harry
To the bags on top of the load;
And I flogged the weary horses
Along on the dusty road.
But ev’rything seem’d to hinder
My hopes when I reached the hut;
For there wasn’t a light in the winder;
And both o’ the doors was shut.

That moment my heart got hurted;
An’ I felt it for many a day;
For I thought that the place was deserted,
An’ Brighten had gone away.
But I called; and the door was opened,
An’ I saw that the hut was alight;
It hadn’t shone in the winders;
For the moon was shinin’ bright.

An’ there in the door, with a candle,
I saw old Brighten stand,
With his fingers grasping the handle
Of a pistol he held in his hand.
“If any one moves,” he shouted,
“I’ll fire if I’ve got to hang!”
For the moment he never doubted
’Twas a visit from Gard’ner’s gang.

I didn’t move in a hurry;
For a man in a fright shoots quick.
But I told him he needn’t flurry,
’Twas only a youngster sick.
“Stan’ back,” said old Brighten, snatchin’
An’ shuttin’ the door in his fright;
“It’s typhoid, maybe, he’s catchin’:
An’ I can’t have him here to-night.”

But a woman’s voice shouted, “What is it?”
I’d never seen her before;
She was only there on a visit;
’Twas Brighten’s sister-in-law.
An’ nothin’ seemed able to frighten
This woman so pale an’ thin;
She pushed from the door old Brighten,
An’ carried the youngster in.

She’d bin hospital nurse in the city,
I heard, and had got the sack
For havin’ a little pity,
An’ exposin’ a doctor quack;
Some trumped-up stories agin her
All over the town was belled;
An’ in spite of the fightin’ in her
They got her at last expelled.

An’, talkin’ o’ fight, I’m fearin‘
There’s sudden fightin’ in store
For the first as speaks in my hearin’
’Gin Brighten’s sister-in-law;
For, in spite of old Brighten’s cussin’,
She got the youngster to bed;
And arter a week’s good nussin’
She won him back from the dead.

And then I began to hanker
For a speech to tell her the joy
I felt in my heart, and to thank her
For givin’ me back my boy.
The mornin’ I left old Brighten’s,
While puttin’ the horses to,
I puzzled my brains to make up
A speech as I thought would do.

She lifted the youngster and kissed him,
And helped him into the dray;
An’ I thought of how I’d ’a’ missed him,
If he’d only been taken away.
An’, “Mum,” I sez; “I oughter—”
An’ to finish the speech I tries;
But all on a sudden the water
Kem bubblin’ up to my eyes.

An’ down’ard, like water-courses,
The tears began to tear;
An’ I had to swear at the horses
To hide my weakness from her.
But the tears was only human
An’ they seem’d to ha’ done some good;
For she pressed my hand like a woman,
An’ said that she understood.

Joseph’s Dreams And Reuben's Brethren [a Recital In Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.
And that he grafted not but crowed,
You don’t need to be told,
And he was mighty cocky, with
His “Lo!” and his “Behold!”

He took in all his brothers said,
And went and told his Dad,
And then, when someone split on him,
No wonder they were mad.
But still he wasn’t satisfied,
And it would almost seem
He itched to rile his brethren, for
He went and dreamed a dream,

And told it to his brothers straight
(So Genesis believes):—
“Lo! we were working in the field,
And we were binding sheaves,
And my sheaf rose and stood upright,
And, straightway, for a sign,
Your sheaves came round about and made
Obeisance to mine!”

The brethren stared and made comment
In words that were not mild,
And when the meaning dawned on them
You bet that they were wild!
And Joseph left those angry men
To boil and blow off steam,
And ambled, chuckling, home agen
To dream another dream.

“Behold! I’ve dreamed a dream once more!”
He told ’em, frank and free—
“The sun, moon, and eleven stars
Have likewise bowed to me!”
(Perhaps Astronomy has changed
Since Joseph saw the light,
But I have wondered what the sun
Was doing out at night.)

And when they dropped!—you never heard,
In sheds or shanty bars,
Such awful language as escaped
From those eleven stars.
You know how Jacob-Israel loved
His hopeful youngest pup;
But, when he heard the latest dream,
It shook the old man up.

But Joseph talked his father round,
Who humoured every whim
(Perhaps old Jacob half-believed
They would bow down to him):
But, anyway, as always was,
He backed the youngest son,
And sent the others with the sheep
Out to the Check-’em run.



CHAPTER II

Now Jacob, with that wondrous tact
That doting parents show,
Or, anxious for his sons out back,
Sent, of all others, Joe!
To see if it was well with them
(And they were not asleep),
With one eye on his brothers’ camp,
And one eye on the sheep.

He drew a blank on Check-’em run—
Got bushed, too, you’ll be bound.
A certain cove—there’s always one—
Saw Joseph mooning round.
He asked him how it came to pass,
And what it was about,
And said, “They’re trav-lin’ now for grass
In Doothen—further out.”

He also muttered, “Strike me blue!”
While staring at the clothes—
He’d never seen a jackaroo
With such a coat as Joe’s.
He set the nameless on the track,
And scratched his head to think,
But gave it best, and, riding back,
Said firmly, “Strike me pink!”

’Twas blazing hot in Doothen then,
The sweat ran down in streams—
It melted out the memory
Of even Joseph’s dreams!
They’d had some trouble with the sheep,
Some Arabs and a “shirk”—
It was a favourable time
For Joe to get to work.

They saw him coming, “afar off”—
In this case, you might note,
Their eyesight wasn’t wonderful,
Considering the coat.
And what with sheep, and dust, and flies,
And damned shirks in the swim
With sheep stealers, the brethren were
For absenteeing him.

And, add to that, he scared the kine
With his infernal coat—
They trampled on the sheep and swine
And startled every goat.
The brethren had to round up then
As fast as ass could go,
And when they got to camp agen
They’d fixed it up for Joe.

Save poor old Rube—he had the blight,
But, grafting all the same,
He only looked on family rows
As just a blooming shame.
Like many an easy-going man,
He had a cunning soul.
He said, “We will not kill the kid,
But shove him in a hole,

And leave him there to dream o’ things”—
There’s not the slightest doubt
He meant to slip round after dark
And pull the youngster out,
And fill his gourd and tucker-bag,
And tell him “Not to mind”,
And start him on the back-track with
A gentle kick behind.

Some ’Tothersider prospectors
Had been there poking round;
You may depend that Reuben knew
’Twas “dry and shallow ground”.
They dropped young Joseph in a hole—
The giddy little goat—
And left him there, to cool his heels,
Without his overcoat.

(Don’t think that Moses, such a whale
On dry facts, thought it wet
To say, when they’d chucked Joseph in,
It was an empty pit!
So many things are preached and said
Where’er the Bible is
To prove that Moses never read
The “proofs” of Genesis.)

But let’s get on. While having grub,
A brethren sniffed and “seen”
Some Ishmaelites pass through the scrub—
Or O-asses, I mean.
They’d been right out to Gilead—
A rather longish trip—
For camel-loads of balm, and myrrh,
And spicery for ’Gyp.

(I’ve often seen the Afghans pass
With camel strings out back,
And thought ’twas somewhat similar
On that old Bible track.
I don’t know much of balm and myrrh,
Whatever they may be,
But e’en when sheepskins were not there,
I’ve smelt the spicery.)

It was the same in Canaan then
As it is here to-day:
A sudden thought jerked Judah up
For “brofit “ straight away.
The brethren got on one end too
When Judah jumped and said,
“We’ll sell the kid for what he brings!
He’s no good when he’s dead.”

And, to be short, they being Jews—
The “chosing” of the earth—
They sold him to the Ishmaelites
For more than twice his worth.
(Some Midianitish auctioneers
Were also on the job.)
’Twas “twenty bits of silver”, which
I s’pose was twenty bob.

So they most comfortably got
Young Joseph off their hands,
For Ishmael never bothered much
About receipts or brands.
(They spake not of his dreams and cheek,
His laziness, or “skite”;
No doubt they thought the Ishmaelites
Would see to that all right.)

Then Reuben came; he’d been around
To watch the sheep a bit,
And on his way back to the camp
He slipped round by the pit
To give young Joe a drink. He stared,
And, thinking Joe was dead,
He rent his gown like mad, and ran
For ashes for his head.

(As if that would do any good!
I only know that I
Cannot afford to rend my clothes
When my relations die.
I don’t suppose they would come back,
Or that the world would care,
If I went howling for a year
With ashes in my hair.)

You say he counted on a new
Rig-out? Yes? And you know
That Jacob tore his garment too,
So that old cock won’t crow.
Look here! You keep your smart remarks
Till after I am gone.
I won’t have Reuben silver-tailed—
Nor Pharaoh, later on.

The brethren humbugged Reuben well,
For fear he’d take the track,
And sneak in on the Ishmaelites,
And steal young Joseph back,
Or fight it out if he was caught,
And die—as it might be—
Or, at the best, go down with Joe
And into slavery.

Young Simeon slipped into the scrub,
To where the coat was hid,
And Judah stayed and wept with Rube,
While Levi killed a kid.
So they fixed up the wild-beast yarn,
And Hebrews sadly note—
Considering the price of cloth—
They had to spoil the coat.

(There was a yam about old Rube
That all true men despise,
Spread by his father’s concubines—
A vicious strumpet’s lies.
But I believe old Moses was,
As we are, well aware
That Reuben stood in this last scene
The central figure there.)

I feel for poor old Israel’s grief,
Believing all the same
(And not with atheist unbelief)
That Jacob was to blame.
’Twas ever so, and shall be done,
While one fond fool has breath—
Fond folly drives the youngest son
To ruin and to death.


The caravan went jogging on
To Pharaoh’s royal town,
But Genesis gives no account
Of Joseph’s journey down.
I wouldn’t be surprised to hear
He found it pretty rough,
But there’s a bare chance that his hide,
As well as cheek, was tough.



I see them toiling through the heat,
In patches and in dirt,
With sand-grooved sandals on their feet,
And slaves without a shirt—
The dust-caked thirst, the burning ground,
The mad and maddening flies,
That gathered like black goggles round
The piccaninnies’ eyes.


The Ishmaelites had tempers brief,
And whips of hide and gut,
And sometimes, p’raps, for Hagar’s sake,
Gave Joe an extra cut.
When, fainting by the way, he felt
The stimulating touch,
I have no doubt he often wished
He hadn’t dreamed so much.


He didn’t dream much on that trip,
Although he thought a lot.
However, they got down to ’Gyp
In good time, where he got
A wash and rest—he needed both—
And in the old slave-yard
Was sold to Captain Potiphar,
Of Pharaoh’s body-guard.



INTERLUDE

I PAUSE to state that later on
(And it seems worth the halt)
Smart Judah gat into a mess,
Though it was not his fault.
And I would only like to say,
In this most thankless task,
Wives sell to husbands every day,
And that without a mask.

But, what with family rows and drought,
And blessed women too,
The fathers of terrestrial tribes
Had quite enough to do.
They had to graft both day and night,
With no rest, save the last,
For when they were not grafting they
Were populating fast.



CHAPTER III

The Captain was a casual man,
But seemed a shrewd one too;
He got young Joseph’s measure soon,
And saw what he could do.
The Lord was with Joe, Moses said—
I know that Joe had pluck—
But I believe ’twas mostly check,
And his infernal luck.

The Captain made him manager,
Housekeeper, overseer,
And found that this arrangement paid—
That much at least is clear.
And what with merchants, clerks, and slaves,
Joe led a busy life,
With one eye on the maid-servants,
And “Jeames” and Potty’s wife.

The Captain seemed a casual man,
And “’Gyp” was on the glide:
There was a growing tendency
To live and let things slide.
He left all things in Joseph’s hands—
According to old Mose—
And knew not what he had besides
His tucker and his clothes.

I guess he had a shrewd idea,
For it is now, as then—
The world most often makes mistakes
With easy-going men.
The Captain often went away
For quietness and rest,
And, maybe, for some other things—
Well, Potiphar knew best.

Perhaps the missus knew it too—
At least, she should have known—
And Joe was handsome, strange, and new,
And she was much alone.
It seems a funny business now,
But I was never there—
Perhaps so long as cheques came in
The Captain didn’t care.

’Tis strange that Moses, such a whale
On details out of joint,
Should always come, in such a case,
So bluntly to the point.
He says Joe had a goodly form—
Or person it should be—
He says that she cast eyes on Joe,
And she said, “Lie with me.”

It took young Joseph sudden like.
He’d heard, while on the run,
Of other women who could lie,
And in more ways than one;
Of men who had been gaoled or hanged—
As they are here to-day—
(Likewise of lovers who were banged),
And so he edged away.

She never moved, and so he stayed
While she was there to hear,
For his infernal vanity
Was stronger than his fear.
He bragged his opportunity,
His strength, and godliness:
“There is no greater in the house
Than I.” (She made him less.)

’Twas cant to brag of purity
And right in that household,
For what was he if not a slave,
And basely bought and sold?
Unmanly for a man to treat
A love-starved woman so,
And cowardly to humiliate
A spirit thrust so low.

She knew that Joseph was a spy
On her and all the rest,
And this, with his outspoken “scorn”,
Made reasons manifest.
She had her passions (don’t be shocked,
For you have yours, no doubt),
And meant to take young Joseph down
And pay her husband out.

He was a slave, and bought and sold,
And I will say right here
His preaching was too manifold
And glib to be sincere,
When youth and “looks” turn goody-good—
You’ll see it at a glance—
They have one eye to woman’s help
And both on the main chance.

Now, had old Rube been in his place
(All honour to his name),
I’ll swear he would have taken things
Exactly as they came,
And kept it dark—or fought it out,
As the ungodly can—
But, whatsoe’er he might have done,
He would have been a man!

Howbeit, the missus stuck to Joe,
Vindictive, vicious, grim,
And bore his sermons and rebuffs
Until she cornered him. . . .
He left his garment in her hand,
And gat him out of that. . . .
About the merits of the case
I’ll say no more—that’s flat.

(He knew all right what she was at,
And Potiphar was out,
He went alone into the house
When no one was about.
He may have been half-drunk or mad,
He certainly was blind,
To run no further than the yard,
And leave his coat behind!)

But, seeing how our laws are fixed,
If I get in such dirt,
I’ll straightway get me out of that
If—I’ve to leave my shirt.
But I will keep the running up,
If I have common-sense,
Nor stop this side of Jericho
To think of my defence.

Joe should have streaked for Suez straight,
And tried his luck in flight
For Canaan, where they looked on things
In quite another light.
Old Jacob had experience,
And he’d have stuck to Joe.
He was a match for women’s lies
That flabbergast us so.

The missus told the self-same tale,
And in the self-same way,
As our enfranchised females do
In police courts every day.
Too cowardly to breathe a breath
Against the vilest rip,
We send straight men to gaol or death,
Just as they did in ’Gyp.

Now, Potiphar was wondrous mild—
Suspiciously, to say
The least. He didn’t operate
On Joseph straight away.
Perhaps he knew his wife no less
Than Joe, yet had regard
For his own peace and quietness—
So Joe got two years’ hard.



CHAPTER IV

The Lord was with him, Moses said,
Yet his luck didn’t fail,
For he got on the right side of
The governor of the gaol.
Perhaps he’d heard of Mrs P.,
And cases like to Joe’s,
And knew as much of woman’s work
As anybody knows.

He made Joe super-lag—a sort
Of deputy-retained
(The easy-going tendency
In Egypt seemed ingrained)—
Left everything in Joseph’s hands,
Except, maybe, the keys;
And thereafter he let things slide,
And smoked his pipe in peace.

Now Pharaoh had some trouble with
His butler and his cook,
But Pharaoh seemed most lenient
With asses bought to book—
He didn’t cut the weak end off
Each absent-minded wretch,
But mostly sent the idiots up
To “chokey” for a “stretch”.

They found themselves in Joseph’s care,
And it would almost seem
They’d got wind of his weaknesses,
For each one dreamed a dream.
“They dreamed a dream; both of them. Each
Man his dream in one night:
Each man according to his dream”
(And his own dream)—that’s right.

Next morning they made up their “mugs”,
And Joseph, passing through,
Asked them if they were feeling cronk,
And why they looked so blue?
They told him they had dreamed two dreams
(One each), and any dunce
Can understand how such remarks
Would int’rest Joe at once.

And there was no interpreter,
They said—and that was why
Joe said that that belonged to God—
But he would have a try.
I’ve noticed this with “Christians” since,
And often thought it odd—
They cannot keep their hands from things
They say belong to God.

The butler dreamed—or, anyway,
He said so (understand)—
He’d made some wine in Pharaoh’s cup,
And placed it in his hand—
And Pharaoh placed the wine inside,
I s’pose. But, anyways,
There were three branches in the dream,
Which were, of course, three days.

The butler might have one again,
And Joseph, going strong,
By evil chance get wind of it,
And diagnose it wrong!
The cook had been the butler’s mate,
And he thought (was it odd?)
That nightmare students such as Joe
Were safer far in quod.

He did repent him of his fault—
Though it was rather late—
For Pharaoh’s dreams had called a halt,
A reason of some weight.
The butler hoped to score, but ’twas
A risky thing to do,
And you will wonder, later on,
If Joe “forgat” him too.

’Twas plain to any fool, so Joe
Said: “Yet within three days
Shall Pharaoh lift thine head up, and
Restore thee to thy place.
Thou shalt deliver Pharaoh’s cup
Into his hand once more.
(And he shall drink the liquor down
Just as it was before.)

“But promise, when thou art all right,
And nothing is amiss,
To speak to Pharaoh of my case,
And get me out of this.
For I was kidnapped, likewise gaoled,
For nothing that I know.”
(And, granting his celibacy,
’Twould seem that that was so.)

The cook, he was a godless cook,
But quietly he stood,
’Til Joseph’s inspiration came—
And he saw it was good.
And then his dream he did unfold,
All straight and unrehearsed
(Without a “Lo!” or a “Behold!”
Or windmill business first):

“I’d three old baskets on me ’ed—
Now I ain’t tellin’ lies!—
The top ’un full of fancy bread
An’ pork ’n’ kidney pies.
I didn’t bother looking up,
For it was blazin’ ’ot—
There come a flock of crimson crows
And scoffed the bleedin’ lot.”

The cook he was a clever cook,
But he’d been on the spree—
He put the case as man to man,
And put it frank and free.
He patted Joseph on the back,
Told him to go ahead,
And Joseph met the cook half way,
And (man to man) he said:

“Within three days shall Pharaoh lift
Thine head from off of thee,
And he shall hang thee by the heels
To the most handy tree.
A flock of crows shall pick thy bones
(And, to be trebly sure,
His slaves shall pound them up with stones
And use them for manure).”

The butler passed an anxious night—
He wanted matters fixed—
For what if Joe’s prescriptions should
By some fool chance get mixed?
The cook—who was a careless cook—
Wrote scoff words on the wall,
But, when the time was up, he wished
He hadn’t dreamed at all.

And Pharaoh gave a feast—he’d got
Another chef this trip—
And his old butler he restored
Unto his butlership;
But hanged the cook. And after that—
Or this is how it seems—
The butler straight away forgat
Young Joseph and his dreams.

And maybe he was wise, for all
That anybody knows,
He’d seen the headless baker hanged,
And picked clean by the crows.
It struck him, too, when looking back
While calm and free from cares,
That Joseph had an off hand way
Of fixing up nightmares.


CHAPTER V

The gaol did Joseph little good,
Except by starts and fits,
But saved old Egypt for a while,
And brightened up his wits.
And, lest you thought me most unjust
In matters lately gone,
You read and know how holy Joe
Sold Egypt later on.

Her weather prophets were as good
As ours are, every bit,
But Pharaoh took to dreaming dreams,
And made a mess of it.
(And but for that—I do not care
What anybody thinks—
I’d not have lost my overcoat,
And watch and chain, and links.)

Now Joseph’s and the prisoners’ dreams
Were plain as dreams could be,
And more especially Pharaoh’s dreams,
As far as I can see—
The same man who invented them
Could well have read them too,
But any third-rate showman knows
That that would never do.

There must be “Lo’s”, “Beholds”, and “Yets”,
And “It must come to pass”,
’Til floods are gone, and tanks are dry,
And there’s no crops nor grass.
And “Likewise”, “Alsoes”, “Says unto”,
And countless weary “Ands”,
Until Japan sends Chinamen
To irrigate the lands.

And Pharaoh must take off his ring
(The one from off his hand),
To put upon Joe’s little fin,
That all might understand.
And they must ride in chariots,
Have banquets everywhere,
And launch trips up the Hawkesbury,
To see Australia there.

(I dreamed last night that cattle fed
Along the river flats,
They bore the brands of all the States,
And looked like “Queensland fats”.
And lo! a mob of strangers came,
All bones, from horn to heel,
But they had nostrils breathing flame,
And they had horns of steel.

I dreamed that seven sheep were shorn
That went by seven tracks,
And strove to live the winter through
With sackcloth on their backs.
And lo! I dreamed, from east and west
There came two blades of heat—
One blackened all the towns like fire,
Like drought one burnt the wheat.

A black slave and a white slave laid
A golden carpet down,
And yellow guards stood round about,
And he that came was brown.
Men slaved beneath the whip in pits,
Who now slave willingly—
They sold their birthright for a “score”.
Now read those dreams for me!)

But Joseph fixed up Pharaoh’s dreams
As quick as I can tell—
And, for Australia’s sake, I wish
That mine were fixed as well,
And nationalized from trusts and rings
And shady covenants;
But—we have thirteen little kings
Of thirteen Parliaments.

The years of plenty soon run out,
And, from the cricket score,
We’ll turn to face the years of drought
And might-be years of war.
With neither money, men, nor guns,
With nothing but despair—
But I get tired of printing truths
For use—no matter where.

Joe said to seek a wise man out,
And Pharaoh took the Jew—
Adventurers fix up our dreams,
And we elect them too.
I mean no slur on any tribe
(My best friend was a Yid),
But we let boodlers shape our ends,
And just as Pharaoh did.

But Joseph did spy out the land,
If not for his own good
(He only boodled on the grand,
It must be understood).
He made a corner first in wheat,
And did it thoroughly—
No “trust” has ever seen since then
So great a shark as he.

And when the fearful famine came,
And corn was in demand,
He grabbed, in God’s and Pharaoh’s name,
The money, stock, and land.
(He knew the drought was very bad
In Canaan; crops were gone;
But never once inquired how his
Old Dad was getting on.)



CHAPTER VI

And after many barren years
Of spirit-breaking work,
I see the brethren journeying down
From Canaan’s West-o’-Bourke
And into Egypt to buy corn—
As, at this very hour,
My brethren toil through blazing heat
The weary miles for flour.

’Twas noble of our Joseph then,
The Governor of the land,
To bait those weary, simple men,
With “monies” in their hand;
To gratify his secret spite,
As only cowards can;
And preen his blasted vanity,
And strike through Benjamin.

He put a cup in Benny’s sack,
And sent them on their way,
And sent the Pleece to bring ’em back
Before they’d gone a day.
The constable was well aware
Of Joseph’s little plan,
And most indignant when he caught
The wretched caravan.

He yelped: “Have such things come to pass?
Howld hard there! Jerk ’em up!
Put down yer packs from every ass,
And fork out Phairey’s cup!
It makes me sick, upon my soul,
The gratichood of man!
Ye had the feast, and then ye shtole
His silver billy-can.”

They swore that they had seen no cup,
And after each had sworn
They said the sandstorm coming up
Would simply spoil the corn.
They begged that he would wait until
They reached the nearest barn.
He said, “O that’s a wind that shook
The barley sort of yarn!

“(Now I’m no sergeant, understand—
Ye needn’t call me that—
Oi want no sugar wid me sand
Whin Joseph smells a rat.)
Take down yer sacks from off yer backs—
The other asses too—
And rip the neck of every sack—
The boys will see yer through.”

The cup was found in Benjamin’s,
As all the world’s aware—
The constable seemed most surprised,
Because he’d put it there.
“A greenhorn raised on asses’ milk!
Well, this beats all I know!”
And then, when he had cautioned them,
He took the gang in tow.

And when they started out to rend
Their turbans and their skirts,
He said, “Ye drunken lunatics,
Ye needn’t tear yer shirts—
Ye’re goin’ where there’s ladies now,
So keep yer shirts on, mind.
(The Guvnor got in trouble wanst
For leavin’ his behind.)”

And Joseph gaoled and frightened them.
(The “feast” was not amiss:
It showed him most magnanimous
With all that wasn’t his.)
He took some extra graveyard pulls
At his old Dad’s grey hairs,
’Til Judah spoke up like a man—
And spoke up unawares.

Then Joseph said that he was Joe,
With Egypt in his clutch—
You will not be surprised to know
It didn’t cheer them much.
And when he saw they were afraid,
And bowed beneath the rod,
He summoned snuffle to his aid,
And put it all on God.

And now the brethren understood,
With keen regret, no doubt,
That sin is seldom any good
Unless it’s carried out.
For after that heart-breaking trip
Across the scorching sands
They found themselves in Joseph’s grip,
With Benny on their hands.

(Poor Reuben, to persuade his dad
To let the youngster come,
Had left his own sons’ lives in pledge
For Benjamin, at home.
But life is made of many fires
And countless frying-pans—
As fast as we get rid of Joe’s
We’re plagued by Benjamin’s.)

Joe had a use for them, so he
Bade them to have no fear.
He said to them, “It was not you,
But God, who sent me here.
He sent me on to save your lives;
He hath sent you to me,
To see to you and all your wives,
And your posterity.

“The Lord God hath exalted me,
And made me His right hand—
A father unto Pharaoh, and
A ruler in the land,
And likewise lord of Egypt”—
He said a few things more,
And then he got to business straight—
I’ve heard such cant before.

Those who have read will understand
I never mean to scoff,
But I hate all hypocrisy
And blasted showing-off.
How cunningly our holy Joe
Fixed up his tribe’s affairs
For his own ends, and sprang the job
On Pharaoh unawares.

“The fame was heard in Pharaoh’s house,”
Where peace and kindness thrived,
Saying, “Joseph’s brethren are come”
(Joe’s brothers have arrived).
And Pharaoh heard, and was well pleased,
For he was white all through.
(And Moses says, without remark,
It pleased the servants too.)

But Pharaoh promptly put an end
To Joseph’s mummery.
He said, “Send waggons up, and bid
Thy people come to me.
Thou art commanded! Furnish them
With money and with food;
And say that I will give them land,
And see that it is good.”

And Jacob’s sons chucked up their runs
With blessings short and grim,
And Jacob took the stock and gear
And all his seed with him.
They sent the family tree ahead,
And Pharaoh read that same
(They found him very tired, ’twas said,
And misty when they came).

And Pharaoh unto Joseph spake
Most kind, though wearily:
“Thy father and thy brethren all
Are now come unto thee;
And Egypt is before thee now,
So in the best land make
Thy father and thy brethren dwell—
The land of Goshen take;

“And there, unhindered, let them thrive,
In comfort let them dwell,
Apart and free. My people love
All shepherds none too well—
But if thou knowest amongst them men
Of proved activity,
Then make them rulers over all
My flocks and herds for me.”

They brought five brethren unto him,
And he was very kind—
Perhaps he looked those brethren through,
And saw what lay behind.
His head he rested on his hand,
And smoothed his careworn brow,
He gazed on Israel thoughtfully,
And asked, “How old art thou?”

And Jacob told him, and was touched.
He said his days were few
And evil. They had not attained
To those his father knew.
But Jacob only had himself,
And no one else, to thank
If Joe had given his grey hairs
A second graveyard yank.

I think that Pharaoh was a man
Who always understood,
But was content to stand aside
If for his people’s good,
And seem not missed the while. He knew
His merits—and no pride—
And ’twas a grievous day for Jew
And Gentile when he died.



You know the rest of Joseph’s tale,
And well the poor Egyptians knew—
House agent on the grand old scale,
He boodled till the land was blue.
He squeezed them tight, and bled them white—
. . . . .
Until a Pharaoh came in sight
Who didn’t know him from a crow.

The Patriarchs, right back from Dad
To where the line begins,
Were great at passing “blessings” on,
Together with their sins.
Old Noah was about the first—
Cursed Ham till all was blue,
But ’twas with some effect he cursed,
And with good reason too.

And when the time had come to pass
For Jacob to be gone,
He polished up his father’s sins
And calmly passed them on.
He called his twelve sons round his bed
(Lest some good might befall),
He called his twelve sons to be blessed,
And cursed them, one and all

Save Joseph; and the rest had cause
To curse him ere they got
The English, who have every day
More cause to damn the lot.
And if they crossed the Red Sea now,
I guess we’d let them go,
With “Satan hurry Kohenstein”
And “God speed Ikey Mo!”

And lest my Jewish friends be wroth—
As they won’t be with me—
I’ll say that there is Jewish blood
In my posterity.
This verse, I trust, shall profit him
When he has ceased to grow—
My firstborn, who was known as “Jim”,
But whose true name is “Joe”.



AFTERWORD

I’ve written much that is to blame,
But I have only sought to show
That hearts of men were just the same
Some forty centuries ago.
All kindness comes with woman’s love—
That which she claims is due to her—
Not man! not man! but God above
Dare judge the wife of Potiphar.

And Jacob shall be ever blind
To reason and posterity,
In that “fond folly” of mankind
That is born of impotency.
No parents’ love or parents’ wealth
Shall ever fairly portioned be,
Faith shall not come, except by stealth,
Nor justice in one family.

And Joseph proved unto this hour—
Just what he was in Holy Writ—
A selfish tyrant in his power,
And, up or down, a hypocrite.
And Joseph still, whate’er befall,
But gives his place to Benjamin,
And Reuben bears the brunt of all,
Though Judah does the best he can.

The hearts of men shall never change
While one man dies and one is born,
We journey yet, though ways seem strange,
Down into Egypt to buy corn.
Some prosper there, and they forget;
And some go down, and are forgot;
And Pride and Self betray us yet,
Till Pharaohs rise that know us not.

But kindliness shall live for aye,
And, though we well our fate deserve,
Samaritans shall pass that way,
And kings like Pharaoh rule to serve.
We’re fighting out of Egypt’s track—
And, ah! the fight is ever grand—
Although, in Canaan or Out Back,
We never reach the Promised Land.