Henry Lawson: Verses about Warning

Out there by the rocks, at the end of the bank,
In the mouth of the river, the Wanderer sank.
She is resting where meet the blue water and green,
And only her masts and her funnel are seen;
And you see, when is fading the sunset’s last fleck,
On her foremast a lantern—a light on a wreck.
’Tis a light on a wreck, warning ships to beware
Of the drowned iron hull of the Wanderer there;
And the ships that come in and go out in the night
Keep a careful lookout for the Wanderer’s light.
There are rules for the harbour and rules for the wave;
But all captains steer clear of the Wanderer’s grave.

And the stories of strong lives that ended in wrecks
Might be likened to lights over derelict decks;
Like the light where, in sight of the streets of the town,
In the mouth of the channel the Wanderer went down.
Keep a watch from the desk, as they watch from the deck;
Keep a watch from your home for the light on the wreck.

But the lights on the wrecks since creation began
Have been shining in vain for the vagabond clan.
They will never take warning, they will not beware,
For they hold for their mottoes ‘What matter?’ ‘What care?’
And they sail without compass, they sail without check,
Till they steer to their grave ’neath a light on a wreck.

They can’t hear in West o’ London, where the worst dine with the best—
Deaf to all save lies and laughter, they can’t hear in London West—
Tailored brutes and splendid harlots, and the parasites that be—
They can’t hear the warning thunder of the Drums of Battersea.
More drums! War drums!
Drums of Misery—
Beating from the hearts of men—the Drums of Battersea.
Where the hearses hurry ever, and where man lives like a beast,
They can feel the war-drums beating—men of Hell! and London East.
And the far-off foreign farmers, fighting fiercely to be free,
Found new courage in the echo of the Drums of Battersea.
More drums! War drums!
Beating for the free—
Beating on the hearts of men—the Drums of Battersea.

And the drummers! Ah! the drummers!—stern and haggard men are those
Standing grimly at their meetings; and their washed and mended clothes
Speak of worn-out wives behind them and of grinding poverty—
But the English of the English beat the Drums of Battersea!
More drums! War drums!
Drums of agony—
The big bruised heart of England’s in the Drums of Battersea.

Where in fields slave Englishwomen, Oh! the sound of drums is there:
I have heard it in the laughter of the nights of Leicester Square—
Sailing southward with the summer, London but a dream to me,
Still I feel the distant thunder of the Drums of Battersea!
More drums! War drums!
Drums of Liberty—
Rolling round the English world—the Drums of Battersea.

Oh! I heard them in the Queen’s Hall—aye! and London heard that night—
While we formed up round the leaders while they struck one blow for right!
And the old strength, that old fire, that I thought was dead in me,
Blazed up fiercely at the beating of the Drums of Battersea!
More drums! War drums!
They beat for victory—
When above the roar of Jingoes rolled the Drums of Battersea.

And where’er my feet may wander, and howe’er I lay my head,
I shall hear them while I’m dreaming—I shall hear them when I’m dead!
For they beat for men and women, beat for Christ, and you and me:
There is hope and there is terror in the Drums of Battersea!
More drums! War drums!
Drums of destiny—
There’s hope!—there’s hope for England in the Drums of Battersea.

There's a wind that blows out of the South in the drought,
And we pray for the touch of his breath
When siroccos come forth from the North-West and North,
Or in dead calms of fever and death.
With eyes glad and dim we should sing him a hymn,
For depression and death are his foes,
And he gives us new life for the bread-winning strife—
When the glorious Old Southerly blows.
Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your ‘white-caps’ have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely—
Old Southerly Buster!—To you!

Oh, the city is baked, and its thirst is unslaked,
Though it swallows iced drinks by the score,
And the blurred sky is low and the air seems aglow
As if breezes would cool it no more.
We are watching all hands where the Post Office stands—
We are watching out hopefully too—
For a red light shall glower from the Post Office tower
When the Southerly Buster is due.

The yachts run away at the end of the day
From the breakers commencing to comb,
For a few he may swamp in the health-giving romp
With the friendly Old Southerly home.
But he never drowns one, for the drowning is done
By the fools, or the reckless in sport;
And the alleys and slums shall be cooled when he comes
With the weary wind-jammers to port.

Oh softly he plays through the city’s hot ways
To the beds where they’re calling ‘Come quick!’
He is gentle and mild round the feverish child,
And he cools the hot brow of the sick.
Clearing drought-hazy skies, up the North Coast he hies
Till the mouths of our rivers are fair—
And along the sea, too, he has good work to do,
For he takes the old timber-tubs there.

’Tis a glorious mission, Old Sydney’s Physician!
Broom, Bucket, and Cloth of the East,
’Tis a breeze and a sprayer that answers our prayer,
And it’s free to the greatest and least.
The red-lamp’s a warning to drought and its scorning—
A sign to the city at large—
Hence! Headache and Worry! Despondency hurry!
Old Southerly Buster’s in charge

Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your ‘white-caps’ have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely—
Old Southerly Buster!—To you!

Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.

Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.

Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.

An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.

The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.

Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
`We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'

The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!

When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain -
He'll never pass the stations
In charge of stock again.

The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.

Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.

The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.

FOOLS can parrot-cry the prophet when the proof is close at hand,
And the blind can see the danger when the foe is in the land!
Truth was never cynicism, death or ruin’s not a joke,
“Told-you-so” is not a warning—Patriotism not a croak.

Blame will aid no man nor country when the dark days come at last—
As with men so with a nation, and the warning time is past.
Our great sins were of omission, and the dogs of war are loosed—
And we all must stand together when those sins come home to roost.

Since the cities are the cities and shall stand for evermore,
Let us justify our being, be it peace or be it war.
For because we are the townsfolk, and have never ridden far
Shall we call the bush to aid us that has made us what we are?

Westward went our brothers, fighting distance, drought, and loneliness
While we lived in light and comfort knowing nothing of distress,
We who never shared the hardships when the sunset led them on,
Now’s our time, O street-bred people, with our faces to the dawn!

They have conquered with the cross-cut and the wedges and the maul,
With the spade and axe and mattock and the saddle-packs and all,
They have mighty work before them for the sake of you and me—
Let us stand up to our duty! We’re the Rearguard by the Sea.

Days of gibes at “street-bred people” by the street-bred bards are done—
Shall the man who lays the yard-stick never learn to lay the gun?
Shall the crouched type-writer toiling for his home in days like these
Touch the button the less firmly when we play on other keys?

We have seen in many countries what the street-bred men can do—
In the desert, scrub and jungle they were men who battled through!
Human weeds of grand endurance winning where the strong men quailed,
Pigeon-chested leaders leading on where beef-born courage failed.

Street-bred people down the ages—beggars, mobs and democrats—
Fought through many desperate sieges (fought on horseflesh, dogs and rats)
When their own cowed country failed them, then the city soul was proved—
“Street-bred people” died in thousands for the cities that they loved.

In the days when strength was needed—days of pike and axe and sword—
Daylight found the peaceful burghers ready, keeping watch and ward.
Clerks and tailors fought like heroes at the gates and in the trench—
(Even Falstaff brought his herrings with some slaughter through the French).

Every man should have a cottage and a garden to defend,
But the “should-be” is for ever—cities stand until the end,
Every farmer has a country that he loves when war-drums roll—
Every clerk may have a city that he loves with heart and soul.

Fat or lean, we all are sinners—lean or fat we all would be;
High or low or lean or fatted, ’tis for Nationality.
It will be till all is ended, as it was since all began—
’Tis the head and not the feathers! ’tis the heart and not the “man”!

Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.

Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.

Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.

An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.

The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.

Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
`We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'

The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!

When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain --
He'll never pass the stations
In charge of stock again.

The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.

Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.

. . . . .

The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.

BY RIGHT of birth in southern land I send my warning forth.
I see my country ruined by the wrongs that damned the North.
And shall I stand with fireless eyes and still and silent mouth
While Mammon builds his Londons on the fair fields of the South?

CHORUS:
O must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we will wear our colour still,
As Ireland wore the green!

I see the shade of poverty fall on each sunny scene.
And slums and alley-ways extend where fields were evergreen.
There is a law that stamps the flower of freedom as it springs;
And this upon a soil that’s trod by prouder feet than kings’.

And must I hide my colour
In fear of Mammon’s spleen?
Or shall I wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland swore the green!
Aye, I will wear my colour yet,
As Ireland wore the green!

Out there beyond the lonely range our fathers toiled for years
’Neath all the hardships that beset true-hearted pioneers;
And our brave mothers journeyed there to do the work of men
On those great awful plains that were unfit for women then.

Then must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland swore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we shall wear our colour still,
As Ireland wore the green!

O shall the fields our fathers won be yielded to the few
Who never touched the axe or spade, and hardships never knew?
Shall lordly robbers rule the land and build their mansions high,
And ladies flaunt their jewelled plumes where our brave mothers lie?

O must we hide our colour
In fear of Mammnon’s spleen?
Or shall the wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, the will wear our colour yet,
As Ireland wore the green!

What though our stalwart fathers came from every land on earth,
We will be loyal to the land that gives our children birth.
We’ll show our banner to the sun—the Southern Cross displayed—
And join our strength together for the home our fathers made.

Let cowards hide their colour
For fear of Mammon’s spleen!
But I will wear my bonnie blue
As Ireland swore the green!
As Ireland swore the green, my friends!
As Ireland wore the green!
Aye, I will wear my colour still,
As Ireland swore the green!

We’ll light the lamp of hope above the alley and the slum,
And teach the poor and drill them for the war that is to come.
We’ll send our songs recruiting far beneath the western sky,
And wake the towns and let them know the day of deeds is nigh.

And the twill wear our colour
In spite of Mammon’s spleen!
O the will wear the bonnie blue
As Ireland wore the green!
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, the will wear our colour yet,
As Ireland wore the green!

In these days of peace and money, free to all the Commonweal,
There are ancient dames in Buckland wearing wedding rings of steel;
Wedding rings of steel and iron, worn on wrinkled hands and old,
And the wearers would not give them, not for youth nor wealth untold.

In the days of black oppression, when the best abandoned hope,
And all Buckland crouched in terror of the prison and the rope,
Many fair young wives in Buckland prayed beside their lonely beds
For the absent ones who knew not where to lay their outlawed heads.

But a whisper went through Buckland, to the rebels only known,
That the man across the border had a chance to hold his own.
There were men that came in darkness, quiet, grim and travel-worn,
And, by twos, and threes, the young men stole away to join Kinghorn.

Slipping powder-horns and muskets from beneath the floors and thatch,
There were boys who kissed their mothers ere they softly dropped the latch;
There were hunters' wives in backwoods who sat strangely still and white
Till the dawn, because their men-folk went a-hunting in the night.

But the rebels needed money, and so, through the Buckland hills,
Came again, by night, the gloomy men of monosyllables;
And the ladies gave their jewels to be smuggled out and sold,
And the homely wives of Buckland gave their wedding rings of gold.

And a Buckland smith in secret, and in danger, in his shed
Made them rings of baser metals (from the best he had, to lead),
To be gilt and worn to market, or to meetings where they.prayed,
Lest the spies should get an inkling, and the husbands be betrayed.

Then a silence fell on Buckland; there was peace throughout the land,
And a loyalty that puzzled all the captains in command;
There was too much Law and Order for the men who weren't blind,
And the greatest of the king's men wasn't easy in his mind.

They were hunting rebels, certes, and the troops were understood
To be searching for a stronghold like a needle in a wood;
But whene'er the king was prayed for in the meeting-houses, then
It was strange with how much unction ancient sinners cried "Ah-men!"

Till at last, when all was quiet, through the gloomy Buckland hills
Once again there came those furtive men of monosyllables;
And their message was – "Take warning what the morrow may reveal,
Death and Freedom may be married with a wedding ring of steel."

In the morning, from the marshes, rose the night-mist, cold and damp,
From the shipping in the harbour and the sleeping royal camp;
From the lanes and from the by-streets and the high streets of the town,
And above the hills of Buckland, where the rebel guns looked down.

And the first one sent a message to the camp to fight or yield,
And the wintry sun looked redly on a bloody battlefield;
Till the man from 'cross the border marched through Buckland once again,
With a charter for the people and ten thousand fighting men.

There are ancient dames in Buckland with old secrets to reveal,
Wearing wedding rings of iron, wearing wedding rings of steel;
And their tears drop on the metal when their thoughts are far away
In the past where their young husbands died on Buckland field that day.

The Captains sailed from all the World—from all the world and Spain;
And each one for his country’s ease, her glory and her gain;
The Captains sailed to Southern Seas, and sailed the Spanish Main;
And some sailed out beyond the World, and some sailed home again.
And each one for his daily bread, and bitter bread it was,
Because of things they’d left at home—or for some other cause.
Their wives and daughters made the lace to deck the Lady’s gown,
Where sailors’ wives sew dungarees by many a seaport town.

The Captains sailed in rotten ships, with often rotten crews,
Because their lands were ignorant and meaner than the ooze;
With money furnished them by Greed, or by ambition mean,
When they had crawled to some pig-faced, pig-hearted king or queen.

And when a storm was on the coast, and spray leaped o’er the quays,
Then little Joan or Dorothy, or Inez or Louise,
Would kneel her down on such a night beside her mother’s knees,
And fold her little hands and pray for those beyond the seas.
With the touching faith of little girls—the faith by love embalmed—
They’d pray for men beyond the seas who might have been becalmed.

For some will pray at CHRIST His feet, and some at MARY’S shrine;
And some to Heathen goddesses, as I have prayed to mine;
To Mecca or to Bethlehem, to Fire, or Joss, or Sol,
And one will pray to sticks or stones, and one to her rag doll.
But we are stubborn men and vain, and though we rise or fall,
Our children’s prayers or women’s prayers, GOD knows we need them all!
And no one fights the bitter gale, or strives in combat grim,
But, somewhere in the world, a child is praying hard for him.

The Captains sailed to India, to China and Japan.
They met the Strangers’ Welcome and the Friendliness of Man;
The Captains sailed to Southern Seas, and “wondrous sights” they saw—
The Rights of Man in savage lands, and law without a law.
They learnt the truth from savages, and wisdom from the wild,
And learned to walk in unknown ways, and trust them like a child.
(The sailors told of monstrous things that be where sailors roam . . .
But none had seen more monstrous things than they had seen at home.)

They found new worlds for crowded folk in cities old and worn,
And huts of hunger, fog and smoke in lands by Faction torn.
(They found the great and empty lands where Nations might be born.)
They found new foods, they found new wealth, and newer ways to live,
Where sons might grow in strength and health, with all that God would give.
They tracked their ways through unknown seas where Danger still remains,
And sailed back poor and broken men, and some sailed back in chains.
But, bound or free, or ill or well, where’er their sails were furled,
They brought to weary, worn-out lands glad tidings from the World.

The Seasons saw our fathers come, their flocks and herds increase;
They saw the old lands waste in War, the new lands waste in Peace;
The Seasons saw new gardens made, they saw the old lands bleed,
And into new lands introduced the curse of Class and Creed.
They saw the birth of Politics, and all was ripe for Greed.
And Mammon came and built his towers, and Mammon held the fort:
Till one new land went dollar-mad, and one went mad for Sport.

Where men for love of Science sailed in rotten tubs for years,
To hang or starve, while nought availed a wife or daughter’s tears—
Where men made life-long sacrifice for some blind Northern Power,
Now Science sinks a thousand souls, and sinks them in an hour.
You would be rich and great too soon—have all that mortal craves;
The day may come ere you have lived when you’ll be poor and slaves.
You heeded not the warning voice, for Self and Sport prevailed;
You yet might wish, in dust and dread, those Captains had not sailed.

THE SPIRITS of our fathers rise not from every wave,
They left the sea behind them long ago;
It was many years of “slogging,” where strong men must be brave,
For the sake of unborn children, and, maybe, a soul to save,
And the end a tidy homestead, and four panels round a grave,
And—the bones of poor old Someone down below.

Some left happy homes in old lands when they heard the New Land call
(Some were gentlemen and some were social wrecks)
Some left squalor and starvation—they were soldiers one and all,
And their weapons were the cross-cut and the wedges and the maul.
(How we used to run as children when we heard the big trees fall!
While they paused to wipe their faces and their necks.)

They were buried by our uncles where the ground was hard to dig
(It was little need for churchmen that they had),
And they sobbed like grown-up children, for their hearts were soft and big.
And the myrtle and the ivy, and the vine-tree and the fig—
And the heather—and the shamrock, where th’ mother kept the pig,
Waited vainly for the Grand Australian Dad.

The spirits of our fathers have belts and bowyangs on
(Oh, Father! do you live again and know?)
Strapped riding pants and leggings parched and perished in the sun,
And love-belts “worked” by sweethearts ere the digging days were done,
And the cabbage-tree that went out with the muzzle-loading gun
That was carried round the cattle out beyond the furthest run
Where the brave exploring drovers used to go.

The spirits of our fathers, they rise from every grave
(Each side the line that Burke and Leichhardt crossed),
And where still in “settled districts” ghastly Bush-lost madmen rave
(While the grim search parties, haggard, struggle hopelessly to save)
Till the spirit timber beacons and the spirit waters lave,
And no spirit of a father has been lost.

The spirits of our fathers, they rise from level sand
(Like an ocean where an ocean used to be),
Out where Heaven’s grandest ’lectrics light the Never Never Land
With the glorious hope and promise that the Bushmen understand
When the rain and grass are coming till the desert-plain is grand,
And the drought-divorced Australian meets his soul.

Listen! There’s the word that’s spoken when no other soul seems near,
And the one who hears is sober, calm and sane,
And the name called, amongst many, when the called alone can hear—
Words by lone huts and in prison, speaking comfort, hope and cheer—
And the Warning, not admited to each other, calm and clear—
Then the fathers of a nation speak again.

There are spirits of our fathers in the theatres to-night
(And the places where rich sons of settlers go),
And a half-dressed daughter shivers, and a tailored son turns white,
For the heritage world-squandered, and the Land put out of sight,
And that awful thirst for Nothing that they bought with their birthright
And a haggard mother’s spirit bending low.

There are spirits of our fathers by the pleasant South Coast roads
Where motor cars of sons of stockmen go,
In the wealth robbed from Up Country, oh, the shame of it is black!
And the laugh and giggle ceases and the car swerves and turns back,
’Tis the old dad, smiling grimly, with arms folded by the track,
And the shades of horse and swagmen that they know.

There’s the flagship of the First Fleet rising grimly on the tide
(Out by Watson where the motor, launches go),
And the features known to many of our families of pride—
But the launches veer like seabirds, veer and turn and circle wide
From the shadow of a free ship where the waiting liners ride
And pale faces of brave emigrants look sadly o’er the side—
Boys and girls who were our parents long ago.

There the word said in the Senate by the patriot unafraid
(Senate where the comic fatmen never mind)
And the tissue starts and wakens, summons “Haw-haws!” to its aid,
But the honest men sit upright who were wearied of tirade.
And a nation’s aims are furthered! and a nation’s law is made—
For the spirit of a father stands behind.

There's many a schoolboy's bat and ball that are gathering dust at home,
For he hears a voice in the future call, and he trains for the war to come;
A serious light in his eyes is seen as he comes from the schoolhouse gate;
He keeps his kit and his rifle clean, and he sees that his back is straight.

But straight or crooked, or round, or lame – you may let these words take root;
As the time draws near for the sterner game, all boys should learn to shoot,
From the beardless youth to the grim grey-beard, let Australians ne'er forget,
A lame limb never interfered with a brave man's shooting yet.

Over and over and over again, to you and our friends and me,
The warning of danger has sounded plain – like the thud of a gun at sea.
The rich man turns to his wine once more, and the gay to their worldly joys,
The "statesman" laughs at a hint of war – but something has told the boys.

The schoolboy scouts of the White Man's Land are out on the hills to-day;
They trace the tracks from the sea-beach sand and sea-cliffs grim and grey;
They take the range for a likely shot by every cape and head,
And they spy the lay of each lonely spot where an enemy's foot might tread.

In the cooling breeze of the coastal streams, or out where the townships bake,
They march in fancy, and fight in dreams, and die for Australia's sake.
They hold the fort till relief arrives, when the landing parties storm,
And they take the pride of their fresh young lives in the set of a uniform.

Where never a loaded shell was hurled, nor a rifle fired to kill,
The schoolboy scouts of the Southern World are choosing their Battery Hill.
They run the tapes on the flats and fells by roads that the guns might sweep,
They are fixing in memory obstacles where the firing lines shall creep.

They read and they study the gunnery - they ask till the meaning's plain,
But the craft of the scout is a simple thing to the young Australian brain.
They blaze the track for a forward run, where the scrub is everywhere,
And they mark positions for every gun and every unit there.

They trace the track for a quick retreat – and the track for the other way round,
And they mark the spot in the summer heat where the water is always found.
They note the chances of cliff and tide, and where they can move, and when,
And every point where a man might hide in the days when they'll fight as men.

When silent men with their rifles lie by many a ferny dell;
And turn their heads when a scout goes by, with a cheery growl "All's well";
And scouts shall climb by the fisherman's ways, and watch for a sign of ships,
With stern eyes fixed on the threatening haze where the blue horizon dips.

When men shall camp in the dark and damp by the bough-marked battery,
Between the forts and the open ports where the miners watch the sea;
And talk perhaps of their boy-scout days, as they sit in their shelters rude,
While motors race to the distant bays with ammunition and food.

When the city alight shall wait by night for news from a far-out post,
And men ride down from the farming town to patrol the lonely coast –
Till they hear the thud of a distant gun, or the distant rifles crack,
And Australians spring to their arms as one to drive the invaders back.

There'll be no music or martial noise, save the guns to help you through,
For a plain and shirt-sleeve job, my boys, is the job that we'll have to do.
And many of those who had learned to shoot – and in learning learned to teach –
To the last three men, and the last galoot, shall die on some lonely beach.

But they'll waste their breath in no empty boast, and they'll prove to the world their worth,
When the shearers rush to the Eastern Coast, and the miners rush to Perth.
And the man who fights in a Queenscliff fort, or up by Keppel Bay,
Will know that his mates at Bunbury are doing their share that day.

There was never a land so great and wide, where the foreign fathers came,
That has bred her children so much alike, with their hearts so much the same.
And sons shall fight by the mangrove creeks that lie on the lone East Coast,
Who never shall know (or not for weeks) if the rest of Australia's lost.

And far in the future (I see it well, and born of such days as these),
There lies an Australia invincible, and mistress of all her seas;
With monuments standing on hill and head, where her sons shall point with pride
To the names of Australia's bravest dead, carved under the words "Here died."

Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.
I hear the broken English from the mouth of many a one
From every state and nation that is known beneath the sun;
The homely tongue of Scotland and the brogue of Ireland blend
With the dialects of England, right from Berwick to Lands End;
And to the busy concourse here the States have sent a part,
The land of gulches that has been immortalised by Harte;
The land where long from mining-camps the blue smoke upward curled;
The land that gave the "Partner" true and "Mliss" unto the world;
The men from all the nations in the New World and the Old,
All side by side, like brethren here, are delving after gold.
But suddenly the warning cries are heard on every side
As closing in around the field, a ring of troopers ride,
Unlicensed diggers are the game--their class and want are sins,
And so with all its shameful scenes, the digger hunt begins.
The men are seized who are too poor the heavy tax to pay,
Chained man to man as convicts were, and dragged in gangs away.
Though in the eyes of many a man the menace scarce was hid,
The diggers' blood was slow to boil, but scalded when it did.

But now another match is lit that soon must fire the charge
"Roll up! Roll up!" the poignant cry awakes the evening air,
And angry faces surge like waves around the speakers there.
"What are our sins that we should be an outlawed class?" they say,
"Shall we stand by while mates are seized and dragged like lags away?
Shall insult be on insult heaped? Shall we let these things go?"
And with a roar of voices comes the diggers' answer--"No!"
The day has vanished from the scene, but not the air of night
Can cool the blood that, ebbing back, leaves brows in anger white.
Lo, from the roof of Bentley's Inn the flames are leaping high;
They write "Revenge!" in letters red across the smoke-dimmed sky.
"To arms! To arms!" the cry is out; "To arms and play your part;
For every pike upon a pole will find a tyrant's heart!"
Now Lalor comes to take the lead, the spirit does not lag,
And down the rough, wild diggers kneel beneath the Diggers' Flag;
Then, rising to their feet, they swear, while rugged hearts beat high,
To stand beside their leader and to conquer or to die!
Around Eureka's stockade now the shades of night close fast,
Three hundred sleep beside their arms, and thirty sleep their last.

About the streets of Melbourne town the sound of bells is borne
That call the citizens to prayer that fateful Sabbath morn;
But there upon Eureka's hill, a hundred miles away,
The diggers' forms lie white and still above the blood-stained clay.
The bells that toll the diggers' death might also ring a knell
For those few gallant soldiers, dead, who did their duty well.
The sight of murdered heroes is to hero-hearts a goad,
A thousand men are up in arms upon the Creswick road,
And wildest rumours in the air are flying up and down,
'Tis said the men of Ballarat will march on Melbourne town.
But not in vain those diggers died. Their comrades may rejoice,
For o'er the voice of tyranny is heard the people's voice;
It says: "Reform your rotten law, the diggers' wrongs make right,
Or else with them, our brothers now, we'll gather to the fight."

'Twas of such stuff the men were made who saw our nation born,
And such as Lalor were the men who led the vanguard on;
And like such men may we be found, with leaders such as they,
In the roll-up of Australians on our darkest, grandest day!

They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
Flowing in, flowing in,
To the beat of hurried feet --
Ah! I sorrow for the owners of those faces in the street.

The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
Grinding body, grinding soul,
Yielding scarce enough to eat --
Oh! I sorrow for the owners of the faces in the street.

And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
Drifting round, drifting round,
To the tread of listless feet --
Ah! My heart aches for the owner of that sad face in the street.

And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.

And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,
With smiles that mock the wearer, and with words that half entreat,
Delilah pleads for custom at the corner of the street --
Sinking down, sinking down,
Battered wreck by tempests beat --
A dreadful, thankless trade is hers, that Woman of the Street.

But, ah! to dreader things than these our fair young city comes,
For in its heart are growing thick the filthy dens and slums,
Where human forms shall rot away in sties for swine unmeet,
And ghostly faces shall be seen unfit for any street --
Rotting out, rotting out,
For the lack of air and meat --
In dens of vice and horror that are hidden from the street.

I wonder would the apathy of wealthy men endure
Were all their windows level with the faces of the Poor?
Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,
When God demands a reason for the sorrows of the street,
The wrong things and the bad things
And the sad things that we meet
In the filthy lane and alley, and the cruel, heartless street.

I left the dreadful corner where the steps are never still,
And sought another window overlooking gorge and hill;
But when the night came dreary with the driving rain and sleet,
They haunted me -- the shadows of those faces in the street,
Flitting by, flitting by,
Flitting by with noiseless feet,
And with cheeks but little paler than the real ones in the street.

Once I cried: `Oh, God Almighty! if Thy might doth still endure,
Now show me in a vision for the wrongs of Earth a cure.'
And, lo! with shops all shuttered I beheld a city's street,
And in the warning distance heard the tramp of many feet,
Coming near, coming near,
To a drum's dull distant beat,
And soon I saw the army that was marching down the street.

Then, like a swollen river that has broken bank and wall,
The human flood came pouring with the red flags over all,
And kindled eyes all blazing bright with revolution's heat,
And flashing swords reflecting rigid faces in the street.
Pouring on, pouring on,
To a drum's loud threatening beat,
And the war-hymns and the cheering of the people in the street.

And so it must be while the world goes rolling round its course,
The warning pen shall write in vain, the warning voice grow hoarse,
But not until a city feels Red Revolution's feet
Shall its sad people miss awhile the terrors of the street --
The dreadful everlasting strife
For scarcely clothes and meat
In that pent track of living death -- the city's cruel street.

All is well—in a prison—to-night, and the warders are crying ‘All’s Well!’
I must speak, for the sake of my heart—if it’s but to the walls of my cell.
For what does it matter to me if to-morrow I go where I will?
I’m as free as I ever shall be—there is naught in my life to fulfil.
I am free! I am haunted no more by the question that tortured my brain:
‘Are you sane of a people gone mad? or mad in a world that is sane?’
I have had time to rest—and to pray—and my reason no longer is vext
By the spirit that hangs you one day, and would hail you as martyr the next.

Are the fields of my fancy less fair through a window that’s narrowed and barred?
Are the morning stars dimmed by the glare of the gas-light that flares in the yard?
No! And what does it matter to me if to-morrow I sail from the land?
I am free, as I never was free! I exult in my loneliness grand!

Be a saint and a saviour of men—be a Christ, and they’ll slander and rail!
Only Crime’s understood in the world, and a man is respected—in gaol.
But I find in my raving a balm—in the worst that has come to the worst—
Let me think of it all—I grow calm—let me think it all out from the first.

Beyond the horizon of Self do the walls of my prison retreat,
And I stand in a gap of the hills with the scene of my life at my feet;
The range to the west, and the Peak, and the marsh where the dark ridges end,
And the spurs running down to the Creek, and the she-oaks that sigh in the bend.
The hints of the river below; and, away on the azure and green,
The old goldfield of Specimen Flat, and the township—a blotch on the scene;
The store, the hotels, and the bank—and the gaol and the people who come
With the weatherboard box and the tank—the Australian idea of home:

The scribe—spirit-broken; the ‘wreck,’ in his might-have-been or shame;
The townsman ‘respected’ or worthy; the workman respectful and tame;
The boss of the pub with his fine sense of honour, grown moral and stout,
Like the spielers who came with the ‘line,’ on the cheques that were made farther out.

The clever young churchman, despised by the swaggering, popular man;
The doctor with hands clasped behind, and bowed head, as if under a ban;
The one man with the brains—with the power to lead, unsuspected and dumb,
Whom Fate sets apart for the Hour—the man for the hour that might come.

The old local liar whose story was ancient when Egypt was young,
And the gossip who hangs on the fence and poisons God’s world with her tongue;
The haggard bush mother who’d nag, though a husband or child be divine,
And who takes a fierce joy in a rag of the clothes on the newcomer’s line.

And a lad with a cloud on his heart who was lost in a world vague and dim—
No one dreamed as he drifted apart that ’twas genius the matter with him;
Who was doomed, in that ignorant hole, to its spiritless level to sink,
Till the iron had entered his soul, and his brain found a refuge in drink.

Perhaps I was bitter because of the tongues of disgrace in the town—
Of a boy-nature misunderstood and its nobler ambitions sneered
Of the sense of injustice that stings till it ends in the creed of the push—
I was born in that shadow that clings to the old gully homes in the bush.
And I was ambitious. Perhaps as a boy I could see things too plain—
How I wished I could write of the truths—of the visions—that haunted my brain!
Of the bush-buried toiler denied e’en the last loving comforts of all—
Of my father who slaved till he died in the scrub by his wedges and maul.

Twenty years, and from daylight till dark—twenty years it was split, fence, and grub,
And the end was a tumble-down hut and a bare, dusty patch in the scrub.
’Twas the first time he’d rested, they said, but the knit in his forehead was deep,
And to me the scarred hands of the dead seemed to work as I’d seen them in sleep.

And the mother who toiled by his side, through hardship and trouble and drought,
And who fought for the home when he died till her heart—not her spirit—wore out:
I am shamed for Australia and haunted by the face of the haggard bush wife—
She who fights her grim battle undaunted because she knows nothing of life.

By the barren track travelled by few men—poor victims of commerce, unknown—
E’en the troubles that woman tells woman she suffers, unpitied, alone;
Heart-dumbed and mind-dulled and benighted, Eve’s beauty in girlhood destroyed!
Till the wrongs never felt shall be righted—and the peace never missed be enjoyed.

There was no one to understand me. I was lonely and shy as a lad,
Or I lived in a world that was wider than ours; so of course I was ‘mad.’
Who is not understood is a ‘crank’—so I suffered the tortures of men
Doomed to think in the bush, till I drank and went wrong—I grew popular then.

There was Doctor Lebenski, my friend—and the friend, too, of all who were down—
Clever, gloomy, and generous drunkard—the pride and disgrace of the town.
He had been through the glory and shame of a wild life by city and sea,
And the tales of the land whence he came had a strong fascination for me.

And often in yarning or fancy, when she-oaks grew misty and dim,
From the forest and straight for the camp of the Cossack I’ve ridden with him:
Ridden out in the dusk with a score, ridden back ere the dawning with ten—
Have struck at three kingdoms and Fate for the fair land of Poland again!

He’d a sorrow that drink couldn’t drown—that his great heart was powerless to fight—
And I gathered the threads ’twixt the long, pregnant puffs of his last pipe at night;
For he’d say to me, sadly: ‘Jack Drew’—then he’d pause, as to watch the smoke curl—
‘If a good girl should love you, be true—though you die for it—true to the girl!

‘A man may be false to his country—a man may be false to his friend:
‘Be a vagabond, drunkard, a spieler—yet his soul may come right in the end;
‘But there is no prayer, no atonement, no drink that can banish the shade
‘From your side, if you’ve one spark of manhood, of a dead girl that you have betrayed.’

‘One chance for a fortune,’ we’re told, in the lives of the poorest of men—
There’s a chance for a heaven on earth that comes over and over again!
’Twas for Ruth, the bank manager’s niece, that the wretched old goldfield grew fair,
And she came like an angel of peace in an hour of revengeful despair.
A girl as God made her, and wise in a faith that was never estranged—
From childhood neglected and wronged, she had grown with her nature unchanged;
And she came as an angel of Hope as I crouched on Eternity’s brink,
And the loaded revolver and rope were parts of the horrors of drink.

I was not to be trusted, they said, within sight of a cheque or a horse,
And the worst that was said of my name all the gossips were glad to endorse.
But she loved me—she loved me! And why? Ask the she-oaks that sighed in the bends—
We had suffered alike, she and I, from the blindness of kinsfolk and friends.

A girlhood of hardship and care, for she gave the great heart of a child
To a brother whose idol was Self, and a brother good-natured but ‘wild;’—
And a father who left her behind when he’d suffered too much from the moan
Of a mother grown selfish and blind in her trouble—’twas always her own.

She was brave, and she never complained, for the hardships of youth that had driven
My soul to the brink of perdition, but strengthened the girl’s faith in Heaven.
In the home that her relatives gave she was tortured each hour of her life.
By her cruel dependence—the slave of her aunt, the bank-manager’s wife.

Does the world know how easy to lead and how hard to be driven are men?
She was leading me back with her love, to the faith of my childhood again!
To my boyhood’s neglected ideal—to the hopes that were strangled at birth,
To the good and the truth of the real—to the good that was left on the earth.

And the sigh of the oaks seemed a hymn, and the waters had music for me
As I sat on the grass at her feet, and rested my head on her knee;
And we seemed in a dreamland apart from the world’s discontent and despair,
For the cynic went out of my heart at the touch of her hand on my hair.

She would talk like a matron at times, and she prattled at times like a child:
‘I will trust you—I know you are good—you have only been careless and wild—
‘You are clever—you’ll rise in the world—you must think of your future and me—
‘You will give up the drink for my sake, and you don’t know how happy we’ll be!’
‘I can work, I will help you,’ she said, and she’d plan out our future and home,
But I found no response in my heart save the hungry old craving to roam.
Would I follow the paths of the dead? I was young yet. Would I settle down
To the life that our parents had led by the dull, paltry-spirited town?

For the ghost of the cynic was there, and he waited and triumphed at last—
One night—I’d been drinking, because of a spectre that rose from the past—
My trust had so oft been betrayed: that at last I had turned to distrust—
My sense of injustice so keen that my anger was always unjust.

Would I sacrifice all for a wife, who was free now to put on my hat
And to go far away from the life—from the home life of Specimen Flat?
Would I live as our fathers had lived to the finish? And what was it worth?
A woman’s reproach in the end—of all things most unjust on the earth.

The old rebel stirred in my blood, and he whispered, ‘What matter?’ ‘Why not?’
And she trembled and paled, for the kiss that I gave her was reckless and hot.
And the angel that watched o’er her slept, and the oaks sighed aloud in the creek
As we sat in a shadow that crept from a storm-cloud that rose on the Peak.

There’s a voice warns the purest and best of their danger in love or in strife,
But that voice is a knell to her honour who loves with the love of her life!
And ‘Ruth—Ruth!’ I whispered at last in a voice that was not like my own—
She trembled and clung to me fast with a sigh that was almost a moan.

While you listen and doubt, and incline to the devil that plucks at your sleeve—
When the whispers of angels have failed—then Heaven speaks once I believe.
The lightning leapt out—in a flash only seen by those ridges and creeks,
And the darkness shut down with a crash that I thought would have riven the peaks.

By the path through the saplings we ran, as the great drops came pattering down,
To the first of the low-lying ridges that lay between us and the town;
Where she suddenly drew me aside with that beautiful instinct of love
As the clatter of hoofs reached our ears—and a horseman loomed darkly above.

’Twas the Doctor: he reined up and sat for the first moment pallid and mute,
Then he lifted his hand to his hat with his old-fashioned martial salute,
And he said with a glance at the ridge, looming black with its pine-tops awhirl,
‘Take my coat, you are caught in the storm!’ and he whispered, ‘Be true to the girl!’

He rode on—to a sick bed, maybe some twenty miles back in the bush,
And we hurried on through the gloom, and I still seemed to hear in the ‘woosh’
Of the wind in the saplings and oaks, in the gums with their top boughs awhirl—
In the voice of the gathering tempest—the warning, ‘Be true to the girl!’
And I wrapped the coat round her, and held her so close that I felt her heart thump
When the lightning leapt out, as we crouched in the lee of the shell of a stump—
And there seemed a strange fear in her eyes and the colour had gone from her cheek—
And she scarcely had uttered a word since the hot brutal kiss by the creek.

The storm rushed away to the west—to the ridges drought-stricken and dry—
To the eastward loomed far-away peaks ’neath the still starry arch of the sky;
By the light of the full moon that swung from a curtain of cloud like a lamp,
I saw that my tent had gone down in the storm, as we passed by the camp.

’Tis a small thing, or chance, such as this, that decides between hero and cur
In one’s heart. I was wet to the skin, and my comfort was precious to her.
And her aunt was away in the city—the dining-room fire was alight,
And the uncle was absent—he drank with some friends at the Royal that night.

He came late, and passed to his room without glancing at her or at me—
Too straight and precise, be it said, for a man who was sober to be.
Then the drop of one boot on the floor (there was no wife to witness his guilt),
And a moment thereafter a snore that proclaimed that he slept on the quilt.

Was it vanity, love, or revolt? Was it joy that came into my life?
As I sat there with her in my arms, and caressed her and called her ‘My wife!’
Ah, the coward! But my heart shall bleed, though I live on for fifty long years,
For she could not cry out, only plead with eyes that were brimming with tears.

Not the passion so much brings remorse, but the thought of the treacherous part
I’d have played in a future already planned out—ay! endorsed in my heart!
When a good woman falls for the sake of a love that has blinded her eyes,
There is pardon, perhaps, for his lust; but what heaven could pardon the lies?

And ‘What does it matter?’ I said. ‘You are mine, I am yours—and for life.
‘He is drunk and asleep—he won’t hear, and to morrow you shall be my wife!’
There’s an hour in the memory of most that we hate ever after and loathe—
’Twas the daylight that came like a ghost to her window that startled us both.

Twixt the door of her room and the door of the office I stood for a space,
When a treacherous board in the floor sent a crack like a shot through the place!—
Then the creak of a step and the click of a lock in the manager’s room—
I grew cold to the stomach and sick, as I trembled and shrank in the gloom.
He faced me, revolver in hand—‘Now I know you, you treacherous whelp!
‘Stand still, where you are, or I’ll fire!’ and he suddenly shouted for help.
‘Help! Burglary!’ Yell after yell—such a voice would have wakened the tomb;
And I heard her scream once, and she fell like a log on the floor of her room!

And I thought of her then like a flash—of the foul fiend of gossip that drags
A soul to perdition—I thought of the treacherous tongues of the hags;
She would sacrifice all for my sake—she would tell the whole township the truth.
I’d escape, send the Doctor a message and die—ere they took me—for Ruth!

Then I rushed him—a struggle—a flash—I was down with a shot in my arm—
Up again, and a desperate fight—hurried footsteps and cries of alarm!
A mad struggle, a blow on the head—and the gossips will fill in the blank
With the tale of the capture of Drew on the night he broke into the bank.

In the cell at the lock-up all day and all night, without pause through my brain
Whirled the scenes of my life to the last one—and over and over again
I paced the small cell, till exhaustion brought sleep—and I woke to the past
Like a man metamorphosed—clear-headed, and strong in a purpose at last.

She would sacrifice all for my sake—she would tell the whole township the truth—
In the mood I was in I’d have given my life for a moment with Ruth;
But still, as I thought, from without came the voice of the constable’s wife;
‘They say it’s brain fever, poor girl, and the doctor despairs of her life.’

‘He has frightened the poor girl to death—such a pity—so pretty and young,’
So the voice of a gossip chimed in: ‘And the wretch! he deserves to be hung.
‘They were always a bad lot, the Drews, and I knowed he was more rogue than crank,
‘And he only pretended to court her so’s to know his way into the bank!’

Came the doctor at last with his voice hard and cold and a face like a stone—
Hands behind, but it mattered not then—’twas a fight I must fight out alone:
‘You have cause to be thankful,’ he said, as though speaking a line from the past—
‘She was conscious an hour; she is dead, and she called for you, Drew, till the last!

‘Ay! And I knew the truth, but I lied. She fought for the truth, but I lied;
‘And I said you were well and were coming, and, listening and waiting, she died.
‘God forgive you! I warned you in time. You will suffer while reason endures:
‘For the rest, you will know only I have the key of her story—and yours.’

The curious crowd in the court seemed to me but as ghosts from the past,
As the words of the charge were read out, like a hymn from the first to the last;
I repeated the words I’d rehearsed—in a voice that seemed strangely away—
In their place, ‘I am guilty,’ I said; and again, ‘I have nothing to say.’
I realised then, and stood straight—would I shrink from the eyes of the clown—
From the eyes of the sawney who’d boast of success with a girl of the town?
But there is human feeling in men which is easy, or hard, to define:
Every eye, as I glanced round the court, was cast down, or averted from mine.

Save the doctor’s—it seemed to me then as if he and I stood there alone—
For a moment he looked in my eyes with a wonderful smile in his own,
Slowly lifted his hand in salute, turned and walked from the court-room, and then
From the rear of the crowd came the whisper: ‘The Doctor’s been boozing again!’

I could laugh at it then from the depth of the bitterness still in my heart,
At the ignorant stare of surprise, at the constables’ ‘Arder in Car-rt!’
But I know. Oh, I understand now how the poor tortured heart cries aloud
For a flame from High Heaven to wither the grin on the face of a crowd.

Then the Judge spoke harshly; I stood with my fluttering senses awhirl:
My crime, he said sternly, had cost the young life of an innocent girl;
I’d brought sorrow and death to a home, I was worse than a murderer now;
And the sentence he passed on me there was the worst that the law would allow.

Let me rest—I grow weary and faint. Let me breathe—but what value is breath?
Ah! the pain in my heart—as of old; and I know what it is—it is death.
It is death—it is rest—it is sleep. ’Tis the world and I drifting apart.
I have been through a sorrow too deep to have passed without breaking my heart.
There’s a breeze! And a light without bars! Let me drink the free air till I drown.
’Tis the she-oaks—the Peak—and the stars. Lo, a dead angel’s spirit floats down!
This will pass—aye, and all things will pass. Oh, my love, have you come back to me?
I am tired—let me lie on the grass at your feet, with my head on your knee.

‘I was wrong’—the words lull me to sleep, like the words of a lullaby song—
I was wrong—but the iron went deep in my heart ere I knew I was wrong.
I rebelled, but I suffered in youth, and I suffer too deeply to live:
You’ll forgive me, and pray for me, Ruth—for you loved me—and God will forgive.