Say Goodbye When Your Chum Is Married

Now this is a rhyme that might well be carried
Gummed in your hat till the end of things:
Say Good-bye when your chum is married;
Say Good-bye while the church-bell rings;
Say Good-bye—if you ask why must you,
’Tis for the sake of old friendship true,
For as sure as death will his wife distrust you
And lead him on to suspect you, too.
Say Good-bye, though he be a brother,
Seek him not when you’re married, too—
Things that you never would tell each other
The wives will carry as young wives do.
Say Good-bye ere their tongues shall strangle
The friendship pledged ere the lights grew dim,
For, as sure as death, will those young wives wrangle,
And drag you into it, you and him.

The Author's Farewell To The Bushmen

Some carry their swags in the Great North-West,
Where the bravest battle and die,
And a few have gone to their last long rest,
And a few have said: Good-bye!
The coast grows dim, and it may be long
Ere the Gums again I see;
So I put my soul in a farewell song
To the chaps who barracked for me.
Their days are hard at the best of times,
And their dreams are dreams of care—
God bless them all for their big soft hearts,
And the brave, brave grins they wear!
God keep me straight as a man can go,
And true as a man may be!
For the sake of the hearts that were always so,
Of the men who had faith in me!

And a ship-side word I would say, you chaps
Of the blood of the Don’t-give-in!
The world will call it a boast, perhaps—
But I’ll win, if a man can win!
And not for gold nor the world’s applause—
Though ways to the end they be—
I’ll win, if a man might win, because
Of the men who believed in me.

The Free-Selector's Daughter


I met her on the Lachlan Side --
A darling girl I thought her,
And ere I left I swore I'd win
The free-selector's daughter.

I milked her father's cows a month,
I brought the wood and water,
I mended all the broken fence,
Before I won the daughter.

I listened to her father's yarns,
I did just what I `oughter',
And what you'll have to do to win
A free-selector's daughter.

I broke my pipe and burnt my twist,
And washed my mouth with water;
I had a shave before I kissed
The free-selector's daughter.

Then, rising in the frosty morn,
I brought the cows for Mary,
And when I'd milked a bucketful
I took it to the dairy.

I poured the milk into the dish
While Mary held the strainer,
I summoned heart to speak my wish,
And, oh! her blush grew plainer.

I told her I must leave the place,
I said that I would miss her;
At first she turned away her face,
And then she let me kiss her.

I put the bucket on the ground,
And in my arms I caught her:
I'd give the world to hold again
That free-selector's daughter!

A long farewell to Genoa
That rises to the skies,
Where the barren coast of Italy
Like our own coastline lies.
A sad farewell to Genoa,
And long my heart shall grieve,
The only city in the world
That I was loath to leave.

No sign of rush or strife is there,
No war of greed they wage.
The deep cool streets of Genoa
Are rock-like in their age.
No garish signs of commerce there
Are flaunting in the sun.
A rag hung from a balcony
Is by an artist done.

And she was fair in Genoa,
And she was very kind,
Those pale blind-seeming eyes that seem
Most beautifully blind.
Oh they are sad in Genoa,
Those poor soiled singing birds.
I had but three Italian words
And she three English words.

But love is cheap in Genoa,
Aye, love and wine are cheap,
And neither leaves an aching head,
Nor cuts the heart too deep;
Save when the knife goes straight, and then
There’s little time to grieve—
The only city in the world
That I was loath to leave.

I’ve said farewell to tinted days
And glorious starry nights,
I’ve said farewell to Naples with
Her long straight lines of lights;
But it is not for Naples but
For Genoa that I grieve,
The only city in the world
That I was loath to leave.

The Passing Of Scotty

WE THROW us down on the dusty plain
When the gold has gone from the west,
But we rise and tramp on the track again,
For we’re tired—too tired to rest.
Darker and denser the shadows fall
That are cramping each aching brow—
Scotty the Wrinkler! you’ve solved it all,
Give us a wrinkle now.

But no one lieth so still in death
As the rover who never could rest;
And he’s free of thought as he’s free of breath—
And his hands are crossed on his breast.
You have earned your rest—you brave old tramp—
As I hope in the end we will.
Ah me! ’Twas a long, long way to camp
Since the days when they called you “Phil’.

What have they done with your quaint old soul
Now they have passed you through?
But we can’t but think, as our swags we roll,
That it’s right, old man, with you;
You learned some truth in the storm and strife
Of the outcast battler’s ways;
And you left some light in the vagabond’s life
Ere you vanished beyond the haze.

One by one in the far ahead,
In the smothering haze of drought—
Where hearts are loyal and hopes are dead—
The forms of our mates fade out.
’Tis a distant goal and a weary load,
But we follow the Wrinkler home,
As, staggering into the short, straight road,
From the blind branch tracks we come.

We leave our mark and we play our part
In the nation’s pregnant days,
And we find a place in the Bushman’s heart
Ere we vanish beyond the haze.

The Outside Track

There were ten of us there on the moonlit quay,
And one on the for’ard hatch;
No straighter mate to his mates than he
Had ever said: ‘Len’s a match!’
'’Twill be long, old man, ere our glasses clink,
’Twill be long ere we grip your hand!'—
And we dragged him ashore for a final drink
Till the whole wide world seemed grand.
For they marry and go as the world rolls back,
They marry and vanish and die;
But their spirit shall live on the Outside Track
As long as the years go by.

The port-lights glowed in the morning mist
That rolled from the waters green;
And over the railing we grasped his fist
As the dark tide came between.
We cheered the captain and cheered the crew,
And our mate, times out of mind;
We cheered the land he was going to
And the land he had left behind.

We roared Lang Syne as a last farewell,
But my heart seemed out of joint;
I well remember the hush that fell
When the steamer had passed the point
We drifted home through the public bars,
We were ten times less by one
Who sailed out under the morning stars,
And under the rising sun.

And one by one, and two by two,
They have sailed from the wharf since then;
I have said good-bye to the last I knew,
The last of the careless men.
And I can’t but think that the times we had
Were the best times after all,
As I turn aside with a lonely glass
And drink to the bar-room wall.

But I’ll try my luck for a cheque Out Back,
Then a last good-bye to the bush;
For my heart’s away on the Outside Track,
On the track of the steerage push.

The Cattle-Dog's Death

The Plains lay bare on the homeward route,
And the march was heavy on man and brute;
For the Spirit of Drought was on all the land,
And the white heat danced on the glowing sand.

The best of our cattle-dogs lagged at last,
His strength gave out ere the plains were passed,
And our hearts grew sad when he crept and laid
His languid limbs in the nearest shade.

He saved our lives in the years gone by,
When no one dreamed of the danger nigh,
And the treacherous blacks in the darkness crept
On the silent camp where the drovers slept.

‘The dog is dying,’ a stockman said,
As he knelt and lifted the shaggy head;
‘’Tis a long day’s march ere the run be near,
‘And he’s dying fast; shall we leave him here?’

But the super cried, ‘There’s an answer there!’
As he raised a tuft of the dog’s grey hair;
And, strangely vivid, each man descried
The old spear-mark on the shaggy hide.

We laid a ‘bluey’ and coat across
The camping pack of the lightest horse,
And raised the dog to his deathbed high,
And brought him far ’neath the burning sky.

At the kindly touch of the stockmen rude
His eyes grew human with gratitude;
And though we parched in the heat that fags,
We gave him the last of the water-bags.

The super’s daughter we knew would chide
If we left the dog in the desert wide;
So we brought him far o’er the burning sand
For a parting stroke of her small white hand.

But long ere the station was seen ahead,
His pain was o’er, for the dog was dead
And the folks all knew by our looks of gloom
’Twas a comrade’s corpse that we carried home.

Above Crow's Nest [sydney]

A BLANKET low and leaden,
Though rent across the west,
Whose darkness seems to deaden
The brightest and the best;
A sunset white and staring
On cloud-wrecks far away—
And haggard house-walls glaring
A farewell to the day.

A light on tower and steeple,
Where sun no longer shines—
My people, Oh my people!
Rise up and read the signs!
Low looms the nearer high-line
(No sign of star or moon),
The horseman on the skyline
Rode hard this afternoon!

(Is he—and who shall know it?—
The spectre of a scout?
The spirit of a poet,
Whose truths were met with doubt?
Who sought and who succeeded
In marking danger’s track—
Whose warnings were unheeded
Till all the sky was black?)

It is a shameful story
For our young, generous home—
Without the rise and glory
We’d go as Greece and Rome.
Without the sacrifices
That make a nation’s name,
The elder nation’s vices
And luxuries we claim.

Grown vain without a conquest,
And sure without a fort,
And maddened in the one quest
For pleasure or for sport.
Self-blinded to our starkness
We’d fling the time away
To fight, half-armed, in darkness
Who should be armed to-day.

This song is for the city,
The city in its pride—
The coming time shall pity
And shield the countryside.
Shall we live in the present
Till fearful war-clouds loom,
And till the sullen peasant
Shall leave us to our doom?

Cloud-fortresses titanic
Along the western sky—
The tired, bowed mechanic
And pallid clerk flit by.
Lit by a light unhealthy—
The ghastly after-glare—
The veiled and goggled wealthy
Drive fast—they know not where.

Night’s sullen spirit rouses,
The darkening gables lour
From ugly four-roomed houses
Verandah’d windows glower;
The last long day-stare dies on
The scrub-ridged western side,
And round the near horizon
The spectral horsemen ride.

The Shakedown On The Floor

Set me back for twenty summers—
For I’m tired of cities now—
Set my feet in red-soil furrows
And my hands upon the plough,
With the two ‘Black Brothers’ trudging
On the home stretch through the loam—
While, along the grassy siding,
Come the cattle grazing home.
And I finish ploughing early,
And I hurry home to tea—
There’s my black suit on the stretcher,
And a clean white shirt for me.
There’s a dance at Rocky Rises,
And, when all the fun is o’er,
For a certain favoured party
There’s a shake-down on the floor.

You remember Mary Carey,
Bushmen’s favourite at the Rise?
With her sweet small freckled features,
Red-gold hair, and kind grey eyes;
Sister, daughter, to her mother,
Mother, sister, to the rest—
And of all my friends and kindred,
Mary Carey loved me best.

Far too shy, because she loved me,
To be dancing oft with me;
What cared I, because she loved me,
If the world were there to see?
But we lingered by the slip rails
While the rest were riding home,
Ere the hour before the dawning,
Dimmed the great star-clustered dome.

Small brown hands that spread the mattress
While the old folk winked to see
How she’d find an extra pillow
And an extra sheet for me.
For a moment shyly smiling,
She would grant me one kiss more—
Slip away and leave me happy
By the shake-down on the floor.

Rock me hard in steerage cabins,
Rock me soft in wide saloons,
Lay me on the sand-hill lonely
Under waning western moons;
But wherever night may find me
Till I rest for evermore
I will dream that I am happy
On the shake-down on the floor.

Ah! she often watched at sunset—
For her people told me so—
Where I left her at the slip-rails
More than fifteen years ago.
And she faded like a flower,
And she died, as such girls do,
While, away in Northern Queensland,
Working hard, I never knew.

And we suffer for our sorrows,
And we suffer for our joys,
From the old bush days when mother
Spread the shake-down for the boys.
But to cool the living fever,
Comes a cold breath to my brow,
And I feel that Mary’s spirit
Is beside me, even now.

The Song Of A Prison

Now this is the song of a prison—a song of a gaol or jug—
A ballad of quod or of chokey, the ultimate home of the mug.
The yard where the Foolish are drafted; Hell’s school where the harmless are taught;
For the big beast never is captured and the great thief never is caught.
A song of the trollop’s victim, and the dealer in doubtful eggs,
And a song of the man who was ruined by the lie with a thousand legs.
A song of suspected persons and rouge-and-vagabond pals,
And of persons beyond suspicion—the habitual criminals.

’Tis a song of the weary warders, whom prisoners call “the screws”—
A class of men who I fancy would cleave to the “Evening News.”
They look after their treasures sadly. By the screw of their keys they are known,
And they screw them many times daily before they draw their own.

It is written on paper pilfered from the prison printery,
With a stolen stump of a pencil that a felon smuggled for me.
And he’d have got twenty-four hours in the cells if he had been caught,
With bread to eat and water to drink and plenty of food for thought.

And I paid in chews of tobacco from one who is in for life;
But he is a decent fellow—he only murdered his wife.
(He is cherub-like, jolly, good-natured, and frank as the skies above,
And his Christian name is Joseph, and his other, ye gods! is Love!)

The Governor knows, and the Deputy, and all of the warders know,
Once a week, and on Sunday, we sit in a sinful row,
And bargain for chews of tobacco under the cover of prayer—
And the harmless Anglican chaplain is the only innocent there.

Staircase and doors of iron, no sign of a plank or brick,
Ceilings and floors of sandstone, and the cell walls two feet thick;
Cell like a large-sized coffin, or a small-sized tomb, and white,
And it strikes a chill to the backbone on the warmest summer night.

For fifteen hours they leave you to brood in the gloom and cold
On the cheats that you should have cheated, and the lies that you should have told;
On the money that would release you, you lent to many a friend,
And the many a generous action you suffered for in the end.

Grey daylight follows softly the heartless electric light
That printed the bars of the window on the wall of the cell all night
The darkness has vanished “hushing” when there is nothing to hush—
And I think of the old grey daylight on the teamster’s camp in the bush.

I think of the low bark homestead, the yard and the sinister bail,
And the shed in a hole in the gully—a pigsty compared with gaol;
The drought and the rows and the nagging; the hill where a flat grave is—
The gaol of my boyhood as dreadful and barren and grey as this.

We rise at six when the bell rings, and roll up our blankets neat,
Then we pace the cell till seven, brain-dulled, and with leaden feet.
Bolts clank, and the iron doors open, light floods from an iron-barred arch—
And we start with a start galvanic at the passionless, “Left—Quick march!”

Down the crooked and winding staircase in the great wrong-angular well,
Like the crooked stairs that of late years we have stumbled down to Hell;
We empty the tubs and muster, with the prison slouch and tread,
And we take to the cells our breakfast of hominy and of bread.

The church in its squat round tower, with Christ in His thorny wreath—
The reception house is below it, so the gates of Hell are beneath,
Where sinners are clad and numbered, when hope for a while has
And above us the gilded rooster that crowed when Peter lied.

What avail is the prayer of the abbess? Or the raving of Cock-eyed Liz?
The holy hermit in his cell, or the Holy Terror in his?
Brothers and sisters of Heaven, seen through the bars in a wall,
As we see the uncaught sinners—and God have mercy on all.

A Word To Texas Jack

Texas Jack, you are amusin’. By Lord Harry, how I laughed
When I seen yer rig and saddle with its bulwarks fore-and-aft;
Holy smoke! In such a saddle how the dickens can yer fall?
Why, I seen a gal ride bareback with no bridle on at all!
Gosh! so-help-me! strike-me-balmy! if a bit o’ scenery
Like ter you in all yer rig-out on the earth I ever see!
How I’d like ter see a bushman use yer fixins, Texas Jack;
On the remnant of a saddle he can ride to hell and back.
Why, I heerd a mother screamin’ when her kid went tossin’ by
Ridin’ bareback on a bucker that had murder in his eye.
What? yer come to learn the natives how to squat on horse’s back!
Learn the cornstalk ridin’! Blazes!—w’at yer giv’n’us, Texas Jack?
Learn the cornstalk—what the flamin’, jumptup! where’s my country gone?
Why, the cornstalk’s mother often rides the day afore he’s born!

You may talk about your ridin’ in the city, bold an’ free,
Talk o’ ridin’ in the city, Texas Jack, but where’d yer be
When the stock horse snorts an’ bunches all ’is quarters in a hump,
And the saddle climbs a sapling, an’ the horse-shoes split a stump?

No, before yer teach the native you must ride without a fall
Up a gum or down a gully nigh as steep as any wall—
You must swim the roarin’ Darlin’ when the flood is at its height
Bearin’ down the stock an’ stations to the Great Australian Bight.

You can’t count the bulls an’ bisons that yer copped with your lassoo—
But a stout old myall bullock p’raps ’ud learn yer somethin’ new;
Yer’d better make yer will an’ leave yer papers neat an’ trim
Before yer make arrangements for the lassooin’ of him;
Ere you ’n’ yer horse is catsmeat, fittin’ fate for sich galoots,
And yer saddle’s turned to laces like we put in blucher boots.

And yer say yer death on Injins! We’ve got somethin’in yer line—
If yer think your fitin’s ekal to the likes of Tommy Ryan.
Take yer karkass up to Queensland where the allygators chew
And the carpet-snake is handy with his tail for a lassoo;

Ride across the hazy regins where the lonely emus wail
An’ ye’ll find the black’ll track yer while yer lookin’ for his trail;
He can track yer without stoppin’ for a thousand miles or more—
Come again, and he will show yer where yer spit the year before.
But yer’d best be mighty careful, you’ll be sorry you kem here
When yer skewered to the fakements of yer saddle with a spear—
When the boomerang is sailin’ in the air, may heaven help yer!
It will cut yer head off goin’, an’ come back again and skelp yer.

P.S.—As poet and as Yankee I will greet you, Texas Jack,
For it isn’t no ill-feelin’ that is gettin’ up my back,
But I won’t see this land crowded by each Yank and British cuss
Who takes it in his head to come a-civilisin’ us.
So if you feel like shootin’ now, don’t let yer pistol cough—
(Our Government is very free at chokin’ fellers off);
And though on your great continent there’s misery in the towns
An’ not a few untitled lords and kings without their crowns,
I will admit your countrymen is busted big, an’ free,
An’ great on ekal rites of men and great on liberty;

I will admit yer fathers punched the gory tyrant’s head,
But then we’ve got our heroes, too, the diggers that is dead—
The plucky men of Ballarat who toed the scratch right well
And broke the nose of Tyranny and made his peepers swell
For yankin’ Lib.’s gold tresses in the roarin’ days gone by,
An’ doublin’ up his dirty fist to black her bonny eye;
So when it comes to ridin’ mokes, or hoistin’ out the Chow,
Or stickin’ up for labour’s rights, we don’t want showin’ how.
They come to learn us cricket in the days of long ago,
An’ Hanlan come from Canada to learn us how to row,
An’ ‘doctors’ come from ’Frisco just to learn us how to skite,
An’ ‘pugs’ from all the lands on earth to learn us how to fight;
An’ when they go, as like or not, we find we’re taken in,
They’ve left behind no larnin’—but they’ve carried off our tin.

I’ve followed all my tracks and ways,from old bark school to Leicester Square,
I’ve been right back to boyhood’s days, and found no light or pleasure there.
But every dream and every track—and there were many that I knew—
They all lead on, or they lead back, to Bourke in Ninety-one, and two.
No sign that green grass ever grew in scrubs that blazed beneath the sun;
The plains were dust in Ninety-two, that baked to bricks in Ninety-one.
On glaring iron-roofs of Bourke, the scorching, blinding sandstorms blew,
And there was nothing beautiful in Ninety-one and Ninety-two.

Save grit and generosity of hearts that broke and healed again—
The hottest drought that ever blazed could never parch the hearts of men;
And they were men in spite of all, and they were straight, and they were true,
The hat went round at trouble’s call, in Ninety-one and Ninety-two.

They drank, when all is said and done, they gambled, and their speech was rough—
You’d only need to say of one—‘He was my mate!’ that was enough.
To hint a bushman was not white, nor to his Union straight and true,
Would mean a long and bloody fight in Ninety-one and Ninety-two.

The yard behind the Shearers’ Arms was reckoned best of battle grounds,
And there in peace and quietness they fought their ten or fifteen rounds;
And then they washed the blood away, and then shook hands, as strong men do—
And washed away the bitterness—in Ninety-one and Ninety-two.

The Army on the grand old creek was mighty in those days gone by,
For they had sisters who could shriek, and brothers who could testify;
And by the muddy waterholes, they tackled sin till all was blue—
They took our bobs and damned our souls in Ninety-one and Ninety-two.

By shanty bars and shearing sheds, they took their toll and did their work—
But now and then they lost their heads, and raved of hotter hells than Bourke:
The only message from the dead that ever came distinctly through—
Was—‘Send my overcoat to hell’—it came to Bourke in Ninety-two.

I know they drank, and fought, and died—some fighting fiends on blazing tracks—
I don’t remember that they lied, or crawled behind each others’ backs;
I don’t remember that they loafed, or left a mate to battle through—
Ah! men knew how to stick to men in Ninety-one and Ninety-two.

They’re scattered wide and scattered far—by fan-like tracks, north, east, and west—
The cruel New Australian star drew off the bravest and the best.
The Cape and Klondyke claim their bones, the streets of London damned a few,
And jingo-cursed Australia mourns for Ninety-one and Ninety-two.

For ever westward in the land, Australians hear—and will not heed—
The murmur of the board-room, and the sure and stealthy steps of greed—
Bourke was a fortress on the track! and garrisons were grim and true
To hold the spoilers from Out Back, in Ninety-one and Ninety-two.

I hear it in the ridges lone, and in the dread drought-stricken wild—
I hear at times a woman’s moan—the whimper of a hungry child:
And—let the cynics say the word: ‘a godless gang, a drunken crew’—
But these were things I never heard in Ninety-one and Ninety-two.


They say that things have changed out there, and western towns have altered quite:
They don’t know how to drink and swear, they’ve half forgotten how to fight;
They’ve almost lost the strength to trust, the faith in mateship to be true—
The heart that grew in drought and dust in Ninety-one and Ninety-two.
We’ve learned to laugh the bitter laugh since then—we’ve travelled, you and I;
The sneaking little paragraph, the dirty trick, the whispered lie
Are known to us—the little men—whose souls are rotten through and through—
We called them scabs and crawlers then, in Ninety-one and Ninety-two.

And could I roll the summers back, or bring the dead time on again;
Or from the grave or world-wide track, call back to Bourke the vanished men,
With mind content I’d go to sleep, and leave those mates to judge me true,
And leave my name to Bourke to keep—the Bourke of Ninety-one and two.

Hannah Thomburn

They lifted her out of a story
Too sordid and selfish by far,
They left me the innocent glory
Of love that was pure as a star;
They left me all guiltless of “evil”
That would have brought years of distress
When the chance to be man, god or devil,
Was mine, on return from Success.


With a name and a courage uncommon
She had come in the soul striving days,
She had come as a child, girl and woman—
Come only to comfort and praise.
There was never a church that could marry,
For never a court could divorce,
In the season of Hannah and Harry
When the love of my life ran its course.

Her hair was red gold on head Grecian,
But fluffed from the parting away,
And her eyes were the warm grey Venetian
That comes with the dawn of the day.
No Fashion nor Fad could entrap her,
And a simple print work dress wore she,
But her long limbs were formed for the “wrapper”
And her fair arms were meant to be free.

(Oh, I knew by the thrill of pure passion
At the touch of her elbow, or hand—
By the wife’s loveless eyes that would flash on
The feeling I could not command.
Oh, I knew when revulsion came rushing—
Oh, I knew by the brush strokes that hurt
At the sight of a sculptor friend brushing
The clay from the hem of her skirt.)

She was mine on return from succeeding
In a struggle that no one shall know;
She only knew my heart was bleeding,
She only knew what dealt the blow.
I had fought back the friends that were clutching,
I had forced back the heart-scalding tears
Just to lay my hot head to her touching
And to weep for Two Terrible Years.

Oh! the hand on my hair that was greying!
Oh! the kiss on my brow that was lined!
Oh! the peace when my reason was straying
And the rest and relief for my mind.
Till, no longer world shackled or frightened,
The voice of the past would be stilled,
Hearts quickened, cheeks flushed and eyes brightened,
And the love of our lives be fulfilled!

It was Antwerp, and Plymouth—th’ Atlantic
And, so well had Love’s network been laid,
That I heard of her illness, grown frantic,
At Genoa, Naples—Port Said.
I was mad just to reach her and “tell her”,
But a sandbank at Suez tripped me,
And we limped, with a crippled propeller,
Through all Hades adown the Red Sea.

Through the monsoon we rolled like a Jumbo
With a second blade shaken away,
There was never a dock in Colombo
So the captain drank hard to Bombay.
Then a “point” in the south like an anthill
Or seawastes—then hove into sight—
I called for no news at Fremantle
For I wanted to hope through the Bight.

There’s a gentleman, reading, shall know it,
There’s an earl who will now understand
Why I “slighted” the son of their poet
(And a vice regal lord of the land)—
Semaphore—and a burst through the wicket
On platform left guards in distress—
A run without luggage or ticket,
A cab, and the Melbourne Express.

’Twas a brother-in-grief of mine told me
With harsh eyes unwontedly dim,
With a hand on my shoulder to hold me
And a grip on my own—to hold him.
A dry choke, and words cracked and hurried,
A stare, as of something afraid,
And he told me that Hannah was buried
On the day I reached Port Adelaide.

They could greet me—let Heaven or Hell come,
They could weep—for the grave by the sea
Oh! the mother and father could welcome
And the kinsfolk without fear of me.
For they watched her safe out of a story
Where she slaved and suffered alone—
They could weep to the tune of the hoary
Old lie “If we only had known”.

But I have the letter that followed
That she wrote to England and me—
That crossed us perchance as we wallowed
That birthday of mine on the sea,
That she wrote on the eve of her going,
Hopeful and loving and brave,
To keep me there, prosperous, knowing,
No care save the far away grave.

They have lifted her out of a story
Too sordid and selfish by far,
And left me the innocent glory
Of love that was pure as a star:
That was human and strong though she hid it
To write before death in last lines—
And I kneel to the angels who did it
And I bow to the fate that refines.

That There Dog O' Mine

Macquarie the shearer had met with an accident. To tell the truth, he had been in a drunken row at a wayside shanty, from which he had escaped with three fractured ribs, a cracked head, and various minor abrasions. His dog, Tally, had been a sober but savage participator in the drunken row, and had escaped with a broken leg.

Macquarie afterwards shouldered his swag and staggered and struggled along the track ten miles to the Union-Town Hospital. Lord knows how he did it. He didn't exactly know himself. Tally limped behind all the way on three legs. The doctors examined the man's injuries and were surprised at his endurance.

Even doctors are surprised sometimes - though they don't always show it. Of course they would take him in, but they objected to Tally. Dogs were not allowed on the premises. 'You will have to turn that dog out,' they said to the shearer, as he sat on the edge of a bed.

Macquarie said nothing. 'We cannot allow dogs about the place, my man,' said the doctor in a louder tone, thinking the man was deaf. 'Tie him up in the yard then.' 'No. He must go out. Dogs are not permitted on the grounds.'

Macquarie rose slowly to his feet, shut his agony behind his set teeth painfully buttoned his shirt over his hairy chest, took up his waistcoat, and staggered to the comer where the swag lay. 'What are you going to do?' they asked.

'You ain't going to let my dog stop?' 'No. It's against the rules. There are no dogs allowed on the premises.' He stooped and lifted his swag, but the pain was too great, and he leaned back against the wall.

'Come, come now! man alive!' exclaimed the doctor, impatiently. 'You must be mad. You know you are not in a fit state to go out. Let the wardsman help you to undress.' 'No!' said Macquarie. 'No. If you won't take my dog in you don't take me. He's got a broken leg and wants fixing up just - just as much as - as I do.

If I'm good enough to come in, he's good enough - and - and better.' He paused awhile, breathing painfully, and then went on. 'That - that there old dog of mine has follered me faithful and true, these twelve long hard and hungry years. He's about - about the only thing that ever cared whether I lived or fell and rotted on the cursed track.'

He rested again; then he continued: 'That - that there dog was pupped on the track,' he said with a sad sort of smile. 'I carried him for months in a billy can and afterwards on my swag when he was knocked up… And the old slut - his mother - she'd foller along quite contented - sniff the billy now and again - just to see if he was all right… She follered me for God knows how many years. She follered me till she was blind - and for a year after. She folleredme till she could crawl along through the dust no longer, and - and then I killed her, because I couldn't leave her behind alive! '

He rested again. 'And this here old dog,' he continued, touching Tally's upturned nose with his knotted fingers, 'this here old dog has follered me for - for ten years; through floods and droughts, through fair times and - and hard - mostly hard; and kept me from going mad when I had no mate nor money on the lonely track and watched over me for weeks when I was drunk - drugged and poisoned at the cursed shanties; and saved my life more'n once, and got kicks and curses very often for thanks; and forgave me for it all; and - and fought for me.

He was the only living thing that stood up for me against that crawling push of curs when they set onter me at the shanty back yonder - and he left his mark on some of 'em too; and - and so did I.' He took another spell.

Then he drew in his breath, shut his teeth hard, shouldered his swag, stepped into the doorway, and faced round again. The dog limped out of the comer and looked up anxiously. 'That there dog,' said Macquarie to the Hospital staff in general, 'is a better dog than I'm a man - or you too, it seems - and a better Christian.

He's been a better mate to me than I ever was to any man - or any man to me. He's watched over me; kep' me from getting robbed many a time; fought for me; saved my life and took drunken kicks and curses for thanks - and forgave me. He's been a true, straight, honest, and faithful mate to me - and I ain't going to desert him now. I ain't going to kick him out in the road with a broken leg. I - Oh, my God! my back!'

He groaned and lurched forward, but they caught him, slipped off the swag, and laid him on a bed. Half an hour later the shearer was comfortably fixed up. 'Where's my dog?' he asked, when he came to himself.

'Oh, the dog's all right,' said the nurse, rather impatiently. 'Don't bother. The doctor's setting his leg out in the yard.'

The Bards Who Lived At Manly

The camp of high-class spielers,
Who sneered in summer dress,
And doo-dah dilettante,
And scornful “venuses”—
House agents, and storekeepers,
All eager they to “bleed”—
The bards who tackled Manly,
Were plucky bards indeed!

With shops that feared to trust them,
And pubs that looked askance;
And prigs who read their verses,
But gave them not a glance;—
When all were vain and selfish,
And editors were hard—
The bard that stuck to Manly
Was sure a mighty bard.

What mattered floors were barren,
And windows curtainless,
And our life seemed to others
But blackguard recklessness?
We wore our clothes for comfort,
We earned our bread alway,
And beer and good tobacco
Came somehow every day.

Came kindred souls to Manly—
Outsiders that we knew,
And with them scribes and artists,
And low comedians too;
And sometimes bright girl writers—
Called “Tommy”, “Jack”, or “Pat”—
(Though each one had a sweetheart
The rest knew nought of that).

’Twas not the paltry village
We honoured unaware,
Or welcome warm, or friendship,
Or “tone” that took us there;
We longed to sing for mankind,
Where heaven’s breath was free
We only sought the grandeur
Of sea-cliff, sands and sea.

And we were glad at Manly,
All unaware of “swells”,
Of doctors and of nurses,
And private hospitals;
With little fear of bailiffs,
And great contempt for greed—
The bards who lived at Manly,
They were a healthy breed.

Oh! moonlit nights at Manly,
When all the world was fair!
In shirts and turned-up trousers
We larked like big boys there.
Oh! glorious autumn mornings—
The gold and green and blue—
We “stripped” as well as any,
And swam as strongly too.

The artist had a missus,
Who rather loved the wretch,
And so for days together
He’d stay at home and sketch.
And then—I fear ’twas only
When things were getting tight—
The bards would shun each other,
And hump themselves—and write.

When bailiffs came to Manly
They’d find no “sticks” to take,
We’d welcome them as brothers—
Their grimy hands we’d shake;
We’d send for beer in billies—
And straightway send for more—
And bailiff nights in Manly
Were merry nights of yore.

There are some things that landlords
And law can’t do at all:
They could not take the pictures
We painted on the wall;
They could not take the table—
The table was a door;
They could not take the bedsteads—
The beds were on the floor.

The door of some old stable—
We’d borrowed for a drink—
A page of rhymes and sketches,
And stained with beer and ink;
A dead hand drew the portraits—
And, say, should I be shamed,
To seek it out in Manly
And get the old door framed?

They left the masterpieces
The artist dreamed of long;
They could not take the gardens
From Victor Daley’s song;
They left his summer islands
And fairy ships at sea,
They could not take my mountains
And western plains from me.

One bailiff was our brother,
No better and no worse—
And, oh! the yarns he told us
To put in prose and verse,
And sorry we to lose him,
And sorry he to go—
(Oh! skeletons of Pott’s Point,
How many things we know)!

The very prince of laughter,
With brains and sympathy;
And with us on the last night
He spent his bailiff’s fee.
He banished Durkin’s gruffness,
He set my soul afloat,
And drew till day on Daley’s
Bright store of anecdote.

He said he’d stick to business—
Though he could well be free—
If but to save poor devils
From harder “bums” than he,
Now artist, bard and bailiff
Have left this vale of sin—
I trust, if they reach Heaven,
They’ll take that bailiff in.

The bards that lived in Manly
Have vanished one and one;
But do not think in Manly
Bohemian days are done.
They bled me white in Manly
When rich and tempest-tossed—
I’ll leave some bills in Manly
To pay for what I lost.

They’d grab and grind in Manly,
Then slander, sneer, and flout.
The shocked of moral Manly!
They starved my brothers out.
The miserable village,
Set in a scene so fair,
Were honester and cleaner
If some of us were there!

But one went with December—
These last lines seem to-night
Like some song I remember,
And not a song I write.
With vision strangely clearer
My old chums seem to be,
In death and absence, nearer
Than e’er they were to me.

Alone, and still not lonely—
When tears will not be shed—
I wish that I could only
Believe that they were dead.
With hardly curbed emotion,
I can’t but think, somehow,
In Manly by the ocean
They’re waiting for me now.

The Last Review

Turn the light down, nurse, and leave me, while I hold my last review,
For
the Bush
is slipping from me, and the town is going too:
Draw the blinds, the streets are lighted, and I hear the tramp of feet—
And I’m weary, very weary, of the
Faces in the Street
.

In the dens of Grind and Heartbreak, in the streets of Never-Rest,
I have lost the scent and colour and the music of the West:
And I would recall old faces with the memories they bring—
Where are Bill and Jim and Mary and the
Songs They used to Sing
?

They are coming! They are coming! they are passing through the room
With the smell of gum leaves burning, and the scent of
Wattle bloom!

And behind them in the timber, after dust and heat and toil,
Others sit beside the camp fire yarning while the billies boil.

In the Gap above the ridges there’s a flash and there’s a glow—
Swiftly down the scrub-clad siding come the
Lights of Cobb and Co
.:
Red face from the box-seat beaming—Oh, how plain those faces come!
From his ‘Golden-Hole’ ’tis Peter M’Intosh who’s going home.

Dusty patch in desolation, bare slab walls and earthen floor,
And a blinding drought is blazing from horizons to the door:
Milkless tea and ration sugar, damper junk and pumpkin mash—
And a
Day on our Selection
passes by me in a flash.

Rush of big wild-eyed store bullocks while the sheep crawl hopelessly,
And the loaded wool teams rolling, lurching on like ships at sea:
With his whip across his shoulder (and the wind just now abeam),
There goes
Jimmy Nowlett
ploughing through the dust beside his team!

Sunrise on the diggings! (Oh! what life and hearts and hopes are here)
From a hundred pointing forges comes a tinkle, tinkle clear—
Strings of drays with wash to puddle, clack of countless windlass boles,
Here and there
the red flag flying
, flying over golden holes.

Picturesque, unreal, romantic, chivalrous, and brave and free;
Clean in living, true in mateship—reckless generosity.
Mates are buried here as comrades who on fields of battle fall—
And—the dreams, the aching, hoping lover hearts beneath it all!

Rough-built theatres and stages where the world’s best actors trod—
Singers bringing reckless rovers nearer boyhood, home and God;
Paid in laughter, tears and nuggets in the play that fortune plays—
’Tis the palmy days of Gulgong—Gulgong in
the Roaring Days.


Pass the same old scenes before me—and again my heart can ache—
There the
Drover’s Wife
sits watching (not as Eve did) for a snake.
And I see the drear deserted goldfields when the night is late,
And the stony face of Mason watching by his
Father’s Mate.


And I see my
Haggard Women
plainly as they were in life,
’Tis the form of Mrs. Spicer and her friend,
Joe Wilson’s wife,

Sitting hand in hand
‘Past Carin
’,’ not a sigh and not a moan,
Staring steadily before her and the tears just trickle down.

It was
No Place for a Woman
—where the women worked like men—
From the Bush and Jones’ Alley come their haunting forms again.
And, let this thing be remembered when I’ve answered to the roll,
That I pitied haggard women—wrote for them with all my soul.

Narrow bed-room in the City in the hard days that are dead—
An alarm clock on the table, and a pale boy on the bed:
Arvie Aspinalls Alarm Clock with its harsh and startling call
Never more shall break his slumbers—I was Arvie Aspinall.


Maoriland
and
Steelman
, cynic, spieler, stiff-lipped, battler-through
(Kept a wife and child in comfort, but of course they never knew—
Thought he was an honest bagman)—Well, old man, you needn’t hug—
Sentimental; you of all men!—Steelman, Oh! I was a mug!

Ghostly lines of scrub at daybreak—dusty daybreak in the drought—
And a lonely swagman tramping on the track to
Further Out
:
Like a shade the form of Mitchell, nose-bag full and bluey up
And between the swag and shoulders lolls his foolish cattle-pup.

Kindly cynic, sad comedian! Mitchell! when you’ve left the Track,
And have shed your load of sorrow as we slipped our swags out back,
We shall have a yarn together in the land of
Rest Awhile

And across his ragged shoulder Mitchell smiles his quiet smile.

Shearing sheds and tracks and shanties—girls that wait at homestead gates—
Camps and stern-eyed Union leaders, and
Joe Wilson and his Mates

True and straight, and to my fancy, each one as he passes through
Deftly down upon the table slips a dusty ‘note’ or two.


So at last the end has found me—(end of all the human push)
And again in silence round me come my
Children of the Bush
!—
Listen, who are young, and let them—if I in late and bitter days
Wrote some reckless lines—forget them—there is little there to praise.

I was human, very human, and if in the days misspent
I have injured man or woman, it was done without intent.
If at times I blundered blindly—bitter heart and aching brow—
If I wrote a line unkindly—I am sorry for it now.


Days in London
like a nightmare—dreams of foreign lands and sea—
And
Australia
is the only land that seemeth real to me.
Tell the Bushmen to Australia and each other to be true—
‘Tell the boys to stick together!’ I have held my
Last Review.

He Mourned His Master

INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.





THE STORY


Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.

There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”

In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.

If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.

Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.

Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)

One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.

The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.

This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.

“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.

He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.

They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.

The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.

A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”

The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.

“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.

The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)

But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.

But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.

Peter Anderson And Co.


He had offices in Sydney, not so many years ago,
And his shingle bore the legend `Peter Anderson and Co.',
But his real name was Careless, as the fellows understood --
And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had --
He was fond of beer and leisure -- and the Co. was just as bad.
It was limited in number to a unit, was the Co. --
'Twas a bosom chum of Peter and his Christian name was Joe.

'Tis a class of men belonging to these soul-forsaken years:
Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce --
Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon,
Travelling second-class, or steerage (when it's cheap they go saloon);
Free from `ists' and `isms', troubled little by belief or doubt --
Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give,
God alone knows how they manage -- God alone knows how they live!
They are nearly always hard-up, but are cheerful all the while --
Men whose energy and trousers wear out sooner than their smile!
They, no doubt, like us, are haunted by the boresome `if' or `might',
But their ghosts are ghosts of daylight -- they are men who live at night!

Peter met you with the comic smile of one who knows you well,
And is mighty glad to see you, and has got a joke to tell;
He could laugh when all was gloomy, he could grin when all was blue,
Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest,
And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game --
Cards or billiards -- nothing graver. And the Co. was much the same.

They tried everything and nothing 'twixt the shovel and the press,
And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt,
And the local sinners chuckle over dingy copies yet.

They'd been through it all and knew it in the land of Bills and Jims --
Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash
Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails,
With a packing-case, a hammer, and a pound of two-inch nails --
And, maybe, a drop of varnish and sienna, too, for tints,
And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance,
But it never lasted longer than a month by any chance.

The office was their haven, for they lived there when hard-up --
A `daily' for a table cloth -- a jam tin for a cup;
And if the landlord's bailiff happened round in times like these
And seized the office-fittings -- well, there wasn't much to seize --
They would leave him in possession. But at other times they shot
The moon, and took an office where the landlord knew them not.
And when morning brought the bailiff there'd be nothing to be seen
Save a piece of bevelled cedar where the tenant's plate had been;
There would be no sign of Peter -- there would be no sign of Joe
Till another portal boasted `Peter Anderson and Co.'

And when times were locomotive, billiard-rooms and private bars --
Spicy parties at the cafe -- long cab-drives beneath the stars;
Private picnics down the Harbour -- shady campings-out, you know --
No one would have dreamed 'twas Peter --
no one would have thought 'twas Joe!
Free-and-easies in their `diggings', when the funds began to fail,
Bosom chums, cigars, tobacco, and a case of English ale --
Gloriously drunk and happy, till they heard the roosters crow --
And the landlady and neighbours made complaints about the Co.
But that life! it might be likened to a reckless drinking-song,
For it can't go on for ever, and it never lasted long.

. . . . .

Debt-collecting ruined Peter -- people talked him round too oft,
For his heart was soft as butter (and the Co.'s was just as soft);
He would cheer the haggard missus, and he'd tell her not to fret,
And he'd ask the worried debtor round with him to have a wet;
He would ask him round the corner, and it seemed to him and her,
After each of Peter's visits, things were brighter than they were.
But, of course, it wasn't business -- only Peter's careless way;
And perhaps it pays in heaven, but on earth it doesn't pay.
They got harder up than ever, and, to make it worse, the Co.
Went more often round the corner than was good for him to go.

`I might live,' he said to Peter, `but I haven't got the nerve --
I am going, Peter, going -- going, going -- no reserve.
Eat and drink and love they tell us, for to-morrow we may die,
Buy experience -- and we bought it -- we're experienced, you and I.'
Then, with a weary movement of his hand across his brow:
`The death of such philosophy's the death I'm dying now.
Pull yourself together, Peter; 'tis the dying wish of Joe
That the business world shall honour Peter Anderson and Co.

`When you feel your life is sinking in a dull and useless course,
And begin to find in drinking keener pleasure and remorse --
When you feel the love of leisure on your careless heart take holt,
Break away from friends and pleasure, though it give your heart a jolt.
Shun the poison breath of cities -- billiard-rooms and private bars,
Go where you can breathe God's air and see the grandeur of the stars!
Find again and follow up the old ambitions that you had --
See if you can raise a drink, old man, I'm feelin' mighty bad --
Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed.
And, while Peter went to fetch it, Joseph went to sleep -- and died
With a smile -- anticipation, maybe, of the peace to come,
Or a joke to try on Peter -- or, perhaps, it was the rum.

. . . . .

Peter staggered, gripped the table, swerved as some old drunkard swerves --
At a gulp he drank the toddy, just to brace his shattered nerves.
It was awful, if you like. But then he hadn't time to think --
All is nothing! Nothing matters! Fill your glasses -- dead man's drink.

. . . . .

Yet, to show his heart was not of human decency bereft,
Peter paid the undertaker. He got drunk on what was left;
Then he shed some tears, half-maudlin, on the grave where lay the Co.,
And he drifted to a township where the city failures go.
Where, though haunted by the man he was, the wreck he yet might be,
Or the man he might have been, or by each spectre of the three,
And the dying words of Joseph, ringing through his own despair,
Peter `pulled himself together' and he started business there.

But his life was very lonely, and his heart was very sad,
And no help to reformation was the company he had --
Men who might have been, who had been, but who were not in the swim --
'Twas a town of wrecks and failures -- they appreciated him.
They would ask him who the Co. was -- that queer company he kept --
And he'd always answer vaguely -- he would say his partner slept;
That he had a `sleeping partner' -- jesting while his spirit broke --
And they grinned above their glasses, for they took it as a joke.
He would shout while he had money, he would joke while he had breath --
No one seemed to care or notice how he drank himself to death;
Till at last there came a morning when his smile was seen no more --
He was gone from out the office, and his shingle from the door,
And a boundary-rider jogging out across the neighb'ring run
Was attracted by a something that was blazing in the sun;
And he found that it was Peter, lying peacefully at rest,
With a bottle close beside him and the shingle on his breast.
Well, they analysed the liquor, and it would appear that he
Qualified his drink with something good for setting spirits free.
Though 'twas plainly self-destruction -- `'twas his own affair,' they said;
And the jury viewed him sadly, and they found -- that he was dead.

One Hundred And Three

With the frame of a man, and the face of a boy, and a manner strangely wild,
And the great, wide, wondering, innocent eyes of a silent-suffering child;
With his hideous dress and his heavy boots, he drags to Eternity—
And the Warder says, in a softened tone: ‘Keep step, One Hundred and Three.’
’Tis a ghastly travesty of drill—or a ghastly farce of work—
But One Hundred and Three, he catches step with a start, a shuffle and jerk.
’Tis slow starvation in separate cells, and a widow’s son is he,
And the widow, she drank before he was born—(Keep step, One Hundred and Three!)

They shut a man in the four-by-eight, with a six-inch slit for air,
Twenty-three hours of the twenty-four, to brood on his virtues there.
And the dead stone walls and the iron door close in as an iron band
On eyes that followed the distant haze far out on the level land.

Bread and water and hominy, and a scrag of meat and a spud,
A Bible and thin flat book of rules, to cool a strong man’s blood;
They take the spoon from the cell at night—and a stranger might think it odd;
But a man might sharpen it on the floor, and go to his own Great God.

One Hundred and Three, it is hard to believe that you saddled your horse at dawn;
There were girls that rode through the bush at eve, and girls who lolled on the lawn.
There were picnic parties in sunny bays, and ships on the shining sea;
There were foreign ports in the glorious days—(Hold up, One Hundred and Three!)

A man came out at exercise time from one of the cells to-day:
’Twas the ghastly spectre of one I knew, and I thought he was far away;
We dared not speak, but he signed ‘Farewell—fare—well,’ and I knew by this
And the number stamped on his clothes (not sewn) that a heavy sentence was his.

Where five men do the work of a boy, with warders not to see,
It is sad and bad and uselessly mad, it is ugly as it can be,
From the flower-beds laid to fit the gaol, in circle and line absurd,
To the gilded weathercock on the church, agape like a strangled bird.

Agape like a strangled bird in the sun, and I wonder what he could see?
The Fleet come in, and the Fleet go out? (Hold up, One Hundred and Three!)
The glorious sea, and the bays and Bush, and the distant mountains blue
(Keep step, keep step, One Hundred and Three, for my lines are halting too)

The great, round church with its volume of sound, where we dare not turn our eyes—
They take us there from our separate hells to sing of Paradise.
In all the creeds there is hope and doubt, but of this there is no doubt:
That starving prisoners faint in church, and the warders carry them out.

They double-lock at four o’clock and the warders leave their keys,
And the Governor strolls with a friend at eve through his stone conservatories;
Their window slits are like idiot mouths with square stone chins adrop,
And the weather-stains for the dribble, and the dead flat foreheads atop.

No light save the lights in the yard beneath the clustering lights of the Lord—
And the lights turned in to the window slits of the Observation Ward.
(They eat their meat with their fingers there in a madness starved and dull—
Oh! the padded cells and the “O—b—s” are nearly always full.)

Rules, regulations—red-tape and rules; all and alike they bind:
Under ‘separate treatment ’ place the deaf; in the dark cell shut the blind!
And somewhere down in his sandstone tomb, with never a word to save,
One Hundred and Three is keeping step, as he’ll keep it to his grave.

The press is printing its smug, smug lies, and paying its shameful debt—
It speaks of the comforts that prisoners have, and ‘holidays’ prisoners get.
The visitors come with their smug, smug smiles through the gaol on a working day,
And the public hears with its large, large ears what authorities have to say.

They lay their fingers on well-hosed walls, and they tread on the polished floor;
They peep in the generous shining cans with their ration Number Four.
And the visitors go with their smug, smug smiles; the reporters’ work is done;
Stand up! my men, who have done your time on ration Number One!

Speak up, my men! I was never the man to keep my own bed warm,
I have jogged with you round in the Fools’ Parade, and I’ve worn your uniform;
I’ve seen you live, and I’ve seen you die, and I’ve seen your reason fail—
I’ve smuggled tobacco and loosened my tongue—and I’ve been punished in gaol.

Ay! clang the spoon on the iron floor, and shove in the bread with your toe,
And shut with a bang the iron door, and clank the bolt—just so,
With an ignorant oath for a last good-night—or the voice of a filthy thought.
By the Gipsy Blood you have caught a man you’ll be sorry that ever you caught.

He shall be buried alive without meat, for a day and a night unheard
If he speak to a fellow prisoner, though he die for want of a word.
He shall be punished, and he shall be starved, and he shall in darkness rot,
He shall be murdered body and soul—and God said, ‘Thou shalt not!’

I’ve seen the remand-yard men go out, by the subway out of the yard—
And I’ve seen them come in with a foolish grin and a sentence of Three Years Hard.
They send a half-starved man to the court, where the hearts of men they carve—
Then feed him up in the hospital to give him the strength to starve.

You get the gaol-dust in your throat, in your skin the dead gaol-white;
You get the gaol-whine in your voice and in every letter you write.
And in your eyes comes the bright gaol-light—not the glare of the world’s distraught,
Not the hunted look, nor the guilty look, but the awful look of the Caught.

There was one I met—’twas a mate of mine—in a gaol that is known to us;
He died—and they said it was ‘heart disease’; but he died for want of a truss.
I’ve knelt at the head of the pallid dead, where the living dead were we,
And I’ve closed the yielding lids with my thumbs—(Keep step, One Hundred and Three!)

A criminal face is rare in gaol, where all things else are ripe—
It is higher up in the social scale that you’ll find the criminal type.
But the kindness of man to man is great when penned in a sandstone pen—
The public call us the ‘criminal class,’ but the warders call us ‘the men.’

The brute is a brute, and a kind man kind, and the strong heart does not fail—
A crawler’s a crawler everywhere, but a man is a man in gaol!
For forced ‘desertion’ or drunkenness, or a law’s illegal debt,
While never a man who was a man was ‘reformed’ by punishment yet.

The champagne lady comes home from the course in charge of the criminal swell—
They carry her in from the motor car to the lift in the Grand Hotel.
But armed with the savage Habituals Act they are waiting for you and me,
And the drums, they are beating loud and near. (Keep step, One Hundred and Three!)

The clever scoundrels are all outside, and the moneyless mugs in gaol—
Men do twelve months for a mad wife’s lies or Life for a strumpet’s tale.
If the people knew what the warders know, and felt as the prisoners feel—
If the people knew, they would storm their gaols as they stormed the old Bastile.

And the cackling, screaming half-human hens who were never mothers nor wives
Would send their sisters to such a hell for the term of their natural lives,
Where laws are made in a Female Fit in the Land of the Crazy Fad,
And drunkards in judgment on drunkards sit and the mad condemn the mad.

The High Church service swells and swells where the tinted Christs look down—
It is easy to see who is weary and faint and weareth the thorny crown.
There are swift-made signs that are not to God, and they march us Hellward then.
It is hard to believe that we knelt as boys to ‘for ever and ever, Amen. ’

Warders and prisoners all alike in a dead rot dry and slow—
The author must not write for his own, and the tailor must not sew.
The billet-bound officers dare not speak and discharged men dare not tell
Though many and many an innocent man must brood in this barren hell.

We are most of us criminal, most of us mad, and we do what we can do.
(Remember the Observation Ward and Number Forty-Two.)
There are eyes that see through stone and iron, though the rest of the world be blind—
We are prisoners all in God’s Great Gaol, but the Governor, He is kind.

They crave for sunlight, they crave for meat, they crave for the might-have-been,
But the cruellest thing in the walls of a gaol is the craving for nicotine.
Yet the spirit of Christ is everywhere where the heart of a man can dwell,
It comes like tobacco in prison—or like news to the separate cell.


They have smuggled him out to the Hospital with no one to tell the tale,
But it’s little the doctors and nurses can do for the patient from Starvinghurst Gaol.
He cannot swallow the food they bring, for a gaol-starved man is he,
And the blanket and screen are ready to draw—(Keep step, One Hundred and Three!)
‘What were you doing, One Hundred and Three?’ and the answer is ‘Three years hard,
And a month to go’—and the whisper is low: ‘There’s the moonlight—out in the yard.’
The drums, they are beating far and low, and the footstep’s light and free,
And the angels are whispering over his bed: ‘Keep step, One Hundred and Three!’

Mostly Slavonic

I.—
Peter Michaelov

It was Peter the Barbarian put an apron in his bag
And rolled up the honoured bundle that Australians call a swag;
And he tramped from Darkest Russia, that it might be dark no more,
Dreaming of a port, and shipping, as no monarch dreamed before.
Of a home, and education, and of children staunch and true,
Like my father in the fifties—and his name was Peter, too.
(He could build a ship—or fiddle, out of wood, or bark, or hide—.
Sail one round the world and play the other one at eventide.)

Russia’s Peter (not my father) went to Holland in disguise,
Where he laboured as a shipwright underneath those gloomy skies;
Later on he went to England (which the Kaiser now—condemns)
Where he studied as a ship-smith by old Deptford on the Thames—
And no doubt he knew the rope-walk—(and the rope’s end too, he knew)—
Learned to build a ship and sail it—learned the business through and through.
And I’d like to say my father mastered navigation too.
(He was born across in Norway, educated fairly well,
And he grafted in a ship-yard by the Port of Arundel.)

“Peter Michaelov” (not Larsen) his work was by no means done;
For he learned to make a ploughshare, and he learned to make a gun.
Russian soldiers must have clothing, so he laboured at the looms,
And he studied, after hours, building forts and building booms.
He would talk with all and sundry, merchants and adventurers—
Whaling men from Nova Scotia, and with ancient mariners.
Studied military systems (of which Austria’s was the best).
Hospitals and even bedlams—class distinctions and the rest.

There was nothing he neglected that was useful to be known—
And he even studied Wowsers, who had no creed of his own.
And, lest all that he accomplished should as miracles appear,
It must always be remembered he’d a secret Fund for Beer.
When he tramped to toil and exile he was only twenty-five,
With a greater, grander object than had any man alive.
And perhaps the lad was bullied, and was sad for all we know—
Though it isn’t very likely that he’d take a second blow.
He had brains amongst the brainless, and, what that thing means I knew,
For before I found my kingdom, I had slaved in workshops too.

But they never dreamed, the brainless, boors that used to sneer and scoff,
That the dreamy lad beside them—known as “Dutchy Mickyloff”—
Was a genius and a poet, and a Man—no matter which—
Was the Czar of all the Russias!—Peter Michaelovich.


Sweden struck ere he was ready—filled the land with blood and tears—
But he broke the power of Sweden though it took him nine long years.
For he had to train his army—He was great in training men—
And no foreign foe in Russia have had easy times since then.

Then the Port, as we must have one—His a work of mighty drains—
(Ours of irrigation channels—or it should be, on the plains).
So he brought from many countries strong adventures with brains.
It was marshes to horizons, it was pestilential bogs;
It was stoneless, it was treeless, so he brought Norwegian logs.
’Twas a land without a people, ’twas a land without a law;
But the lonely Gulf of Finland heard the axe and heard the saw;
He compelled the population to that desert land and lone—
Shifted them by tens of thousands as we’ll have to shift our own.
He imported stone and mortar (he supplied the labouring gang),
Brought his masons from all Russia—let the other towns go hang;
Brought his carpenters from Venice—they knew how to make a port!
Till he heard the church bells ringing in the town of Petersfort!
Brought his shipbuilders from Holland, built his navy feverishly—
Till the Swedish fleet was shattered and the Baltic routes were free,
And his Port was on the Neva and his Ships were on the sea!


Petrograd upon the Neva! and the Man who saw it through!—
Stately Canberra on the Cotter!—and the men who build it too!

Russian Peter was “inhuman,” so the wise historians say—
What’s the use of being human in a land like ours to-day,
Till a race of stronger people wipe the Sickly Whites away?
Let them have it, who will have it—those who do not understand—
“Peter lived and died a savage”—but he civilized the land.
And, as it is at present, so ’twas always in the past—
’Twas his nearest and his dearest that broke Peter’s heart at last.


He was more than half a heathen, if historians are true;
But he used to whack his missus as a Christian ought to do—
And he should have done it sooner—but that trouble isn’t new.
We’d have saved a lot of bother had we whacked our women, too.
Peter more than whacked his subjects, ere the change was brought about.
And, in some form or another, we shall have to use the knout,
If we wish to build a nation—else we’ll have to do without.
And be wretched slaves and exiles, homeless in the Southern Sea,
When an Asiatic Nation hath “rough hewn” our destiny.

II.—
The Brandenburgers

Things have been mixed up in Europe till there’s nothing in a name,
So it doesn’t really matter whence the Brandenburgers came;
But they did no pioneering as our fathers did of old—
Only bullied, robbed and murdered till they bought the land with gold.
And they settled down in Prussia to the bane of Germany,
With a spike upon the helmet where three brazen balls should be.
And they swaggered, swigged and swindled, and by bullying held sway,
And they blindly inter-married till they’re madmen to this day.
And the lovely nights in Munich are as memories of the dead;
Night is filled with nameless terrors, day is filled with constant dread.
But Bavaria the peaceful, ere the lurid star is set,
She shall lead her neighbours on to pluck the Prussian Eagles yet.

We’ll pass over little Denmark, as the brave historians can,
Austria suffered at Sadowa, France was sorry at Sedan.
And for England’s acquiescence in the crime she suffers too.
Meanwhile Denmark drained her marshes, planted grain and battled through.
(We, who never knew what war is—who had gold without the pain—
Never locked a western river that might save a western plain.)
You may say the Danes were pirates, and so leave them on the shelf?
Given youth and men and money, I would pirate some myself!
Why should I be so excited for another nation’s pains?
I am prejudiced and angry, for my forefathers were Danes.
What have I to do with nations? Or the battle’s lurid stars?—
I am Henry, son of Peter, who was Peter, son of Lars;
Lars the son of Nils—But never mind from whence our lineage springs—
Yes, my forefathers wore helmets, but their helmets wore the wings—
(There’s a feather for your bonnet, there is unction for your souls!)
And the wings bore us to England, and Australia and the Poles.
What did we for little Denmark? Well, we sent our thousands through;
But, without the guns or money, what could Scandinavia do?
(It is true of some Australians, by the sea or sandwaste lone,
That they hold their father’s country rather dearer than their own.
But the track is plain before them, and they know who blazed the track,
To the work our Foreign Fathers did in Early Days, Out Back.
As a mate can do no mean thing in the bushman’s creed and song,
So a fellow’s father’s country [seems to me] can do no wrong.)

Where was I? The Wrong of Denmark—or the chastening of her soul?
And perhaps her rulers “got it” where ’twas needed, on the whole.
’Twas the gentlemen of Poland crushed the spirit of the Pole,
Till he didn’t care which nation he was knouted by, and served;
So the gentlemen of Poland got wiped out, as they deserved.
Freedom shrieked (where was no freedom), and perhaps she shrieked for shame.
But let Kosciusko slumber—we’ve immortalised his name.
By the poets and the tenors have our tender souls been wrenched;
And, on many a suffering Christian, Polish Jews have been avenged.




III.—
The Blue Danube

Where the skies are blue in winter by the Adriatic Sea,
And the summer skies are bluer even than our own can be;
In the shadow of a murder, weak from war and sore afraid;
By the ocean-tinted Danube stood the city of Belgrade.
Danube of the love-lit starlight, Danube of the dreamy waltz—
And Belgrade bowed down in ashes for her crimes and for her faults.
And the Prussian-driven Austrians who’d been driven oft before,
From Vienna’s cultured city marched reluctantly to war.

Just to clear a path for Prussia, and her bloodhounds to the sea;
To the danger of the white world and the shame of Germany.
And a blacker fate than Belgium’s stared the Servians in the face.
But Belgrade had many soldiers of the old Slavonic race,
And her gun-crews manned the Danube, small and weak, but undismayed—
And Belgrade remembered Russia, and she called on her for aid.


And there came a secret message and a sign from Petrograd,
And the Servian arm was strengthened and the Servian heart was glad.
For the message in plain English, from the City of Snow,
Simply said: “I’m sending Ivan by the shortest route I know.”
So then Servia bid defiance, for she knew her friend was true;
And her guns along the Danube added blue smoke to the blue.



IV.—
The Peasantry

Who are these in rags and sheepskin, mangy fur-caps, matted hair?
Who are these with fearsome whiskers, black and wiry everywhere?
Who are these in blanket putties—canvas, rag, or green-hide shoes?
These with greasy bags and bundles grimy as the Russian flues?
Never song nor cheer amongst them, never cry of “What’s the News?”
Packed on cattle-trains and ox-carts, from the north and south and east;
Trudging from the marsh and forest, where the man is like the beast?
On the lonely railway platforms, bending round the village priest;
Here and there the village scholar, everywhere the country clowns?
They’re reservists of old Russia pouring in to Russian towns!


Women’s faces, gaunt and haggard, start and startle here and there,
White and whiter by the contrast to the shawls that hide their hair.
Black-shawled heads—the shrouds of sorrow! Eyes of Fear without a name!
Through the length and breadth of Europe, God! their eyes are all the same!
Famous Artist of the Present, wasting Art and wasting Life,
With your daughters for your models, or your everlasting wife—
With your kids for nymphs and fairies, or your Studies in “the Nood”—
Exercise imagination, and forget your paltry brood!
Take an old Bulgarian widow who has lost her little store,
Who has lost her sons in battle, paint her face, and call it “War.”



V.—
The Russian March

Russian mist, and cold, and darkness, on the weary Russian roads;
And the sound of Russian swear-words, and the whack of Russian goads;
There’s the jerk of tightened traces and of taughtened bullock-chains—
’Tis the siege guns and the field guns, and the ammunition trains.
There’s the grind of tires unceasing, where the metal caps the clay;
And the “clock,” “clock,” “clock” of axles going on all night and day.
And the groaning undercarriage and the king pin and the wheel,
And the rear wheels, which are fore wheels, with their murd’rous loads of steel.

Here and there the sound of cattle in the mist and in the sleet,
And the scrambling start of horses, and the ceaseless splosh of feet.
There’s the short, sharp, sudden order such as drivers give to slaves,
And a ceaseless, soughing, sighing, like the sound of sea-worn caves
When a gale is slowly dying and the darkness hides the waves,
And the ghostly phosphorescence flashes past the rocky arch
Like the wraiths of vanished armies. . . . It is Ivan on the march!
’Tis an army that is marching over other armies’ graves.


“Halt!”
Clamp of bits and gathering silence—here and there a horse’s stamp;
Sounds of chains relaxed, and harness, like the teamsters come to camp.
Sounds of boxes moved in waggons, and of axes on a log—
And the wild and joyous barking of the regimental dog!
Sounds of pots and pans and buckets, and the clink of chain and hook—
And the blasphemous complaining of the Universal Cook.
Mist and mist and mellowed moonlight—night in more than ghostly robes;
And the lanterns and the camp fires like dim lights in frosted globes.
Silence deep of satisfaction. Sounds of laughter murmuring—
And the fragrance of tobacco! Are you Ivan? Ivan! Sing!

“I am Ivan! Yes, I’m Ivan, from the mist and from the mirk;
From the night of “Darkest Russia” where Oppression used to lurk—
And it’s many weary winters since I started Christian work;
But you feared the power of Ivan, and you nursed the rotten Turk.
Nurse him now! Or nurse him later, when his green-black blood hath laved
Wounds upon your hands and “honour” that his gratitude engraved;
Poison teeth on hands that shielded, poison fangs on hands that saved.

“No one doubted Ivan’s honour, no one doubted Ivan’s vow,
And the simple word of Ivan, none would dream of doubting now;
Yet you cherished, for your purpose, lies you heard and lies you spread,
And you triumphed for a Spectre over Ivan’s murdered dead!
You were fearful of my power in the rolling of my drums—
Now you tremble lest it fail me when To-morrow’s Morrow comes!

I had sought to conquer no land save what was by right my own—
I took Finland, I took Poland, but I left their creeds alone.
I, the greater, kindlier Tyrant, bade them live and showed them how—
They are free, and they are happy, and they’re marching with me now—
Marching to the War of Ages—marching to the War of Wars—
Hear the rebel songs of Warsaw! Hear the hymn of Helsingfors!
From the Danube to Siberia and the northern lights aflame.
Many freed and peaceful millions bless the day when Ivan came.
Travel through the mighty Russland—study, learn and understand
That my people are contented, for my people have their land.

“It was spring-time in Crimea, coming cold and dark and late,
When I signed the terms you offered, for I knew that I could wait;
When I bowed to stronger nations or to Universal Fate.
And the roofs of guiltless kinsmen blazed across my frontiers still,
Where the bloody hordes of Islam came to ravish, rob and kill;
And the lands were laid in ashes over many a field and hill;
And the groans of tortured peasants (dreaming yet and sullen-mad)—
And the shrieks of outraged daughters echoed still in Petrograd;
So we taught and trained and struggled, and we cursed the Western Powers,
While we suffered in the awful silence of your God, and ours.

“For the safety of the White Race and the memory of Christ,
Once again I marched on Turkey, only to be sacrificed,
To the Sea-Greed of the Nations, by the pandering of the weak,
And the treachery in Athens of the lying, cheating Greek.
Once again I forced the Balkans over snow and rock and moss,
Once again I saw the passes stormed with unavailing loss;
Once again I saw the Crescent reeling back before the Cross,
And the ships of many nations on the billows dip and toss.

Once again my grey battalions, that had come with Christian aid,
Stood before Constantinople! Ah, you wish that we had stayed!
But the Powers raised their fingers, fearful even once again,
With the jealous fear that lingers even now (and shall remain);
Frigid as the polar regions were your hearts to others’ pain—
So I dragged my weary legions back to Russia—once again.

“Thrice again they raised their fingers when I came with purpose true,
And I bowed and smirked and grovelled as I had been used to do.
Till my kin in bloody visions saw their homes in ruins laid
From the Danube to the ocean, from the ocean to Belgrade;
I was ready, for the last time, when they called on me for aid.

From the Dardanelles, denied me, shall my outward march be set;
And you’ll see my fleets of commerce sail the Adriatic yet.”

Grey Day
.
Daybreak on the world of Europe! Daybreak from the Eastern arch;
Hear the startling sound of bugles! Load and limber up and march!
On! for Ivan and his children, Peace and Rest and Morning Star!
On for Truth and Right and Justice. On for Russia and the Czar!

Joseph’s Dreams And Reuben's Brethren [a Recital In Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.
And that he grafted not but crowed,
You don’t need to be told,
And he was mighty cocky, with
His “Lo!” and his “Behold!”

He took in all his brothers said,
And went and told his Dad,
And then, when someone split on him,
No wonder they were mad.
But still he wasn’t satisfied,
And it would almost seem
He itched to rile his brethren, for
He went and dreamed a dream,

And told it to his brothers straight
(So Genesis believes):—
“Lo! we were working in the field,
And we were binding sheaves,
And my sheaf rose and stood upright,
And, straightway, for a sign,
Your sheaves came round about and made
Obeisance to mine!”

The brethren stared and made comment
In words that were not mild,
And when the meaning dawned on them
You bet that they were wild!
And Joseph left those angry men
To boil and blow off steam,
And ambled, chuckling, home agen
To dream another dream.

“Behold! I’ve dreamed a dream once more!”
He told ’em, frank and free—
“The sun, moon, and eleven stars
Have likewise bowed to me!”
(Perhaps Astronomy has changed
Since Joseph saw the light,
But I have wondered what the sun
Was doing out at night.)

And when they dropped!—you never heard,
In sheds or shanty bars,
Such awful language as escaped
From those eleven stars.
You know how Jacob-Israel loved
His hopeful youngest pup;
But, when he heard the latest dream,
It shook the old man up.

But Joseph talked his father round,
Who humoured every whim
(Perhaps old Jacob half-believed
They would bow down to him):
But, anyway, as always was,
He backed the youngest son,
And sent the others with the sheep
Out to the Check-’em run.



CHAPTER II

Now Jacob, with that wondrous tact
That doting parents show,
Or, anxious for his sons out back,
Sent, of all others, Joe!
To see if it was well with them
(And they were not asleep),
With one eye on his brothers’ camp,
And one eye on the sheep.

He drew a blank on Check-’em run—
Got bushed, too, you’ll be bound.
A certain cove—there’s always one—
Saw Joseph mooning round.
He asked him how it came to pass,
And what it was about,
And said, “They’re trav-lin’ now for grass
In Doothen—further out.”

He also muttered, “Strike me blue!”
While staring at the clothes—
He’d never seen a jackaroo
With such a coat as Joe’s.
He set the nameless on the track,
And scratched his head to think,
But gave it best, and, riding back,
Said firmly, “Strike me pink!”

’Twas blazing hot in Doothen then,
The sweat ran down in streams—
It melted out the memory
Of even Joseph’s dreams!
They’d had some trouble with the sheep,
Some Arabs and a “shirk”—
It was a favourable time
For Joe to get to work.

They saw him coming, “afar off”—
In this case, you might note,
Their eyesight wasn’t wonderful,
Considering the coat.
And what with sheep, and dust, and flies,
And damned shirks in the swim
With sheep stealers, the brethren were
For absenteeing him.

And, add to that, he scared the kine
With his infernal coat—
They trampled on the sheep and swine
And startled every goat.
The brethren had to round up then
As fast as ass could go,
And when they got to camp agen
They’d fixed it up for Joe.

Save poor old Rube—he had the blight,
But, grafting all the same,
He only looked on family rows
As just a blooming shame.
Like many an easy-going man,
He had a cunning soul.
He said, “We will not kill the kid,
But shove him in a hole,

And leave him there to dream o’ things”—
There’s not the slightest doubt
He meant to slip round after dark
And pull the youngster out,
And fill his gourd and tucker-bag,
And tell him “Not to mind”,
And start him on the back-track with
A gentle kick behind.

Some ’Tothersider prospectors
Had been there poking round;
You may depend that Reuben knew
’Twas “dry and shallow ground”.
They dropped young Joseph in a hole—
The giddy little goat—
And left him there, to cool his heels,
Without his overcoat.

(Don’t think that Moses, such a whale
On dry facts, thought it wet
To say, when they’d chucked Joseph in,
It was an empty pit!
So many things are preached and said
Where’er the Bible is
To prove that Moses never read
The “proofs” of Genesis.)

But let’s get on. While having grub,
A brethren sniffed and “seen”
Some Ishmaelites pass through the scrub—
Or O-asses, I mean.
They’d been right out to Gilead—
A rather longish trip—
For camel-loads of balm, and myrrh,
And spicery for ’Gyp.

(I’ve often seen the Afghans pass
With camel strings out back,
And thought ’twas somewhat similar
On that old Bible track.
I don’t know much of balm and myrrh,
Whatever they may be,
But e’en when sheepskins were not there,
I’ve smelt the spicery.)

It was the same in Canaan then
As it is here to-day:
A sudden thought jerked Judah up
For “brofit “ straight away.
The brethren got on one end too
When Judah jumped and said,
“We’ll sell the kid for what he brings!
He’s no good when he’s dead.”

And, to be short, they being Jews—
The “chosing” of the earth—
They sold him to the Ishmaelites
For more than twice his worth.
(Some Midianitish auctioneers
Were also on the job.)
’Twas “twenty bits of silver”, which
I s’pose was twenty bob.

So they most comfortably got
Young Joseph off their hands,
For Ishmael never bothered much
About receipts or brands.
(They spake not of his dreams and cheek,
His laziness, or “skite”;
No doubt they thought the Ishmaelites
Would see to that all right.)

Then Reuben came; he’d been around
To watch the sheep a bit,
And on his way back to the camp
He slipped round by the pit
To give young Joe a drink. He stared,
And, thinking Joe was dead,
He rent his gown like mad, and ran
For ashes for his head.

(As if that would do any good!
I only know that I
Cannot afford to rend my clothes
When my relations die.
I don’t suppose they would come back,
Or that the world would care,
If I went howling for a year
With ashes in my hair.)

You say he counted on a new
Rig-out? Yes? And you know
That Jacob tore his garment too,
So that old cock won’t crow.
Look here! You keep your smart remarks
Till after I am gone.
I won’t have Reuben silver-tailed—
Nor Pharaoh, later on.

The brethren humbugged Reuben well,
For fear he’d take the track,
And sneak in on the Ishmaelites,
And steal young Joseph back,
Or fight it out if he was caught,
And die—as it might be—
Or, at the best, go down with Joe
And into slavery.

Young Simeon slipped into the scrub,
To where the coat was hid,
And Judah stayed and wept with Rube,
While Levi killed a kid.
So they fixed up the wild-beast yarn,
And Hebrews sadly note—
Considering the price of cloth—
They had to spoil the coat.

(There was a yam about old Rube
That all true men despise,
Spread by his father’s concubines—
A vicious strumpet’s lies.
But I believe old Moses was,
As we are, well aware
That Reuben stood in this last scene
The central figure there.)

I feel for poor old Israel’s grief,
Believing all the same
(And not with atheist unbelief)
That Jacob was to blame.
’Twas ever so, and shall be done,
While one fond fool has breath—
Fond folly drives the youngest son
To ruin and to death.


The caravan went jogging on
To Pharaoh’s royal town,
But Genesis gives no account
Of Joseph’s journey down.
I wouldn’t be surprised to hear
He found it pretty rough,
But there’s a bare chance that his hide,
As well as cheek, was tough.



I see them toiling through the heat,
In patches and in dirt,
With sand-grooved sandals on their feet,
And slaves without a shirt—
The dust-caked thirst, the burning ground,
The mad and maddening flies,
That gathered like black goggles round
The piccaninnies’ eyes.


The Ishmaelites had tempers brief,
And whips of hide and gut,
And sometimes, p’raps, for Hagar’s sake,
Gave Joe an extra cut.
When, fainting by the way, he felt
The stimulating touch,
I have no doubt he often wished
He hadn’t dreamed so much.


He didn’t dream much on that trip,
Although he thought a lot.
However, they got down to ’Gyp
In good time, where he got
A wash and rest—he needed both—
And in the old slave-yard
Was sold to Captain Potiphar,
Of Pharaoh’s body-guard.



INTERLUDE

I PAUSE to state that later on
(And it seems worth the halt)
Smart Judah gat into a mess,
Though it was not his fault.
And I would only like to say,
In this most thankless task,
Wives sell to husbands every day,
And that without a mask.

But, what with family rows and drought,
And blessed women too,
The fathers of terrestrial tribes
Had quite enough to do.
They had to graft both day and night,
With no rest, save the last,
For when they were not grafting they
Were populating fast.



CHAPTER III

The Captain was a casual man,
But seemed a shrewd one too;
He got young Joseph’s measure soon,
And saw what he could do.
The Lord was with Joe, Moses said—
I know that Joe had pluck—
But I believe ’twas mostly check,
And his infernal luck.

The Captain made him manager,
Housekeeper, overseer,
And found that this arrangement paid—
That much at least is clear.
And what with merchants, clerks, and slaves,
Joe led a busy life,
With one eye on the maid-servants,
And “Jeames” and Potty’s wife.

The Captain seemed a casual man,
And “’Gyp” was on the glide:
There was a growing tendency
To live and let things slide.
He left all things in Joseph’s hands—
According to old Mose—
And knew not what he had besides
His tucker and his clothes.

I guess he had a shrewd idea,
For it is now, as then—
The world most often makes mistakes
With easy-going men.
The Captain often went away
For quietness and rest,
And, maybe, for some other things—
Well, Potiphar knew best.

Perhaps the missus knew it too—
At least, she should have known—
And Joe was handsome, strange, and new,
And she was much alone.
It seems a funny business now,
But I was never there—
Perhaps so long as cheques came in
The Captain didn’t care.

’Tis strange that Moses, such a whale
On details out of joint,
Should always come, in such a case,
So bluntly to the point.
He says Joe had a goodly form—
Or person it should be—
He says that she cast eyes on Joe,
And she said, “Lie with me.”

It took young Joseph sudden like.
He’d heard, while on the run,
Of other women who could lie,
And in more ways than one;
Of men who had been gaoled or hanged—
As they are here to-day—
(Likewise of lovers who were banged),
And so he edged away.

She never moved, and so he stayed
While she was there to hear,
For his infernal vanity
Was stronger than his fear.
He bragged his opportunity,
His strength, and godliness:
“There is no greater in the house
Than I.” (She made him less.)

’Twas cant to brag of purity
And right in that household,
For what was he if not a slave,
And basely bought and sold?
Unmanly for a man to treat
A love-starved woman so,
And cowardly to humiliate
A spirit thrust so low.

She knew that Joseph was a spy
On her and all the rest,
And this, with his outspoken “scorn”,
Made reasons manifest.
She had her passions (don’t be shocked,
For you have yours, no doubt),
And meant to take young Joseph down
And pay her husband out.

He was a slave, and bought and sold,
And I will say right here
His preaching was too manifold
And glib to be sincere,
When youth and “looks” turn goody-good—
You’ll see it at a glance—
They have one eye to woman’s help
And both on the main chance.

Now, had old Rube been in his place
(All honour to his name),
I’ll swear he would have taken things
Exactly as they came,
And kept it dark—or fought it out,
As the ungodly can—
But, whatsoe’er he might have done,
He would have been a man!

Howbeit, the missus stuck to Joe,
Vindictive, vicious, grim,
And bore his sermons and rebuffs
Until she cornered him. . . .
He left his garment in her hand,
And gat him out of that. . . .
About the merits of the case
I’ll say no more—that’s flat.

(He knew all right what she was at,
And Potiphar was out,
He went alone into the house
When no one was about.
He may have been half-drunk or mad,
He certainly was blind,
To run no further than the yard,
And leave his coat behind!)

But, seeing how our laws are fixed,
If I get in such dirt,
I’ll straightway get me out of that
If—I’ve to leave my shirt.
But I will keep the running up,
If I have common-sense,
Nor stop this side of Jericho
To think of my defence.

Joe should have streaked for Suez straight,
And tried his luck in flight
For Canaan, where they looked on things
In quite another light.
Old Jacob had experience,
And he’d have stuck to Joe.
He was a match for women’s lies
That flabbergast us so.

The missus told the self-same tale,
And in the self-same way,
As our enfranchised females do
In police courts every day.
Too cowardly to breathe a breath
Against the vilest rip,
We send straight men to gaol or death,
Just as they did in ’Gyp.

Now, Potiphar was wondrous mild—
Suspiciously, to say
The least. He didn’t operate
On Joseph straight away.
Perhaps he knew his wife no less
Than Joe, yet had regard
For his own peace and quietness—
So Joe got two years’ hard.



CHAPTER IV

The Lord was with him, Moses said,
Yet his luck didn’t fail,
For he got on the right side of
The governor of the gaol.
Perhaps he’d heard of Mrs P.,
And cases like to Joe’s,
And knew as much of woman’s work
As anybody knows.

He made Joe super-lag—a sort
Of deputy-retained
(The easy-going tendency
In Egypt seemed ingrained)—
Left everything in Joseph’s hands,
Except, maybe, the keys;
And thereafter he let things slide,
And smoked his pipe in peace.

Now Pharaoh had some trouble with
His butler and his cook,
But Pharaoh seemed most lenient
With asses bought to book—
He didn’t cut the weak end off
Each absent-minded wretch,
But mostly sent the idiots up
To “chokey” for a “stretch”.

They found themselves in Joseph’s care,
And it would almost seem
They’d got wind of his weaknesses,
For each one dreamed a dream.
“They dreamed a dream; both of them. Each
Man his dream in one night:
Each man according to his dream”
(And his own dream)—that’s right.

Next morning they made up their “mugs”,
And Joseph, passing through,
Asked them if they were feeling cronk,
And why they looked so blue?
They told him they had dreamed two dreams
(One each), and any dunce
Can understand how such remarks
Would int’rest Joe at once.

And there was no interpreter,
They said—and that was why
Joe said that that belonged to God—
But he would have a try.
I’ve noticed this with “Christians” since,
And often thought it odd—
They cannot keep their hands from things
They say belong to God.

The butler dreamed—or, anyway,
He said so (understand)—
He’d made some wine in Pharaoh’s cup,
And placed it in his hand—
And Pharaoh placed the wine inside,
I s’pose. But, anyways,
There were three branches in the dream,
Which were, of course, three days.

The butler might have one again,
And Joseph, going strong,
By evil chance get wind of it,
And diagnose it wrong!
The cook had been the butler’s mate,
And he thought (was it odd?)
That nightmare students such as Joe
Were safer far in quod.

He did repent him of his fault—
Though it was rather late—
For Pharaoh’s dreams had called a halt,
A reason of some weight.
The butler hoped to score, but ’twas
A risky thing to do,
And you will wonder, later on,
If Joe “forgat” him too.

’Twas plain to any fool, so Joe
Said: “Yet within three days
Shall Pharaoh lift thine head up, and
Restore thee to thy place.
Thou shalt deliver Pharaoh’s cup
Into his hand once more.
(And he shall drink the liquor down
Just as it was before.)

“But promise, when thou art all right,
And nothing is amiss,
To speak to Pharaoh of my case,
And get me out of this.
For I was kidnapped, likewise gaoled,
For nothing that I know.”
(And, granting his celibacy,
’Twould seem that that was so.)

The cook, he was a godless cook,
But quietly he stood,
’Til Joseph’s inspiration came—
And he saw it was good.
And then his dream he did unfold,
All straight and unrehearsed
(Without a “Lo!” or a “Behold!”
Or windmill business first):

“I’d three old baskets on me ’ed—
Now I ain’t tellin’ lies!—
The top ’un full of fancy bread
An’ pork ’n’ kidney pies.
I didn’t bother looking up,
For it was blazin’ ’ot—
There come a flock of crimson crows
And scoffed the bleedin’ lot.”

The cook he was a clever cook,
But he’d been on the spree—
He put the case as man to man,
And put it frank and free.
He patted Joseph on the back,
Told him to go ahead,
And Joseph met the cook half way,
And (man to man) he said:

“Within three days shall Pharaoh lift
Thine head from off of thee,
And he shall hang thee by the heels
To the most handy tree.
A flock of crows shall pick thy bones
(And, to be trebly sure,
His slaves shall pound them up with stones
And use them for manure).”

The butler passed an anxious night—
He wanted matters fixed—
For what if Joe’s prescriptions should
By some fool chance get mixed?
The cook—who was a careless cook—
Wrote scoff words on the wall,
But, when the time was up, he wished
He hadn’t dreamed at all.

And Pharaoh gave a feast—he’d got
Another chef this trip—
And his old butler he restored
Unto his butlership;
But hanged the cook. And after that—
Or this is how it seems—
The butler straight away forgat
Young Joseph and his dreams.

And maybe he was wise, for all
That anybody knows,
He’d seen the headless baker hanged,
And picked clean by the crows.
It struck him, too, when looking back
While calm and free from cares,
That Joseph had an off hand way
Of fixing up nightmares.


CHAPTER V

The gaol did Joseph little good,
Except by starts and fits,
But saved old Egypt for a while,
And brightened up his wits.
And, lest you thought me most unjust
In matters lately gone,
You read and know how holy Joe
Sold Egypt later on.

Her weather prophets were as good
As ours are, every bit,
But Pharaoh took to dreaming dreams,
And made a mess of it.
(And but for that—I do not care
What anybody thinks—
I’d not have lost my overcoat,
And watch and chain, and links.)

Now Joseph’s and the prisoners’ dreams
Were plain as dreams could be,
And more especially Pharaoh’s dreams,
As far as I can see—
The same man who invented them
Could well have read them too,
But any third-rate showman knows
That that would never do.

There must be “Lo’s”, “Beholds”, and “Yets”,
And “It must come to pass”,
’Til floods are gone, and tanks are dry,
And there’s no crops nor grass.
And “Likewise”, “Alsoes”, “Says unto”,
And countless weary “Ands”,
Until Japan sends Chinamen
To irrigate the lands.

And Pharaoh must take off his ring
(The one from off his hand),
To put upon Joe’s little fin,
That all might understand.
And they must ride in chariots,
Have banquets everywhere,
And launch trips up the Hawkesbury,
To see Australia there.

(I dreamed last night that cattle fed
Along the river flats,
They bore the brands of all the States,
And looked like “Queensland fats”.
And lo! a mob of strangers came,
All bones, from horn to heel,
But they had nostrils breathing flame,
And they had horns of steel.

I dreamed that seven sheep were shorn
That went by seven tracks,
And strove to live the winter through
With sackcloth on their backs.
And lo! I dreamed, from east and west
There came two blades of heat—
One blackened all the towns like fire,
Like drought one burnt the wheat.

A black slave and a white slave laid
A golden carpet down,
And yellow guards stood round about,
And he that came was brown.
Men slaved beneath the whip in pits,
Who now slave willingly—
They sold their birthright for a “score”.
Now read those dreams for me!)

But Joseph fixed up Pharaoh’s dreams
As quick as I can tell—
And, for Australia’s sake, I wish
That mine were fixed as well,
And nationalized from trusts and rings
And shady covenants;
But—we have thirteen little kings
Of thirteen Parliaments.

The years of plenty soon run out,
And, from the cricket score,
We’ll turn to face the years of drought
And might-be years of war.
With neither money, men, nor guns,
With nothing but despair—
But I get tired of printing truths
For use—no matter where.

Joe said to seek a wise man out,
And Pharaoh took the Jew—
Adventurers fix up our dreams,
And we elect them too.
I mean no slur on any tribe
(My best friend was a Yid),
But we let boodlers shape our ends,
And just as Pharaoh did.

But Joseph did spy out the land,
If not for his own good
(He only boodled on the grand,
It must be understood).
He made a corner first in wheat,
And did it thoroughly—
No “trust” has ever seen since then
So great a shark as he.

And when the fearful famine came,
And corn was in demand,
He grabbed, in God’s and Pharaoh’s name,
The money, stock, and land.
(He knew the drought was very bad
In Canaan; crops were gone;
But never once inquired how his
Old Dad was getting on.)



CHAPTER VI

And after many barren years
Of spirit-breaking work,
I see the brethren journeying down
From Canaan’s West-o’-Bourke
And into Egypt to buy corn—
As, at this very hour,
My brethren toil through blazing heat
The weary miles for flour.

’Twas noble of our Joseph then,
The Governor of the land,
To bait those weary, simple men,
With “monies” in their hand;
To gratify his secret spite,
As only cowards can;
And preen his blasted vanity,
And strike through Benjamin.

He put a cup in Benny’s sack,
And sent them on their way,
And sent the Pleece to bring ’em back
Before they’d gone a day.
The constable was well aware
Of Joseph’s little plan,
And most indignant when he caught
The wretched caravan.

He yelped: “Have such things come to pass?
Howld hard there! Jerk ’em up!
Put down yer packs from every ass,
And fork out Phairey’s cup!
It makes me sick, upon my soul,
The gratichood of man!
Ye had the feast, and then ye shtole
His silver billy-can.”

They swore that they had seen no cup,
And after each had sworn
They said the sandstorm coming up
Would simply spoil the corn.
They begged that he would wait until
They reached the nearest barn.
He said, “O that’s a wind that shook
The barley sort of yarn!

“(Now I’m no sergeant, understand—
Ye needn’t call me that—
Oi want no sugar wid me sand
Whin Joseph smells a rat.)
Take down yer sacks from off yer backs—
The other asses too—
And rip the neck of every sack—
The boys will see yer through.”

The cup was found in Benjamin’s,
As all the world’s aware—
The constable seemed most surprised,
Because he’d put it there.
“A greenhorn raised on asses’ milk!
Well, this beats all I know!”
And then, when he had cautioned them,
He took the gang in tow.

And when they started out to rend
Their turbans and their skirts,
He said, “Ye drunken lunatics,
Ye needn’t tear yer shirts—
Ye’re goin’ where there’s ladies now,
So keep yer shirts on, mind.
(The Guvnor got in trouble wanst
For leavin’ his behind.)”

And Joseph gaoled and frightened them.
(The “feast” was not amiss:
It showed him most magnanimous
With all that wasn’t his.)
He took some extra graveyard pulls
At his old Dad’s grey hairs,
’Til Judah spoke up like a man—
And spoke up unawares.

Then Joseph said that he was Joe,
With Egypt in his clutch—
You will not be surprised to know
It didn’t cheer them much.
And when he saw they were afraid,
And bowed beneath the rod,
He summoned snuffle to his aid,
And put it all on God.

And now the brethren understood,
With keen regret, no doubt,
That sin is seldom any good
Unless it’s carried out.
For after that heart-breaking trip
Across the scorching sands
They found themselves in Joseph’s grip,
With Benny on their hands.

(Poor Reuben, to persuade his dad
To let the youngster come,
Had left his own sons’ lives in pledge
For Benjamin, at home.
But life is made of many fires
And countless frying-pans—
As fast as we get rid of Joe’s
We’re plagued by Benjamin’s.)

Joe had a use for them, so he
Bade them to have no fear.
He said to them, “It was not you,
But God, who sent me here.
He sent me on to save your lives;
He hath sent you to me,
To see to you and all your wives,
And your posterity.

“The Lord God hath exalted me,
And made me His right hand—
A father unto Pharaoh, and
A ruler in the land,
And likewise lord of Egypt”—
He said a few things more,
And then he got to business straight—
I’ve heard such cant before.

Those who have read will understand
I never mean to scoff,
But I hate all hypocrisy
And blasted showing-off.
How cunningly our holy Joe
Fixed up his tribe’s affairs
For his own ends, and sprang the job
On Pharaoh unawares.

“The fame was heard in Pharaoh’s house,”
Where peace and kindness thrived,
Saying, “Joseph’s brethren are come”
(Joe’s brothers have arrived).
And Pharaoh heard, and was well pleased,
For he was white all through.
(And Moses says, without remark,
It pleased the servants too.)

But Pharaoh promptly put an end
To Joseph’s mummery.
He said, “Send waggons up, and bid
Thy people come to me.
Thou art commanded! Furnish them
With money and with food;
And say that I will give them land,
And see that it is good.”

And Jacob’s sons chucked up their runs
With blessings short and grim,
And Jacob took the stock and gear
And all his seed with him.
They sent the family tree ahead,
And Pharaoh read that same
(They found him very tired, ’twas said,
And misty when they came).

And Pharaoh unto Joseph spake
Most kind, though wearily:
“Thy father and thy brethren all
Are now come unto thee;
And Egypt is before thee now,
So in the best land make
Thy father and thy brethren dwell—
The land of Goshen take;

“And there, unhindered, let them thrive,
In comfort let them dwell,
Apart and free. My people love
All shepherds none too well—
But if thou knowest amongst them men
Of proved activity,
Then make them rulers over all
My flocks and herds for me.”

They brought five brethren unto him,
And he was very kind—
Perhaps he looked those brethren through,
And saw what lay behind.
His head he rested on his hand,
And smoothed his careworn brow,
He gazed on Israel thoughtfully,
And asked, “How old art thou?”

And Jacob told him, and was touched.
He said his days were few
And evil. They had not attained
To those his father knew.
But Jacob only had himself,
And no one else, to thank
If Joe had given his grey hairs
A second graveyard yank.

I think that Pharaoh was a man
Who always understood,
But was content to stand aside
If for his people’s good,
And seem not missed the while. He knew
His merits—and no pride—
And ’twas a grievous day for Jew
And Gentile when he died.



You know the rest of Joseph’s tale,
And well the poor Egyptians knew—
House agent on the grand old scale,
He boodled till the land was blue.
He squeezed them tight, and bled them white—
. . . . .
Until a Pharaoh came in sight
Who didn’t know him from a crow.

The Patriarchs, right back from Dad
To where the line begins,
Were great at passing “blessings” on,
Together with their sins.
Old Noah was about the first—
Cursed Ham till all was blue,
But ’twas with some effect he cursed,
And with good reason too.

And when the time had come to pass
For Jacob to be gone,
He polished up his father’s sins
And calmly passed them on.
He called his twelve sons round his bed
(Lest some good might befall),
He called his twelve sons to be blessed,
And cursed them, one and all

Save Joseph; and the rest had cause
To curse him ere they got
The English, who have every day
More cause to damn the lot.
And if they crossed the Red Sea now,
I guess we’d let them go,
With “Satan hurry Kohenstein”
And “God speed Ikey Mo!”

And lest my Jewish friends be wroth—
As they won’t be with me—
I’ll say that there is Jewish blood
In my posterity.
This verse, I trust, shall profit him
When he has ceased to grow—
My firstborn, who was known as “Jim”,
But whose true name is “Joe”.



AFTERWORD

I’ve written much that is to blame,
But I have only sought to show
That hearts of men were just the same
Some forty centuries ago.
All kindness comes with woman’s love—
That which she claims is due to her—
Not man! not man! but God above
Dare judge the wife of Potiphar.

And Jacob shall be ever blind
To reason and posterity,
In that “fond folly” of mankind
That is born of impotency.
No parents’ love or parents’ wealth
Shall ever fairly portioned be,
Faith shall not come, except by stealth,
Nor justice in one family.

And Joseph proved unto this hour—
Just what he was in Holy Writ—
A selfish tyrant in his power,
And, up or down, a hypocrite.
And Joseph still, whate’er befall,
But gives his place to Benjamin,
And Reuben bears the brunt of all,
Though Judah does the best he can.

The hearts of men shall never change
While one man dies and one is born,
We journey yet, though ways seem strange,
Down into Egypt to buy corn.
Some prosper there, and they forget;
And some go down, and are forgot;
And Pride and Self betray us yet,
Till Pharaohs rise that know us not.

But kindliness shall live for aye,
And, though we well our fate deserve,
Samaritans shall pass that way,
And kings like Pharaoh rule to serve.
We’re fighting out of Egypt’s track—
And, ah! the fight is ever grand—
Although, in Canaan or Out Back,
We never reach the Promised Land.