Henry Kendall: Verses about Spring

Peace hath an altar there. The sounding feet
Of thunder and the wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secrets that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.

Where in a green, moist, myrtle dell
The torrent voice rings strong
And clear, above a star-bright well,
I write this woodland song.

The melodies of many leaves
Float in a fragrant zone;
And here are flowers by deep-mossed eaves
That day has never known.

I'll weave a garland out of these,
The darlings of the birds,
And send it over singing seas
With certain sunny words -

With certain words alive with light
Of welcome for a thing
Of promise, born beneath the white,
Soft afternoon of Spring.

The faithful few have waited long
A life like this to see;
And they will understand the song
That flows to-day from me.

May every page within this book
Be as a radiant hour;
Or like a bank of mountain brook,
All flower and leaf and flower.

May all the strength and all the grace
Of Letters make it beam
As beams a lawn whose lovely face
Is as a glorious dream.

And may that strange divinity
That men call Genius write
Some deathless thing in days to be,
To fill those days with light.

Here where the free, frank waters run,
I pray this book may grow
A sacred candour like the sun
Above the morning snow.

May noble thoughts in faultless words -
In clean white diction - make
It shine as shines the home of birds
And moss and leaf and lake.

This fair fresh life with joy I hail,
And this belief express,
Its days will be a brilliant tale
Of effort and success.

Here ends my song; I have a dream
Of beauty like the grace
Which lies upon the land of stream
In yonder mountain place.

BE HIS rest the rest he sought:
Calm and deep.
Let no wayward word or thought
Vex his sleep.
Peace—the peace that no man knows—
Now remains
Where the wasted woodwind blows,
Wakes and wanes.

Latter leaves, in Autumn’s breath,
White and sere,
Sanctify the scholar’s death,
Lying here.

Soft surprises of the sun—
Swift, serene—
O’er the mute grave-grasses run,
Cold and green.

Wet and cold the hillwinds moan;
Let them rave!
Love that takes a tender tone
Lights his grave.

He who knew the friendless face
Sorrows shew,
Often sought this quiet place
Years ago.

One, too apt to faint and fail,
Loved to stray
Here where water-shallows wail
Day by day.

Care that lays her heavy hand
On the best,
Bound him with an iron hand;
Let him rest.

Life, that flieth like a tune,
Left his eyes,
As an April afternoon
Leaves the skies.

Peace is best! If life was hard
Peace came next.
Thus the scholar, thus the bard,
Lies unvext.

Safely housed at last from rack—
Far from pain;
Who would wish to have him back?
Back again?

Let the forms he loved so well
Hover near;
Shine of hill and shade of dell,
Year by year.

All the wilful waifs that make
Beauty’s face,
Let them sojourn for his sake
Round this place.

Flying splendours, singing streams,
Lutes and lights,
May they be as happy dreams:
Sounds and sights;

So that Time to Love may say,
“Wherefore weep?
Sweet is sleep at close of day!
Death is sleep.”

By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain, where moss and the sedges
Touch with their beauty the banks and the ledges;
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.

The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time.
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together
They start up like fairies that follow fair weather,
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.

October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters knee-deep in the grasses to listen,
Where dripping rocks gleam and the leafy pools glisten.
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the morning.

Welcome as waters unkissed by the summers
Are the voices of bell-birds to thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever.
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels whose torrents
Are toned by the pebbles and leaves in the currents.

Often I sit, looking back to a childhood
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion
Lyrics with beats like the heart-beats of passion --
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys,
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.

Take this rose, and very gently place it on the tender, deep
Mosses where our little darling, Araluen, lies asleep.
Put the blossom close to baby -- kneel with me, my love, and pray;
We must leave the bird we've buried -- say good-bye to her to-day;
In the shadow of our trouble we must go to other lands,
And the flowers we have fostered will be left to other hands.
Other eyes will watch them growing -- other feet will softly tread
Where two hearts are nearly breaking, where so many tears are shed.
Bitter is the world we live in: life and love are mixed with pain;
We will never see these daisies -- never water them again.
   . . . . .
Here the blue-eyed Spring will linger, here the shining month will stay,
Like a friend, by Araluen, when we two are far away;
But, beyond the wild, wide waters, we will tread another shore --
We will never watch this blossom, never see it any more.

Girl, whose hand at God's high altar in the dear, dead year I pressed,
Lean your stricken head upon me -- this is still your lover's breast!
She who sleeps was first and sweetest -- none we have to take her place!
Empty is the little cradle -- absent is the little face.
Other children may be given; but this rose beyond recall,
But this garland of your girlhood, will be dearest of them all.
None will ever, Araluen, nestle where you used to be,
In my heart of hearts, you darling, when the world was new to me;
We were young when you were with us, life and love were happy things
To your father and your mother ere the angels gave you wings.

You that sit and sob beside me -- you, upon whose golden head
Many rains of many sorrows have from day to day been shed;
Who, because your love was noble, faced with me the lot austere
Ever pressing with its hardship on the man of letters here --
Let me feel that you are near me, lay your hand within mine own;
You are all I have to live for, now that we are left alone.
Three there were, but one has vanished. Sins of mine have made you weep;
But forgive your baby's father now that baby is asleep.
Let us go, for night is falling, leave the darling with her flowers;
Other hands will come and tend them -- other friends in other hours.

Where Hornby, like a mighty fallen star,
Burns through the darkness with a splendid ring
Of tenfold light, and where the awful face
Of Sydney’s northern headland stares all night
O’er dark, determined waters from the east,
From year to year a wild, Titanic voice
Of fierce aggressive sea shoots up and makes, —
When storm sails high through drifts of driving sleet,
And in the days when limpid waters glass
December’s sunny hair and forest face, —
A roaring down by immemorial caves,
A thunder in the everlasting hills.
But calm and lucid as an English lake,
Beloved by beams and wooed by wind and wing,
Shut in from tempest-trampled wastes of wave,
And sheltered from white wraths of surge by walls —
Grand ramparts founded by the hand of God,
The lordly Harbour gleams. Yea, like a shield
Of marvellous gold dropped in his fiery flight
By some lost angel in the elder days,
When Satan faced and fought Omnipotence,
It shines amongst fair, flowering hills, and flows
By dells of glimmering greenness manifold.
And all day long, when soft-eyed Spring comes round
With gracious gifts of bird and leaf and grass —
And through the noon, when sumptuous Summer sleeps
By yellowing runnels under beetling cliffs,
This royal water blossoms far and wide
With ships from all the corners of the world.

And while sweet Autumn with her gipsy face
Stands in the gardens, splashed from heel to thigh
With spinning vine-blood — yea, and when the mild,
Wan face of our Australian Winter looks
Across the congregated southern fens,
Then low, melodious, shell-like songs are heard
Beneath proud hulls and pompous clouds of sail,
By yellow beaches under lisping leaves
And hidden nooks to Youth and Beauty dear,
And where the ear may catch the counter-voice
Of Ocean travelling over far, blue tracts.

Moreover, when the moon is gazing down
Upon her lovely reflex in the wave,
(What time she, sitting in the zenith, makes
A silver silence over stirless woods),
Then, where its echoes start at sudden bells,
And where its waters gleam with flying lights,
The haven lies, in all its beauty clad,
More lovely even than the golden lakes
The poet saw, while dreaming splendid dreams
Which showed his soul the far Hesperides.

Grey Winter hath gone, like a wearisome guest,
   And, behold, for repayment,
September comes in with the wind of the West
   And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
   While the forest discovers
Wild wings, with the halo of hyaline hours,
   And the music of lovers.

September, the maid with the swift, silver feet!
   She glides, and she graces
The valleys of coolness, the slopes of the heat,
   With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
   She lightens and lingers
In spots where the harp of the evening glows,
   Attuned by her fingers.

The stream from its home in the hollow hill slips
   In a darling old fashion;
And the day goeth down with a song on its lips
   Whose key-note is passion;
Far out in the fierce, bitter front of the sea
   I stand, and remember
Dead things that were brothers and sisters of thee,
   Resplendent September.

The West, when it blows at the fall of the noon
   And beats on the beaches,
Is filled with a tender and tremulous tune
   That touches and teaches;
The stories of Youth, of the burden of Time,
   And the death of Devotion,
Come back with the wind, and are themes of the rhyme
   In the waves of the ocean.

We, having a secret to others unknown,
   In the cool mountain-mosses,
May whisper together, September, alone
   Of our loves and our losses.
One word for her beauty, and one for the grace
   She gave to the hours;
And then we may kiss her, and suffer her face
   To sleep with the flowers.

Oh, season of changes -- of shadow and shine --
   September the splendid!
My song hath no music to mingle with thine,
   And its burden is ended;
But thou, being born of the winds and the sun,
   By mountain, by river,
Mayst lighten and listen, and loiter and run,
   With thy voices for ever.

ACROSS bleak widths of broken sea
A fierce north-easter breaks,
And makes a thunder on the lea—
A whiteness of the lakes.
Here, while beyond the rainy stream
The wild winds sobbing blow,
I see the river of my dream
Four wasted years ago.

Narrara of the waterfalls,
The darling of the hills,
Whose home is under mountain walls
By many-luted rills!
Her bright green nooks and channels cool
I never more may see;
But, ah! the Past was beautiful—
The sights that used to be.

There was a rock-pool in a glen
Beyond Narrara’s sands;
The mountains shut it in from men
In flowerful fairy lands;
But once we found its dwelling-place—
The lovely and the lone—
And, in a dream, I stooped to trace
Our names upon a stone.

Above us, where the star-like moss
Shone on the wet, green wall
That spanned the straitened stream across,
We saw the waterfall—
A silver singer far away,
By folded hills and hoar;
Its voice is in the woods to-day—
A voice I hear no more.

I wonder if the leaves that screen
The rock-pool of the past
Are yet as soft and cool and green
As when we saw them last!
I wonder if that tender thing,
The moss, has overgrown
The letters by the limpid spring—
Our names upon the stone!

Across the face of scenes we know
There may have come a change—
The places seen four years ago
Perhaps would now look strange.
To you, indeed, they cannot be
What haply once they were:
A friend beloved by you and me
No more will greet us there.

Because I know the filial grief
That shrinks beneath the touch—
The noble love whose words are brief—
I will not say too much;
But often when the night-winds strike
Across the sighing rills,
I think of him whose life was like
The rock-pool’s in the hills.

A beauty like the light of song
Is in my dreams, that show
The grand old man who lived so long
As spotless as the snow.
A fitting garland for the dead
I cannot compass yet;
But many things he did and said
I never will forget.

In dells where once we used to rove
The slow, sad water grieves;
And ever comes from glimmering grove
The liturgy of leaves.
But time and toil have marked my face,
My heart has older grown
Since, in the woods, I stooped to trace
Our names upon the stone.

Towards the hills of Jamberoo
Some few fantastic shadows haste,
Uplit with fires
Like castle spires
Outshining through a mirage waste.
Behold, a mournful glory sits
On feathered ferns and woven brakes,
Where sobbing wild like restless child
The gusty breeze of evening wakes!
Methinks I hear on every breath
A lofty tone go passing by,
That whispers -- "Weave,
Though wood winds grieve,
The fadeless blooms of Poesy!"

A spirit hand has been abroad --
An evil hand to pluck the flowers --
A world of wealth,
And blooming health
Has gone from fragrant seaside bowers.
The twilight waxeth dim and dark,
The sad waves mutter sounds of woe,
But the evergreen retains its sheen,
And happy hearts exist below;
But pleasure sparkles on the sward,
And voices utter words of bliss,
And while my bride
Sits by my side,
Oh, where's the scene surpassing this?

Kiama slumbers, robed with mist,
All glittering in the dewy light
That, brooding o'er
The shingly shore,
Lies resting in the arms of Night;
And foam-flecked crags with surges chill,
And rocks embraced of cold-lipped spray,
Are moaning loud where billows crowd
In angry numbers up the bay.
The holy stars come looking down
On windy heights and swarthy strand,
And Life and Love --
The cliffs above --
Are sitting fondly hand in hand.

I hear a music inwardly,
That floods my soul with thoughts of joy;
Within my heart
Emotions start
That Time may still but ne'er destroy.
An ancient Spring revives itself,
And days which made the past divine;
And rich warm gleams from golden dreams,
All glorious in their summer shine;
And songs of half forgotten hours,
And many a sweet melodious strain,
Which still shall rise
Beneath the skies
When all things else have died again.

A white sail glimmers out at sea --
A vessel walking in her sleep;
Some Power goes past
That bends the mast,
While frighted waves to leeward leap.
The moonshine veils the naked sand
And ripples upward with the tide,
As underground there rolls a sound
From where the caverned waters glide.
A face that bears affection's glow,
The soul that speaks from gentle eyes,
And joy which slips
From loving lips
Have made this spot my Paradise!

AT rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.
The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet’s twofold life!
To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael’s grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon’s name
I dedicate these lines; and if ’tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.
And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;

So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.

The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.

But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.

And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.

Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.

But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.

No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.

The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.

The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.

But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.

At rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.

The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet's twofold life!

To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael's grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon's name
I dedicate these lines; and if 'tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.

And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

A CLAMOUR by day and a whisper by night,
And the Summer comes—with the shining noons,
With the ripple of leaves, and the passionate light
Of the falling suns and the rising moons.

And the ripple of leaves and the purple and red
Die for the grapes and the gleam of the wheat,
And then you may pause with the splendours, or tread
On the yellow of Autumn with lingering feet.

You may halt with the face to a flying sea,
Or stand like a gloom in the gloom of things,
When the moon drops down and the desolate lea
Is troubled with thunder and desolate wings.

But alas for the grey of the wintering eves,
And the pondering storms and the ruin of rains;
And alas for the Spring like a flame in the leaves,
And the green of the woods and the gold of the lanes!

For, seeing all pathos is mixed with our past,
And knowing all sadness of storm and of surge
Is salt with our tears for the faith that was cast
Away like a weed o’er a bottomless verge,

I am lost for these tokens, and wearied of ways
Wedded with ways that are waning amain,
Like those that are filled with the trouble that slays;
Having drunk of their life to the lees that are pain.

And yet I would write to you! I who have turned
Away with a bitter disguise in the eyes,
And bitten the lips that have trembled and burned
Alone for you, darling, and breaking with sighs.

Because I have touched with my fingers a dress
That was Beauty’s; because that the breath of thy mouth
Is sweetness that lingers; because of each tress
Showered down on thy shoulders; because of the drouth

That came in thy absence; because of the lights
In the Passion that grew to a level with thee—
Is it well that our lives have been filled with the nights
And the days which have made it a sorrow to be?

Yea, thus having tasted all love with thy lips,
And having the warmth of thy hand in mine own,
Is it well that we wander, like parallel ships,
With the silence between us, aloof and alone?

With my face to the wall shall I sleep and forget
The shadow, the sweet sense of slumber denies,
If even I marvel at kindness, and fret,
And start while the tears are all wet in mine eyes?

Oh, darling of mine, standing here with the Past,
Trampled under our feet in the bitterest ways,
Is this speech like a ghost that it keeps us aghast
On the track of the thorns and in alien days?

When I know of you, love, how you break with our pain,
And sob for the sorrow of sorrowful dreams,
Like a stranger who stands in the wind and the rain
And watches and wails by impassable streams:

Like a stranger who droops on a brink and deplores,
With famishing hands and frost in the feet,
For the laughter alive on the opposite shores
With the fervour of fire and the wind of the wheat.

THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.

But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.

The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.

The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.

The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.

A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:

The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.

Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!

Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!

But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.

The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.

But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.

And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.

Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—

The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!

Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.

The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.

And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

HERE, pent about by office walls
And barren eyes all day,
’Tis sweet to think of waterfalls
Two hundred miles away!

I would not ask you, friends, to brook
An old, old truth from me,
If I could shut a Poet’s book
Which haunts me like the Sea!

He saith to me, this Poet saith,
So many things of light,
That I have found a fourfold faith,
And gained a twofold sight.

He telleth me, this Poet tells,
How much of God is seen
Amongst the deep-mossed English dells,
And miles of gleaming green.

From many a black Gethsemane,
He leads my bleeding feet
To where I hear the Morning Sea
Round shining spaces beat!

To where I feel the wind, which brings
A sound of running creeks,
And blows those dark, unpleasant things,
The sorrows, from my cheeks.

I’ll shut mine eyes, my Poet choice,
And spend the day with thee;
I’ll dream thou art a fountain voice
Which God hath sent to me!

And far beyond these office walls
My thoughts shall even stray,
And watch the wilful waterfalls,
Two hundred miles away.

For, if I know not of thy deeds,
And darling Kentish downs,
I’ve seen the deep, wild Dungog fells,
And hate the heart of towns!

Then, ho! for beaming bank and brake,
Far-folded hills among,
Where Williams, like a silver snake,
Draws winding lengths along!

And ho! for stormy mountain cones,
Where headlong Winter leaps,
What time the gloomy swamp-oak groans,
And weeps and wails and weeps.

There, friends, are spots of sleepy green,
Where one may hear afar,
O’er fifteen leagues of waste, I ween,
A moaning harbour bar!

(The sea that breaks, and beats and shakes
The caverns, howling loud,
Beyond the midnight Myall Lakes,
And half-awakened Stroud!)

There, through the fretful autumn days,
Beneath a cloudy sun,
Comes rolling down rain-rutted ways,
The wind, Euroclydon!

While rattles over riven rocks
The thunder, harsh and dry;
And blustering gum and brooding box
Are threshing at the sky!

And then the gloom doth vex the sight
With crude, unshapely forms
Which hold throughout the yelling night
A fellowship with storms!

But here are shady tufts and turns,
Where sumptuous Summer lies
(By reaches brave with flags and ferns)
With large, luxuriant eyes.

And here, another getteth ease—
Our Spring, so rarely seen,
Who shows us in the cedar trees
A glimpse of golden green.

What time the flapping bats have trooped
Away like ghosts to graves,
And darker growths than Night are cooped
In silent, hillside caves.

Ah, Dungog, dream of darling days,
’Tis better thou should’st be
A far-off thing to love and praise—
A boon from Heaven to me!

For, let me say that when I look
With wearied eyes on men,
I think of one unchanging nook,
And find my faith again.

Sing the song of wave-worn Coogee, Coogee in the distance white,
With its jags and points disrupted, gaps and fractures fringed with light;
Haunt of gledes, and restless plovers of the melancholy wail
Ever lending deeper pathos to the melancholy gale.
There, my brothers, down the fissures, chasms deep and wan and wild,
Grows the sea-bloom, one that blushes like a shrinking, fair, blind child;
And amongst the oozing forelands many a glad, green rock-vine runs,
Getting ease on earthy ledges, sheltered from December suns.
Often, when a gusty morning, rising cold and grey and strange,
Lifts its face from watery spaces, vistas full with cloudy change,
Bearing up a gloomy burden which anon begins to wane,
Fading in the sudden shadow of a dark, determined rain,
Do I seek an eastern window, so to watch the breakers beat
Round the steadfast crags of Coogee, dim with drifts of driving sleet:
Hearing hollow mournful noises sweeping down a solemn shore,
While the grim sea-caves are tideless, and the storm strives at their core.

Often when the floating vapours fill the silent autumn leas,
Dreaming mem’ries fall like moonlight over silver sleeping seas.
Youth and I and Love together! Other times and other themes
Come to me unsung, unwept for, through the faded evening gleams:
Come to me and touch me mutely — I that looked and longed so well,
Shall I look and yet forget them? — who may know or who foretell?
Though the southern wind roams, shadowed with its immemorial grief,
Where the frosty wings of Winter leave their whiteness on the leaf.

Friend of mine beyond the waters, here and here these perished days
Haunt me with their sweet dead faces and their old divided ways.
You that helped and you that loved me, take this song, and when you read,
Let the lost things come about you, set your thoughts and hear and heed.
Time has laid his burden on us — we who wear our manhood now,
We would be the boys we have been, free of heart and bright of brow —
Be the boys for just an hour, with the splendour and the speech
Of thy lights and thunders, Coogee, flying up thy gleaming beach.

Heart’s desire and heart’s division! who would come and say to me,
With the eyes of far-off friendship, “You are as you used to be”?
Something glad and good has left me here with sickening discontent,
Tired of looking, neither knowing what it was or where it went.
So it is this sight of Coogee, shining in the morning dew,
Sets me stumbling through dim summers once on fire with youth and you —
Summers pale as southern evenings when the year has lost its power
And the wasted face of April weeps above the withered flower.

Not that seasons bring no solace, not that time lacks light and rest;
But the old things were the dearest and the old loves seem the best.
We that start at songs familiar, we that tremble at a tone
Floating down the ways of music, like a sigh of sweetness flown,
We can never feel the freshness, never find again the mood
Left among fair-featured places, brightened of our brotherhood.
This and this we have to think of when the night is over all,
And the woods begin to perish and the rains begin to fall

High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.

To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.

I cannot say what forest saith —
Its words are strange to me:
I only know that in its breath
Are tones that used to be.

Yea, in these deep dim solitudes
I hear a sound I know —
The voice that lived in Penrith woods
Twelve weary years ago.

And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;

And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.

The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.

Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.

I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.

I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda’s spring.

The glory of unblemished days
Is on the silent mound —
The light of years, too pure for praise;
I kneel on holy ground!

Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.

This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father’s life.

The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.

Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.

The chair he filled is set aside
Upon his father’s floor;
In morning hours, at eventide,
His step is heard no more.

No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.

Yea, from the hours that heard his speech
High shining mem’ries give
That fine example which will teach
Our children how to live.

Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.

Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.

I never have forgotten yet
The Christian’s gentle touch;
And, since the time when last we met,
You know I’ve suffered much.

I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow’s rain,
My contrite spirit bleeds.

For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.

I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.

Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.

From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.

LORDLY harp, by lordly master wakened from majestic sleep,
Yet shall speak and yet shall sing the words which make the fathers weep!
Voice surpassing human voices—high, unearthly harmony—
Yet shall tell the tale of hero, in exalted years to be!
In the ranges, by the rivers, on the uplands, down the dells,
Where the sound of wind and wave is, where the mountain anthem swells,
Yet shall float the song of lustre, sweet with tears and fair with flame,
Shining with a theme of beauty, holy with our Leichhardt’s name!
Name of him who faced for science thirsty tracts of bitter glow,
Lurid lands that no one knows of—two-and-thirty years ago.

Born by hills of hard grey weather, far beyond the northern seas,
German mountains were his sponsors, and his mates were German trees;
Grandeur of the old-world forests passed into his radiant soul,
With the song of stormy crescents where the mighty waters roll.
Thus he came to be a brother of the river and the wood—
Thus the leaf, the bird, the blossom, grew a gracious sisterhood;
Nature led him to her children, in a space of light divine:
Kneeling down, he said—“My mother, let me be as one of thine!”
So she took him—thence she loved him—lodged him in her home of dreams,
Taught him what the trees were saying, schooled him in the speech of streams.

For her sake he crossed the waters—loving her, he left the place
Hallowed by his father’s ashes, and his human mother’s face—
Passed the seas and entered temples domed by skies of deathless beam,
Walled about by hills majestic, stately spires and peaks supreme!
Here he found a larger beauty—here the lovely lights were new
On the slopes of many flowers, down the gold-green dells of dew.
In the great august cathedral of his holy lady, he
Daily worshipped at her altars, nightly bent the reverent knee—
Heard the hymns of night and morning, learned the psalm of solitudes;
Knew that God was very near him—felt His presence in the woods!

But the starry angel, Science, from the home of glittering wings,
Came one day and talked to Nature by melodious mountain springs:
“Let thy son be mine,” she pleaded; “lend him for a space,” she said,
“So that he may earn the laurels I have woven for his head!”
And the lady, Nature, listened; and she took her loyal son
From the banks of moss and myrtle—led him to the Shining One!
Filled his lordly soul with gladness—told him of a spacious zone
Eye of man had never looked at, human foot had never known.
Then the angel, Science, beckoned, and he knelt and whispered low—
“I will follow where you lead me”—two-and-thirty years ago.

On the tracts of thirst and furnace—on the dumb, blind, burning plain,
Where the red earth gapes for moisture, and the wan leaves hiss for rain,
In a land of dry, fierce thunder, did he ever pause and dream
Of the cool green German valley and the singing German stream?
When the sun was as a menace, glaring from a sky of brass,
Did he ever rest, in visions, on a lap of German grass?
Past the waste of thorny terrors, did he reach a sphere of rills,
In a region yet untravelled, ringed by fair untrodden hills?
Was the spot where last he rested pleasant as an old-world lea?
Did the sweet winds come and lull him with the music of the sea?

Let us dream so—let us hope so! Haply in a cool green glade,
Far beyond the zone of furnace, Leichhardt’s sacred shell was laid!
Haply in some leafy valley, underneath blue, gracious skies,
In the sound of mountain water, the heroic traveller lies!
Down a dell of dewy myrtle, where the light is soft and green,
And a month like English April sits, an immemorial queen,
Let us think that he is resting—think that by a radiant grave
Ever come the songs of forest, and the voices of the wave!
Thus we want our sons to find him—find him under floral bowers,
Sleeping by the trees he loved so, covered with his darling flowers!

AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the thunder,
Make a night on morning’s brow!
Just to stand where Nature’s face is
Flushed with power in forest places—
Where of God authentic trace is—
Ah, to be by Mooni now!

Just to be by Mooni’s springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current
Like a sister of the torrent,
Far away by Mooni’s springs.

He that is by Mooni now,
Sees the water-sapphires gleaming
Where the River Spirit, dreaming
Sleeps by fall and fountain streaming
Under lute of leaf and bough!
Hears, where stamp of storm with stress is,
Psalms from unseen wildernesses
Deep amongst far hill-recesses—
He that is by Mooni now.

Yea, for him by Mooni’s marge
Sings the yellow-haired September
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni’s marge.

Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and breath that parches
Where strong Summer’s path of march is
And the suns in thunder set?
Housed beneath the gracious kirtle
Of the shadowy water myrtle,
Winds may hiss with heat, and hurtle—
He is safe by Mooni yet!

Days there were when he who sings
(Dumb so long through passion’s losses)
Stood where Mooni’s water crosses
Shining tracts of green-haired mosses,
Like a soul with radiant wings;
Then the psalm the wind rehearses—
Then the song the stream disperses
Lent a beauty to his verses—
Who to-night of Mooni sings.

Ah, the theme—the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme—the sad, grey theme!

Sin and shame have left their trace!
He who mocks the mighty, gracious
Love of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.

In the years that used to be,
When the large, supreme occasion
Brought the life of inspiration,
Like a god’s transfiguration
Was the shining change in me.
Then, where Mooni’s glory glances,
Clear diviner countenances
Beamed on me like blessed chances,
In the years that used to be.

Ah, the beauty of old ways!
Then the man who so resembled
Lords of light unstained, unhumbled,
Touched the skirts of Christ, nor trembled
At the grand benignant gaze!
Now he shrinks before the splendid
Face of Deity offended,
All the loveliness is ended!
All the beauty of old ways!

Still to be by Mooni cool—
Where the water-blossoms glister,
And, by gleaming vale and vista,
Sits the English April’s sister
Soft, and sweet, and wonderful.
Just to rest beyond the burning
Outer world—its sneers and spurning—
Ah! my heart—my heart is yearning
Still to be by Mooni cool:

Now, by Mooni’s fair hill heads,
Lo, the gold green lights are glowing,
Where, because no wind is blowing,
Fancy hears the flowers growing
In the herby watersheds!
Faint it is—the sound of thunder
From the torrents far thereunder,
Where the meeting mountains ponder—
Now, by Mooni’s fair hill heads:

Just to be where Mooni is,
Even where the fierce fall races
Down august unfathomed places,
Where of sun or moon no trace is,
And the streams of shadow hiss!
Have I not an ample reason
So to long for—sick of treason—
Something of the grand old season,
Just to be where Mooni is?

With reverent eyes and bowed, uncovered head,
A son of sorrow kneels by fanes you knew;
But cannot say the words that should be said
To crowned and winged divinities like you.

The perfect speech of superhuman spheres
Man has not heard since He of Nazareth,
Slain for the sins of twice two thousand years,
Saw Godship gleaming through the gates of Death.

And therefore he who in these latter days
Has lost a Father — falling by the shrine,
Can only use the world’s ephemeral phrase,
Not, Lord, the faultless language that is Thine.

But he, Thy son upon whose shoulders shone
So long Elisha’s gleaming garments, may
Be pleased to hear a pleading human tone
To sift the spirit of the words I say.

O, Master, since the gentle Stenhouse died
And left the void that none can ever fill,
One harp at least has sorrow thrown aside,
Its strings all broken, and its notes all still.

Some lofty lord of music yet may find
Its pulse of passion. I can never touch
The chords again — my life has been too blind;
I’ve sinned too long and suffered far too much.

But you will listen to the voice, although
The harp is silent — you who glorified
Your great, sad gift of life, because you know
How souls are tempted and how hearts are tried.

O marvellous follower in the steps of Christ,
How pure your spirit must have been to see
That light beyond our best expression priced
The effluence of benignant Deity.

You saw it, Father? Let me think you did
Because I, groping in the mists of Doubt,
Am sometimes fearful that God’s face is hid
From all — that none can read His riddle out!

A hope from lives like yours must everywhere
Become like faith — that blessing undefiled,
The refuge of the grey philosopher —
The consolation of the simple child.

Here in a land of many sects, where God
As shaped by man in countless forms appears,
Few comprehend how carefully you trod
Without a slip for two and forty years.

How wonderful the self-repression must
Have been, that made you to the lovely close
The Christian crowned with universal trust,
The foe-less Father in a land of foes.

How patiently — with how divine a strength
Of tolerance you must have watched the frays
Of fighting churches — warring through the length
Of your bright, beautiful, unruffled days!

Because men strove you did not love them less;
You felt for each — for everyone and all —
With that same apostolic tenderness
Which Samuel felt when yearning over Saul.

A crowned hierophant — a high Chief-Priest
On flame with robes of light, you used to be;
But yet you were as humble as the least
Of those who followed Him of Galilee.

‘Mid splendid forms of faith which flower and fill
God’s oldest Church with gleams ineffable
You stand, Our Lord’s serene disciple still,
In all the blaze which on your pallium fell.

The pomp of altars, chasubles, and fires
Of incense, moved you not; nor yet the dome
Of haughty beauty — follower of the Sires —
Who made a holiness of elder Rome.

A lord of scholarship whose knowledge ran
Through every groove of human history, you
Were this and more — a Christian gentleman;
A fount of learning with a heart like dew.

O Father! I who at your feet have knelt,
On wings of singing fall, and fail to sing,
Remembering the immense compassion felt
By you for every form of suffering.

As dies a gentle April in a sky
Of faultless beauty — after many days
Of loveliness and grand tranquillity —
So passed your presence from our human gaze.

But though your stately face is as the dust
That windy hills to wintering hollows give,
Your memory like a deity august
Is with us still, to teach us how to live.

Ah! may it teach us — may the lives that are
Take colour from the life that was; and may
Those souls be helped that in the dark so far
Have strayed, and have forgotten how to pray!

Let one of these at least retain the hope
That fine examples, like a blessed dew
Of summer falling in a fruitful scope,
Give birth to issues beautiful and true.

Such hope, O Master, is a light indeed
To him that knows how hard it is to save
The spirit resting on no certain creed
Who kneels to plant this blossom on your grave.

DOWN in the South, by the waste without sail on it—
Far from the zone of the blossom and tree—
Lieth, with winter and whirlwind and wail on it,
Ghost of a land by the ghost of a sea.
Weird is the mist from the summit to base of it;
Sun of its heaven is wizened and grey;
Phantom of light is the light on the face of it—
Never is night on it, never is day!
Here is the shore without flower or bird on it;
Here is no litany sweet of the springs—
Only the haughty, harsh thunder is heard on it,
Only the storm, with a roar in its wings!

Shadow of moon is the moon in the sky of it—
Wan as the face of a wizard, and far!
Never there shines from the firmament high of it
Grace of the planet or glory of star.
All the year round, in the place of white days on it—
All the year round where there never is night—
Lies a great sinister, bitter, blind haze on it:
Growth that is neither of darkness nor light!
Wild is the cry of the sea in the caves by it—
Sea that is smitten by spears of the snow;
Desolate songs are the songs of the waves by it—
Down in the South, where the ships never go.

Storm from the Pole is the singer that sings to it
Hymns of the land at the planet’s grey verge.
Thunder discloses dark, wonderful things to it—
Thunder, and rain, and the dolorous surge.
Hills with no hope of a wing or a leaf on them,
Scarred with the chronicles written by flame,
Stare through the gloom of inscrutable grief on them,
Down on the horns of the gulfs without name.
Cliffs with the records of fierce flying fires on them—
Loom over perilous pits of eclipse;
Alps, with anathema stamped in the spires on them—
Out by the wave with a curse on its lips.

Never is sign of soft, beautiful green on it—
Never the colour, the glory of rose!
Neither the fountain nor river is seen on it,
Naked its crags are, and barren its snows!
Blue as the face of the drowned is the shore of it—
Shore, with the capes of indefinite cave.
Strange is the voice of its wind, and the roar of it
Startles the mountain and hushes the wave.
Out to the South and away to the north of it,
Spectral and sad are the spaces untold!
All the year round a great cry goeth forth of it—
Sob of this leper of lands in the cold.

No man hath stood, all its bleak, bitter years on it—
Fall of a foot on its wastes is unknown:
Only the sound of the hurricane’s spears on it
Breaks with the shout from the uttermost zone.
Blind are its bays with the shadow of bale on them;
Storms of the nadir their rocks have uphurled;
Earthquake hath registered deeply its tale on them—
Tale of distress from the dawn of the world!
There are the gaps, with the surges that seethe in them—
Gaps in whose jaws is a menace that glares!
There the wan reefs, with the merciless teeth in them,
Gleam on a chaos that startles and scares!

Back in the dawn of this beautiful sphere, on it—
Land of the dolorous, desolate face—
Beamed the blue day; and the bountiful year on it
Fostered the leaf and the blossom of grace.
Grand were the lights of its midsummer noon on it—
Mornings of majesty shone on its seas:
Glitter of star and the glory of moon on it
Fell, in the march of the musical breeze.
Valleys and hills, with the whisper of wing in them,
Dells of the daffodil—spaces impearled,
Flowered and flashed with the splendour of Spring in them—
Back in the morn of this wonderful world.

Soft were the words that the thunder then said to it—
Said to this lustre of emerald plain;
Sun brought the yellow, the green, and the red to it—
Sweet were the songs of its silvery rain.
Voices of water and wind in the bays of it
Lingered, and lulled like the psalm of a dream.
Fair were the nights and effulgent the days of it—
Moon was in shadow and shade in the beam.
Summer’s chief throne was the marvellous coast of it,
Home of the Spring was its luminous lea:
Garden of glitter! but only the ghost of it
Moans in the South by the ghost of a sea.

DEEP under the spires of a hill, by the feet of the thunder-cloud trod,
I pause in a luminous, still, magnificent temple of God!
At the steps of the altar august—a vision of angels in stone—
I kneel, with my head to the dust, on the floors by the seraphim known.
No father in Jesus is near, with the high, the compassionate face;
But the glory of Godhead is here—its presence transfigures the place!
Behold in this beautiful fane, with the lights of blue heaven impearled,
I think of the Elders of Spain, in the deserts—the wilds of the world!

I think of the wanderers poor who knelt on the flints and the sands,
When the mighty and merciless Moor was lord of the Lady of Lands.
Where the African scimitar flamed, with a swift, bitter death in its kiss,
The fathers, unknown and unnamed, found God in cathedrals like this!
The glow of His Spirit—the beam of His blessing—made lords of the men
Whose food was the herb of the stream, whose roof was the dome of the den.
And, far in the hills by the sea, these awful hierophants prayed
For Rome and its temples to be—in a temple by Deity made.

Who knows of their faith—of its power? Perhaps, with the light in their eyes,
They saw, in some wonderful hour, the marvel of centuries rise!
Perhaps in some moment supreme, when the mountains were holy and still,
They dreamed the magnificent dream that came to the monks of Seville!
Surrounded by pillars and spires whose summits shone out in the glare
Of the high, the omnipotent fires, who knows what was seen by them there?
Be sure, if they saw, in the noon of their faith, some ineffable fane,
They looked on the church like a moon dropped down by the Lord into Spain.

And the Elders who shone in the time when Christ over Christendom beamed
May have dreamed at their altars sublime the dream that their fathers had dreamed,
By the glory of Italy moved—the majesty shining in Rome—
They turned to the land that they loved, and prayed for a church in their home;
And a soul of unspeakable fire descended on them, and they fought
And laboured a life for the spire and tower and dome of their thought!
These grew under blessing and praise, as morning in summertime grows—
As Troy in the dawn of the days to the music of Delphicus rose.

In a land of bewildering light, where the feet of the season are Spring’s,
They worked in the day and the night, surrounded by beautiful things.
The wonderful blossoms in stone—the flower and leaf of the Moor,
On column and cupola shone, and gleamed on the glimmering floor.
In a splendour of colour and form, from the marvellous African’s hands
Yet vivid and shining and warm, they planted the Flower of the Lands.
Inspired by the patience supreme of the mute, the magnificent past,
They toiled till the dome of their dream in the firmament blossomed at last!

Just think of these men—of their time—of the days of their deed, and the scene!
How touching their zeal—how sublime their suppression of self must have been!
In a city yet hacked by the sword and scarred by the flame of the Moor,
They started the work of their Lord, sad, silent, and solemnly poor.
These fathers, how little they thought of themselves, and how much of the days
When the children of men would be brought to pray in their temple, and praise!
Ah! full of the radiant, still, heroic old life that has flown,
The merciful monks of Seville toiled on, and died bare and unknown.

The music, the colour, the gleam of their mighty cathedral will be
Hereafter a luminous dream of the heaven I never may see;
To a spirit that suffers and seeks for the calm of a competent creed,
This temple, whose majesty speaks, becomes a religion indeed;
The passionate lights—the intense, the ineffable beauty of sound—
Go straight to the heart through the sense, as a song would of seraphim crowned.
And lo! by these altars august, the life that is highest we live,
And are filled with the infinite trust and the peace that the world cannot give.

They have passed, have the elders of time—they have gone; but the work of their hands,
Pre-eminent, peerless, sublime, like a type of eternity stands!
They are mute, are the fathers who made this church in the century dim;
But the dome with their beauty arrayed remains, a perpetual hymn.
Their names are unknown; but so long as the humble in spirit and pure
Are worshipped in speech and in song, our love for these monks will endure;
And the lesson by sacrifice taught will live in the light of the years
With a reverence not to be bought, and a tenderness deeper than tears.

The grand, authentic songs that roll
Across grey widths of wild-faced sea,
The lordly anthems of the Pole,
Are loud upon the lea.

Yea, deep and full the South Wind sings
The mighty symphonies that make
A thunder at the mountain springs -
A whiteness on the lake.

And where the hermit hornet hums,
When Summer fires his wings with gold,
The hollow voice of August comes,
Across the rain and cold.

Now on the misty mountain tops,
Where gleams the crag and glares the fell,
Wild Winter, like one hunted, stops
And shouts a fierce farewell.

Keen fitful gusts shoot past the shore
And hiss by moor and moody mere -
The heralds bleak that come before
The turning of the year.

A sobbing spirit wanders where
By fits and starts the wild-fire shines;
Like one who walks in deep despair,
With Death amongst the pines.

And ah! the fine, majestic grief
Which fills the heart of forests lone,
And makes a lute of limb and leaf
Is human in its tone.

Too human for the thought to slip -
How every song that sorrow sings
Betrays the broad relationship
Of all created things.

Man's mournful speech, the wail of tree,
The words the winds and waters say,
Make up that general elegy,
Whose burden is decay.

To-night my soul looks back and sees,
Across wind-broken wastes of wave,
A widow on her bended knees
Beside a new-made grave.

A sufferer with a touching face
By love and grief made beautiful;
Whose rapt religion lights the place
Where death holds awful rule.

The fair, tired soul whose twofold grief
For child and father lends a tone
Of pathos to the pallid leaf
That sighs above the stone.

The large beloved heart whereon
She used to lean, lies still and cold,
Where, like a seraph, shines the sun
On flowerful green and gold.

I knew him well - the grand, the sweet,
Pure nature past all human praise;
The dear Gamaliel at whose feet
I sat in other days.

He, glorified by god-like lore,
First showed my soul Life's highest aim;
When, like one winged, I breathed - before
The years of sin and shame.

God called him Home. And, in the calm
Beyond our best possessions priced,
He passed, as floats a faultless psalm,
To his fair Father, Christ.

But left as solace for the hours
Of sorrow and the loss thereof;
A sister of the birds and flowers,
The daughter of his love.

She, like a stray sweet seraph, shed
A healing spirit, that flamed and flowed
As if about her bright young head
A crown of saintship glowed.

Suppressing, with sublime self-slight,
The awful face of that distress
Which fell upon her youth like blight,
She shone like happiness.

And, in the home so sanctified
By death in its most noble guise,
She kissed the lips of love, and dried
The tears in sorrow's eyes.

And helped the widowed heart to lean,
So broken up with human cares,
On one who must be felt and seen
By such pure souls as hers.

Moreover, having lived, and learned
The taste of Life's most bitter spring,
For all the sick this sister yearned -
The poor and suffering.

But though she had for every one
The phrase of comfort and the smile,
This shining daughter of the sun
Was dying all the while.

Yet self-withdrawn - held out of reach
Was grief; except when music blent
Its deep, divine, prophetic speech
With voice and instrument.

Then sometimes would escape a cry
From that dark other life of hers -
The half of her humanity -
And sob through sound and verse.

At last there came the holy touch,
With psalms from higher homes and hours;
And she who loved the flowers so much
Now sleeps amongst the flowers.

By hearse-like yews and grey-haired moss,
Where wails the wind in starts and fits,
Twice bowed and broken down with loss,
The wife, the mother sits.

God help her soul! She cannot see,
For very trouble, anything
Beyond this wild Gethsemane
Of swift, black suffering;

Except it be that faltering faith
Which leads the lips of life to say:
'There must be something past this death -
Lord, teach me how to pray!'

Ah, teach her, Lord! And shed through grief
The clear full light, the undefiled,
The blessing of the bright belief
Which sanctified her child.

Let me, a son of sin and doubt,
Whose feet are set in ways amiss -
Who cannot read Thy riddle out,
Just plead, and ask Thee this;

Give her the eyes to see the things -
The Life and Love I cannot see;
And lift her with the helping wings
Thou hast denied to me.

Yea, shining from the highest blue
On those that sing by Beulah's streams,
Shake on her thirsty soul the dew
Which brings immortal dreams.

So that her heart may find the great,
Pure faith for which it looks so long;
And learn the noble way to wait,
To suffer, and be strong.

I
A Mountain Spring

Peace hath an altar there. The sounding feet
Of thunder and the ’wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights, whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secret that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.

II
Laura

If Laura—lady of the flower-soft face—
Should light upon these verses, she may take
The tenderest line, and through its pulses trace
What man can suffer for a woman’s sake.
For in the nights that burn, the days that break,
A thin pale figure stands in Passion’s place,
And peace comes not, nor yet the perished grace
Of youth, to keep old faiths and fires awake.
Ah! marvellous maid. Life sobs, and sighing saith,
“She left me, fleeting like a fluttered dove;
But I would have a moment of her breath,
So I might taste the sweetest sense thereof,
And catch from blossoming, honeyed lips of love
Some faint, some fair, some dim, delicious death.”


III
By a River

By red-ripe mouth and brown, luxurious eyes
Of her I love, by all your sweetness shed
In far, fair days, on one whose memory flies
To faithless lights, and gracious speech gainsaid,
I pray you, when yon river-path I tread,
Make with the woodlands some soft compromise,
Lest they should vex me into fruitless sighs
With visions of a woman’s gleaming head!
For every green and golden-hearted thing
That gathers beauty in that shining place,
Beloved of beams and wooed by wind and wing,
Is rife with glimpses of her marvellous face;
And in the whispers of the lips of Spring
The music of her lute-like voice I trace.


IV
Attila

What though his feet were shod with sharp, fierce flame,
And death and ruin were his daily squires,
The Scythian, helped by Heaven’s thunders, came:
The time was ripe for God’s avenging fires.
Lo! loose, lewd trulls, and lean, luxurious liars
Had brought the fair, fine face of Rome to shame,
And made her one with sins beyond a name—
That queenly daughter of imperial sires!
The blood of elders like the blood of sheep,
Was dashed across the circus. Once while din
And dust and lightnings, and a draggled heap
Of beast-slain men made lords with laughter leap,
Night fell, with rain. The earth, so sick of sin,
Had turned her face into the dark to weep.


V
A Reward

Because a steadfast flame of clear intent
Gave force and beauty to full-actioned life;
Because his way was one of firm ascent,
Whose stepping-stones were hewn of change and strife;
Because as husband loveth noble wife
He loved fair Truth; because the thing he meant
To do, that thing he did, nor paused, nor bent
In face of poor and pale conclusions; yea!
Because of this, how fares the Leader dead?
What kind of mourners weep for him to-day?
What golden shroud is at his funeral spread?
Upon his brow what leaves of laurel, say?
About his breast is tied a sackcloth grey,
And knots of thorns deface his lordly head.


VI To ——
A handmaid to the genius of thy song
Is sweet, fair Scholarship. ’Tis she supplies
The fiery spirit of the passioned eyes
With subtle syllables, whose notes belong
To some chief source of perfect melodies;
And glancing through a laurelled, lordly throng
Of shining singers, lo! my vision flies
To William Shakespeare! He it is whose strong,
Full, flute-like music haunts thy stately verse.
A worthy Levite of his court thou art!
One sent among us to defeat the curse
That binds us to the Actual. Yea, thy part,
Oh, lute-voiced lover! is to lull the heart
Of love repelled, its darkness to disperse.


VII
The Stanza of Childe Harold

Who framed the stanza of Childe Harold? He
It was who, halting on a stormy shore,
Knew well the lofty voice which evermore,
In grand distress, doth haunt the sleepless sea
With solemn sounds. And as each wave did roll
Till one came up, the mightiest of the whole,
To sweep and surge across the vacant lea,
Wild words were wedded to wild melody.
This poet must have had a speechless sense
Of some dead summer’s boundless affluence;
Else, whither can we trace the passioned lore
Of Beauty, steeping to the very core
His royal verse, and that rare light which lies
About it, like a sunset in the skies?

VIII
A Living Poet

He knows the sweet vexation in the strife
Of Love with Time, this bard who fain would stray
To fairer place beyond the storms of life,
With astral faces near him day by day.
In deep-mossed dells the mellow waters flow
Which best he loves; for there the echoes, rife
With rich suggestions of his long ago,
Astarte, pass with thee! And, far away,
Dear southern seasons haunt the dreamy eye:
Spring, flower-zoned, and Summer, warbling low
In tasselled corn, alternate come and go,
While gypsy Autumn, splashed from heel to thigh
With vine-blood, treads the leaves; and, halting nigh,
Wild Winter bends across a beard of snow.

IX
Dante and Virgil

When lost Francesca sobbed her broken tale
Of love and sin and boundless agony,
While that wan spirit by her side did wail
And bite his lips for utter misery—
The grief which could not speak, nor hear, nor see—
So tender grew the superhuman face
Of one who listened, that a mighty trace
Of superhuman woe gave way, and pale
The sudden light up-struggled to its place;
While all his limbs began to faint and fail
With such excess of pity. But, behind,
The Roman Virgil stood—the calm, the wise—
With not a shadow in his regal eyes,
A stately type of all his stately kind.

X
Rest

Sometimes we feel so spent for want of rest,
We have no thought beyond. I know to-day,
When tired of bitter lips and dull delay
With faithless words, I cast mine eyes upon
The shadows of a distant mountain-crest,
And said “That hill must hide within its breast
Some secret glen secluded from the sun.
Oh, mother Nature! would that I could run
Outside to thee; and, like a wearied guest,
Half blind with lamps, and sick of feasting, lay
An aching head on thee. Then down the streams
The moon might swim, and I should feel her grace,
While soft winds blew the sorrows from my face,
So quiet in the fellowship of dreams.”

XI
After Parting

I cannot tell what change hath come to you
To vex your splendid hair. I only know
One grief. The passion left betwixt us two,
Like some forsaken watchfire, burneth low.
’Tis sad to turn and find it dying so,
Without a hope of resurrection! Yet,
O radiant face that found me tired and lone!
I shall not for the dear, dead past forget
The sweetest looks of all the summers gone.
Ah! time hath made familiar wild regret;
For now the leaves are white in last year’s bowers,
And now doth sob along the ruined leas
The homeless storm from saddened southern seas,
While March sits weeping over withered flowers.

XII
Alfred Tennyson

The silvery dimness of a happy dream
I’ve known of late. Methought where Byron moans,
Like some wild gulf in melancholy zones,
I passed tear-blinded. Once a lurid gleam
Of stormy sunset loitered on the sea,
While, travelling troubled like a straitened stream,
The voice of Shelley died away from me.
Still sore at heart, I reached a lake-lit lea.
And then the green-mossed glades with many a grove,
Where lies the calm which Wordsworth used to love,
And, lastly, Locksley Hall, from whence did rise
A haunting song that blew and breathed and blew
With rare delights. ’Twas there I woke and knew
The sumptuous comfort left in drowsy eyes.

January

The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.


February

The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.


March

Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.

April

The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.

May

Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.



June

Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.



July

High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.



August

Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.

September
*


October

Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.


November

Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.


December

The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!

Argument.
Hail to thee, Sound!—The power of Euterpe in all the scenes of life—
in religion; in works of charity; in soothing troubles by means of music;
in all humane and high purposes; in war; in grief; in the social circle;
the children’s lullaby; the dance; the ballad; in conviviality;
when far from home; at evening—the whole ending with an allegorical chorus,
rejoicing at the building of a mighty hall erected for the recreation
of a nation destined to take no inconsiderable part in the future history
of the world.


Overture

No. 1 Chorus

All hail to thee, Sound! Since the time
Calliope’s son took the lyre,
And lulled in the heart of their clime
The demons of darkness and fire;
Since Eurydice’s lover brought tears
To the eyes of the Princes of Night,
Thou hast been, through the world’s weary years,
A marvellous source of delight—
Yea, a marvellous source of delight!

In the wind, in the wave, in the fall
Of the water, each note of thine dwells;
But Euterpe hath gathered from all
The sweetest to weave into spells.
She makes a miraculous power
Of thee with her magical skill;
And gives us, for bounty or dower,
The accents that soothe us or thrill!
Yea, the accents that soothe us or thrill!

All hail to thee, Sound! Let us thank
The great Giver of light and of life
For the music divine that we’ve drank,
In seasons of peace and of strife,
Let us gratefully think of the balm
That falls on humanity tired,
At the tones of the song or the psalm
From lips and from fingers inspired—
Yea, from lips and from fingers inspired.


No. 2 Quartette and Chorus

When, in her sacred fanes
God’s daughter, sweet Religion, prays,
Euterpe’s holier strains
Her thoughts from earth to heaven raise.
The organ notes sublime
Put every worldly dream to flight;
They sanctify the time,
And fill the place with hallowed light.



No. 3 Soprano Solo

Yea, and when that meek-eyed maiden
Men call Charity, comes fain
To raise up spirits, laden
With bleak poverty and pain:
Often, in her cause enlisted,
Music softens hearts like stones;
And the fallen are assisted
Through Euterpe’s wondrous tones.


No. 4 Orchestral Intermezzo


No. 5 Chorus

Beautiful is Sound devoted
To all ends humane and high;
And its sweetness never floated
Like a thing unheeded by.
Power it has on souls encrusted
With the selfishness of years;
Yea, and thousands Mammon-rusted,
Hear it, feel it, leave in tears.


No. 6 Choral Recitative
(Men’s voices only)

When on the battlefield, and in the sight
Of tens of thousands bent to smite and slay
Their human brothers, how the soldier’s heart
Must leap at sounds of martial music, fired
With all that spirit that the patriot loves
Who seeks to win, or nobly fall, for home!



No. 7 Triumphal March



No. 8 Funeral Chorus

Slowly and mournfully moves a procession,
Wearing the signs
Of sorrow, through loss, and it halts like a shadow
Of death in the pines.
Come from the fane that is filled with God’s presence,
Sad sounds and deep;
Holy Euterpe, she sings of our brother,
We listen and weep.
Death, like the Angel that passed over Egypt,
Struck at us sore;
Never again shall we turn at our loved one’s
Step at the door.



No. 9 Chorus
(Soprano voices only)

But, passing from sorrow, the spirit
Of Music, a glory, doth rove
Where it lightens the features of beauty,
And burns through the accents of love—
The passionate accents of love.



No. 10 Lullaby Song—Contralto

The night-shades gather, and the sea
Sends up a sound, sonorous, deep;
The plover’s wail comes down the lea;
By slope and vale the vapours weep,
And dew is on the tree;
And now where homesteads be,
The children fall asleep,
Asleep.

A low-voiced wind amongst the leaves,
The sighing leaves that mourn the Spring,
Like some lone spirit, flits and grieves,
And grieves and flits on fitful wing.
But where Song is a guest,
A lulling dreamy thing,
The children fall to rest,
To rest.



No. 11 Waltz Chorus

When the summer moon is beaming
On the stirless waters dreaming,
And the keen grey summits gleaming,
Through a silver starry haze;
In our homes to strains entrancing
To the steps, the quickly glancing
Steps of youths and maidens dancing,
Maidens light of foot as fays.

Then the waltz, whose rhythmic paces
Make melodious happy places,
Brings a brightness to young faces,
Brings a sweetness to the eyes.
Sounds that move us like enthralling
Accents, where the runnel falling,
Sends out flute-like voices calling,
Where the sweet wild moss-bed lies.



No. 12 Ballad—Tenor

When twilight glides with ghostly tread
Across the western heights,
And in the east the hills are red
With sunset’s fading lights;
Then music floats from cot and hall
Where social circles met,
By sweet Euterpe held in thrall—
Their daily cares forget.

What joy it is to watch the shine
That hallows beauty’s face
When woman sings the strains divine,
Whose passion floods the place!
Then how the thoughts and feelings rove
At song’s inspiring breath,
In homes made beautiful by love,
Or sanctified by death.

What visions come, what dreams arise,
What Edens youth will limn,
When leaning over her whose eyes
Have sweetened life for him!
For while she sings and while she plays,
And while her voice is low,
His fancy paints diviner days
Than any we can know.



No. 13 Drinking Song
(Men’s voices only)

But, hurrah! for the table that heavily groans
With the good things that keep in the life:
When we sing and we dance, and we drink to the tones
That are masculine, thorough and blithe.

Good luck to us all! Over walnuts and wine
We hear the rare songs that we know
Are as brimful of mirth as the spring is of shine,
And as healthy and hearty, we trow.

Then our glasses we charge to the ring of the stave
That the flush to our faces doth send;
For though life is a thing that winds up with the grave,
We’ll be jolly, my boys, to the end.
Hurrah! Hurrah!
Yes, jolly, my boys, to the end!



No. 14 Recitative—Bass

When far from friends, and home, and all the things
That bind a man to life, how dear to him
Is any old familiar sound that takes
Him back to spots where Love and Hope
In past days used to wander hand in hand
Across high-flowered meadows, and the paths
Whose borders shared the beauty of the spring,
And borrowed splendour from autumnal suns.



No. 15 Chorus
(The voices accompanied only by the
violins playing “Home, Sweet Home”.)

Then at sea, or in wild wood,
Then ashore or afloat,
All the scenes of his childhood
Come back at a note;
At the turn of a ballad,
At the tones of a song,
Cometh Memory, pallid
And speechless so long;
And she points with her finger
To phantom-like years,
And loveth to linger
In silence, in tears.



No. 16 Solo—Bass

In the yellow flame of evening sounds of music come and go,
Through the noises of the river, and the drifting of the snow;
In the yellow flame of evening, at the setting of the day,
Sounds that lighten, fall, and lighten, flicker, faint, and fade away;
What they are, behold, we know not, but their honey slakes and slays
Half the want which whitens manhood in the stress of alien days.
Even as a wondrous woman, struck with love and great desire,
Hast thou been to us, EUTERPE, half of tears and half of fire;
But thy joy is swift and fitful, and a subtle sense of pain
Sighs through thy melodious breathings, takes the rapture from thy strain.
In the yellow flame of evening sounds of music come and go.
Through the noises of the river, and the drifting of the snow.



No. 17 Recitative—Soprano

And thus it is that Music manifold,
In fanes, in Passion’s sanctuaries, or where
The social feast is held, is still the power
That bindeth heart to heart; and whether Grief,
Or Love, or Pleasure form the link, we know
’Tis still a bond that makes Humanity,
That wearied entity, a single whole,
And soothes the trouble of the heart bereaved,
And lulls the beatings in the breast that yearns,
And gives more gladness to the gladdest things.



No. 18 Finale—Chorus

Now a vision comes, O brothers, blended
With supremest sounds of harmony—
Comes, and shows a temple, stately, splendid,
In a radiant city by the sea.
Founders, fathers of a mighty nation,
Raised the walls, and built the royal dome,
Gleaming now from lofty, lordly station,
Like a dream of Athens, or of Rome!
And a splendour of sound,
A thunder of song,
Rolls sea-like around,
Comes sea-like along.

The ringing, and ringing, and ringing,
Of voices of choristers singing,
Inspired by a national joy,
Strike through the marvellous hall,
Fly by the aisle and the wall,
While the organ notes roam
From basement to dome—
Now low as a wail,
Now loud as a gale,
And as grand as the music that builded old Troy.

Now, while Orion, flaming south, doth set
A shining foot on hills of wind and wet—
Far haughty hills beyond the fountains cold
And dells of glimmering greenness manifold—
While August sings the advent of the Spring,
And in the calm is heard September’s wing,
The lordly voice of song I ask of thee,
High, deathless radiance—crowned Calliope!
What though we never hear the great god’s lays
Which made all music the Hellenic days—
What though the face of thy fair heaven beams
Still only on the crystal Grecian streams—
What though a sky of new, strange beauty shines
Where no white Dryad sings within the pines:
Here is a land whose large, imperial grace
Must tempt thee, goddess, in thine holy place!
Here are the dells of peace and plenilune,
The hills of morning and the slopes of noon;
Here are the waters dear to days of blue,
And dark-green hollows of the noontide dew;
Here lies the harp, by fragrant wood-winds fanned,
That waits the coming of thy quickening hand!
And shall Australia, framed and set in sea,
August with glory, wait in vain for thee?
Shall more than Tempe’s beauty be unsung
Because its shine is strange—its colours young?
No! by the full, live light which puts to shame
The far, fair splendours of Thessalian flame—
By yonder forest psalm which sinks and swells
Like that of Phocis, grave with oracles—
By deep prophetic winds that come and go
Where whispering springs of pondering mountains flow—
By lute-like leaves and many-languaged caves,
Where sounds the strong hosanna of the waves,
This great new majesty shall not remain
Unhonoured by the high immortal strain!
Soon, soon, the music of the southern lyre
Shall start and blossom with a speech like fire!
Soon, soon, shall flower and flow in flame divine
Thy songs, Apollo, and Euterpe, thine!
Strong, shining sons of Delphicus shall rise
With all their father’s glory in their eyes;
And then shall beam on yonder slopes and springs
The light that swims upon the light of things.
And therefore, lingering in a land of lawn,
I, standing here, a singer of the dawn,
With gaze upturned to where wan summits lie
Against the morning flowing up the sky—
Whose eyes in dreams of many colours see
A glittering vision of the years to be—
Do ask of thee, Calliope, one hour
Of life pre-eminent with perfect power,
That I may leave a song whose lonely rays
May shine hereafter from these songless days.

For now there breaks across the faint grey range
The rose-red dawning of a radiant change.
A soft, sweet voice is in the valleys deep,
Where darkness droops and sings itself to sleep.
The grave, mute woods, that yet the silence hold
Of dim, dead ages, gleam with hints of gold.
Yon eastern cape that meets the straitened wave—
A twofold tower above the whistling cave—
Whose strength in thunder shields the gentle lea,
And makes a white wrath of a league of sea,
Now wears the face of peace; and in the bay
The weak, spent voice of Winter dies away.
In every dell there is a whispering wing,
On every lawn a glimmer of the Spring;
By every hill are growths of tender green—
On every slope a fair, new life is seen;
And lo! beneath the morning’s blossoming fires,
The shining city of a hundred spires,
In mists of gold, by countless havens furled,
And glad with all the flags of all the world!

These are the shores, where, in a dream of fear,
Cathay saw darkness dwelling half the year!
These are the coasts that old fallacious tales
Chained down with ice and ringed with sleepless gales!
This is the land that, in the hour of awe,
From Indian peaks the rapt Venetian saw!
Here is the long grey line of strange sea wall
That checked the prow of the audacious Gaul,
What time he steered towards the southern snow,
From zone to zone, four hundred years ago!
By yonder gulf, whose marching waters meet
The wine-dark currents from the isles of heat,
Strong sons of Europe, in a far dim year,
Faced ghastly foes, and felt the alien spear!
There, in a later dawn, by shipless waves,
The tender grasses found forgotten graves.
Far in the west, beyond those hills sublime,
Dirk Hartog anchored in the olden time;
There, by a wild-faced bay, and in a cleft,
His shining name the fair-haired Northman left;
And, on those broad imperial waters, far
Beneath the lordly occidental star,
Sailed Tasman down a great and glowing space
Whose softer lights were like his lady’s face.
In dreams of her he roved from zone to zone,
And gave her lovely name to coasts unknown
And saw, in streaming sunset everywhere,
The curious beauty of her golden hair,
By flaming tracts of tropic afternoon,
Where in low heavens hangs a fourfold moon.
Here, on the tides of a resplendent year,
By capes of jasper, came the buccaneer.
Then, then, the wild men, flying from the beach,
First heard the clear, bold sounds of English speech;
And then first fell across a Southern plain
The broad, strong shadows of a Saxon train.
Near yonder wall of stately cliff, that braves
The arrogance of congregated waves,
The daring son of grey old Yorkshire stood
And dreamed in a majestic solitude,
What time a gentle April shed its showers,
Aflame with sunset, on the Bay of Flowers.
The noble seaman who withheld the hand,
And spared the Hector of his native land—
The single savage, yelling on the beach
The dark, strange curses of barbaric speech.
Exalted sailor! whose benignant phrase
Shines full of beauty in these latter days;
Who met the naked tribes of fiery skies
With great, divine compassion in his eyes;
Who died, like Him of hoary Nazareth,
That death august—the radiant martyr’s death;
Who in the last hour showed the Christian face
Whose crumbling beauty shamed the alien race.
In peace he sleeps where deep eternal calms
Lie round the land of heavy-fruited palms.
Lo! in that dell, behind a singing bar,
Where deep, pure pools of glittering waters are,
Beyond a mossy, yellow, gleaming glade,
The last of Forby Sutherland was laid—
The blue-eyed Saxon from the hills of snow
Who fell asleep a hundred years ago.
In flowerful shades, where gold and green are rife,
Still rests the shell of his forgotten life.
Far, far away, beneath some northern sky
The fathers of his humble household lie;
But by his lonely grave are sapphire streams,
And gracious woodlands, where the fire-fly gleams;
And ever comes across a silver lea
The hymn sublime of the eternal sea.

On that bold hill, against a broad blue stream,
Stood Arthur Phillip in a day of dream:
What time the mists of morning westward rolled,
And heaven flowered on a bay of gold!
Here, in the hour that shines and sounds afar,
Flamed first old England’s banner like a star;
Here, in a time august with prayer and praise,
Was born the nation of these splendid days;
And here this land’s majestic yesterday
Of immemorial silence died away.
Where are the woods that, ninety summers back,
Stood hoar with ages by the water-track?
Where are the valleys of the flashing wing,
The dim green margins and the glimmering spring?
Where now the warrior of the forest race,
His glaring war-paint and his fearless face?
The banks of April and the groves of bird,
The glades of silence and the pools unstirred,
The gleaming savage and the whistling spear,
Passed with the passing of a wild old year!
A single torrent singing by the wave,
A shadowy relic in a mountain cave,
A ghost of fire in immemorial hills,
The whittled tree by folded wayside rills,
The call of bird that hides in hollows far,
Where feet of thunder, wings of winter are—
Of all that Past, these wrecks of wind and rain,
These touching memories—these alone remain!

What sun is this that beams and broadens west?
What wonder this, in deathless glory dressed?
What strange, sweet harp of highest god took flame
And gave this Troy its life, its light, its name?
What awful lyre of marvellous power and range
Upraised this Ilion—wrought this dazzling change?
No shining singer of Hellenic dreams
Set yonder splendour by the morning streams!
No god who glimmers in a doubtful sphere
Shed glory there—created beauty here!
This is the city that our fathers framed—
These are the crescents by the elders named!
The human hands of strong, heroic men
Broke down the mountain, filled the gaping glen,
Ran streets through swamp, built banks against the foam,
And bent the arch and raised the lordly dome!
Here are the towers that the founders made!
Here are the temples where these Romans prayed!
Here stand the courts in which their leaders met!
Here are their homes, and here their altars yet!
Here sleep the grand old men whose lives sublime
Of thought and action shine and sound through time!
Who worked in darkness—onward fought their ways
To bring about these large majestic days—
Who left their sons the hearts and high desires
Which built this city of the hundred spires!

A stately Morning rises on the wing,
The hills take colour, and the valleys sing.
A strong September flames beyond the lea—
A silver vision on a silver sea.
A new Age, “cast in a diviner mould”,
Comes crowned with lustre, zoned and shod with gold!
What dream is this on lawny spaces set?
What miracle of dome and minaret?
What great mute majesty is this that takes
The first of morning ere the song-bird wakes?
Lo, this was built to honour gathering lands
By Celtic, Saxon, Australasian hands!
These are the halls where all the flags unfurled
Break into speech that welcomes all the world.
And lo, our friends are here from every zone—
From isles we dream of and from tracts unknown!
Here are the fathers from the stately space
Where Ireland is and England’s sacred face!
Here are the Norsemen from their strong sea-wall,
The grave, grand Teuton and the brilliant Gaul!
From green, sweet groves the dark-eyed Lusians sail,
And proud Iberia leaves the grape-flushed vale.
Here are the lords whose starry banner shines
From fierce Magellan to the Arctic pines.
Here come the strangers from the gates of day—
From hills of sunrise and from white Cathay.
The spicy islands send their swarthy sons,
The lofty North its mailed and mighty ones.
Venetian keels are floating on our sea;
Our eyes are glad with radiant Italy!
Yea, North and South, and glowing West and East,
Are gathering here to grace our splendid feast!
The chiefs from peaks august with Asian snow,
The elders born where regal roses grow,
Come hither, with the flower of that fair land
That blooms beyond the fiery tracts of sand
Where Syrian suns their angry lustres fling
Across blind channels of the bygone spring.
And on this great, auspicious day, the flowers
Of labour glorify majestic hours.

The singing angel from the starry sphere
Of dazzling Science shows his wonders here;
And Art, the dream-clad spirit, starts, and brings
From Fairyland her strange, sweet, glittering things.
Here are the works man did, what time his face
Was touched by God in some exalted place;
Here glows the splendour—here the marvel wrought
When Heaven flashed upon the maker’s thought!
Yea, here are all the miracles sublime—
The lights of Genius and the stars of Time!
And, being lifted by this noble noon,
Australia broadens like a tropic moon.
Her white, pure lustre beams across the zones;
The nations greet her from their awful thrones.
From hence the morning beauty of her name
Will shine afar, like an exceeding flame.
Her place will be with mighty lords, whose sway
Controls the thunder and the marching day.
Her crown will shine beside the crowns of kings
Who shape the seasons, rule the course of things,
The fame of her across the years to be
Will spread like light on a surpassing sea;
And graced with glory, girt with power august,
Her life will last till all things turn to dust.

To Thee the face of song is lifted now,
O Lord! to whom the awful mountains bow;
Whose hands, unseen, the tenfold storms control;
Whose thunders shake the spheres from pole to pole;
Who from Thy highest heaven lookest down,
The sea Thy footstool, and the sun Thy crown;
Around whose throne the deathless planets sing
Hosannas to their high, eternal King.
To Thee the soul of prayer this morning turns,
With faith that glitters, and with hope that burns!
And, in the moments of majestic calm
That fill the heart in pauses of the psalm,
She asks Thy blessing for this fair young land
That flowers within the hollow of Thine hand!
She seeks of Thee that boon, that gift sublime,
The Christian radiance, for this hope of Time!
And Thou wilt listen! and Thy face will bend
To smile upon us—Master, Father, Friend!
The Christ to whom pure pleading heart hath crept
Was human once, and in the darkness wept;
The gracious love that helped us long ago
Will on us like a summer sunrise flow,
And be a light to guide the nation’s feet
On holy paths—on sacred ways and sweet