Henry Kendall: Verses about Sorrow

SPIRIT of Loveliness! Heart of my heart!
Flying so far from me, Heart of my heart!
Above the eastern hill, I know the red leaves thrill,
But thou art distant still, Heart of my heart!

Sinning, I’ve searched for thee, Heart of my heart!
Sinning, I’ve dreamed of thee, Heart of my heart!
I know no end nor gain; amongst the paths of pain
I follow thee in vain, Heart of my heart!

Much have I lost for thee, Heart of my heart!
Not counting the cost for thee, Heart of my heart!
Through all this year of years thy form as mist appears,
So blind am I with tears, Heart of my heart!

Mighty and mournful now, Heart of my heart!
Cometh the Shadow-Face, Heart of my heart!
The friends I’ve left for thee, their sad eyes trouble me—
I cannot bear to be, Heart of my heart!

What bitter sorrow courses down
Yon mourner’s faded cheek?
Those scalding drops betray a grief
Within, too full to speak.
Outspoken words cannot express
The pangs, the pains of years;
They’re ne’er so deep or eloquent
As are those silent tears.
Here is a wound that in the breast
Must canker, hid’n from sight;
Though all without seems sunny day,
Within ’Tis ever night.
Yet sometimes from this secret source
The gloomy truth appears;
The wind’s dark dungeon must have vent
If but in silent tears.

The world may deem from outward looks
That heart is hard and cold;
But oh! could they the mantle lift
What sorrows would be told!
Then, only then, the truth would show
Which most the bosom sears:
The pain portrayed by burning words
Or that by—silent tears.

The song that is last of the many
Whose music is full of thy name,
Is weaker, O father! than any,
Is fainter than flickering flame.
But far in the folds of the mountains
Whose bases are hoary with sea,
By lone immemorial fountains
This singer is mourning for thee.
Because thou wert chief and a giant
With those who fought on for the right
A hero determined, defiant;
As flame was the sleep of thy might.
Like Stephen in days that are olden,
Thy lot with a rabble was cast,
But seasons came on that were golden,
And Peace was thy mother at last.

I knew of thy fierce tribulation,
Thou wert ever the same in my thought —
The father and friend of a nation
Through good and through evil report.
At Ephesus, fighting in fetters,
Paul drove the wild beasts to their pen;
So thou with the lash of thy letters
Whipped infamy back to its den.

The noise of thy battle is over,
Thy sword is hung up in its sheath;
Thy grave has been decked by its lover
With beauty of willowy wreath.
The winds sing about thee for ever,
The voices of hill and of sea;
But the cry of the conflict will never
Bring sorrow again unto thee.

She sleeps—and I see through a shadowy haze,
Where the hopes of the past and the dreams that I cherished
In the sunlight of brighter and happier days,
As the mists of the morning, have faded and perished.
She sleeps—and will waken to bless me no more;
Her life has died out like the gleam on the river,
And the bliss that illumined my bosom of yore
Has fled from its dwelling for ever and ever.
I had thought in this life not to travel alone,
I had hoped for a mate in my joys and my sorrow—
But the face of my idol is colder than stone,
And my path will be lonely without her to-morrow.
I was hoping to bask in the light of her smile
When Fortune and Fame with their laurels had crown’d me—
But the fire in her eyes has been dying the while,
And the thorns of affliction are planted around me.

There are those that may vent all their grief in their tears
And weep till the past is away in the distance;
But this wreck of the dream of my sunshiny years
Will hang like a cloud o’er the rest of existence.
In the depth of my soul she shall ever remain;
My thoughts, like the angels, shall hover about her;
For our hearts have been reft and divided in pain
And what is this world to be left in without her?

THERE’S music wafting on the air,
The evening winds are sighing
Among the trees—and yonder stream
Is mournfully replying,
Lamenting loud the sunny light
That in the west is dying.

The moon is rising o’er the hill,
Her slanting rays are creeping
Where Nature lies profoundly still
In happy quiet sleeping,
And resting on her face, they’ll find
The earth is wet with weeping.

She mourneth for the lovely day,
Now deep in darkness shaded;
She sheds the dewy tear because
Of morning’s mantle faded;
She misses from her breast the garb
In which the moon array’d it.

The evening queen will strive in vain
To break the spell which bound her;
A million stars can never throw
Departed warmth around her;
They all must pass away and leave
The earth as they had found her.

But why should gentle Nature weep
That night has overtaken
The wearied world that needed sleep,
Refreshed to re-awaken,
So richer light might burst around,
The gloomy shadows breaking?

Oh, can she not from yonder sky
That gleams above her, borrow
A single ray, or find a way
To check the tear of sorrow?
A beam of hope would last her till
The dawning of to-morrow.

Feet of the flying, and fierce
Tops of the sharp-headed spear,
Hard by the thickets that pierce,
Lo! they are nimble and near.
Women are we, and the wives
Strong Arrawatta hath won;
Weary because of our lives,
Sick of the face of the sun.

Koola, our love and our light,
What have they done unto you?
Man of the star-reaching sight,
Dipped in the fire and the dew.

Black-headed snakes in the grass
Struck at the fleet-footed lord—
Still is his voice at the pass,
Soundless his step at the ford.

Far by the forested glen,
Starkly he lies in the rain;
Kings of the council of men
Shout for their leader in vain.

Yea, and the fish-river clear
Never shall blacken below
Spear and the shadow of spear,
Bow and the shadow of bow.

Hunter and climber of trees,
Now doth his tomahawk rust,
(Dread of the cunning wild bees),
Hidden in hillocks of dust.

We, who were followed and bound,
Dashed under foot by the foe,
Sit with our eyes to the ground,
Faint from the brand and the blow.

Dumb with the sorrow that kills,
Sorrow for brother and chief,
Terror of thundering hills,
Having no hope in our grief,

Seeing the fathers are far
Seeking the spoils of the dead
Left on the path of the war,
Matted and mangled and red.

I see, as one in dreaming,
   A broad, bright, quiet sea;
Beyond it lies a haven --
   The only home for me.
Some men grow strong with trouble,
   But all my strength is past,
And tired and full of sorrow,
   I long to sleep at last.
By force of chance and changes
   Man's life is hard at best;
And, seeing rest is voiceless,
   The dearest thing is rest.

Beyond the sea -- behold it,
   The home I wish to seek,
The refuge of the weary,
   The solace of the weak!
Sweet angel fingers beckon,
   Sweet angel voices ask
My soul to cross the waters;
   And yet I dread the task.
God help the man whose trials
   Are tares that he must reap!
He cannot face the future --
   His only hope is sleep.

Across the main a vision
   Of sunset coasts, and skies,
And widths of waters gleaming,
   Enchant my human eyes.
I, who have sinned and suffered,
   Have sought -- with tears have sought --
To rule my life with goodness,
   And shape it to my thought.
And yet there is no refuge
   To shield me from distress,
Except the realm of slumber
   And great forgetfulness.

She knelt by the dead, in her passionate grief,
Beneath a weird forest of Tanna;
She kissed the stern brow of her father and chief,
And cursed the dark race of Alkanna.
With faces as wild as the clouds in the rain,
The sons of Kerrara came down to the plain,
And spoke to the mourner and buried the slain.
Oh, the glory that died with Deloya!

'Wahina,' they whispered, 'Alkanna lies low,
And the ghost of thy sire hath been gladdened,
For the men of his people have fought with the foe
Till the rivers of Warra are reddened!'
She lifted her eyes to the glimmering hill,
Then spoke, with a voice like a musical rill,
'The time is too short; can I sojourn here still?'
Oh, the Youth that was sad for Deloya!

'Wahina, why linger,' Annatanam said,
'When the tent of a chieftain is lonely?
There are others who grieve for the light that has fled,
And one who waits here for you only!'
'Go - leave me!' she cried. 'I would fain be alone;
I must stay where the trees and the wild waters moan;
For my heart is as cold as a wave-beaten stone.'
Oh, the Beauty that was broke for Deloya!

'Wahina, why weep o'er a handful of dust,
When the souls of the brave are approaching?
Oh, look to the fires that are lit for the just,
And the mighty who sleep in Arrochin!'
But she turned from the glare of the flame-smitten sea,
And a cry, like a whirlwind, came over the lea -
'Away to the mountains and leave her with me!'
Oh, the heart that was broke for Deloya!

Said the yellow-haired Spirit of Spring
To the white-footed Spirit of Snow,
“On the wings of the tempest take wing,
And leave me the valleys, and go.”
And, straightway, the streams were unchained,
And the frost-fettered torrents broke free,
And the strength of the winter-wind waned
In the dawn of a light on the sea.
Then a morning-breeze followed and fell,
And the woods were alive and astir
With the pulse of a song in the dell,
And a whisper of day in the fir.
Swift rings of sweet water were rolled
Down the ways where the lily-leaves grew,
And the green, and the white, and the gold,
Were wedded with purple and blue.

But the lips of the flower of the rose
Said, “where is the ending hereof?
Is it sweet with you, life, at the close?
Is it sad to be emptied of love?”
And the voice of the flower of the peach
Was tender and touching in tone,
“When each has been grafted on each,
It is sorrow to live on alone.”

Then the leaves of the flower of the vine
Said, “what will there be in the day
When the reapers are red with my wine,
And the forests are yellow and grey?”
And the tremulous flower of the quince
Made answer, “three seasons ago
My sisters were star-like, but since,
Their graves have been made in the snow.”

Then the whispering flower of the fern
Said, “who will be sad at the death,
When Summer blows over the burn,
With the fierceness of fire in her breath?”
And the mouth of the flower of the sedge
Was opened to murmur and sigh,
“Sweet wind-breaths that pause at the edge
Of the nightfall, and falter, and die.”

Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!

Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.

Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!

I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?

THE SONG of the water
Doomed ever to roam,
A beautiful exile,
Afar from its home.

The cliffs on the mountain,
The grand and the gray,
They took the bright creature
And hurled it away!

I heard the wild downfall,
And knew it must spill
A passionate heart out
All over the hill.

Oh! was it a daughter
Of sorrow and sin,
That they threw it so madly
Down into the lynn?
. . . . .
And listen, my Sister,
For this is the song
The Waterfall taught me
The ridges among:—

“Oh where are the shadows
So cool and so sweet
And the rocks,” saith the water,
“With the moss on their feet?

“Oh, where are my playmates
The wind and the flowers—
The golden and purple—
Of honey-sweet bowers,

“Mine eyes have been blinded
Because of the sun;
And moaning and moaning
I listlessly run.

“These hills are so flinty!—
Ah! tell me, dark Earth,
What valley leads back to
The place of my birth?—

“What valley leads up to
The haunts where a child
Of the caverns I sported,
The free and the wild?

“There lift me,”—it crieth,
“I faint from the heat;
With a sob for the shadows
So cool and so sweet.”

Ye rocks, that look over
With never a tear,
I yearn for one half of
The wasted love here!

My sister so wistful,
You know I believe,
Like a child for the mountains
This water doth grieve.

Ah! you with the blue eyes
And golden-brown hair,
Come closer and closer
And truly declare:—

Supposing a darling
Once happened to sin,
In a passionate space,
Would you carry her in—

If your fathers and mothers,
The grand and the gray,
Had taken the weak one
And hurled her away?

LOW as a lute, my love, beneath the call
Of storm, I hear a melancholy wind;
The memorably mournful wind of yore
Which is the very brother of the one
That wanders, like a hermit, by the mound
Of Death, in lone Annatanam. A song
Was shaped for this, what time we heard outside
The gentle falling of the faded leaf
In quiet noons: a song whose theme doth turn
On gaps of Ruin and the gay-green clifts
Beneath the summits haunted by the moon.
Yea, much it travels to the dens of dole;
And in the midst of this strange rhyme, my lords,
Our Desolation like a phantom sits
With wasted cheeks and eyes that cannot weep
And fastened lips crampt up in marvellous pain.

A song in whose voice is the voice of the foam
And the rhyme of the wintering wave,
And the tongue of the things that eternally roam
In forest, in fell or in cave;
But mostly ’tis like to the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.

The torrent flies over the thunder-struck clift
With many and many a call;
The leaves are swept down, and a dolorous drift
Is hurried away with the fall.
But mostly ’tis like the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.

Whoever goes thither by night or by day
Must mutter, O Father, to Thee,
For the shadows that startle, the sounds that waylay
Are heavy to hear and to see;
And a step and a moan and a whisper for aye
Have made it a sorrow to be—
A sorrow of sorrows to be.

Oh! cover your faces and shudder, and turn
And hide in the dark of your hair,
Nor look to the Glen in the Mountains, to learn
Of the mystery mouldering there;
But rather sit low in the ashes and urn
Dead hopes in your mighty despair—
In the depths of your mighty despair.

Gloomy cliffs, so worn and wasted with the washing of the waves,
Are ye not like giant tombstones round those lonely ocean graves?
Are ye not the sad memorials, telling of a mighty grief —
Dark with records ground and lettered into caverned rock and reef?
Oh! ye show them, and I know them, and my thoughts in mourning go
Down amongst your sunless chasms, deep into the surf below!
Oh! ye bear them, and declare them, and o’er every cleft and scar,
I have wept for dear dead brothers perished in the lost Dunbar!
Ye smitten — ye battered,
And splintered and shattered
Cliffs of the Sea!
Restless waves, so dim with dreams of sudden storms and gusty surge,
Roaring like a gathered whirlwind reeling round a mountain verge,
Were ye not like loosened maniacs, in the night when Beauty pale
Called upon her God, beseeching through the uproar of the gale?
Were ye not like maddened demons while young children faint with fear
Cried and cried and cried for succour, and no helping hand was near?
Oh, the sorrow of the morrow! — lamentations near and far! —
Oh, the sobs for dear dead sisters perished in the lost Dunbar! —
Ye ruthless, unsated,
And hateful, and hated
Waves of the Sea!

Ay, we stooped and moaned in darkness —
eyes might strain and hearts might plead,
For their darlings crying wildly, they would never rise nor heed!
Ay, we yearned into their faces looking for the life in vain,
Wailing like to children blinded with a mist of sudden pain!
Dear hands clenched, and dear eyes rigid in a stern and stony stare,
Dear lips white from past affliction, dead to all our mad despair,
Ah, the groaning and the moaning — ah, the thoughts which rise in tears
When we turn to all those loved ones, looking backward five long years!
The fathers and mothers,
The sisters and brothers
Drowned at Sea!

Who cometh from fields of the south
With raiment of weeping and woe,
And a cry of the heart in her mouth,
And a step that is muffled and slow?
Her paths are the paths of the sun;
Her house is a beautiful light;
But she boweth her head, and is one
With the daughters of dolour and night.

She is fairer than flowers of love;
She is fiercer than wind-driven flame;
And God from His thunders above
Hath smitten the soul of her shame.

She saith to the bloody one curst
With the fever of evil, she saith
“My sorrow shall strangle thee first
With an agony wilder than death!

“My sorrow shall hack at thy life!
Thou shalt wrestle with wraiths of thy sin,
And sleep on a pillow of strife
With demons without and within!”

She whispers, “He came to the land
A lord and a lover of me—
A son of the waves with a hand
As fearless and frank as the sea.

“On the shores of the stranger he stood
With the sweetness of youth on his face;
Till there started a fiend from the wood,
Who stabbed at the peace of the place!

“Because of the dastardly thing
Thou hast done in the sight of the day,
All horrors that sicken and sting
Shall make thee for ever their prey.

“Because of the beautiful trust
Destroyed by a devil like thee,
Thy bed shall be low in the dust
And my heel as a shackle shall be!

“Because” (and she mutters it deep
Who curseth the coward in chains)
“Thou hast stricken and murdered our sleep,
Thy sleep shall be perished with pains;

“Thy sleep shall be broken and sharp
And filled with fierce spasms and dreams,
And shadow shall haunt thee and harp
On hellish and horrible themes!

“I will set my right hand on thy neck
And my foot on thy body, nor bate,
Till thy name shall become as a wreck
And a byword for hisses and hate!”

SAD FACES came round, and I dreamily said
“Though the harp of my country now slumbers,
Some hand will pass o’er it, in love for the dead,
And attune it to sorrowful numbers!”
But the hopes that I clung to are withering things,
For the days have gone by with a cloud on their wings,
And the touch of a bard is unknown to the strings—
Oh, why art thou silent, Australia?

The leaves of the autumn are scattering fast,
The willows look barren and lonely;
But I dream a sad dream of my friend of the past,
And his form I can dwell upon only!
In the strength of his youth I can see him go by.
There is health on the cheek, and a fire in the eye—
Oh, who would have thought that such beauty could die!
Ah, mourn for thy noblest, Australia!

A strange shadow broods o’er the desolate earth,
And the cypresses tremble and quiver;
But my heart waxeth dark with the thoughts of the worth
That has left us for ever and ever!
A dull cloud creepeth close to the moon,
And the winter winds pass with a shuddering croon—
Oh, why was he snatched from his brothers so soon?
Ah, weep for thy lost one, Australia!

How weary we grow when we turn to reflect
Upon what we have seen and believed in;
When harping on promises hopelessly wrecked,
And the things we have all been deceived in!
When a voice that I loved lingers near to me yet!
And a kind, handsome face which I’ll never forget—
Can I wake to the present and stifle regret—
Can I smother these feelings, Australia?

It is useless to grieve o’er the light that has fled
But the harp of my country still slumbers;
And I thought that some bard in his love for the dead,
Would have thrilled it to sorrowful numbers!
Lo, the hopes that I clung to are withering things
For the days have gone by with a cloud on their wings,
And my hand is too feeble to strike at the strings—
Oh, why art thou silent, Australia?

TAKE the harp, but very softly for our brother touch the strings:
Wind and wood shall help to wail him, waves and mournful mountain-springs.
Take the harp, but very softly, for the friend who grew so old
Through the hours we would not hear of—nights we would not fain behold!
Other voices, sweeter voices, shall lament him year by year,
Though the morning finds us lonely, though we sit and marvel here:
Marvel much while Summer cometh, trammelled with November wheat,
Gold about her forehead gleaming, green and gold about her feet;
Yea, and while the land is dark with plover, gull, and gloomy glede,
Where the cold, swift songs of Winter fill the interlucent reed.
Yet, my harp—and oh, my fathers! never look for Sorrow’s lay,
Making life a mighty darkness in the patient noon of day;
Since he resteth whom we loved so, out beyond these fleeting seas,
Blowing clouds and restless regions paved with old perplexities,
In a land where thunder breaks not, in a place unknown of snow,
Where the rain is mute for ever, where the wild winds never go:
Home of far-forgotten phantoms—genii of our peaceful prime,
Shining by perpetual waters past the ways of Change and Time:
Haven of the harried spirit, where it folds its wearied wings,
Turns its face and sleeps a sleep with deep forgetfulness of things.

His should be a grave by mountains, in a cool and thick-mossed lea,
With the lone creek falling past it—falling ever to the sea.
His should be a grave by waters, by a bright and broad lagoon,
Making steadfast splendours hallowed of the quiet, shining moon.
There the elves of many forests—wandering winds and flying lights—
Born of green, of happy mornings, dear to yellow summer nights,
Full of dole for him that loved them, then might halt and then might go,
Finding fathers of the people to their children speaking low—
Speaking low of one who, failing, suffered all the poet’s pain,
Dying with the dead leaves round him—hopes which never grow again.

IN dark wild woods, where the lone owl broods
And the dingoes nightly yell—
Where the curlew’s cry goes floating by,
We splitters of shingles dwell.
And all day through, from the time of the dew
To the hour when the mopoke calls,
Our mallets ring where the woodbirds sing
Sweet hymns by the waterfalls.
And all night long we are lulled by the song
Of gales in the grand old trees;
And in the breaks we can hear the lakes
And the moan of the distant seas.
For afar from heat and dust of street,
And hall and turret, and dome,
In forest deep, where the torrents leap,
Is the shingle-splitter’s home.

The dweller in town may lie upon down,
And own his palace and park:
We envy him not his prosperous lot,
Though we slumber on sheets of bark.
Our food is rough, but we have enough;
Our drink is better than wine:
For cool creeks flow wherever we go,
Shut in from the hot sunshine.
Though rude our roof, it is weather-proof,
And at the end of the days
We sit and smoke over yarn and joke,
By the bush-fire’s sturdy blaze.
For away from din, and sorrow and sin,
Where troubles but rarely come,
We jog along, like a merry song,
In the shingle-splitter’s home.

What though our work he heavy, we shirk
From nothing beneath the sun;
And toil is sweet to those who can eat
And rest when the day is done.
In the Sabbath-time we hear no chime,
No sound of the Sunday bells;
But yet Heaven smiles on the forest aisles,
And God in the woodland dwells.
We listen to notes from the million throats
Of chorister birds on high,
Our psalm is the breeze in the lordly trees,
And our dome is the broad blue sky,
Oh! a brave frank life, unsmitten by strife,
We live wherever we roam,
And our hearts are free as the great strong sea,
In the shingle-splitter’s home.

A SILVER slope, a fall of firs, a league of gleaming grasses,
And fiery cones, and sultry spurs, and swarthy pits and passes!

The long-haired Cyclops bated breath, and bit his lip and hearkened,
And dug and dragged the stone of death, by ways that dipped and darkened.

Across a tract of furnaced flints there came a wind of water,
From yellow banks with tender hints of Tethys’ white-armed daughter.

She sat amongst wild singing weeds, by beds of myrrh and moly;
And Acis made a flute of reeds, and drew its accents slowly;

And taught its spirit subtle sounds that leapt beyond suppression,
And paused and panted on the bounds of fierce and fitful passion.

Then he who shaped the cunning tune, by keen desire made bolder,
Fell fainting, like a fervent noon, upon the sea-nymph’s shoulder.

Sicilian suns had laid a dower of light and life about her:
Her beauty was a gracious flower—the heart fell dead without her.

“Ah, Galate,” said Polypheme, “I would that I could find thee
Some finest tone of hill or stream, wherewith to lull and bind thee!

“What lyre is left of marvellous range, whose subtle strings, containing
Some note supreme, might catch and change, or set thy passion waning?—

“Thy passion for the fair-haired youth whose fleet, light feet perplex me
By ledges rude, on paths uncouth, and broken ways that vex me?

“Ah, turn to me! else violent sleep shall track the cunning lover;
And thou wilt wait and thou wilt weep when I his haunts discover.”

But golden Galatea laughed, and Thosa’s son, like thunder,
Broke through a rifty runnel shaft, and dashed its rocks asunder,

And poised the bulk, and hurled the stone, and crushed the hidden Acis,
And struck with sorrow drear and lone the sweetest of all faces.

To Zeus, the mighty Father, she, with plaint and prayer, departed:
Then from fierce Aetna to the sea a fountained water started—

A lucent stream of lutes and lights—cool haunt of flower and feather,
Whose silver days and yellow nights made years of hallowed weather.

Here Galatea used to come, and rest beside the river;
Because, in faint, soft, blowing foam, her shepherd lived for ever.

Towards the hills of Jamberoo
Some few fantastic shadows haste,
Uplit with fires
Like castle spires
Outshining through a mirage waste.
Behold, a mournful glory sits
On feathered ferns and woven brakes,
Where sobbing wild like restless child
The gusty breeze of evening wakes!
Methinks I hear on every breath
A lofty tone go passing by,
That whispers -- "Weave,
Though wood winds grieve,
The fadeless blooms of Poesy!"

A spirit hand has been abroad --
An evil hand to pluck the flowers --
A world of wealth,
And blooming health
Has gone from fragrant seaside bowers.
The twilight waxeth dim and dark,
The sad waves mutter sounds of woe,
But the evergreen retains its sheen,
And happy hearts exist below;
But pleasure sparkles on the sward,
And voices utter words of bliss,
And while my bride
Sits by my side,
Oh, where's the scene surpassing this?

Kiama slumbers, robed with mist,
All glittering in the dewy light
That, brooding o'er
The shingly shore,
Lies resting in the arms of Night;
And foam-flecked crags with surges chill,
And rocks embraced of cold-lipped spray,
Are moaning loud where billows crowd
In angry numbers up the bay.
The holy stars come looking down
On windy heights and swarthy strand,
And Life and Love --
The cliffs above --
Are sitting fondly hand in hand.

I hear a music inwardly,
That floods my soul with thoughts of joy;
Within my heart
Emotions start
That Time may still but ne'er destroy.
An ancient Spring revives itself,
And days which made the past divine;
And rich warm gleams from golden dreams,
All glorious in their summer shine;
And songs of half forgotten hours,
And many a sweet melodious strain,
Which still shall rise
Beneath the skies
When all things else have died again.

A white sail glimmers out at sea --
A vessel walking in her sleep;
Some Power goes past
That bends the mast,
While frighted waves to leeward leap.
The moonshine veils the naked sand
And ripples upward with the tide,
As underground there rolls a sound
From where the caverned waters glide.
A face that bears affection's glow,
The soul that speaks from gentle eyes,
And joy which slips
From loving lips
Have made this spot my Paradise!

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;

So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.

The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.

But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.

And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.

Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.

But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.

No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.

The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.

The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.

But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.

Just a shell, to which the seaweed glittering yet with greenness clings,
Like the song that once I loved so, softly of the old time sings -
Softly of the old time speaketh - bringing ever back to me
Sights of far-off lordly forelands - glimpses of the sounding sea!
Now the cliffs are all before me - now, indeed, do I behold
Shining growths on wild wet hillheads, quiet pools of green and gold.
And, across the gleaming beaches, lo! the mighty flow and fall
Of the great ingathering waters thundering under Wamberal!

Back there are the pondering mountains; there the dim, dumb ranges loom -
Ghostly shapes in dead grey vapour - half-seen peaks august with gloom.
There the voice of troubled torrents, hidden in unfathomed deeps,
Known to moss and faint green sunlight, wanders down the oozy steeps.
There the lake of many runnels nestles in a windless wild
Far amongst thick-folded forests, like a radiant human child.
And beyond surf-smitten uplands - high above the highest spur -
Lo! the clouds like tents of tempest on the crags of Kincumber!

Wamberal, the home of echoes! Hard against a streaming strand,
Sits the hill of blind black caverns, at the limits of the land.
Here the haughty water marches - here the flights of straitened sea
Make a noise like that of trumpets, breaking wide across the lea!
But behold, in yonder crescent that a ring of island locks
Are the gold and emerald cisterns shining moonlike in the rocks!
Clear, bright cisterns, zoned by mosses, where the faint wet blossoms dwell
With the leaf of many colours - down beside the starry shell.

Friend of mine beyond the mountains, here and here the perished days
Come like sad reproachful phantoms, in the deep grey evening haze -
Come like ghosts, and sit beside me when the noise of day is still,
And the rain is on the window, and the wind is on the hill.
Then they linger, but they speak not, while my memory roams and roams
Over scenes by death made sacred - other lands and other homes!
Places sanctified by sorrow - sweetened by the face of yore -
Face that you and I may look on (friend and brother) nevermore!

Seasons come with tender solace - time lacks neither light nor rest;
But the old thoughts were such ~dear~ ones, and the old days seem the best.
And to those who've loved and suffered, every pulse of wind or rain -
Every song with sadness in it, brings the peopled Past again.
Therefore, just this shell yet dripping, with this weed of green and grey,
Sets me thinking - sets me dreaming of the places far away;
Dreaming of the golden rockpools - of the foreland and the fall;
And the home behind the mountains looming over Wamberal.

I am writing this song at the close
Of a beautiful day of the spring
In a dell where the daffodil grows
By a grove of the glimmering wing;
From glades where a musical word
Comes ever from luminous fall,
I send you the song of a bird
That I wish to be dear to you all.
I have given my darling the name
Of a land at the gates of the day,
Where morning is always the same,
And spring never passes away.
With a prayer for a lifetime of light,
I christened her Persia, you see;
And I hope that some fathers to-night
Will kneel in the spirit with me.

She is only commencing to look
At the beauty in which she is set;
And forest and flower and brook,
To her are all mysteries yet.
I know that to many my words
Will seem insignificant things;
But you who are mothers of birds
Will feel for the father who sings.

For all of you doubtless have been
Where sorrows are many and wild;
And you know what a beautiful scene
Of this world can be made by a child:
I am sure, if they listen to this,
Sweet women will quiver, and long
To tenderly stoop to and kiss
The Persia I’ve put in a song.

And I’m certain the critic will pause,
And excuse, for the sake of my bird,
My sins against critical laws—
The slips in the thought and the word.
And haply some dear little face
Of his own to his mind will occur—
Some Persia who brightens his place—
And I’ll be forgiven for her.

A life that is turning to grey
Has hardly been happy, you see;
But the rose that has dropped on my way
Is morning and music to me.
Yea, she that I hold by the hand
Is changing white winter to green,
And making a light of the land—
All fathers will know what I mean:

All women and men who have known
The sickness of sorrow and sin,
Will feel—having babes of their own—
My verse and the pathos therein.
For that must be touching which shows
How a life has been led from the wild
To a garden of glitter and rose,
By the flower-like hand of a child.

She is strange to this wonderful sphere;
One summer and winter have set
Since God left her radiance here—
Her sweet second year is not yet.
The world is so lovely and new
To eyes full of eloquent light,
And, sisters, I’m hoping that you
Will pray for my Persia to-night.

For I, who have suffered so much,
And know what the bitterness is,
Am sad to think sorrow must touch
Some day even darlings like this!
But sorrow is part of this life,
And, therefore, a father doth long
For the blessing of mother and wife
On the bird he has put in a song.

CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?

All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.

In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.

Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?

A CLAMOUR by day and a whisper by night,
And the Summer comes—with the shining noons,
With the ripple of leaves, and the passionate light
Of the falling suns and the rising moons.

And the ripple of leaves and the purple and red
Die for the grapes and the gleam of the wheat,
And then you may pause with the splendours, or tread
On the yellow of Autumn with lingering feet.

You may halt with the face to a flying sea,
Or stand like a gloom in the gloom of things,
When the moon drops down and the desolate lea
Is troubled with thunder and desolate wings.

But alas for the grey of the wintering eves,
And the pondering storms and the ruin of rains;
And alas for the Spring like a flame in the leaves,
And the green of the woods and the gold of the lanes!

For, seeing all pathos is mixed with our past,
And knowing all sadness of storm and of surge
Is salt with our tears for the faith that was cast
Away like a weed o’er a bottomless verge,

I am lost for these tokens, and wearied of ways
Wedded with ways that are waning amain,
Like those that are filled with the trouble that slays;
Having drunk of their life to the lees that are pain.

And yet I would write to you! I who have turned
Away with a bitter disguise in the eyes,
And bitten the lips that have trembled and burned
Alone for you, darling, and breaking with sighs.

Because I have touched with my fingers a dress
That was Beauty’s; because that the breath of thy mouth
Is sweetness that lingers; because of each tress
Showered down on thy shoulders; because of the drouth

That came in thy absence; because of the lights
In the Passion that grew to a level with thee—
Is it well that our lives have been filled with the nights
And the days which have made it a sorrow to be?

Yea, thus having tasted all love with thy lips,
And having the warmth of thy hand in mine own,
Is it well that we wander, like parallel ships,
With the silence between us, aloof and alone?

With my face to the wall shall I sleep and forget
The shadow, the sweet sense of slumber denies,
If even I marvel at kindness, and fret,
And start while the tears are all wet in mine eyes?

Oh, darling of mine, standing here with the Past,
Trampled under our feet in the bitterest ways,
Is this speech like a ghost that it keeps us aghast
On the track of the thorns and in alien days?

When I know of you, love, how you break with our pain,
And sob for the sorrow of sorrowful dreams,
Like a stranger who stands in the wind and the rain
And watches and wails by impassable streams:

Like a stranger who droops on a brink and deplores,
With famishing hands and frost in the feet,
For the laughter alive on the opposite shores
With the fervour of fire and the wind of the wheat.

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

FAR in the ways of the hyaline wastes—in the face of the splendid
Six of the sisters—the star-dowered sisters ineffably bright,
Merope sitteth, the shadow-like wife of a monarch unfriended
Of Ades—of Orcus, the fierce, the implacable god of the night.
Merope—fugitive Merope! lost to thyself and thy lover,
Cast, like a dream, out of thought, with the moons which have passed into sleep,
What shall avail thee? Alcyone’s tears, or the sight to discover
Of Sisyphus pallid for thee by the blue, bitter lights of the deep—
Pallid, but patient for sorrow? Oh, thou of the fire and the water,
Half with the flame of the sunset, and kin to the streams of the sea,
Hast thou the songs of old times for desire of thy dark-featured daughter,
Sweet with the lips of thy yearning, O Aethra! with tokens of thee—
Songs that would lull her, like kisses forgotten of silence where speech was
Less than the silence that bound it as passion is bound by a ban;
Seeing we know of thee, Mother, we turning and hearing how each was
Wrapt in the other ere Merope faltered and fell for a man?
Mortal she clave to, forgetting her birthright, forgetting the lordlike
Sons of the many-winged Father, and chiefs of the plume and the star,
Therefore, because that her sin was the grief of the grand and the godlike,
Sitteth thy child than a morning-moon bleaker, the faded, and far.
Ringed with the flower-like Six of the Seven, arrayed and anointed
Ever with beautiful pity, she watches, she weeps, and she wanes,
Blind as a flame on the hills of the Winter in hours appointed
For the life of the foam and the thunder—the strength of the imminent rains.
Who hath a portion, Alcyone, like her? Asterope, fairer
Than sunset on snow, and beloved of all brightness, say what is there left
Sadder and paler than Pleione’s daughter, disconsolate bearer
Of trouble that smites like a sword of the gods to the break of the heft?
Demeter, and Dryope, known to the forests, the falls, and the fountains,
Yearly, because of their walking and wailing and wringing of hands,
Are they as one with this woman?—of Hyrie, wild in the mountains,
Breaking her heart in the frosts and the fires of the uttermost lands?
These have their bitterness. This, for Persephone, that for Oechalian
Homes, and the lights of a kindness blown out with the stress of her shame:
One for her child, and one for her sin; but thou above all art an alien,
Girt with the halos that vex thee, and wrapt in a grief beyond name.
Yet sayeth Sisyphus—Sisyphus, stricken and chained of the minioned
Kings of great darkness, and trodden in dust by the feet of the Fates—
“Sweet are the ways of thy watching, and pallid and perished and pinioned,
Moon amongst maidens, I leap for thy love like a god at the gates—
Leap for the dreams of a rose of the heavens, and beat at the portals
Paved with the pain of unsatisfied pleadings for thee and for thine!
But Zeus is immutable Master, and these are the walls the immortals
Build for our sighing, and who may set lips at the lords and repine?
Therefore,” he saith, “I am sick for thee, Merope, faint for the tender
Touch of thy mouth, and the eyes like the lights of an altar to me;
But, lo, thou art far; and thy face is a still and a sorrowful splendour!
And the storm is abroad with the rain on the perilous straits of the sea.”

A SONG that is bitter with grief—a ballad as pale as the light
That comes with the fall of the leaf, I sing to the shadows to-night.

The laugh on the lyrical lips is sadder than laughter of ghosts
Chained back in the pits of eclipse by wailing unnameable coasts.

I gathered this wreath at the close of day that was dripping with dew;
The blossom you take for a rose was plucked from the branch of a yew.

The flower you fancy is sweet has black in the place of the red;
For this is a song of the street—the ballad of larrikin Ned.

He stands at the door of the sink that gapes like a fissure of death:
The face of him fiery with drink, the flame of its fume in his breath.

He thrives in the sickening scenes that the devil has under his ban;
A rascal not out of his teens with the voice of a vicious old man.

A blossom of blackness, indeed—of Satan a sinister fruit!
Far better the centipede’s seed—the spawn of the adder or newt.

Than terror of talon or fang this imp of the alleys is worse:
His speech is a poisonous slang—his phrases are coloured with curse.

The prison, the shackles, and chain are nothing to him and his type:
He sings in the shadow of pain, and laughs at the impotent stripe.

There under the walls of the gaols the half of his life has been passed.
He was born in the bosom of bale—he will go to the gallows at last.

No angel in Paradise kneels for him at the feet of the Lord;
A Nemesis follows his heels in the flame of a sinister sword.

The sins of his fathers have brought this bitterness into his days—
His life is accounted as naught; his soul is a brand for the blaze.

Did ever his countenance change? Did ever a moment supreme
Illumine his face with a strange ineffably beautiful dream?

Before he was caught in the breach—in the pits of iniquity grim,
Did ever the Deity reach the hand of a Father to him?

Behold, it is folly to say the evil was born in the blood;
The rose that is cankered to-day was once an immaculate bud!

There might have been blossom and fruit—a harvest exceedingly fair,
Instead of the venomous root, and flowers that startle and scare.

The burden—the burden is their’s who, watching this garden about,
Assisted the thistle and tares, and stamped the divinity out!

A growth like the larrikin Ned—a brutal unqualified clod,
Is what ye are helping who’d tread on the necks of the prophets of God.

No more than a damnable weed ye water and foster, ye fools,
Whose aim is to banish indeed the beautiful Christ from the schools.

The merciful, wonderful light of the seraph Religion behold
These evil ones shut from the sight of the children who weep in the cold!

But verily trouble shall fall on such, and their portion shall be
A harvest of hyssop and gall, and sorrow as wild as the sea.

For the rose of a radiant star is over the hills of the East,
And the fathers are heartened for war—the prophet, the Saint, and the priest.

For a spirit of Deity makes the holy heirophants strong;
And a morning of majesty breaks, and blossoms in colour and song.

Yea, now, by the altars august the elders are shining supreme;
And brittle and barren as dust is the spiritless secular dream.

It’s life as a vapour shall end as a fog in the fall of the year;
For the Lord is a Father and Friend, and the day of His coming is near.

Strong pinions bore Safi, the dreamer,
Through the dazzle and whirl of a race,
And the earth, raying up in confusion,
Like a sea thundered under his face!
And the earth, raying up in confusion,
Passed flying and flying afar,
Till it dropped like a moon into silence,
And waned from a moon to a star.

Was it light, was it shadow he followed,
That he swept through those desperate tracts,
With his hair beating back on his shoulders
Like the tops of the wind-hackled flax?

“I come,” murmured Safi, the dreamer,
“I come, but thou fliest before:
But thy way hath the breath of the honey,
And the scent of the myrrh evermore!”

His eyes were the eyes of a watcher
Held on by luxurious faith,
And his lips were the lips of a longer
Amazed with the beauty of Death.

“For ever and ever,” he murmured,
“My love, for the sweetness with thee,
Do I follow thy footsteps,” said Safi,
“Like the wind on a measureless sea.”

And, fronting the furthermost spaces,
He kept through the distances dim,
Till the days, and the years, and the cycles
Were lost and forgotten by him.

When he came to the silver star-portals,
The Queen of that wonderful place
Looked forth from her towers resplendent,
And started, and dreamed in his face.

And one said, “This is Safi the Only,
Who lived in a planet below,
And housed him apart from his fellows,
A million of ages ago.

“He erred, if he suffers, to clutch at
High lights from the wood and the street;
Not caring to see how his brothers
Were content with the things at their feet.”

But she whispered, “Ah, turn to the stranger!
He looks like a lord of the land;
For his eyes are the eyes of an angel,
And the thought on his forehead is grand!

“Is there never a peace for the sinner
Whose sin is in this, that he mars
The light of his worship of Beauty,
Forgetting the flower for the stars?”

“Behold him, my Sister immortal,
And doubt that he knoweth his shame,
Who raves in the shadow for sweetness,
And gloats on the ghost of a flame!

“His sin is his sin, if he suffers,
Who wilfully straitened the truth;
And his doom is his doom, if he follows
A lie without sorrow or ruth.”

And another from uttermost verges
Ran out with a terrible voice—
“Let him go—it is well that he goeth,
Though he break with the lot of his choice!”

“I come,” murmured Safi, the dreamer,
“I come, but thou fliest before:
But thy way hath the breath of the honey,
And the scent of the myrrh evermore.”

“My Queen,” said the first of the Voices,
“He hunteth a perilous wraith,
Arrayed with voluptuous fancies
And ringed with tyrannical faith.

“Wound up in the heart of his error
He must sweep through the silences dire,
Like one in the dark of a desert
Allured by fallacious fire.”

And she faltered, and asked, like a doubter,
“When he hangs on those Spaces sublime
With the Terror that knoweth no limit,
And holdeth no record of Time—

“Forgotten of God and the demons—
Will he keep to his fancy amain?
Can he live for that horrible chaos
Of flame and perpetual rain?”

But an answer as soft as a prayer
Fell down from a high, hidden land,
And the words were the words of a language
Which none but the gods understand.

Twelve years ago, when I could face
High heaven’s dome with different eyes—
In days full-flowered with hours of grace,
And nights not sad with sighs—
I wrote a song in which I strove
To shadow forth thy strain of woe,
Dark widowed sister of the grove!—
Twelve wasted years ago.
But youth was then too young to find
Those high authentic syllables,
Whose voice is like the wintering wind
By sunless mountain fells;
Nor had I sinned and suffered then
To that superlative degree
That I would rather seek, than men,
Wild fellowship with thee!

But he who hears this autumn day
Thy more than deep autumnal rhyme,
Is one whose hair was shot with grey
By Grief instead of Time.
He has no need, like many a bard,
To sing imaginary pain,
Because he bears, and finds it hard,
The punishment of Cain.

No more he sees the affluence
Which makes the heart of Nature glad;
For he has lost the fine, first sense
Of Beauty that he had.
The old delight God’s happy breeze
Was wont to give, to Grief has grown;
And therefore, Niobe of trees,
His song is like thine own!

But I, who am that perished soul,
Have wasted so these powers of mine,
That I can never write that whole,
Pure, perfect speech of thine.
Some lord of words august, supreme,
The grave, grand melody demands;
The dark translation of thy theme
I leave to other hands.

Yet here, where plovers nightly call
Across dim, melancholy leas—
Where comes by whistling fen and fall
The moan of far-off seas—
A grey, old Fancy often sits
And fills thy strong, strange rhyme by fits
With awful utterings.

Then times there are when all the words
Are like the sentences of one
Shut in by Fate from wind and birds
And light of stars and sun,
No dazzling dryad, but a dark
Dream-haunted spirit doomed to be
Imprisoned, crampt in bands of bark,
For all eternity.

Yea, like the speech of one aghast
At Immortality in chains,
What time the lordly storm rides past
With flames and arrowy rains:
Some wan Tithonus of the wood,
White with immeasurable years—
An awful ghost in solitude
With moaning moors and meres.

And when high thunder smites the hill
And hunts the wild dog to his den,
Thy cries, like maledictions, shrill
And shriek from glen to glen,
As if a frightful memory whipped
Thy soul for some infernal crime
That left it blasted, blind, and stript—
A dread to Death and Time!

But when the fair-haired August dies,
And flowers wax strong and beautiful,
Thy songs are stately harmonies
By wood-lights green and cool—
Most like the voice of one who shows
Through sufferings fierce, in fine relief,
A noble patience and repose—
A dignity in grief.

But, ah! conceptions fade away,
And still the life that lives in thee—
The soul of thy majestic lay—
Remains a mystery!
And he must speak the speech divine—
The language of the high-throned lords—
Who’d give that grand old theme of thine
Its sense in faultless words.

By hollow lands and sea-tracts harsh,
With ruin of the fourfold gale,
Where sighs the sedge and sobs the marsh,
Still wail thy lonely wail;
And, year by year, one step will break
The sleep of far hill-folded streams,
And seek, if only for thy sake
Thy home of many dreams.

INTO that good old Hebrew’s soul sublime
The spirit of the wilderness had passed;
For where the thunders of imperial Storm
Rolled over mighty hills; and where the caves
Of cloud-capt Horeb rang with hurricane;
And where wild-featured Solitude did hold
Supreme dominion; there the prophet saw
And heard and felt that large mysterious life
Which lies remote from cities, in the woods
And rocks and waters of the mountained Earth.
And so it came to pass, Elijah caught
That scholarship which gave him power to see
And solve the deep divinity that lies
With Nature, under lordly forest-domes,
And by the seas; and so his spirit waxed,
Made strong and perfect by its fellowship
With God’s authentic world, until his eyes
Became a splendour, and his face was as
A glory with the vision of the seer.
Thereafter, thundering in the towns of men,
His voice, a trumpet of the Lord, did shake
All evil to its deep foundations. He,
The hairy man who ran before the king,
Like some wild spectre fleeting through the storm,
What time Jezreel’s walls were smitten hard
By fourfold wind and rain; ’twas he who slew
The liars at the altars of the gods,
And, at the very threshold of a throne,
Heaped curses on its impious lord; ’twas he
Jehovah raised to grapple Sin that stalked,
Arrayed about with kingship; and to strike
Through gold and purple, to the heart of it.
And therefore Falsehood quaked before his face,
And Tyranny grew dumb at sight of him,
And Lust and Murder raged abroad no more;
But where these were he walked, a shining son
Of Truth, and cleared and sanctified the land.

Not always was the dreaded Tishbite stern;
The scourge of despots, when he saw the face
Of Love in sorrow by the bed of Death,
Grew tender as a maid; and she who missed
A little mouth that used to catch, and cling—
A small, sweet trouble—at her yearning breast;*
Yea, she of Zarephath, who sat and mourned
The silence of a birdlike voice that made
Her flutter with the joy of motherhood
In other days, she came to know the heart
Of Pity that the rugged prophet had.
And when he took the soft, still child away,
And laid it on his bed; and in the dark
Sent up a pleading voice to Heaven; and drew
The little body to his breast; and held
It there until the bright, young soul returned
To earth again; the gladdened woman saw
A radiant beauty in Elijah’s eyes,
And knew the stranger was a man of God.

We want a new Elijah in these days,
A mighty spirit clad in shining arms
Of Truth—yea, one whose lifted voice would break,
Like thunder, on our modern Apathy,
And shake the fanes of Falsehood from their domes
Down to the firm foundations; one whose words,
Directly coming from a source divine,
Would fall like flame where Vice holds festival,
And search the inmost heart of nations; one
Made godlike with that scholarship supreme
Which comes of suffering; one, with eyes to see
The very core of things; with hands to grasp
High opportunities, and use them for
His glorious mission; one, whose face inspired
Would wear a terror for the lying soul,
But seem a glory in the sight of those
Who make the light and sweetness of the world,
And are the high priests of the Beautiful.
Yea, one like this we want amongst us now
To drive away the evil fogs that choke
Our social atmosphere, and leave it clear
And pure and hallowed with authentic light.

High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.

To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.

I cannot say what forest saith —
Its words are strange to me:
I only know that in its breath
Are tones that used to be.

Yea, in these deep dim solitudes
I hear a sound I know —
The voice that lived in Penrith woods
Twelve weary years ago.

And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;

And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.

The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.

Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.

I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.

I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda’s spring.

The glory of unblemished days
Is on the silent mound —
The light of years, too pure for praise;
I kneel on holy ground!

Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.

This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father’s life.

The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.

Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.

The chair he filled is set aside
Upon his father’s floor;
In morning hours, at eventide,
His step is heard no more.

No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.

Yea, from the hours that heard his speech
High shining mem’ries give
That fine example which will teach
Our children how to live.

Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.

Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.

I never have forgotten yet
The Christian’s gentle touch;
And, since the time when last we met,
You know I’ve suffered much.

I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow’s rain,
My contrite spirit bleeds.

For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.

I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.

Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.

From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.

WE STOOD by the window and hearkened
To the voice of the runnels sea-driven,
While, northward, the mountain-heads darkened,
Girt round with the clamours of heaven.
One peak with the storm at his portal
Loomed out to the left of his brothers:
Sustained, and sublime, and immortal,
A king, and the lord of the others!
Beneath him a cry from the surges
Rang shrill, like a clarion calling;
And about him, the wind of the gorges
Went falling, and rising, and falling.
But I, as the roofs of the thunder
Were cloven with manifold fires,
Turned back from the wail and the wonder,
And dreamed of old days and desires.
A song that was made, I remembered—
A song that was made in the gloaming
Of suns which are sunken and numbered
With times that my heart hath no home in.
But I said to my Dream, “I am calmer
Than waters asleep on the river.
I can look at the hills of Kiama
And bury that dead Past for ever.”
“Past sight, out of mind, alienated,”
Said the Dream to me, wearily sighing,
“Ah, where is the Winter you mated
To Love, its decline and its dying?
Here, five years ago, there were places
That knew of her cunning to grieve you,
But alas! for her eyes and her graces;
And wherefore and how did she leave you!
Have you hidden the ways of this Woman,
Her whispers, her glances, her power
To hold you, as demon holds human,
Chained back to the day and the hour?
Say, where have you buried her sweetness,
Her coldness for youth and its yearning?
Is the sleep of your Sorrow a witness
She is passed all the roads of returning?
Was she left with her beauty, O lover,
And the shreds of your passion about her,
Beyond reach and where none can discover?
Ah! what is the wide world without her?”

I answered, “Behold, I was broken,
Because of this bright, bitter maiden,
Who helped me with never a token
To beat down the dark I had strayed in.
She knew that my soul was entangled
By what was too fiery to bear then;
Nor cared how she withered and strangled
My life with her eyes and her hair then.
But I have not leapt to the level
Where light and the shadows dissever?
She is fair, but a beautiful devil
That I have forgotten for ever!”
“She is sweeter than music or singing,”
Said the Dream to me, heavily moaning,
“Her voice in your slumber is ringing;
And where is the end—the atoning?
Can you look at the red of the roses;
Are you friend of the fields and the flowers?
Can you bear the faint day as it closes
And dies into twilighted hours?
Do you love the low notes of the ballad
She sang in her darling old fashion?”
And I whispered, “O Dream, I am pallid
And perished because of my passion.”
But the Wraith withered out, and the rifted
Gray hills gleaming over the granges,
Stood robed with moon-rainbows that shifted
And shimmered resplendent with changes!
While, for the dim ocean ledges,
The storm and the surges were blended,
Sheer down the bluff sides of the ridges
Spent winds and the waters descended.
The forests, the crags, and the forelands,
Grew sweet with the stars after raining;
But out in the north-lying moorlands,
I heard the lone plover complaining.
From these to Kiama, half-hidden
In a yellow sea-mist on the slopings
Of hills, by the torrents be-ridden,
I turned with my aches and my hopings,
Saying this—“There are those that are taken
By Fate to wear Love as a raiment
Whose texture is trouble with breaking
Of youth and no hope of repayment.”

To thee, O father of the stately peaks,
Above me in the loftier light -- to thee,
Imperial brother of those awful hills
Whose feet are set in splendid spheres of flame,
Whose heads are where the gods are, and whose sides
Of strength are belted round with all the zones
Of all the world, I dedicate these songs.
And if, within the compass of this book,
There lives and glows ONE verse in which there beats
The pulse of wind and torrent -- if ONE line
Is here that like a running water sounds,
And seems an echo from the lands of leaf,
Be sure that line is thine. Here, in this home,
Away from men and books and all the schools,
I take thee for my Teacher. In thy voice
Of deathless majesty, I, kneeling, hear
God's grand authentic Gospel! Year by year,
The great sublime cantata of thy storm
Strikes through my spirit -- fills it with a life
Of startling beauty! Thou my Bible art
With holy leaves of rock, and flower, and tree,
And moss, and shining runnel. From each page
That helps to make thy awful volume, I
Have learned a noble lesson. In the psalm
Of thy grave winds, and in the liturgy
Of singing waters, lo! my soul has heard
The higher worship; and from thee, indeed,
The broad foundations of a finer hope
Were gathered in; and thou hast lifted up
The blind horizon for a larger faith!
Moreover, walking in exalted woods
Of naked glory, in the green and gold
Of forest sunshine, I have paused like one
With all the life transfigured: and a flood
Of light ineffable has made me feel
As felt the grand old prophets caught away
By flames of inspiration; but the words
Sufficient for the story of my Dream
Are far too splendid for poor human lips!
But thou, to whom I turn with reverent eyes --
O stately Father, whose majestic face
Shines far above the zone of wind and cloud,
Where high dominion of the morning is --
Thou hast the Song complete of which my songs
Are pallid adumbrations! Certain sounds
Of strong authentic sorrow in this book
May have the sob of upland torrents -- these,
And only these, may touch the great World's heart;
For, lo! they are the issues of that grief
Which makes a man more human, and his life
More like that frank exalted life of thine.
But in these pages there are other tones
In which thy large, superior voice is not --
Through which no beauty that resembles thine
Has ever shone. THESE are the broken words
Of blind occasions, when the World has come
Between me and my Dream. No song is here
Of mighty compass; for my singing robes
I've worn in stolen moments. All my days
Have been the days of a laborious life,
And ever on my struggling soul has burned
The fierce heat of this hurried sphere. But thou,
To whose fair majesty I dedicate
My book of rhymes -- thou hast the perfect rest
Which makes the heaven of the highest gods!
To thee the noises of this violent time
Are far, faint whispers; and, from age to age,
Within the world and yet apart from it,
Thou standest! Round thy lordly capes the sea
Rolls on with a superb indifference
For ever; in thy deep, green, gracious glens
The silver fountains sing for ever. Far
Above dim ghosts of waters in the caves,
The royal robe of morning on thy head
Abides for ever! Evermore the wind
Is thy august companion; and thy peers
Are cloud, and thunder, and the face sublime
Of blue mid-heaven! On thy awful brow
Is Deity; and in that voice of thine
There is the great imperial utterance
Of God for ever; and thy feet are set
Where evermore, through all the days and years,
There rolls the grand hymn of the deathless wave.

I dread that street - its haggard face
I have not seen for eight long years;
A mother's curse is on the place,
(There's blood, my reader, in her tears).
No child of man shall ever track,
Through filthy dust, the singer's feet -
A fierce old memory drags me back;
I hate its name - I dread that street.

Upon the lap of green, sweet lands,
Whose months are like your English Mays,
I try to hide in Lethe's sands
The bitter, old Bohemian days.
But sorrow speaks in singing leaf,
And trouble talketh in the tide;
The skirts of a stupendous grief
Are trailing ever at my side.

I will not say who suffered there,
'Tis best the name aloof to keep,
Because the world is very fair -
Its light should sing the dark to sleep.
But, let me whisper, in that street
A woman, faint through want of bread,
Has often pawned the quilt and sheet
And wept upon a barren bed.

How gladly would I change my theme,
Or cease the song and steal away,
But on the hill and by the stream
A ghost is with me night and day!
A dreadful darkness, full of wild,
Chaotic visions, comes to me:
I seem to hear a dying child,
Its mother's face I seem to see.

Here, surely, on this bank of bloom,
My verse with shine would ever flow;
But ah! it comes - the rented room,
With man and wife who suffered so!
From flower and leaf there is no hint -
I only see a sharp distress -
A lady in a faded print,
A careworn writer for the press.

I only hear the brutal curse
Of landlord clamouring for his pay;
And yonder is the pauper's hearse
That comes to take a child away.
Apart, and with the half-grey head
Of sudden age, again I see
The father writing by the dead
To earn the undertaker's fee.

No tear at all is asked for him -
A drunkard well deserves his life;
But voice will quiver, eyes grow dim,
For her, the patient, pure young wife,
The gentle girl of better days,
As timid as a mountain fawn,
Who used to choose untrodden ways,
And place at night her rags in pawn.

She could not face the lighted square,
Or show the street her poor, thin dress;
In one close chamber, bleak and bare,
She hid her burden of distress.
Her happy schoolmates used to drive,
On gaudy wheels, the town about;
The meat that keeps a dog alive
She often had to go without.

I tell you, this is not a tale
Conceived by me, but bitter truth;
Bohemia knows it, pinched and pale,
Beside the pyre of burnt-out youth:
These eyes of mine have often seen
The sweet girl-wife, in winters rude,
Steal out at night, through courts unclean,
To hunt about for chips of wood.

Have I no word at all for him
Who used down fetid lanes to slink,
And squat in tap-room corners grim,
And drown his thoughts in dregs of drink?
This much I'll say, that when the flame
Of reason reassumed its force,
The hell the Christian fears to name,
Was heaven to his fierce remorse.

Just think of him - beneath the ban,
And steeped in sorrow to the neck,
Without a friend - a feeble man,
In failing health - a human wreck.
With all his sense and scholarship,
How could he face his fading wife?
The devil never lifted whip
With thongs like those that scourged his life.

But He in whom the dying thief
Upon the Cross did place his trust,
Forgets the sin and feels the grief,
And lifts the sufferer from the dust.
And now, because I have a dream,
The man and woman found the light;
A glory burns upon the stream,
With gold and green the woods are bright.

But still I hate that haggard street,
Its filthy courts, its alleys wild;
In dreams of it I always meet
The phantom of a wailing child.
The name of it begets distress -
Ah, song, be silent! show no more
The lady in the perished dress,
The scholar on the tap-room floor.

Two years had the tiger, whose shape was that of a sinister man,
Been out since the night of escape - two years under horror and ban.
In a time full of thunder and rain, when hurricanes hackled the tree,
He slipt through the sludge of a drain, and swam a fierce fork of the sea.
Through the roar of the storm, and the ring
and the wild savage whistle of hail,
Did this naked, whipt, desperate thing
break loose from the guards of the gaol.
And breasting the foam of the bay, and facing the fangs of the bight,
With a great cruel cry on his way, he dashed through the darkness of night.

But foiled was the terror of fin, and baffled the strength of the tide,
For a devil supported his chin and a fiend kept a watch at his side.
And hands of iniquity drest the hellish hyena, and gave
Him food in the hills of the west - in cells of indefinite cave.
Then, strengthened and weaponed, this peer
of the brute, on the track of its prey,
Sprang out, and shed sorrow and fear through the beautiful fields of the day.
And pillage and murder, and worse, swept peace from the face of the land -
The black, bitter work of this curse with the blood on his infamous hand.

But wolf of the hills at the end - chased back to the depths of his lair -
Had horror for neighbour and friend - he supped in the dark with despair.
A whisper of leaf or a breath of the wind in the watch of the night
Was ever as message of death to this devil bent double with fright.
For now were the hunters abroad; and the fiend like an adder at bay,
Cast out of the sight of the Lord, in the folds of his fastnesses lay.
Yea, skulking in pits of the slime - in venomous dens of eclipse -
He cowered and bided his time, with the white malice set on his lips.

Two years had his shadow been cast in forest, on highway, and run;
But Nemesis tracked him at last, and swept him from under the sun.
Foul felons in chains were ashamed to speak of the bloodthirsty thing
Who lived, like a panther inflamed, the life that no singer can sing -
Who butchered one night in the wild three women, a lad, and a maid,
And cut the sweet throat of a child - its mother's pure blood on his blade!
But over the plains and away by the range and the forested lake,
Rode hard, for a week and a day, the terrible tracker, Dick Blake.

Dick Blake had the scent of a hound, the eye of a lynx, and could track
Where never a sign on the ground or the rock could be seen by the black.
A rascal at large, when he heard that Blake was out hard at his heels,
Felt just as the wilderness bird, in the snare fettered hopelessly, feels.
And, hence, when the wolf with the brand of Cain written thrice on his face,
Knew terrible Dick was at hand, he slunk like a snake to his place -
To the depths of his kennel he crept, far back in the passages dim;
But Blake and his mates never slept; they hunted and listened for him.

The mountains were many, but he who had captured big Terrigal Bill,
The slayer of Hawkins and Lee, found tracks by a conical hill.
There were three in the party - no more: Dick Blake and his brother, and one
Who came from a far-away shore, called here by the blood of his son.
Two nights and two days did they wait on the trail of the curst of all men;
But on the third morning a fate led Dick to the door of the den;
And a thunder ran up from the south and smote all the woods into sound;
And Blake, with an oath on his mouth, called out for the fiend underground.

But the answer was blue, bitter lead, and the brother of Dick, with a cry,
Fell back, and the storm overhead set night like a seal on the sky;
And the strength of the hurricane tore asunder hill-turrets uphurled;
And a rushing of rain and a roar made wan the green widths of the world.
The flame, and the roll, and the ring, and the hiss of the thunder and hail
Set fear on the face of the Spring laid bare to the arrow of gale.
But here in the flash and the din, in the cry of the mountain and wave,
Dick Blake, through the shadow, dashed in and strangled the wolf in his cave.

Wizened the wood is, and wan is the way through it;
White as a corpse is the face of the fen;
Only blue adders abide in and stray through it—
Adders and venom and horrors to men.
Here is the “ghost of a garden” whose minister
Fosters strange blossoms that startle and scare.
Red as man’s blood is the sun that, with sinister
Flame, is a menace of hell in the air.
Wrinkled and haggard the hills are—the jags of them
Gape like to living and ominous things:
Storm and dry thunder cry out in the crags of them—
Fire, and the wind with a woe in its wings.
Never a moon without clammy-cold shroud on it
Hitherward comes, or a flower-like star!
Only the hiss of the tempest is loud on it—
Hiss, and the moan of a bitter sea bar.
Here on this waste, and to left and to right of it,
Never is lisp or the ripple of rain:
Fierce is the daytime and wild is the night of it,
Flame without limit and frost without wane!
Trees half alive, with the sense of a curse on them,
Shudder and shrink from the black heavy gale;
Ghastly, with boughs like the plumes of a hearse on them:
Barren of blossom and blasted with bale.

Under the cliff that stares down to the south of it—
Back by the horns of a hazardous hill,
Dumb is the gorge with a grave in the mouth of it
Still, as a corpse in a coffin is still.
Never there hovers a hope of the Spring by it—
Never a glimmer of yellow and green:
Only the bat with a whisper of wing by it
Flits like a life out of flesh and unseen.
Here are the growths that are livid and glutinous,
Speckled, and bloated with poisonous blood:
This is the haunt of the viper-breed mutinous:
Cursed with the curse of weird Catherine Flood.

He that hath looked on it—hurried aghast from it,
Hair of him frozen with horror straightway,
Chased by a sudden strange pestilent blast from it—
Where is the speech of him—what can he say?
Hath he not seen the fierce ghost of a hag in it?
Heard maledictions that startle the stars?
Dumb is his mouth as a mouth with a gag in it—
Mute is his life as a life within bars.
Just the one glimpse of that grey, shrieking woman there
Ringed by a circle of furnace and fiend!
He that went happy and healthy and human there—
Where shall the white leper fly to be cleaned?

Here, in a pit with indefinite doom on it,
Here, in the fumes of a feculent moat,
Under an alp with inscrutable gloom on it,
Squats the wild witch with a ghoul at her throat!
Black execration that cannot be spoken of—
Speech of red hell that would suffocate Song,
Starts from this terror with never a token of
Day and its loveliness all the year long.
Sin without name to it—man never heard of it—
Crime that would startle a fiend from his lair,
Blasted this Glen, and the leaf and the bird of it—
Where is there hope for it, Father, O where?

Far in the days of our fathers, the life in it
Blossomed and beamed in the sight of the sun:
Yellow and green and the purple were rife in it,
Singers of morning and waters that run.
Storm of the equinox shed no distress on it,
Thunder spoke softly, and summer-time left
Sunset’s forsaken bright beautiful dress on it—
Blessing that shone half the night in the cleft.
Hymns of the highlands—hosannas from hills by it,
Psalms of great forests made holy the spot:
Cool were the mosses and clear were the rills by it—
Far in the days when the Horror was not.

Twenty miles south is the strong, shining Hawkesbury—
Spacious and splendid, and lordly with blooms.
There, between mountains magnificent, walks bury
Miles of their beauty in green myrtle glooms.
There, in the dell, is the fountain with falls by it—
Falls, and a torrent of summering stream:
There is the cave with the hyaline halls by it—
Haunt of the echo and home of the dream.
Over the hill, by the marvellous base of it,
Wanders the wind with a song in its breath
Out to the sea with the gold on the face of it—
Twenty miles south of the Valley of Death.

From the rainy hill-heads, where, in starts and in spasms,
Leaps wild the white torrent from chasms to chasms—
From the home of bold echoes, whose voices of wonder
Fly out of blind caverns struck black by high thunder—
Through gorges august, in whose nether recesses
Is heard the far psalm of unseen wildernesses—
Like a dominant spirit, a strong-handed sharer
Of spoil with the tempest, comes down the Narrara.
Yea, where the great sword of the hurricane cleaveth
The forested fells that the dark never leaveth—
By fierce-featured crags, in whose evil abysses
The clammy snake coils, and the flat adder hisses—
Past lordly rock temples, where Silence is riven
By the anthems supreme of the four winds of heaven—
It speeds, with the cry of the streams of the fountains
It chained to its sides, and dragged down from the mountains!

But when it goes forth from the slopes with a sally—
Being strengthened with tribute from many a valley—
It broadens and brightens, and thereupon marches
Above the stream sapphires and under green arches,
With the rhythm of majesty—careless of cumber—
Its might in repose and its fierceness in slumber—
Till it beams on the plains, where the wind is a bearer
Of words from the sea to the stately Narrara!

Narrara! grand son of the haughty hill torrent,
Too late in my day have I looked at thy current—
Too late in my life to discern and inherit
The soul of thy beauty, the joy of thy spirit!
With the years of the youth and the hairs of the hoary,
I sit like a shadow outside of thy glory;
Nor look with the morning-like feelings, O river,
That illumined the boy in the days gone for ever!

Ah! sad are the sounds of old ballads which borrow
One-half of their grief from the listener’s sorrow;
And sad are the eyes of the pilgrim who traces
The ruins of Time in revisited places;
But sadder than all is the sense of his losses
That cometh to one when a sudden age crosses
And cripples his manhood. So, stricken by fate, I
Felt older at thirty than some do at eighty.

Because I believe in the beautiful story,
The poem of Greece in the days of her glory—
That the high-seated Lord of the woods and the waters
Has peopled His world with His deified daughters—
That flowerful forests and waterways streaming
Are gracious with goddesses glowing and gleaming—
I pray that thy singing divinity, fairer
Than wonderful women, may listen, Narrara!

O spirit of sea-going currents!—thou, being
The child of immortals, all-knowing, all-seeing—
Thou hast at thy heart the dark truth that I borrow
For the song that I sing thee, no fanciful sorrow;
In the sight of thine eyes is the history written
Of Love smitten down as the strong leaf is smitten;
And before thee there goeth a phantom beseeching
For faculties forfeited—hopes beyond reaching.

Thou knowest, O sister of deities blazing
With splendour ineffable, beauty amazing,
What life the gods gave me—what largess I tasted—
The youth thrown away, and the faculties wasted.
I might, as thou seest, have stood in high places,
Instead of in pits where the brand of disgrace is,
A byword for scoffers—a butt and a caution,
With the grave of poor Burns and Maginn for my portion.
But the heart of the Father Supreme is offended,
And my life in the light of His favour is ended;
And, whipped by inflexible devils, I shiver,
With a hollow “Too late” in my hearing for ever;
But thou—being sinless, exalted, supernal,
The daughter of diademed gods, the eternal—
Shalt shine in thy waters when time and existence
Have dwindled, like stars, in unspeakable distance.

But the face of thy river—the torrented power
That smites at the rock while it fosters the flower—
Shall gleam in my dreams with the summer-look splendid,
And the beauty of woodlands and waterfalls blended;
And often I’ll think of far-forested noises,
And the emphasis deep of grand sea-going voices,
And turn to Narrara the eyes of a lover,
When the sorrowful days of my singing are over.

Sing the song of noisy Ninny - hang the Muses - spit it out!
(Tuneful Nine ye needn't help me - poet knows his way about!)
Sling me here a penny whistle - look alive, and let me slip
Into Ninny like a father - Ninny with the nimble lip.
Mister Melville, straight descendant from Professor Huxley's ape,
Started life a mute for daddy - pulling face, sporting crape;
But, alas, he didn't like it - lots of work and little pay.
Nature whispered, 'you're a windbag - play your cards another way.'

Mister Melville picked the hint up - pitched the coffin 'biz' to pot;
Paid his bills, or didn't pay them - doesn't matter now a jot!
Twigging how the bread was buttered, he commenced a 'waiting game':
Pulled the strings upon the quiet - no one 'tumbled' to his aim.
Paine, he purchased, Strauss, he borrowed - read a page or two of each;
Posed before his father's porkers - made to them his maiden speech.
Then he spluttered, 'Ninny has it! Nin will keep himself in clothes,
Like the gutter Tully, Bradlaugh, leading noodles by the nose!'

In the fly-blown village pothouse, where a dribbling bag of beer,
Passes for a human being, Nin commenced his new career -
Talked about the 'Christian swindle' - cut the Bible into bits -
Shook his fist at Mark and Matthew - gave the twelve Apostles fits:
Slipped into the priests and parsons - hanunered at the British Court - -
Boozy boobies were astonished: lubbers of the Lambton sort!
Yards of ear were cocked to listen - yards of mouth began to shout
'Here's a cove as is long-headed - Ninny knows his way about.'

Mister MelviRe was delighted - game in hand was paying well:
Fools and coin don't hang together - Nin became a howling swell!
Took to 'stumping' on the Racecourse - cut the old debating club:
Wouldn't do for mighty Ninny now to mount a local tub!
Thornton's Column was his platform: here our orator began
Hitting at the yellow heathen - cracking up the 'working man' -
Spitting out at Immigration: roaring, like a worried bull,
At the lucre made from tallow - at the profit raised on wool.

Said our Ninny to our Ninny, 'I have not the slightest doubt
Soaping down the ''orny 'anded' is the safest 'bizness' out!
Little work for spanking wages - this is just the thing they like,
So I'll prop the eight hour swindle - be the boss in every strike.
In the end, I'll pull a pot off ~ what I'm at is bound to take:
Ninny sees a bit before him - Ninny's eyes are wide awake!
When the boobies make me member, Parkes, of course, will offer tip -
I will take the first fat billet - then my frouzy friends may rip.'

So it came to pass that Melville, Mister Melville, I should say -
Dodged about with deputations, half a dozen times a day!
Started strikes and bossed the strikers - damned employers, every one,
On the Column - off the Column - in the shanty - in the sun!
'Down with masters - up with wages! keep the 'pigtail' out of this!'
This is what our Ninny shouted - game, you see, of hit or miss!
World, of course, is full of noodles - some who bray at Wallsend sent
Thing we know to be a windbag bouncing into Parliament!

Common story, this of Ninny! many fellows of his breed
Prowl about to bone the guinea, up to dirty tricks indeed;
Haven't now the time to tan them: but, by Jove, I'd like to tan
Back of that immense imposter that they call the 'working man'!
Drag upon our just employees - sponger on a worn-out wife
Boozing in alley pothouse every evening of his life.
Type he is of Nin's supporters: tot him up and tot him down,
He would back old Nick to-morrow for the sake of half a crown!

House with high, august traditions - Chamber where the voice of Lowe,
And the lordly words of Wentworth sounded thirty years ago -
Hall familiar to our fathers, where, in days exalted, rang
All the tones of all the feeling which ennobled Bland and Lang -
We in ashes - we in sack cloth, sorrow for the insult cast
By a crowd of bitter boobies on the grandeur of the past!
Take again your penny whistle - boy, it is no good to me:
Last invention is a bladder with the title of M.P.!

AS WHEN the strong stream of a wintering sea
Rolls round our coast, with bodeful breaks of storm,
And swift salt rain, and bitter wind that saith
Wild things and woeful of the White South Land
Alone with God and silence in the cold—
As when this cometh, men from dripping doors
Look forth, and shudder for the mariners
Abroad, so we for absent brothers looked
In days of drought, and when the flying floods
Swept boundless; roaring down the bald, black plains
Beyond the farthest spur of western hills.

For where the Barwon cuts a rotten land,
Or lies unshaken, like a great blind creek,
Between hot mouldering banks, it came to this,
All in a time of short and thirsty sighs,
That thirty rainless months had left the pools
And grass as dry as ashes: then it was
Our kinsmen started for the lone Paroo,
From point to point, with patient strivings, sheer
Across the horrors of the windless downs,
Blue gleaming like a sea of molten steel.

But never drought had broke them: never flood
Had quenched them: they with mighty youth and health,
And thews and sinews knotted like the trees—
They, like the children of the native woods,
Could stem the strenuous waters, or outlive
The crimson days and dull, dead nights of thirst
Like camels: yet of what avail was strength
Alone to them—though it was like the rocks
On stormy mountains—in the bloody time
When fierce sleep caught them in the camps at rest,
And violent darkness gripped the life in them
And whelmed them, as an eagle unawares
Is whelmed and slaughtered in a sudden snare.

All murdered by the blacks; smit while they lay
In silver dreams, and with the far, faint fall
Of many waters breaking on their sleep!
Yea, in the tracts unknown of any man
Save savages—the dim-discovered ways
Of footless silence or unhappy winds—
The wild men came upon them, like a fire
Of desert thunder; and the fine, firm lips
That touched a mother’s lips a year before,
And hands that knew a dearer hand than life,
Were hewn—a sacrifice before the stars,
And left with hooting owls and blowing clouds,
And falling leaves and solitary wings!

Aye, you may see their graves—you who have toiled
And tripped and thirsted, like these men of ours;
For, verily, I say that not so deep
Their bones are that the scattered drift and dust
Of gusty days will never leave them bare.
O dear, dead, bleaching bones! I know of those
Who have the wild, strong will to go and sit
Outside all things with you, and keep the ways
Aloof from bats, and snakes, and trampling feet
That smite your peace and theirs—who have the heart,
Without the lusty limbs, to face the fire
And moonless midnights, and to be, indeed,
For very sorrow, like a moaning wind
In wintry forests with perpetual rain.

Because of this—because of sisters left
With desperate purpose and dishevelled hair,
And broken breath, and sweetness quenched in tears—
Because of swifter silver for the head,
And furrows for the face—because of these
That should have come with age, that come with pain—
O Master! Father! sitting where our eyes
Are tired of looking, say for once are we—
Are we to set our lips with weary smiles
Before the bitterness of Life and Death,
And call it honey, while we bear away
A taste like wormwood?

Turn thyself, and sing—
Sing, Son of Sorrow! Is there any gain
For breaking of the loins, for melting eyes,
And knees as weak as water?—any peace,
Or hope for casual breath and labouring lips,
For clapping of the palms, and sharper sighs
Than frost; or any light to come for those
Who stand and mumble in the alien streets
With heads as grey as Winter?—any balm
For pleading women, and the love that knows
Of nothing left to love?

They sleep a sleep
Unknown of dreams, these darling friends of ours.
And we who taste the core of many tales
Of tribulation—we whose lives are salt
With tears indeed—we therefore hide our eyes
And weep in secret, lest our grief should risk
The rest that hath no hurt from daily racks
Of fiery clouds and immemorial rains.

With reverent eyes and bowed, uncovered head,
A son of sorrow kneels by fanes you knew;
But cannot say the words that should be said
To crowned and winged divinities like you.

The perfect speech of superhuman spheres
Man has not heard since He of Nazareth,
Slain for the sins of twice two thousand years,
Saw Godship gleaming through the gates of Death.

And therefore he who in these latter days
Has lost a Father — falling by the shrine,
Can only use the world’s ephemeral phrase,
Not, Lord, the faultless language that is Thine.

But he, Thy son upon whose shoulders shone
So long Elisha’s gleaming garments, may
Be pleased to hear a pleading human tone
To sift the spirit of the words I say.

O, Master, since the gentle Stenhouse died
And left the void that none can ever fill,
One harp at least has sorrow thrown aside,
Its strings all broken, and its notes all still.

Some lofty lord of music yet may find
Its pulse of passion. I can never touch
The chords again — my life has been too blind;
I’ve sinned too long and suffered far too much.

But you will listen to the voice, although
The harp is silent — you who glorified
Your great, sad gift of life, because you know
How souls are tempted and how hearts are tried.

O marvellous follower in the steps of Christ,
How pure your spirit must have been to see
That light beyond our best expression priced
The effluence of benignant Deity.

You saw it, Father? Let me think you did
Because I, groping in the mists of Doubt,
Am sometimes fearful that God’s face is hid
From all — that none can read His riddle out!

A hope from lives like yours must everywhere
Become like faith — that blessing undefiled,
The refuge of the grey philosopher —
The consolation of the simple child.

Here in a land of many sects, where God
As shaped by man in countless forms appears,
Few comprehend how carefully you trod
Without a slip for two and forty years.

How wonderful the self-repression must
Have been, that made you to the lovely close
The Christian crowned with universal trust,
The foe-less Father in a land of foes.

How patiently — with how divine a strength
Of tolerance you must have watched the frays
Of fighting churches — warring through the length
Of your bright, beautiful, unruffled days!

Because men strove you did not love them less;
You felt for each — for everyone and all —
With that same apostolic tenderness
Which Samuel felt when yearning over Saul.

A crowned hierophant — a high Chief-Priest
On flame with robes of light, you used to be;
But yet you were as humble as the least
Of those who followed Him of Galilee.

‘Mid splendid forms of faith which flower and fill
God’s oldest Church with gleams ineffable
You stand, Our Lord’s serene disciple still,
In all the blaze which on your pallium fell.

The pomp of altars, chasubles, and fires
Of incense, moved you not; nor yet the dome
Of haughty beauty — follower of the Sires —
Who made a holiness of elder Rome.

A lord of scholarship whose knowledge ran
Through every groove of human history, you
Were this and more — a Christian gentleman;
A fount of learning with a heart like dew.

O Father! I who at your feet have knelt,
On wings of singing fall, and fail to sing,
Remembering the immense compassion felt
By you for every form of suffering.

As dies a gentle April in a sky
Of faultless beauty — after many days
Of loveliness and grand tranquillity —
So passed your presence from our human gaze.

But though your stately face is as the dust
That windy hills to wintering hollows give,
Your memory like a deity august
Is with us still, to teach us how to live.

Ah! may it teach us — may the lives that are
Take colour from the life that was; and may
Those souls be helped that in the dark so far
Have strayed, and have forgotten how to pray!

Let one of these at least retain the hope
That fine examples, like a blessed dew
Of summer falling in a fruitful scope,
Give birth to issues beautiful and true.

Such hope, O Master, is a light indeed
To him that knows how hard it is to save
The spirit resting on no certain creed
Who kneels to plant this blossom on your grave.