Henry Kendall: Verses about Passion

The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.

The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.

The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.

My head is filled with olden rhymes beside this moaning sea,
But many and many a day has gone since I was dear to thee!
I know my passion fades away, and therefore oft regret
That some who love indeed can part and in the years forget.
Ah! through the twilights when we stood the wattle trees between,
We did not dream of such a time as this, fair Geraldine.
I do not say that all has gone of passion and of pain;
I yearn for many happy thoughts I shall not think again!
And often when the wind is up, and wailing round the eaves,
You sigh for withered Purpose shred and scattered like the leaves,
The Purpose blooming when we met each other on the green;
The sunset heavy in your curls, my golden Geraldine.

I think we lived a loftier life through hours of Long Ago,
For in the largened evening earth our spirits seemed to grow.
Well, that has passed, and here I stand, upon a lonely place,
While Night is stealing round the land, like Time across my face;
But I can calmly recollect our shadowy parting scene,
And swooning thoughts that had no voice — no utterance, Geraldine.

With sweet Regret — (the dearest thing that Yesterday has left us) —
We often turn our homeless eyes to scenes whence Fate has reft us.
Here sitting by a fading flame, wild waifs of song remind me
Of Annie with her gentle ways, the Girl I left behind me.

I stood beside the surging sea, with lips of silent passion —
I faced you by the surging sea, O brows of mild repression!
I never said — “my darling, stay!” — the moments seemed to bind me
To something stifling all my words for the Girl I left behind me.

The pathos worn by common things — by every wayside flower,
Or Autumn leaf on lonely winds, revives the parting hour.
Ye swooning thoughts without a voice — ye tears which rose to blind me,
Why did she fade into the Dark, the Girl I left behind me.

At night they always come to me, the tender and true-hearted;
And in my dreams we join again the hands which now are parted;
And, looking through the gates of Sleep, the pleasant Moon doth find me
For ever wandering with my Love, the Girl I left behind me.

You know my life is incomplete, O far-off faint Ideal!
When shall I reach you from a depth of darkness which is real?
So I may mingle, soul in soul, with her that Heaven assigned me;
So she may lean upon my love, the Girl I left behind me.

From Andalusian gardens
I bring the rose and rue,
And leaves of subtle odour,
To weave a gift for you.
You’ll know the reason wherefore
The sad is with the sweet;
My flowers may lie, as I would,
A carpet for your feet!
The heart—the heart is constant;
It holds its secret, Dear!
But often in the night time
I keep awake for fear.
I have no hope to whisper,
I have no prayer to send,
God save you from such passion!
God help you from such end!

You first, you last, you false love!
In dreams your lips I kiss,
And thus I greet your Shadow,
“Take this, and this, and this!”
When dews are on the casement,
And winds are in the pine,
I have you close beside me—
In sleep your mouth is mine.

I never see you elsewhere;
You never think of me;
But fired with fever for you
Content I am to be.
You will not turn, my Darling,
Nor answer when I call;
But yours are soul are body
And love of mine and all!

You splendid Spaniard! Listen—
My passion leaps to flame
For neck and cheek and dimple,
And cunning shades of shame!
I tell you, I would gladly
Give Hell myself to keep,
To cling to, half a moment,
The lips I taste in sleep.

AH, often do I wait and watch,
And look up, straining through the Real
With longing eyes, my friend, to catch
Faint glimpses of your white Ideal.

I know she loved to rest her feet
By slumbrous seas and hidden strand;
But mostly hints of her I meet
On moony spots of mountain land.

I’ve never reached her shining place,
And only cross at times a gleam;
As one might pass a fleeting face
Just on the outside of a Dream.

But you may climb, her happy Choice!
She knows your step, the maiden true,
And ever when she hears your voice,
She turns and sits and waits for you.

How sweet to rest on breezy crest
With such a Love, what time the Morn
Looks from his halls of rosy rest,
Across green miles of gleaming corn!

How sweet to find a leafy nook,
When bees are out, and Day burns mute,
Where you may hear a passion’d brook
Play past you, like a mellow flute!

Or, turning from the sunken sun,
On fields of dim delight to lie—
To close your eyes and muse upon
The twilight’s strange divinity!

Or through the Night’s mysterious noon,
While Sound lies hushed among the trees,
To sit and watch a mirror’d moon
Float over silver-sleeping seas!

Oh, vain regret! why should I stay
To think and dream of joys unknown?
You walk with her from day to day,
I faint afar off—and alone.

AT DUSK, like flowers that shun the day,
Shy thoughts from dim recesses break,
And plead for words I dare not say
For your sweet sake.

My early love! my first, my last!
Mistakes have been that both must rue;
But all the passion of the past
Survives for you.

The tender message Hope might send
Sinks fainting at the lips of speech,
For, are you lover—are you friend,
That I would reach?

How much to-night I’d give to win
A banished peace—an old repose;
But here I sit, and sigh, and sin
When no one knows.

The stern, the steadfast reticence,
Which made the dearest phrases halt,
And checked a first and finest sense,
Was not my fault.

I held my words because there grew
About my life persistent pride;
And you were loved, who never knew
What love could hide!

This purpose filled my soul like flame:
To win you wealth and take the place
Where care is not, nor any shame
To vex your face.

I said “Till then my heart must keep
Its secrets safe and unconfest;”
And days and nights unknown to sleep
The vow attest.

Yet, oh! my sweet, it seems so long
Since you were near; and fates retard
The sequel of a struggle strong,
And life is hard—

Too hard, when one is left alone
To wrestle passion, never free
To turn and say to you, “My own,
Come home to me!”

ACROSS the dripping ridges,
O, look, luxurious night!
She comes, the bright-haired beauty,
My luminous delight!
My luminous delight!
So hush, ye shores, your roar,
That my soul may sleep, forgetting
Dead Love’s wild Nevermore!
Astarte, Syrian sister,
Your face is wet with tears;
I think you know the secret
One heart hath held for years!
One heart hath held for years!
But hide your hapless love,
And my sweet—my Syrian sister,
Dead Love’s wild Nevermore!

Ah, Helen Hope in heaven,
My queen of long ago,
I’ve swooned with adoration,
But could not tell you so,
Or dared not tell you so,
My radiant queen of yore!
And you’ve passed away and left me
Dead Love’s wild Nevermore!

Astarte knoweth, darling,
Of eyes that once did weep,
What time entranced Passion
Hath kissed your lips in sleep;
Hath kissed your lips in sleep;
But now those tears are o’er,
Gone, my saint, with many a moan to
Dead Love’s wild Nevermore!

If I am past all crying,
What thoughts are maddening me,
Of you, my darling, dying
Upon the lone, wide sea,
Upon the lone, wide sea,
Ah! hush, ye shores, your roar,
That my soul may sleep, forgetting
Dead Love’s wild Nevermore!

Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!

Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.

Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!

I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?

THE SPIRIT of beautiful faces,
The light on the forehead of Love,
And the spell of past visited places,
And the songs and the sweetness thereof;
These, touched by a hand that is hoary;
These, vext with a tune of decay,
Are spoiled of their glow and their glory;
And the burden is, “Passing away!
Passing away!”

Old years and their changes come trooping
At nightfall to you and to me,
When Autumn sits faded and drooping
By the sorrowful waves of the sea.
Faint phantoms that float in the gloaming,
Return with the whispers that say,
“The end which is quiet is coming;
Ye are weary, and passing away!
Passing away!”

It is hard to awake and discover
The swiftness that waits upon Time;
But youth and its beauty are over,
And Love has a sigh in its rhyme.
The Life that looks back and remembers,
Is troubled and tired and gray,
And sick of the sullen Decembers,
Whose burden is, “Passing away!
Passing away!”

We have wandered and wandered together,
And our joys have been many and deep;
But seasons of alien weather
Have ended in longings for sleep.
Pale purpose and perishing passion,
With never a farewell to say,
Die down into sobs of suppression;
The burden is, “Passing away!
Passing away!”

We loved the soft tangle of tresses,
The lips that were fain and afraid.
And the silence of far wildernesses,
With their dower of splendour and shade!
For faces of sweetness we waited,
And days of delight and delay,
Ere Time and its voices were mated
To a voice that sighs, “Passing away!
Passing away!”

O years interwoven with stories
Of strong aspirations and high,
How fleet and how false were the glories
That lived in your limited sky!
Here, sitting by ruinous altars
Of Promise, what word shall we say
To the speech that the rainy wind falters,
Whose burden is, “Passing away!
Passing away!”

By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain, where moss and the sedges
Touch with their beauty the banks and the ledges;
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.

The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time.
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together
They start up like fairies that follow fair weather,
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.

October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters knee-deep in the grasses to listen,
Where dripping rocks gleam and the leafy pools glisten.
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the morning.

Welcome as waters unkissed by the summers
Are the voices of bell-birds to thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever.
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels whose torrents
Are toned by the pebbles and leaves in the currents.

Often I sit, looking back to a childhood
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion
Lyrics with beats like the heart-beats of passion --
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys,
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.

A SILVER slope, a fall of firs, a league of gleaming grasses,
And fiery cones, and sultry spurs, and swarthy pits and passes!

The long-haired Cyclops bated breath, and bit his lip and hearkened,
And dug and dragged the stone of death, by ways that dipped and darkened.

Across a tract of furnaced flints there came a wind of water,
From yellow banks with tender hints of Tethys’ white-armed daughter.

She sat amongst wild singing weeds, by beds of myrrh and moly;
And Acis made a flute of reeds, and drew its accents slowly;

And taught its spirit subtle sounds that leapt beyond suppression,
And paused and panted on the bounds of fierce and fitful passion.

Then he who shaped the cunning tune, by keen desire made bolder,
Fell fainting, like a fervent noon, upon the sea-nymph’s shoulder.

Sicilian suns had laid a dower of light and life about her:
Her beauty was a gracious flower—the heart fell dead without her.

“Ah, Galate,” said Polypheme, “I would that I could find thee
Some finest tone of hill or stream, wherewith to lull and bind thee!

“What lyre is left of marvellous range, whose subtle strings, containing
Some note supreme, might catch and change, or set thy passion waning?—

“Thy passion for the fair-haired youth whose fleet, light feet perplex me
By ledges rude, on paths uncouth, and broken ways that vex me?

“Ah, turn to me! else violent sleep shall track the cunning lover;
And thou wilt wait and thou wilt weep when I his haunts discover.”

But golden Galatea laughed, and Thosa’s son, like thunder,
Broke through a rifty runnel shaft, and dashed its rocks asunder,

And poised the bulk, and hurled the stone, and crushed the hidden Acis,
And struck with sorrow drear and lone the sweetest of all faces.

To Zeus, the mighty Father, she, with plaint and prayer, departed:
Then from fierce Aetna to the sea a fountained water started—

A lucent stream of lutes and lights—cool haunt of flower and feather,
Whose silver days and yellow nights made years of hallowed weather.

Here Galatea used to come, and rest beside the river;
Because, in faint, soft, blowing foam, her shepherd lived for ever.

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;

So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.

The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.

But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.

And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.

Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.

But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.

No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.

The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.

The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.

But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.

Daphne! Ladon's daughter, Daphne! Set thyself in silver light,
Take thy thoughts of fairest texture, weave them into words of white -
Weave the rhyme of rose-lipped Daphne, nymph of wooded stream and shade,
Flying love of bright Apollo, - fleeting type of faultless maid!
She, when followed from the forelands by the lord of lyre and lute,
Sped towards far-singing waters, past deep gardens flushed with fruit;
Took the path against Peneus, panted by its yellow banks;
Turned, and looked, and flew the faster through grey-tufted thicket ranks;
Flashed amongst high flowered sedges: leaped across the brook, and ran
Down to where the fourfold shadows of a nether glade began;
There she dropped, like falling Hesper, heavy hair of radiant head
Hiding all the young abundance of her beauty's white and red.

Came the yellow-tressed Far-darter - came the god whose feet are fire,
On his lips the name of Daphne, in his eyes a great desire;
Fond, full lips of lord and lover, sad because of suit denied;
Clear, grey eyes made keen by passion, panting, pained, unsatisfied.
Here he turned, and there he halted, now he paused, and now he flew,
Swifter than his sister's arrows, through soft dells of dreamy dew.
Vext with gleams of Ladon's daughter, dashed along the son of Jove,
Fast upon flower-trammelled Daphne fleeting on from grove to grove;
Flights of seawind hard behind him, breaths of bleak and whistling straits;
Drifts of driving cloud above him, like a troop of fierce-eyed Fates!
So he reached the water-shallows; then he stayed his steps, and heard
Daphne drop upon the grasses, fluttering like a wounded bird.

Was there help for Ladon's daughter? Saturn's son is high and just:
Did he come between her beauty and the fierce Far-darter's lust?
As she lay, the helpless maiden, caught and bound in fast eclipse,
Did the lips of god drain pleasure from her sweet and swooning lips?
Now that these and all Love's treasures blushed, before the spoiler, bare,
Was the wrong that shall be nameless done, and seen, and suffered there?
No! for Zeus is King and Father. Weary nymph and fiery god,
Bend the knee alike before him - he is kind, and he is lord!
Therefore sing how clear-browed Pallas - Pallas, friend of prayerful maid,
Lifted dazzling Daphne lightly, bore her down the breathless glade,
Did the thing that Zeus commanded: so it came to pass that he
Who had chased a white-armed virgin, caught at her, and clasped a tree.

CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?

All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.

In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.

Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?

Sweet water-moons, blown into lights
   Of flying gold on pool and creek,
And many sounds and many sights
   Of younger days are back this week.
I cannot say I sought to face
   Or greatly cared to cross again
The subtle spirit of the place
   Whose life is mixed with Rose Lorraine.

What though her voice rings clearly through
   A nightly dream I gladly keep,
No wish have I to start anew
   Heart fountains that have ceased to leap.
Here, face to face with different days,
   And later things that plead for love,
It would be worse than wrong to raise
   A phantom far too vain to move.

But, Rose Lorraine -- ah! Rose Lorraine,
   I'll whisper now, where no one hears --
If you should chance to meet again
   The man you kissed in soft, dead years,
Just say for once "He suffered much,"
   And add to this "His fate was worst
Because of me, my voice, my touch" --
   There is no passion like the first!

If I that breathe your slow sweet name,
   As one breathes low notes on a flute,
Have vext your peace with word of blame,
   The phrase is dead -- the lips are mute.
Yet when I turn towards the wall,
   In stormy nights, in times of rain,
I often wish you could recall
   Your tender speeches, Rose Lorraine.

Because, you see, I thought them true,
   And did not count you self-deceived,
And gave myself in all to you,
   And looked on Love as Life achieved.
Then came the bitter, sudden change,
   The fastened lips, the dumb despair:
The first few weeks were very strange,
   And long, and sad, and hard to bear.

No woman lives with power to burst
   My passion's bonds, and set me free;
For Rose is last where Rose was first,
   And only Rose is fair to me.
The faintest memory of her face,
   The wilful face that hurt me so,
Is followed by a fiery trace
   That Rose Lorraine must never know.

I keep a faded ribbon string
   You used to wear about your throat;
And of this pale, this perished thing,
   I think I know the threads by rote.
God help such love! To touch your hand,
   To loiter where your feet might fall,
You marvellous girl, my soul would stand
   The worst of hell -- its fires and all!

A CLAMOUR by day and a whisper by night,
And the Summer comes—with the shining noons,
With the ripple of leaves, and the passionate light
Of the falling suns and the rising moons.

And the ripple of leaves and the purple and red
Die for the grapes and the gleam of the wheat,
And then you may pause with the splendours, or tread
On the yellow of Autumn with lingering feet.

You may halt with the face to a flying sea,
Or stand like a gloom in the gloom of things,
When the moon drops down and the desolate lea
Is troubled with thunder and desolate wings.

But alas for the grey of the wintering eves,
And the pondering storms and the ruin of rains;
And alas for the Spring like a flame in the leaves,
And the green of the woods and the gold of the lanes!

For, seeing all pathos is mixed with our past,
And knowing all sadness of storm and of surge
Is salt with our tears for the faith that was cast
Away like a weed o’er a bottomless verge,

I am lost for these tokens, and wearied of ways
Wedded with ways that are waning amain,
Like those that are filled with the trouble that slays;
Having drunk of their life to the lees that are pain.

And yet I would write to you! I who have turned
Away with a bitter disguise in the eyes,
And bitten the lips that have trembled and burned
Alone for you, darling, and breaking with sighs.

Because I have touched with my fingers a dress
That was Beauty’s; because that the breath of thy mouth
Is sweetness that lingers; because of each tress
Showered down on thy shoulders; because of the drouth

That came in thy absence; because of the lights
In the Passion that grew to a level with thee—
Is it well that our lives have been filled with the nights
And the days which have made it a sorrow to be?

Yea, thus having tasted all love with thy lips,
And having the warmth of thy hand in mine own,
Is it well that we wander, like parallel ships,
With the silence between us, aloof and alone?

With my face to the wall shall I sleep and forget
The shadow, the sweet sense of slumber denies,
If even I marvel at kindness, and fret,
And start while the tears are all wet in mine eyes?

Oh, darling of mine, standing here with the Past,
Trampled under our feet in the bitterest ways,
Is this speech like a ghost that it keeps us aghast
On the track of the thorns and in alien days?

When I know of you, love, how you break with our pain,
And sob for the sorrow of sorrowful dreams,
Like a stranger who stands in the wind and the rain
And watches and wails by impassable streams:

Like a stranger who droops on a brink and deplores,
With famishing hands and frost in the feet,
For the laughter alive on the opposite shores
With the fervour of fire and the wind of the wheat.

Path beside the silver waters, flashing in October’s sun—
Walk, by green and golden margins where the sister streamlets run—
Twenty shining springs have vanished, full of flower, and leaf, and bird,
Since the step of Mary Rivers in your lawny dell was heard!
Twenty white-haired Junes have left us—grey with frost and bleak with gale—
Since the hand of her we loved so plucked the blossoms in your dale.
Twenty summers, twenty autumns, from the grand old hills have passed,
With their robes of royal colour, since we saw the darling last.
Morning comes—the blessed morning! and the slow song of the sea,
Like a psalm from radiant altars, floats across a rose-red lea;
Then the fair, strong noonday blossoms, and the reaper seeks the cool
Valley of the moss and myrtle, and the glimmering water-pool.
Noonday flames and evening follows; and the lordly mountains rest
Heads arrayed with tenfold splendour on the rich heart of the West.
Evening walks with moon and music where the higher life has been;
But the face of Mary Rivers there will nevermore be seen.

Ah! when autumn dells are dewy, and the wave is very still,
And that grey ghost called the Twilight passes from the distant hill—
Even in the hallowed nightfall, when the fathers sit and dream,
And the splendid rose of heaven sees a sister in the stream—
Often do I watch the waters gleaming in a starry bay,
Thinking of a bygone beauty, and a season far away;
Musing on the grace that left us in a time of singing rain,
On the lady who will never walk amongst these heaths again.

Four there were, but two were taken; and this darling we deplore,
She was sweetest of the circle—she was dearest of the four!
In the daytime and the dewtime comes the phantom of her face:
None will ever sit where she did—none will ever fill her place.
With the passing of our Mary, like a sunset out of sight,
Passed away our pure first passion—all its life and all its light!
All that made the world a dreamland—all the glory and the glow
Of the fine, fresh, morning feeling vanished twenty years ago.

Girl, whose strange, unearthly beauty haunts us ever in our sleep,
Many griefs have worn our hearts out—we are now too tired to weep!
Time has tried us, years have changed us; but the sweetness shed by you
Falls upon our spirits daily, like divine, immortal dew.
Shining are our thoughts about you—of the blossoms past recall,
You are still the rose of lustre—still the fairest of them all;
In the sleep that brings the garland gathered from the bygone hours,
You are still our Mary Rivers—still the queen of all the flowers.

Let me ask, where none can hear me—When you passed into the shine,
And you heard a great love calling, did you know that it was mine?
In your life of light and music, tell me did you ever see,
Shining in a holy silence, what was as a flame in me?
Ah, my darling! no one saw it. Purer than untrodden dew
Was that first unhappy passion buried in the grave with you.
Bird and leaf will keep the secret—wind and wood will never tell
Men the thing that I have whispered. Mary Rivers, fare you well!

Sing the song of wave-worn Coogee, Coogee in the distance white,
With its jags and points disrupted, gaps and fractures fringed with light;
Haunt of gledes, and restless plovers of the melancholy wail
Ever lending deeper pathos to the melancholy gale.
There, my brothers, down the fissures, chasms deep and wan and wild,
Grows the sea-bloom, one that blushes like a shrinking, fair, blind child;
And amongst the oozing forelands many a glad, green rock-vine runs,
Getting ease on earthy ledges, sheltered from December suns.
Often, when a gusty morning, rising cold and grey and strange,
Lifts its face from watery spaces, vistas full with cloudy change,
Bearing up a gloomy burden which anon begins to wane,
Fading in the sudden shadow of a dark, determined rain,
Do I seek an eastern window, so to watch the breakers beat
Round the steadfast crags of Coogee, dim with drifts of driving sleet:
Hearing hollow mournful noises sweeping down a solemn shore,
While the grim sea-caves are tideless, and the storm strives at their core.

Often when the floating vapours fill the silent autumn leas,
Dreaming mem’ries fall like moonlight over silver sleeping seas.
Youth and I and Love together! Other times and other themes
Come to me unsung, unwept for, through the faded evening gleams:
Come to me and touch me mutely — I that looked and longed so well,
Shall I look and yet forget them? — who may know or who foretell?
Though the southern wind roams, shadowed with its immemorial grief,
Where the frosty wings of Winter leave their whiteness on the leaf.

Friend of mine beyond the waters, here and here these perished days
Haunt me with their sweet dead faces and their old divided ways.
You that helped and you that loved me, take this song, and when you read,
Let the lost things come about you, set your thoughts and hear and heed.
Time has laid his burden on us — we who wear our manhood now,
We would be the boys we have been, free of heart and bright of brow —
Be the boys for just an hour, with the splendour and the speech
Of thy lights and thunders, Coogee, flying up thy gleaming beach.

Heart’s desire and heart’s division! who would come and say to me,
With the eyes of far-off friendship, “You are as you used to be”?
Something glad and good has left me here with sickening discontent,
Tired of looking, neither knowing what it was or where it went.
So it is this sight of Coogee, shining in the morning dew,
Sets me stumbling through dim summers once on fire with youth and you —
Summers pale as southern evenings when the year has lost its power
And the wasted face of April weeps above the withered flower.

Not that seasons bring no solace, not that time lacks light and rest;
But the old things were the dearest and the old loves seem the best.
We that start at songs familiar, we that tremble at a tone
Floating down the ways of music, like a sigh of sweetness flown,
We can never feel the freshness, never find again the mood
Left among fair-featured places, brightened of our brotherhood.
This and this we have to think of when the night is over all,
And the woods begin to perish and the rains begin to fall

FAR in the ways of the hyaline wastes—in the face of the splendid
Six of the sisters—the star-dowered sisters ineffably bright,
Merope sitteth, the shadow-like wife of a monarch unfriended
Of Ades—of Orcus, the fierce, the implacable god of the night.
Merope—fugitive Merope! lost to thyself and thy lover,
Cast, like a dream, out of thought, with the moons which have passed into sleep,
What shall avail thee? Alcyone’s tears, or the sight to discover
Of Sisyphus pallid for thee by the blue, bitter lights of the deep—
Pallid, but patient for sorrow? Oh, thou of the fire and the water,
Half with the flame of the sunset, and kin to the streams of the sea,
Hast thou the songs of old times for desire of thy dark-featured daughter,
Sweet with the lips of thy yearning, O Aethra! with tokens of thee—
Songs that would lull her, like kisses forgotten of silence where speech was
Less than the silence that bound it as passion is bound by a ban;
Seeing we know of thee, Mother, we turning and hearing how each was
Wrapt in the other ere Merope faltered and fell for a man?
Mortal she clave to, forgetting her birthright, forgetting the lordlike
Sons of the many-winged Father, and chiefs of the plume and the star,
Therefore, because that her sin was the grief of the grand and the godlike,
Sitteth thy child than a morning-moon bleaker, the faded, and far.
Ringed with the flower-like Six of the Seven, arrayed and anointed
Ever with beautiful pity, she watches, she weeps, and she wanes,
Blind as a flame on the hills of the Winter in hours appointed
For the life of the foam and the thunder—the strength of the imminent rains.
Who hath a portion, Alcyone, like her? Asterope, fairer
Than sunset on snow, and beloved of all brightness, say what is there left
Sadder and paler than Pleione’s daughter, disconsolate bearer
Of trouble that smites like a sword of the gods to the break of the heft?
Demeter, and Dryope, known to the forests, the falls, and the fountains,
Yearly, because of their walking and wailing and wringing of hands,
Are they as one with this woman?—of Hyrie, wild in the mountains,
Breaking her heart in the frosts and the fires of the uttermost lands?
These have their bitterness. This, for Persephone, that for Oechalian
Homes, and the lights of a kindness blown out with the stress of her shame:
One for her child, and one for her sin; but thou above all art an alien,
Girt with the halos that vex thee, and wrapt in a grief beyond name.
Yet sayeth Sisyphus—Sisyphus, stricken and chained of the minioned
Kings of great darkness, and trodden in dust by the feet of the Fates—
“Sweet are the ways of thy watching, and pallid and perished and pinioned,
Moon amongst maidens, I leap for thy love like a god at the gates—
Leap for the dreams of a rose of the heavens, and beat at the portals
Paved with the pain of unsatisfied pleadings for thee and for thine!
But Zeus is immutable Master, and these are the walls the immortals
Build for our sighing, and who may set lips at the lords and repine?
Therefore,” he saith, “I am sick for thee, Merope, faint for the tender
Touch of thy mouth, and the eyes like the lights of an altar to me;
But, lo, thou art far; and thy face is a still and a sorrowful splendour!
And the storm is abroad with the rain on the perilous straits of the sea.”

INTO that good old Hebrew’s soul sublime
The spirit of the wilderness had passed;
For where the thunders of imperial Storm
Rolled over mighty hills; and where the caves
Of cloud-capt Horeb rang with hurricane;
And where wild-featured Solitude did hold
Supreme dominion; there the prophet saw
And heard and felt that large mysterious life
Which lies remote from cities, in the woods
And rocks and waters of the mountained Earth.
And so it came to pass, Elijah caught
That scholarship which gave him power to see
And solve the deep divinity that lies
With Nature, under lordly forest-domes,
And by the seas; and so his spirit waxed,
Made strong and perfect by its fellowship
With God’s authentic world, until his eyes
Became a splendour, and his face was as
A glory with the vision of the seer.
Thereafter, thundering in the towns of men,
His voice, a trumpet of the Lord, did shake
All evil to its deep foundations. He,
The hairy man who ran before the king,
Like some wild spectre fleeting through the storm,
What time Jezreel’s walls were smitten hard
By fourfold wind and rain; ’twas he who slew
The liars at the altars of the gods,
And, at the very threshold of a throne,
Heaped curses on its impious lord; ’twas he
Jehovah raised to grapple Sin that stalked,
Arrayed about with kingship; and to strike
Through gold and purple, to the heart of it.
And therefore Falsehood quaked before his face,
And Tyranny grew dumb at sight of him,
And Lust and Murder raged abroad no more;
But where these were he walked, a shining son
Of Truth, and cleared and sanctified the land.

Not always was the dreaded Tishbite stern;
The scourge of despots, when he saw the face
Of Love in sorrow by the bed of Death,
Grew tender as a maid; and she who missed
A little mouth that used to catch, and cling—
A small, sweet trouble—at her yearning breast;*
Yea, she of Zarephath, who sat and mourned
The silence of a birdlike voice that made
Her flutter with the joy of motherhood
In other days, she came to know the heart
Of Pity that the rugged prophet had.
And when he took the soft, still child away,
And laid it on his bed; and in the dark
Sent up a pleading voice to Heaven; and drew
The little body to his breast; and held
It there until the bright, young soul returned
To earth again; the gladdened woman saw
A radiant beauty in Elijah’s eyes,
And knew the stranger was a man of God.

We want a new Elijah in these days,
A mighty spirit clad in shining arms
Of Truth—yea, one whose lifted voice would break,
Like thunder, on our modern Apathy,
And shake the fanes of Falsehood from their domes
Down to the firm foundations; one whose words,
Directly coming from a source divine,
Would fall like flame where Vice holds festival,
And search the inmost heart of nations; one
Made godlike with that scholarship supreme
Which comes of suffering; one, with eyes to see
The very core of things; with hands to grasp
High opportunities, and use them for
His glorious mission; one, whose face inspired
Would wear a terror for the lying soul,
But seem a glory in the sight of those
Who make the light and sweetness of the world,
And are the high priests of the Beautiful.
Yea, one like this we want amongst us now
To drive away the evil fogs that choke
Our social atmosphere, and leave it clear
And pure and hallowed with authentic light.

WE STOOD by the window and hearkened
To the voice of the runnels sea-driven,
While, northward, the mountain-heads darkened,
Girt round with the clamours of heaven.
One peak with the storm at his portal
Loomed out to the left of his brothers:
Sustained, and sublime, and immortal,
A king, and the lord of the others!
Beneath him a cry from the surges
Rang shrill, like a clarion calling;
And about him, the wind of the gorges
Went falling, and rising, and falling.
But I, as the roofs of the thunder
Were cloven with manifold fires,
Turned back from the wail and the wonder,
And dreamed of old days and desires.
A song that was made, I remembered—
A song that was made in the gloaming
Of suns which are sunken and numbered
With times that my heart hath no home in.
But I said to my Dream, “I am calmer
Than waters asleep on the river.
I can look at the hills of Kiama
And bury that dead Past for ever.”
“Past sight, out of mind, alienated,”
Said the Dream to me, wearily sighing,
“Ah, where is the Winter you mated
To Love, its decline and its dying?
Here, five years ago, there were places
That knew of her cunning to grieve you,
But alas! for her eyes and her graces;
And wherefore and how did she leave you!
Have you hidden the ways of this Woman,
Her whispers, her glances, her power
To hold you, as demon holds human,
Chained back to the day and the hour?
Say, where have you buried her sweetness,
Her coldness for youth and its yearning?
Is the sleep of your Sorrow a witness
She is passed all the roads of returning?
Was she left with her beauty, O lover,
And the shreds of your passion about her,
Beyond reach and where none can discover?
Ah! what is the wide world without her?”

I answered, “Behold, I was broken,
Because of this bright, bitter maiden,
Who helped me with never a token
To beat down the dark I had strayed in.
She knew that my soul was entangled
By what was too fiery to bear then;
Nor cared how she withered and strangled
My life with her eyes and her hair then.
But I have not leapt to the level
Where light and the shadows dissever?
She is fair, but a beautiful devil
That I have forgotten for ever!”
“She is sweeter than music or singing,”
Said the Dream to me, heavily moaning,
“Her voice in your slumber is ringing;
And where is the end—the atoning?
Can you look at the red of the roses;
Are you friend of the fields and the flowers?
Can you bear the faint day as it closes
And dies into twilighted hours?
Do you love the low notes of the ballad
She sang in her darling old fashion?”
And I whispered, “O Dream, I am pallid
And perished because of my passion.”
But the Wraith withered out, and the rifted
Gray hills gleaming over the granges,
Stood robed with moon-rainbows that shifted
And shimmered resplendent with changes!
While, for the dim ocean ledges,
The storm and the surges were blended,
Sheer down the bluff sides of the ridges
Spent winds and the waters descended.
The forests, the crags, and the forelands,
Grew sweet with the stars after raining;
But out in the north-lying moorlands,
I heard the lone plover complaining.
From these to Kiama, half-hidden
In a yellow sea-mist on the slopings
Of hills, by the torrents be-ridden,
I turned with my aches and my hopings,
Saying this—“There are those that are taken
By Fate to wear Love as a raiment
Whose texture is trouble with breaking
Of youth and no hope of repayment.”

AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the thunder,
Make a night on morning’s brow!
Just to stand where Nature’s face is
Flushed with power in forest places—
Where of God authentic trace is—
Ah, to be by Mooni now!

Just to be by Mooni’s springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current
Like a sister of the torrent,
Far away by Mooni’s springs.

He that is by Mooni now,
Sees the water-sapphires gleaming
Where the River Spirit, dreaming
Sleeps by fall and fountain streaming
Under lute of leaf and bough!
Hears, where stamp of storm with stress is,
Psalms from unseen wildernesses
Deep amongst far hill-recesses—
He that is by Mooni now.

Yea, for him by Mooni’s marge
Sings the yellow-haired September
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni’s marge.

Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and breath that parches
Where strong Summer’s path of march is
And the suns in thunder set?
Housed beneath the gracious kirtle
Of the shadowy water myrtle,
Winds may hiss with heat, and hurtle—
He is safe by Mooni yet!

Days there were when he who sings
(Dumb so long through passion’s losses)
Stood where Mooni’s water crosses
Shining tracts of green-haired mosses,
Like a soul with radiant wings;
Then the psalm the wind rehearses—
Then the song the stream disperses
Lent a beauty to his verses—
Who to-night of Mooni sings.

Ah, the theme—the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme—the sad, grey theme!

Sin and shame have left their trace!
He who mocks the mighty, gracious
Love of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.

In the years that used to be,
When the large, supreme occasion
Brought the life of inspiration,
Like a god’s transfiguration
Was the shining change in me.
Then, where Mooni’s glory glances,
Clear diviner countenances
Beamed on me like blessed chances,
In the years that used to be.

Ah, the beauty of old ways!
Then the man who so resembled
Lords of light unstained, unhumbled,
Touched the skirts of Christ, nor trembled
At the grand benignant gaze!
Now he shrinks before the splendid
Face of Deity offended,
All the loveliness is ended!
All the beauty of old ways!

Still to be by Mooni cool—
Where the water-blossoms glister,
And, by gleaming vale and vista,
Sits the English April’s sister
Soft, and sweet, and wonderful.
Just to rest beyond the burning
Outer world—its sneers and spurning—
Ah! my heart—my heart is yearning
Still to be by Mooni cool:

Now, by Mooni’s fair hill heads,
Lo, the gold green lights are glowing,
Where, because no wind is blowing,
Fancy hears the flowers growing
In the herby watersheds!
Faint it is—the sound of thunder
From the torrents far thereunder,
Where the meeting mountains ponder—
Now, by Mooni’s fair hill heads:

Just to be where Mooni is,
Even where the fierce fall races
Down august unfathomed places,
Where of sun or moon no trace is,
And the streams of shadow hiss!
Have I not an ample reason
So to long for—sick of treason—
Something of the grand old season,
Just to be where Mooni is?

With reverent eyes and bowed, uncovered head,
A son of sorrow kneels by fanes you knew;
But cannot say the words that should be said
To crowned and winged divinities like you.

The perfect speech of superhuman spheres
Man has not heard since He of Nazareth,
Slain for the sins of twice two thousand years,
Saw Godship gleaming through the gates of Death.

And therefore he who in these latter days
Has lost a Father — falling by the shrine,
Can only use the world’s ephemeral phrase,
Not, Lord, the faultless language that is Thine.

But he, Thy son upon whose shoulders shone
So long Elisha’s gleaming garments, may
Be pleased to hear a pleading human tone
To sift the spirit of the words I say.

O, Master, since the gentle Stenhouse died
And left the void that none can ever fill,
One harp at least has sorrow thrown aside,
Its strings all broken, and its notes all still.

Some lofty lord of music yet may find
Its pulse of passion. I can never touch
The chords again — my life has been too blind;
I’ve sinned too long and suffered far too much.

But you will listen to the voice, although
The harp is silent — you who glorified
Your great, sad gift of life, because you know
How souls are tempted and how hearts are tried.

O marvellous follower in the steps of Christ,
How pure your spirit must have been to see
That light beyond our best expression priced
The effluence of benignant Deity.

You saw it, Father? Let me think you did
Because I, groping in the mists of Doubt,
Am sometimes fearful that God’s face is hid
From all — that none can read His riddle out!

A hope from lives like yours must everywhere
Become like faith — that blessing undefiled,
The refuge of the grey philosopher —
The consolation of the simple child.

Here in a land of many sects, where God
As shaped by man in countless forms appears,
Few comprehend how carefully you trod
Without a slip for two and forty years.

How wonderful the self-repression must
Have been, that made you to the lovely close
The Christian crowned with universal trust,
The foe-less Father in a land of foes.

How patiently — with how divine a strength
Of tolerance you must have watched the frays
Of fighting churches — warring through the length
Of your bright, beautiful, unruffled days!

Because men strove you did not love them less;
You felt for each — for everyone and all —
With that same apostolic tenderness
Which Samuel felt when yearning over Saul.

A crowned hierophant — a high Chief-Priest
On flame with robes of light, you used to be;
But yet you were as humble as the least
Of those who followed Him of Galilee.

‘Mid splendid forms of faith which flower and fill
God’s oldest Church with gleams ineffable
You stand, Our Lord’s serene disciple still,
In all the blaze which on your pallium fell.

The pomp of altars, chasubles, and fires
Of incense, moved you not; nor yet the dome
Of haughty beauty — follower of the Sires —
Who made a holiness of elder Rome.

A lord of scholarship whose knowledge ran
Through every groove of human history, you
Were this and more — a Christian gentleman;
A fount of learning with a heart like dew.

O Father! I who at your feet have knelt,
On wings of singing fall, and fail to sing,
Remembering the immense compassion felt
By you for every form of suffering.

As dies a gentle April in a sky
Of faultless beauty — after many days
Of loveliness and grand tranquillity —
So passed your presence from our human gaze.

But though your stately face is as the dust
That windy hills to wintering hollows give,
Your memory like a deity august
Is with us still, to teach us how to live.

Ah! may it teach us — may the lives that are
Take colour from the life that was; and may
Those souls be helped that in the dark so far
Have strayed, and have forgotten how to pray!

Let one of these at least retain the hope
That fine examples, like a blessed dew
Of summer falling in a fruitful scope,
Give birth to issues beautiful and true.

Such hope, O Master, is a light indeed
To him that knows how hard it is to save
The spirit resting on no certain creed
Who kneels to plant this blossom on your grave.

Stand out, swift-footed leaders of the horns,
And draw strong breath, and fill the hollowy cliff
With shocks of clamour, — let the chasm take
The noise of many trumpets, lest the hunt
Should die across the dim Aonian hills,
Nor break through thunder and the surf-white cave
That hems about the old-eyed Ogyges
And bars the sea-wind, rain-wind, and the sea!
Much fierce delight hath old-eyed Ogyges
(A hairless shadow in a lion’s skin)
In tumult, and the gleam of flying spears,
And wild beasts vexed to death; “for,” sayeth he,
“Here lying broken, do I count the days
For every trouble; being like the tree —
The many-wintered father of the trunks
On yonder ridges: wherefore it is well
To feel the dead blood kindling in my veins
At sound of boar or battle; yea to find
A sudden stir, like life, about my feet,
And tingling pulses through this frame of mine
What time the cold clear dayspring, like a bird
Afar off, settles on the frost-bound peaks,
And all the deep blue gorges, darkening down,
Are filled with men and dogs and furious dust!”

So in the time whereof thou weetest well —
The melancholy morning of the World —
He mopes or mumbles, sleeps or shouts for glee,
And shakes his sides — a cavern-hutted King!
But when the ouzel in the gaps at eve
Doth pipe her dreary ditty to the surge
All tumbling in the soft green level light,
He sits as quiet as a thick-mossed rock,
And dreameth in his cold old savage way
Of gliding barges on the wine-dark waves,
And glowing shapes, and sweeter things than sleep,
But chiefly, while the restless twofold bat
Goes flapping round the rainy eaves above,
Where one broad opening letteth in the moon,
He starteth, thinking of that grey-haired man,
His sire: then oftentimes the white-armed child
Of thunder-bearing Jove, young Thebe, comes
And droops above him with her short sweet sighs
For Love distraught — for dear Love’s faded sake
That weeps and sings and weeps itself to death
Because of casual eyes, and lips of frost,
And careless mutterings, and most weary years.

Bethink you, doth the wan Egyptian count
This passion, wasting like an unfed flame,
Of any worth now; seeing that his thighs
Are shrunken to a span and that the blood,
Which used to spin tumultuous down his sides
Of life in leaping moments of desire,
Is drying like a thin and sluggish stream
In withered channels — think you, doth he pause
For golden Thebe and her red young mouth?

Ah, golden Thebe — Thebe, weeping there,
Like some sweet wood-nymph wailing for a rock,
If Octis with the Apollonian face —
That fair-haired prophet of the sun and stars —
Could take a mist and dip it in the West
To clothe thy limbs of shine about with shine
And all the wonder of the amethyst,
He’d do it — kneeling like a slave for thee!
If he could find a dream to comfort thee,
He’d bring it: thinking little of his lore,
But marvelling greatly at those eyes of thine.
Yea, if the Shepherd waiting for thy steps,
Pent down amongst the dank black-weeded rims,
Could shed his life like rain about thy feet,
He’d count it sweetness past all sweets of love
To die by thee — his life’s end in thy sight.

Oh, but he loves the hunt, doth Ogyges!
And therefore should we blow the horn for him:
He, sitting mumbling in his surf-white cave
With helpless feet and alienated eyes,
Should hear the noises nathless dawn by dawn
Which send him wandering swiftly through the days
When like a springing cataract he leapt
From crag to crag, the strongest in the chase
To spear the lion, leopard, or the boar!
Oh, but he loves the hunt; and, while the shouts
Of mighty winds are in this mountained World,
Behold the white bleak woodman, Winter, halts
And bends to him across a beard of snow
For wonder; seeing Summer in his looks
Because of dogs and calls from throats of hair
All in the savage hills of Hyria!
And, through the yellow evenings of the year,
What time September shows her mooned front
And poppies burnt to blackness droop for drouth,
The dear Demeter, splashed from heel to thigh
With spinning vine-blood, often stoops to him
To crush the grape against his wrinkled lips
Which sets him dreaming of the thickening wolves
In darkness, and the sound of moaning seas.
So with the blustering tempest doth he find
A stormy fellowship: for when the North
Comes reeling downwards with a breath like spears,
Where Dryope the lonely sits all night
And holds her sorrow crushed betwixt her palms,
He thinketh mostly of that time of times
When Zeus the Thunderer — broadly-blazing King —
Like some wild comet beautiful but fierce,
Leapt out of cloud and fire and smote the tops
Of black Ogygia with his red right hand,
At which great fragments tumbled to the Deeps —
The mighty fragments of a mountain-land —
And all the World became an awful Sea!

But, being tired, the hairless Ogyges
Best loveth night and dim forgetfulness!
“For,” sayeth he, “to look for sleep is good
When every sleep is as a sleep of death
To men who live, yet know not why they live,
Nor how they live! I have no thought to tell
The people when this time of mine began;
But forest after forest grows and falls,
And rock by rock is wasted with the rime,
While I sit on and wait the end of all;
Here taking every footstep for a sign;
An ancient shadow whiter than the foam!”

Rolling through the gloomy gorges, comes the roaring southern blast,
With a sound of torrents flying, like a routed army, past,
And, beneath the shaggy forelands, strange fantastic forms of surf
Fly, like wild hounds, at the darkness, crouching over sea and earth;
Swooping round the sunken caverns, with an aggravated roar;
Falling where the waters tumble foaming on a screaming shore!
In a night like this we parted. Eyes were wet though speech was low,
And our thoughts were all in mourning for the dear, dead Long Ago!
In a night like this we parted. Hearts were sad though they were young,
And you left me very lonely, dark-haired Maid of Gerringong.
Said my darling, looking at me, through the radiance of her tears:
“Many changes, O my loved One, we will meet in after years;
Changes like to sudden sunbursts flashing down a rainy steep —
Changes like to swift-winged shadows falling on a moony deep!
And they are so cheerless sometimes, leaving, when they pass us by,
Deepening dolours on the sweet, sad face of our Humanity.
But you’ll hope, and fail and faint not, with that heart so warm and true,
Watching for the coming Morning, that will flood the World for you;
Listening through a thirsty silence, till the low winds bear along
Eager footfalls — pleasant voices,” said the Maid of Gerringong.

Said my darling, when the wind came sobbing wildly round the eaves:
“Oh, the Purpose scattered from me, like the withered autumn leaves!
Oh, the wreck of Love’s ambition! Oh, the fond and full belief
That I yet should hear them hail you in your land a God-made chief!
In the loud day they may slumber, but my thoughts will not be still
When the weary world is sleeping, and the moon is on the hill;
Then your form will bend above me, then your voice will rise and fall,
Though I turn and hide in darkness, with my face against the wall,
And my Soul must rise and listen while those homeless memories throng
Moaning in the night for shelter,” said the Maid of Gerringong.

Ay, she passed away and left me! Rising through the dusk of tears,
Came a vision of that parting every day for many years!
Every day, though she had told me not to court the strange sweet pain,
Something whispered — something led me to our olden haunts again:
And I used to wander nightly, by the surges and the ships,
Harping on those last fond accents that had trembled from her lips:
Till a vessel crossed the waters, and I heard a stranger say,
“One you loved has died in silence with her dear face turned away.”
Oh! the eyes that flash upon me, and the voice that comes along —
Oh! my light, my life, my darling dark-haired Maid of Gerringong.



Some one saith, “Oh, you that mock at Passion with a worldly whine,
Would you change the face of Nature — would you limit God’s design?
Hide for shame from well-raised clamour, moderate fools who would be wise;
Hide for shame — the World will hoot you! Love is Love, and never dies”
And another asketh, doubting that my brother speaks the truth,
“Can we love in age as fondly as we did in days of youth?
Will dead faces always haunt us, in the time of faltering breath?
Shall we yearn, and we so feeble?” Ay, for Love is Love in Death.
Oh! the Faith with sure foundation! — let the Ages roll along,
You are mine, and mine for ever, dark-haired Maid of Gerringong.

Last night, dear, I dreamt about you, and I thought that far from men
We were walking, both together, in a fragrant seaside glen;
Down where we could hear the surges wailing round the castled cliffs,
Down where we could see the sunset reddening on the distant skiffs;
There a fall of mountain waters tumbled through the knotted bowers
Bright with rainbow colours reeling on the purple forest flowers.
And we rested on the benches of a cavern old and hoar;
And I whispered, “this is surely her I loved in days of yore!
False he was who brought sad tidings! Why were you away so long,
When you knew who waited for you, dark-haired Maid of Gerringong?

“Did the strangers come around you, in the far-off foreign land?
Did they lead you out of sorrow, with kind face and loving hand?
Had they pleasant ways to court you — had they silver words to bind?
Had they souls more fond and loyal than the soul you left behind?
Do not think I blame you, dear one! Ah! my heart is gushing o’er
With the sudden joy and wonder, thus to see your face once more.
Happy is the chance which joins us after long, long years of pain:
And, oh, blessed was whatever sent you back to me again!
Now our pleasure will be real — now our hopes again are young:
Now we’ll climb Life’s brightest summits, dark-haired Maid of Gerringong.

“In the sound of many footfalls, did you falter with regret
For a step which used to gladden in the time so vivid yet?
When they left you in the night-hours, did you lie awake like me,
With the thoughts of what we had been — what we never more could be?
Ah! you look but do not answer while I halt and question here,
Wondering why I am so happy, doubting that you are so near.
Sure these eyes with love are blinded, for your form is waxing faint;
And a dreamy splendour crowns it, like the halo round a saint!
When I talk of what we will be, and new aspirations throng,
Why are you so sadly silent, dark-haired Maid of Gerringong?”

But she faded into sunset, and the sunset passed from sight;
And I followed madly after, through the misty, moony night,
Crying, “do not leave me lonely! Life has been so cold and drear,
You are all that God has left me, and I want you to be near!
Do not leave me in the darkness! I have walked a weary way,
Listening for your truant footsteps — turn and stay, my darling, stay!”
But she came not though I waited, watching through a splendid haze,
Where the lovely Phantom halted ere she vanished from my gaze.
Then I thought that rain was falling, for there rose a stormy song,
And I woke in gloom and tempest, dark-haired Maid of Gerringong!

I
A Mountain Spring

Peace hath an altar there. The sounding feet
Of thunder and the ’wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights, whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secret that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.

II
Laura

If Laura—lady of the flower-soft face—
Should light upon these verses, she may take
The tenderest line, and through its pulses trace
What man can suffer for a woman’s sake.
For in the nights that burn, the days that break,
A thin pale figure stands in Passion’s place,
And peace comes not, nor yet the perished grace
Of youth, to keep old faiths and fires awake.
Ah! marvellous maid. Life sobs, and sighing saith,
“She left me, fleeting like a fluttered dove;
But I would have a moment of her breath,
So I might taste the sweetest sense thereof,
And catch from blossoming, honeyed lips of love
Some faint, some fair, some dim, delicious death.”


III
By a River

By red-ripe mouth and brown, luxurious eyes
Of her I love, by all your sweetness shed
In far, fair days, on one whose memory flies
To faithless lights, and gracious speech gainsaid,
I pray you, when yon river-path I tread,
Make with the woodlands some soft compromise,
Lest they should vex me into fruitless sighs
With visions of a woman’s gleaming head!
For every green and golden-hearted thing
That gathers beauty in that shining place,
Beloved of beams and wooed by wind and wing,
Is rife with glimpses of her marvellous face;
And in the whispers of the lips of Spring
The music of her lute-like voice I trace.


IV
Attila

What though his feet were shod with sharp, fierce flame,
And death and ruin were his daily squires,
The Scythian, helped by Heaven’s thunders, came:
The time was ripe for God’s avenging fires.
Lo! loose, lewd trulls, and lean, luxurious liars
Had brought the fair, fine face of Rome to shame,
And made her one with sins beyond a name—
That queenly daughter of imperial sires!
The blood of elders like the blood of sheep,
Was dashed across the circus. Once while din
And dust and lightnings, and a draggled heap
Of beast-slain men made lords with laughter leap,
Night fell, with rain. The earth, so sick of sin,
Had turned her face into the dark to weep.


V
A Reward

Because a steadfast flame of clear intent
Gave force and beauty to full-actioned life;
Because his way was one of firm ascent,
Whose stepping-stones were hewn of change and strife;
Because as husband loveth noble wife
He loved fair Truth; because the thing he meant
To do, that thing he did, nor paused, nor bent
In face of poor and pale conclusions; yea!
Because of this, how fares the Leader dead?
What kind of mourners weep for him to-day?
What golden shroud is at his funeral spread?
Upon his brow what leaves of laurel, say?
About his breast is tied a sackcloth grey,
And knots of thorns deface his lordly head.


VI To ——
A handmaid to the genius of thy song
Is sweet, fair Scholarship. ’Tis she supplies
The fiery spirit of the passioned eyes
With subtle syllables, whose notes belong
To some chief source of perfect melodies;
And glancing through a laurelled, lordly throng
Of shining singers, lo! my vision flies
To William Shakespeare! He it is whose strong,
Full, flute-like music haunts thy stately verse.
A worthy Levite of his court thou art!
One sent among us to defeat the curse
That binds us to the Actual. Yea, thy part,
Oh, lute-voiced lover! is to lull the heart
Of love repelled, its darkness to disperse.


VII
The Stanza of Childe Harold

Who framed the stanza of Childe Harold? He
It was who, halting on a stormy shore,
Knew well the lofty voice which evermore,
In grand distress, doth haunt the sleepless sea
With solemn sounds. And as each wave did roll
Till one came up, the mightiest of the whole,
To sweep and surge across the vacant lea,
Wild words were wedded to wild melody.
This poet must have had a speechless sense
Of some dead summer’s boundless affluence;
Else, whither can we trace the passioned lore
Of Beauty, steeping to the very core
His royal verse, and that rare light which lies
About it, like a sunset in the skies?

VIII
A Living Poet

He knows the sweet vexation in the strife
Of Love with Time, this bard who fain would stray
To fairer place beyond the storms of life,
With astral faces near him day by day.
In deep-mossed dells the mellow waters flow
Which best he loves; for there the echoes, rife
With rich suggestions of his long ago,
Astarte, pass with thee! And, far away,
Dear southern seasons haunt the dreamy eye:
Spring, flower-zoned, and Summer, warbling low
In tasselled corn, alternate come and go,
While gypsy Autumn, splashed from heel to thigh
With vine-blood, treads the leaves; and, halting nigh,
Wild Winter bends across a beard of snow.

IX
Dante and Virgil

When lost Francesca sobbed her broken tale
Of love and sin and boundless agony,
While that wan spirit by her side did wail
And bite his lips for utter misery—
The grief which could not speak, nor hear, nor see—
So tender grew the superhuman face
Of one who listened, that a mighty trace
Of superhuman woe gave way, and pale
The sudden light up-struggled to its place;
While all his limbs began to faint and fail
With such excess of pity. But, behind,
The Roman Virgil stood—the calm, the wise—
With not a shadow in his regal eyes,
A stately type of all his stately kind.

X
Rest

Sometimes we feel so spent for want of rest,
We have no thought beyond. I know to-day,
When tired of bitter lips and dull delay
With faithless words, I cast mine eyes upon
The shadows of a distant mountain-crest,
And said “That hill must hide within its breast
Some secret glen secluded from the sun.
Oh, mother Nature! would that I could run
Outside to thee; and, like a wearied guest,
Half blind with lamps, and sick of feasting, lay
An aching head on thee. Then down the streams
The moon might swim, and I should feel her grace,
While soft winds blew the sorrows from my face,
So quiet in the fellowship of dreams.”

XI
After Parting

I cannot tell what change hath come to you
To vex your splendid hair. I only know
One grief. The passion left betwixt us two,
Like some forsaken watchfire, burneth low.
’Tis sad to turn and find it dying so,
Without a hope of resurrection! Yet,
O radiant face that found me tired and lone!
I shall not for the dear, dead past forget
The sweetest looks of all the summers gone.
Ah! time hath made familiar wild regret;
For now the leaves are white in last year’s bowers,
And now doth sob along the ruined leas
The homeless storm from saddened southern seas,
While March sits weeping over withered flowers.

XII
Alfred Tennyson

The silvery dimness of a happy dream
I’ve known of late. Methought where Byron moans,
Like some wild gulf in melancholy zones,
I passed tear-blinded. Once a lurid gleam
Of stormy sunset loitered on the sea,
While, travelling troubled like a straitened stream,
The voice of Shelley died away from me.
Still sore at heart, I reached a lake-lit lea.
And then the green-mossed glades with many a grove,
Where lies the calm which Wordsworth used to love,
And, lastly, Locksley Hall, from whence did rise
A haunting song that blew and breathed and blew
With rare delights. ’Twas there I woke and knew
The sumptuous comfort left in drowsy eyes.

Ill fares it with the man whose lips are set
To bitter themes and words that spite the gods;
For, seeing how the son of Saturn sways
With eyes and ears for all, this one shall halt
As on hard, hurtful hills; his days shall know
The plaintive front of sorrow; level looks
With cries ill-favoured shall be dealt to him;
And ~this~ shall be that he may think of peace
As one might think of alienated lips
Of sweetness touched for once in kind, warm dreams.
Yea, fathers of the high and holy face,
This soul thus sinning shall have cause to sob
'Ah, ah,' for sleep, and space enough to learn
The wan, wild Hyrie's aggregated song
That starts the dwellers in distorted heights,
With all the meaning of perpetual sighs
Heard in the mountain deserts of the world,
And where the green-haired waters glide between
The thin, lank weeds and mallows of the marsh.
But thou to whom these things are like to shapes
That come of darkness - thou whose life slips past
Regarding rather these with mute fast mouth -
Hear none the less how fleet Telegonus,
The brass-clad hunter, first took oar and smote
Swift eastward-going seas, with face direct
For narrowing channels and the twofold coasts
Past Colchis and the fierce Symplegades,
And utmost islands, washed by streams unknown.

For in a time when Phasis whitened wide
And drove with violent waters blown of wind
Against the bare, salt limits of the land,
It came to pass that, joined with Cytheraea,
The black-browed Ares, chafing for the wrong
Ulysses did him on the plains of Troy,
Set heart against the king; and when the storms
Sang high in thunder and the Thracian rain,
The god bethought him of a pale-mouthed priest
Of Thebae, kin to ancient Chariclo,
And of an omen which the prophet gave
That touched on death and grief to Ithaca;
Then, knowing how a heavy-handed fate
Had laid itself on Circe's brass-clad son,
He pricked the hunter with a lust that turned
All thoughts to travel and the seas remote;
But chiefly now he stirred Telegonus
To longings for his father's exiled face,
And dreams of rest and honey-hearted love
And quiet death with much of funeral flame
Far in the mountains of a favoured land
Beyond the wars and wailings of the waves.

So, past the ridges where the coast abrupt
Dips greyly westward, Circe's strong-armed son
Swept down the foam of sharp-divided straits
And faced the stress of opening seas. Sheer out
The vessel drave; but three long moons the gale
Moaned round; and swift, strong streams of fire revealed
The labouring rowers and the lightening surf,
Pale watchers deafened of sonorous storm,
And dipping decks and rents of ruined sails.
Yea, when the hollow ocean-driven ship
Wheeled sideways, like a chariot cloven through
In hard hot battle, and the night came up
Against strange headlands lying east and north,
Behold a black, wild wind with death to all
Ran shoreward, charged with flame and thunder-smoke,
Which blew the waters into wastes of white,
And broke the bark, as lightning breaks the pine;
Whereat the sea in fearful circles showed
Unpitied faces turned from Zeus and light -
Wan swimmers wasted with their agony,
And hopeless eyes and moaning mouths of men.
But one held by the fragments of the wreck,
And Ares knew him for Telegonus,
Whom heavy-handed Fate had chained to deeds
Of dreadful note with sin beyond a name.
So, seeing this, the black-browed lord of war,
Arrayed about by Jove's authentic light,
Shot down amongst the shattered clouds and called
With mighty strain, betwixt the gaps of storm
'Oceanus! Oceanus!' Whereat
The surf sprang white, as when a keel divides
The gleaming centre of a gathered wave;
And, ringed with flakes of splendid fire of foam,
The son of Terra rose half-way and blew
The triple trumpet of the water-gods,
At which great winds fell back and all the sea
Grew dumb, as on the land a war-feast breaks
When deep sleep falls upon the souls of men.
Then Ares of the night-like brow made known
The brass-clad hunter of the facile feet,
Hard clinging to the slippery logs of pine,
And told the omen to the hoary god
That touched on death and grief to Ithaca;
Wherefore Oceanus, with help of hand,
Bore by the chin the warrior of the North,
A moaning mass, across the shallowing surge,
And cast him on the rocks of alien shores
Against a wintry morning shot with storm.

Hear also, thou, how mighty gods sustain
The men set out to work the ends of Fate
Which fill the world with tales of many tears
And vex the sad face of humanity:
Six days and nights the brass-clad chief abode
Pent up in caverns by the straitening seas
And fed on ferns and limpets; but the dawn,
Before the strong sun of the seventh, brought
A fume of fire and smells of savoury meat
And much rejoicing, as from neighbouring feasts;
At which the hunter, seized with sudden lust,
Sprang up the crags, and, like a dream of fear,
Leapt, shouting, at a huddled host of hinds
Amongst the fragments of their steaming food;
And as the hoarse wood-wind in autumn sweeps
To every zone the hissing latter leaves,
So fleet Telegonus, by dint of spear
And strain of thunderous voice, did scatter these
East, south, and north. 'Twas then the chief had rest,
Hard by the outer coast of Ithaca,
Unknown to him who ate the spoil and slept.
Nor stayed he hand thereafter; but when noon
Burned dead on misty hills of stunted fir,
This man shook slumber from his limbs and sped
Against hoar beaches and the kindled cliffs
Of falling waters. These he waded through,
Beholding, past the forests of the West,
A break of light and homes of many men,
And shining corn, and flowers, and fruits of flowers.
Yea, seeing these, the facile-footed chief
Grasped by the knot the huge Aeaean lance
And fell upon the farmers; wherefore they
Left hoe and plough, and crouched in heights remote,
Companioned with the grey-winged fogs; but he
Made waste their fields and throve upon their toil -
As throve the boar, the fierce four-footed curse
Which Artemis did raise in Calydon
To make stern mouths wax white with foreign fear,
All in the wild beginning of the world.

So one went down and told Laertes' son
Of what the brass-clad stranger from the straits
Had worked in Ithaca; whereat the King
Rose, like a god, and called his mighty heir,
Telemachus, the wisest of the wise;
And these two, having counsel, strode without,
And armed them with the arms of warlike days -
The helm, the javelin, and the sun-like shield,
And glancing greaves and quivering stars of steel.
Yea, stern Ulysses, rusted not with rest,
But dread as Ares, gleaming on his car
Gave out the reins; and straightway all the lands
Were struck by noise of steed and shouts of men,
And furious dust, and splendid wheels of flame.
Meanwhile the hunter (starting from a sleep
In which the pieces of a broken dream
Had shown him Circe with most tearful face),
Caught at his spear, and stood like one at bay
When Summer brings about Arcadian horns
And headlong horses mixt with maddened hounds;
Then huge Ulysses, like a fire of fight,
Sprang sideways on the flying car, and drave
Full at the brass-clad warrior of the North
His massive spear; but fleet Telegonus
Stooped from the death, but heard the speedy lance
Sing like a thin wind through the steaming air;
Yet he, dismayed not by the dreadful foe -
Unknown to him - dealt out his strength, and aimed
A strenuous stroke at great Laertes' son,
Which missed the shield, but bit through flesh and bone,
And drank the blood, and dragged the soul from thence.
So fell the King! And one cried 'Ithaca!
Ah, Ithaca!' and turned his face and wept.
Then came another - wise Telemachus -
Who knelt beside the man of many days
And pored upon the face; but lo, the life
Was like bright water spilt in sands of thirst,
A wasted splendour swiftly drawn away.
Yet held he by the dead: he heeded not
The moaning warrior who had learnt his sin -
Who waited now, like one in lairs of pain,
Apart with darkness, hungry for his fate;
For had not wise Telemachus the lore
Which makes the pale-mouthed seer content to sleep
Amidst the desolations of the world?
So therefore he, who knew Telegonus,
The child of Circe by Laertes' son,
Was set to be a scourge of Zeus, smote not,
But rather sat with moody eyes, and mused,
And watched the dead. For who may brave the gods?

Yet, O my fathers, when the people came,
And brought the holy oils and perfect fire,
And built the pile, and sang the tales of Troy -
Of desperate travels in the olden time,
By shadowy mountains and the roaring sea,
Near windy sands and past the Thracian snows -
The man who crossed them all to see his sire,
And had a loyal heart to give the king,
Instead of blows - this man did little more
Than moan outside the fume of funeral rites,
All in a rushing twilight full of rain,
And clap his palms for sharper pains than swords.
Yea, when the night broke out against the flame,
And lonely noises loitered in the fens,
This man nor stirred nor slept, but lay at wait,
With fastened mouth. For who may brave the gods?

A SKY of wind! And while these fitful gusts
Are beating round the windows in the cold,
With sullen sobs of rain, behold I shape
A settler’s story of the wild old times:
One told by camp-fires when the station drays
Were housed and hidden, forty years ago;
While swarthy drivers smoked their pipes, and drew,
And crowded round the friendly gleaming flame
That lured the dingo, howling, from his caves,
And brought sharp sudden feet about the brakes.

A tale of Love and Death. And shall I say
A tale of love in death—for all the patient eyes
That gathered darkness, watching for a son
And brother, never dreaming of the fate—
The fearful fate he met alone, unknown,
Within the ruthless Australasian wastes?

For in a far-off, sultry summer, rimmed
With thundercloud and red with forest fires,
All day, by ways uncouth and ledges rude,
The wild men held upon a stranger’s trail,
Which ran against the rivers and athwart
The gorges of the deep blue western hills.

And when a cloudy sunset, like the flame
In windy evenings on the Plains of Thirst
Beyond the dead banks of the far Barcoo,
Lay heavy down the topmost peaks, they came,
With pent-in breath and stealthy steps, and crouched,
Like snakes, amongst the grasses, till the night
Had covered face from face, and thrown the gloom
Of many shadows on the front of things.

There, in the shelter of a nameless glen,
Fenced round by cedars and the tangled growths
Of blackwood, stained with brown and shot with grey,
The jaded white man built his fire, and turned
His horse adrift amongst the water-pools
That trickled underneath the yellow leaves
And made a pleasant murmur, like the brooks
Of England through the sweet autumnal noons.

Then, after he had slaked his thirst and used
The forest fare, for which a healthful day
Of mountain life had brought a zest, he took
His axe, and shaped with boughs and wattle-forks
A wurley, fashioned like a bushman’s roof:
The door brought out athwart the strenuous flame
The back thatched in against a rising wind.

And while the sturdy hatchet filled the clifts
With sounds unknown, the immemorial haunts
Of echoes sent their lonely dwellers forth,
Who lived a life of wonder: flying round
And round the glen—what time the kangaroo
Leapt from his lair and huddled with the bats—
Far scattering down the wildly startled fells.
Then came the doleful owl; and evermore
The bleak morass gave out the bittern’s call,
The plover’s cry, and many a fitful wail
Of chilly omen, falling on the ear
Like those cold flaws of wind that come and go
An hour before the break of day.

Anon
The stranger held from toil, and, settling down,
He drew rough solace from his well-filled pipe,
And smoked into the night, revolving there
The primal questions of a squatter’s life;
For in the flats, a short day’s journey past
His present camp, his station yards were kept,
With many a lodge and paddock jutting forth
Across the heart of unnamed prairie-lands,
Now loud with bleating and the cattle bells,
And misty with the hut-fire’s daily smoke.

Wide spreading flats, and western spurs of hills
That dipped to plains of dim perpetual blue;
Bold summits set against the thunder heaps;
And slopes behacked and crushed by battling kine,
Where now the furious tumult of their feet
Gives back the dust, and up from glen and brake
Evokes fierce clamour, and becomes indeed
A token of the squatter’s daring life,
Which, growing inland—growing year by year—
Doth set us thinking in these latter days,
And makes one ponder of the lonely lands
Beyond the lonely tracks of Burke and Wills,
Where, when the wandering Stuart fixed his camps
In central wastes, afar from any home
Or haunt of man, and in the changeless midst
Of sullen deserts and the footless miles
Of sultry silence, all the ways about
Grew strangely vocal, and a marvellous noise
Became the wonder of the waxing glooms.

Now, after darkness, like a mighty spell
Amongst the hills and dim, dispeopled dells,
Had brought a stillness to the soul of things,
It came to pass that, from the secret depths
Of dripping gorges, many a runnel-voice
Came, mellowed with the silence, and remained
About the caves, a sweet though alien sound;
Now rising ever, like a fervent flute
In moony evenings, when the theme is love;
Now falling, as ye hear the Sunday bells
While hastening fieldward from the gleaming town.

Then fell a softer mood, and memory paused
With faithful love, amidst the sainted shrines
Of youth and passion in the valleys past
Of dear delights which never grow again.
And if the stranger (who had left behind
Far anxious homesteads in a wave-swept isle,
To face a fierce sea-circle day by day,
And hear at night the dark Atlantic’s moan)
Now took a hope and planned a swift return,
With wealth and health and with a youth unspent,
To those sweet ones that stayed with want at home,
Say who shall blame him—though the years are long,
And life is hard, and waiting makes the heart grow old?

Thus passed the time, until the moon serene
Stood over high dominion like a dream
Of peace: within the white, transfigured woods;
And o’er the vast dew-dripping wilderness
Of slopes illumined with her silent fires.

Then, far beyond the home of pale red leaves
And silver sluices, and the shining stems
Of runnel blooms, the dreamy wanderer saw,
The wilder for the vision of the moon,
Stark desolations and a waste of plain,
All smit by flame and broken with the storms;
Black ghosts of trees, and sapless trunks that stood
Harsh hollow channels of the fiery noise,
Which ran from bole to bole a year before,
And grew with ruin, and was like, indeed,
The roar of mighty winds with wintering streams
That foam about the limits of the land
And mix their swiftness with the flying seas.

Now, when the man had turned his face about
To take his rest, behold the gem-like eyes
Of ambushed wild things stared from bole and brake
With dumb amaze and faint-recurring glance,
And fear anon that drove them down the brush;
While from his den the dingo, like a scout
In sheltered ways, crept out and cowered near
To sniff the tokens of the stranger’s feast
And marvel at the shadows of the flame.

Thereafter grew the wind; and chafing depths
In distant waters sent a troubled cry
Across the slumb’rous forest; and the chill
Of coming rain was on the sleeper’s brow,
When, flat as reptiles hutted in the scrub,
A deadly crescent crawled to where he lay—
A band of fierce, fantastic savages
That, starting naked round the faded fire,
With sudden spears and swift terrific yells,
Came bounding wildly at the white man’s head,
And faced him, staring like a dream of Hell!

Here let me pass! I would not stay to tell
Of hopeless struggles under crushing blows;
Of how the surging fiends, with thickening strokes,
Howled round the stranger till they drained his strength;
How Love and Life stood face to face with Hate
And Death; and then how Death was left alone
With Night and Silence in the sobbing rains.

So, after many moons, the searchers found
The body mouldering in the mouldering dell
Amidst the fungi and the bleaching leaves,
And buried it, and raised a stony mound
Which took the mosses. Then the place became
The haunt of fearful legends and the lair
Of bats and adders.

There he lies and sleeps
From year to year—in soft Australian nights,
And through the furnaced noons, and in the times
Of wind and wet! Yet never mourner comes
To drop upon that grave the Christian’s tear
Or pluck the foul, dank weeds of death away.

But while the English autumn filled her lap
With faded gold, and while the reapers cooled
Their flame-red faces in the clover grass,
They looked for him at home: and when the frost
Had made a silence in the mourning lanes
And cooped the farmers by December fires,
They looked for him at home: and through the days
Which brought about the million-coloured Spring,
With moon-like splendours, in the garden plots,
They looked for him at home: while Summer danced,
A shining singer, through the tasselled corn,
They looked for him at home. From sun to sun
They waited. Season after season went,
And Memory wept upon the lonely moors,
And hope grew voiceless, and the watchers passed,
Like shadows, one by one away.

And he
Whose fate was hidden under forest leaves
And in the darkness of untrodden dells
Became a marvel. Often by the hearths
In winter nights, and when the wind was wild
Outside the casements, children heard the tale
Of how he left their native vales behind
(Where he had been a child himself) to shape
New fortunes for his father’s fallen house;
Of how he struggled—how his name became,
By fine devotion and unselfish zeal,
A name of beauty in a selfish land;
And then of how the aching hours went by,
With patient listeners praying for the step
Which never crossed the floor again. So passed
The tale to children; but the bitter end
Remained a wonder, like the unknown grave,
Alone with God and Silence in the hills.

Argument.
Hail to thee, Sound!—The power of Euterpe in all the scenes of life—
in religion; in works of charity; in soothing troubles by means of music;
in all humane and high purposes; in war; in grief; in the social circle;
the children’s lullaby; the dance; the ballad; in conviviality;
when far from home; at evening—the whole ending with an allegorical chorus,
rejoicing at the building of a mighty hall erected for the recreation
of a nation destined to take no inconsiderable part in the future history
of the world.


Overture

No. 1 Chorus

All hail to thee, Sound! Since the time
Calliope’s son took the lyre,
And lulled in the heart of their clime
The demons of darkness and fire;
Since Eurydice’s lover brought tears
To the eyes of the Princes of Night,
Thou hast been, through the world’s weary years,
A marvellous source of delight—
Yea, a marvellous source of delight!

In the wind, in the wave, in the fall
Of the water, each note of thine dwells;
But Euterpe hath gathered from all
The sweetest to weave into spells.
She makes a miraculous power
Of thee with her magical skill;
And gives us, for bounty or dower,
The accents that soothe us or thrill!
Yea, the accents that soothe us or thrill!

All hail to thee, Sound! Let us thank
The great Giver of light and of life
For the music divine that we’ve drank,
In seasons of peace and of strife,
Let us gratefully think of the balm
That falls on humanity tired,
At the tones of the song or the psalm
From lips and from fingers inspired—
Yea, from lips and from fingers inspired.


No. 2 Quartette and Chorus

When, in her sacred fanes
God’s daughter, sweet Religion, prays,
Euterpe’s holier strains
Her thoughts from earth to heaven raise.
The organ notes sublime
Put every worldly dream to flight;
They sanctify the time,
And fill the place with hallowed light.



No. 3 Soprano Solo

Yea, and when that meek-eyed maiden
Men call Charity, comes fain
To raise up spirits, laden
With bleak poverty and pain:
Often, in her cause enlisted,
Music softens hearts like stones;
And the fallen are assisted
Through Euterpe’s wondrous tones.


No. 4 Orchestral Intermezzo


No. 5 Chorus

Beautiful is Sound devoted
To all ends humane and high;
And its sweetness never floated
Like a thing unheeded by.
Power it has on souls encrusted
With the selfishness of years;
Yea, and thousands Mammon-rusted,
Hear it, feel it, leave in tears.


No. 6 Choral Recitative
(Men’s voices only)

When on the battlefield, and in the sight
Of tens of thousands bent to smite and slay
Their human brothers, how the soldier’s heart
Must leap at sounds of martial music, fired
With all that spirit that the patriot loves
Who seeks to win, or nobly fall, for home!



No. 7 Triumphal March



No. 8 Funeral Chorus

Slowly and mournfully moves a procession,
Wearing the signs
Of sorrow, through loss, and it halts like a shadow
Of death in the pines.
Come from the fane that is filled with God’s presence,
Sad sounds and deep;
Holy Euterpe, she sings of our brother,
We listen and weep.
Death, like the Angel that passed over Egypt,
Struck at us sore;
Never again shall we turn at our loved one’s
Step at the door.



No. 9 Chorus
(Soprano voices only)

But, passing from sorrow, the spirit
Of Music, a glory, doth rove
Where it lightens the features of beauty,
And burns through the accents of love—
The passionate accents of love.



No. 10 Lullaby Song—Contralto

The night-shades gather, and the sea
Sends up a sound, sonorous, deep;
The plover’s wail comes down the lea;
By slope and vale the vapours weep,
And dew is on the tree;
And now where homesteads be,
The children fall asleep,
Asleep.

A low-voiced wind amongst the leaves,
The sighing leaves that mourn the Spring,
Like some lone spirit, flits and grieves,
And grieves and flits on fitful wing.
But where Song is a guest,
A lulling dreamy thing,
The children fall to rest,
To rest.



No. 11 Waltz Chorus

When the summer moon is beaming
On the stirless waters dreaming,
And the keen grey summits gleaming,
Through a silver starry haze;
In our homes to strains entrancing
To the steps, the quickly glancing
Steps of youths and maidens dancing,
Maidens light of foot as fays.

Then the waltz, whose rhythmic paces
Make melodious happy places,
Brings a brightness to young faces,
Brings a sweetness to the eyes.
Sounds that move us like enthralling
Accents, where the runnel falling,
Sends out flute-like voices calling,
Where the sweet wild moss-bed lies.



No. 12 Ballad—Tenor

When twilight glides with ghostly tread
Across the western heights,
And in the east the hills are red
With sunset’s fading lights;
Then music floats from cot and hall
Where social circles met,
By sweet Euterpe held in thrall—
Their daily cares forget.

What joy it is to watch the shine
That hallows beauty’s face
When woman sings the strains divine,
Whose passion floods the place!
Then how the thoughts and feelings rove
At song’s inspiring breath,
In homes made beautiful by love,
Or sanctified by death.

What visions come, what dreams arise,
What Edens youth will limn,
When leaning over her whose eyes
Have sweetened life for him!
For while she sings and while she plays,
And while her voice is low,
His fancy paints diviner days
Than any we can know.



No. 13 Drinking Song
(Men’s voices only)

But, hurrah! for the table that heavily groans
With the good things that keep in the life:
When we sing and we dance, and we drink to the tones
That are masculine, thorough and blithe.

Good luck to us all! Over walnuts and wine
We hear the rare songs that we know
Are as brimful of mirth as the spring is of shine,
And as healthy and hearty, we trow.

Then our glasses we charge to the ring of the stave
That the flush to our faces doth send;
For though life is a thing that winds up with the grave,
We’ll be jolly, my boys, to the end.
Hurrah! Hurrah!
Yes, jolly, my boys, to the end!



No. 14 Recitative—Bass

When far from friends, and home, and all the things
That bind a man to life, how dear to him
Is any old familiar sound that takes
Him back to spots where Love and Hope
In past days used to wander hand in hand
Across high-flowered meadows, and the paths
Whose borders shared the beauty of the spring,
And borrowed splendour from autumnal suns.



No. 15 Chorus
(The voices accompanied only by the
violins playing “Home, Sweet Home”.)

Then at sea, or in wild wood,
Then ashore or afloat,
All the scenes of his childhood
Come back at a note;
At the turn of a ballad,
At the tones of a song,
Cometh Memory, pallid
And speechless so long;
And she points with her finger
To phantom-like years,
And loveth to linger
In silence, in tears.



No. 16 Solo—Bass

In the yellow flame of evening sounds of music come and go,
Through the noises of the river, and the drifting of the snow;
In the yellow flame of evening, at the setting of the day,
Sounds that lighten, fall, and lighten, flicker, faint, and fade away;
What they are, behold, we know not, but their honey slakes and slays
Half the want which whitens manhood in the stress of alien days.
Even as a wondrous woman, struck with love and great desire,
Hast thou been to us, EUTERPE, half of tears and half of fire;
But thy joy is swift and fitful, and a subtle sense of pain
Sighs through thy melodious breathings, takes the rapture from thy strain.
In the yellow flame of evening sounds of music come and go.
Through the noises of the river, and the drifting of the snow.



No. 17 Recitative—Soprano

And thus it is that Music manifold,
In fanes, in Passion’s sanctuaries, or where
The social feast is held, is still the power
That bindeth heart to heart; and whether Grief,
Or Love, or Pleasure form the link, we know
’Tis still a bond that makes Humanity,
That wearied entity, a single whole,
And soothes the trouble of the heart bereaved,
And lulls the beatings in the breast that yearns,
And gives more gladness to the gladdest things.



No. 18 Finale—Chorus

Now a vision comes, O brothers, blended
With supremest sounds of harmony—
Comes, and shows a temple, stately, splendid,
In a radiant city by the sea.
Founders, fathers of a mighty nation,
Raised the walls, and built the royal dome,
Gleaming now from lofty, lordly station,
Like a dream of Athens, or of Rome!
And a splendour of sound,
A thunder of song,
Rolls sea-like around,
Comes sea-like along.

The ringing, and ringing, and ringing,
Of voices of choristers singing,
Inspired by a national joy,
Strike through the marvellous hall,
Fly by the aisle and the wall,
While the organ notes roam
From basement to dome—
Now low as a wail,
Now loud as a gale,
And as grand as the music that builded old Troy.