Henry Kendall: Verses about Love

The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.

The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.

The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.

In the depths of a Forest secluded and wild,
The night voices whisper in passionate numbers;
And I’m leaning again, as I did when a child,
O’er the grave where my father so quietly slumbers.
The years have rolled by with a thundering sound
But I knew, O ye woodlands, affection would know it,
And the spot which I stand on is sanctified ground
By the love that I bear to him sleeping below it.

Oh! well may the winds with a saddening moan
Go fitfully over the branches so dreary;
And well may I kneel by the time-shattered stone,
And rejoice that a rest has been found for the weary.

Peace hath an altar there. The sounding feet
Of thunder and the wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secrets that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.

Too cold, O my brother, too cold for my wife
Is the Beauty you showed me this morning:
Nor yet have I found the sweet dream of my life,
And good-bye to the sneering and scorning.
Would you have me cast down in the dark of her frown,
Like others who bend at her shrine;
And would barter their souls for a statue-like face,
And a heart that can never be mine?
That can never be theirs nor mine.

Go after her, look at her, kneel at her feet,
And mimic the lover romantic;
I have hated deceit, and she misses the treat
Of driving me hopelessly frantic!
Now watch her, as deep in her carriage she lies,
And love her, my friend, if you dare!
She would wither your life with her beautiful eyes,
And strangle your soul with her hair!
With a mesh of her splendid hair.

To her who, cast with me in trying days,
Stood in the place of health and power and praise;
Who, when I thought all light was out, became
A lamp of hope that put my fears to shame;
Who faced for love's sole sake the life austere
That waits upon the man of letters here;
Who, unawares, her deep affection showed
By many a touching little wifely mode;
Whose spirit, self-denying, dear, divine,
Its sorrows hid, so it might lessen mine -
To her, my bright, best friend, I dedicate
This book of songs - 't will help to compensate
For much neglect. The act, if not the rhyme,
Will touch her heart, and lead her to the time
Of trials past. That which is most intense
Within these leaves is of her influence;
And if aught here is sweetened with a tone
Sincere, like love, it came of love alone.

Sing her a song of the sun:
Fill it with tones of the stream, —
Echoes of waters that run
Glad with the gladdening gleam.
Let it be sweeter than rain,
Lit by a tropical moon:
Light in the words of the strain,
Love in the ways of the tune.
Softer than seasons of sleep:
Dearer than life at its best!
Give her a ballad to keep,
Wove of the passionate West:
Give it and say of the hours —
“Haunted and hallowed of thee,
Flower-like woman of flowers,
What shall the end of them be?”

You that have loved her so much,
Loved her asleep and awake,
Trembled because of her touch,
What have you said for her sake?
Far in the falls of the day,
Down in the meadows of myrrh,
What has she left you to say
Filled with the beauty of her?

Take her the best of your thoughts,
Let them be gentle and grave,
Say, “I have come to thy courts,
Maiden, with all that I have.”
So she may turn with her sweet
Face to your love and to you,
Learning the way to repeat
Words that are brighter than dew.

And they shook their sweetness out in their sleep
On the brink of that beautiful stream,
But it wandered along with a wearisome song
Like a lover that walks in a dream:
So the roses blew
When the winds went through,
In the moonlight so white and still;
But the river it beat
All night at the feet
Of a cold and flinty hill -
Of a hard and senseless hill!

I said, "We have often showered our loves
Upon something as dry as the dust;
And the faith that is crost, and the hearts that are lost -
Oh! how can we wittingly trust?
Like the stream which flows,
And wails as it goes.
Through the moonlight so white and still,
To beat and to beat
All night at the feet
Of a cold and flinty hill -
Of a hard and senseless hill?

"River, I stay where the sweet roses blow,
And drink of their pleasant perfumes!
Oh, why do you moan, in this wide world alone,
When so much affection here blooms?
The winds wax faint,
And the moon like a saint
Glides over the woodlands so white and still!
But you beat and you beat
All night at the feet
Of that cold and flinty hill -
Of that hard and senseless hill!"

With sweet Regret — (the dearest thing that Yesterday has left us) —
We often turn our homeless eyes to scenes whence Fate has reft us.
Here sitting by a fading flame, wild waifs of song remind me
Of Annie with her gentle ways, the Girl I left behind me.

I stood beside the surging sea, with lips of silent passion —
I faced you by the surging sea, O brows of mild repression!
I never said — “my darling, stay!” — the moments seemed to bind me
To something stifling all my words for the Girl I left behind me.

The pathos worn by common things — by every wayside flower,
Or Autumn leaf on lonely winds, revives the parting hour.
Ye swooning thoughts without a voice — ye tears which rose to blind me,
Why did she fade into the Dark, the Girl I left behind me.

At night they always come to me, the tender and true-hearted;
And in my dreams we join again the hands which now are parted;
And, looking through the gates of Sleep, the pleasant Moon doth find me
For ever wandering with my Love, the Girl I left behind me.

You know my life is incomplete, O far-off faint Ideal!
When shall I reach you from a depth of darkness which is real?
So I may mingle, soul in soul, with her that Heaven assigned me;
So she may lean upon my love, the Girl I left behind me.

From Andalusian gardens
I bring the rose and rue,
And leaves of subtle odour,
To weave a gift for you.
You’ll know the reason wherefore
The sad is with the sweet;
My flowers may lie, as I would,
A carpet for your feet!
The heart—the heart is constant;
It holds its secret, Dear!
But often in the night time
I keep awake for fear.
I have no hope to whisper,
I have no prayer to send,
God save you from such passion!
God help you from such end!

You first, you last, you false love!
In dreams your lips I kiss,
And thus I greet your Shadow,
“Take this, and this, and this!”
When dews are on the casement,
And winds are in the pine,
I have you close beside me—
In sleep your mouth is mine.

I never see you elsewhere;
You never think of me;
But fired with fever for you
Content I am to be.
You will not turn, my Darling,
Nor answer when I call;
But yours are soul are body
And love of mine and all!

You splendid Spaniard! Listen—
My passion leaps to flame
For neck and cheek and dimple,
And cunning shades of shame!
I tell you, I would gladly
Give Hell myself to keep,
To cling to, half a moment,
The lips I taste in sleep.

AH, often do I wait and watch,
And look up, straining through the Real
With longing eyes, my friend, to catch
Faint glimpses of your white Ideal.

I know she loved to rest her feet
By slumbrous seas and hidden strand;
But mostly hints of her I meet
On moony spots of mountain land.

I’ve never reached her shining place,
And only cross at times a gleam;
As one might pass a fleeting face
Just on the outside of a Dream.

But you may climb, her happy Choice!
She knows your step, the maiden true,
And ever when she hears your voice,
She turns and sits and waits for you.

How sweet to rest on breezy crest
With such a Love, what time the Morn
Looks from his halls of rosy rest,
Across green miles of gleaming corn!

How sweet to find a leafy nook,
When bees are out, and Day burns mute,
Where you may hear a passion’d brook
Play past you, like a mellow flute!

Or, turning from the sunken sun,
On fields of dim delight to lie—
To close your eyes and muse upon
The twilight’s strange divinity!

Or through the Night’s mysterious noon,
While Sound lies hushed among the trees,
To sit and watch a mirror’d moon
Float over silver-sleeping seas!

Oh, vain regret! why should I stay
To think and dream of joys unknown?
You walk with her from day to day,
I faint afar off—and alone.

AT DUSK, like flowers that shun the day,
Shy thoughts from dim recesses break,
And plead for words I dare not say
For your sweet sake.

My early love! my first, my last!
Mistakes have been that both must rue;
But all the passion of the past
Survives for you.

The tender message Hope might send
Sinks fainting at the lips of speech,
For, are you lover—are you friend,
That I would reach?

How much to-night I’d give to win
A banished peace—an old repose;
But here I sit, and sigh, and sin
When no one knows.

The stern, the steadfast reticence,
Which made the dearest phrases halt,
And checked a first and finest sense,
Was not my fault.

I held my words because there grew
About my life persistent pride;
And you were loved, who never knew
What love could hide!

This purpose filled my soul like flame:
To win you wealth and take the place
Where care is not, nor any shame
To vex your face.

I said “Till then my heart must keep
Its secrets safe and unconfest;”
And days and nights unknown to sleep
The vow attest.

Yet, oh! my sweet, it seems so long
Since you were near; and fates retard
The sequel of a struggle strong,
And life is hard—

Too hard, when one is left alone
To wrestle passion, never free
To turn and say to you, “My own,
Come home to me!”

Like drifts of balm from cedared glens, those darling memories come,
With soft low songs, and dear old tales, familiar to our home.
Then breathe again that faint refrain, so tender, sad, and true,
My soul turns round with listening eyes unto the harp and you!
The fragments of a broken Past are floating down the tide,
And she comes gleaming through the dark, my love, my life, my bride!
Oh! sit and sing — I know her well, that phantom deadly fair
With large surprise, and sudden sighs, and streaming midnight hair!
I know her well, for face to face we stood amongst the sheaves,
Our voices mingling with a mist of music in the leaves!
I know her well, for hand in hand we walked beside the sea,
And heard the huddling waters boom beneath this old Figtree.
God help the man that goes abroad amongst the windy pines,
And wanders, like a gloomy bat, where never morning shines!
That steals about amidst the rout of broken stones and graves,
When round the cliffs the merry skiffs go scudding through the waves;
When, down the bay, the children play, and scamper on the sand,
And Life and Mirth illume the Earth, and Beauty fills the Land!
God help the man! He only hears and fears the sleepless cries
Of smitten Love — of homeless Love and moaning Memories.
Oh! when a rhyme of olden time is sung by one so dear,
I feel again the sweetest pain I’ve known for many a year;
And from a deep, dull sea of sleep faint fancies come to me,
And I forget how lone we sit beneath this old Figtree.

IT LIES amongst the sleeping stones,
Far down the hidden mountain glade;
And past its brink the torrent moans
For ever in a dreamy shade.

A little patch of dark-green moss,
Whose softness grew of quiet ways
(With all its deep, delicious floss)
In slumb’rous suns of summer days.

You know the place? With pleasant tints
The broken sunset lights the bowers;
And then the woods are full with hints
Of distant, dear, voluptuous flowers!

’Tis often now the pilgrim turns
A faded face towards that seat,
And cools his brow amongst the ferns;
The runnel dabbling at his feet.

There fierce December seldom goes,
With scorching step and dust and drouth;
But, soft and low, October blows
Sweet odours from her dewy mouth.

And Autumn, like a gipsy bold,
Doth gather near it grapes and grain,
Ere Winter comes, the woodman old,
To lop the leaves in wind and rain.

O, greenest moss of mountain glen,
The face of Rose is known to thee;
But we shall never share with men
A knowledge dear to love and me!

For are they not between us saved,
The words my darling used to say,
What time the western waters laved
The forehead of the fainting day?

Cool comfort had we on your breast
While yet the fervid noon burned mute
O’er barley field and barren crest,
And leagues of gardens flushed with fruit.

Oh, sweet and low, we whispered so,
And sucked the pulp of plum and peach;
But it was many years ago,
When each, you know, was loved of each.

Said the yellow-haired Spirit of Spring
To the white-footed Spirit of Snow,
“On the wings of the tempest take wing,
And leave me the valleys, and go.”
And, straightway, the streams were unchained,
And the frost-fettered torrents broke free,
And the strength of the winter-wind waned
In the dawn of a light on the sea.
Then a morning-breeze followed and fell,
And the woods were alive and astir
With the pulse of a song in the dell,
And a whisper of day in the fir.
Swift rings of sweet water were rolled
Down the ways where the lily-leaves grew,
And the green, and the white, and the gold,
Were wedded with purple and blue.

But the lips of the flower of the rose
Said, “where is the ending hereof?
Is it sweet with you, life, at the close?
Is it sad to be emptied of love?”
And the voice of the flower of the peach
Was tender and touching in tone,
“When each has been grafted on each,
It is sorrow to live on alone.”

Then the leaves of the flower of the vine
Said, “what will there be in the day
When the reapers are red with my wine,
And the forests are yellow and grey?”
And the tremulous flower of the quince
Made answer, “three seasons ago
My sisters were star-like, but since,
Their graves have been made in the snow.”

Then the whispering flower of the fern
Said, “who will be sad at the death,
When Summer blows over the burn,
With the fierceness of fire in her breath?”
And the mouth of the flower of the sedge
Was opened to murmur and sigh,
“Sweet wind-breaths that pause at the edge
Of the nightfall, and falter, and die.”

The heart that once was rich with light,
And happy in your grace,
Now lieth cold beneath the scorn
That gathers on your face;
And every joy it knew before,
And every templed dream,
Is paler than the dying flash
On yonder mountain stream.
The soul, regretting foundered bliss
Amid the wreck of years,
Hath mourned it with intensity
Too deep for human tears!

The forest fadeth underneath
The blast that rushes by --
The dripping leaves are white with death,
But Love will never die!
We both have seen the starry moss
That clings where Ruin reigns,
And ~one~ must know ~his~ lonely breast
Affection still retains;
Through all the sweetest hopes of life,
That clustered round and round,
Are lying now, like withered things,
Forsaken -- on the ground.

'Tis hard to think of what we were,
And what we might have been,
Had not an evil spirit crept
Across the tranquil scene:
Had fervent feelings in your soul
Not failed nor ceased to shine
As pure as those existing on,
And burning still in mine.
Had every treasure at your feet
That I was wont to pour,
Been never thrown like worthless weeds
Upon a barren shore!

The bitter edge of grief has passed,
I would not now upbraid;
Or count to you the broken vows,
So often idly made!
I would not cross your path to chase
The falsehood from your brow --
I ~know~, with all that borrowed light,
You are not happy now:
Since those that once have trampled down
Affection's early claim,
Have lost a peace they need not hope
To find on earth again.

ALL NIGHT long the sea out yonder—all night long the wailful sea,
Vext of winds and many thunders, seeketh rest unceasingly!
Seeketh rest in dens of tempest, where, like one distraught with pain,
Shouts the wild-eyed sprite, Confusion—seeketh rest, and moans in vain:
Ah! but you should hear it calling, calling when the haggard sky
Takes the darks and damps of Winter with the mournful marsh-fowl’s cry;
Even while the strong, swift torrents from the rainy ridges come
Leaping down and breaking backwards—million-coloured shapes of foam!
Then, and then, the sea out yonder chiefly looketh for the boon
Portioned to the pleasant valleys and the grave sweet summer moon:
Boon of Peace, the still, the saintly spirit of the dew-dells deep—
Yellow dells and hollows haunted by the soft, dim dreams of sleep.

All night long the flying water breaks upon the stubborn rocks—
Ooze-filled forelands burnt and blackened, smit and scarred with lightning shocks;
But above the tender sea-thrift, but beyond the flowering fern,
Runs a little pathway westward—pathway quaint with turn on turn—
Westward trending, thus it leads to shelving shores and slopes of mist:
Sleeping shores, and glassy bays of green and gold and amethyst!
There tread gently—gently, pilgrim; there with thoughtful eyes look round;
Cross thy breast and bless the silence: lo, the place is holy ground!
Holy ground for ever, stranger! All the quiet silver lights
Dropping from the starry heavens through the soft Australian nights—
Dropping on those lone grave-grasses—come serene, unbroken, clear,
Like the love of God the Father, falling, falling, year by year!
Yea, and like a Voice supernal, there the daily wind doth blow
In the leaves above the sailor buried ninety years ago.

Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!

Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.

Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!

I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?

Who cometh from fields of the south
With raiment of weeping and woe,
And a cry of the heart in her mouth,
And a step that is muffled and slow?
Her paths are the paths of the sun;
Her house is a beautiful light;
But she boweth her head, and is one
With the daughters of dolour and night.

She is fairer than flowers of love;
She is fiercer than wind-driven flame;
And God from His thunders above
Hath smitten the soul of her shame.

She saith to the bloody one curst
With the fever of evil, she saith
“My sorrow shall strangle thee first
With an agony wilder than death!

“My sorrow shall hack at thy life!
Thou shalt wrestle with wraiths of thy sin,
And sleep on a pillow of strife
With demons without and within!”

She whispers, “He came to the land
A lord and a lover of me—
A son of the waves with a hand
As fearless and frank as the sea.

“On the shores of the stranger he stood
With the sweetness of youth on his face;
Till there started a fiend from the wood,
Who stabbed at the peace of the place!

“Because of the dastardly thing
Thou hast done in the sight of the day,
All horrors that sicken and sting
Shall make thee for ever their prey.

“Because of the beautiful trust
Destroyed by a devil like thee,
Thy bed shall be low in the dust
And my heel as a shackle shall be!

“Because” (and she mutters it deep
Who curseth the coward in chains)
“Thou hast stricken and murdered our sleep,
Thy sleep shall be perished with pains;

“Thy sleep shall be broken and sharp
And filled with fierce spasms and dreams,
And shadow shall haunt thee and harp
On hellish and horrible themes!

“I will set my right hand on thy neck
And my foot on thy body, nor bate,
Till thy name shall become as a wreck
And a byword for hisses and hate!”

BE HIS rest the rest he sought:
Calm and deep.
Let no wayward word or thought
Vex his sleep.
Peace—the peace that no man knows—
Now remains
Where the wasted woodwind blows,
Wakes and wanes.

Latter leaves, in Autumn’s breath,
White and sere,
Sanctify the scholar’s death,
Lying here.

Soft surprises of the sun—
Swift, serene—
O’er the mute grave-grasses run,
Cold and green.

Wet and cold the hillwinds moan;
Let them rave!
Love that takes a tender tone
Lights his grave.

He who knew the friendless face
Sorrows shew,
Often sought this quiet place
Years ago.

One, too apt to faint and fail,
Loved to stray
Here where water-shallows wail
Day by day.

Care that lays her heavy hand
On the best,
Bound him with an iron hand;
Let him rest.

Life, that flieth like a tune,
Left his eyes,
As an April afternoon
Leaves the skies.

Peace is best! If life was hard
Peace came next.
Thus the scholar, thus the bard,
Lies unvext.

Safely housed at last from rack—
Far from pain;
Who would wish to have him back?
Back again?

Let the forms he loved so well
Hover near;
Shine of hill and shade of dell,
Year by year.

All the wilful waifs that make
Beauty’s face,
Let them sojourn for his sake
Round this place.

Flying splendours, singing streams,
Lutes and lights,
May they be as happy dreams:
Sounds and sights;

So that Time to Love may say,
“Wherefore weep?
Sweet is sleep at close of day!
Death is sleep.”

SAD FACES came round, and I dreamily said
“Though the harp of my country now slumbers,
Some hand will pass o’er it, in love for the dead,
And attune it to sorrowful numbers!”
But the hopes that I clung to are withering things,
For the days have gone by with a cloud on their wings,
And the touch of a bard is unknown to the strings—
Oh, why art thou silent, Australia?

The leaves of the autumn are scattering fast,
The willows look barren and lonely;
But I dream a sad dream of my friend of the past,
And his form I can dwell upon only!
In the strength of his youth I can see him go by.
There is health on the cheek, and a fire in the eye—
Oh, who would have thought that such beauty could die!
Ah, mourn for thy noblest, Australia!

A strange shadow broods o’er the desolate earth,
And the cypresses tremble and quiver;
But my heart waxeth dark with the thoughts of the worth
That has left us for ever and ever!
A dull cloud creepeth close to the moon,
And the winter winds pass with a shuddering croon—
Oh, why was he snatched from his brothers so soon?
Ah, weep for thy lost one, Australia!

How weary we grow when we turn to reflect
Upon what we have seen and believed in;
When harping on promises hopelessly wrecked,
And the things we have all been deceived in!
When a voice that I loved lingers near to me yet!
And a kind, handsome face which I’ll never forget—
Can I wake to the present and stifle regret—
Can I smother these feelings, Australia?

It is useless to grieve o’er the light that has fled
But the harp of my country still slumbers;
And I thought that some bard in his love for the dead,
Would have thrilled it to sorrowful numbers!
Lo, the hopes that I clung to are withering things
For the days have gone by with a cloud on their wings,
And my hand is too feeble to strike at the strings—
Oh, why art thou silent, Australia?

THE SPIRIT of beautiful faces,
The light on the forehead of Love,
And the spell of past visited places,
And the songs and the sweetness thereof;
These, touched by a hand that is hoary;
These, vext with a tune of decay,
Are spoiled of their glow and their glory;
And the burden is, “Passing away!
Passing away!”

Old years and their changes come trooping
At nightfall to you and to me,
When Autumn sits faded and drooping
By the sorrowful waves of the sea.
Faint phantoms that float in the gloaming,
Return with the whispers that say,
“The end which is quiet is coming;
Ye are weary, and passing away!
Passing away!”

It is hard to awake and discover
The swiftness that waits upon Time;
But youth and its beauty are over,
And Love has a sigh in its rhyme.
The Life that looks back and remembers,
Is troubled and tired and gray,
And sick of the sullen Decembers,
Whose burden is, “Passing away!
Passing away!”

We have wandered and wandered together,
And our joys have been many and deep;
But seasons of alien weather
Have ended in longings for sleep.
Pale purpose and perishing passion,
With never a farewell to say,
Die down into sobs of suppression;
The burden is, “Passing away!
Passing away!”

We loved the soft tangle of tresses,
The lips that were fain and afraid.
And the silence of far wildernesses,
With their dower of splendour and shade!
For faces of sweetness we waited,
And days of delight and delay,
Ere Time and its voices were mated
To a voice that sighs, “Passing away!
Passing away!”

O years interwoven with stories
Of strong aspirations and high,
How fleet and how false were the glories
That lived in your limited sky!
Here, sitting by ruinous altars
Of Promise, what word shall we say
To the speech that the rainy wind falters,
Whose burden is, “Passing away!
Passing away!”

YOU KNOW I left my forest home full loth,
And those weird ways I knew so well and long,
Dishevelled with their sloping sidelong growth
Of twisted thorn and kurrajong.

It seems to me, my friend (and this wild thought
Of all wild thoughts, doth chiefly make me bleed),
That in those hills and valleys wonder-fraught,
I loved and lost a noble creed.

A splendid creed! But let me even turn
And hide myself from what I’ve seen, and try
To fathom certain truths you know, and learn
The Beauty shining in your sky:

Remembering you in ardent autumn nights,
And Stenhouse near you, like a fine stray guest
Of other days, with all his lore of lights
So manifold and manifest!

Then hold me firm. I cannot choose but long
For that which lies and burns beyond my reach,
Suggested in your steadfast, subtle song
And his most marvellous speech!

For now my soul goes drifting back again,
Ay, drifting, drifting, like the silent snow
While scattered sheddings, in a fall of rain,
Revive the dear lost Long Ago!

The time I, loitering by untrodden fens,
Intent upon low-hanging lustrous skies,
Heard mellowed psalms from sounding southern glens—
Euroma, dear to dreaming eyes!

And caught seductive tokens of a voice
Half maddened with the dim, delirious themes
Of perfect Love, and the immortal choice
Of starry faces—Astral dreams!

That last was yours! And if you sometimes find
An alien darkness on the front of things,
Sing none the less for Life, nor fall behind,
Like me, with trailing, tired wings!

Yea, though the heavy Earth wears sackcloth now
Because she hath the great prophetic grief
Which makes me set my face one way, and bow
And falter for a far belief,

Be faithful yet for all, my brave bright peer,
In that rare light you hold so true and good;
And find me something clearer than the clear
White spaces of Infinitude.

The embers were blinking and clinking away,
The casement half open was thrown;
There was nothing but cloud on the skirts of the Day,
And I sat on the threshold alone!

And said to the river which flowed by my door
With its beautiful face to the hill,
'I have waited and waited, all wearied and sore,
But my love is a wanderer still!'

And said to the wind, as it paused in its flight
To look through the shivering pane,
'There are memories moaning and homeless to-night
That can never be tranquil again!'

And said to the woods, as their burdens were borne
With a flutter and sigh to the eaves,
'They are wrinkled and wasted, and tattered and torn,
And we too have our withering leaves.'

Did I hear a low echo of footfalls about,
Whilst watching those forest trees stark?
Or was it a dream that I hurried without
To clutch at and grapple the dark?

In the shadow I stood for a moment and spake -
'Bright thing that was loved in the past,
Oh! am I asleep - or abroad and awake?
And are you so near me at last?

'Oh, roamer from lands where the vanished years go,
Oh, waif from those mystical zones,
Come here where I long for you, broken and low,
On the mosses and watery stones!

'Come out of your silence and tell me if Life
Is so fair in that world as they say;
Was it worth all this yearning, and weeping, and strife
When you left it behind you to-day?

'Will it end all this watching, and doubting, and dread?
Do these sorrows die out with our breath?
Will they pass from our souls like a nightmare,' I said,
'While we glide through the mazes of Death?

'Come out of that darkness and teach me the lore
You have learned since I looked on your face;
By the summers that blossomed and faded of yore -
By the lights which have fled to that place!

'You answer me not when I know that you could -
When I know that you could and you should;
Though the storms be abroad on the wave;
Though the rain droppeth down with a wail to the wood,
And my heart is as cold as your grave!'

A SILVER slope, a fall of firs, a league of gleaming grasses,
And fiery cones, and sultry spurs, and swarthy pits and passes!

The long-haired Cyclops bated breath, and bit his lip and hearkened,
And dug and dragged the stone of death, by ways that dipped and darkened.

Across a tract of furnaced flints there came a wind of water,
From yellow banks with tender hints of Tethys’ white-armed daughter.

She sat amongst wild singing weeds, by beds of myrrh and moly;
And Acis made a flute of reeds, and drew its accents slowly;

And taught its spirit subtle sounds that leapt beyond suppression,
And paused and panted on the bounds of fierce and fitful passion.

Then he who shaped the cunning tune, by keen desire made bolder,
Fell fainting, like a fervent noon, upon the sea-nymph’s shoulder.

Sicilian suns had laid a dower of light and life about her:
Her beauty was a gracious flower—the heart fell dead without her.

“Ah, Galate,” said Polypheme, “I would that I could find thee
Some finest tone of hill or stream, wherewith to lull and bind thee!

“What lyre is left of marvellous range, whose subtle strings, containing
Some note supreme, might catch and change, or set thy passion waning?—

“Thy passion for the fair-haired youth whose fleet, light feet perplex me
By ledges rude, on paths uncouth, and broken ways that vex me?

“Ah, turn to me! else violent sleep shall track the cunning lover;
And thou wilt wait and thou wilt weep when I his haunts discover.”

But golden Galatea laughed, and Thosa’s son, like thunder,
Broke through a rifty runnel shaft, and dashed its rocks asunder,

And poised the bulk, and hurled the stone, and crushed the hidden Acis,
And struck with sorrow drear and lone the sweetest of all faces.

To Zeus, the mighty Father, she, with plaint and prayer, departed:
Then from fierce Aetna to the sea a fountained water started—

A lucent stream of lutes and lights—cool haunt of flower and feather,
Whose silver days and yellow nights made years of hallowed weather.

Here Galatea used to come, and rest beside the river;
Because, in faint, soft, blowing foam, her shepherd lived for ever.

Take this rose, and very gently place it on the tender, deep
Mosses where our little darling, Araluen, lies asleep.
Put the blossom close to baby -- kneel with me, my love, and pray;
We must leave the bird we've buried -- say good-bye to her to-day;
In the shadow of our trouble we must go to other lands,
And the flowers we have fostered will be left to other hands.
Other eyes will watch them growing -- other feet will softly tread
Where two hearts are nearly breaking, where so many tears are shed.
Bitter is the world we live in: life and love are mixed with pain;
We will never see these daisies -- never water them again.
   . . . . .
Here the blue-eyed Spring will linger, here the shining month will stay,
Like a friend, by Araluen, when we two are far away;
But, beyond the wild, wide waters, we will tread another shore --
We will never watch this blossom, never see it any more.

Girl, whose hand at God's high altar in the dear, dead year I pressed,
Lean your stricken head upon me -- this is still your lover's breast!
She who sleeps was first and sweetest -- none we have to take her place!
Empty is the little cradle -- absent is the little face.
Other children may be given; but this rose beyond recall,
But this garland of your girlhood, will be dearest of them all.
None will ever, Araluen, nestle where you used to be,
In my heart of hearts, you darling, when the world was new to me;
We were young when you were with us, life and love were happy things
To your father and your mother ere the angels gave you wings.

You that sit and sob beside me -- you, upon whose golden head
Many rains of many sorrows have from day to day been shed;
Who, because your love was noble, faced with me the lot austere
Ever pressing with its hardship on the man of letters here --
Let me feel that you are near me, lay your hand within mine own;
You are all I have to live for, now that we are left alone.
Three there were, but one has vanished. Sins of mine have made you weep;
But forgive your baby's father now that baby is asleep.
Let us go, for night is falling, leave the darling with her flowers;
Other hands will come and tend them -- other friends in other hours.

ACROSS bleak widths of broken sea
A fierce north-easter breaks,
And makes a thunder on the lea—
A whiteness of the lakes.
Here, while beyond the rainy stream
The wild winds sobbing blow,
I see the river of my dream
Four wasted years ago.

Narrara of the waterfalls,
The darling of the hills,
Whose home is under mountain walls
By many-luted rills!
Her bright green nooks and channels cool
I never more may see;
But, ah! the Past was beautiful—
The sights that used to be.

There was a rock-pool in a glen
Beyond Narrara’s sands;
The mountains shut it in from men
In flowerful fairy lands;
But once we found its dwelling-place—
The lovely and the lone—
And, in a dream, I stooped to trace
Our names upon a stone.

Above us, where the star-like moss
Shone on the wet, green wall
That spanned the straitened stream across,
We saw the waterfall—
A silver singer far away,
By folded hills and hoar;
Its voice is in the woods to-day—
A voice I hear no more.

I wonder if the leaves that screen
The rock-pool of the past
Are yet as soft and cool and green
As when we saw them last!
I wonder if that tender thing,
The moss, has overgrown
The letters by the limpid spring—
Our names upon the stone!

Across the face of scenes we know
There may have come a change—
The places seen four years ago
Perhaps would now look strange.
To you, indeed, they cannot be
What haply once they were:
A friend beloved by you and me
No more will greet us there.

Because I know the filial grief
That shrinks beneath the touch—
The noble love whose words are brief—
I will not say too much;
But often when the night-winds strike
Across the sighing rills,
I think of him whose life was like
The rock-pool’s in the hills.

A beauty like the light of song
Is in my dreams, that show
The grand old man who lived so long
As spotless as the snow.
A fitting garland for the dead
I cannot compass yet;
But many things he did and said
I never will forget.

In dells where once we used to rove
The slow, sad water grieves;
And ever comes from glimmering grove
The liturgy of leaves.
But time and toil have marked my face,
My heart has older grown
Since, in the woods, I stooped to trace
Our names upon the stone.

Hear ye not the waters beating where the rapid rivers, meeting
With the winds above them fleeting, hurry to the distant seas,
And a smothered sound of singing from old Ocean upwards springing,
Sending hollow echoes ringing like a wailing on the breeze?
For the tempest round us brewing, cometh with the clouds pursuing,
And the bright Day, like a ruin, crumbles from the mournful trees.
When the thunder ceases pealing, and the stars up heaven are stealing,
And the Moon above us wheeling throws her pleasant glances round,
From our homes we boldly sally ‘neath the trysting tree to rally,
For a night-hunt up the valley, with our brothers and the hound!
Through a wild-eyed Forest, staring at the light above it glaring,
We will travel, little caring for the dangers where we bound.

Twisted boughs shall tremble o’er us, hollow woods shall moan before us,
And the torrents like a chorus down the gorges dark shall sing;
And the vines shall shake and shiver, and the startled grasses quiver,
Like the reeds beside a river in the gusty days of Spring;
While we forward haste delighted, through a region seldom lighted —
Souls impatient, hearts excited — like a wind upon the wing!

Oh! the solemn tones of Ocean, like the language of devotion,
Or a voice of deep emotion, wander round the evening scene.
Oh! the ragged shadows cluster where, my brothers, we must muster
Ere the warm moon lends her lustre to the cedars darkly green;
And the lights like flowers shall blossom, in high Heaven’s kindly bosom,
While we hunt the wild opossum, underneath its leafy screen;

Underneath the woven bowers, where the gloomy night-hawk cowers,
Through a lapse of dreamy hours, in a stirless solitude!
And the hound — that close beside us still will stay whate’er betide us —
Through a ‘wildering waste shall guide us —
through a maze where few intrude,
Till the game is chased to cover, till the stirring sport is over,
Till we bound, each happy rover, homeward down the laughing wood.

Oh, the joy in wandering thither, when fond friends are all together
And our souls are like the weather — cloudless, clear and fresh and free!
Let the sailor sing the story of the ancient ocean’s glory,
Forests golden, mountains hoary — can he look and love like we?
Sordid worldling, haunt thy city with that heart so hard and gritty!
There are those who turn with pity when they turn to think of thee!

River, myrtle rimmed, and set
Deep amongst unfooted dells—
Daughter of grey hills of wet,
Born by mossed and yellow wells;
Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!

Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.

Now the month from shade to sun
Fleets and sings supremest songs,
Now the wilful wood-winds run
Through the tangled cedar throngs.

Here are cushioned tufts and turns
Where the sumptuous noontide lies:
Here are seen by flags and ferns
Summer’s large, luxurious eyes.

On this spot wan Winter casts
Eyes of ruth, and spares its green
From his bitter sea-nursed blasts,
Spears of rain and hailstones keen.

Rather here abideth Spring,
Lady of a lovely land,
Dear to leaf and fluttering wing,
Deep in blooms—by breezes fanned.

Faithful friend beyond the main,
Friend that time nor change makes cold;
Now, like ghosts, return again
Pallid, perished days of old.

Ah, the days!—the old, old theme,
Never stale, but never new,
Floating like a pleasant dream,
Back to me and back to you.

Since we rested on these slopes
Seasons fierce have beaten down
Ardent loves and blossoming hopes—
Loves that lift and hopes that crown.

But, believe me, still mine eyes
Often fill with light that springs
From divinity, which lies
Ever at the heart of things.

Solace do I sometimes find
Where you used to hear with me
Songs of stream and forest wind,
Tones of wave and harp-like tree.

Araluen—home of dreams,
Fairer for its flowerful glade
Than the face of Persian streams
Or the slopes of Syrian shade;

Why should I still love it so,
Friend and brother far away?
Ask the winds that come and go,
What hath brought me here to-day.

Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.

Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with cunning hands,
Stays, and paints your face for me.

Barren Age and withered World!
Oh! the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth!
Sitting by the fire,
Watching in its glow,
Ghosts of other days
Trooping to and fro.



Oh, the nights - the nights we've spent,
Sitting by the fire,
Cheerful in its glow;
Twenty summers back -
Twenty years ago!
If the days were days of toil
Wherefore should we mourn;
There were shadows near the shine,
Flowers with the thorn?
And we still can recollect
Evenings spent in mirth -
Fragments of a broken life,
Sitting round the hearth:
Sitting by the fire,
Cheerful in its glow,
Twenty summers back -
Twenty years ago.

Beauty stooped to bless us once,
Sitting by the fire,
Happy in its glow;
Forty summers back -
Forty years ago.
Words of love were interchanged,
Maiden hearts we stole;
And the light affection throws
Slept on every soul.
Oh, the hours went flying past -
Hours of priceless worth;
But we took no note of Time,
Sitting round the hearth:
Sitting by the fire,
Happy in its glow,
Forty summers back -
Forty years ago.

Gleesome children were we not?
Sitting by the fire,
Ruddy in its glow,
Sixty summers back -
Sixty years ago.
Laughing voices filled the room;
Oh, the songs we sung,
When the evenings hurried by -
When our hearts were young!
Pleasant faces watched the flame -
Eyes illumed with mirth -
And we told some merry tales,
Sitting round the hearth:
Sitting by the fire,
Ruddy in its glow,
Sixty summers back -
Sixty years ago.



Barren Age and withered World!
Oh, the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth:
Sitting by the fire,
Watching, in its glow,
Ghosts of other days
Trooping to and fro!

AT rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.
The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet’s twofold life!
To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael’s grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon’s name
I dedicate these lines; and if ’tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.
And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;

So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.

The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.

But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.

And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.

Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.

But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.

No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.

The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.

The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.

But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.

Because this man fulfilled his days,
Like one who walks with steadfast gaze
Averted from forbidden ways
With lures of fair, false flowerage deep,
Behold the Lord whose throne is dim
With fires of flaming seraphim—
The Christ that suffered sent for him:
“He giveth His beloved sleep.”
Think not that souls whose deeds august
Put sin to shame and make men just
Become at last the helpless dust
That wintering winds through waste-lands sweep!
The higher life within us cries,
Like some fine spirit from the skies,
“The Father’s blessing on us lies—
‘He giveth His beloved sleep.’”

Not human sleep—the fitful rest
With evil shapes of dreams distressed,—
But perfect quiet, unexpressed
By any worldly word we keep.
The dim Hereafter framed in creeds
May not be this; but He who reads
Our lives, sets flowers on wayside weeds—
“He giveth His beloved sleep.”

Be sure this hero who has passed
The human space—the outer vast—
Who worked in harness to the last,
Doth now a hallowed harvest reap.
Love sees his grave, nor turns away—
The eyes of faith are like the day,
And grief has not a word to say—
“He giveth His beloved sleep.”

That fair, rare spirit, Honour, throws
A light, which puts to shame the rose,
Across his grave, because she knows
The son whose ashes it doth keep;
And, like far music, this is heard—
“Behold the man who never stirred,
By word of his, an angry word!—
‘He giveth His beloved sleep.’”

He earned his place. Within his hands,
The power which counsels and commands,
And shapes the social life of lands,
Became a blessing pure and deep.
Through thirty years of turbulence
Our thoughts were sweetened with a sense
Of his benignant influence—
“He giveth His beloved sleep.”

No splendid talents, which excite
Like music, songs, or floods of light,
Were his; but, rather, all those bright,
Calm qualities of soul which reap
A mute, but certain, fine respect,
Not only from a source elect,
But from the hearts of every sect—
“He giveth His beloved sleep.”

He giveth His beloved rest!
The faithful soul that onward pressed,
Unswerving, from Life’s east to west,
By paths austere and passes steep,
Is past all toil; and, over Death,
With reverent hands and prayerful breath,
I plant this flower, alive with faith—
“He giveth His beloved sleep.”

At rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.

The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet's twofold life!

To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael's grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon's name
I dedicate these lines; and if 'tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.

And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

Daphne! Ladon's daughter, Daphne! Set thyself in silver light,
Take thy thoughts of fairest texture, weave them into words of white -
Weave the rhyme of rose-lipped Daphne, nymph of wooded stream and shade,
Flying love of bright Apollo, - fleeting type of faultless maid!
She, when followed from the forelands by the lord of lyre and lute,
Sped towards far-singing waters, past deep gardens flushed with fruit;
Took the path against Peneus, panted by its yellow banks;
Turned, and looked, and flew the faster through grey-tufted thicket ranks;
Flashed amongst high flowered sedges: leaped across the brook, and ran
Down to where the fourfold shadows of a nether glade began;
There she dropped, like falling Hesper, heavy hair of radiant head
Hiding all the young abundance of her beauty's white and red.

Came the yellow-tressed Far-darter - came the god whose feet are fire,
On his lips the name of Daphne, in his eyes a great desire;
Fond, full lips of lord and lover, sad because of suit denied;
Clear, grey eyes made keen by passion, panting, pained, unsatisfied.
Here he turned, and there he halted, now he paused, and now he flew,
Swifter than his sister's arrows, through soft dells of dreamy dew.
Vext with gleams of Ladon's daughter, dashed along the son of Jove,
Fast upon flower-trammelled Daphne fleeting on from grove to grove;
Flights of seawind hard behind him, breaths of bleak and whistling straits;
Drifts of driving cloud above him, like a troop of fierce-eyed Fates!
So he reached the water-shallows; then he stayed his steps, and heard
Daphne drop upon the grasses, fluttering like a wounded bird.

Was there help for Ladon's daughter? Saturn's son is high and just:
Did he come between her beauty and the fierce Far-darter's lust?
As she lay, the helpless maiden, caught and bound in fast eclipse,
Did the lips of god drain pleasure from her sweet and swooning lips?
Now that these and all Love's treasures blushed, before the spoiler, bare,
Was the wrong that shall be nameless done, and seen, and suffered there?
No! for Zeus is King and Father. Weary nymph and fiery god,
Bend the knee alike before him - he is kind, and he is lord!
Therefore sing how clear-browed Pallas - Pallas, friend of prayerful maid,
Lifted dazzling Daphne lightly, bore her down the breathless glade,
Did the thing that Zeus commanded: so it came to pass that he
Who had chased a white-armed virgin, caught at her, and clasped a tree.

Now comes the fierce north-easter, bound
About with clouds and racks of rain,
And dry, dead leaves go whirling round
In rings of dust, and sigh like pain
Across the plain.

Now twilight, with a shadowy hand
Of wild dominionship, doth keep
Strong hold of hollow straits of land,
And watery sounds are loud and deep
By gap and steep.

Keen, fitful gusts, that fly before
The wings of storm when day hath shut
Its eyes on mountains, flaw by flaw,
Fleet down by whistling box-tree butt,
Against the hut.

And, ringed and girt with lurid pomp,
Far eastern cliffs start up, and take
Thick steaming vapours from a swamp
That lieth like a great blind lake,
Of face opaque.

The moss that, like a tender grief,
About an English ruin clings -
What time the wan autumnal leaf
Faints, after many wanderings
On windy wings -

That gracious growth, whose quiet green
Is as a love in days austere,
Was never seen - hath never been -
On slab or roof, deserted here
For many a year.

Nor comes the bird whose speech is song -
Whose songs are silvery syllables
That unto glimmering woods belong,
And deep, meandering mountain dells
By yellow wells.

But rather here the wild-dog halts,
And lifts the paw, and looks, and howls;
And here, in ruined forest vaults,
Abide dim, dark, death-featured owls,
Like monks in cowls.

Across this hut the nettle runs,
And livid adders make their lair
In corners dank from lack of suns,
And out of foetid furrows stare
The growths that scare.

Here Summer's grasp of fire is laid
On bark and slabs that rot, and breed
Squat ugly things of deadly shade,
The scorpion, and the spiteful seed
Of centipede.

Unhallowed thunders, harsh and dry,
And flaming noontides, mute with heat,
Beneath the breathless, brazen sky,
Upon these rifted rafters beat
With torrid feet.

And night by night the fitful gale
Doth carry past the bittern's boom,
The dingo's yell, the plover's wail,
While lumbering shadows start, and loom,
And hiss through gloom.

No sign of grace - no hope of green,
Cool-blossomed seasons marks the spot;
But chained to iron doom, I ween,
'Tis left, like skeleton, to rot
Where ruth is not.

For on this hut hath murder writ,
With bloody fingers, hellish things;
And God will never visit it
With flower or leaf of sweet-faced Springs,
Or gentle wings.

Just a shell, to which the seaweed glittering yet with greenness clings,
Like the song that once I loved so, softly of the old time sings -
Softly of the old time speaketh - bringing ever back to me
Sights of far-off lordly forelands - glimpses of the sounding sea!
Now the cliffs are all before me - now, indeed, do I behold
Shining growths on wild wet hillheads, quiet pools of green and gold.
And, across the gleaming beaches, lo! the mighty flow and fall
Of the great ingathering waters thundering under Wamberal!

Back there are the pondering mountains; there the dim, dumb ranges loom -
Ghostly shapes in dead grey vapour - half-seen peaks august with gloom.
There the voice of troubled torrents, hidden in unfathomed deeps,
Known to moss and faint green sunlight, wanders down the oozy steeps.
There the lake of many runnels nestles in a windless wild
Far amongst thick-folded forests, like a radiant human child.
And beyond surf-smitten uplands - high above the highest spur -
Lo! the clouds like tents of tempest on the crags of Kincumber!

Wamberal, the home of echoes! Hard against a streaming strand,
Sits the hill of blind black caverns, at the limits of the land.
Here the haughty water marches - here the flights of straitened sea
Make a noise like that of trumpets, breaking wide across the lea!
But behold, in yonder crescent that a ring of island locks
Are the gold and emerald cisterns shining moonlike in the rocks!
Clear, bright cisterns, zoned by mosses, where the faint wet blossoms dwell
With the leaf of many colours - down beside the starry shell.

Friend of mine beyond the mountains, here and here the perished days
Come like sad reproachful phantoms, in the deep grey evening haze -
Come like ghosts, and sit beside me when the noise of day is still,
And the rain is on the window, and the wind is on the hill.
Then they linger, but they speak not, while my memory roams and roams
Over scenes by death made sacred - other lands and other homes!
Places sanctified by sorrow - sweetened by the face of yore -
Face that you and I may look on (friend and brother) nevermore!

Seasons come with tender solace - time lacks neither light nor rest;
But the old thoughts were such ~dear~ ones, and the old days seem the best.
And to those who've loved and suffered, every pulse of wind or rain -
Every song with sadness in it, brings the peopled Past again.
Therefore, just this shell yet dripping, with this weed of green and grey,
Sets me thinking - sets me dreaming of the places far away;
Dreaming of the golden rockpools - of the foreland and the fall;
And the home behind the mountains looming over Wamberal.

CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?

All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.

In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.

Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?

Sweet water-moons, blown into lights
   Of flying gold on pool and creek,
And many sounds and many sights
   Of younger days are back this week.
I cannot say I sought to face
   Or greatly cared to cross again
The subtle spirit of the place
   Whose life is mixed with Rose Lorraine.

What though her voice rings clearly through
   A nightly dream I gladly keep,
No wish have I to start anew
   Heart fountains that have ceased to leap.
Here, face to face with different days,
   And later things that plead for love,
It would be worse than wrong to raise
   A phantom far too vain to move.

But, Rose Lorraine -- ah! Rose Lorraine,
   I'll whisper now, where no one hears --
If you should chance to meet again
   The man you kissed in soft, dead years,
Just say for once "He suffered much,"
   And add to this "His fate was worst
Because of me, my voice, my touch" --
   There is no passion like the first!

If I that breathe your slow sweet name,
   As one breathes low notes on a flute,
Have vext your peace with word of blame,
   The phrase is dead -- the lips are mute.
Yet when I turn towards the wall,
   In stormy nights, in times of rain,
I often wish you could recall
   Your tender speeches, Rose Lorraine.

Because, you see, I thought them true,
   And did not count you self-deceived,
And gave myself in all to you,
   And looked on Love as Life achieved.
Then came the bitter, sudden change,
   The fastened lips, the dumb despair:
The first few weeks were very strange,
   And long, and sad, and hard to bear.

No woman lives with power to burst
   My passion's bonds, and set me free;
For Rose is last where Rose was first,
   And only Rose is fair to me.
The faintest memory of her face,
   The wilful face that hurt me so,
Is followed by a fiery trace
   That Rose Lorraine must never know.

I keep a faded ribbon string
   You used to wear about your throat;
And of this pale, this perished thing,
   I think I know the threads by rote.
God help such love! To touch your hand,
   To loiter where your feet might fall,
You marvellous girl, my soul would stand
   The worst of hell -- its fires and all!

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

Path beside the silver waters, flashing in October’s sun—
Walk, by green and golden margins where the sister streamlets run—
Twenty shining springs have vanished, full of flower, and leaf, and bird,
Since the step of Mary Rivers in your lawny dell was heard!
Twenty white-haired Junes have left us—grey with frost and bleak with gale—
Since the hand of her we loved so plucked the blossoms in your dale.
Twenty summers, twenty autumns, from the grand old hills have passed,
With their robes of royal colour, since we saw the darling last.
Morning comes—the blessed morning! and the slow song of the sea,
Like a psalm from radiant altars, floats across a rose-red lea;
Then the fair, strong noonday blossoms, and the reaper seeks the cool
Valley of the moss and myrtle, and the glimmering water-pool.
Noonday flames and evening follows; and the lordly mountains rest
Heads arrayed with tenfold splendour on the rich heart of the West.
Evening walks with moon and music where the higher life has been;
But the face of Mary Rivers there will nevermore be seen.

Ah! when autumn dells are dewy, and the wave is very still,
And that grey ghost called the Twilight passes from the distant hill—
Even in the hallowed nightfall, when the fathers sit and dream,
And the splendid rose of heaven sees a sister in the stream—
Often do I watch the waters gleaming in a starry bay,
Thinking of a bygone beauty, and a season far away;
Musing on the grace that left us in a time of singing rain,
On the lady who will never walk amongst these heaths again.

Four there were, but two were taken; and this darling we deplore,
She was sweetest of the circle—she was dearest of the four!
In the daytime and the dewtime comes the phantom of her face:
None will ever sit where she did—none will ever fill her place.
With the passing of our Mary, like a sunset out of sight,
Passed away our pure first passion—all its life and all its light!
All that made the world a dreamland—all the glory and the glow
Of the fine, fresh, morning feeling vanished twenty years ago.

Girl, whose strange, unearthly beauty haunts us ever in our sleep,
Many griefs have worn our hearts out—we are now too tired to weep!
Time has tried us, years have changed us; but the sweetness shed by you
Falls upon our spirits daily, like divine, immortal dew.
Shining are our thoughts about you—of the blossoms past recall,
You are still the rose of lustre—still the fairest of them all;
In the sleep that brings the garland gathered from the bygone hours,
You are still our Mary Rivers—still the queen of all the flowers.

Let me ask, where none can hear me—When you passed into the shine,
And you heard a great love calling, did you know that it was mine?
In your life of light and music, tell me did you ever see,
Shining in a holy silence, what was as a flame in me?
Ah, my darling! no one saw it. Purer than untrodden dew
Was that first unhappy passion buried in the grave with you.
Bird and leaf will keep the secret—wind and wood will never tell
Men the thing that I have whispered. Mary Rivers, fare you well!