Henry Kendall: Verses about Friend

AT rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.
The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet’s twofold life!
To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael’s grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon’s name
I dedicate these lines; and if ’tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.
And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

At rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.

The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet's twofold life!

To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael's grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon's name
I dedicate these lines; and if 'tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.

And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

In a far-away glen of the hills,
Where the bird of the night is at rest,
Shut in from the thunder that fills
The fog-hidden caves of the west—
In a sound of the leaf, and the lute
Of the wind on the quiet lagoon,
I stand, like a worshipper, mute
In the flow of a marvellous tune!
And the song that is sweet to my sense
Is, “Nearer, my God, unto Thee”;
But it carries me sorrowing hence,
To a grave by the cliffs of the sea.
So many have gone that I loved—
So few of the fathers remain,
That where in old seasons I moved
I could never be happy again.
In the breaks of this beautiful psalm,
With its deep, its devotional tone,
And hints of ineffable calm,
I feel like a stranger, alone.
No wonder my eyes are so dim—
Your trouble is heavy on me,
O widow and daughter of him
Who sleeps in the grave by the sea!

The years have been hard that have pressed
On a head full of premature grey,
Since Stenhouse went down to his rest,
And Harpur was taken away.
In the soft yellow evening-ends,
The wind of the water is faint
By the home of the last of my friends—
The shrine of the father and saint.
The tenderness touching—the grace
Of Ridley no more is for me;
And flowers have hidden the face
Of the brother who sleeps by the sea.

The vehement voice of the South
Is loud where the journalist lies;
But calm hath encompassed his mouth,
And sweet is the peace in his eyes.
Called hence by the Power who knows
When the work of a hero is done,
He turned at the message, and rose
With the harness of diligence on.
In the midst of magnificent toil,
He bowed at the holy decree;
And green is the grass on the soil
Of the grave by the cliffs of the sea.

I knew him, indeed; and I knew,
Having suffered so much in his day,
What a beautiful nature and true
In Bennett was hidden away.
In the folds of a shame without end,
When the lips of the scorner were curled,
I found in this brother a friend—
The last that was left in the world.
Ah! under the surface austere
Compassion was native to thee;
I send from my solitude here
This rose for the grave by the sea.

To the high, the heroic intent
Of a life that was never at rest,
He held, with a courage unspent,
Through the worst of his days and the best.
Far back in the years that are dead
He knew of the bitterness cold
That saddens with silver the head
And makes a man suddenly old.
The dignity gracing his grief
Was ever a lesson to me;
He lies under blossom and leaf
In a grave by the cliffs of the sea.

Above him the wandering face
Of the moon is a loveliness now,
And anthems encompass the place
From lutes of the luminous bough.
The forelands are fiery with foam
Where often and often he roved;
He sleeps in the sight of the home
That he built by the waters he loved.
The wave is his fellow at night,
And the sun, shining over the lea,
Sheds out an unspeakable light
On this grave by the cliffs of the sea.

Sing the song of wave-worn Coogee, Coogee in the distance white,
With its jags and points disrupted, gaps and fractures fringed with light;
Haunt of gledes, and restless plovers of the melancholy wail
Ever lending deeper pathos to the melancholy gale.
There, my brothers, down the fissures, chasms deep and wan and wild,
Grows the sea-bloom, one that blushes like a shrinking, fair, blind child;
And amongst the oozing forelands many a glad, green rock-vine runs,
Getting ease on earthy ledges, sheltered from December suns.
Often, when a gusty morning, rising cold and grey and strange,
Lifts its face from watery spaces, vistas full with cloudy change,
Bearing up a gloomy burden which anon begins to wane,
Fading in the sudden shadow of a dark, determined rain,
Do I seek an eastern window, so to watch the breakers beat
Round the steadfast crags of Coogee, dim with drifts of driving sleet:
Hearing hollow mournful noises sweeping down a solemn shore,
While the grim sea-caves are tideless, and the storm strives at their core.

Often when the floating vapours fill the silent autumn leas,
Dreaming mem’ries fall like moonlight over silver sleeping seas.
Youth and I and Love together! Other times and other themes
Come to me unsung, unwept for, through the faded evening gleams:
Come to me and touch me mutely — I that looked and longed so well,
Shall I look and yet forget them? — who may know or who foretell?
Though the southern wind roams, shadowed with its immemorial grief,
Where the frosty wings of Winter leave their whiteness on the leaf.

Friend of mine beyond the waters, here and here these perished days
Haunt me with their sweet dead faces and their old divided ways.
You that helped and you that loved me, take this song, and when you read,
Let the lost things come about you, set your thoughts and hear and heed.
Time has laid his burden on us — we who wear our manhood now,
We would be the boys we have been, free of heart and bright of brow —
Be the boys for just an hour, with the splendour and the speech
Of thy lights and thunders, Coogee, flying up thy gleaming beach.

Heart’s desire and heart’s division! who would come and say to me,
With the eyes of far-off friendship, “You are as you used to be”?
Something glad and good has left me here with sickening discontent,
Tired of looking, neither knowing what it was or where it went.
So it is this sight of Coogee, shining in the morning dew,
Sets me stumbling through dim summers once on fire with youth and you —
Summers pale as southern evenings when the year has lost its power
And the wasted face of April weeps above the withered flower.

Not that seasons bring no solace, not that time lacks light and rest;
But the old things were the dearest and the old loves seem the best.
We that start at songs familiar, we that tremble at a tone
Floating down the ways of music, like a sigh of sweetness flown,
We can never feel the freshness, never find again the mood
Left among fair-featured places, brightened of our brotherhood.
This and this we have to think of when the night is over all,
And the woods begin to perish and the rains begin to fall