Henry Kendall: Verses about Death

When underneath the brown dead grass
My weary bones are laid,
I hope I shall not see the glass
At ninety in the shade.
I trust indeed that, when I lie
Beneath the churchyard pine,
I shall not hear that startling cry
“‘Thermom’ is ninety-nine!”
If one should whisper through my sleep
“Come up and be alive,”
I’d answer—No, unless you’ll keep
The glass at sixty-five.
I might be willing if allowed
To wear old Adam’s rig,
And mix amongst the city crowd
Like Polynesian “nig”.

Far better in the sod to lie,
With pasturing pig above,
Than broil beneath a copper sky—
In sight of all I love!
Far better to be turned to grass
To feed the poley cow,
Than be the half boiled bream, alas,
That I am really now!

For cow and pig I would not hear,
And hoof I would not see;
But if these items did appear
They wouldn’t trouble me.
For ah! the pelt of mortal man
Weighs less than half a ton,
And any sight is better than
A sultry southern sun.

THERE’S music wafting on the air,
The evening winds are sighing
Among the trees—and yonder stream
Is mournfully replying,
Lamenting loud the sunny light
That in the west is dying.

The moon is rising o’er the hill,
Her slanting rays are creeping
Where Nature lies profoundly still
In happy quiet sleeping,
And resting on her face, they’ll find
The earth is wet with weeping.

She mourneth for the lovely day,
Now deep in darkness shaded;
She sheds the dewy tear because
Of morning’s mantle faded;
She misses from her breast the garb
In which the moon array’d it.

The evening queen will strive in vain
To break the spell which bound her;
A million stars can never throw
Departed warmth around her;
They all must pass away and leave
The earth as they had found her.

But why should gentle Nature weep
That night has overtaken
The wearied world that needed sleep,
Refreshed to re-awaken,
So richer light might burst around,
The gloomy shadows breaking?

Oh, can she not from yonder sky
That gleams above her, borrow
A single ray, or find a way
To check the tear of sorrow?
A beam of hope would last her till
The dawning of to-morrow.

They built his mound of the rough, red ground,
By the dip of a desert dell,
Where all things sweet are killed by the heat,
And scattered o'er flat and fell;
In a burning zone they left him alone,
Past the uttermost western plain,
And the nightfall dim heard his funeral hymn
In the voices of wind and rain.

The songs austere of the forests drear,
And the echoes of clift and cave,
When the dark is keen where the storm hath been,
Fleet over the far-away grave.
And through the days when the torrid rays
Strike down on a coppery gloom,
Some spirit grieves in the perished leaves,
Whose theme is that desolate tomb.

No human foot or paw of brute
Halts now where the stranger sleeps;
But cloud and star his fellows are,
And the rain that sobs and weeps.
The dingo yells by the far iron fells,
The plover is loud in the range,
But they never come near to the slumberer here,
Whose rest is a rest without change.

Ah! in his life, had he mother or wife,
To wait for his step on the floor?
Did beauty wax dim while watching for him
Who passed through the threshold no more?
Doth it trouble his head? He is one with the dead;
He lies by the alien streams;
And sweeter than sleep is death that is deep
And unvexed by the lordship of dreams.

Amongst the thunder-splintered caves
On Ocean's long and windy shore,
I catch the voice of dying waves
Below the ridges old and hoar;
The spray descends in silver showers,
And lovely whispers come and go,
Like echoes from the happy hours
I never more may hope to know!
The low mimosa droops with locks
Of yellow hair, in dewy glade,
While far above the caverned rocks
I hear the dark Bellambi's Maid!

The moonlight dreams upon the sail
That drives the restless ship to sea;
The clouds troop past the mountain vale,
And sink like spirits down the lee;
The foggy peak of Corrimal,
Uplifted, bears the pallid glow
That streams from yonder airy hall
And robes the sleeping hills below;
The wandering meteors of the sky
Beneath the distant waters wade,
While mystic music hurries by -
The songs of dark Bellambi's Maid!

Why comes your voice, you lonely One,
Along the wild harp's wailing strings?
Have not our hours of meeting gone,
Like fading dreams on phantom wings?
Are not the grasses round your grave
Yet springing green and fresh to view?
And does the gleam on Ocean's wave
Tide gladness now to me and you?
Oh! cold and cheerless falls the night
On withered hearts and hopes decayed:
And I have seen but little light
Since died the dark Bellambi's Maid!

Feet of the flying, and fierce
Tops of the sharp-headed spear,
Hard by the thickets that pierce,
Lo! they are nimble and near.
Women are we, and the wives
Strong Arrawatta hath won;
Weary because of our lives,
Sick of the face of the sun.

Koola, our love and our light,
What have they done unto you?
Man of the star-reaching sight,
Dipped in the fire and the dew.

Black-headed snakes in the grass
Struck at the fleet-footed lord—
Still is his voice at the pass,
Soundless his step at the ford.

Far by the forested glen,
Starkly he lies in the rain;
Kings of the council of men
Shout for their leader in vain.

Yea, and the fish-river clear
Never shall blacken below
Spear and the shadow of spear,
Bow and the shadow of bow.

Hunter and climber of trees,
Now doth his tomahawk rust,
(Dread of the cunning wild bees),
Hidden in hillocks of dust.

We, who were followed and bound,
Dashed under foot by the foe,
Sit with our eyes to the ground,
Faint from the brand and the blow.

Dumb with the sorrow that kills,
Sorrow for brother and chief,
Terror of thundering hills,
Having no hope in our grief,

Seeing the fathers are far
Seeking the spoils of the dead
Left on the path of the war,
Matted and mangled and red.

ACROSS the dripping ridges,
O, look, luxurious night!
She comes, the bright-haired beauty,
My luminous delight!
My luminous delight!
So hush, ye shores, your roar,
That my soul may sleep, forgetting
Dead Love’s wild Nevermore!
Astarte, Syrian sister,
Your face is wet with tears;
I think you know the secret
One heart hath held for years!
One heart hath held for years!
But hide your hapless love,
And my sweet—my Syrian sister,
Dead Love’s wild Nevermore!

Ah, Helen Hope in heaven,
My queen of long ago,
I’ve swooned with adoration,
But could not tell you so,
Or dared not tell you so,
My radiant queen of yore!
And you’ve passed away and left me
Dead Love’s wild Nevermore!

Astarte knoweth, darling,
Of eyes that once did weep,
What time entranced Passion
Hath kissed your lips in sleep;
Hath kissed your lips in sleep;
But now those tears are o’er,
Gone, my saint, with many a moan to
Dead Love’s wild Nevermore!

If I am past all crying,
What thoughts are maddening me,
Of you, my darling, dying
Upon the lone, wide sea,
Upon the lone, wide sea,
Ah! hush, ye shores, your roar,
That my soul may sleep, forgetting
Dead Love’s wild Nevermore!

The heart that once was rich with light,
And happy in your grace,
Now lieth cold beneath the scorn
That gathers on your face;
And every joy it knew before,
And every templed dream,
Is paler than the dying flash
On yonder mountain stream.
The soul, regretting foundered bliss
Amid the wreck of years,
Hath mourned it with intensity
Too deep for human tears!

The forest fadeth underneath
The blast that rushes by --
The dripping leaves are white with death,
But Love will never die!
We both have seen the starry moss
That clings where Ruin reigns,
And ~one~ must know ~his~ lonely breast
Affection still retains;
Through all the sweetest hopes of life,
That clustered round and round,
Are lying now, like withered things,
Forsaken -- on the ground.

'Tis hard to think of what we were,
And what we might have been,
Had not an evil spirit crept
Across the tranquil scene:
Had fervent feelings in your soul
Not failed nor ceased to shine
As pure as those existing on,
And burning still in mine.
Had every treasure at your feet
That I was wont to pour,
Been never thrown like worthless weeds
Upon a barren shore!

The bitter edge of grief has passed,
I would not now upbraid;
Or count to you the broken vows,
So often idly made!
I would not cross your path to chase
The falsehood from your brow --
I ~know~, with all that borrowed light,
You are not happy now:
Since those that once have trampled down
Affection's early claim,
Have lost a peace they need not hope
To find on earth again.

ALL NIGHT long the sea out yonder—all night long the wailful sea,
Vext of winds and many thunders, seeketh rest unceasingly!
Seeketh rest in dens of tempest, where, like one distraught with pain,
Shouts the wild-eyed sprite, Confusion—seeketh rest, and moans in vain:
Ah! but you should hear it calling, calling when the haggard sky
Takes the darks and damps of Winter with the mournful marsh-fowl’s cry;
Even while the strong, swift torrents from the rainy ridges come
Leaping down and breaking backwards—million-coloured shapes of foam!
Then, and then, the sea out yonder chiefly looketh for the boon
Portioned to the pleasant valleys and the grave sweet summer moon:
Boon of Peace, the still, the saintly spirit of the dew-dells deep—
Yellow dells and hollows haunted by the soft, dim dreams of sleep.

All night long the flying water breaks upon the stubborn rocks—
Ooze-filled forelands burnt and blackened, smit and scarred with lightning shocks;
But above the tender sea-thrift, but beyond the flowering fern,
Runs a little pathway westward—pathway quaint with turn on turn—
Westward trending, thus it leads to shelving shores and slopes of mist:
Sleeping shores, and glassy bays of green and gold and amethyst!
There tread gently—gently, pilgrim; there with thoughtful eyes look round;
Cross thy breast and bless the silence: lo, the place is holy ground!
Holy ground for ever, stranger! All the quiet silver lights
Dropping from the starry heavens through the soft Australian nights—
Dropping on those lone grave-grasses—come serene, unbroken, clear,
Like the love of God the Father, falling, falling, year by year!
Yea, and like a Voice supernal, there the daily wind doth blow
In the leaves above the sailor buried ninety years ago.

Turn from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire -
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!

Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment - the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime - a leopard for love or for hate.

Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!

I know of one, gentle as moonlight - she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune -
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden - what name is too tender for her?

LOW as a lute, my love, beneath the call
Of storm, I hear a melancholy wind;
The memorably mournful wind of yore
Which is the very brother of the one
That wanders, like a hermit, by the mound
Of Death, in lone Annatanam. A song
Was shaped for this, what time we heard outside
The gentle falling of the faded leaf
In quiet noons: a song whose theme doth turn
On gaps of Ruin and the gay-green clifts
Beneath the summits haunted by the moon.
Yea, much it travels to the dens of dole;
And in the midst of this strange rhyme, my lords,
Our Desolation like a phantom sits
With wasted cheeks and eyes that cannot weep
And fastened lips crampt up in marvellous pain.

A song in whose voice is the voice of the foam
And the rhyme of the wintering wave,
And the tongue of the things that eternally roam
In forest, in fell or in cave;
But mostly ’tis like to the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.

The torrent flies over the thunder-struck clift
With many and many a call;
The leaves are swept down, and a dolorous drift
Is hurried away with the fall.
But mostly ’tis like the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.

Whoever goes thither by night or by day
Must mutter, O Father, to Thee,
For the shadows that startle, the sounds that waylay
Are heavy to hear and to see;
And a step and a moan and a whisper for aye
Have made it a sorrow to be—
A sorrow of sorrows to be.

Oh! cover your faces and shudder, and turn
And hide in the dark of your hair,
Nor look to the Glen in the Mountains, to learn
Of the mystery mouldering there;
But rather sit low in the ashes and urn
Dead hopes in your mighty despair—
In the depths of your mighty despair.

Euroka, go over the tops of the hill,
For the ~Death-clouds~ have passed us to-day,
And we'll cry in the dark for the foot-falls still,
And the tracks which are fading away!
Let them yell to their lubras, the Bulginbah dogs,
And say how our brothers were slain,
We shall wipe out our grief in the blood of their chief,
And twenty more dead on the plain -
On the blood-spattered spurs of the plain!
But the low winds sigh,
And the dead leaves fly,
Where our warriors lie,
In the dingoes' den - in the white-cedar glen
On the banks of the gloomy Urara!
Urara! Urara!
On the banks of the gloomy Urara!

The Wallaroos grope through the tufts of the grass,
And crawl to their coverts for fear;
But we'll sit in the ashes and let them pass
Where the boomerangs sleep with the spear!
Oh! our hearts will be lonely and low to-night
When we think of the hunts of yore;
And the foes that we sought, and the fights which we fought,
With those who will battle no more -
Who will go to the battle no more!
For the dull winds sigh,
And the dead leaves fly,
Where our warriors lie,
In the dingoes' den - in the white-cedar glen
On the banks of the gloomy Urara!
Urara! Urara!
On the banks of the gloomy Urara!

Oh! the gorges and gullies are black with crows,
And they feast on the flesh of the brave;
But the forest is loud with the howls of our foes
For those whom they never can save!
Let us crouch with our faces down to our knees,
And hide in the dark of our hair;
For we will not return where the camp-fires burn,
And see what is smouldering there -
What is smouldering, mouldering there!
Where the sad winds sigh -
The dead leaves fly,
And our warriors lie;
In the dingoes' den - in the white-cedar glen
On the banks of the gloomy Urara!
Urara! Urara!
On the banks of the gloomy Urara!

BE HIS rest the rest he sought:
Calm and deep.
Let no wayward word or thought
Vex his sleep.
Peace—the peace that no man knows—
Now remains
Where the wasted woodwind blows,
Wakes and wanes.

Latter leaves, in Autumn’s breath,
White and sere,
Sanctify the scholar’s death,
Lying here.

Soft surprises of the sun—
Swift, serene—
O’er the mute grave-grasses run,
Cold and green.

Wet and cold the hillwinds moan;
Let them rave!
Love that takes a tender tone
Lights his grave.

He who knew the friendless face
Sorrows shew,
Often sought this quiet place
Years ago.

One, too apt to faint and fail,
Loved to stray
Here where water-shallows wail
Day by day.

Care that lays her heavy hand
On the best,
Bound him with an iron hand;
Let him rest.

Life, that flieth like a tune,
Left his eyes,
As an April afternoon
Leaves the skies.

Peace is best! If life was hard
Peace came next.
Thus the scholar, thus the bard,
Lies unvext.

Safely housed at last from rack—
Far from pain;
Who would wish to have him back?
Back again?

Let the forms he loved so well
Hover near;
Shine of hill and shade of dell,
Year by year.

All the wilful waifs that make
Beauty’s face,
Let them sojourn for his sake
Round this place.

Flying splendours, singing streams,
Lutes and lights,
May they be as happy dreams:
Sounds and sights;

So that Time to Love may say,
“Wherefore weep?
Sweet is sleep at close of day!
Death is sleep.”

Like a beautiful face looking ever at me
A pure bright moon cometh over the sea;
And I stand on the crags, and hear the falls
Go tumbling down, through the black river-walls;
And the heart of the gorge is rent with the cry
Of the pent-up winds in their agony!
You are far from me, dear, where I watch and wait,
Like a weary bird for a long-lost mate,
And my life is as dull as the sluggish stream
Feeling its way through a world of dream;
For here is a waste of darkness and fear,
And I call and I call, but no one will hear!
O darling of mine, do you ever yearn
For a something lost, which will never return?
O darling of mine, on the grave of dead Hours,
Do you feel, like me, for a handful of flowers?
Through the glens of the Past, do you wander along,
Like a restless ghost that hath done a wrong?
And, lying alone, do you look from the drouth
Of a thirsty Life with a pleading mouth?
When the rain’s on the roof, and the gales are abroad,
Do you wash with your tears the feet of your God?
Oh! I know you do, and he sitteth alone,
Your wounded Love, while you mourn and moan —
Oh! I know you do, and he never will leap
From his silence with smiles, while you weep — and weep!

Your coolness shake down, ye gathered green leaves,
For my spirit is faint with the love that it grieves!
Is there aught on the summit, O yearner through Night,
Aught on the summit which looks like the light;
When my soul is a-wearied and lone in the land,
Groping around will it touch a kind hand?
There are chasms between us as black as a pall,
But bring us together, O God over all!
And let me cast from me these fetters of Fear,
When I hear the glad singing of Faith so near;
For I know by the cheeks, which are pallid and wet,
And a listening life we shall mingle yet!
Oh! then I will turn to those eloquent eyes,
And clasp thee close, with a sweet surprise;
And a guest will go in by the heart’s holy door,
And the chambers of Love shall be left no more.

TAKE the harp, but very softly for our brother touch the strings:
Wind and wood shall help to wail him, waves and mournful mountain-springs.
Take the harp, but very softly, for the friend who grew so old
Through the hours we would not hear of—nights we would not fain behold!
Other voices, sweeter voices, shall lament him year by year,
Though the morning finds us lonely, though we sit and marvel here:
Marvel much while Summer cometh, trammelled with November wheat,
Gold about her forehead gleaming, green and gold about her feet;
Yea, and while the land is dark with plover, gull, and gloomy glede,
Where the cold, swift songs of Winter fill the interlucent reed.
Yet, my harp—and oh, my fathers! never look for Sorrow’s lay,
Making life a mighty darkness in the patient noon of day;
Since he resteth whom we loved so, out beyond these fleeting seas,
Blowing clouds and restless regions paved with old perplexities,
In a land where thunder breaks not, in a place unknown of snow,
Where the rain is mute for ever, where the wild winds never go:
Home of far-forgotten phantoms—genii of our peaceful prime,
Shining by perpetual waters past the ways of Change and Time:
Haven of the harried spirit, where it folds its wearied wings,
Turns its face and sleeps a sleep with deep forgetfulness of things.

His should be a grave by mountains, in a cool and thick-mossed lea,
With the lone creek falling past it—falling ever to the sea.
His should be a grave by waters, by a bright and broad lagoon,
Making steadfast splendours hallowed of the quiet, shining moon.
There the elves of many forests—wandering winds and flying lights—
Born of green, of happy mornings, dear to yellow summer nights,
Full of dole for him that loved them, then might halt and then might go,
Finding fathers of the people to their children speaking low—
Speaking low of one who, failing, suffered all the poet’s pain,
Dying with the dead leaves round him—hopes which never grow again.

The embers were blinking and clinking away,
The casement half open was thrown;
There was nothing but cloud on the skirts of the Day,
And I sat on the threshold alone!

And said to the river which flowed by my door
With its beautiful face to the hill,
'I have waited and waited, all wearied and sore,
But my love is a wanderer still!'

And said to the wind, as it paused in its flight
To look through the shivering pane,
'There are memories moaning and homeless to-night
That can never be tranquil again!'

And said to the woods, as their burdens were borne
With a flutter and sigh to the eaves,
'They are wrinkled and wasted, and tattered and torn,
And we too have our withering leaves.'

Did I hear a low echo of footfalls about,
Whilst watching those forest trees stark?
Or was it a dream that I hurried without
To clutch at and grapple the dark?

In the shadow I stood for a moment and spake -
'Bright thing that was loved in the past,
Oh! am I asleep - or abroad and awake?
And are you so near me at last?

'Oh, roamer from lands where the vanished years go,
Oh, waif from those mystical zones,
Come here where I long for you, broken and low,
On the mosses and watery stones!

'Come out of your silence and tell me if Life
Is so fair in that world as they say;
Was it worth all this yearning, and weeping, and strife
When you left it behind you to-day?

'Will it end all this watching, and doubting, and dread?
Do these sorrows die out with our breath?
Will they pass from our souls like a nightmare,' I said,
'While we glide through the mazes of Death?

'Come out of that darkness and teach me the lore
You have learned since I looked on your face;
By the summers that blossomed and faded of yore -
By the lights which have fled to that place!

'You answer me not when I know that you could -
When I know that you could and you should;
Though the storms be abroad on the wave;
Though the rain droppeth down with a wail to the wood,
And my heart is as cold as your grave!'

A SILVER slope, a fall of firs, a league of gleaming grasses,
And fiery cones, and sultry spurs, and swarthy pits and passes!

The long-haired Cyclops bated breath, and bit his lip and hearkened,
And dug and dragged the stone of death, by ways that dipped and darkened.

Across a tract of furnaced flints there came a wind of water,
From yellow banks with tender hints of Tethys’ white-armed daughter.

She sat amongst wild singing weeds, by beds of myrrh and moly;
And Acis made a flute of reeds, and drew its accents slowly;

And taught its spirit subtle sounds that leapt beyond suppression,
And paused and panted on the bounds of fierce and fitful passion.

Then he who shaped the cunning tune, by keen desire made bolder,
Fell fainting, like a fervent noon, upon the sea-nymph’s shoulder.

Sicilian suns had laid a dower of light and life about her:
Her beauty was a gracious flower—the heart fell dead without her.

“Ah, Galate,” said Polypheme, “I would that I could find thee
Some finest tone of hill or stream, wherewith to lull and bind thee!

“What lyre is left of marvellous range, whose subtle strings, containing
Some note supreme, might catch and change, or set thy passion waning?—

“Thy passion for the fair-haired youth whose fleet, light feet perplex me
By ledges rude, on paths uncouth, and broken ways that vex me?

“Ah, turn to me! else violent sleep shall track the cunning lover;
And thou wilt wait and thou wilt weep when I his haunts discover.”

But golden Galatea laughed, and Thosa’s son, like thunder,
Broke through a rifty runnel shaft, and dashed its rocks asunder,

And poised the bulk, and hurled the stone, and crushed the hidden Acis,
And struck with sorrow drear and lone the sweetest of all faces.

To Zeus, the mighty Father, she, with plaint and prayer, departed:
Then from fierce Aetna to the sea a fountained water started—

A lucent stream of lutes and lights—cool haunt of flower and feather,
Whose silver days and yellow nights made years of hallowed weather.

Here Galatea used to come, and rest beside the river;
Because, in faint, soft, blowing foam, her shepherd lived for ever.

Where the strength of dry thunder splits hill-rocks asunder,
And the shouts of the desert-wind break,
By the gullies of deepness and ridges of steepness,
Lo, the cattle track twists like a snake!
Like a sea of dead embers, burnt white by Decembers,
A plain to the left of it lies;
And six fleeting horses dash down the creek courses
With the terror of thirst in their eyes.

The false strength of fever, that deadly deceiver,
Gives foot to each famishing beast;
And over lands rotten, by rain-winds forgotten,
The mirage gleams out in the east.
Ah! the waters are hidden from riders and ridden
In a stream where the cattle track dips;
And Death on their faces is scoring fierce traces,
And the drought is a fire on their lips.

It is far to the station, and gaunt Desolation
Is a spectre that glooms in the way;
Like a red smoke the air is, like a hell-light its glare is,
And as flame are the feet of the day.
The wastes are like metal that forges unsettle
When the heat of the furnace is white;
And the cool breeze that bloweth when an English sun goeth,
Is unknown to the wild desert night.

A cry of distress there! a horseman the less there!
The mock-waters shine like a moon!
It is 'Speed, and speed faster from this hole of disaster!
And hurrah for yon God-sent lagoon!'
Doth a devil deceive them? Ah, now let us leave them -
We are burdened in life with the sad;
Our portion is trouble, our joy is a bubble,
And the gladdest is never too glad.

From the pale tracts of peril, past mountain heads sterile,
To a sweet river shadowed with reeds,
Where Summer steps lightly, and Winter beams brightly,
The hoof-rutted cattle track leads.
There soft is the moonlight, and tender the noon-light;
There fiery things falter and fall;
And there may be seen, now, the gold and the green, now,
And the wings of a peace over all.

Hush, bittern and plover! Go, wind, to thy cover
Away by the snow-smitten Pole!
The rotten leaf falleth, the forest rain calleth;
And what is the end of the whole?
Some men are successful after seasons distressful
[Now, masters, the drift of my tale];
But the brink of salvation is a lair of damnation
For others who struggle, yet fail.

Grey Winter hath gone, like a wearisome guest,
   And, behold, for repayment,
September comes in with the wind of the West
   And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
   While the forest discovers
Wild wings, with the halo of hyaline hours,
   And the music of lovers.

September, the maid with the swift, silver feet!
   She glides, and she graces
The valleys of coolness, the slopes of the heat,
   With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
   She lightens and lingers
In spots where the harp of the evening glows,
   Attuned by her fingers.

The stream from its home in the hollow hill slips
   In a darling old fashion;
And the day goeth down with a song on its lips
   Whose key-note is passion;
Far out in the fierce, bitter front of the sea
   I stand, and remember
Dead things that were brothers and sisters of thee,
   Resplendent September.

The West, when it blows at the fall of the noon
   And beats on the beaches,
Is filled with a tender and tremulous tune
   That touches and teaches;
The stories of Youth, of the burden of Time,
   And the death of Devotion,
Come back with the wind, and are themes of the rhyme
   In the waves of the ocean.

We, having a secret to others unknown,
   In the cool mountain-mosses,
May whisper together, September, alone
   Of our loves and our losses.
One word for her beauty, and one for the grace
   She gave to the hours;
And then we may kiss her, and suffer her face
   To sleep with the flowers.

Oh, season of changes -- of shadow and shine --
   September the splendid!
My song hath no music to mingle with thine,
   And its burden is ended;
But thou, being born of the winds and the sun,
   By mountain, by river,
Mayst lighten and listen, and loiter and run,
   With thy voices for ever.

AT rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.
The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet’s twofold life!
To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael’s grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon’s name
I dedicate these lines; and if ’tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.
And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;

So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.

The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.

But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.

And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.

Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.

But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.

No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.

The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.

The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.

But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.

Because this man fulfilled his days,
Like one who walks with steadfast gaze
Averted from forbidden ways
With lures of fair, false flowerage deep,
Behold the Lord whose throne is dim
With fires of flaming seraphim—
The Christ that suffered sent for him:
“He giveth His beloved sleep.”
Think not that souls whose deeds august
Put sin to shame and make men just
Become at last the helpless dust
That wintering winds through waste-lands sweep!
The higher life within us cries,
Like some fine spirit from the skies,
“The Father’s blessing on us lies—
‘He giveth His beloved sleep.’”

Not human sleep—the fitful rest
With evil shapes of dreams distressed,—
But perfect quiet, unexpressed
By any worldly word we keep.
The dim Hereafter framed in creeds
May not be this; but He who reads
Our lives, sets flowers on wayside weeds—
“He giveth His beloved sleep.”

Be sure this hero who has passed
The human space—the outer vast—
Who worked in harness to the last,
Doth now a hallowed harvest reap.
Love sees his grave, nor turns away—
The eyes of faith are like the day,
And grief has not a word to say—
“He giveth His beloved sleep.”

That fair, rare spirit, Honour, throws
A light, which puts to shame the rose,
Across his grave, because she knows
The son whose ashes it doth keep;
And, like far music, this is heard—
“Behold the man who never stirred,
By word of his, an angry word!—
‘He giveth His beloved sleep.’”

He earned his place. Within his hands,
The power which counsels and commands,
And shapes the social life of lands,
Became a blessing pure and deep.
Through thirty years of turbulence
Our thoughts were sweetened with a sense
Of his benignant influence—
“He giveth His beloved sleep.”

No splendid talents, which excite
Like music, songs, or floods of light,
Were his; but, rather, all those bright,
Calm qualities of soul which reap
A mute, but certain, fine respect,
Not only from a source elect,
But from the hearts of every sect—
“He giveth His beloved sleep.”

He giveth His beloved rest!
The faithful soul that onward pressed,
Unswerving, from Life’s east to west,
By paths austere and passes steep,
Is past all toil; and, over Death,
With reverent hands and prayerful breath,
I plant this flower, alive with faith—
“He giveth His beloved sleep.”

I HEAR no footfall beating through the dark,
A lonely gust is loitering at the pane;
There is no sound within these forests stark
Beyond a splash or two of sullen rain;

But you are with us! and our patient land
Is filled with long-expected change at last,
Though we have scarce the heart to lift a hand
Of welcome, after all the yearning past!

Ah! marvel not; the days and nights were long
And cold and dull and dashed with many tears;
And lately there hath been a doleful song,
Of “Mene, Mene,” in our restless ears!

Indeed, we’ve said, “The royal son of Time,
Whose feet will shortly cross our threshold floor,
May lead us to those outer heights sublime
Our Sires have sold their lives to see before!

We’ll follow him! Beyond the waves and wrecks
Of years fulfilled, some fine results must lie;
We’ll pass the last of all wild things that vex
The pale, sad face of our Humanity!”

But now our fainting feet are loth to stray
From trodden paths; our eyes with pain are blind!
We’ve lost fair treasures by the weary way;
We cry, like children, to be left behind.

Our human speech is dim. Yet, latest born
Of God’s Eternity, there came to me,
In saddened streets last week, from lips forlorn
A sound more solemn than the sleepless sea!

O, Rachael! Rachael! We have heard the cries
In Rama, stranger, o’er our darling dead;
And seen our mothers with the heavy eyes,
Who would not hearken to be comforted!

Then lead us gently! It must come to pass
That some of us shall halt and faint and fall;
For we are looking through a darkened glass,
And Heaven seems far, and faith grows cold and pale.

I know, for one, I need a subtle strength
I have not yet to hold me from a fall;
What time I cry to God within the length
Of weary hours; my face against the wall!

My mourning brothers! in the long, still nights,
When sleep is wilful, and the lone moon shines,
Bethink you of the silent, silver lights,
And darks with Death amongst the moody pines!

Then, though you cannot shut a stricken face
Away from you, this hope will come about
That Christ hath sent again throughout the place
Some signs of Love to worst and weaken doubt.

So you may find in every afterthought
A peace beyond your best expression dear;
And haply hearken to the Voice which wrought
Such strength in Peter on the seas of fear!

At rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse,
Now lies the shell that never more will house
The fine, strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him, sit
Aghast in darkness, dumb with that great grief,
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night-wind sings its immemorial hymn,
And sobs above a newly-covered grave.

The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow-man; the faithful friend who judged
The many, anxious to be loved of him,
By what he saw, and not by what he heard,
As lesser spirits do; the brave great soul
That never told a lie, or turned aside
To fly from danger; he, I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse,
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
For ever to the Poet's twofold life!

To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael's grave
A tender leaf of my regard; yea I,
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone! to Adam Lindsay Gordon's name
I dedicate these lines; and if 'tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and gray with human griefs.

And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall through the glimmering moony mists,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

Strange is the song, and the soul that is singing
Falters because of the vision it sees;
Voice that is not of the living is ringing
Down in the depths where the darkness is clinging,
Even when Noon is the lord of the leas,
Fast, like a curse, to the ghosts of the trees!
Here in a mist that is parted in sunder,
Half with the darkness and half with the day;
Face of a woman, but face of a wonder,
Vivid and wild as a flame of the thunder,
Flashes and fades, and the wail of the grey
Water is loud on the straits of the bay!

Father, whose years have been many and weary—
Elder, whose life is as lovely as light
Shining in ways that are sterile and dreary—
Tell me the name of this beautiful peri,
Flashing on me like the wonderful white
Star, at the meeting of morning and night.

Look to thy Saviour, and down on thy knee, man,
Lean on the Lord, as the Zebedee leaned;
Daughter of hell is the neighbour of thee, man—
Lilith, of Adam the luminous leman!
Turn to the Christ to be succoured and screened,
Saved from the eyes of a marvellous fiend!

Serpent she is in the shape of a woman,
Brighter than woman, ineffably fair!
Shelter thyself from the splendour, and sue, man;
Light that was never a loveliness human
Lives in the face of this sinister snare,
Longing to strangle thy soul with her hair!

Lilith, who came to the father and bound him
Fast with her eyes in the first of the springs;
Lilith she is, but remember she drowned him,
Shedding her flood of gold tresses around him—
Lulled him to sleep with the lyric she sings:
Melody strange with unspeakable things!

Low is her voice, but beware of it ever,
Swift bitter death is the fruit of delay;
Never was song of its beauty—ah! never—
Heard on the mountain, or meadow, or river,
Not of the night is it, not of the day—
Fly from it, stranger, away and away.

Back on the hills are the blossom and feather,
Glory of noon is on valley and spire;
Here is the grace of magnificent weather,
Where is the woman from gulfs of the nether?
Where is the fiend with the face of desire?
Gone, with a cry, in miraculous fire!

Sound that was not of this world, or the spacious
Splendid blue heaven, has passed from the lea;
Dead is the voice of the devil audacious:
Only a dream is her music fallacious,
Here, in the song and the shadow of tree,
Down by the green and the gold of the sea.

Now comes the fierce north-easter, bound
About with clouds and racks of rain,
And dry, dead leaves go whirling round
In rings of dust, and sigh like pain
Across the plain.

Now twilight, with a shadowy hand
Of wild dominionship, doth keep
Strong hold of hollow straits of land,
And watery sounds are loud and deep
By gap and steep.

Keen, fitful gusts, that fly before
The wings of storm when day hath shut
Its eyes on mountains, flaw by flaw,
Fleet down by whistling box-tree butt,
Against the hut.

And, ringed and girt with lurid pomp,
Far eastern cliffs start up, and take
Thick steaming vapours from a swamp
That lieth like a great blind lake,
Of face opaque.

The moss that, like a tender grief,
About an English ruin clings -
What time the wan autumnal leaf
Faints, after many wanderings
On windy wings -

That gracious growth, whose quiet green
Is as a love in days austere,
Was never seen - hath never been -
On slab or roof, deserted here
For many a year.

Nor comes the bird whose speech is song -
Whose songs are silvery syllables
That unto glimmering woods belong,
And deep, meandering mountain dells
By yellow wells.

But rather here the wild-dog halts,
And lifts the paw, and looks, and howls;
And here, in ruined forest vaults,
Abide dim, dark, death-featured owls,
Like monks in cowls.

Across this hut the nettle runs,
And livid adders make their lair
In corners dank from lack of suns,
And out of foetid furrows stare
The growths that scare.

Here Summer's grasp of fire is laid
On bark and slabs that rot, and breed
Squat ugly things of deadly shade,
The scorpion, and the spiteful seed
Of centipede.

Unhallowed thunders, harsh and dry,
And flaming noontides, mute with heat,
Beneath the breathless, brazen sky,
Upon these rifted rafters beat
With torrid feet.

And night by night the fitful gale
Doth carry past the bittern's boom,
The dingo's yell, the plover's wail,
While lumbering shadows start, and loom,
And hiss through gloom.

No sign of grace - no hope of green,
Cool-blossomed seasons marks the spot;
But chained to iron doom, I ween,
'Tis left, like skeleton, to rot
Where ruth is not.

For on this hut hath murder writ,
With bloody fingers, hellish things;
And God will never visit it
With flower or leaf of sweet-faced Springs,
Or gentle wings.

Just a shell, to which the seaweed glittering yet with greenness clings,
Like the song that once I loved so, softly of the old time sings -
Softly of the old time speaketh - bringing ever back to me
Sights of far-off lordly forelands - glimpses of the sounding sea!
Now the cliffs are all before me - now, indeed, do I behold
Shining growths on wild wet hillheads, quiet pools of green and gold.
And, across the gleaming beaches, lo! the mighty flow and fall
Of the great ingathering waters thundering under Wamberal!

Back there are the pondering mountains; there the dim, dumb ranges loom -
Ghostly shapes in dead grey vapour - half-seen peaks august with gloom.
There the voice of troubled torrents, hidden in unfathomed deeps,
Known to moss and faint green sunlight, wanders down the oozy steeps.
There the lake of many runnels nestles in a windless wild
Far amongst thick-folded forests, like a radiant human child.
And beyond surf-smitten uplands - high above the highest spur -
Lo! the clouds like tents of tempest on the crags of Kincumber!

Wamberal, the home of echoes! Hard against a streaming strand,
Sits the hill of blind black caverns, at the limits of the land.
Here the haughty water marches - here the flights of straitened sea
Make a noise like that of trumpets, breaking wide across the lea!
But behold, in yonder crescent that a ring of island locks
Are the gold and emerald cisterns shining moonlike in the rocks!
Clear, bright cisterns, zoned by mosses, where the faint wet blossoms dwell
With the leaf of many colours - down beside the starry shell.

Friend of mine beyond the mountains, here and here the perished days
Come like sad reproachful phantoms, in the deep grey evening haze -
Come like ghosts, and sit beside me when the noise of day is still,
And the rain is on the window, and the wind is on the hill.
Then they linger, but they speak not, while my memory roams and roams
Over scenes by death made sacred - other lands and other homes!
Places sanctified by sorrow - sweetened by the face of yore -
Face that you and I may look on (friend and brother) nevermore!

Seasons come with tender solace - time lacks neither light nor rest;
But the old thoughts were such ~dear~ ones, and the old days seem the best.
And to those who've loved and suffered, every pulse of wind or rain -
Every song with sadness in it, brings the peopled Past again.
Therefore, just this shell yet dripping, with this weed of green and grey,
Sets me thinking - sets me dreaming of the places far away;
Dreaming of the golden rockpools - of the foreland and the fall;
And the home behind the mountains looming over Wamberal.

CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?

All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.

In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.

Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?

SAID one who led the spears of swarthy Gad,
To Jesse’s mighty son: “My Lord, O King,
I, halting hard by Gibeon’s bleak-blown hill
Three nightfalls past, saw dark-eyed Rizpah, clad
In dripping sackcloth, pace with naked feet
The flinty rock where lie unburied yet
The sons of her and Saul; and he whose post
Of watch is in those places desolate,
Got up, and spake unto thy servant here
Concerning her—yea, even unto me:—
‘Behold,’ he said, ‘the woman seeks not rest,
Nor fire, nor food, nor roof, nor any haunt
Where sojourns man; but rather on yon rock
Abideth, like a wild thing, with the slain,
And watcheth them, lest evil wing or paw
Should light upon the comely faces dead,
To spoil them of their beauty. Three long moons
Hath Rizpah, daughter of Aiah, dwelt
With drouth and cold and rain and wind by turns,
And many birds there are that know her face,
And many beasts that flee not at her step,
And many cunning eyes do look at her
From serpent-holes and burrows of the rat.
Moreover,’ spake the scout, ‘her skin is brown
And sere by reason of exceeding heat;
And all her darkness of abundant hair
Is shot with gray, because of many nights
When grief hath crouched in fellowship with frost
Upon that desert rock. Yea, thus and thus
Fares Rizpah,’ said the spy, O King, to me.”

But David, son of Jesse, spake no word,
But turned himself, and wept against the wall.

We have our Rizpahs in these modern days
Who’ve lost their households through no sin of theirs,
On bloody fields and in the pits of war;
And though their dead were sheltered in the sod
By friendly hands, these have not suffered less
Than she of Judah did, nor is their love
Surpassed by hers. The Bard who, in great days
Afar off yet, shall set to epic song
The grand pathetic story of the strife
That shook America for five long years,
And struck its homes with desolation—he
Shall in his lofty verse relate to men
How, through the heat and havoc of that time,
Columbia’s Rachael in her Rama wept
Her children, and would not be comforted;
And sing of Woman waiting day by day
With that high patience that no man attains,
For tidings, from the bitter field, of spouse,
Or son, or brother, or some other love
Set face to face with Death. Moreover, he
Shall say how, through her sleepless hours at night,
When rain or leaves were dropping, every noise
Seemed like an omen; every coming step
Fell on her ears like a presentiment
And every hand that rested on the door
She fancied was a herald bearing grief;
While every letter brought a faintness on
That made her gasp before she opened it,
To read the story written for her eyes,
And cry, or brighten, over its contents.

The First Attempt to Reach the Shore


Where is the painter who shall paint for you,
My Austral brothers, with a pencil steeped
In hues of Truth, the weather-smitten crew
Who gazed on unknown shores—a thoughtful few—
What time the heart of their great Leader leaped
Till he was faint with pain of longing? New
And wondrous sights on each and every hand,
Like strange supernal visions, grew and grew
Until the rocks and trees, and sea and sand,
Danced madly in the tear-bewildered view!
And from the surf a fierce, fantastic band
Of startled wild men to the hills withdrew
With yells of fear! Who’ll paint thy face, O Cook!
Turned seaward, “after many a wistful look!”


II


The Second Attempt, Opposed by Two of the Natives


“There were but two, and we were forty! Yet,”
The Captain wrote, “that dauntless couple throve,
And faced our wildering faces; and I said
‘Lie to awhile!’ I did not choose to let
A strife go on of little worth to us.
And so unequal! But the dying tread
Of flying kinsmen moved them not: for wet
With surf and wild with streaks of white and black
The pair remained.”— O stout Caractacus!
’Twas thus you stood when Caesar’s legions strove
To beat their few, fantastic foemen back—
Your patriots with their savage stripes of red!
To drench the stormy cliff and moaning cove
With faithful blood, as pure as any ever shed.



III


The Spot Where Cook Landed


Chaotic crags are huddled east and west—
Dark, heavy crags, against a straitened sea
That cometh, like a troubled soul in quest
Of voiceless rest where never dwelleth rest,
With noise “like thunder everlasting.”
But here, behold a silent space of sand!—
Oh, pilgrim, halt!—it even seems to be
Asleep in other years. How still! How grand!
How awful in its wild solemnity!
This is the spot on which the Chief did land,
And there, perchance, he stood what time a band
Of yelling strangers scoured the savage lea.
Dear friend, with thoughtful eyes look slowly round—
By all the sacred Past ’tis sacred ground.



IV


Sutherland’s Grave


’Tis holy ground! The silent silver lights
And darks undreamed of, falling year by year
Upon his sleep, in soft Australian nights,
Are joys enough for him who lieth here
So sanctified with Rest. We need not rear
The storied monument o’er such a spot!
That soul, the first for whom the Christian tear
Was shed on Austral soil, hath heritage
Most ample! Let the ages wane with age,
The grass which clothes this grave shall wither not.
See yonder quiet lily! Have the blights
Of many winters left it on a faded tomb?
Oh, peace! Its fellows, glad with green delights,
Shall gather round it deep eternal bloom

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

Songs of morning, with your breath
Sing the darkness now to death;
Radiant river, beaming bay,
Fair as Summer, shine to-day;
Flying torrent, falling slope, ~Chorus~
Wear the face as bright as Hope;
Wind and woodland, hill and sea,
Lift your voices - sing for glee!
Greet the guests your fame has won -
Put your brightest garments on.


~Recitative and Chorus~

Lo, they come - the lords unknown,
Sons of Peace, from every zone!
See above our waves unfurled
All the flags of all the world!
North and south and west and east
Gather in to grace our feast.
Shining nations! let them see
How like England we can be.
Mighty nations! let them view
Sons of generous sires in you.


~Solo - Tenor~

By the days that sound afar,
Sound, and shine like star by star;
By the grand old years aflame
With the fires of England's fame -
Heirs of those who fought for right
When the world's wronged face was white -
Meet these guests your fortune sends,
As your fathers met their friends;
Let the beauty of your race
Glow like morning in your face.


Part II


~Solo - Bass~

Where now a radiant city stands,
The dark oak used to wave,
The elfin harp of lonely lands
Above the wild man's grave;
Through windless woods, one clear, sweet stream
(Sing soft and very low)
Stole like the river of a dream
A hundred years ago.


~Solo - Alto~

Upon the hills that blaze to-day
With splendid dome and spire,
The naked hunter tracked his prey,
And slumbered by his fire.
Within the sound of shipless seas
The wild rose used to blow
About the feet of royal trees,
A hundred years ago.


~Solo - Soprano~

Ah! haply on some mossy slope,
Against the shining springs,
In those old days the angel Hope
Sat down with folded wings;
Perhaps she touched in dreams sublime,
In glory and in glow,
The skirts of this resplendent time,
A hundred years ago.


Part III


~Children~

A gracious morning on the hills of wet
And wind and mist her glittering feet has set;
The life and heat of light have chased away
Australia's dark, mysterious yesterday.
A great, glad glory now flows down and shines
On gold-green lands where waved funereal pines.


~Solo - Soprano~

And hence a fair dream goes before our gaze,
And lifts the skirts of the hereafter days,
And sees afar, as dreams alone can see,
The splendid marvel of the years to be.


Part IV


~Basses and Chorus~

Father, All-Bountiful, humbly we bend to Thee;
Heads are uncovered in sight of Thy face.
Here, in the flow of the psalms that ascend to Thee,
Teach us to live for the light of Thy grace.
Here, in the pause of the anthems of praise to Thee,
Master and Maker - pre-eminent Friend -
Teach us to look to Thee - give all our days to Thee,
Now and for evermore, world without end!

In a far-away glen of the hills,
Where the bird of the night is at rest,
Shut in from the thunder that fills
The fog-hidden caves of the west—
In a sound of the leaf, and the lute
Of the wind on the quiet lagoon,
I stand, like a worshipper, mute
In the flow of a marvellous tune!
And the song that is sweet to my sense
Is, “Nearer, my God, unto Thee”;
But it carries me sorrowing hence,
To a grave by the cliffs of the sea.
So many have gone that I loved—
So few of the fathers remain,
That where in old seasons I moved
I could never be happy again.
In the breaks of this beautiful psalm,
With its deep, its devotional tone,
And hints of ineffable calm,
I feel like a stranger, alone.
No wonder my eyes are so dim—
Your trouble is heavy on me,
O widow and daughter of him
Who sleeps in the grave by the sea!

The years have been hard that have pressed
On a head full of premature grey,
Since Stenhouse went down to his rest,
And Harpur was taken away.
In the soft yellow evening-ends,
The wind of the water is faint
By the home of the last of my friends—
The shrine of the father and saint.
The tenderness touching—the grace
Of Ridley no more is for me;
And flowers have hidden the face
Of the brother who sleeps by the sea.

The vehement voice of the South
Is loud where the journalist lies;
But calm hath encompassed his mouth,
And sweet is the peace in his eyes.
Called hence by the Power who knows
When the work of a hero is done,
He turned at the message, and rose
With the harness of diligence on.
In the midst of magnificent toil,
He bowed at the holy decree;
And green is the grass on the soil
Of the grave by the cliffs of the sea.

I knew him, indeed; and I knew,
Having suffered so much in his day,
What a beautiful nature and true
In Bennett was hidden away.
In the folds of a shame without end,
When the lips of the scorner were curled,
I found in this brother a friend—
The last that was left in the world.
Ah! under the surface austere
Compassion was native to thee;
I send from my solitude here
This rose for the grave by the sea.

To the high, the heroic intent
Of a life that was never at rest,
He held, with a courage unspent,
Through the worst of his days and the best.
Far back in the years that are dead
He knew of the bitterness cold
That saddens with silver the head
And makes a man suddenly old.
The dignity gracing his grief
Was ever a lesson to me;
He lies under blossom and leaf
In a grave by the cliffs of the sea.

Above him the wandering face
Of the moon is a loveliness now,
And anthems encompass the place
From lutes of the luminous bough.
The forelands are fiery with foam
Where often and often he roved;
He sleeps in the sight of the home
That he built by the waters he loved.
The wave is his fellow at night,
And the sun, shining over the lea,
Sheds out an unspeakable light
On this grave by the cliffs of the sea.

Let me talk of years evanished, let me harp upon the time
When we trod these sands together, in our boyhood's golden prime;
Let me lift again the curtain, while I gaze upon the past,
As the sailor glances homewards, watching from the topmost mast.
Here we rested on the grasses, in the glorious summer hours,
When the waters hurried seaward, fringed with ferns and forest flowers;
When our youthful eyes, rejoicing, saw the sunlight round the spray
In a rainbow-wreath of splendour, glittering underneath the day;
Sunlight flashing past the billows, falling cliffs and crags among,
Clothing hopeful friendship basking on the shores of Wollongong.

Echoes of departed voices, whispers from forgotten dreams,
Come across my spirit, like the murmurs of melodious streams.
Here we both have wandered nightly, when the moonshine cold and pale
Shimmer'd on the cone of Keira, sloping down the sleeping vale;
When the mournful waves came sobbing, sobbing on the furrowed shore,
Like to lone hearts weeping over loved ones they shall see no more;
While the silver ripples, stealing past the shells and slimy stones,
Broke beneath the caverns, dying, one by one, in muffled moans;
As the fragrant wood-winds roaming, with a fitful cadence sung
'Mid the ghostly branches belting round the shores of Wollongong.

Lovely faces flit before us, friendly forms around us stand;
Gleams of well-remembered gladness trip along the yellow sand.
Here the gold-green waters glistened underneath our dreaming gaze,
As the lights of Heaven slanted down the pallid ether haze;
Here the mossy rock-pool, like to one that stirs himself in sleep,
Trembled every moment at the roaring of the restless deep;
While the stately vessels swooping to the breezes fair and free,
Passed away like sheeted spectres, fading down the distant sea;
And our wakened fancies sparkled, and our soul-born thoughts we strung
Into joyous lyrics, singing with the waves of Wollongong.

Low-breathed strains of sweetest music float about my raptured ears;
Angel-eyes are glancing at me hopeful smiles and happy tears.
Merry feet go scaling up the old and thunder-shattered steeps,
And the billows clamber after, and the surge to ocean leaps,
Scattered into fruitless showers, falling where the breakers roll,
Baffled like the aspirations of a proud ambitious soul.
Far off sounds of silvery laughter through the hollow caverns ring,
While my heart leaps up to catch reviving pleasure on the wing;
And the years come trooping backward, and we both again are young,
Walking side by side upon the lovely shores of Wollongong.

Fleeting dreams and idle fancies! Lo, the gloomy after Age
Creepeth, like an angry shadow, over life's eventful stage!
Joy is but a mocking phantom, throwing out its glitter brief -
Short-lived as the western sunbeam dying from the cedar leaf.
Here we linger, lonely-hearted, musing over visions fled,
While the sickly twilight withers from the arches overhead.
Semblance of a bliss delusive are those dull, receding rays;
Semblance of the faint reflection left to us of other days;
Days of vernal hope and gladness, hours when the blossoms sprung
Round the feet of blithesome ramblers by the shores of Wollongong.

Years fifty, and seven to boot, have smitten the children of men
Since sound of a voice or a foot came out of the head of that glen.
The brand of black devil is there—an evil wind moaneth around—
There is doom, there is death in the air: a curse groweth up from the ground!
No noise of the axe or the saw in that hollow unholy is heard,
No fall of the hoof or the paw, no whirr of the wing of the bird;
But a grey mother down by the sea, as wan as the foam on the strait,
Has counted the beads on her knee these forty-nine winters and eight.
Whenever an elder is asked—a white-headed man of the woods—
Of the terrible mystery masked where the dark everlastingly broods,
Be sure he will turn to the bay, with his back to the glen in the range,
And glide like a phantom away, with a countenance pallid with change.
From the line of dead timber that lies supine at the foot of the glade,
The fierce-featured eaglehawk flies—afraid as a dove is afraid;
But back in that wilderness dread are a fall and the forks of a ford—
Ah! pray and uncover your head, and lean like a child on the Lord.

A sinister fog at the wane—at the change of the moon cometh forth
Like an ominous ghost in the train of a bitter, black storm of the north!
At the head of the gully unknown it hangs like a spirit of bale.
And the noise of a shriek and a groan strikes up in the gusts of the gale.
In the throat of a feculent pit is the beard of a bloody-red sedge;
And a foam like the foam of a fit sweats out of the lips of the ledge.
But down in the water of death, in the livid, dead pool at the base—
Bow low, with inaudible breath, beseech with the hands to the face!

A furlong of fetid, black fen, with gelid, green patches of pond,
Lies dumb by the horns of the glen—at the gates of the horror beyond;
And those who have looked on it tell of the terrible growths that are there—
The flowerage fostered by hell, the blossoms that startle and scare.
If ever a wandering bird should light on Gehennas like this
Be sure that a cry will be heard, and the sound of the flat adder’s hiss.
But hard by the jaws of the bend is a ghastly Thing matted with moss—
Ah, Lord! be a father, a friend, for the sake of the Christ of the Cross.

Black Tom, with the sinews of five—that never a hangman could hang—
In the days of the shackle and gyve, broke loose from the guards of the gang.
Thereafter, for seasons a score, this devil prowled under the ban;
A mate of red talon and paw, a wolf in the shape of a man.
But, ringed by ineffable fire, in a thunder and wind of the north,
The sword of Omnipotent ire—the bolt of high Heaven went forth!
But, wan as the sorrowful foam, a grey mother waits by the sea
For the boys that have never come home these fifty-four winters and three.

From the folds of the forested hills there are ravelled and roundabout tracks,
Because of the terror that fills the strong-handed men of the axe!
Of the workers away in the range there is none that will wait for the night,
When the storm-stricken moon is in change and the sinister fog is in sight.
And later and deep in the dark, when the bitter wind whistles about,
There is never a howl or a bark from the dog in the kennel without,
But the white fathers fasten the door, and often and often they start,
At a sound like a foot on the floor and a touch like a hand on the heart.

Twelve years ago, when I could face
High heaven’s dome with different eyes—
In days full-flowered with hours of grace,
And nights not sad with sighs—
I wrote a song in which I strove
To shadow forth thy strain of woe,
Dark widowed sister of the grove!—
Twelve wasted years ago.
But youth was then too young to find
Those high authentic syllables,
Whose voice is like the wintering wind
By sunless mountain fells;
Nor had I sinned and suffered then
To that superlative degree
That I would rather seek, than men,
Wild fellowship with thee!

But he who hears this autumn day
Thy more than deep autumnal rhyme,
Is one whose hair was shot with grey
By Grief instead of Time.
He has no need, like many a bard,
To sing imaginary pain,
Because he bears, and finds it hard,
The punishment of Cain.

No more he sees the affluence
Which makes the heart of Nature glad;
For he has lost the fine, first sense
Of Beauty that he had.
The old delight God’s happy breeze
Was wont to give, to Grief has grown;
And therefore, Niobe of trees,
His song is like thine own!

But I, who am that perished soul,
Have wasted so these powers of mine,
That I can never write that whole,
Pure, perfect speech of thine.
Some lord of words august, supreme,
The grave, grand melody demands;
The dark translation of thy theme
I leave to other hands.

Yet here, where plovers nightly call
Across dim, melancholy leas—
Where comes by whistling fen and fall
The moan of far-off seas—
A grey, old Fancy often sits
And fills thy strong, strange rhyme by fits
With awful utterings.

Then times there are when all the words
Are like the sentences of one
Shut in by Fate from wind and birds
And light of stars and sun,
No dazzling dryad, but a dark
Dream-haunted spirit doomed to be
Imprisoned, crampt in bands of bark,
For all eternity.

Yea, like the speech of one aghast
At Immortality in chains,
What time the lordly storm rides past
With flames and arrowy rains:
Some wan Tithonus of the wood,
White with immeasurable years—
An awful ghost in solitude
With moaning moors and meres.

And when high thunder smites the hill
And hunts the wild dog to his den,
Thy cries, like maledictions, shrill
And shriek from glen to glen,
As if a frightful memory whipped
Thy soul for some infernal crime
That left it blasted, blind, and stript—
A dread to Death and Time!

But when the fair-haired August dies,
And flowers wax strong and beautiful,
Thy songs are stately harmonies
By wood-lights green and cool—
Most like the voice of one who shows
Through sufferings fierce, in fine relief,
A noble patience and repose—
A dignity in grief.

But, ah! conceptions fade away,
And still the life that lives in thee—
The soul of thy majestic lay—
Remains a mystery!
And he must speak the speech divine—
The language of the high-throned lords—
Who’d give that grand old theme of thine
Its sense in faultless words.

By hollow lands and sea-tracts harsh,
With ruin of the fourfold gale,
Where sighs the sedge and sobs the marsh,
Still wail thy lonely wail;
And, year by year, one step will break
The sleep of far hill-folded streams,
And seek, if only for thy sake
Thy home of many dreams.

High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.

To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.

I cannot say what forest saith —
Its words are strange to me:
I only know that in its breath
Are tones that used to be.

Yea, in these deep dim solitudes
I hear a sound I know —
The voice that lived in Penrith woods
Twelve weary years ago.

And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;

And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.

The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.

Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.

I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.

I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda’s spring.

The glory of unblemished days
Is on the silent mound —
The light of years, too pure for praise;
I kneel on holy ground!

Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.

This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father’s life.

The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.

Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.

The chair he filled is set aside
Upon his father’s floor;
In morning hours, at eventide,
His step is heard no more.

No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.

Yea, from the hours that heard his speech
High shining mem’ries give
That fine example which will teach
Our children how to live.

Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.

Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.

I never have forgotten yet
The Christian’s gentle touch;
And, since the time when last we met,
You know I’ve suffered much.

I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow’s rain,
My contrite spirit bleeds.

For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.

I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.

Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.

From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.

WE STOOD by the window and hearkened
To the voice of the runnels sea-driven,
While, northward, the mountain-heads darkened,
Girt round with the clamours of heaven.
One peak with the storm at his portal
Loomed out to the left of his brothers:
Sustained, and sublime, and immortal,
A king, and the lord of the others!
Beneath him a cry from the surges
Rang shrill, like a clarion calling;
And about him, the wind of the gorges
Went falling, and rising, and falling.
But I, as the roofs of the thunder
Were cloven with manifold fires,
Turned back from the wail and the wonder,
And dreamed of old days and desires.
A song that was made, I remembered—
A song that was made in the gloaming
Of suns which are sunken and numbered
With times that my heart hath no home in.
But I said to my Dream, “I am calmer
Than waters asleep on the river.
I can look at the hills of Kiama
And bury that dead Past for ever.”
“Past sight, out of mind, alienated,”
Said the Dream to me, wearily sighing,
“Ah, where is the Winter you mated
To Love, its decline and its dying?
Here, five years ago, there were places
That knew of her cunning to grieve you,
But alas! for her eyes and her graces;
And wherefore and how did she leave you!
Have you hidden the ways of this Woman,
Her whispers, her glances, her power
To hold you, as demon holds human,
Chained back to the day and the hour?
Say, where have you buried her sweetness,
Her coldness for youth and its yearning?
Is the sleep of your Sorrow a witness
She is passed all the roads of returning?
Was she left with her beauty, O lover,
And the shreds of your passion about her,
Beyond reach and where none can discover?
Ah! what is the wide world without her?”

I answered, “Behold, I was broken,
Because of this bright, bitter maiden,
Who helped me with never a token
To beat down the dark I had strayed in.
She knew that my soul was entangled
By what was too fiery to bear then;
Nor cared how she withered and strangled
My life with her eyes and her hair then.
But I have not leapt to the level
Where light and the shadows dissever?
She is fair, but a beautiful devil
That I have forgotten for ever!”
“She is sweeter than music or singing,”
Said the Dream to me, heavily moaning,
“Her voice in your slumber is ringing;
And where is the end—the atoning?
Can you look at the red of the roses;
Are you friend of the fields and the flowers?
Can you bear the faint day as it closes
And dies into twilighted hours?
Do you love the low notes of the ballad
She sang in her darling old fashion?”
And I whispered, “O Dream, I am pallid
And perished because of my passion.”
But the Wraith withered out, and the rifted
Gray hills gleaming over the granges,
Stood robed with moon-rainbows that shifted
And shimmered resplendent with changes!
While, for the dim ocean ledges,
The storm and the surges were blended,
Sheer down the bluff sides of the ridges
Spent winds and the waters descended.
The forests, the crags, and the forelands,
Grew sweet with the stars after raining;
But out in the north-lying moorlands,
I heard the lone plover complaining.
From these to Kiama, half-hidden
In a yellow sea-mist on the slopings
Of hills, by the torrents be-ridden,
I turned with my aches and my hopings,
Saying this—“There are those that are taken
By Fate to wear Love as a raiment
Whose texture is trouble with breaking
Of youth and no hope of repayment.”

SINGER of songs of the hills—
Dreamer, by waters unstirred,
Back in a valley of rills,
Home of the leaf and the bird!—
Read in this fall of the year
Just the compassionate phrase,
Faded with traces of tear,
Written in far-away days:
“Gone is the light of my lap
(Lord, at Thy bidding I bow),
Here is my little one’s cap,
He has no need of it now,
Give it to somebody’s boy—
Somebody’s darling”—she wrote.
Touching was Bob in his joy—
Bob without boots or a coat.

Only a cap; but it gave
Capless and comfortless one
Happiness, bright as the brave,
Beautiful light of the sun.
Soft may the sanctified sod
Rest on the father who led
Bob from the gutter, unshod—
Covered his cold little head!

Bob from the foot to the crown
Measured a yard, and no more—
Baby alone in the town,
Homeless, and hungry, and sore—
Child that was never a child,
Hiding away from the rain,
Draggled and dirty and wild,
Down in a pipe of the drain.

Poor little beggar was Bob—
Couldn’t afford to be sick,
Getting a penny a job,
Sometimes a curse and a kick.
Father was killed by the drink;
Mother was driven to shame;
Bob couldn’t manage to think—
He had forgotten their name.

God was in heaven above,
Flowers illumined the ground,
Women of infinite love
Lived in the palaces round—
Saints with the character sweet
Found in the fathers of old,
Laboured in alley and street—
Baby slept out in the cold.

Nobody noticed the child—
Nobody knew of the mite
Creeping about like a wild
Thing in the shadow of night.
Beaten by drunkards and cowed—
Frightened to speak or to sob—
How could he ask you aloud,
“Have you a penny for Bob?”

Few were the pennies he got—
Seldom could hide them away,
Watched by the ravenous sot
Ever at wait for his prey.
Poor little man! He would weep
Oft for a morsel of bread;
Coppers he wanted to keep
Went to the tavern instead.

This was his history, friend—
Ragged, unhoused, and alone;
How could the child comprehend
Love that he never had known?
Hunted about in the world,
Crouching in crevices dim,
Crust with a curse at him hurled
Stood for a kindness with him.

Little excited his joy—
Bun after doing a job;
Mother of bright-headed boy,
Think of the motherless Bob!
High in the heavens august
Providence saw him, and said—
“Out of the pits of the dust
Lift him, and cover his head.”

Ah, the ineffable grace,
Father of children, in Thee!
Boy in a radiant place,
Fanned by the breeze of the sea—
Child on a lullaby lap
Said, in the pause of his pain,
“Mother, don’t bury my cap—
Give it to Bob in the lane.”

Beautiful bidding of Death!
What could she do but obey,
Even when suffering Faith
Hadn’t the power to pray?
So, in the fall of the year,
Saint with the fatherly head
Hunted for somebody’s dear—
“Somebody’s darling,” he said.

Bob, who was nobody’s child,
Sitting on nobody’s lap,
Draggled and dirty and wild—
Bob got the little one’s cap.
Strange were compassionate words!
Waif of the alley and lane
Dreamed of the music of birds
Floating about in the rain.

White-headed father in God,
Over thy beautiful grave
Green is the grass of the sod,
Soft is the sound of the wave.
Down by the slopes of the sea
Often and often will sob
Boy who was fostered by thee—
This is the story of Bob.

Gaul whose keel in far, dim ages ploughed wan widths of polar sea—
Gray old sailor of Massilia, who hath woven wreath for thee?
Who amongst the world’s high singers ever breathed the tale sublime
Of the man who coasted England in the misty dawn of time?
Leaves of laurel, lights of music—these and these have never shed
Glory on the name unheard of, lustre on the vanished head.
Lords of song, and these are many, never yet have raised the lay
For the white, wind-beaten seaman of a wild, forgotten day.
Harp of shining son of Godhead still is as a voice august;
But the man who first saw Britain sleeps beneath unnoticed dust.
From the fair, calm bays Hellenic, from the crescents and the bends,
Round the wall of crystal Athens, glowing in gold evening-ends,
Sailed abroad the grand, strong father, with his face towards the snow
Of the awful northern mountains, twenty centuries ago.
On the seas that none had heard of, by the shores where none had furled
Wing of canvas, passed this elder to the limits of the world.
Lurid limits, loud with thunder and the roar of flaming cone,
Ghastly tracts of ice and whirlwind lying in a dim, blind zone,
Bitter belts of naked region, girt about by cliffs of fear,
Where the Spirit of the Darkness dwells in heaven half the year.

Yea, against the wild, weird Thule, steered the stranger through the gates
Opened by a fire eternal, into tempest-trampled straits—
Thule, lying like a nightmare on the borders of the Pole:
Neither land, nor air, nor water, but a mixture of the whole!
Dumb, dead chaos, grey as spectre, now a mist and now a cloud,
Where the winds cry out for ever, and the wave is always loud.
Here the lord of many waters, in the great exalted years,
Saw the sight that no man knows of—heard the sound that no man hears—
Felt that God was in the Shadow ere he turned his prow and sped
To the sweet green fields of England with the sunshine overhead.

In the day when pallid Persia fled before the Thracian steel,
By the land that now is London passed the strange Hellenic keel.
Up the bends of quiet river, hard by banks of grove and flower,
Sailed the father through a silence in the old majestic hour.
Not a sound of fin or feather, not a note of wave or breeze,
Vext the face of sleeping streamlets, broke the rest of stirless trees.
Not a foot was in the forest, not a voice was in the wood,
When the elder from Massilia over English waters stood.
All was new, and hushed, and holy—all was pure untrodden space,
When the lord of many oceans turned to it a reverent face.

Man who knew resplendent Athens, set and framed in silver sea,
Did not dream a dream of England—England of the years to be!
Friend of fathers like to Plato—bards august and hallowed seers—
Did not see that tenfold glory, Britain of the future years!
Spirit filled with Grecian music, songs that charm the dark away,
On that large, supreme occasion, did not note diviner lay—
Did not hear the voice of Shakespeare—all the mighty life was still,
Down the slopes that dipped to seaward, on the shoulders of the hill;
But the gold and green were brighter than the bloom of Thracian springs,
And a strange, surpassing beauty shone upon the face of things.

In a grave that no man thinks of—back from far-forgotten bays—
Sleeps the grey, wind-beaten sailor of the old exalted days.
He that coasted Wales and Dover, he that first saw Sussex plains,
Passed away with head unlaurelled in the wild Thessalian rains.
In a space by hand untended, by a fen of vapours blind,
Lies the king of many waters—out of sight and out of mind!
No one brings the yearly blossom—no one culls the flower of grace,
For the shell of mighty father buried in that lonely place;
But the winds are low and holy, and the songs of sweetness flow,
Where he fell asleep for ever, twenty centuries ago.

I dread that street - its haggard face
I have not seen for eight long years;
A mother's curse is on the place,
(There's blood, my reader, in her tears).
No child of man shall ever track,
Through filthy dust, the singer's feet -
A fierce old memory drags me back;
I hate its name - I dread that street.

Upon the lap of green, sweet lands,
Whose months are like your English Mays,
I try to hide in Lethe's sands
The bitter, old Bohemian days.
But sorrow speaks in singing leaf,
And trouble talketh in the tide;
The skirts of a stupendous grief
Are trailing ever at my side.

I will not say who suffered there,
'Tis best the name aloof to keep,
Because the world is very fair -
Its light should sing the dark to sleep.
But, let me whisper, in that street
A woman, faint through want of bread,
Has often pawned the quilt and sheet
And wept upon a barren bed.

How gladly would I change my theme,
Or cease the song and steal away,
But on the hill and by the stream
A ghost is with me night and day!
A dreadful darkness, full of wild,
Chaotic visions, comes to me:
I seem to hear a dying child,
Its mother's face I seem to see.

Here, surely, on this bank of bloom,
My verse with shine would ever flow;
But ah! it comes - the rented room,
With man and wife who suffered so!
From flower and leaf there is no hint -
I only see a sharp distress -
A lady in a faded print,
A careworn writer for the press.

I only hear the brutal curse
Of landlord clamouring for his pay;
And yonder is the pauper's hearse
That comes to take a child away.
Apart, and with the half-grey head
Of sudden age, again I see
The father writing by the dead
To earn the undertaker's fee.

No tear at all is asked for him -
A drunkard well deserves his life;
But voice will quiver, eyes grow dim,
For her, the patient, pure young wife,
The gentle girl of better days,
As timid as a mountain fawn,
Who used to choose untrodden ways,
And place at night her rags in pawn.

She could not face the lighted square,
Or show the street her poor, thin dress;
In one close chamber, bleak and bare,
She hid her burden of distress.
Her happy schoolmates used to drive,
On gaudy wheels, the town about;
The meat that keeps a dog alive
She often had to go without.

I tell you, this is not a tale
Conceived by me, but bitter truth;
Bohemia knows it, pinched and pale,
Beside the pyre of burnt-out youth:
These eyes of mine have often seen
The sweet girl-wife, in winters rude,
Steal out at night, through courts unclean,
To hunt about for chips of wood.

Have I no word at all for him
Who used down fetid lanes to slink,
And squat in tap-room corners grim,
And drown his thoughts in dregs of drink?
This much I'll say, that when the flame
Of reason reassumed its force,
The hell the Christian fears to name,
Was heaven to his fierce remorse.

Just think of him - beneath the ban,
And steeped in sorrow to the neck,
Without a friend - a feeble man,
In failing health - a human wreck.
With all his sense and scholarship,
How could he face his fading wife?
The devil never lifted whip
With thongs like those that scourged his life.

But He in whom the dying thief
Upon the Cross did place his trust,
Forgets the sin and feels the grief,
And lifts the sufferer from the dust.
And now, because I have a dream,
The man and woman found the light;
A glory burns upon the stream,
With gold and green the woods are bright.

But still I hate that haggard street,
Its filthy courts, its alleys wild;
In dreams of it I always meet
The phantom of a wailing child.
The name of it begets distress -
Ah, song, be silent! show no more
The lady in the perished dress,
The scholar on the tap-room floor.