Negligible Old Star

NEGLIGIBLE old star.
Pour even.
It was a sad per cent.
Does on sun day.
Watch or water.
So soon a moon or a old heavy press.

Stanzas In Meditation: Stanza Xv

Should they may be they might if they delight
In why they must see it be there not only necessarily
But which they might in which they might
For which they might delight if they look there
And they see there that they look there
To see it be there which it is if it is
Which may be where where it is
If they do not occasion it to be different
From what it is.
In one direction there is the sun and the moon
In the other direction there are cumulus clouds and the sky
In the other direction there is why
They look at what they see
They look very long while they talk along
And they may be said to see that at which they look
Whenever there is no chance of its not being warmer
Than if they wish which they were.
They see that they have what is there may there
Be there also what is to be there if they may care
They care for it of course they care for it.
Now only think three times roses green and blue
And vegetables and pumpkins and pansies too
Which they like as they are very likely not to be
Reminded that it is more than ever necessary
That they should never be surprised at any one time
At just what they have been given by taking what they have
Which they are very careful not to add with
As they may easily indulge in the fragrance
Not only of which but by which they know
That they tell them so.

I
Put a sun in Sunday, Sunday.
Eleven please ten hoop. Hoop.
Cousin coarse in coarse in soap.
Cousin coarse in soap sew up. soap.
Cousin coarse in sew up soap.

II
A lea ender stow sole lightly.
Not a bet beggar.
Nearer a true set jump hum,
A lamp lander so seen poor lip.

III
Never so round.
A is a guess and a piece.
A is a sweet cent sender.
A is a kiss slow cheese.
A is for age jet.

IV
New deck stairs.
Little in den little in dear den.

V
Polar pole.
Dust winder.
Core see.
A bale a bale o a bale.

VI
Extravagant new or noise peal extravagant.

VII
S a glass.
Roll ups.

VIII
Powder in wails, powder in sails, powder is all next to it is does
wait sack rate all goals like chain in clear.

IX
Negligible old star.
Pour even.
It was a sad per cent.
Does on sun day.
Watch or water.
So soon a moon or a old heavy press.

X
Pearl cat or cat or pill or pour check.
New sit or little.
New sat or little not a wad yet.
Heavy toe heavy sit on head.


XI
Ex, ex, ex.
Bull it bull it bull it bull it.
Ex Ex Ex.

XII
Cousin plates pour a y shawl hood hair.
No see eat.

XIII
They are getting, bad left log lope, should a court say stream, not
a dare long beat a soon port.

XIV
Colored will he.
Calamity.
Colored will he
Is it a soon. Is it a soon. Is it a soon. soon. Is it a soon. soon.

XV
Nobody’s ice.
Nobody’s ice to be knuckles.
Nobody’s nut soon.
Nobody’s seven picks.
Picks soap stacks.
Six in set on seven in seven told, to top.

XVI
A spread chin shone.
A set spread chin shone.

XVII
No people so sat.
Not an eider.
Not either. Not either either.

XVIII
Neglect, neglect use such.
Use such a man.
Neglect use such a man.
Such some here.

XIX
Note tie a stem bone single pair so itching.

XX
Little lane in lay in a circular crest.

XXI
Peace while peace while toast.
Paper eight paper eight or, paper eight ore white.

XXII
Coop pour.
Never a single ham.
Charlie. Charlie.

XXIII
Neglect or.
A be wade.
Earnest care lease.
Least ball sup.

XXIV
Meal dread.
Meal dread so or.
Meal dread so or bounce.
Meal dread so or bounce two sales. Meal dread so or bounce two
sails. Not a rice. No nor a pray seat, not a little muscle, not a
nor noble, not a cool right more than a song in every period
of nails and pieces pieces places of places.

XXV
Neat know.
Play in horizontal pet soap.

XXVI
Nice pose.
Supper bell.
Pull a rope pressed.
Color glass.

XXVII
Nice oil pail.
No gold go at.
Nice oil pail.
Near a paper lag sought.
What is an astonishing won door. A please spoon.

XXVIII
Nice knee nick ear.
Not a well pair in day.
Nice knee neck core.
What is a skin pour in day.

XXIX
Climb climb max.
Hundred in wait.
Paper cat or deliver

XXX

Little drawers of center.
Neighbor of dot light.
Shorter place to make a boom set.
Marches to be bright.

XXXI
Suppose a do sat.
Suppose a negligence.
Suppose a cold character.

XXXII
Suppose a negligence.
Suppose a sell.
Suppose a neck tie.

XXXIII
Suppose a cloth cape.
Suppose letter suppose let a paper.
Suppose soon.

XXXIV
A prim a prim prize.
A sea pin.
A prim a prim prize
A sea pin.

XXXV
Witness a way go.
Witness a way go. Witness a way go. Wetness.
Wetness.

XXXVI
Lessons lettuce.
Let us peer let us polite let us pour, let us polite. Let us polite.

XXXVII
Neither is blessings bean.

XXXVIII
Dew Dew Drops.
Leaves kindly Lasts.
Dew Dew Drops.

XXXIX
A R. nuisance.
Not a regular plate.
Are, not a regular plate.

XL
Lock out sandy.
Lock out sandy boot trees.
Lock out sandy boot trees knit glass.
Lock out sandy boot trees knit glass.

XLI
A R not new since.
New since.
Are new since bows less.

XLII
A jell cake.
A jelly cake.
A jelly cake.

XLIII
Peace say ray comb pomp
Peace say ray comb pump
Peace say ray comb pomp
Peace say ray comb pomp.

XLIV
XLV
Copying Copying it in.

XLVI
Never second scent never second scent in stand. Never second
scent in stand box or show. Or show me sales. Or show me
sales oak. Oak pet. Oak pet stall.

XLVII
Not a mixed stick or not a mixed stick or glass. Not a mend stone
bender, not a mend stone bender or stain.

XLVIII
Polish polish is it a hand, polish is it a hand or all, or all poles sick,
or all poles sick.

XLIX
Rush in rush in slice.

L
Little gem in little gem in an. Extra.

LI
In the between egg in, in the between egg or on.

LII
Leaves of gas, leaves of get a towel louder.

LIII
Not stretch.

LIV
Tea Fulls.
Pit it pit it little saddle pear say.

LV
Let me see wheat air blossom.
Let me see tea.

LVI
Nestle in glass, nestle in walk, nestle in fur a lining.

LVII
Pale eaten best seek.
Pale eaten best seek, neither has met is a glance.

LVIII
Suppose it is a s. Suppose it is a seal. Suppose it is a recognised
opera

LIX
Not a sell inch, not a boil not a never seeking cellar.

LX
Little gem in in little gem in an. Extra.


LXI
Catch as catch as coal up.

LXII
Necklaces, neck laces, necklaces, neck laces.

LXIII

Little in in in in.

LXIV
Next or Sunday, next or sunday check.

LXV
Wide in swim, wide in swim pansy.

LXVI
Next to hear next to hear old boat seak, old boat seak next to hear

LXVII
Ape pail ape pail to glow.

LXVIII
It was in on an each tuck. It was in on an each tuck.

LXIX
Wire lean string, wire lean string excellent miss on one pepper
cute. Open so mister soil in to close not a see wind not seat
glass.

Tender Buttons [objects]

A CARAFE, THAT IS A BLIND GLASS.

A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.

GLAZED GLITTER.

Nickel, what is nickel, it is originally rid of a cover.

The change in that is that red weakens an hour. The change has come. There is no search. But there is, there is that hope and that interpretation and sometime, surely any is unwelcome, sometime there is breath and there will be a sinecure and charming very charming is that clean and cleansing. Certainly glittering is handsome and convincing.

There is no gratitude in mercy and in medicine. There can be breakages in Japanese. That is no programme. That is no color chosen. It was chosen yesterday, that showed spitting and perhaps washing and polishing. It certainly showed no obligation and perhaps if borrowing is not natural there is some use in giving.

A SUBSTANCE IN A CUSHION.

The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable.

Callous is something that hardening leaves behind what will be soft if there is a genuine interest in there being present as many girls as men. Does this change. It shows that dirt is clean when there is a volume.

A cushion has that cover. Supposing you do not like to change, supposing it is very clean that there is no change in appearance, supposing that there is regularity and a costume is that any the worse than an oyster and an exchange. Come to season that is there any extreme use in feather and cotton. Is there not much more joy in a table and more chairs and very likely roundness and a place to put them.

A circle of fine card board and a chance to see a tassel.

What is the use of a violent kind of delightfulness if there is no pleasure in not getting tired of it. The question does not come before there is a quotation. In any kind of place there is a top to covering and it is a pleasure at any rate there is some venturing in refusing to believe nonsense. It shows what use there is in a whole piece if one uses it and it is extreme and very likely the little things could be dearer but in any case there is a bargain and if there is the best thing to do is to take it away and wear it and then be reckless be reckless and resolved on returning gratitude.

Light blue and the same red with purple makes a change. It shows that there is no mistake. Any pink shows that and very likely it is reasonable. Very likely there should not be a finer fancy present. Some increase means a calamity and this is the best preparation for three and more being together. A little calm is so ordinary and in any case there is sweetness and some of that.

A seal and matches and a swan and ivy and a suit.

A closet, a closet does not connect under the bed. The band if it is white and black, the band has a green string. A sight a whole sight and a little groan grinding makes a trimming such a sweet singing trimming and a red thing not a round thing but a white thing, a red thing and a white thing.

The disgrace is not in carelessness nor even in sewing it comes out out of the way.

What is the sash like. The sash is not like anything mustard it is not like a same thing that has stripes, it is not even more hurt than that, it has a little top.

A BOX.

Out of kindness comes redness and out of rudeness comes rapid same question, out of an eye comes research, out of selection comes painful cattle. So then the order is that a white way of being round is something suggesting a pin and is it disappointing, it is not, it is so rudimentary to be analysed and see a fine substance strangely, it is so earnest to have a green point not to red but to point again.

A PIECE OF COFFEE.

More of double.

A place in no new table.

A single image is not splendor. Dirty is yellow. A sign of more in not mentioned. A piece of coffee is not a detainer. The resemblance to yellow is dirtier and distincter. The clean mixture is whiter and not coal color, never more coal color than altogether.

The sight of a reason, the same sight slighter, the sight of a simpler negative answer, the same sore sounder, the intention to wishing, the same splendor, the same furniture.

The time to show a message is when too late and later there is no hanging in a blight.

A not torn rose-wood color. If it is not dangerous then a pleasure and more than any other if it is cheap is not cheaper. The amusing side is that the sooner there are no fewer the more certain is the necessity dwindled. Supposing that the case contained rose-wood and a color. Supposing that there was no reason for a distress and more likely for a number, supposing that there was no astonishment, is it not necessary to mingle astonishment.

The settling of stationing cleaning is one way not to shatter scatter and scattering. The one way to use custom is to use soap and silk for cleaning. The one way to see cotton is to have a design concentrating the illusion and the illustration. The perfect way is to accustom the thing to have a lining and the shape of a ribbon and to be solid, quite solid in standing and to use heaviness in morning. It is light enough in that. It has that shape nicely. Very nicely may not be exaggerating. Very strongly may be sincerely fainting. May be strangely flattering. May not be strange in everything. May not be strange to.

DIRT AND NOT COPPER.

Dirt and not copper makes a color darker. It makes the shape so heavy and makes no melody harder.

It makes mercy and relaxation and even a strength to spread a table fuller. There are more places not empty. They see cover.

NOTHING ELEGANT.

A charm a single charm is doubtful. If the red is rose and there is a gate surrounding it, if inside is let in and there places change then certainly something is upright. It is earnest.

MILDRED'S UMBRELLA.

A cause and no curve, a cause and loud enough, a cause and extra a loud clash and an extra wagon, a sign of extra, a sac a small sac and an established color and cunning, a slender grey and no ribbon, this means a loss a great loss a restitution.

A METHOD OF A CLOAK.

A single climb to a line, a straight exchange to a cane, a desperate adventure and courage and a clock, all this which is a system, which has feeling, which has resignation and success, all makes an attractive black silver.

A RED STAMP.

If lilies are lily white if they exhaust noise and distance and even dust, if they dusty will dirt a surface that has no extreme grace, if they do this and it is not necessary it is not at all necessary if they do this they need a catalogue.