George Gordon Byron: Verses about Husband

Remember thee! remember thee!
Till Lethe quench life's burning stream
Remorse and shame shall cling to thee,
And haunt thee like a feverish dream!

Remember thee! Aye, doubt it not.
Thy husband too shall think of thee:
By neither shalt thou be forgot,
Thou false to him, thou fiend to me!

What matter the pangs of a husband and father,
If his sorrows in exile be great or be small,
So the Pharisee's glories around her she gather,
And the saint patronizes her 'charity ball!'

What matters--a heart which, though faulty, was feeling,
Be driven to excesses which once could appal--
That the sinner should suffer is only fair dealing,
As the saint keeps her charity back for 'the ball'!

Eliza, what fools are the Mussulman sect,
Who to woman deny the soul's future existence!
Could they see thee, Eliza, they'd own their defect,
And this doctrine would meet with a general resistance.

Had their prophet possess'd half an atom of sense,
He ne'er would have woman from paradise driven;
Instead of his houris, a flimsy pretence,
With woman alone he had peopled his heaven.

Yet still, to increase your calamities more,
Not Content with depriving your bodies of spirit,
He allots one poor husband to share amongst four!-
With souls you'd dispense; but this last, who could bear it?

His religion to please neither party is made;
On husbands 'tis hard, to the wives most uncivil;
Still I Can't contradict, what so oft has been said,
'Though women are angels, yet wedlock's the devil.'

Sweet girl! though only once we met,
That meeting I shall ne'er forget;
And though we ne'er may meet again,
Remembrance will thy form retain.
I would not say, 'I love,' but still
My senses struggle with my will:
In vain, to drive thee from my breast,
My thoughts are more and more represt;
In vain I check the rising sighs,
Another to the last replies:
Perhaps this is not love, but yet
Our meeting I can ne'er forget.

What though we never silence broke,
Our eyes a sweeter language spoke.
The toungue in flattering falsehood deals,
And tells a tale in never feels;
Deceit the guilty lips impart,
And hush the mandates of the heart;
But soul's interpreters, the eyes,
Spurn such restraint and scorn disguise.
As thus our glances oft conversed,
And all our bosoms felt, rehearsed,
No spirit, from within, reproved us,
Say rather, ''twas the spirit moved us.'
Though what they utter'd I repress,
Yet I conceive thou'lt partly guess;
For as on thee my memory ponders,
Perchance to me thine also wanders.
This for myself, at least, I'll say,
Thy form appears through night, through day:
Awake, with it my fancy teems;
In sleep, it smiles in fleeting dreams;
The vision charms the hours away,
And bids me curse Aurora's ray
For breaking slumbers of delight
Which make me wish for endless night:
Since, oh! whate'er my future fate,
Shall joy or woe my steps await,
Tempted by love, by storms beset,
Thine image I can ne'er forget.

Alas! again no more we meet,
No more former looks repeat;
Then let me breathe this parting prayer,
The dictate of my bosom's care:
'May heaven so guard my lovely quaker,
That anguish never can o'ertake her;
That peace and virtue ne'er forsake her,
But bliss be aye her heart's partaker!
Oh, may the happy mortal, fated
To be by dearest ties related,
For her each hour new joys discover,
And lose the husband in the lover!
May that fair bosom never know
What 't is to feel the restless woe
Which stings the soul with vain regret,
Of him who never can forget!'

I.
How pleasant were the songs of Toobonai,
When Summer's Sun went down the coral bay!
Come, let us to the islet's softest shade,
And hear the warbling birds I the damsels said:
The wood-dove from the forest depth shall coo,
Like voices of the Gods from Bolotoo;
We'll cull the flowers that grow above the dead,
For these most bloom where rests the warrior's head;
And we will sit in Twilight's face, and see
The sweet Moon glancing through the Tooa tree, to
The lofty accents of whose sighing bough
Shall sadly please us as we lean below;
Or climb the steep, and view the surf in vain
Wrestle with rocky giants o'er the main,
Which spurn in columns back the baffled spray.
How beautiful are these! how happy they,
Who, from the toil and tumult of their lives,
Steal to look down where nought but Ocean strives!
Even He too loves at times the blue lagoon,
And smooths his ruffled mane beneath the Moon.

II.
Yes-from the sepulchre we'll gather flowers,
Then feast like spirits in their promised bowers,
Then plunge and revel in the rolling surf
Then lay our limbs along the tender turf,
And, wet and shining from the sportive toil,
Anoint our bodies with the fragrant oil,
And plait our garlands gathered from the grave,
And wear the wreaths that sprung from out the brave.
But lo I night comes, the Mooa woos us back,
The sound of mats are heard along our track;
Anon the torchlight dance shall fling its sheen
In flashing mazes o'er the Marly's green;
And we too will be there; we too recall
The memory bright with many a festival,
Ere Fiji blew the shell of war, when foes
For the first time were wafted in canoes.
Alas! for them the flower of manhood bleeds;
Alas! for them our fields are rank with, weeds:
Forgotten is the rapture, or unknown,
Of wandering with the Moon and Love alone.
But be it so:-they taught us how to wield
The club, and rain our arrows o'er the field:
Now let them reap the harvest of their art!
But feast to-night! to-morrow we depart.
Strike up the dance! the Cava bowl fill high!
Drain every drop!-to-morrow we may die.
In summer garments be our limbs arrayed;
Around our waists the Tappa's white displayed;
Thick wreaths shall form our coronal, like Spring's,
And round our necks shall glance the Hooni strings;
So shall their brighter hues contrast the glow
Of the dusk bosoms that beat high below.

III.
But now the dance is o'er-yet stay awhile;
Ah, pause! nor yet put out the social smile.
To-morrow for the Mooa we depart,
But not to-night-to-night is for the heart.
Again bestow the wreaths we gently woo,
Ye young Enchantresses of gay Licoo
How lovely are your forms! how every sense
Bows to your beauties, softened, but intense,
Like to the flowers on Mataloco's steep,
Which fling their fragrance far athwart the deep!-
We too will see Licoo; but-oh! my heart!-
What do I say?- to-morrow we depart!

IV.
Thus rose a song-the harmony of times
Before the winds blew Europe o'er these climes.
True, they had vices-such are Nature's growth-
But only the barbarian's- we have both;
The sordor of civilisation, mixed
With all the savage which Man's fall hath fixed.
Who hath not seen Dissimulation's reign,
The prayers of Abel linked to deeds of Cain?
Who such would see may from his lattice view
The Old World more degraded than the New,-
Now new no more, save where Columbia rears
Twin giants, born by Freedom to her spheres,
Where Chimborazo, over air,- earth,- wave,-
Glares with his Titan eye, and sees no slave.

V.
Such was this ditty of Tradition's days,
Which to the dead a lingering fame conveys
In song, where Fame as yet hath left no sign
Beyond the sound whose charm is half divine;
Which leaves no record to the sceptic eye,
But yields young History all to Harmony;
A boy Achilles, with the Centaur's lyre
In hand, to teach him to surpass his sire.
For one long-cherished ballad's simple stave,
Rung from the rock, or mingled with the wave,
Or from the bubbling streamlet's grassy side,
Or gathering mountain echoes as they glide,
Hath greater power o'er each true heart and ear,
Than all the columns Conquest's minions rear;
Invites, when Hieroglyphics are a theme
For sages' labours, or the student's dream;
Attracts, when History's volumes are a toil,-
The first, the freshest bud of Feeling's soil.
Such was this rude rhyme- rhyme is of the rude-
But such inspired the Norseman's solitude,
Who came and conquered; such, wherever rise
Lands which no foes destroy or civilise,
Exist: and what can our accomplished art
Of verse do more than reach the awakened heart?

VI.
And sweetly now those untaught melodies
Broke the luxurious silence of the skies,
The sweet siesta of a summer day,
The tropic afternoon of Toobonai,
When every flower was bloom, and air was balm,
And the first breath began to stir the palm,
The first yet voiceless wind to urge the wave
All gently to refresh the thirsty cave,
Where sat the Songstress with the stranger boy,
Who taught her Passion's desolating joy,
Too powerful over every heart, but most
O'er those who know not how it may be lost;
O'er those who, burning in the new-born fire,
Like martyrs revel in their funeral pyre,
With such devotion to their ecstacy,
That Life knows no such rapture as to die:
And die they do; for earthly life has nought
Matched with that burst of Nature, even in thought;
And all our dreams of better life above
But close in one eternal gush of Love.

VII.
There sat the gentle savage of the wild,
In growth a woman, though in years a child,
As childhood dates within our colder clime,
Where nought is ripened rapidly save crime;
The infant of an infant world, as pure
From Nature-lovely, warm, and premature;
Dusky like night, but night with all her stars;
Or cavern sparkling with its native spars;
With eyes that were a language and a spell,
A form like Aphrodite's in her shell,
With all her loves around her on the deep,
Voluptuous as the first approach of sleep;
Yet full of life-for through her tropic cheek
The blush would make its way, and all but speak;
The sun-born blood suffused her neck, and threw
O'er her clear nut-brown skin a lucid hue,
Like coral reddening through the darkened wave,
Which draws the diver to the crimson cave.
Such was this daughter of the southern seas,
Herself a billow in her energies,
To bear the bark of others' happiness,
Nor feel a sorrow till their joy grew less:
Her wild and warm yet faithful bosom knew
No joy like what it gave; her hopes ne'er drew
Aught from Experience, that chill touchstone, whose
Sad proof reduces all things from their hues:
She feared no ill, because she knew it not,
Or what she knew was soon-too soon-forgot:
Her smiles and tears had passed, as light winds pass
O'er lakes to ruffle, not destroy, their glass,
Whose depths unsearched, and fountains from the hill,
Restore their surface, in itself so still,
Until the Earthquake tear the Naiad's cave,
Root up the spring, and trample on the wave,
And crush the living waters to a mass,
The amphibious desert of the dank morass!
And must their fate be hers? The eternal change
But grasps Humanity with quicker range;
And they who fall but fall as worlds will fall,
To rise, if just, a Spirit o'er them all.

VIII.
And who is he? the blue-eyed northern child
Of isles more known to man, but scarce less wild;
The fair-haired offspring of the Hebrides,
Where roars the Pentland with its whirling seas;
Rocked in his cradle by the roaring wind,
The tempest-born in body and in mind,
His young eyes opening on the ocean-foam,
Had from that moment deemed the deep his home,
The giant comrade of his pensive moods,
The sharer of his craggy solitudes,
The only Mentor of his youth, where'er
His bark was borne; the sport of wave and air;
A careless thing, who placed his choice in chance,
Nursed by the legends of his land's romance;
Eager to hope, but not less firm to bear,
Acquainted with all feelings save despair.
Placed in the Arab's clime he would have been
As bold a rover as the sands have seen,
And braved their thirst with as enduring lip
As Ishmael, wafted on his desart-ship;
Fixed upon Chili's shore, a proud cacique;
On Hellas' mountains, a rebellious Greek;
Born in a tent, perhaps a Tamerlane;
Bred to a throne, perhaps unfit to reign.
For the same soul that rends its path to sway,
If reared to such, can find no further prey
Beyond itself, and must retrace its way,
Plunging for pleasure into pain: the same
Spirit which made a Nero, Rome's worst shame,
A humbler state and discipline of heart,
Had formed his glorious namesake's counterpart;
But grant his vices, grant them all his own,
How small their theatre without a throne!

IX.
Thou smilest:-these comparisons seem high
To those who scan all things with dazzled eye;
Linked with the unknown name of one whose doom
Has nought to do with glory or with Rome,
With Chili, Hellas, or with Araby;
Thou smilest?-Smile; 'tis better thus than sigh;
Yet such he might have been; he was a man,
A soaring spirit, ever in the van,
A patriot hero or despotic chief,
To form a nation's glory or its grief,
Born under auspices which make us more
Or less than we delight to ponder o'er.
But these are visions; say, what was he here?
A blooming boy, a truant mutineer.
The fair-haired Torquil, free as Ocean's spray,
The husband of the bride of Toobonai.

X.
By Neuha's side he sate, and watched the waters,-
Neuha, the sun-flower of the island daughters,
Highborn, (a birth at which the herald smiles,
Without a scutcheon for these secret isles,)
Of a long race, the valiant and the free,
The naked knights of savage chivalry,
Whose grassy cairns ascend along the shore;
And thine-I've seen-Achilles! do no more.
She, when the thunder-bearing strangers came,
In vast canoes, begirt with bolts of flame,
Topped with tall trees, which, loftier than the palm,
Seemed rooted in the deep amidst its calm:
But when the winds awakened, shot forth wings
Broad as the cloud along the horizon flings,
And swayed the waves, like cities of the sea,
Making the very billows look less free;-
She, with her paddling oar and dancing prow,
Shot through the surf, like reindeer through the snow,
Swift-gliding o'er the breakers whitening edge,
Light as a Nereid in her ocean sledge,
And gazed and wondered at the giant hulk,
Which heaved from wave to wave its trampling bulk.
The anchor dropped; it lay along the deep,
Like a huge lion in the sun asleep,
While round it swarmed the Proas' flitting chain,
Like summer bees that hum around his mane.

XI.
The white man landed!-need the rest be told?
The New World stretched its dusk hand to the Old;
Each was to each a marvel, and the tie
Of wonder warmed to better sympathy.
Kind was the welcome of the sun-born sires,
And kinder still their daughters' gentler fires.
Their union grew: the children of the storm
Found beauty linked with many a dusky form;
While these in turn admired the paler glow,
Which seemed so white in climes that knew no snow.
The chace, the race, the liberty to roam,
The soil where every cottage showed a home;
The sea-spread net, the lightly launched canoe,
Which stemmed the studded archipelago,
O'er whose blue bosom rose the starry isles;
The healthy slumber, earned by sportive toils;
The palm, the loftiest Dryad of the woods,
Within whose bosom infant Bacchus broods,
While eagles scarce build higher than the crest
Which shadows o'er the vineyard in her breast;
The Cava feast, the Yam, the Cocoa's root,
Which bears at once the cup, and milk, and fruit;
The Bread-tree, which, without the ploughshare, yields
The unreaped harvest of unfurrowed fields,
And bakes its unadulterated loaves
Without a furnace in unpurchased groves,
And flings off famine from its fertile breast,
A priceless market for the gathering guest;-
These, with the luxuries of seas and woods,
The airy joys of social solitudes,
Tamed each rude Wanderer to the sympathies
Of those who were more happy, if less wise,
Did more than Europe's discipline had done,
And civilised Civilisation's son!

XII.
Of these, and there was many a willing pair,
Neuha and Torquil were not the least fair:
Both children of the isles, though distant far;
Both born beneath a sea-presiding star;
Both nourished amidst Nature's native scenes,
Loved to the last, whatever intervenes
Between us and our Childhood's sympathy,
Which still reverts to what first caught the eye.
He who first met the Highlands' swelling blue
Will love each peak that shows a kindred hue,
Hail in each crag a friend's familiar face,
And clasp the mountain in his Mind's embrace.
Long have I roamed through lands which are not mine,
Adored the Alp, and loved the Apennine,
Revered Parnassus, and beheld the steep
Jove's Ida and Olympus crown the deep:
But 'twas not all long ages' lore, nor all
Their nature held me in their thrilling thrall;
The infant rapture still survived the boy,
And Loch-na-gar with Ida looked o'er Troy,
Mixed Celtic memories with the Phrygian mount,
And Highland linns with Castalie's clear fount.
Forgive me, Homer's universal shade!
Forgive me, Phoebus! that my fancy strayed;
The North and Nature taught me to adore
Your scenes sublime, from those beloved before.

XIII.
The love which maketh all things fond and fair,
The youth which makes one rainbow of the air,
The dangers past, that make even Man enjoy
The pause in which he ceases to destroy,
The mutual beauty, which the sternest feel
Strike to their hearts like lightning to the steel,
United the half savage and the whole,
The maid and boy, in one absorbing soul.
No more the thundering memory of the fight
Wrapped his weaned bosom in its dark delight;
No more the irksome restlessness of Rest
Disturbed him like the eagle in her nest,
Whose whetted beak and far-pervading eye
Darts for a victim over all the sky:
His heart was tamed to that voluptuous state,
At once Elysian and effeminate,
Which leaves no laurels o'er the Hero's urn;
These wither when for aught save blood they burn;
Yet when their ashes in their nook are laid,
Doth not the myrtle leave as sweet a shade?
Had Caesar known but Cleopatra's kiss,
Rome had been free, the world had not been his.
And what have Caesar's deeds and Caesar's fame
Done for the earth? We feel them in our shame.
The gory sanction of his Glory stains
The rust which tyrants cherish on our chains.
Though Glory-Nature-Reason-Freedom, bid
Roused millions do what single Brutus did-
Sweep these mere mock-birds of the Despot's song
From the tall bough where they have perched so long,-
Still are we hawked at by such mousing owls,
And take for falcons those ignoble fowls,
When but a word of freedom would dispel
These bugbears, as their terrors show too well.

XIV.
Rapt in the fond forgetfulness of life,
Neuha, the South Sea girl, was all a wife,
With no distracting world to call her off
From Love; with no Society to scoff
At the new transient flame; no babbling crowd
Of coxcombry in admiration loud,
Or with adulterous whisper to alloy
Her duty, and her glory, and her joy:
With faith and feelings naked as her form,
She stood as stands a rainbow in a storm,
Changing its hues with bright variety,
But still expanding lovelier o'er the sky,
Howe'er its arch may swell, its colours move,
The cloud-compelling harbinger of Love.

XV.
Here, in this grotto of the wave-worn shore,
They passed the Tropic's red meridian o'er;
Nor long the hours-they never paused o'er time,
Unbroken by the clock's funereal chime,
Which deals the daily pittance of our span,
And points and mocks with iron laugh at man.
What deemed they of the future or the past?
The present, like a tyrant, held them fast:
Their hour-glass was the sea-sand, and the tide,
Like her smooth billow, saw their moments glide;
Their clock the Sun, in his unbounded tower;
They reckoned not, whose day was but an hour;
The nightingale, their only vesper-bell,
Sung sweetly to the rose the day's farewell;
The broad Sun set, but not with lingering sweep,
As in the North he mellows o'er the deep;
But fiery, full, and fierce, as if he left
The World for ever, earth of light bereft,
Plunged with red forehead down along the wave,
As dives a hero headlong to his grave.
Then rose they, looking first along the skies,
And then for light into each other's eyes,
Wondering that Summer showed so brief a sun,
And asking if indeed the day were done.

XVI.
And let not this seem strange: the devotee
Lives not in earth, but in his ecstasy;
Around him days and worlds are heedless driven,
His Soul is gone before his dust to Heaven.
Is Love less potent? No-his path is trod,
Alike uplifted gloriously to God;
Or linked to all we know of Heaven below,
The other better self, whose joy or woe
Is more than ours; the all-absorbing flame
Which, kindled by another, grows the same,
Wrapt in one blaze; the pure, yet funeral pile,
Where gentle hearts, like Bramins, sit and smile.
How often we forget all time, when lone,
Admiring Nature's universal throne,
Her woods-her wilds-her waters-the intense
Reply of hers to our intelligence!
Live not the Stars and Mountains? Are the Waves
Without a spirit? Are the dropping caves
Without a feeling in their silent tears?
No, no;-they woo and clasp us to their spheres,
Dissolve this clog and clod of clay before
Its hour, and merge our soul in the great shore.
Strip off this fond and false identity!-
Who thinks of self when gazing on the sky?
And who, though gazing lower, ever thought,
In the young moments ere the heart is taught
Time's lesson, of Man's baseness or his own?
All Nature is his realm; and Love his throne.

XVII.
Neuha arose, and Torquil: Twilight's hour
Came sad and softly to their rocky bower,
Which, kindling by degrees its dewy spars,
Echoed their dim light to the mustering stars.
Slowly the pair, partaking Nature's calm,
Sought out their cottage, built beneath the palm;
Now smiling and now silent, as the scene;
Lovely as Love-the Spirit!-when serene.
The Ocean scarce spoke louder with his swell,
Than breathes his mimic murmurer in the shell,
As, far divided from his parent deep,
The sea-born infant cries, and will not sleep,
Raising his little plaint in vain, to rave
For the broad bosom of his nursing wave:
The woods drooped darkly, as inclined to rest,
The tropic bird wheeled rockward to his nest,
And the blue sky spread round them like a lake
Of peace, where Piety her thirst might slake.

XVIII.
But through the palm and plantain, hark, a Voice!
Not such as would have been a lover's choice,
In such an hour, to break the air so still;
No dying night-breeze, harping o'er the hill,
Striking the strings of nature, rock and tree,
Those best and earliest lyres of Harmony,
With Echo for their chorus; nor the alarm
Of the loud war-whoop to dispel the charm;
Nor the soliloquy of the hermit owl,
Exhaling all his solitary soul,
The dim though large-eyed winged anchorite,
Who peals his dreary Paean o'er the night;
But a loud, long, and naval whistle, shrill
As ever started through a sea-bird's bill;
And then a pause, and then a hoarse 'Hillo!
Torquil, my boy I what cheer? Ho! brother, ho!'
'Who hails?' cried Torquil, following with his eye
The sound. 'Here's one,' was all the brief reply.

XIX.
But here the herald of the self-same mouth
Came breathing o'er the aromatic south,
Not like a 'bed of violets' on the gale,
But such as wafts its cloud o'er grog or ale,
Borne from a short frail pipe, which yet had blown
Its gentle odours over either zone,
And, puffed where'er winds rise or waters roll,
Had wafted smoke from Portsmouth to the Pole,
Opposed its vapour as the lightning dashed,
And reeked, 'midst mountain-billows, unabashed,
To AEolus a constant sacrifice,
Through every change of all the varying skies.
And what was he who bore it?-I may err,
But deem him sailor or philosopher.
Sublime Tobacco! which from East to West
Cheers the tar's labour or the Turkman's rest;
Which on the Moslem's ottoman divides
His hours, and rivals opium and his brides;
Magnificent in Stamboul, but less grand,
Though not less loved, in Wapping or the Strand;
Divine in hookas, glorious in a pipe,
When tipped with amber, mellow, rich, and ripe;
Like other charmers, wooing the caress,
More dazzlingly when daring in full dress;
Yet thy true lovers more admire by far
Thy naked beauties-Give me a cigar!

XX.
Through the approaching darkness of the wood
A human figure broke the solitude,
Fantastically, it may be, arrayed,
A seaman in a savage masquerade;
Such as appears to rise out from the deep,
When o'er the line the merry vessels sweep,
And the rough Saturnalia of the tar
Flock o'er the deck, in Neptune's borrowed car;
And, pleased, the God of Ocean sees his name
Revive once more, though but in mimic game
Of his true sons, who riot in the breeze
Undreamt of in his native Cyclades.
Still the old God delights, from out the main,
To snatch some glimpses of his ancient reign.
Our sailor's jacket, though in ragged trim,
His constant pipe, which never yet burned dim,
His foremast air, and somewhat rolling gait,
Like his dear vessel, spoke his former state;
But then a sort of kerchief round his head,
Not over tightly bound, nor nicely spread;
And, 'stead of trowsers (ah! too early torn!
For even the mildest woods will have their thorn)
A curious sort of somewhat scanty mat
Now served for inexpressibles and hat;
His naked feet and neck, and sunburnt face,
Perchance might suit alike with either race.
His arms were all his own, our Europe's growth,
Which two worlds bless for civilising both;
The musket swung behind his shoulders broad,
And somewhat stooped by his marine abode,
But brawny as the boar's; and hung beneath,
His cutlass drooped, unconscious of a sheath,
Or lost or worn away; his pistols were
Linked to his belt, a matrimonial pair-
(Let not this metaphor appear a scoff,
Though one missed fire, the other would go off);
These, with a bayonet, not so free from rust
As when the arm-chest held its brighter trust,
Completed his accoutrements, as Night
Surveyed him in his garb heteroclite.

XXI.
'What cheer, Ben Bunting?' cried (when in full view
Our new acquaintance) Torquil. 'Aught of new?'
'Ey, ey!' quoth Ben, 'not new, but news enow;
A strange sail in the offing.'-'Sail! and how?
What! could you make her out? It cannot be;
I've seen no rag of canvass on the sea.'
'Belike,' said Ben, 'you might not from the bay,
But from the bluff-head, where I watched to-day,
I saw her in the doldrums; for the wind
Was light and baffling.'-'When the Sun declined
Where lay she? had she anchored?'-'No, but still
She bore down on us, till the wind grew still.'
'Her flag?'-'I had no glass but fore and aft,
Egad! she seemed a wicked-looking craft.'
'Armed?'-'I expect so;-sent on the look-out:
'Tis time, belike, to put our helm about.'
'About?-Whate'er may have us now in chase,
We'll make no running fight, for that were base;
We will die at our quarters, like true men.'
'Ey, ey! for that 'tis all the same to Ben.'
'Does Christian know this?'-'Aye; he has piped all hands
To quarters. They are furbishing the stands
Of arms; and we have got some guns to bear,
And scaled them. You are wanted.'-'That's but fair;
And if it were not, mine is not the soul
To leave my comrades helpless on the shoal.
My Neuha! ah! and must my fate pursue
Not me alone, but one so sweet and true?
But whatsoe'er betide, ah, Neuha! now
Unman me not: the hour will not allow
A tear; I am thine whatever intervenes!'
'Right,' quoth Ben; 'that will do for the marines.'

Oh, Wellington! (or 'Villainton'--for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase-
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder 'Nay!'

I don't think that you used Kinnaird quite well
In Marinet's affair--in fact, 'twas shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 'tis not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

You are 'the best of cut-throats:'--do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

I am no flatterer- you 've supp'd full of flattery:
They say you like it too- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd 'Saviour of the Nations'--not yet saved,
And 'Europe's Liberator'--still enslaved.

I've done. Now go and dine from off the plate
Presented by the Prince of the Brazils,
And send the sentinel before your gate
A slice or two from your luxurious meals:
He fought, but has not fed so well of late.
Some hunger, too, they say the people feels:--
There is no doubt that you deserve your ration,
But pray give back a little to the nation.

I don't mean to reflect--a man so great as
You, my lord duke! is far above reflection:
The high Roman fashion, too, of Cincinnatus,
With modern history has but small connection:
Though as an Irishman you love potatoes,
You need not take them under your direction;
And half a million for your Sabine farm
Is rather dear!--I'm sure I mean no harm.

Great men have always scorn'd great recompenses:
Epaminondas saved his Thebes, and died,
Not leaving even his funeral expenses:
George Washington had thanks and nought beside,
Except the all-cloudless glory (which few men's is
To free his country: Pitt too had his pride,
And as a high-soul'd minister of state is
Renown'd for ruining Great Britain gratis.

Never had mortal man such opportunity,
Except Napoleon, or abused it more:
You might have freed fallen Europe from the unity
Of tyrants, and been blest from shore to shore:
And now--what is your fame? Shall the Muse tune it ye?
Now--that the rabble's first vain shouts are o'er?
Go! hear it in your famish'd country's cries!
Behold the world! and curse your victories!

As these new cantos touch on warlike feats,
To you the unflattering Muse deigns to inscribe
Truths, that you will not read in the Gazettes,
But which 'tis time to teach the hireling tribe
Who fatten on their country's gore, and debts,
Must be recited, and- without a bribe.
You did great things; but not being great in mind,
Have left undone the greatest- and mankind.

Death laughs--Go ponder o'er the skeleton
With which men image out the unknown thing
That hides the past world, like to a set sun
Which still elsewhere may rouse a brighter spring--
Death laughs at all you weep for:--look upon
This hourly dread of all! whose threaten'd sting
Turns life to terror, even though in its sheath:
Mark how its lipless mouth grins without breath!

Mark how it laughs and scorns at all you are!
And yet was what you are: from ear to ear
It laughs not--there is now no fleshy bar
So call'd; the Antic long hath ceased to hear,
But still he smiles; and whether near or far,
He strips from man that mantle (far more dear
Than even the tailor's), his incarnate skin,
White, black, or copper--the dead bones will grin.

And thus Death laughs,--it is sad merriment,
But still it is so; and with such example
Why should not Life be equally content
With his superior, in a smile to trample
Upon the nothings which are daily spent
Like bubbles on an ocean much less ample
Than the eternal deluge, which devours
Suns as rays--worlds like atoms--years like hours?

'To be, or not to be? that is the question,'
Says Shakspeare, who just now is much in fashion.
I am neither Alexander nor Hephaestion,
Nor ever had for abstract fame much passion;
But would much rather have a sound digestion
Than Buonaparte's cancer: could I dash on
Through fifty victories to shame or fame-
Without a stomach what were a good name?

'O dura ilia messorum!'--'Oh
Ye rigid guts of reapers!' I translate
For the great benefit of those who know
What indigestion is--that inward fate
Which makes all Styx through one small liver flow.
A peasant's sweat is worth his lord's estate:
Let this one toil for bread- that rack for rent,
He who sleeps best may be the most content.

'To be, or not to be?'--Ere I decide,
I should be glad to know that which is being?
'T is true we speculate both far and wide,
And deem, because we see, we are all-seeing:
For my part, I 'll enlist on neither side,
Until I see both sides for once agreeing.
For me, I sometimes think that life is death,
Rather than life a mere affair of breath.

'Que scais-je?' was the motto of Montaigne,
As also of the first academicians:
That all is dubious which man may attain,
Was one of their most favourite positions.
There's no such thing as certainty, that's plain
As any of Mortality's conditions;
So little do we know what we're about in
This world, I doubt if doubt itself be doubting.

It is a pleasant voyage perhaps to float,
Like Pyrrho, on a sea of speculation;
But what if carrying sail capsize the boat?
Your wise men don't know much of navigation;
And swimming long in the abyss of thought
Is apt to tire: a calm and shallow station
Well nigh the shore, where one stoops down and gathers
Some pretty shell, is best for moderate bathers.

'But heaven,' as Cassio says, 'is above all--
No more of this, then,--let us pray!' We have
Souls to save, since Eve's slip and Adam's fall,
Which tumbled all mankind into the grave,
Besides fish, beasts, and birds. 'The sparrow's fall
Is special providence,' though how it gave
Offence, we know not; probably it perch'd
Upon the tree which Eve so fondly search'd.

Oh, ye immortal gods! what is theogony?
Oh, thou too, mortal man! what is philanthropy?
Oh, world! which was and is, what is cosmogony?
Some people have accused me of misanthropy;
And yet I know no more than the mahogany
That forms this desk, of what they mean; lykanthropy
I comprehend, for without transformation
Men become wolves on any slight occasion.

But I, the mildest, meekest of mankind,
Like Moses, or Melancthon, who have ne'er
Done anything exceedingly unkind,--
And (though I could not now and then forbear
Following the bent of body or of mind)
Have always had a tendency to spare,--
Why do they call me misanthrope? Because
They hate me, not I them.--and here we'll pause.

'Tis time we should proceed with our good poem,--
For I maintain that it is really good,
Not only in the body but the proem,
However little both are understood
Just now,--but by and by the Truth will show 'em
Herself in her sublimest attitude:
And till she doth, I fain must be content
To share her beauty and her banishment.

Our hero (and, I trust, kind reader, yours)
Was left upon his way to the chief city
Of the immortal Peter's polish'd boors
Who still have shown themselves more brave than witty.
I know its mighty empire now allures
Much flattery--even Voltaire's, and that's a pity.
For me, I deem an absolute autocrat
Not a barbarian, but much worse than that.

And I will war, at least in words (and--should
My chance so happen--deeds), with all who war
With Thought;--and of Thought's foes by far most rude,
Tyrants and sycophants have been and are.
I know not who may conquer: if I could
Have such a prescience, it should be no bar
To this my plain, sworn, downright detestation
Of every depotism in every nation.

It is not that I adulate the people:
Without me, there are demagogues enough,
And infidels, to pull down every steeple,
And set up in their stead some proper stuff.
Whether they may sow scepticism to reap hell,
As is the Christian dogma rather rough,
I do not know;--I wish men to be free
As much from mobs as kings- from you as me.

The consequence is, being of no party,
I shall offend all parties: never mind!
My words, at least, are more sincere and hearty
Than if I sought to sail before the wind.
He who has nought to gain can have small art: he
Who neither wishes to be bound nor bind,
May still expatiate freely, as will I,
Nor give my voice to slavery's jackal cry.

That's an appropriate simile, that jackal;--
I 've heard them in the Ephesian ruins howl
By night, as do that mercenary pack all,
Power's base purveyors, who for pickings prowl,
And scent the prey their masters would attack all.
However, the poor jackals are less foul
(As being the brave lions' keen providers)
Than human insects, catering for spiders.

Raise but an arm! 'twill brush their web away,
And without that, their poison and their claws
Are useless. Mind, good people! what I say
(Or rather peoples)--go on without pause!
The web of these tarantulas each day
Increases, till you shall make common cause:
None, save the Spanish fly and Attic bee,
As yet are strongly stinging to be free.

Don Juan, who had shone in the late slaughter,
Was left upon his way with the despatch,
Where blood was talk'd of as we would of water;
And carcasses that lay as thick as thatch
O'er silenced cities, merely served to flatter
Fair Catherine's pastime--who look'd on the match
Between these nations as a main of cocks,
Wherein she liked her own to stand like rocks.

And there in a kibitka he roll'd on
(A cursed sort of carriage without springs,
Which on rough roads leaves scarcely a whole bone),
Pondering on glory, chivalry, and kings,
And orders, and on all that he had done--
And wishing that post-horses had the wings
Of Pegasus, or at the least post-chaises
Had feathers, when a traveller on deep ways is.

At every jolt--and they were many--still
He turn'd his eyes upon his little charge,
As if he wish'd that she should fare less ill
Than he, in these sad highways left at large
To ruts, and flints, and lovely Nature's skill,
Who is no paviour, nor admits a barge
On her canals, where God takes sea and land,
Fishery and farm, both into his own hand.

At least he pays no rent, and has best right
To be the first of what we used to call
'Gentlemen farmer'--a race worn out quite,
Since lately there have been no rents at all,
And 'gentlemen' are in a piteous plight,
And 'farmers' can't raise Ceres from her fall:
She fell with Buonaparte--What strange thoughts
Arise, when we see emperors fall with oats!

But Juan turn'd his eyes on the sweet child
Whom he had saved from slaughter--what a trophy
Oh! ye who build up monuments, defiled
With gore, like Nadir Shah, that costive sophy,
Who, after leaving Hindostan a wild,
And scarce to the Mogul a cup of coffee
To soothe his woes withal, was slain, the sinner!
Because he could no more digest his dinner;--

Oh ye! or we! or he! or she! reflect,
That one life saved, especially if young
Or pretty, is a thing to recollect
Far sweeter than the greenest laurels sprung
From the manure of human clay, though deck'd
With all the praises ever said or sung:
Though hymn'd by every harp, unless within
Your heart joins chorus, Fame is but a din.

Oh! ye great authors luminous, voluminous!
Ye twice ten hundred thousand daily scribes!
Whose pamphlets, volumes, newspapers, illumine us!
Whether you're paid by government in bribes,
To prove the public debt is not consuming us--
Or, roughly treading on the 'courtier's kibes'
With clownish heel, your popular circulation
Feeds you by printing half the realm's starvation;--

Oh, ye great authors!--'Apropos des bottes,'--
I have forgotten what I meant to say,
As sometimes have been greater sages' lots;
'Twas something calculated to allay
All wrath in barracks, palaces, or cots:
Certes it would have been but thrown away,
And that's one comfort for my lost advice,
Although no doubt it was beyond all price.

But let it go:--it will one day be found
With other relics of 'a former world,'
When this world shall be former, underground,
Thrown topsy-turvy, twisted, crisp'd, and curl'd,
Baked, fried, or burnt, turn'd inside-out, or drown'd,
Like all the worlds before, which have been hurl'd
First out of, and then back again to chaos,
The superstratum which will overlay us.

So Cuvier says;--and then shall come again
Unto the new creation, rising out
From our old crash, some mystic, ancient strain
Of things destroy'd and left in airy doubt:
Like to the notions we now entertain
Of Titans, giants, fellows of about
Some hundred feet in height, not to say miles,
And mammoths, and your winged crocodiles.

Think if then George the Fourth should be dug up!
How the new worldlings of the then new East
Will wonder where such animals could sup!
(For they themselves will be but of the least:
Even worlds miscarry, when too oft they pup,
And every new creation hath decreased
In size, from overworking the material--
Men are but maggots of some huge Earth's burial.)

How will--to these young people, just thrust out
From some fresh Paradise, and set to plough,
And dig, and sweat, and turn themselves about,
And plant, and reap, and spin, and grind, and sow,
Till all the arts at length are brought about,
Especially of war and taxing,--how,
I say, will these great relics, when they see 'em,
Look like the monsters of a new museum?

But I am apt to grow too metaphysical:
'The time is out of joint,'--and so am I;
I quite forget this poem's merely quizzical,
And deviate into matters rather dry.
I ne'er decide what I shall say, and this I cal
Much too poetical: men should know why
They write, and for what end; but, note or text,
I never know the word which will come next.

So on I ramble, now and then narrating,
Now pondering:--it is time we should narrate.
I left Don Juan with his horses baiting--
Now we 'll get o'er the ground at a great rate.
I shall not be particular in stating
His journey, we 've so many tours of late:
Suppose him then at Petersburgh; suppose
That pleasant capital of painted snows;

Suppose him in a handsome uniform,--
A scarlet coat, black facings, a long plume,
Waving, like sails new shiver'd in a storm,
Over a cock'd hat in a crowded room,
And brilliant breeches, bright as a Cairn Gorme,
Of yellow casimere we may presume,
White stocking drawn uncurdled as new milk
O'er limbs whose symmetry set off the silk;

Suppose him sword by side, and hat in hand,
Made up by youth, fame, and an army tailor-
That great enchanter, at whose rod's command
Beauty springs forth, and Nature's self turns paler,
Seeing how Art can make her work more grand
(When she don't pin men's limbs in like a gaoler),--
Behold him placed as if upon a pillar! He
Seems Love turn'd a lieutenant of artillery:--

His bandage slipp'd down into a cravat;
His wings subdued to epaulettes; his quiver
Shrunk to a scabbard, with his arrows at
His side as a small sword, but sharp as ever;
His bow converted into a cock'd hat;
But still so like, that Psyche were more clever
Than some wives (who make blunders no less stupid),
If she had not mistaken him for Cupid.

The courtiers stared, the ladies whisper'd, and
The empress smiled: the reigning favourite frown'd--
I quite forget which of them was in hand
Just then; as they are rather numerous found,
Who took by turns that difficult command
Since first her majesty was singly crown'd:
But they were mostly nervous six-foot fellows,
All fit to make a Patagonian jealous.

Juan was none of these, but slight and slim,
Blushing and beardless; and yet ne'ertheless
There was a something in his turn of limb,
And still more in his eye, which seem'd to express,
That though he look'd one of the seraphim,
There lurk'd a man beneath the spirit's dress.
Besides, the empress sometimes liked a boy,
And had just buried the fair-faced Lanskoi.

No wonder then that Yermoloff, or Momonoff,
Or Scherbatoff, or any other off
Or on, might dread her majesty had not room enough
Within her bosom (which was not too tough)
For a new flame; a thought to cast of gloom enough
Along the aspect, whether smooth or rough,
Of him who, in the language of his station,
Then held that 'high official situation.'

O, gentle ladies! should you seek to know
The import of this diplomatic phrase,
Bid Ireland's Londonderry's Marquess show
His parts of speech; and in the strange displays
Of that odd string of words, all in a row,
Which none divine, and every one obeys,
Perhaps you may pick out some queer no meaning,
Of that weak wordy harvest the sole gleaning.

I think I can explain myself without
That sad inexplicable beast of prey--
That Sphinx, whose words would ever be a doubt,
Did not his deeds unriddle them each day--
That monstrous hieroglyphic--that long spout
Of blood and water, leaden Castlereagh!
And here I must an anecdote relate,
But luckily of no great length or weight.

An English lady ask'd of an Italian,
What were the actual and official duties
Of the strange thing some women set a value on,
Which hovers oft about some married beauties,
Called 'Cavalier servente?'--a Pygmalion
Whose statues warm (I fear, alas! too true 'tis)
Beneath his art. The dame, press'd to disclose them,
Said--'Lady, I beseech you to suppose them.'

And thus I supplicate your supposition,
And mildest, matron-like interpretation,
Of the imperial favourite's condition.
'T was a high place, the highest in the nation
In fact, if not in rank; and the suspicion
Of any one's attaining to his station,
No doubt gave pain, where each new pair of shoulders,
If rather broad, made stocks rise and their holders.

Juan, I said, was a most beauteous boy,
And had retain'd his boyish look beyond
The usual hirsute seasons which destroy,
With beards and whiskers, and the like, the fond
Parisian aspect which upset old Troy
And founded Doctors' Commons:--I have conn'd
The history of divorces, which, though chequer'd,
Calls Ilion's the first damages on record.

And Catherine, who loved all things (save her lord,
Who was gone to his place), and pass'd for much
Admiring those (by dainty dames abhorr'd)
Gigantic gentlemen, yet had a touch
Of sentiment; and he she most adored
Was the lamented Lanskoi, who was such
A lover as had cost her many a tear,
And yet but made a middling grenadier.

Oh thou 'teterrima causa' of all 'belli'--
Thou gate of life and death--thou nondescript!
Whence is our exit and our entrance,--well I
May pause in pondering how all souls are dipt
In thy perennial fountain:--how man fell I
Know not, since knowledge saw her branches stript
Of her first fruit; but how he falls and rises
Since, thou hast settled beyond all surmises.

Some call thee 'the worst cause of war,' but I
Maintain thou art the best: for after all
From thee we come, to thee we go, and why
To get at thee not batter down a wall,
Or waste a world? since no one can deny
Thou dost replenish worlds both great and small:
With, or without thee, all things at a stand
Are, or would be, thou sea of life's dry land!

Catherine, who was the grand epitome
Of that great cause of war, or peace, or what
You please (it causes all the things which be,
So you may take your choice of this or that)--
Catherine, I say. was very glad to see
The handsome herald, on whose plumage sat
Victory; and pausing as she saw him kneel
With his despatch, forgot to break the seal.

Then recollecting the whole empress, nor
forgetting quite the woman (which composed
At least three parts of this great whole), she tore
The letter open with an air which posed
The court, that watch'd each look her visage wore,
Until a royal smile at length disclosed
Fair weather for the day. Though rather spacious,
Her face was noble, her eyes fine, mouth gracious.

Great joy was hers, or rather joys: the first
Was a ta'en city, thirty thousand slain.
Glory and triumph o'er her aspect burst,
As an East Indian sunrise on the main.
These quench'd a moment her ambition's thirst--
So Arab deserts drink in summer's rain:
In vain!- As fall the dews on quenchless sands,
Blood only serves to wash Ambition's hands!

Her next amusement was more fanciful;
She smiled at mad Suwarrow's rhymes, who threw
Into a Russian couplet rather dull
The whole gazette of thousands whom he slew.
Her third was feminine enough to annul
The shudder which runs naturally through
Our veins, when things call'd sovereigns think it best
To kill, and generals turn it into jest.

The two first feelings ran their course complete,
And lighted first her eye, and then her mouth:
The whole court look'd immediately most sweet,
Like flowers well water'd after a long drouth.
But when on the lieutenant at her feet
Her majesty, who liked to gaze on youth
Almost as much as on a new despatch,
Glanced mildly, all the world was on the watch.

Though somewhat large, exuberant, and truculent,
When wroth- while pleased, she was as fine a figure
As those who like things rosy, ripe, and succulent,
Would wish to look on, while they are in vigour.
She could repay each amatory look you lent
With interest, and in turn was wont with rigour
To exact of Cupid's bills the full amount
At sight, nor would permit you to discount.

With her the latter, though at times convenient,
Was not so necessary; for they tell
That she was handsome, and though fierce look'd lenient,
And always used her favourites too well.
If once beyond her boudoir's precincts in ye went,
Your 'fortune' was in a fair way 'to swell
A man' (as Giles says); for though she would widow all
Nations, she liked man as an individual.

What a strange thing is man? and what a stranger
Is woman! What a whirlwind is her head,
And what a whirlpool full of depth and danger
Is all the rest about her! Whether wed
Or widow, maid or mother, she can change her
Mind like the wind: whatever she has said
Or done, is light to what she'll say or do;--
The oldest thing on record, and yet new!

Oh Catherine! (for of all interjections,
To thee both oh! and ah! belong of right
In love and war) how odd are the connections
Of human thoughts, which jostle in their flight!
Just now yours were cut out in different sections:
First Ismail's capture caught your fancy quite;
Next of new knights, the fresh and glorious batch;
And thirdly he who brought you the despatch!

Shakspeare talks of 'the herald Mercury
New lighted on a heaven-kissing hill;'
And some such visions cross'd her majesty,
While her young herald knelt before her still.
'Tis very true the hill seem'd rather high,
For a lieutenant to climb up; but skill
Smooth'd even the Simplon's steep, and by God's blessing
With youth and health all kisses are 'heaven-kissing.'

Her majesty look'd down, the youth look'd up--
And so they fell in love;--she with his face,
His grace, his God-knows-what: for Cupid's cup
With the first draught intoxicates apace,
A quintessential laudanum or 'black drop,'
Which makes one drunk at once, without the base
Expedient of full bumpers; for the eye
In love drinks all life's fountains (save tears) dry.

He, on the other hand, if not in love,
Fell into that no less imperious passion,
Self-love- which, when some sort of thing above
Ourselves, a singer, dancer, much in fashion,
Or duchess, princess, empress, 'deigns to prove'
('Tis Pope's phrase) a great longing, though a rash one,
For one especial person out of many,
Makes us believe ourselves as good as any.

Besides, he was of that delighted age
Which makes all female ages equal--when
We don't much care with whom we may engage,
As bold as Daniel in the lion's den,
So that we can our native sun assuage
In the next ocean, which may flow just then,
To make a twilight in, just as Sol's heat is
Quench'd in the lap of the salt sea, or Thetis.

And Catherine (we must say thus much for Catherine),
Though bold and bloody, was the kind of thing
Whose temporary passion was quite flattering,
Because each lover look'd a sort of king,
Made up upon an amatory pattern,
A royal husband in all save the ring--
Which, being the damn'dest part of matrimony,
Seem'd taking out the sting to leave the honey.

And when you add to this, her womanhood
In its meridian, her blue eyes or gray
(The last, if they have soul, are quite as good,
Or better, as the best examples say:
Napoleon's, Mary's (queen of Scotland), should
Lend to that colour a transcendent ray;
And Pallas also sanctions the same hue,
Too wise to look through optics black or blue)--

Her sweet smile, and her then majestic figure,
Her plumpness, her imperial condescension,
Her preference of a boy to men much bigger
(Fellows whom Messalina's self would pension),
Her prime of life, just now in juicy vigour,
With other extras, which we need not mention,--
All these, or any one of these, explain
Enough to make a stripling very vain.

And that's enough, for love is vanity,
Selfish in its beginning as its end,
Except where 't is a mere insanity,
A maddening spirit which would strive to blend
Itself with beauty's frail inanity,
On which the passion's self seems to depend:
And hence some heathenish philosophers
Make love the main spring of the universe.

Besides Platonic love, besides the love
Of God, the love of sentiment, the loving
Of faithful pairs (I needs must rhyme with dove,
That good old steam-boat which keeps verses moving
'Gainst reason--Reason ne'er was hand-and-glove
With rhyme, but always leant less to improving
The sound than sense)--beside all these pretences
To love, there are those things which words name senses;

Those movements, those improvements in our bodies
Which make all bodies anxious to get out
Of their own sand-pits, to mix with a goddess,
For such all women are at first no doubt.
How beautiful that moment! and how odd is
That fever which precedes the languid rout
Of our sensations! What a curious way
The whole thing is of clothing souls in clay!

The noblest kind of love is love Platonical,
To end or to begin with; the next grand
Is that which may be christen'd love canonical,
Because the clergy take the thing in hand;
The third sort to be noted in our chronicle
As flourishing in every Christian land,
Is when chaste matrons to their other ties
Add what may be call'd marriage in disguise.

Well, we won't analyse--our story must
Tell for itself: the sovereign was smitten,
Juan much flatter'd by her love, or lust;-
I cannot stop to alter words once written,
And the two are so mix'd with human dust,
That he who names one, both perchance may hit on:
But in such matters Russia's mighty empress
Behaved no better than a common sempstress.

The whole court melted into one wide whisper,
And all lips were applied unto all ears!
The elder ladies' wrinkles curl'd much crisper
As they beheld; the younger cast some leers
On one another, and each lovely lisper
Smiled as she talk'd the matter o'er; but tears
Of rivalship rose in each clouded eye
Of all the standing army who stood by.

All the ambassadors of all the powers
Enquired, Who was this very new young man,
Who promised to be great in some few hours?
Which is full soon--though life is but a span.
Already they beheld the silver showers
Of rubles rain, as fast as specie can,
Upon his cabinet, besides the presents
Of several ribands, and some thousand peasants.

Catherine was generous,--all such ladies are:
Love, that great opener of the heart and all
The ways that lead there, be they near or far,
Above, below, by turnpikes great or small,--
Love (though she had a cursed taste for war,
And was not the best wife, unless we call
Such Clytemnestra, though perhaps 't is better
That one should die, than two drag on the fetter)--

Love had made Catherine make each lover's fortune,
Unlike our own half-chaste Elizabeth,
Whose avarice all disbursements did importune,
If history, the grand liar, ever saith
The truth; and though grief her old age might shorten,
Because she put a favourite to death,
Her vile, ambiguous method of flirtation,
And stinginess, disgrace her sex and station.

But when the levee rose, and all was bustle
In the dissolving circle, all the nations'
Ambassadors began as 'twere to hustle
Round the young man with their congratulations.
Also the softer silks were heard to rustle
Of gentle dames, among whose recreations
It is to speculate on handsome faces,
Especially when such lead to high places.

Juan, who found himself, he knew not how,
A general object of attention, made
His answers with a very graceful bow,
As if born for the ministerial trade.
Though modest, on his unembarrass'd brow
Nature had written 'gentleman.' He said
Little, but to the purpose; and his manner
Flung hovering graces o'er him like a banner.

An order from her majesty consign'd
Our young lieutenant to the genial care
Of those in office: all the world look'd kind
(As it will look sometimes with the first stare,
Which youth would not act ill to keep in mind),
As also did Miss Protasoff then there,
Named from her mystic office 'l'Eprouveuse,'
A term inexplicable to the Muse.

With her then, as in humble duty bound,
Juan retired,--and so will I, until
My Pegasus shall tire of touching ground.
We have just lit on a 'heaven-kissing hill,'
So lofty that I feel my brain turn round,
And all my fancies whirling like a mill;
Which is a signal to my nerves and brain,
To take a quiet ride in some green Lane.

I
When Bishop Berkeley said "there was no matter,"
And proved it--'twas no matter what he sald:
They say his system 'tis in vain to batter,
Too subtle for the airiest human head;
And yet who can believe it! I would shatter
Gladly all matters down to stone or lead,
Or adamant, to find the World a spirit,
And wear my head, denying that I wear it.II
What a sublime discovery 'twas to make the
Universe universal egotism,
That all's ideal--all ourselves: I'll stake the
World (be it what you will) that that's no schism.
Oh Doubt!--if thou be'st Doubt, for which some take thee,
But which I doubt extremely--thou sole prism
Of the Truth's rays, spoil not my draught of spirit!
Heaven's brandy, though our brain can hardly bear it.III

For ever and anon comes Indigestion
(Not the most "dainty Ariel") and perplexes
Our soarings with another sort of question:
And that which after all my spirit vexes,
Is, that I find no spot where Man can rest eye on,
Without confusion of the sorts and sexes,
Of beings, stars, and this unriddled wonder,
The World, which at the worst's a glorious blunder--IV

If it be chance--or, if it be according
To the Old Text, still better: lest it should
Turn out so, we'll say nothing 'gainst the wording,
As several people think such hazards rude.
They're right; our days are too brief for affording
Space to dispute what no one ever could
Decide, and everybody one day will
Know very clearly--or at least lie still.V

And therefore will I leave off metaphysical
Discussion, which is neither here nor there:
If I agree that what is, is; then this I call
Being quite perspicuous and extremely fair.
The truth is, I've grown lately rather phthisical:
I don't know what the reason is--the air
Perhaps; but as I suffer from the shocks
Of illness, I grow much more orthodox.VI

The first attack at once prov'd the Divinity
(But that I never doubted, nor the Devil);
The next, the Virgin's mystical virginity;
The third, the usual Origin of Evil;
The fourth at once establish'd the whole Trinity
On so uncontrovertible a level,
That I devoutly wish'd the three were four--
On purpose to believe so much the more.VII

To our theme.--The man who has stood on the Acropolis,
And look'd down over Attica; or he
Who has sail'd where picturesque Constantinople is,
Or seen Timbuctoo, or hath taken tea
In small-ey'd China's crockery-ware metropolis,
Or sat amidst the bricks of Nineveh,
May not think much of London's first appearance--
But ask him what he thinks of it a year hence!VIII

Don Juan had got out on Shooter's Hill;
Sunset the time, the place the same declivity
Which looks along that vale of good and ill
Where London streets ferment in full activity,
While everything around was calm and still,
Except the creak of wheels, which on their pivot he
Heard, and that bee-like, bubbling, busy hum
Of cities, that boil over with their scum--IX

I say, Don Juan, wrapp'd in contemplation,
Walk'd on behind his carriage, o'er the summit,
And lost in wonder of so great a nation,
Gave way to't, since he could not overcome it.
"And here," he cried, "is Freedom's chosen station;
Here peals the People's voice nor can entomb it
Racks, prisons, inquisitions; resurrection
Awaits it, each new meeting or election.X

"Here are chaste wives, pure lives; her people pay
But what they please; and if that things be dear,
'Tis only that they love to throw away
Their cash, to show how much they have a-year.
Here laws are all inviolate; none lay
Traps for the traveller; every highway's clear;
Here"--he was interrupted by a knife,
With--"Damn your eyes! your money or your life!"XI

These free-born sounds proceeded from four pads
In ambush laid, who had perceiv'd him loiter
Behind his carriage; and, like handy lads,
Had seiz'd the lucky hour to reconnoitre,
In which the heedless gentleman who gads
Upon the road, unless he prove a fighter
May find himself within that isle of riches
Expos'd to lose his life as well as breeches.XII

Juan, who did not understand a word
Of English, save their shibboleth, "God damn!"
And even that he had so rarely heard,
He sometimes thought 'twas only their Salam,"
Or "God be with you!"--and 'tis not absurd
To think so, for half English as I am
(To my misfortune) never can I say
I heard them wish "God with you," save that way--XIII

Juan yet quickly understood their gesture,
And being somewhat choleric and sudden,
Drew forth a pocket pistol from his vesture,
And fired it into one assailant's pudding,
Who fell, as rolls an ox o'er in his pasture,
And roar'd out, as he writh'd his native mud in,
Unto his nearest follower or henchman,
"Oh Jack! I'm floor'd by that ere bloody Frenchman!"XIV


On which Jack and his train set off at speed,
And Juan's suite, late scatter'd at a distance,
Came up, all marvelling at such a deed,
And offering, as usual, late assistance.
Juan, who saw the moon's late minion bleed
As if his veins would pour out his existence,
Stood calling out for bandages and lint,
And wish'd he had been less hasty with his flint.XV


"Perhaps,"thought he,"it is the country's wont
To welcome foreigners in this way: now
I recollect some innkeepers who don't
Differ, except in robbing with a bow,
In lieu of a bare blade and brazen front.
But what is to be done? I can't allow
The fellow to lie groaning on the road:
So take him up, I'll help you with the load."XVI


But ere they could perform this pious duty,
The dying man cried, "Hold! I've got my gruel!
Oh! for a glass of max ! We've miss'd our booty--
Let me die where I am!" And as the fuel
Of life shrunk in his heart, and thick and sooty
The drops fell from his death-wound, and he drew ill
His breath, he from his swelling throat untied
A kerchief, crying "Give Sal that!"--and died.XVII


The cravat stain'd with bloody drops fell down
Before Don Juan's feet: he could not tell
Exactly why it was before him thrown,
Nor what the meaning of the man's farewell.
Poor Tom was once a kiddy upon town,
A thorough varmint, and a real swell,
Full flash, all fancy, until fairly diddled,
His pockets first and then his body riddled.XVIII


Don Juan, having done the best he could
In all the circumstances of the case,
As soon as "Crowner's 'quest" allow'd, pursu'd
His travels to the capital apace;
Esteeming it a little hard he should
In twelve hours' time, and very little space,
Have been oblig'd to slay a free-born native
In self-defence: this made him meditative.XIX


He from the world had cut off a great man,
Who in his time had made heroic bustle.
Who in a row like Tom could lead the van,
Booze in the ken, or at the spellken hustle?
Who queer a flat? Who (spite of Bowstreet's ban)
On the high toby-spice so flash the muzzle?
Who on a lark, with black-eyed Sal (his blowing),
So prime, so swell, so nutty, and so knowing?XX


But Tom's no more--and so no more of Tom.
Heroes must die; and by God's blessing 'tis
Not long before the most of them go home.
Hail! Thamis, hail! Upon thy verge it is
That Juan's chariot, rolling like a drum
In thunder, holds the way it can't well miss,
Through Kennington and all the other "tons,"
Which make us wish ourselves in town at once;XXI


Through Groves, so called as being void of trees,
(Like lucus from no light); through prospects nam'd
Mount Pleasant, as containing nought to please,
Nor much to climb; through little boxes fram'd
Of bricks, to let the dust in at your ease,
With "To be let," upon their doors proclaim'd;
Through "Rows" most modestly call'd "Paradise,"
Which Eve might quit without much sacrifice;XXII


Through coaches, drays, chok'd turnpikes, and a whirl
Of wheels, and roar of voices, and confusion;
Here taverns wooing to a pint of "purl,"
There mails fast flying off like a delusion;
There barbers' blocks with periwigs in curl
In windows; here the lamplighter's infusion
Slowly distill'd into the glimmering glass
(For in those days we had not got to gas);XXIII


Through this, and much, and more, is the approach
Of travellers to mighty Babylon:
Whether they come by horse, or chaise, or coach,
With slight exceptions, all the ways seem one.
I could say more, but do not choose to encroach
Upon the guide-book's privilege. The sun
Had set some time, and night was on the ridge
Of twilight, as the party cross'd the bridge.XXIV


That's rather fine, the gentle sound of Thamis--
Who vindicates a moment, too, his stream--
Though hardly heard through multifarious "damme's":
The lamps of Westminster's more regular gleam,
The breadth of pavement, and yon shrine where Fame is
A spectral resident--whose pallid beam
In shape of moonshine hovers o'er the pile--
Make this a sacred part of Albion's Isle.XXV


The Druid's groves are gone--so much the better:
Stonehenge is not--but what the devil is it?--
But Bedlam still exists with its sage fetter,
That madmen may not bite you on a visit;
The Bench too seats or suits full many a debtor;
The Mansion House too (though some people quiz it)
To me appears a stiff yet grand erection;
But then the Abbey's worth the whole collection.XXVI


The line of lights too, up to Charing Cross,
Pall Mall, and so forth, have a coruscation
Like gold as in comparison to dross,
Match'd with the Continent's illumination,
Whose cities Night by no means deigns to gloss.
The French were not yet a lamp-lighting nation,
And when they grew so--on their new-found lantern,
Instead of wicks, they made a wicked man turn.XXVII


A row of Gentlemen along the streets
Suspended may illuminate mankind,
As also bonfires made of country seats;
But the old way is best for the purblind:
The other looks like phosphorus on sheets,
A sort of [lang l]ignis fatuus[lang e] to the mind,
Which, though 'tis certain to perplex and frighten,
Must burn more mildly ere it can enlighten.XXVIII


But London's so well lit, that if Diogenes
Could recommence to hunt his honest man
And found him not amidst the various progenies
Of this enormous city's spreading spawn,
'Twere not for want of lamps to aid his dodging his
Yet undiscover'd treasure. What I can,
I've done to find the same throughout life's journey,
But see the World is only one attorney.XXIX


Over the stones still rattling, up Pall Mall,
Through crowds and carriages, but waxing thinner
As thunder'd knockers broke the long seal'd spell
Of doors 'gainst duns, and to an early dinner
Admitted a small party as night fell,
Don Juan, our young diplomatic sinner,
Pursu'd his path, and drove past some hotels,
St. James's Palace, and St. James's "Hells."XXX


They reach'd the hotel: forth stream'd from the front door
A tide of well-clad waiters, and around
The mob stood, and as usual several score
Of those pedestrian Paphians who abound
In decent London when the daylight's o'er;
Commodious but immoral, they are found
Useful, like Malthus, in promoting marriage:
But Juan now is stepping from his carriageXXXI


Into one of the sweetest of hotels,
Especially for foreigners--and mostly
For those whom favour or whom fortune swells,
And cannot find a bill's small items costly.
There many an envoy either dwelt or dwells
(The den of many a diplomatic lost lie),
Until to some conspicuous square they pass,
And blazon o'er the door their names in brass.XXXII


Juan, whose was a delicate commission,
Private, though publicly important, bore
No title to point out with due precision
The exact affair on which he was sent o'er.
'Twas merely known, that on a secret mission
A foreigner of rank had grac'd our shore,
Young, handsome and accomplish'd, who was said
(In whispers) to have turn'd his Sovereign's head.XXXIII


Some rumour also of some strange adventures
Had gone before him, and his wars and loves;
And as romantic heads are pretty painters,
And, above all, an Englishwoman's roves
Into the excursive, breaking the indentures
Of sober reason, wheresoe'er it moves,
He found himself extremely in the fashion,
Which serves our thinking people for a passion.XXXIV


I don't mean that they are passionless, but quite
The contrary; but then 'tis in the head;
Yet as the consequences are as bright
As if they acted with the heart instead,
What after all can signify the site
Of ladies' lucubrations? So they lead
In safety to the place for which you start,
What matters if the road be head or heart?XXXV


Juan presented in the proper place,
To proper placement, every Russ credential;
And was receiv'd with all the due grimace
By those who govern in the mood potential,
Who, seeing a handsome stripling with smooth face,
Thought (what in state affairs is most essential)
That they as easily might do the youngster,
As hawks may pounce upon a woodland songster.XXXVI


They err'd, as aged men will do; but by
And by we'll talk of that; and if we don't,
'T will be because our notion is not high
Of politicians and their double front,
Who live by lies, yet dare not boldly lie:
Now, what I love in women is, they won't
Or can't do otherwise than lie, but do it
So well, the very truth seems falsehood to it.XXXVII


And, after all, what is a lie? 'Tis but
The truth in masquerade; and I defy
Historians, heroes, lawyers, priests, to put
A fact without some leaven of a lie.
The very shadow of true Truth would shut
Up annals, revelations, poesy,
And prophecy--except it should be dated
Some years before the incidents related.XXXVIII


Prais'd be all liars and all lies! Who now
Can tax my mild Muse with misanthropy?
She rings the World's "Te Deum," and her brow
Blushes for those who will not: but to sigh
Is idle; let us like most others bow,
Kiss hands, feet, any part of Majesty,
After the good example of "Green Erin,"
Whose shamrock now seems rather worse for wearing.XXXIX


Don Juan was presented, and his dress
And mien excited general admiration;
I don't know which was more admir'd or less:
One monstrous diamond drew much observation,
Which Catherine in a moment of "ivresse"
(In love or brandy's fervent fermentation)
Bestow'd upon him, as the public learn'd;
And, to say truth, it had been fairly earn'd.XL


Besides the ministers and underlings,
Who must be courteous to the accredited
Diplomatists of rather wavering kings,
Until their royal riddle's fully read,
The very clerks--those somewhat dirty springs
Of Office, or the House of Office, fed
By foul corruption into streams--even they
Were hardly rude enough to earn their pay.XLI


And insolence no doubt is what they are
Employ'd for, since it is their daily labour,
In the dear offices of peace or war;
And should you doubt, pray ask of your next neighbour,
When for a passport, or some other bar
To freedom, he applied (a grief and a bore),
If he found not this spawn of tax-born riches,
Like lap-dogs, the least civil sons of b{-}{-}{-}{-}{-}s.XLII


But Juan was receiv'd with much "empressement" --
These phrases of refinement I must borrow
From our next neighbours' land, where, like a chessman,
There is a move set down for joy or sorrow,
Not only in mere talking, but the press. Man
In islands is, it seems, downright and thorough,
More than on continents--as if the sea
(See Billingsgate) made even the tongue more free.XLIII


And yet the British "Damme" 's rather Attic,
Your continental oaths are but incontinent,
And turn on things which no aristocratic
Spirit would name, and therefore even I won't anent
This subject quote; as it would be schismatic
In politesse, and have a sound affronting in 't;
But "Damme" 's quite ethereal, though too daring--
Platonic blasphemy, the soul of swearing.XLIV


For downright rudeness, ye may stay at home;
For true or false politeness (and scarce that
Now) you may cross the blue deep and white foam:
The first the emblem (rarely though) of what
You leave behind, the next of much you come
To meet. However, 'tis no time to chat
On general topics: poems must confine
Themselves to Unity, like this of mine.XLV


In the great world--which, being interpreted,
Meaneth the West or worst end of a city,
And about twice two thousand people bred
By no means to be very wise or witty,
But to sit up while others lie in bed,
And look down on the Universe with pity--
Juan, as an inveterate patrician,
Was well receiv'd by persons of condition.XLVI


He was a bachelor, which is a matter
Of import both to virgin and to bride,
The former's hymeneal hopes to flatter;
And (should she not hold fast by love or pride)
'Tis also of some momemt to the latter:
A rib's a thorn in a wed gallant's side,
Requires decorum, and is apt to double
The horrid sin--and what's still worse the trouble.XLVII


But Juan was a bachelor--of arts,
And parts, and hearts: he danc'd and sung, and had
An air as sentimental as Mozart's
Softest of melodies; and could be sad
Or cheerful, without any "flaws or starts,"
Just at the proper time; and though a lad,
Had seen the world--which is a curious sight,
And very much unlike what people write.XLVIII


Fair virgins blush'd upon him; wedded dames
Bloom'd also in less transitory hues;
For both commodities dwell by the Thames
The painting and the painted; Youth, Ceruse,
Against his heart preferr'd their usual claims,
Such as no gentleman can quite refuse;
Daughters admir'd his dress, and pious mothers
Inquir'd his income, and if he had brothers.XLIX


The milliners who furnish "drapery Misses"
Throughout the season, upon speculation
Of payment ere the Honeymoon's last kisses
Have wan'd into a crescent's coruscation,
Thought such an opportunity as this is,
Of a rich foreigner's initiation,
Not to be overlook'd--and gave such credit,
That future bridegrooms swore, and sigh'd, and paid it.L


The Blues, that tender tribe, who sigh o'er sonnets,
And with the pages of the last Review
Line the interior of their heads or bonnets,
Advanc'd in all their azure's highest hue:
They talk'd bad French or Spanish, and upon its
Late authors ask'd him for a hint or two;
And which was softest, Russian or Castilian?
And whether in his travels he saw Ilion?LI


Juan, who was a little superficial,
And not in literature a great Drawcansir,
Examin'd by this learned and especial
Jury of matrons, scarce knew what to answer:
His duties warlike, loving or official,
His steady application as a dancer,
Had kept him from the brink of Hippocrene,
Which now he found was blue instead of green.LII


However, he replied at hazard, with
A modest confidence and calm assurance,
Which lent his learned lucubrations pith,
And pass'd for arguments of good endurance.
That prodigy, Miss Araminta Smith
(Who at sixteen translated "Hercules Furens"
Into as furious English), with her best look,
Set down his sayings in her common-place book.LIII


Juan knew several languages--as well
He might--and brought them up with skill, in time
To save his fame with each accomplish'd belle,
Who still regretted that he did not rhyme.
There wanted but this requisite to swell
His qualities (with them) into sublime:
Lady Fitz-Frisky, and Miss M{ae}via Mannish,
Both long'd extremely to be sung in Spanish.LIV


However, he did pretty well, and was
Admitted as an aspirant to all
The coteries, and, as in Banquo's glass,
At great assemblies or in parties small,
He saw ten thousand living authors pass,
That being about their average numeral;
Also the eighty "greatest living poets,"
As every paltry magazine can show it's .LV


In twice five years the "greatest living poet,"
Like to the champion in the fisty ring,
Is call'd on to support his claim, or show it,
Although 'tis an imaginary thing,
Even I--albeit I'm sure I did not know it,
Nor sought of foolscap subjects to be king--
Was reckon'd, a considerable time,
The grand Napoleon of the realms of rhyme.LVI


But Juan was my Moscow, and Faliero
My Leipsic, and my Mont Saint Jean seem Cain:
"La Belle Alliance" of dunces down at zero,
Now that the Lion's fall'n, may rise again,
But I will fall at least as fell my hero;
Nor reign at all, or as a monarch reign;
Or to some lonely isle of jailors go,
With turncoat Southey for my turnkey Lowe.LVII


Sir Walter reign'd before me; Moore and Campbell
Before and after; but now grown more holy,
The Muses upon Sion's hill must ramble
With poets almost clergymen, or wholly;
And Pegasus has a psalmodic amble
Beneath the very Reverend Rowley Powley,
Who shoes the glorious animal with stilts,
A modern Ancient Pistol--"by the hilts!"LVIII


Still he excels that artificial hard
Labourer in the same vineyard, though the vine
Yields him but vinegar for his reward--
That neutralis'd dull Dorus of the Nine;
That swarthy Sporus, neither man nor bard;
That ox of verse, who ploughs for every line:
Cambyses' roaring Romans beat at least
The howling Hebrews of Cybele's priest.LIX


Then there's my gentle Euphues, who, they say,
Sets up for being a sort of moral me ;
He'll find it rather difficult some day
To turn out both, or either, it may be.
Some persons think that Coleridge hath the sway;
And Wordsworth has supporters, two or three;
And that deep-mouth'd Bœotian "Savage Landor"
Has taken for a swan rogue Southey's gander.LX


John Keats, who was kill'd off by one critique,
Just as he really promis'd something great,
If not intelligible, without Greek
Contriv'd to talk about the gods of late,
Much as they might have been suppos'd to speak.
Poor fellow! His was an untoward fate;
'Tis strange the mind, that very fiery particle,
Should let itself be snuff'd out by an article.LXI


The list grows long of live and dead pretenders
To that which none will gain--or none will know
The conqueror at least; who, ere Time renders
His last award, will have the long grass grow
Above his burnt-out brain, and sapless cinders.
If I might augur, I should rate but low
Their chances; they're too numerous, like the thirty
Mock tyrants, when Rome's annals wax'd but dirty.LXII


This is the literary lower empire,
Where the pr{ae}torian bands take up the matter;
A "dreadful trade," like his who "gathers samphire,"
The insolent soldiery to soothe and flatter,
With the same feelings as you'd coax a vampire,
Now, were I once at home, and in good satire,
I'd try conclusions with those Janizaries,
And show them what an intellectual war is.LXIII


I think I know a trick or two, would turn
Their flanks; but it is hardly worth my while,
With such small gear to give myself concern:
Indeed I've not the necessary bile;
My natural temper's really aught but stern,
And even my Muse's worst reproof's a smile;
And then she drops a brief and modern curtsy,
And glides away, assur'd she never hurts ye.LXIV


My Juan, whom I left in deadly peril
Amongst live poets and blue ladies, pass'd
With some small profit through that field so sterile,
Being tir'd in time, and, neither least nor last,
Left it before he had been treated very ill;
And henceforth found himself more gaily class'd
Amongst the higher spirits of the day,
The sun's true son, no vapour, but a ray.LXV


His morns he pass'd in business--which dissected,
Was, like all business, a laborious nothing
That leads to lassitude, the most infected
And Centaur-Nessus garb of mortal clothing,
And on our sofas makes us lie dejected,
And talk in tender horrors of our loathing
All kinds of toil, save for our country's good--
Which grows no better, though 'tis time it should.LXVI


His afternoons he pass'd in visits, luncheons,
Lounging and boxing; and the twilight hour
In riding round those vegetable puncheons
Call'd "Parks," where there is neither fruit nor flower
Enough to gratify a bee's slight munchings;
But after all it is the only "bower"
(In Moore's phrase) where the fashionable fair
Can form a slight acquaintance with fresh air.LXVII


Then dress, then dinner, then awakes the world!
Then glare the lamps, then whirl the wheels, then roar
Through street and square fast flashing chariots hurl'd
Like harness'd meteors; then along the floor
Chalk mimics painting; then festoons are twirl'd;
Then roll the brazen thunders of the door,
Which opens to the thousand happy few
An earthly Paradise of "Or Molu."LXVIII


There stands the noble hostess, nor shall sink
With the three-thousandth curtsy; there the waltz,
The only dance which teaches girls to think,
Makes one in love even with its very faults.
Saloon, room, hall, o'erflow beyond their brink,
And long the latest of arrivals halts,
'Midst royal dukes and dames condemn'd to climb,
And gain an inch of staircase at a time.LXIX


Thrice happy he who, after a survey
Of the good company, can win a corner,
A door that's in or boudoir out of the way,
Where he may fix himself like small "Jack Horner,"
And let the Babel round run as it may,
And look on as a mourner, or a scorner,
Or an approver, or a mere spectator,
Yawning a little as the night grows later.LXX


But this won't do, save by and by; and he
Who, like Don Juan, takes an active share
Must steer with care through all that glittering sea
Of gems and plumes and pearls and silks, to where
He deems it is his proper place to be;
Dissolving in the waltz to some soft air,
Or proudlier prancing with mercurial skill,
Where Science marshals forth her own quadrille.LXXI


Or, if he dance not, but hath higher views
Upon an heiress or his neighbour's bride,
Let him take care that that which he pursues
Is not at once too palpably descried.
Full many an eager gentleman oft rues
His haste; impatience is a blundering guide
Amongst a people famous for reflection,
Who like to play the fool with circumspection.LXXII


But, if you can contrive, get next at supper;
Or, if forestalled, get opposite and ogle:
Oh, ye ambrosial moments! always upper
In mind, a sort of sentimental bogle,
Which sits for ever upon Memory's crupper,
The ghost of vanish'd pleasures once in vogue! Ill
Can tender souls relate the rise and fall
Of hopes and fears which shake a single ball.LXXIII


But these precautionary hints can touch
Only the common run, who must pursue,
And watch and ward; whose plans a word too much
Or little overturns; and not the few
Or many (for the number's sometimes such)
Whom a good mien, especially if new,
Or fame, or name, for wit, war, sense or nonsense,
Permits whate'er they please, or did not long since.LXXIV


Our hero, as a hero young and handsome,
Noble, rich, celebrated, and a stranger,
Like other slaves of course must pay his ransom
Before he can escape from so much danger
As will environ a conspicuous man. Some
Talk about poetry, and "rack and manger,"
And ugliness, disease, as toil and trouble--
I wish they knew the life of a young noble.LXXV


They are young, but know not youth--it is anticipated;
Handsome but wasted, rich without a sou;
Their vigour in a thousand arms is dissipated;
Their cash comes from , their wealth goes to a Jew;
Both senates see their nightly votes participated
Between the tyrant's and the tribunes' crew;
And having voted, din'd, drunk, gam'd and whor'd,
The family vault receives another lord.LXXVI


"Where is the World," cries Young, "at eighty ? Where
The World in which a man was born?" Alas!
Where is the world of eight years past? 'Twas there --
I look for it--'tis gone, a Globe of Glass!
Crack'd, shiver'd, vanish'd, scarcely gaz'd on, ere
A silent change dissolves the glittering mass.
Statesmen, chiefs, orators, queens, patriots, kings,
And dandies--all are gone on the wind's wings.LXXVII


Where is Napoleon the Grand? God knows:
Where little Castlereagh? The devil can tell:
Where Grattan, Curran, Sheridan, all those
Who bound the Bar or Senate in their spell?
Where is the unhappy Queen, with all her woes?
And where the Daughter, whom the Isles lov'd well?
Where are those martyr'd saints the Five per Cents?
And where--oh, where the devil are the Rents?LXXVIII


Where's Brummell? Dish'd. Where's Long Pole Wellesley? Diddled.
Where's Whitbread? Romilly? Where's George the Third?
Where is his will? (That's not so soon unriddled.)
And where is "Fum" the Fourth, our "royal bird"?
Gone down, it seems, to Scotland to be fiddled
Unto by Sawney's violin, we have heard:
"Caw me, caw thee"--for six months hath been hatching
This scene of royal itch and loyal scratching.LXXIX


Where is Lord This? And where my Lady That?
The Honourable Mistresses and Misses?
Some laid aside like an old Opera hat,
Married, unmarried, and remarried (this is
An evolution oft perform'd of late).
Where are the Dublin shouts--and London hisses?
Where are the Grenvilles? Turn'd as usual. Where
My friends the Whigs? Exactly where they were.LXXX


Where are the Lady Carolines and Franceses?
Divorc'd or doing thereanent. Ye annals
So brilliant, where the list of routs and dances is,
Thou Morning Post, sole record of the panels
Broken in carriages, and all the phantasies
Of fashion, say what streams now fill those channels?
Some die, some fly, some languish on the Continent,
Because the times have hardly left them one tenant.LXXXI


Some who once set their caps at cautious dukes,
Have taken up at length with younger brothers:
Some heiresses have bit at sharpers' hooks:
Some maids have been made wives, some merely mothers:
Others have lost their fresh and fairy looks:
In short, the list of alterations bothers.
There's little strange in this, but something strange is
The unusual quickness of these common changes.LXXXII


Talk not of seventy years as age! in seven
I have seen more changes, down from monarchs to
The humblest individuals under heaven,
Than might suffice a moderate century through.
I knew that nought was lasting, but now even
Change grows too changeable, without being new:
Nought's permanent among the human race,
Except the Whigs not getting into place.LXXXIII


I have seen Napoleon, who seem'd quite a Jupiter,
Shrink to a Saturn. I have seen a Duke
(No matter which) turn politician stupider,
If that can well be, than his wooden look.
But it is time that I should hoist my "blue Peter,"
And sail for a new theme: I have seen--and shook
To see it--the King hiss'd, and then caress'd;
But don't pretend to settle which was best.LXXXIV


I have seen the Landholders without a rap--
I have seen Joanna Southcote--I have seen
The House of Commons turn'd to a taxtrap--
I have seen that sad affair of the late Queen--
I have seen crowns worn instead of a fool's cap--
I have seen a Congress doing all that's mean--
I have seen some nations, like o'erloaded asses,
Kick off their burthens--meaning the high classes.LXXXV


I have seen small poets, and great prosers, and
Interminable-- not eternal --speakers--
I have seen the funds at war with house and land--
I have seen the country gentlemen turn squeakers--
I have seen the people ridden o'er like sand
By slaves on horseback--I have seen malt liquors
Exchang'd for "thin potations" by John Bull--
I have seen John half detect himself a fool.LXXXVI


But "carpe diem," Juan, "carpe, carpe!"
To-morrow sees another race as gay
And transient, and devour'd by the same harpy.
"Life's a poor player"--then "play out the play,
Ye villains!" and above all keep a sharp eye
Much less on what you do than what you say:
Be hypocritical, be cautious, be
Not what you seem , but always what you see .LXXXVII


But how shall I relate in other cantos
Of what befell our hero in the land,
Which 'tis the common cry and lie to vaunt as
A moral country? But I hold my hand--
For I disdain to write an Atalantis;
But 'tis as well at once to understand,
You are not a moral people, and you know it,
Without the aid of too sincere a poet.LXXXVIII


What Juan saw and underwent shall be
My topic, with of course the due restriction
Which is requir'd by proper courtesy;
And recollect the work is only fiction,
And that I sing of neither mine nor me,
Though every scribe, in some slight turn of diction,
Will hint allusions never meant . Ne'er doubt
This --when I speak, I don't hint , but speak out .LXXXIX


Whether he married with the third or fourth
Offspring of some sage husband-hunting countess,
Or whether with some virgin of more worth
(I mean in Fortune's matrimonial bounties),
He took to regularly peopling Earth,
Of which your lawful, awful wedlock fount is--
Or whether he was taken in for damages,
For being too excursive in his homages--XC


Is yet within the unread events of time.
Thus far, go forth, thou Lay, which I will back
Against the same given quantity of rhyme,
For being as much the subject of attack
As ever yet was any work sublime,
By those who love to say that white is black.
So much the better!--I may stand alone,
But would not change my free thoughts for a throne.

If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss--
But then 'twould spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

'Tis round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it:--when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,--you can't gaze a minute
Without an awful wish to plunge within it.

'Tis true, you don't - but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self--confession,
The lurking bias, be it truth or error,
To the unknown; a secret prepossession,
To plunge with all your fears - but where? You know not,
And that's the reason why you do - or do not.

But what's this to the purpose? you will say.
Gent. reader, nothing; a mere speculation,
For which my sole excuse is - 'tis my way;
Sometimes with and sometimes without occasion
I write what's uppermost, without delay:
This narrative is not meant for narration,
But a mere airy and fantastic basis,
To build up common things with common places.

You know, or don't know, that great Bacon saith,
'Fling up a straw, 'twill show the way the wind blows;'
And such a straw, borne on by human breath,
Is poesy, according as the mind glows;
A paper kite which flies 'twixt life and death,
A shadow which the onward soul behind throws:
And mine's a bubble, not blown up for praise,
But just to play with, as an infant plays.

The world is all before me - or behind;
For I have seen a portion of that same,
And quite enough for me to keep in mind;--
Of passions, too, I have proved enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Until I fairly knock'd it up with rhyme.

I have brought this world about my ears, and eke
The other; that's to say, the clergy, who
Upon my head have bid their thunders break
In pious libels by no means a few.
And yet I can't help scribbling once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

But 'why then publish?'- There are no rewards
Of fame or profit when the world grows weary.
I ask in turn,--Why do you play at cards?
Why drink? Why read?- To make some hour less dreary.
It occupies me to turn back regards
On what I've seen or ponder'd, sad or cheery;
And what I write I cast upon the stream,
To swim or sink - I have had at least my dream.

I think that were I certain of success,
I hardly could compose another line:
So long I've battled either more or less,
That no defeat can drive me from the Nine.
This feeling 'tis not easy to express,
And yet 'tis not affected, I opine.
In play, there are two pleasures for your choosing -
The one is winning, and the other losing.

Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,
Of course with some reserve and slight restriction,
But mostly sings of human things and acts -
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease too she 'd tell a different story.

Love, war, a tempest - surely there 's variety;
Also a seasoning slight of lucubration;
A bird's-eye view, too, of that wild, Society;
A slight glance thrown on men of every station.
If you have nought else, here 's at least satiety
Both in performance and in preparation;
And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

The portion of this world which I at present
Have taken up to fill the following sermon,
Is one of which there's no description recent.
The reason why is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;
A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,
A want of that true nature which sublimes
Whate'er it shows with truth; a smooth monotony
Of character, in those at least who have got any.

Sometimes, indeed, like soldiers off parade,
They break their ranks and gladly leave the drill;
But then the roll-call draws them back afraid,
And they must be or seem what they were: still
Doubtless it is a brilliant masquerade;
But when of the first sight you have had your fill,
It palls - at least it did so upon me,
This paradise of pleasure and ennui.

When we have made our love, and gamed our gaming,
Drest, voted, shone, and, may be, something more;
With dandies dined; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.
Witness those 'ci-devant jeunes hommes' who stem
The stream, nor leave the world which leaveth them.

'Tis said - indeed a general complaint -
That no one has succeeded in describing
The monde, exactly as they ought to paint:
Some say, that authors only snatch, by bribing
The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;
And that their books have but one style in common -
My lady's prattle, filter'd through her woman.

But this can't well be true, just now; for writers
Are grown of the beau monde a part potential:
I've seen them balance even the scale with fighters,
Especially when young, for that's essential.
Why do their sketches fail them as inditers
Of what they deem themselves most consequential,
The real portrait of the highest tribe?
'Tis that, in fact, there's little to describe.

'Haud ignara loquor;' these are Nugae, 'quarum
Pars parva fui,' but still art and part.
Now I could much more easily sketch a harem,
A battle, wreck, or history of the heart,
Than these things; and besides, I wish to spare 'em,
For reasons which I choose to keep apart.
'Vetabo Cereris sacrum qui vulgarit-'
Which means that vulgar people must not share it.

And therefore what I throw off is ideal -
Lower'd, leaven'd, like a history of freemasons;
Which bears the same relation to the real,
As Captain Parry's voyage may do to Jason's.
The grand arcanum's not for men to see all;
My music has some mystic diapasons;
And there is much which could not be appreciated
In any manner by the uninitiated.

Alas! worlds fall - and woman, since she fell'd
The world (as, since that history less polite
Than true, hath been a creed so strictly held)
Has not yet given up the practice quite.
Poor thing of usages! coerced, compell'd,
Victim when wrong, and martyr oft when right,
Condemn'd to child-bed, as men for their sins
Have shaving too entail'd upon their chins,--

A daily plague, which in the aggregate
May average on the whole with parturition.
But as to women, who can penetrate
The real sufferings of their she condition?
Man's very sympathy with their estate
Has much of selfishness, and more suspicion.
Their love, their virtue, beauty, education,
But form good housekeepers, to breed a nation.

All this were very well, and can't be better;
But even this is difficult, Heaven knows,
So many troubles from her birth beset her,
Such small distinction between friends and foes,
The gilding wears so soon from off her fetter,
That - but ask any woman if she'd choose
(Take her at thirty, that is) to have been
Female or male? a schoolboy or a queen?

'Petticoat influence' is a great reproach,
Which even those who obey would fain be thought
To fly from, as from hungry pikes a roach;
But since beneath it upon earth we are brought,
By various joltings of life's hackney coach,
I for one venerate a petticoat-
A garment of a mystical sublimity,
No matter whether russet, silk, or dimity.

Much I respect, and much I have adored,
In my young days, that chaste and goodly veil,
Which holds a treasure, like a miser's hoard,
And more attracts by all it doth conceal-
A golden scabbard on a Damasque sword,
A loving letter with a mystic seal,
A cure for grief - for what can ever rankle
Before a petticoat and peeping ankle?

And when upon a silent, sullen day,
With a sirocco, for example, blowing,
When even the sea looks dim with all its spray,
And sulkily the river's ripple's flowing,
And the sky shows that very ancient gray,
The sober, sad antithesis to glowing,--
'Tis pleasant, if then any thing is pleasant,
To catch a glimpse even of a pretty peasant.

We left our heroes and our heroines
In that fair clime which don't depend on climate,
Quite independent of the Zodiac's signs,
Though certainly more difficult to rhyme at,
Because the sun, and stars, and aught that shines,
Mountains, and all we can be most sublime at,
Are there oft dull and dreary as a dun -
Whether a sky's or tradesman's is all one.

An in-door life is less poetical;
And out of door hath showers, and mists, and sleet,
With which I could not brew a pastoral.
But be it as it may, a bard must meet
All difficulties, whether great or small,
To spoil his undertaking or complete,
And work away like spirit upon matter,
Embarrass'd somewhat both with fire and water.

Juan - in this respect, at least, like saints -
Was all things unto people of all sorts,
And lived contentedly, without complaints,
In camps, in ships, in cottages, or courts -
Born with that happy soul which seldom faints,
And mingling modestly in toils or sports.
He likewise could be most things to all women,
Without the coxcombry of certain she men.

A fox -hunt to a foreigner is strange;
'T is also subject to the double danger
Of tumbling first, and having in exchange
Some pleasant jesting at the awkward stranger:
But Juan had been early taught to range
The wilds, as doth an Arab turn'd avenger,
So that his horse, or charger, hunter, hack,
Knew that he had a rider on his back.

And now in this new field, with some applause,
He clear'd hedge, ditch, and double post, and rail,
And never craned, and made but few 'faux pas,'
And only fretted when the scent 'gan fail.
He broke, 'tis true, some statutes of the laws
Of hunting - for the sagest youth is frail;
Rode o'er the hounds, it may be, now and then,
And once o'er several country gentlemen.

But on the whole, to general admiration
He acquitted both himself and horse: the squires
Marvell'd at merit of another nation;
The boors cried 'Dang it? who'd have thought it?'--Sires,
The Nestors of the sporting generation,
Swore praises, and recall'd their former fires;
The huntsman's self relented to a grin,
And rated him almost a whipper-in.

Such were his trophies--not of spear and shield,
But leaps, and bursts, and sometimes foxes' brushes;
Yet I must own,--although in this I yield
To patriot sympathy a Briton's blushes,--
He thought at heart like courtly Chesterfield,
Who, after a long chase o'er hills, dales, bushes,
And what not, though he rode beyond all price,
Ask'd next day, 'If men ever hunted twice?'

He also had a quality uncommon
To early risers after a long chase,
Who wake in winter ere the cock can summon
December's drowsy day to his dull race,--
A quality agreeable to woman,
When her soft, liquid words run on apace,
Who likes a listener, whether saint or sinner,--
He did not fall asleep just after dinner;

But, light and airy, stood on the alert,
And shone in the best part of dialogue,
By humouring always what they might assert,
And listening to the topics most in vogue;
Now grave, now gay, but never dull or pert;
And smiling but in secret--cunning rogue!
He ne'er presumed to make an error clearer;-
In short, there never was a better hearer.

And then he danced;- all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say, right well,
With emphasis, and also with good sense--
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas--sans flaws--set off our hero,
He glanced like a personified Bolero;

Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The 'tout ensemble' of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.

No marvel then he was a favourite;
A full -grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
Such was his tact, he could alike delight
The chaste, and those who are not so much inspired.
The Duchess of Fitz-Fulke, who loved 'tracasserie,'
Began to treat him with some small 'agacerie.'

She was a fine and somewhat full-blown blonde,
Desirable, distinguish'd, celebrated
For several winters in the grand, grand monde.
I'd rather not say what might be related
Of her exploits, for this were ticklish ground;
Besides there might be falsehood in what's stated:
Her late performance had been a dead set
At Lord Augustus Fitz-Plantagenet.

This noble personage began to look
A little black upon this new flirtation;
But such small licences must lovers brook,
Mere freedoms of the female corporation.
Woe to the man who ventures a rebuke!
'Twill but precipitate a situation
Extremely disagreeable, but common
To calculators when they count on woman.

The circle smiled, then whisper'd, and then sneer'd;
The Misses bridled, and the matrons frown'd;
Some hoped things might not turn out as they fear'd;
Some would not deem such women could be found;
Some ne'er believed one half of what they heard;
Some look'd perplex'd, and others look'd profound;
And several pitied with sincere regret
Poor Lord Augustus Fitz-Plantagenet.

But what is odd, none ever named the duke,
Who, one might think, was something in the affair;
True, he was absent, and, 'twas rumour'd, took
But small concern about the when, or where,
Or what his consort did: if he could brook
Her gaieties, none had a right to stare:
Theirs was that best of unions, past all doubt,
Which never meets, and therefore can't fall out.

But, oh! that I should ever pen so sad a line!
Fired with an abstract love of virtue, she,
My Dian of the Ephesians, Lady Adeline,
Began to think the duchess' conduct free;
Regretting much that she had chosen so bad a line,
And waxing chiller in her courtesy,
Look'd grave and pale to see her friend's fragility,
For which most friends reserve their sensibility.

There's nought in this bad world like sympathy:
'Tis so becoming to the soul and face,
Sets to soft music the harmonious sigh,
And robes sweet friendship in a Brussels lace.
Without a friend, what were humanity,
To hunt our errors up with a good grace?
Consoling us with - 'Would you had thought twice!
Ah, if you had but follow'd my advice!'

O job! you had two friends: one's quite enough,
Especially when we are ill at ease;
They are but bad pilots when the weather's rough,
Doctors less famous for their cures than fees.
Let no man grumble when his friends fall off,
As they will do like leaves at the first breeze:
When your affairs come round, one way or t'other,
Go to the coffee-house, and take another.

But this is not my maxim: had it been,
Some heart-aches had been spared me: yet I care not--
I would not be a tortoise in his screen
Of stubborn shell, which waves and weather wear not.
'Tis better on the whole to have felt and seen
That which humanity may bear, or bear not:
'Twill teach discernment to the sensitive,
And not to pour their ocean in a sieve.

Of all the horrid, hideous notes of woe,
Sadder than owl-songs or the midnight blast,
Is that portentous phrase, 'I told you so,'
Utter'd by friends, those prophets of the past,
Who, 'stead of saying what you now should do,
Own they foresaw that you would fall at last,
And solace your slight lapse 'gainst 'bonos mores,'
With a long memorandum of old stories.

The Lady Adeline's serene severity
Was not confined to feeling for her friend,
Whose fame she rather doubted with posterity,
Unless her habits should begin to mend:
But Juan also shared in her austerity,
But mix'd with pity, pure as e'er was penn'd:
His inexperience moved her gentle ruth,
And (as her junior by six weeks) his youth.

These forty days' advantage of her years--
And hers were those which can face calculation,
Boldly referring to the list of peers
And noble births, nor dread the enumeration--
Gave her a right to have maternal fears
For a young gentleman's fit education,
Though she was far from that leap year, whose leap,
In female dates, strikes Time all of a heap.

This may be fix'd at somewhere before thirty--
Say seven-and-twenty; for I never knew
The strictest in chronology and virtue
Advance beyond, while they could pass for new.
O Time! why dost not pause? Thy scythe, so dirty
With rust, should surely cease to hack and hew.
Reset it; shave more smoothly, also slower,
If but to keep thy credit as a mower.

But Adeline was far from that ripe age,
Whose ripeness is but bitter at the best:
'Twas rather her experience made her sage,
For she had seen the world and stood its test,
As I have said in--I forget what page;
My Muse despises reference, as you have guess'd
By this time;--but strike six from seven -and -twenty,
And you will find her sum of years in plenty.

At sixteen she came out; presented, vaunted,
She put all coronets into commotion:
At seventeen, too, the world was still enchanted
With the new Venus of their brilliant ocean:
At eighteen, though below her feet still panted
A hecatomb of suitors with devotion,
She had consented to create again
That Adam, call'd 'The happiest of men.'

Since then she had sparkled through three glowing winters,
Admired, adored; but also so correct,
That she had puzzled all the acutest hinters,
Without the apparel of being circumspect:
They could not even glean the slightest splinters
From off the marble, which had no defect.
She had also snatch'd a moment since her marriage
To bear a son and heir - and one miscarriage.

Fondly the wheeling fire-flies flew around her,
Those little glitterers of the London night;
But none of these possess'd a sting to wound her -
She was a pitch beyond a coxcomb's flight.
Perhaps she wish'd an aspirant profounder;
But whatsoe'er she wish'd, she acted right;
And whether coldness, pride, or virtue dignify
A woman, so she's good, what does it signify?

I hate a motive, like a lingering bottle
Which with the landlord makes too long a stand,
Leaving all-claretless the unmoisten'd throttle,
Especially with politics on hand;
I hate it, as I hate a drove of cattle,
Who whirl the dust as simooms whirl the sand;
I hate it, as I hate an argument,
A laureate's ode, or servile peer's 'content.'

'Tis sad to hack into the roots of things,
They are so much intertwisted with the earth;
So that the branch a goodly verdure flings,
I reck not if an acorn gave it birth.
To trace all actions to their secret springs
Would make indeed some melancholy mirth;
But this is not at present my concern,
And I refer you to wise Oxenstiern.

With the kind view of saving an eclat,
Both to the duchess and diplomatist,
The Lady Adeline, as soon's she saw
That Juan was unlikely to resist
(For foreigners don't know that a faux pas
In England ranks quite on a different list
From those of other lands unblest with juries,
Whose verdict for such sin a certain cure is);-

The Lady Adeline resolved to take
Such measures as she thought might best impede
The farther progress of this sad mistake.
She thought with some simplicity indeed;
But innocence is bold even at the stake,
And simple in the world, and doth not need
Nor use those palisades by dames erected,
Whose virtue lies in never being detected.

It was not that she fear'd the very worst:
His Grace was an enduring, married man,
And was not likely all at once to burst
Into a scene, and swell the clients' clan
Of Doctors' Commons: but she dreaded first
The magic of her Grace's talisman,
And next a quarrel (as he seem'd to fret)
With Lord Augustus Fitz-Plantagenet.

Her Grace, too, pass'd for being an intrigante,
And somewhat mechante in her amorous sphere;
One of those pretty, precious plagues, which haunt
A lover with caprices soft and dear,
That like to make a quarrel, when they can't
Find one, each day of the delightful year;
Bewitching, torturing, as they freeze or glow,
And - what is worst of all - won't let you go:

The sort of thing to turn a young man's head,
Or make a Werter of him in the end.
No wonder then a purer soul should dread
This sort of chaste liaison for a friend;
It were much better to be wed or dead,
Than wear a heart a woman loves to rend.
'T is best to pause, and think, ere you rush on,
If that a 'bonne fortune' be really 'bonne.'

And first, in the o'erflowing of her heart,
Which really knew or thought it knew no guile,
She call'd her husband now and then apart,
And bade him counsel Juan. With a smile
Lord Henry heard her plans of artless art
To wean Don Juan from the siren's wile;
And answer'd, like a statesman or a prophet,
In such guise that she could make nothing of it.

Firstly, he said, 'he never interfered
In any body's business but the king's:'
Next, that 'he never judged from what appear'd,
Without strong reason, of those sort of things:'
Thirdly, that 'Juan had more brain than beard,
And was not to be held in leading strings;'
And fourthly, what need hardly be said twice,
'That good but rarely came from good advice.'

And, therefore, doubtless to approve the truth
Of the last axiom, he advised his spouse
To leave the parties to themselves, forsooth -
At least as far as bienseance allows:
That time would temper Juan's faults of youth;
That young men rarely made monastic vows;
That opposition only more attaches -
But here a messenger brought in despatches:

And being of the council call'd 'the Privy,'
Lord Henry walk'd into his cabinet,
To furnish matter for some future Livy
To tell how he reduced the nation's debt;
And if their full contents I do not give ye,
It is because I do not know them yet;
But I shall add them in a brief appendix,
To come between mine epic and its index.

But ere he went, he added a slight hint,
Another gentle common-place or two,
Such as are coin'd in conversation's mint,
And pass, for want of better, though not new:
Then broke his packet, to see what was in 't,
And having casually glanced it through,
Retired; and, as went out, calmly kiss'd her,
Less like a young wife than an aged sister.

He was a cold, good, honourable man,
Proud of his birth, and proud of every thing;
A goodly spirit for a state divan,
A figure fit to walk before a king;
Tall, stately, form'd to lead the courtly van
On birthdays, glorious with a star and string;
The very model of a chamberlain--
And such I mean to make him when I reign.

But there was something wanting on the whole--
I don't know what, and therefore cannot tell--
Which pretty women--the sweet souls!--call soul.
Certes it was not body; he was well
Proportion'd, as a poplar or a pole,
A handsome man, that human miracle;
And in each circumstance of love or war
Had still preserved his perpendicular.

Still there was something wanting, as I've said -
That undefinable 'Je ne scais quoi,'
Which, for what I know, may of yore have led
To Homer's Iliad, since it drew to Troy
The Greek Eve, Helen, from the Spartan's bed;
Though on the whole, no doubt, the Dardan boy
Was much inferior to King Menelaus:-
But thus it is some women will betray us.

There is an awkward thing which much perplexes,
Unless like wise Tiresias we had proved
By turns the difference of the several sexes;
Neither can show quite how they would be loved.
The sensual for a short time but connects us,
The sentimental boasts to be unmoved;
But both together form a kind of centaur,
Upon whose back 'tis better not to venture.

A something all-sufficient for the heart
Is that for which the sex are always seeking:
But how to fill up that same vacant part?
There lies the rub--and this they are but weak in.
Frail mariners afloat without a chart,
They run before the wind through high seas breaking;
And when they have made the shore through every shock,
'Tis odd, or odds, it may turn out a rock.

There is a flower call'd 'Love in Idleness,'
For which see Shakspeare's everblooming garden;-
I will not make his great description less,
And beg his British godship's humble pardon,
If in my extremity of rhyme's distress,
I touch a single leaf where he is warden;-
But though the flower is different, with the French
Or Swiss Rousseau, cry 'Voila la Pervenche!'

Eureka! I have found it! What I mean
To say is, not that love is idleness,
But that in love such idleness has been
An accessory, as I have cause to guess.
Hard labour's an indifferent go-between;
Your men of business are not apt to express
Much passion, since the merchant-ship, the Argo,
Convey'd Medea as her supercargo.

'Beatus ille procul!' from 'negotiis,'
Saith Horace; the great little poet's wrong;
His other maxim, 'Noscitur a sociis,'
Is much more to the purpose of his song;
Though even that were sometimes too ferocious,
Unless good company be kept too long;
But, in his teeth, whate'er their state or station,
Thrice happy they who have an occupation!

Adam exchanged his Paradise for ploughing,
Eve made up millinery with fig leaves -
The earliest knowledge from the tree so knowing,
As far as I know, that the church receives:
And since that time it need not cost much showing,
That many of the ills o'er which man grieves,
And still more women, spring from not employing
Some hours to make the remnant worth enjoying.

And hence high life is oft a dreary void,
A rack of pleasures, where we must invent
A something wherewithal to be annoy'd.
Bards may sing what they please about Content;
Contented, when translated, means but cloy'd;
And hence arise the woes of sentiment,
Blue devils, and blue -stockings, and romances
Reduced to practice, and perform'd like dances.

I do declare, upon an affidavit,
Romances I ne'er read like those I have seen;
Nor, if unto the world I ever gave it,
Would some believe that such a tale had been:
But such intent I never had, nor have it;
Some truths are better kept behind a screen,
Especially when they would look like lies;
I therefore deal in generalities.

'An oyster may be cross'd in love,'--and why?
Because he mopeth idly in his shell,
And heaves a lonely subterraqueous sigh,
Much as a monk may do within his cell:
And a-propos of monks, their piety
With sloth hath found it difficult to dwell;
Those vegetables of the Catholic creed
Are apt exceedingly to run to seed.

O Wilberforce! thou man of black renown,
Whose merit none enough can sing or say,
Thou hast struck one immense Colossus down,
Thou moral Washington of Africa!
But there's another little thing, I own,
Which you should perpetrate some summer's day,
And set the other halt of earth to rights;
You have freed the blacks - now pray shut up the whites.

Shut up the bald-coot bully Alexander!
Ship off the Holy Three to Senegal;
Teach them that 'sauce for goose is sauce for gander,'
And ask them how they like to be in thrall?
Shut up each high heroic salamander,
Who eats fire gratis (since the pay's but small);
Shut up - no, not the King, but the Pavilion,
Or else 'twill cost us all another million.

Shut up the world at large, let Bedlam out;
And you will be perhaps surprised to find
All things pursue exactly the same route,
As now with those of soi -disant sound mind.
This I could prove beyond a single doubt,
Were there a jot of sense among mankind;
But till that point d'appui is found, alas!
Like Archimedes, I leave earth as 'twas.

Our gentle Adeline had one defect--
Her heart was vacant, though a splendid mansion;
Her conduct had been perfectly correct,
As she had seen nought claiming its expansion.
A wavering spirit may be easier wreck'd,
Because 'tis frailer, doubtless, than a stanch one;
But when the latter works its own undoing,
Its inner crash is like an earthquake's ruin.

She loved her lord, or thought so; but that love
Cost her an effort, which is a sad toil,
The stone of Sisyphus, if once we move
Our feelings 'gainst the nature of the soil.
She had nothing to complain of, or reprove,
No bickerings, no connubial turmoil:
Their union was a model to behold,
Serene and noble,--conjugal, but cold.

There was no great disparity of years,
Though much in temper; but they never clash'd:
They moved like stars united in their spheres,
Or like the Rhone by Leman's waters wash'd,
Where mingled and yet separate appears
The river from the lake, all bluely dash'd
Through the serene and placid glassy deep,
Which fain would lull its river-child to sleep.

Now when she once had ta'en an interest
In any thing, however she might flatter
Herself that her intentions were the best,
Intense intentions are a dangerous matter:
Impressions were much stronger than she guess'd,
And gather'd as they run like growing water
Upon her mind; the more so, as her breast
Was not at first too readily impress'd.

But when it was, she had that lurking demon
Of double nature, and thus doubly named -
Firmness yclept in heroes, kings, and seamen,
That is, when they succeed; but greatly blamed
As obstinacy, both in men and women,
Whene'er their triumph pales, or star is tamed:-
And 'twill perplex the casuist in morality
To fix the due bounds of this dangerous quality.

Had Buonaparte won at Waterloo,
It had been firmness; now 'tis pertinacity:
Must the event decide between the two?
I leave it to your people of sagacity
To draw the line between the false and true,
If such can e'er be drawn by man's capacity:
My business is with Lady Adeline,
Who in her way too was a heroine.

She knew not her own heart; then how should I?
I think not she was then in love with Juan:
If so, she would have had the strength to fly
The wild sensation, unto her a new one:
She merely felt a common sympathy
(I will not say it was a false or true one)
In him, because she thought he was in danger,-
Her husband's friend, her own, young, and a stranger,

She was, or thought she was, his friend - and this
Without the farce of friendship, or romance
Of Platonism, which leads so oft amiss
Ladies who have studied friendship but in France,
Or Germany, where people purely kiss.
To thus much Adeline would not advance;
But of such friendship as man's may to man be
She was as capable as woman can be.

No doubt the secret influence of the sex
Will there, as also in the ties of blood,
An innocent predominance annex,
And tune the concord to a finer mood.
If free from passion, which all friendship checks,
And your true feelings fully understood,
No friend like to a woman earth discovers,
So that you have not been nor will be lovers.

Love bears within its breast the very germ
Of change; and how should this be otherwise?
That violent things more quickly find a term
Is shown through nature's whole analogies;
And how should the most fierce of all be firm?
Would you have endless lightning in the skies?
Methinks Love's very title says enough:
How should 'the tender passion' e'er be tough?

Alas! by all experience, seldom yet
(I merely quote what I have heard from many)
Had lovers not some reason to regret
The passion which made Solomon a zany.
I've also seen some wives (not to forget
The marriage state, the best or worst of any)
Who were the very paragons of wives,
Yet made the misery of at least two lives.

I've also seen some female friends ('tis odd,
But true--as, if expedient, I could prove)
That faithful were through thick and thin, abroad,
At home, far more than ever yet was Love--
Who did not quit me when Oppression trod
Upon me; whom no scandal could remove;
Who fought, and fight, in absence, too, my battles,
Despite the snake Society's loud rattles.

Whether Don Juan and chaste Adeline
Grew friends in this or any other sense,
Will be discuss'd hereafter, I opine:
At present I am glad of a pretence
To leave them hovering, as the effect is fine,
And keeps the atrocious reader in suspense;
The surest way for ladies and for books
To bait their tender, or their tenter, hooks.

Whether they rode, or walk'd, or studied Spanish
To read Don Quixote in the original,
A pleasure before which all others vanish;
Whether their talk was of the kind call'd 'small,'
Or serious, are the topics I must banish
To the next Canto; where perhaps I shall
Say something to the purpose, and display
Considerable talent in my way.

Above all, I beg all men to forbear
Anticipating aught about the matter:
They'll only make mistakes about the fair,
And Juan too, especially the latter.
And I shall take a much more serious air
Than I have yet done, in this epic satire.
It is not clear that Adeline and Juan
Will fall; but if they do, 'twill be their ruin.

But great things spring from little:- Would you think,
That in our youth, as dangerous a passion
As e'er brought man and woman to the brink
Of ruin, rose from such a slight occasion,
As few would ever dream could form the link
Of such a sentimental situation?
You'll never guess, I 'll bet you millions, milliards--
It all sprung from a harmless game at billiards.

'Tis strange,--but true; for truth is always strange;
Stranger than fiction; if it could be told,
How much would novels gain by the exchange!
How differently the world would men behold!
How oft would vice and virtue places change!
The new world would be nothing to the old,
If some Columbus of the moral seas
Would show mankind their souls' antipodes.

What 'antres vast and deserts idle' then
Would be discover'd in the human soul!
What icebergs in the hearts of mighty men,
With self-love in the centre as their pole!
What Anthropophagi are nine of ten
Of those who hold the kingdoms in control
Were things but only call'd by their right name,
Caesar himself would be ashamed of fame.

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The People take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment Night with dusky mantle covers
The skies (and the more duskily the better),
The Time--less liked by husbands than by lovers--
Begins, and Prudery flings aside her fetter,
And Gaiety on restless tiptoe hovers,
Giggling with all the Gallants who beset her;
And there are Songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses, splendid but fantastical,
Masks of all times and nations, Turks and Jews,
And Harlequins and Clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the Clergy,--
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of Coat and smallclothes, than put on
A single stitch reflecting upon Friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one Mass to cool the Caldron's bubble
That boil'd your bones--unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak,
Such as in Monmouth Street, or in Rag Fair,
Would rig you out in Seriousness or Joke;
And even in Italy such places are
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called 'Piazza' in Great Britain.

VI.
This feast is named the Carnival, which being
Interpreted implies 'Farewell to Flesh':
So call'd, because the name and thing agreeing,
Through Lent they live on fish, both salt and fresh.
But why they usher Lent with so much glee in
Is more than I can tell, although I guess
'Tis as we take a glass with friends at parting
In the Stage-Coach or Packet, just at starting.

VII.
And thus they bid farewell to Carnal dishes,
And solid meats, and highly spiced ragouts,
To live for forty days on ill-dress’d fishes,
Because they have no sauces to their stews--
A thing which causes many 'poohs' and 'pishes,'
And several oaths (which would not suit the Muse)
From travellers accustom'd from a boy
To eat their Salmon, at the least, with Soy;

VIII.
And therefore humbly I would recommend
'The Curious in Fish-Sauce,' before they cross
The Sea, to bid their Cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand these may send
By any means least liable to loss)
Ketchup, Soy, Chili-Vinegar, and Harvey,
Or, by the Lord! a Lent will well nigh starve ye.

IX.
That is to say, if your Religion's Roman,
And you at Rome would do as Romans do,
According to the proverb,--although No man
If foreign is obliged to fast, and you--
If Protestant, or sickly--or a woman--
Would rather dine in sin on a ragout--
Dine and be d____d! I don't mean to be coarse,
But that's the penalty, to say no worse.

X.
Of all the places where the Carnival
Was most facetious in the days of yore,
For dance, and song, and serenade, and ball,
And Masque, and Mime, and Mystery, and more
Than I have time to tell now, or at all,
Venice the bell from every city bore,
And at the moment when I fix my story,
That Sea-born City was in all her Glory.

XI.
They've pretty faces yet, those same Venetians,
Black eyes, arch'd brows, and sweet expressions still,
Such as of old were copied from the Grecians,
In ancient Arts by Moderns mimick'd ill;
And like so many Venuses of Titian's
(The best's at Florence--see it, if ye will),
They look when leaning over the Balcony;
Or stepp'd from out a picture by Giorgione,--

XII.
Whose tints are Truth and Beauty at their best;
And when you to Manfrini's palace go,
That Picture (howsoever fine the rest)
Is loveliest to my mind of all the show;
It may perhaps be also to your Zest,
And that's the cause I rhyme upon it so:
'Tis but a portrait of his Son and Wife
And Self; but such a Woman! Love in life!

XIII.
Love in full life and length, not Love ideal,
No, nor ideal Beauty, that fine name,
But something better still, so very real,
That the sweet Model must have been the same;
A thing that you would purchase, beg, or steal,
Were't not impossible, besides a shame;
The face recalls some face, as 'twere with pain,
You once have seen, but ne'er will see again.

XIV.
One of those forms which flit by us, when we
Are young, and fix our eyes on every face;
And, oh! the Loveliness at times we see
In momentary gliding, the soft grace,
The Youth, the Bloom, the Beauty which agree
In many a nameless being we retrace,
Whose course and home we knew not, nor shall know,
Like the lost Pleiad seen no more below.

XV.
I said that like a picture by Giorgione
Venetian women were, and so they are,
Particularly seen from a balcony
(For Beauty's sometimes best set off afar)
And there, just like a heroine of Goldoni,
They peep from out the blind, or o'er the bar;
And truth to say they're mostly very pretty,
And rather like to show it, more's the Pity!

XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heel'd Mercuries,
Who do such things because they know no better;
And then, God knows! what Mischief may arise,
When Love links two young people in one fetter:
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.

XVII.
Shakespeare described the Sex in Desdemona
As very fair, but yet suspect in fame,
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere Suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a 'Cavalier Servente.'

XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or another's.

XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
'Tis a long cover'd boat that's common here,
Carved at the prow, built lightly, but compactly,
Row'd by two rowers, each call'd 'Gondolier,'
It glides along the water looking blackly,
Just like a Coffin clapt in a Canoe,
Where none can make out what you say or do.

XX.
And up and down the long Canals they go,
And under the Rialto shoot along
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe,--
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like Mourning Coaches when the funeral’s done.

XXI.
But to my story.--'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of Buffoonery and dress;
A Certain Lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.

XXII.
She was not old, nor young, nor at the years
Which certain people call a 'certain Age,'
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word,--
Which surely is exceedingly absurd.

XXIII.
Laura was blooming still, had made the best
Of Time, and Time return'd the compliment,
And treated her genteelly, so that, 'drest,
She look'd extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all Smiles, and seem'd to flatter
Mankind with her black eyes for looking at her.

XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool
(Unless within the period intervenient
A well-timed wedding makes the scandal cool),
I don't know how they ever can get over it,
Except they manage never to discover it.

XXV.
Her husband sail'd upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in Quarantine for Pratique
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease;
He was a Merchant trading to Aleppo,
His name Giuseppe--call'd more briefly, Beppo.

XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though colour'd, as it were, within a tan-yard,
He was a person both of sense and vigour--
A better Seaman never yet did man yard;
And She, although her manners show'd no rigour,
Was deem'd a woman of the strictest principle,
So much as to be thought almost invincible.

XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blunder'd into debt,
And did not like the thought of steering home;
And there were several offer'd any bet,
Or that he would, or that he would not come,
For Most Men (till by losing render'd sager)
Will back their own opinions with a wager.

XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.

XXIX.
And Laura waited long, and wept a little,
And thought of wearing weeds, as well she might;
She almost lost all appetite for victual,
And could not sleep with ease along at night;
She deem'd the window-frames and shutters brittle
Against a daring House-breaker or Sprite,
And so She thought it prudent to connect her.
With a Vice-husband, chiefly to protect her.

XXX.
She chose, (and what is there they will not choose,
If only you will but oppose their choice?)
Till Beppo should return from his long cruise,
And bid once more her faithful heart rejoice,
A Man some women like, and yet abuse--
A Coxcomb was he by the public voice;
A Count of wealth, they said, as well as quality,
And (in his pleasures) of great liberality.

XXXI.
And then he was A Count, and then he knew
Music, and dancing, fiddling, French and Tuscan;
The last not easy, be it known to you.
For few Italians speak the right Etruscan.
He was a Critic upon Operas, too,
And knew all niceties of the sock and buskin;
And no Venetian audience could endure a
Song, scene, or air, when he cried 'Seccatura!'

XXXII.
His 'Bravo' was decisive—for that sound
Hush'd 'Academie' sigh'd in silent awe;
The fiddlers trembled as he look'd around,
For fear of some false note's detected flaw;
The 'Prima Donna's' tuneful heart would bound,
Dreading the deep damnation of his 'Bah!'
Soprano, Basso, even the Contra-Alto,
Wish'd him five fathom under the Rialto.

XXXIII.
He patronised the Improvisatori,
Nay, could himself extemporise some stanzas;
Wrote rhymes, sang songs, could also tell a story,
Sold pictures, and was skilful in the dance as
Italians can be--though in this their glory
Must surely yield the palm to that which France has;
In short, he was a perfect Cavaliero,
And to his very Valet seem'd a Hero.

XXXIV.
Then he was faithful too, as well as amorous;
So that no sort of female could complain--
Although they're now and then a little clamourous,
He never put the pretty souls in pain;
His heart was one of those which most enamour us,
Wax to receive, and Marble to retain:
He was a lover of the good old School,
Who still become more constant as they cool.

XXXV.
No wonder such accomplishments should turn
A female head, however sage and steady--
With scarce a hope that Beppo could return,
In law he was almost as good as dead, he
Nor sent, nor wrote, nor show'd the least concern,
And she had waited several years already;
And really if a Man won't let us know
That he's alive, he's dead, or should be so.

XXXVI.
Besides, within the Alps, to every woman,
(Although, God knows! it is a grievous sin)
'Tis, I may say, permitted to have two men;
I can't tell who first brought the custom in,
But 'Cavalier Serventes' are quite common,
And no one notices nor cares a pin;
And we may call this (not to say the worst)
A Second Marriage which corrupts the First.

XXXVII.
The word was formerly a 'Cicisbeo,'
But that is now grown vulgar and indecent;
The Spaniards call the person a 'Cortejo,'
For the same Mode subsists in Spain, though recent;
In short, it reaches from the Po to Teio,
And may perhaps at last be o'er the Sea sent;
But Heaven preserve Old England from such courses!
Or what becomes of damage and divorces?

XXXVIII.
However, I still think, with all due deference
To the fair single part of the Creation,
That married ladies should preserve the preference
In tête-à-tête or general conversation--
And this I say without peculiar reference
To England, France, or any other nation--
Because they know the world, and are at ease,
And being natural, naturally please.

XXXIX.
'Tis true, your budding Miss is very charming,
But shy and awkward at first coming out,
So much alarm'd, that she is quite alarming,
All Giggle, Blush--half Pertness, and half-Pout--
And glancing at Mamma, for fear there's harm in
What you, she, it, or they, may be about;
The nursery still lisps out in all they utter--
Besides, they always smell of Bread and Butter.

XL.
But 'Cavalier Servente' is the phrase
Used in politest circles to express
This supernumary slave, who stays
Close to the lady as a part of dress--
Her word the only law which he obeys.
His is no Sinecure, as you may guess;
Coach, Servants, Gondola, he goes to call,
And carries fan and tippet, gloves and shawl.

XLI.
With all its sinful doings, I must say,
That Italy's a pleasant place to me,
Who love to see the Sun shine every day,
And vines (not nail’d to walls) from tree to tree
Festoon'd, much like the back Scene of a play,
Or Melodrame, which people flock to see
When the first act is ended by a dance
In Vineyards copied from the South of France.

XLII.
I like on Autumn evenings to ride out,
Without being forced to bid my Groom be sure
My Cloak is round his middle strapp'd about,
Because the skies are not the most secure;
I know too that, if stopp'd upon my route
Where the green alleys windingly allure,
Reeling with grapes red waggons choke the way--
In England 'twould be dung, dust, or a dray.

XLIII.
I also like to dine on Becaficas,
To see the Sun set, sure he'll rise tomorrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t' himself; the Day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky Caldron simmers.

XLIV.
I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in
That not a single accent seems uncouth--
Like our harsh Northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.

XLV.
I like the women too (Forgive my folly!)
From the rich peasant cheek of ruddy bronze,
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high Dama's brow, more melancholy,
But clear, and with a wild and liquid Glance,
Heart on her lips, and Soul within her eyes,
Soft as her clime, and Sunny as her skies.

XLVI.
Eve of the land which still is Paradise!
Italian Beauty! didst thou not inspire
Raphael, who died in thy embrace, and vies
With all we know of Heaven, or can desire
In what he hath bequeath'd us?--in what guise,
Though flashing from the fervour of the Lyre,
Would Words describe thy past and present Glow,
While yet Canova can create below?

XLVII.
'England! with all thy faults I love thee still!'
I said at Calais, and have not forgot it;
I like to speak and lucubrate my fill;
I like the Government (but that is not it);
I like the freedom of the press and quill;
I like the Hapeas Corpus (when we've got it);
I like a parliamentary debate,
Particularly when 'tis not too late;

XLVIII.
I like the taxes, when they're not too many;
I like a sea-coal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather--when it is not rainy--
That is, I like two months of every Year;
And so God save the Regent, Church, and King!
Which means that I like all and every thing.

XLIX.
Our standing Army, and disbanded Seamen,
Poor's rate, Reform, my own, the nation's debt,
Our little Riots just to show we're free men,
Our trifling Bankruptcies in the Gazette,
Our cloudy Climate, and our chilly Women;
All these I can forgive, and those forget,
And greatly venerate our recent glories,
And wish they were not owing to the Tories.

L.
But to my tale of Laura--for I find
Digression is a sin, that by degrees
Becomes exceeding tedious to my mind,
And, therefore, may the reader too displease--
The gentle reader--who may wax unkind,
And caring little for the Author’s ease,
Insist on knowing what he means, a hard
And hapless situation for a Bard.

LI.
Oh that I had the art of easy writing
What should be easy reading! could I scale
Parnassus, where the Muses sit inditing
Those pretty poems never known to fail!
How quickly would I print (the world delighting)
A Grecian, Syrian, or Assyrian tale;
And sell you, mix'd with Western sentimentalism,
Some samples of the finest Orientalism.

LII.
But I am but a nameless sort of person
(A broken Dandy lately on my travels)
And take for Rhyme, to hook my rambling Verse on,
The first that Walker's Lexicon unravels,
And when I can't find that, I put a worse on,
Not caring as I ought for Critics' cavils;
I've half a mind to tumble down to prose,
But Verse is more in fashion--so here goes!

LIII.
The Count and Laura made their new arrangement,
Which lasted, as Arrangements sometimes do,
For half a dozen years without estrangement;
They had their little differences, too;
Those jealous whiffs, which never any change meant;
In such affairs there probably are few
Who have not had this pouting sort of squabble,
From Sinners of high station to the Rabble.

LIV.
But, on the whole, they were a happy pair,
As happy as unlawful love could make them;
The Gentleman was fond, the Lady fair,
Their chains so slight 'twas not worth while to break them;
The World beheld them with indulgent air;
The Pious only wish'd 'the Devil take them!'
He took them not; he very often waits,
And leaves old Sinners to be young ones’ baits.

LV.
But they were young; Oh! what without our youth
Would Love be! What would youth be without love!
Youth lends it joy, and sweetness, vigour, truth,
Heart, soul, and all that seems as from above;
But, languishing with years, it grows uncouth--
One of few things Experience don't improve,
Which is perhaps the reason why old fellows
Are always so preposterously jealous.

LVI.
It was the Carnival, as I have said
Some six and thirty stanzas back, and so
Laura the usual preparations made,
Which you do when your mind's made up to go
To-night to Mrs. Boehm's Masquerade,
Spectator, or Partaker in the show;
The only difference known between the cases
Is here, we have six weeks of 'varnish'd faces.'

LVII.
Laura, when dress'd, was (as I sang before)
A pretty woman as was ever seen,
Fresh as the Angel o'er a new Inn door,
Or frontispiece of a new Magazine,
With all the Fashions which the last month wore,
Colour'd, and silver paper leaved between
That and the title-page, for fear the Press
Should soil with parts of speech the parts of dress.

LVIII.
They went to the Ridotto;--'tis a hall
Where people dance, and sup, and dance again--
Its proper name perhaps were a masqued Ball,
But that’s of no importance to my strain;
'Tis (on a smaller scale) like our Vauxhall,
Excepting that it can't be spoilt by Rain;
The company is 'mix'd' (the phrase I quote is
As much as saying they're below your Notice).

LIX.
For a 'mix'd company' implies that, save
Yourself and friends and half a hundred more
Whom you may bow to without looking grave,
The rest are but a vulgar set--the Bore
Of public places, where they basely brave
The fashionable stare of twenty score
Of well-bred persons call'd 'The World'--but I,
Although I know them, really don't know why.

LX.
This is the case in England, at least was
During the dynasty of Dandies, now
Perchance succeeded by some other class
Of imitated Imitators :-- how
Irreparably soon decline, alas!
The Demagogues of fashion; all below
Is frail; how easily the World is lost
By Love, or War, and now and then by Frost!

LXI.
Crush'd was Napoleon by the northern Thor,
Who knock’d his army down with icy hammer,
Stopp'd by the Elements, like a Whaler, or
A blundering Novice in his new French grammar;
Good cause had he to doubt the chance of War,
And as for Fortune--but I dare not d___n her,
Because, were I to ponder to Infinity,
The more I should believe in her Divinity.

LXII.
She rules the present, past, and all to be yet;
She gives us luck in lotteries, love, and marriage;
I cannot say that she’s done much for me yet,
Not that I mean her bounties to disparage--
We've not yet closed accounts--and we shall see yet
How much she'll make amends for past miscarriage.
Meantime the Goddess I'll no more importune,
Unless to thank her when she's made my fortune.

LXIII.
To turn--and to return, the Devil take it!
This Story slips for ever through my fingers,
Because, just as the Stanza likes to make it,
It needs must be, and so it rather lingers:
This form of verse began, I can't well break it,
But must keep time and tune like public Singers;
But if I once get through my present measure,
I'll take another when I'm at leisure.

LXIV.
They went to the Ridotto ('tis a place
To which I mean to go myself to-morrow,
Just to divert my thoughts a little space,
Because I’m rather hippish, and may borrow
Some spirits, guessing at what kind of face
May lurk beneath each mask; and as my sorrow
Slackens its pace sometimes, I'll make or find
Something shall leave it half an hour behind).

LXV.
Now Laura moves along the joyous crowd--
Smiles in her eyes, and simpers on her lips--
To some she whispers, others speaks aloud;
To some she curtsies, and to some she dips,
Complains of warmth and, this complaint avow'd,
Her lover brings the Lemonade she sips;
She then surveys, condemns, but pities still
Her dearest friends for being dress'd so ill.

LXVI.
One has false curls, another too much paint,
A third--where did She buy that frightful turban?
A fourth's so pale she fears she's going to faint,
A fifth's look's vulgar, dowdyish, and suburban,
A sixth's white silk has got a yellow taint,
A seventh's thin Muslin surely will be her bane,
And lo! an eighth appears--'I'll see no more!'
For fear, like Banquo's kings, they reach a score.

LXVII.
Meantime, while she was thus at others gazing,
Others were leveling their looks at her;
She heard the Men's half-whisper'd mode of praising,
And, till ’twas done, determined not to stir;
The women only thought it quite amazing
That, at her time of Life, so many were
Admirers still--but Men are so debased,
Those brazen creatures always suit their taste.

LXVIII.
For my part now, I ne'er could understand
Why naughty Women--but I won’t discuss
A thing which is a Scandal to the land;
I only don't see why it should be thus;
And if I were but in a gown and band--
Just to entitle me to make a fuss--
I'd preach on this till Wilberforce and Romilly
Should quote in their next speeches from my homily.

LXIX.
While Laura thus was seen, and seeing, smiling,
Talking, she knew not why, and cared not what,
So that her female friends, with envy broiling,
Beheld her airs and triumph, and all that,
And well-dress'd males still kept before her filing,
And passing bow'd and mingled with her chat;
More than the rest, one person seem'd to stare
With pertinacity that's rather rare.

LXX.
He was a Turk, the colour of mahogany;
And Laura saw him, and at first was glad,
Because the Turks so much admire Phylogyny,
Although their usage of their wives is sad;
'Tis said they use no better than a dog any
Poor woman, whom they purchase like a pad;
They have a number, though they ne'er exhibit 'em,
Four Wives by law, and Concubines 'ad libitum.'

LXXI.
They lock them up, and veil and guard them daily;
They scarcely can behold their male relations,
So that their moments do not pass so gaily
As is supposed the case with Northern nations;
Confinement, too, must make them look quite palely;
And as the Turks abhor long conversations,
Their days are either pass'd in doing nothing,
Or bathing, nursing, making love, and clothing.

LXXII.
They cannot read--and so don't lisp in Criticism;
Nor write--and so they don't affect the Muse;
Were never caught in epigram or witticism,
Have no romances, sermons, plays, reviews--
In harams Learning soon would make a pretty schism!
But luckily these beauties are no 'Blues;'
No bustling Botherbys have they to show 'em
'That charming passage in the last new poem!'

LXXIII.
No solemn Antique gentleman of rhyme,
Who, having angled all his life for Fame
And getting but a nibble at a time,
Still fussily keeps fishing on, the same
Small 'Triton of the Minnows,' the sublime
Of mediocrity, the furious tame,
The echo’s Echo, usher of the School
Of female Wits, boy bards--in short, a fool!

LXXIV.
A stalking Oracle of awful phrase,
The approving 'Good!' (By no means GOOD in law)
Humming like flies around the newest blaze,
The bluest of Bluebottles you e'er saw,
Teasing with blame, excruciating with praise,
Gorging the little fame he gets all raw,
Translating tongues he knows not even by letter,
And sweating plays so middling, bad were better.

LXXV.
One hates an Author that's all Author, fellows
In foolscap uniforms turn'd up with ink,
So very anxious, clever, fine, and jealous,
One don't know what to say to them, or think,
Unless to puff them with a pair of Bellows;
Of Coxcombry's worst Coxcombs e'en the pink
Are preferable to these shreds of paper,
These unquench'd snufflings of the midnight taper.

LXXVI.
Of these same we see several, and of others,
Men of the World, who know the world like men,
Scott, Rogers, Moore, and all the better brothers
Who think of something else besides the pen;
But for the Children of the 'Mighty Mother's'--
The would-be Wits, and can’t-be Gentlemen--
I leave them to their daily 'Tea is ready,'
Smug Coterie, and Literary Lady.

LXXVII.
The poor dear Mussulwomen whom I mention
Have none of these instructive, pleasant people,
And One would seem to them a new Invention,
Unknown as bells within a Turkish steeple;
I think 'twould almost be worth while to pension
(Though best-sown projects very often reap ill)
A Missionary Author, just to preach
Our Christian usage of the parts of Speech.

LXXVIII.
No Chemistry for them unfolds her gases,
No Metaphysics are let loose in lectures,
No Circulating Library amasses
Religious novels, moral tales, and strictures
Upon the living manners, as they pass us;
No Exhibition glares with annual pictures;
They stare not on the Stars from out their Attics,
Nor deal (thank God for that!) in Mathematics.

LXXIX.
Why I thank God for that is no great matter;
I have my reasons, you no doubt suppose,
And as perhaps they would not highly flatter,
I'll keep them for my life (to come) in prose;
I fear I have a little turn for Satire,
And yet, methinks, the older that one grows
Inclines us more to laugh than scold, though Laughter
Leaves us no doubly serious shortly after.

LXXX.
Oh, mirth and innocence! Oh, milk and water!
Ye happy mixtures of more happy days!
In these sad centuries of sin and slaughter,
Abominable Man no more allays
His thirst with such pure beverage. No matter,
I love you both, and both shall have my praise;
Oh, for old Saturn's reign of sugar-candy!
Meantime I drink to your return in Brandy.

LXXXI.
Our Laura's Turk still kept his eyes upon her,
Less in the Mussulman than Christian way,
Which seems to say, 'Madam, I do you honour,
And while I please to stare, you'll please to stay!'
Could staring win a woman, this had won her,
But Laura could not thus be led astray;
She had stood fire too long and well, is boggle
Even at this Stranger's most outlandish Ogle.

LXXXII.
The Morning now was on the point of breaking,
A turn of time at which I would advise
Ladies who have been dancing, or partaking
In any other kind of Exercise,
To make their preparations for forsaking
The Ball-room ere the Sun begins to rise,
Because when once the lamps and candles fail,
His Blushes make them look a little pale.

LXXXIII.
I've seen some balls and revels in my time,
And stay'd them over for some silly reason;
And then I look'd (I hope it was no crime)
To see what lady best stood out the Season;
And though I've seen some thousands in their prime,
Lovely and pleasing, and who still may please on,
I never saw but One (the stars withdrawn)
Whose bloom could, after dancing, dare the dawn.

LXXXIV.
The name of this Aurora I'll not mention,
Although I might, for She was nought to me
More than that patent work of God's invention,
A charming woman, whom we like to see;
But writing names would merit reprehension,
Yet if you like to find out this fair She,
At the next London or Parisian ball
You still may mark her cheek, out-blooming all.

LXXXV.
Laura, who knew it would not do at all
To meet the daylight after seven hours' sitting
Among three thousand people at a ball,
To make her curtsy thought it right and fitting;
The Count was at her elbow with her shawl,
And they the room were on the point of quitting,
When lo! those cursed gondoliers had got
Just in the very place where they should not.

LXXXVI.
In this they're like our Coachmen, and the cause
Is much the same--the Crowd, and pulling, hauling--
With blasphemies enough to break their jaws--
They make a never-intermitted bawling.
At home, our Bow Street Gem'men keep the laws,
And here a Sentry stands within your calling;
But for all that, there is a deal of swearing,
And nauseous words past mentioning or bearing.

LXXXVII.
The Count and Laura found their boat at last,
And homeward floated o'er the silent tied,
Discussing all the dances gone and past;
The Dancers and their dresses, too, beside.
Some little Scandals eke; but all aghast
(As to their palace-stairs the rowers glide)
Sate Laura by the side of her Adorer,
When lo! the Mussulman was there before her!

LXXXVIII.
'Sir!' said the Count, with brow exceeding grave,
'Your unexpected presence here will make
It necessary for myself to crave
Its import--but perhaps 'tis a mistake.
I hope it is so, and at once to waive
All compliment--I hope so for your sake;
You understand my meaning, or you shall.'
'Sir' (quoth the Turk), ''tis no mistake at all:

LXXXIX.
'That Lady is my Wife!' Much wonder paints
The Lady's changing cheek, as well it might,
But where an Englishwoman sometimes faints,
Italian females don't do so outright;
They only call a little on their Saints,
And then come to themselves, almost or quite,
Which saves much hartshorn, salts, and sprinkling faces,
And cutting stays, as usual in such cases.

XC.
She said—what could she say? why, not a word:
But the Count courteously invited in
The Stranger, much appeased by what he heard;
'Such things perhaps we'd best discuss within,'
Said he, 'don't let us make ourselves absurd
In public, by a Scene, nor raise a din,
For then the chief and only satisfaction
Will be much quizzing on the whole transaction.'

XCI.
They enter'd, and for coffee call'd; it came,
A beverage for Turks and Christians both,
Although the way they make it's not the same.
Now Laura, much recover'd, or less loth
To speak, cries 'Beppo! what's your Pagan name?
Bless me! your beard is of amazing growth!
And how came you to keep away so long?
Are you not sensible 'twas very wrong?

XCII.
'And are you really, truly, now a Turk?
With any other women did you wive?
Is't true they use their fingers for a fork?
Well, that's the prettiest Shawl--as I'm alive!
You'll give it me? They say you eat no pork.
And how so many years did you contrive
To--Bless me! did I ever? No, I never
Saw a man grown so yellow! How’s your liver?

XCIII.
'Beppo! that beard of yours becomes you not;
It shall be shaved before you're a day older;
Why do you wear it? Oh! I had forgot--
Pray don't you think the weather here is colder?
How do I look? You shan't stir from this spot
In that queer dress, for fear that some beholder
Should find you out, and make the story known.
How short your hair is! Lord! how grey it’s grown!'

XCIV.
What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and Nothing stands;
Became a Slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper’d, and became
A Renegado of indifferent fame.

XCV.
But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the Main;
Lonely he felt at times as Robin Crusoe,
And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,
Mann'd with twelve hands, and laden with tobacco.

XCVI.
Himself, and much (Heaven knows how gotten!) Cash,
He then embark'd, with risk of life and limb,
And got clear off, although the attempt was rash.
He said that Providence protected him;
For my part, I say nothing--lest we clash
In our opinions--well, the Ship was trim,
Set sail, and kept her reckoning fairly on,
Except three days of calm when off Cape Bonn.

XCVII.
They reach'd the Island, he transferr'd his lading
And self and live stock to another bottom,
And pass'd for a true Turkey-Merchant, trading
With goods of various names--but I've forgot 'em.
However, he got off by this evading,
Or else the people would perhaps have shot him;
And thus at Venice landed to reclaim
His wife, religion, house, and Christian name.

XCVIII.
His Wife received, the Patriarch re-baptised him
(He made the Church a present, by the way);
He then threw off the Garments which disguised him
And borrow'd the Count's small clothes for a day:
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners--where he oft became the laugh of them;
For stories--but I don’t believe the half of them.

XCIX.
Whate'er his Youth had suffer'd, his old Age
With wealth and talking made him some amends;
Though Laura sometimes put him in a rage,
I've heard the Count and He were always friends.
My pen is at the bottom of a page,
Which being finish'd, here the story ends;
'Tis to be wish'd it had been sooner done,
But Stories somehow lengthen when begun.

Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.

But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man,- and, as we would hope,- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.

As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy 'falls into the yellow
Leaf,' and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.

And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.

Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.

To the kind reader of our sober clime
This way of writing will appear exotic;
Pulci was sire of the half-serious rhyme,
Who sang when chivalry was more Quixotic,
And revell'd in the fancies of the time,
True knights, chaste dames, huge giants, kings despotic:
But all these, save the last, being obsolete,
I chose a modern subject as more meet.

How I have treated it, I do not know;
Perhaps no better than they have treated me
Who have imputed such designs as show
Not what they saw, but what they wish'd to see:
But if it gives them pleasure, be it so;
This is a liberal age, and thoughts are free:
Meantime Apollo plucks me by the ear,
And tells me to resume my story here.

Young Juan and his lady-love were left
To their own hearts' most sweet society;
Even Time the pitiless in sorrow cleft
With his rude scythe such gentle bosoms; he
Sigh'd to behold them of their hours bereft,
Though foe to love; and yet they could not be
Meant to grow old, but die in happy spring,
Before one charm or hope had taken wing.

Their faces were not made for wrinkles, their
Pure blood to stagnate, their great hearts to fail;
The blank grey was not made to blast their hair,
But like the climes that know nor snow nor hail
They were all summer: lightning might assail
And shiver them to ashes, but to trail
A long and snake-like life of dull decay
Was not for them- they had too little day.

They were alone once more; for them to be
Thus was another Eden; they were never
Weary, unless when separate: the tree
Cut from its forest root of years- the river
Damm'd from its fountain- the child from the knee
And breast maternal wean'd at once for ever,-
Would wither less than these two torn apart;
Alas! there is no instinct like the heart-

The heart- which may be broken: happy they!
Thrice fortunate! who of that fragile mould,
The precious porcelain of human clay,
Break with the first fall: they can ne'er behold
The long year link'd with heavy day on day,
And all which must be borne, and never told;
While life's strange principle will often lie
Deepest in those who long the most to die.

'Whom the gods love die young,' was said of yore,
And many deaths do they escape by this:
The death of friends, and that which slays even more-
The death of friendship, love, youth, all that is,
Except mere breath; and since the silent shore
Awaits at last even those who longest miss
The old archer's shafts, perhaps the early grave
Which men weep over may be meant to save.

Haidee and Juan thought not of the dead-
The heavens, and earth, and air, seem'd made for them:
They found no fault with Time, save that he fled;
They saw not in themselves aught to condemn:
Each was the other's mirror, and but read
Joy sparkling in their dark eyes like a gem,
And knew such brightness was but the reflection
Of their exchanging glances of affection.

The gentle pressure, and the thrilling touch,
The least glance better understood than words,
Which still said all, and ne'er could say too much;
A language, too, but like to that of birds,
Known but to them, at least appearing such
As but to lovers a true sense affords;
Sweet playful phrases, which would seem absurd
To those who have ceased to hear such, or ne'er heard,-

All these were theirs, for they were children still,
And children still they should have ever been;
They were not made in the real world to fill
A busy character in the dull scene,
But like two beings born from out a rill,
A nymph and her beloved, all unseen
To pass their lives in fountains and on flowers,
And never know the weight of human hours.

Moons changing had roll'd on, and changeless found
Those their bright rise had lighted to such joys
As rarely they beheld throughout their round;
And these were not of the vain kind which cloys,
For theirs were buoyant spirits, never bound
By the mere senses; and that which destroys
Most love, possession, unto them appear'd
A thing which each endearment more endear'd.

Oh beautiful! and rare as beautiful
But theirs was love in which the mind delights
To lose itself when the old world grows dull,
And we are sick of its hack sounds and sights,
Intrigues, adventures of the common school,
Its petty passions, marriages, and flights,
Where Hymen's torch but brands one strumpet more,
Whose husband only knows her not a wh- re.

Hard words; harsh truth; a truth which many know.
Enough.- The faithful and the fairy pair,
Who never found a single hour too slow,
What was it made them thus exempt from care?
Young innate feelings all have felt below,
Which perish in the rest, but in them were
Inherent- what we mortals call romantic,
And always envy, though we deem it frantic.

This is in others a factitious state,
An opium dream of too much youth and reading,
But was in them their nature or their fate:
No novels e'er had set their young hearts bleeding,
For Haidee's knowledge was by no means great,
And Juan was a boy of saintly breeding;
So that there was no reason for their loves
More than for those of nightingales or doves.

They gazed upon the sunset; 't is an hour
Dear unto all, but dearest to their eyes,
For it had made them what they were: the power
Of love had first o'erwhelm'd them from such skies,
When happiness had been their only dower,
And twilight saw them link'd in passion's ties;
Charm'd with each other, all things charm'd that brought
The past still welcome as the present thought.

I know not why, but in that hour to-night,
Even as they gazed, a sudden tremor came,
And swept, as 't were, across their hearts' delight,
Like the wind o'er a harp-string, or a flame,
When one is shook in sound, and one in sight;
And thus some boding flash'd through either frame,
And call'd from Juan's breast a faint low sigh,
While one new tear arose in Haidee's eye.

That large black prophet eye seem'd to dilate
And follow far the disappearing sun,
As if their last day! of a happy date
With his broad, bright, and dropping orb were gone;
Juan gazed on her as to ask his fate-
He felt a grief, but knowing cause for none,
His glance inquired of hers for some excuse
For feelings causeless, or at least abstruse.

She turn'd to him, and smiled, but in that sort
Which makes not others smile; then turn'd aside:
Whatever feeling shook her, it seem'd short,
And master'd by her wisdom or her pride;
When Juan spoke, too- it might be in sport-
Of this their mutual feeling, she replied-
'If it should be so,- but- it cannot be-
Or I at least shall not survive to see.'

Juan would question further, but she press'd
His lip to hers, and silenced him with this,
And then dismiss'd the omen from her breast,
Defying augury with that fond kiss;
And no doubt of all methods 't is the best:
Some people prefer wine- 't is not amiss;
I have tried both; so those who would a part take
May choose between the headache and the heartache.

One of the two, according to your choice,
Woman or wine, you 'll have to undergo;
Both maladies are taxes on our joys:
But which to choose, I really hardly know;
And if I had to give a casting voice,
For both sides I could many reasons show,
And then decide, without great wrong to either,
It were much better to have both than neither.

Juan and Haidee gazed upon each other
With swimming looks of speechless tenderness,
Which mix'd all feelings, friend, child, lover, brother,
All that the best can mingle and express
When two pure hearts are pour'd in one another,
And love too much, and yet can not love less;
But almost sanctify the sweet excess
By the immortal wish and power to bless.

Mix'd in each other's arms, and heart in heart,
Why did they not then die?- they had lived too long
Should an hour come to bid them breathe apart;
Years could but bring them cruel things or wrong;
The world was not for them, nor the world's art
For beings passionate as Sappho's song;
Love was born with them, in them, so intense,
It was their very spirit- not a sense.

They should have lived together deep in woods,
Unseen as sings the nightingale; they were
Unfit to mix in these thick solitudes
Call'd social, haunts of Hate, and Vice, and Care:
How lonely every freeborn creature broods!
The sweetest song-birds nestle in a pair;
The eagle soars alone; the gull and crow
Flock o'er their carrion, just like men below.

Now pillow'd cheek to cheek, in loving sleep,
Haidee and Juan their siesta took,
A gentle slumber, but it was not deep,
For ever and anon a something shook
Juan, and shuddering o'er his frame would creep;
And Haidee's sweet lips murmur'd like a brook
A wordless music, and her face so fair
Stirr'd with her dream, as rose-leaves with the air.

Or as the stirring of a deep dear stream
Within an Alpine hollow, when the wind
Walks o'er it, was she shaken by the dream,
The mystical usurper of the mind-
O'erpowering us to be whate'er may seem
Good to the soul which we no more can bind;
Strange state of being! (for 't is still to be)
Senseless to feel, and with seal'd eyes to see.

She dream'd of being alone on the sea-shore,
Chain'd to a rock; she knew not how, but stir
She could not from the spot, and the loud roar
Grew, and each wave rose roughly, threatening her;
And o'er her upper lip they seem'd to pour,
Until she sobb'd for breath, and soon they were
Foaming o'er her lone head, so fierce and high-
Each broke to drown her, yet she could not die.

Anon- she was released, and then she stray'd
O'er the sharp shingles with her bleeding feet,
And stumbled almost every step she made;
And something roll'd before her in a sheet,
Which she must still pursue howe'er afraid:
'T was white and indistinct, nor stopp'd to meet
Her glance nor grasp, for still she gazed, and grasp'd,
And ran, but it escaped her as she clasp'd.

The dream changed:- in a cave she stood, its walls
Were hung with marble icicles, the work
Of ages on its water-fretted halls,
Where waves might wash, and seals might breed and lurk;
Her hair was dripping, and the very balls
Of her black eyes seem'd turn'd to tears, and mirk
The sharp rocks look'd below each drop they caught,
Which froze to marble as it fell,- she thought.

And wet, and cold, and lifeless at her feet,
Pale as the foam that froth'd on his dead brow,
Which she essay'd in vain to clear (how sweet
Were once her cares, how idle seem'd they now!),
Lay Juan, nor could aught renew the beat
Of his quench'd heart; and the sea dirges low
Rang in her sad ears like a mermaid's song,
And that brief dream appear'd a life too long.

And gazing on the dead, she thought his face
Faded, or alter'd into something new-
Like to her father's features, till each trace-
More like and like to Lambro's aspect grew-
With all his keen worn look and Grecian grace;
And starting, she awoke, and what to view?
Oh! Powers of Heaven! what dark eye meets she there?
'T is- 't is her father's- fix'd upon the pair!

Then shrieking, she arose, and shrieking fell,
With joy and sorrow, hope and fear, to see
Him whom she deem'd a habitant where dwell
The ocean-buried, risen from death, to be
Perchance the death of one she loved too well:
Dear as her father had been to Haidee,
It was a moment of that awful kind-
I have seen such- but must not call to mind.

Up Juan sprung to Haidee's bitter shriek,
And caught her falling, and from off the wall
Snatch'd down his sabre, in hot haste to wreak
Vengeance on him who was the cause of all:
Then Lambro, who till now forbore to speak,
Smiled scornfully, and said, 'Within my call,
A thousand scimitars await the word;
Put up, young man, put up your silly sword.'

And Haidee clung around him; 'Juan, 't is-
'T is Lambro- 't is my father! Kneel with me-
He will forgive us- yes- it must be- yes.
Oh! dearest father, in this agony
Of pleasure and of pain- even while I kiss
Thy garment's hem with transport, can it be
That doubt should mingle with my filial joy?
Deal with me as thou wilt, but spare this boy.'

High and inscrutable the old man stood,
Calm in his voice, and calm within his eye-
Not always signs with him of calmest mood:
He look'd upon her, but gave no reply;
Then turn'd to Juan, in whose cheek the blood
Oft came and went, as there resolved to die;
In arms, at least, he stood, in act to spring
On the first foe whom Lambro's call might bring.

'Young man, your sword;' so Lambro once more said:
Juan replied, 'Not while this arm is free.'
The old man's cheek grew pale, but not with dread,
And drawing from his belt a pistol, he
Replied, 'Your blood be then on your own head.'
Then look'd dose at the flint, as if to see
'T was fresh- for he had lately used the lock-
And next proceeded quietly to cock.

It has a strange quick jar upon the ear,
That cocking of a pistol, when you know
A moment more will bring the sight to bear
Upon your person, twelve yards off, or so;
A gentlemanly distance, not too near,
If you have got a former friend for foe;
But after being fired at once or twice,
The ear becomes more Irish, and less nice.

Lambro presented, and one instant more
Had stopp'd this Canto, and Don Juan's breath,
When Haidee threw herself her boy before;
Stern as her sire: 'On me,' she cried, 'let death
Descend- the fault is mine; this fatal shore
He found- but sought not. I have pledged my faith;
I love him- I will die with him: I knew
Your nature's firmness- know your daughter's too.'

A minute past, and she had been all tears,
And tenderness, and infancy; but now
She stood as one who champion'd human fears-
Pale, statue-like, and stern, she woo'd the blow;
And tall beyond her sex, and their compeers,
She drew up to her height, as if to show
A fairer mark; and with a fix'd eye scann'd
Her father's face- but never stopp'd his hand.

He gazed on her, and she on him; 't was strange
How like they look'd! the expression was the same;
Serenely savage, with a little change
In the large dark eye's mutual-darted flame;
For she, too, was as one who could avenge,
If cause should be- a lioness, though tame.
Her father's blood before her father's face
Boil'd up, and proved her truly of his race.

I said they were alike, their features and
Their stature, differing but in sex and years;
Even to the delicacy of their hand
There was resemblance, such as true blood wears;
And now to see them, thus divided, stand
In fix'd ferocity, when joyous tears
And sweet sensations should have welcomed both,
Show what the passions are in their full growth.

The father paused a moment, then withdrew
His weapon, and replaced it; but stood still,
And looking on her, as to look her through,
'Not I,' he said, 'have sought this stranger's ill;
Not I have made this desolation: few
Would bear such outrage, and forbear to kill;
But I must do my duty- how thou hast
Done thine, the present vouches for the past.

'Let him disarm; or, by my father's head,
His own shall roll before you like a ball!'
He raised his whistle, as the word he said,
And blew; another answer'd to the call,
And rushing in disorderly, though led,
And arm'd from boot to turban, one and all,
Some twenty of his train came, rank on rank;
He gave the word,- 'Arrest or slay the Frank.'

Then, with a sudden movement, he withdrew
His daughter; while compress'd within his clasp,
'Twixt her and Juan interposed the crew;
In vain she struggled in her father's grasp-
His arms were like a serpent's coil: then flew
Upon their prey, as darts an angry asp,
The file of pirates; save the foremost, who
Had fallen, with his right shoulder half cut through.

The second had his cheek laid open; but
The third, a wary, cool old sworder, took
The blows upon his cutlass, and then put
His own well in; so well, ere you could look,
His man was floor'd, and helpless at his foot,
With the blood running like a little brook
From two smart sabre gashes, deep and red-
One on the arm, the other on the head.

And then they bound him where he fell, and bore
Juan from the apartment: with a sign
Old Lambro bade them take him to the shore,
Where lay some ships which were to sail at nine.
They laid him in a boat, and plied the oar
Until they reach'd some galliots, placed in line;
On board of one of these, and under hatches,
They stow'd him, with strict orders to the watches.

The world is full of strange vicissitudes,
And here was one exceedingly unpleasant:
A gentleman so rich in the world's goods,
Handsome and young, enjoying all the present,
Just at the very time when he least broods
On such a thing is suddenly to sea sent,
Wounded and chain'd, so that he cannot move,
And all because a lady fell in love.

Here I must leave him, for I grow pathetic,
Moved by the Chinese nymph of tears, green tea!
Than whom Cassandra was not more prophetic;
For if my pure libations exceed three,
I feel my heart become so sympathetic,
That I must have recourse to black Bohea:
'T is pity wine should be so deleterious,
For tea and coffee leave us much more serious,

Unless when qualified with thee, Cogniac!
Sweet Naiad of the Phlegethontic rill!
Ah! why the liver wilt thou thus attack,
And make, like other nymphs, thy lovers ill?
I would take refuge in weak punch, but rack
(In each sense of the word), whene'er I fill
My mild and midnight beakers to the brim,
Wakes me next morning with its synonym.

I leave Don Juan for the present, safe-
Not sound, poor fellow, but severely wounded;
Yet could his corporal pangs amount to half
Of those with which his Haidee's bosom bounded?
She was not one to weep, and rave, and chafe,
And then give way, subdued because surrounded;
Her mother was a Moorish maid, from Fez,
Where all is Eden, or a wilderness.

There the large olive rains its amber store
In marble fonts; there grain, and flower, and fruit,
Gush from the earth until the land runs o'er;
But there, too, many a poison-tree has root,
And midnight listens to the lion's roar,
And long, long deserts scorch the camel's foot,
Or heaving whelm the helpless caravan;
And as the soil is, so the heart of man.

Afric is all the sun's, and as her earth
Her human day is kindled; full of power
For good or evil, burning from its birth,
The Moorish blood partakes the planet's hour,
And like the soil beneath it will bring forth:
Beauty and love were Haidee's mother's dower;
But her large dark eye show'd deep Passion's force,
Though sleeping like a lion near a source.

Her daughter, temper'd with a milder ray,
Like summer clouds all silvery, smooth, and fair,
Till slowly charged with thunder they display
Terror to earth, and tempest to the air,
Had held till now her soft and milky way;
But overwrought with passion and despair,
The fire burst forth from her Numidian veins,
Even as the Simoom sweeps the blasted plains.

The last sight which she saw was Juan's gore,
And he himself o'ermaster'd and cut down;
His blood was running on the very floor
Where late he trod, her beautiful, her own;
Thus much she view'd an instant and no more,-
Her struggles ceased with one convulsive groan;
On her sire's arm, which until now scarce held
Her writhing, fell she like a cedar fell'd.

A vein had burst, and her sweet lips' pure dyes
Were dabbled with the deep blood which ran o'er;
And her head droop'd as when the lily lies
O'ercharged with rain: her summon'd handmaids bore
Their lady to her couch with gushing eyes;
Of herbs and cordials they produced their store,
But she defied all means they could employ,
Like one life could not hold, nor death destroy.

Days lay she in that state unchanged, though chill-
With nothing livid, still her lips were red;
She had no pulse, but death seem'd absent still;
No hideous sign proclaim'd her surely dead;
Corruption came not in each mind to kill
All hope; to look upon her sweet face bred
New thoughts of life, for it seem'd full of soul-
She had so much, earth could not claim the whole.

The ruling passion, such as marble shows
When exquisitely chisell'd, still lay there,
But fix'd as marble's unchanged aspect throws
O'er the fair Venus, but for ever fair;
O'er the Laocoon's all eternal throes,
And ever-dying Gladiator's air,
Their energy like life forms all their fame,
Yet looks not life, for they are still the same.

She woke at length, but not as sleepers wake,
Rather the dead, for life seem'd something new,
A strange sensation which she must partake
Perforce, since whatsoever met her view
Struck not on memory, though a heavy ache
Lay at her heart, whose earliest beat still true
Brought back the sense of pain without the cause,
For, for a while, the furies made a pause.

She look'd on many a face with vacant eye,
On many a token without knowing what;
She saw them watch her without asking why,
And reck'd not who around her pillow sat;
Not speechless, though she spoke not; not a sigh
Relieved her thoughts; dull silence and quick chat
Were tried in vain by those who served; she gave
No sign, save breath, of having left the grave.

Her handmaids tended, but she heeded not;
Her father watch'd, she turn'd her eyes away;
She recognized no being, and no spot,
However dear or cherish'd in their day;
They changed from room to room- but all forgot-
Gentle, but without memory she lay;
At length those eyes, which they would fain be weaning
Back to old thoughts, wax'd full of fearful meaning.

And then a slave bethought her of a harp;
The harper came, and tuned his instrument;
At the first notes, irregular and sharp,
On him her flashing eyes a moment bent,
Then to the wall she turn'd as if to warp
Her thoughts from sorrow through her heart re-sent;
And he begun a long low island song
Of ancient days, ere tyranny grew strong.

Anon her thin wan fingers beat the wall
In time to his old tune; he changed the theme,
And sung of love; the fierce name struck through all
Her recollection; on her flash'd the dream
Of what she was, and is, if ye could call
To be so being; in a gushing stream
The tears rush'd forth from her o'erclouded brain,
Like mountain mists at length dissolved in rain.

Short solace, vain relief!- thought came too quick,
And whirl'd her brain to madness; she arose
As one who ne'er had dwelt among the sick,
And flew at all she met, as on her foes;
But no one ever heard her speak or shriek,
Although her paroxysm drew towards its dose;-
Hers was a phrensy which disdain'd to rave,
Even when they smote her, in the hope to save.

Yet she betray'd at times a gleam of sense;
Nothing could make her meet her father's face,
Though on all other things with looks intense
She gazed, but none she ever could retrace;
Food she refused, and raiment; no pretence
Avail'd for either; neither change of place,
Nor time, nor skill, nor remedy, could give her
Senses to sleep- the power seem'd gone for ever.

Twelve days and nights she wither'd thus; at last,
Without a groan, or sigh, or glance, to show
A parting pang, the spirit from her past:
And they who watch'd her nearest could not know
The very instant, till the change that cast
Her sweet face into shadow, dull and slow,
Glazed o'er her eyes- the beautiful, the black-
Oh! to possess such lustre- and then lack!

She died, but not alone; she held within
A second principle of life, which might
Have dawn'd a fair and sinless child of sin;
But closed its little being without light,
And went down to the grave unborn, wherein
Blossom and bough lie wither'd with one blight;
In vain the dews of Heaven descend above
The bleeding flower and blasted fruit of love.

Thus lived- thus died she; never more on her
Shall sorrow light, or shame. She was not made
Through years or moons the inner weight to bear,
Which colder hearts endure till they are laid
By age in earth: her days and pleasures were
Brief, but delightful- such as had not staid
Long with her destiny; but she sleeps well
By the sea-shore, whereon she loved to dwell.

That isle is now all desolate and bare,
Its dwellings down, its tenants pass'd away;
None but her own and father's grave is there,
And nothing outward tells of human clay;
Ye could not know where lies a thing so fair,
No stone is there to show, no tongue to say
What was; no dirge, except the hollow sea's,
Mourns o'er the beauty of the Cyclades.

But many a Greek maid in a loving song
Sighs o'er her name; and many an islander
With her sire's story makes the night less long;
Valour was his, and beauty dwelt with her:
If she loved rashly, her life paid for wrong-
A heavy price must all pay who thus err,
In some shape; let none think to fly the danger,
For soon or late Love is his own avenger.

But let me change this theme which grows too sad,
And lay this sheet of sorrows on the shelf;
I don't much like describing people mad,
For fear of seeming rather touch'd myself-
Besides, I 've no more on this head to add;
And as my Muse is a capricious elf,
We 'll put about, and try another tack
With Juan, left half-kill'd some stanzas back.

Wounded and fetter'd, 'cabin'd, cribb'd, confined,'
Some days and nights elapsed before that he
Could altogether call the past to mind;
And when he did, he found himself at sea,
Sailing six knots an hour before the wind;
The shores of Ilion lay beneath their lee-
Another time he might have liked to see 'em,
But now was not much pleased with Cape Sigaeum.

There, on the green and village-cotted hill, is
(Flank'd by the Hellespont and by the sea)
Entomb'd the bravest of the brave, Achilles;
They say so (Bryant says the contrary):
And further downward, tall and towering still, is
The tumulus- of whom? Heaven knows! 't may be
Patroclus, Ajax, or Protesilaus-
All heroes, who if living still would slay us.

High barrows, without marble or a name,
A vast, untill'd, and mountain-skirted plain,
And Ida in the distance, still the same,
And old Scamander (if 't is he) remain;
The situation seems still form'd for fame-
A hundred thousand men might fight again
With case; but where I sought for Ilion's walls,
The quiet sheep feeds, and the tortoise crawls;

Troops of untended horses; here and there
Some little hamlets, with new names uncouth;
Some shepherds (unlike Paris) led to stare
A moment at the European youth
Whom to the spot their school-boy feelings bear;
A turk, with beads in hand and pipe in mouth,
Extremely taken with his own religion,
Are what I found there- but the devil a Phrygian.

Don Juan, here permitted to emerge
From his dull cabin, found himself a slave;
Forlorn, and gazing on the deep blue surge,
O'ershadow'd there by many a hero's grave;
Weak still with loss of blood, he scarce could urge
A few brief questions; and the answers gave
No very satisfactory information
About his past or present situation.

He saw some fellow captives, who appear'd
To be Italians, as they were in fact;
From them, at least, their destiny he heard,
Which was an odd one; a troop going to act
In Sicily (all singers, duly rear'd
In their vocation) had not been attack'd
In sailing from Livorno by the pirate,
But sold by the impresario at no high rate.

By one of these, the buffo of the party,
Juan was told about their curious case;
For although destined to the Turkish mart, he
Still kept his spirits up- at least his face;
The little fellow really look'd quite hearty,
And bore him with some gaiety and grace,
Showing a much more reconciled demeanour,
Than did the prima donna and the tenor.

In a few words he told their hapless story,
Saying, 'Our Machiavellian impresario,
Making a signal off some promontory,
Hail'd a strange brig- Corpo di Caio Mario!
We were transferr'd on board her in a hurry,
Without a Single scudo of salario;
But if the Sultan has a taste for song,
We will revive our fortunes before long.

'The prima donna, though a little old,
And haggard with a dissipated life,
And subject, when the house is thin, to cold,
Has some good notes; and then the tenor's wife,
With no great voice, is pleasing to behold;
Last carnival she made a deal of strife
By carrying off Count Cesare Cicogna
From an old Roman princess at Bologna.

'And then there are the dancers; there 's the Nini,
With more than one profession, gains by all;
Then there 's that laughing slut the Pelegrini,
She, too, was fortunate last carnival,
And made at least five hundred good zecchini,
But spends so fast, she has not now a paul;
And then there 's the Grotesca- such a dancer!
Where men have souls or bodies she must answer.

'As for the figuranti, they are like
The rest of all that tribe; with here and there
A pretty person, which perhaps may strike,
The rest are hardly fitted for a fair;
There 's one, though tall and stiffer than a pike,
Yet has a sentimental kind of air
Which might go far, but she don't dance with vigour;
The more 's the pity, with her face and figure.

'As for the men, they are a middling set;
The musico is but a crack'd old basin,
But being qualified in one way yet,
May the seraglio do to set his face in,
And as a servant some preferment get;
His singing I no further trust can place in:
From all the Pope makes yearly 't would perplex
To find three perfect pipes of the third sex.

'The tenor's voice is spoilt by affectation,
And for the bass, the beast can only bellow;
In fact, he had no singing education,
An ignorant, noteless, timeless, tuneless fellow;
But being the prima donna's near relation,
Who swore his voice was very rich and mellow,
They hired him, though to hear him you 'd believe
An ass was practising recitative.

''T would not become myself to dwell upon
My own merits, and though young- I see, Sir- you
Have got a travell'd air, which speaks you one
To whom the opera is by no means new:
You 've heard of Raucocanti?- I 'm the man;
The time may come when you may hear me too;
You was not last year at the fair of Lugo,
But next, when I 'm engaged to sing there- do go.

'Our baritone I almost had forgot,
A pretty lad, but bursting with conceit;
With graceful action, science not a jot,
A voice of no great compass, and not sweet,
He always is complaining of his lot,
Forsooth, scarce fit for ballads in the street;
In lovers' parts his passion more to breathe,
Having no heart to show, he shows his teeth.'

Here Raucocanti's eloquent recital
Was interrupted by the pirate crew,
Who came at stated moments to invite all
The captives back to their sad berths; each threw
A rueful glance upon the waves (which bright all
From the blue skies derived a double blue,
Dancing all free and happy in the sun),
And then went down the hatchway one by one.

They heard next day- that in the Dardanelles,
Waiting for his Sublimity's firman,
The most imperative of sovereign spells,
Which every body does without who can,
More to secure them in their naval cells,
Lady to lady, well as man to man,
Were to be chain'd and lotted out per couple,
For the slave market of Constantinople.

It seems when this allotment was made out,
There chanced to be an odd male, and odd female,
Who (after some discussion and some doubt,
If the soprano might be deem'd to be male,
They placed him o'er the women as a scout)
Were link'd together, and it happen'd the male
Was Juan,- who, an awkward thing at his age,
Pair'd off with a Bacchante blooming visage.

With Raucocanti lucklessly was chain'd
The tenor; these two hated with a hate
Found only on the stage, and each more pain'd
With this his tuneful neighbour than his fate;
Sad strife arose, for they were so cross-grain'd,
Instead of bearing up without debate,
That each pull'd different ways with many an oath,
'Arcades ambo,' id est- blackguards both.

Juan's companion was a Romagnole,
But bred within the March of old Ancona,
With eyes that look'd into the very soul
(And other chief points of a 'bella donna'),
Bright- and as black and burning as a coal;
And through her dear brunette complexion shone
Great wish to please- a most attractive dower,
Especially when added to the power.

But all that power was wasted upon him,
For sorrow o'er each sense held stern command;
Her eye might flash on his, but found it dim;
And though thus chain'd, as natural her hand
Touch'd his, nor that- nor any handsome limb
(And she had some not easy to withstand)
Could stir his pulse, or make his faith feel brittle;
Perhaps his recent wounds might help a little.

No matter; we should ne'er too much enquire,
But facts are facts: no knight could be more true,
And firmer faith no ladye-love desire;
We will omit the proofs, save one or two:
'T is said no one in hand 'can hold a fire
By thought of frosty Caucasus;' but few,
I really think; yet Juan's then ordeal
Was more triumphant, and not much less real.

Here I might enter on a chaste description,
Having withstood temptation in my youth,
But hear that several people take exception
At the first two books having too much truth;
Therefore I 'll make Don Juan leave the ship soon,
Because the publisher declares, in sooth,
Through needles' eyes it easier for the camel is
To pass, than those two cantos into families.

'T is all the same to me; I 'm fond of yielding,
And therefore leave them to the purer page
Of Smollett, Prior, Ariosto, Fielding,
Who say strange things for so correct an age;
I once had great alacrity in wielding
My pen, and liked poetic war to wage,
And recollect the time when all this cant
Would have provoked remarks which now it shan't.

As boys love rows, my boyhood liked a squabble;
But at this hour I wish to part in peace,
Leaving such to the literary rabble:
Whether my verse's fame be doom'd to cease
While the right hand which wrote it still is able,
Or of some centuries to take a lease,
The grass upon my grave will grow as long,
And sigh to midnight winds, but not to song.

Of poets who come down to us through distance
Of time and tongues, the foster-babes of Fame,
Life seems the smallest portion of existence;
Where twenty ages gather o'er a name,
'T is as a snowball which derives assistance
From every flake, and yet rolls on the same,
Even till an iceberg it may chance to grow;
But, after all, 't is nothing but cold snow.

And so great names are nothing more than nominal,
And love of glory 's but an airy lust,
Too often in its fury overcoming all
Who would as 't were identify their dust
From out the wide destruction, which, entombing all,
Leaves nothing till 'the coming of the just'-
Save change: I 've stood upon Achilles' tomb,
And heard Troy doubted; time will doubt of Rome.

The very generations of the dead
Are swept away, and tomb inherits tomb,
Until the memory of an age is fled,
And, buried, sinks beneath its offspring's doom:
Where are the epitaphs our fathers read?
Save a few glean'd from the sepulchral gloom
Which once-named myriads nameless lie beneath,
And lose their own in universal death.

I canter by the spot each afternoon
Where perish'd in his fame the hero-boy,
Who lived too long for men, but died too soon
For human vanity, the young De Foix!
A broken pillar, not uncouthly hewn,
But which neglect is hastening to destroy,
Records Ravenna's carnage on its face,
While weeds and ordure rankle round the base.

I pass each day where Dante's bones are laid:
A little cupola, more neat than solemn,
Protects his dust, but reverence here is paid
To the bard's tomb, and not the warrior's column.
The time must come, when both alike decay'd,
The chieftain's trophy, and the poet's volume,
Will sink where lie the songs and wars of earth,
Before Pelides' death, or Homer's birth.

With human blood that column was cemented,
With human filth that column is defiled,
As if the peasant's coarse contempt were vented
To show his loathing of the spot he soil'd:
Thus is the trophy used, and thus lamented
Should ever be those blood-hounds, from whose wild
Instinct of gore and glory earth has known
Those sufferings Dante saw in hell alone.

Yet there will still be bards: though fame is smoke,
Its fumes are frankincense to human thought;
And the unquiet feelings, which first woke
Song in the world, will seek what then they sought;
As on the beach the waves at last are broke,
Thus to their extreme verge the passions brought
Dash into poetry, which is but passion,
Or at least was so ere it grew a fashion.

If in the course of such a life as was
At once adventurous and contemplative,
Men, who partake all passions as they pass,
Acquire the deep and bitter power to give
Their images again as in a glass,
And in such colours that they seem to live;
You may do right forbidding them to show 'em,
But spoil (I think) a very pretty poem.

Oh! ye, who make the fortunes of all books!
Benign Ceruleans of the second sex!
Who advertise new poems by your looks,
Your 'imprimatur' will ye not annex?
What! must I go to the oblivious cooks,
Those Cornish plunderers of Parnassian wrecks?
Ah! must I then the only minstrel be,
Proscribed from tasting your Castalian tea!

What! can I prove 'a lion' then no more?
A ball-room bard, a foolscap, hot-press darling?
To bear the compliments of many a bore,
And sigh, 'I can't get out,' like Yorick's starling;
Why then I 'll swear, as poet Wordy swore
(Because the world won't read him, always snarling),
That taste is gone, that fame is but a lottery,
Drawn by the blue-coat misses of a coterie.

Oh! 'darkly, deeply, beautifully blue,'
As some one somewhere sings about the sky,
And I, ye learned ladies, say of you;
They say your stockings are so (Heaven knows why,
I have examined few pair of that hue);
Blue as the garters which serenely lie
Round the Patrician left-legs, which adorn
The festal midnight, and the levee morn.

Yet some of you are most seraphic creatures-
But times are alter'd since, a rhyming lover,
You read my stanzas, and I read your features:
And- but no matter, all those things are over;
Still I have no dislike to learned natures,
For sometimes such a world of virtues cover;
I knew one woman of that purple school,
The loveliest, chastest, best, but- quite a fool.

Humboldt, 'the first of travellers,' but not
The last, if late accounts be accurate,
Invented, by some name I have forgot,
As well as the sublime discovery's date,
An airy instrument, with which he sought
To ascertain the atmospheric state,
By measuring 'the intensity of blue:'
Oh, Lady Daphne! let me measure you!

But to the narrative:- The vessel bound
With slaves to sell off in the capital,
After the usual process, might be found
At anchor under the seraglio wall;
Her cargo, from the plague being safe and sound,
Were landed in the market, one and all,
And there with Georgians, Russians, and Circassians,
Bought up for different purposes and passions.

Some went off dearly; fifteen hundred dollars
For one Circassian, a sweet girl, were given,
Warranted virgin; beauty's brightest colours
Had deck'd her out in all the hues of heaven:
Her sale sent home some disappointed bawlers,
Who bade on till the hundreds reach'd eleven;
But when the offer went beyond, they knew
'T was for the Sultan, and at once withdrew.

Twelve negresses from Nubia brought a price
Which the West Indian market scarce would bring;
Though Wilberforce, at last, has made it twice
What 't was ere Abolition; and the thing
Need not seem very wonderful, for vice
Is always much more splendid than a king:
The virtues, even the most exalted, Charity,
Are saving- vice spares nothing for a rarity.

But for the destiny of this young troop,
How some were bought by pachas, some by Jews,
How some to burdens were obliged to stoop,
And others rose to the command of crews
As renegadoes; while in hapless group,
Hoping no very old vizier might choose,
The females stood, as one by one they pick'd 'em,
To make a mistress, or fourth wife, or victim:

All this must be reserved for further song;
Also our hero's lot, howe'er unpleasant
(Because this Canto has become too long),
Must be postponed discreetly for the present;
I 'm sensible redundancy is wrong,
But could not for the muse of me put less in 't:
And now delay the progress of Don Juan,
Till what is call'd in Ossian the fifth Juan.

'There is a tide in the affairs of men
Which,--taken at the flood,'--you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best-
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.

There is a tide in the affairs of women
Which, taken at the flood, leads- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that-
But women with their hearts on heaven knows what!

And yet a headlong, headstrong, downright she,
Young, beautiful, and daring- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk-
Though such a she 's a devil (if that there be one),
Yet she would make full many a Manichean.

Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.

He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.

'T was the boy's 'mite,' and, like the 'widow's,' may
Perhaps be weigh'd hereafter, if not now;
But whether such things do or do not weigh,
All who have loved, or love, will still allow
Life has nought like it. God is love, they say,
And Love 's a god, or was before the brow
Of earth was wrinkled by the sins and tears
Of- but Chronology best knows the years.

We left our hero and third heroine in
A kind of state more awkward than uncommon,
For gentlemen must sometimes risk their skin
For that sad tempter, a forbidden woman:
Sultans too much abhor this sort of sin,
And don't agree at all with the wise Roman,
Heroic, stoic Cato, the sententious,
Who lent his lady to his friend Hortensius.

I know Gulbeyaz was extremely wrong;
I own it, I deplore it, I condemn it;
But I detest all fiction even in song,
And so must tell the truth, howe'er you blame it.
Her reason being weak, her passions strong,
She thought that her lord's heart (even could she claim it)
Was scarce enough; for he had fifty-nine
Years, and a fifteen-hundredth concubine.

I am not, like Cassio, 'an arithmetician,'
But by 'the bookish theoric' it appears,
If 't is summ'd up with feminine precision,
That, adding to the account his Highness' years,
The fair Sultana err'd from inanition;
For, were the Sultan just to all his dears,
She could but claim the fifteen-hundredth part
Of what should be monopoly- the heart.

It is observed that ladies are litigious
Upon all legal objects of possession,
And not the least so when they are religious,
Which doubles what they think of the transgression:
With suits and prosecutions they besiege us,
As the tribunals show through many a session,
When they suspect that any one goes shares
In that to which the law makes them sole heirs.

Now, if this holds good in a Christian land,
The heathen also, though with lesser latitude,
Are apt to carry things with a high hand,
And take what kings call 'an imposing attitude,'
And for their rights connubial make a stand,
When their liege husbands treat them with ingratitude:
And as four wives must have quadruple claims,
The Tigris hath its jealousies like Thames.

Gulbeyaz was the fourth, and (as I said)
The favourite; but what 's favour amongst four?
Polygamy may well be held in dread,
Not only as a sin, but as a bore:
Most wise men, with one moderate woman wed,
Will scarcely find philosophy for more;
And all (except Mahometans) forbear
To make the nuptial couch a 'Bed of Ware.'

His Highness, the sublimest of mankind,-
So styled according to the usual forms
Of every monarch, till they are consign'd
To those sad hungry jacobins the worms,
Who on the very loftiest kings have dined,-
His Highness gazed upon Gulbeyaz' charms,
Expecting all the welcome of a lover
(A 'Highland welcome' all the wide world over).

Now here we should distinguish; for howe'er
Kisses, sweet words, embraces, and all that,
May look like what is- neither here nor there,
They are put on as easily as a hat,
Or rather bonnet, which the fair sex wear,
Trimm'd either heads or hearts to decorate,
Which form an ornament, but no more part
Of heads, than their caresses of the heart.

A slight blush, a soft tremor, a calm kind
Of gentle feminine delight, and shown
More in the eyelids than the eyes, resign'd
Rather to hide what pleases most unknown,
Are the best tokens (to a modest mind)
Of love, when seated on his loveliest throne,
A sincere woman's breast,- for over-warm
Or over-cold annihilates the charm.

For over-warmth, if false, is worse than truth;
If true, 't is no great lease of its own fire;
For no one, save in very early youth,
Would like (I think) to trust all to desire,
Which is but a precarious bond, in sooth,
And apt to be transferr'd to the first buyer
At a sad discount: while your over chilly
Women, on t' other hand, seem somewhat silly.

That is, we cannot pardon their bad taste,
For so it seems to lovers swift or slow,
Who fain would have a mutual flame confess'd,
And see a sentimental passion glow,
Even were St. Francis' paramour their guest,
In his monastic concubine of snow;-
In short, the maxim for the amorous tribe is
Horatian, 'Medio tu tutissimus ibis.'

The 'tu' 's too much,- but let it stand,- the verse
Requires it, that 's to say, the English rhyme,
And not the pink of old hexameters;
But, after all, there 's neither tune nor time
In the last line, which cannot well be worse,
And was thrust in to close the octave's chime:
I own no prosody can ever rate it
As a rule, but truth may, if you translate it.

If fair Gulbeyaz overdid her part,
I know not- it succeeded, and success
Is much in most things, not less in the heart
Than other articles of female dress.
Self-love in man, too, beats all female art;
They lie, we lie, all lie, but love no less;
And no one virtue yet, except starvation,
Could stop that worst of vices- propagation.

We leave this royal couple to repose:
A bed is not a throne, and they may sleep,
Whate'er their dreams be, if of joys or woes:
Yet disappointed joys are woes as deep
As any man's day mixture undergoes.
Our least of sorrows are such as we weep;
'T is the vile daily drop on drop which wears
The soul out (like the stone) with petty cares.

A scolding wife, a sullen son, a bill
To pay, unpaid, protested, or discounted
At a per-centage; a child cross, dog ill,
A favourite horse fallen lame just as he 's mounted,
A bad old woman making a worse will,
Which leaves you minus of the cash you counted
As certain;- these are paltry things, and yet
I 've rarely seen the man they did not fret.

I 'm a philosopher; confound them all!
Bills, beasts, and men, and- no! not womankind!
With one good hearty curse I vent my gall,
And then my stoicism leaves nought behind
Which it can either pain or evil call,
And I can give my whole soul up to mind;
Though what is soul or mind, their birth or growth,
Is more than I know- the deuce take them both!

As after reading Athanasius' curse,
Which doth your true believer so much please:
I doubt if any now could make it worse
O'er his worst enemy when at his knees,
'T is so sententious, positive, and terse,
And decorates the book of Common Prayer,
As doth a rainbow the just clearing air.

Gulbeyaz and her lord were sleeping, or
At least one of them!- Oh, the heavy night,
When wicked wives, who love some bachelor,
Lie down in dudgeon to sigh for the light
Of the gray morning, and look vainly for
Its twinkle through the lattice dusky quite-
To toss, to tumble, doze, revive, and quake
Lest their too lawful bed-fellow should wake!

These are beneath the canopy of heaven,
Also beneath the canopy of beds
Four-posted and silk curtain'd, which are given
For rich men and their brides to lay their heads
Upon, in sheets white as what bards call 'driven
Snow.' Well! 't is all hap-hazard when one weds.
Gulbeyaz was an empress, but had been
Perhaps as wretched if a peasant's quean.

Don Juan in his feminine disguise,
With all the damsels in their long array,
Had bow'd themselves before th' imperial eyes,
And at the usual signal ta'en their way
Back to their chambers, those long galleries
In the seraglio, where the ladies lay
Their delicate limbs; a thousand bosoms there
Beating for love, as the caged bird's for air.

I love the sex, and sometimes would reverse
The tyrant's wish, 'that mankind only had
One neck, which he with one fell stroke might pierce:'
My wish is quite as wide, but not so bad,
And much more tender on the whole than fierce;
It being (not now, but only while a lad)
That womankind had but one rosy mouth,
To kiss them all at once from North to South.

Oh, enviable Briareus! with thy hands
And heads, if thou hadst all things multiplied
In such proportion!- But my Muse withstands
The giant thought of being a Titan's bride,
Or travelling in Patagonian lands;
So let us back to Lilliput, and guide
Our hero through the labyrinth of love
In which we left him several lines above.

He went forth with the lovely Odalisques,
At the given signal join'd to their array;
And though he certainly ran many risks,
Yet he could not at times keep, by the way
(Although the consequences of such frisks
Are worse than the worst damages men pay
In moral England, where the thing 's a tax),
From ogling all their charms from breasts to backs.

Still he forgot not his disguise:- along
The galleries from room to room they walk'd,
A virgin-like and edifying throng,
By eunuchs flank'd; while at their head there stalk'd
A dame who kept up discipline among
The female ranks, so that none stirr'd or talk'd
Without her sanction on their she-parades:
Her title was 'the Mother of the Maids.'

Whether she was a 'mother,' I know not,
Or whether they were 'maids' who call'd her mother;
But this is her seraglio title, got
I know not how, but good as any other;
So Cantemir can tell you, or De Tott:
Her office was to keep aloof or smother
All bad propensities in fifteen hundred
Young women, and correct them when they blunder'd.

A goodly sinecure, no doubt! but made
More easy by the absence of all men-
Except his majesty, who, with her aid,
And guards, and bolts, and walls, and now and then
A slight example, just to cast a shade
Along the rest, contrived to keep this den
Of beauties cool as an Italian convent,
Where all the passions have, alas! but one vent.

And what is that? Devotion, doubtless- how
Could you ask such a question?- but we will
Continue. As I said, this goodly row
Of ladies of all countries at the will
Of one good man, with stately march and slow,
Like water-lilies floating down a rill-
Or rather lake, for rills do not run slowly-
Paced on most maiden-like and melancholy.

But when they reach'd their own apartments, there,
Like birds, or boys, or bedlamites broke loose,
Waves at spring-tide, or women anywhere
When freed from bonds (which are of no great use
After all), or like Irish at a fair,
Their guards being gone, and as it were a truce
Establish'd between them and bondage, they
Began to sing, dance, chatter, smile, and play.

Their talk, of course, ran most on the new comer;
Her shape, her hair, her air, her everything:
Some thought her dress did not so much become her,
Or wonder'd at her ears without a ring;
Some said her years were getting nigh their summer,
Others contended they were but in spring;
Some thought her rather masculine in height,
While others wish'd that she had been so quite.

But no one doubted on the whole, that she
Was what her dress bespoke, a damsel fair,
And fresh, and 'beautiful exceedingly,'
Who with the brightest Georgians might compare:
They wonder'd how Gulbeyaz, too, could be
So silly as to buy slaves who might share
(If that his Highness wearied of his bride)
Her throne and power, and every thing beside.

But what was strangest in this virgin crew,
Although her beauty was enough to vex,
After the first investigating view,
They all found out as few, or fewer, specks
In the fair form of their companion new,
Than is the custom of the gentle sex,
When they survey, with Christian eyes or Heathen,
In a new face 'the ugliest creature breathing.'

And yet they had their little jealousies,
Like all the rest; but upon this occasion,
Whether there are such things as sympathies
Without our knowledge or our approbation,
Although they could not see through his disguise,
All felt a soft kind of concatenation,
Like magnetism, or devilism, or what
You please- we will not quarrel about that:

But certain 't is they all felt for their new
Companion something newer still, as 't were
A sentimental friendship through and through,
Extremely pure, which made them all concur
In wishing her their sister, save a few
Who wish'd they had a brother just like her,
Whom, if they were at home in sweet Circassia,
They would prefer to Padisha or Pacha.

Of those who had most genius for this sort
Of sentimental friendship, there were three,
Lolah, Katinka, and Dudu; in short
(To save description), fair as fair can be
Were they, according to the best report,
Though differing in stature and degree,
And clime and time, and country and complexion;
They all alike admired their new connection.

Lolah was dusk as India and as warm;
Katinka was a Georgian, white and red,
With great blue eyes, a lovely hand and arm,
And feet so small they scarce seem'd made to tread,
But rather skim the earth; while Dudu's form
Look'd more adapted to be put to bed,
Being somewhat large, and languishing, and lazy,
Yet of a beauty that would drive you crazy.

A kind of sleepy Venus seem'd Dudu,
Yet very fit to 'murder sleep' in those
Who gazed upon her cheek's transcendent hue,
Her Attic forehead, and her Phidian nose:
Few angles were there in her form, 't is true,
Thinner she might have been, and yet scarce lose;
Yet, after all, 't would puzzle to say where
It would not spoil some separate charm to pare.

She was not violently lively, but
Stole on your spirit like a May-day breaking;
Her eyes were not too sparkling, yet, half-shut,
They put beholders in a tender taking;
She look'd (this simile 's quite new) just cut
From marble, like Pygmalion's statue waking,
The mortal and the marble still at strife,
And timidly expanding into life.

Lolah demanded the new damsel's name-
'Juanna.'- Well, a pretty name enough.
Katinka ask'd her also whence she came-
'From Spain.'- 'But where is Spain?'- 'Don't ask such stuff,
Nor show your Georgian ignorance- for shame!'
Said Lolah, with an accent rather rough,
To poor Katinka: 'Spain 's an island near
Morocco, betwixt Egypt and Tangier.'

Dudu said nothing, but sat down beside
Juanna, playing with her veil or hair;
And looking at her steadfastly, she sigh'd,
As if she pitied her for being there,
A pretty stranger without friend or guide,
And all abash'd, too, at the general stare
Which welcomes hapless strangers in all places,
With kind remarks upon their mien and faces.

But here the Mother of the Maids drew near,
With, 'Ladies, it is time to go to rest.
I 'm puzzled what to do with you, my dear,'
She added to Juanna, their new guest:
'Your coming has been unexpected here,
And every couch is occupied; you had best
Partake of mine; but by to-morrow early
We will have all things settled for you fairly.'

Here Lolah interposed- 'Mamma, you know
You don't sleep soundly, and I cannot bear
That anybody should disturb you so;
I 'll take Juanna; we 're a slenderer pair
Than you would make the half of;- don't say no;
And I of your young charge will take due care.'
But here Katinka interfered, and said,
'She also had compassion and a bed.

'Besides, I hate to sleep alone,' quoth she.
The matron frown'd: 'Why so?'- 'For fear of ghosts,'
Replied Katinka; 'I am sure I see
A phantom upon each of the four posts;
And then I have the worst dreams that can be,
Of Guebres, Giaours, and Ginns, and Gouls in hosts.'
The dame replied, 'Between your dreams and you,
I fear Juanna's dreams would be but few.

'You, Lolah, must continue still to lie
Alone, for reasons which don't matter; you
The same, Katinka, until by and by;
And I shall place Juanna with Dudu,
Who 's quiet, inoffensive, silent, shy,
And will not toss and chatter the night through.
What say you, child?'- Dudu said nothing, as
Her talents were of the more silent class;

But she rose up, and kiss'd the matron's brow
Between the eyes, and Lolah on both cheeks,
Katinka, too; and with a gentle bow
(Curt'sies are neither used by Turks nor Greeks)
She took Juanna by the hand to show
Their place of rest, and left to both their piques,
The others pouting at the matron's preference
Of Dudu, though they held their tongues from deference.

It was a spacious chamber (Oda is
The Turkish title), and ranged round the wall
Were couches, toilets- and much more than this
I might describe, as I have seen it all,
But it suffices- little was amiss;
'T was on the whole a nobly furnish'd hall,
With all things ladies want, save one or two,
And even those were nearer than they knew.

Dudu, as has been said, was a sweet creature,
Not very dashing, but extremely winning,
With the most regulated charms of feature,
Which painters cannot catch like faces sinning
Against proportion- the wild strokes of nature
Which they hit off at once in the beginning,
Full of expression, right or wrong, that strike,
And pleasing or unpleasing, still are like.

But she was a soft landscape of mild earth,
Where all was harmony, and calm, and quiet,
Luxuriant, budding; cheerful without mirth,
Which, if not happiness, is much more nigh it
Than are your mighty passions and so forth,
Which some call 'the sublime:' I wish they 'd try it:
I 've seen your stormy seas and stormy women,
And pity lovers rather more than seamen.

But she was pensive more than melancholy,
And serious more than pensive, and serene,
It may be, more than either- not unholy
Her thoughts, at least till now, appear to have been.
The strangest thing was, beauteous, she was wholly
Unconscious, albeit turn'd of quick seventeen,
That she was fair, or dark, or short, or tall;
She never thought about herself at all.

And therefore was she kind and gentle as
The Age of Gold (when gold was yet unknown,
By which its nomenclature came to pass;
Thus most appropriately has been shown
'Lucus a non lucendo,' not what was,
But what was not; a sort of style that 's grown
Extremely common in this age, whose metal
The devil may decompose, but never settle:

I think it may be of 'Corinthian Brass,'
Which was a mixture of all metals, but
The brazen uppermost). Kind reader! pass
This long parenthesis: I could not shut
It sooner for the soul of me, and class
My faults even with your own! which meaneth, Put
A kind construction upon them and me:
But that you won't- then don't- I am not less free.

'T is time we should return to plain narration,
And thus my narrative proceeds:- Dudu,
With every kindness short of ostentation,
Show'd Juan, or Juanna, through and through
This labyrinth of females, and each station
Described- what 's strange- in words extremely few:
I have but one simile, and that 's a blunder,
For wordless woman, which is silent thunder.

And next she gave her (I say her, because
The gender still was epicene, at least
In outward show, which is a saving clause)
An outline of the customs of the East,
With all their chaste integrity of laws,
By which the more a haram is increased,
The stricter doubtless grow the vestal duties
Of any supernumerary beauties.

And then she gave Juanna a chaste kiss:
Dudu was fond of kissing- which I 'm sure
That nobody can ever take amiss,
Because 't is pleasant, so that it be pure,
And between females means no more than this-
That they have nothing better near, or newer.
'Kiss' rhymes to 'bliss' in fact as well as verse-
I wish it never led to something worse.

In perfect innocence she then unmade
Her toilet, which cost little, for she was
A child of Nature, carelessly array'd:
If fond of a chance ogle at her glass,
'T was like the fawn, which, in the lake display'd,
Beholds her own shy, shadowy image pass,
When first she starts, and then returns to peep,
Admiring this new native of the deep.

And one by one her articles of dress
Were laid aside; but not before she offer'd
Her aid to fair Juanna, whose excess
Of modesty declined the assistance proffer'd:
Which pass'd well off- as she could do no less;
Though by this politesse she rather suffer'd,
Pricking her fingers with those cursed pins,
Which surely were invented for our sins,-

Making a woman like a porcupine,
Not to be rashly touch'd. But still more dread,
Oh ye! whose fate it is, as once 't was mine,
In early youth, to turn a lady's maid;-
I did my very boyish best to shine
In tricking her out for a masquerade;
The pins were placed sufficiently, but not
Stuck all exactly in the proper spot.

But these are foolish things to all the wise,
And I love wisdom more than she loves me;
My tendency is to philosophise
On most things, from a tyrant to a tree;
But still the spouseless virgin Knowledge flies.
What are we? and whence came we? what shall be
Our ultimate existence? what 's our present?
Are questions answerless, and yet incessant.

There was deep silence in the chamber: dim
And distant from each other burn'd the lights,
And slumber hover'd o'er each lovely limb
Of the fair occupants: if there be sprites,
They should have walk'd there in their sprightliest trim,
By way of change from their sepulchral sites,
And shown themselves as ghosts of better taste
Than haunting some old ruin or wild waste.

Many and beautiful lay those around,
Like flowers of different hue, and dime, and root,
In some exotic garden sometimes found,
With cost, and care, and warmth induced to shoot.
One with her auburn tresses lightly bound,
And fair brows gently drooping, as the fruit
Nods from the tree, was slumbering with soft breath,
And lips apart, which show'd the pearls beneath.

One with her flush'd cheek laid on her white arm,
And raven ringlets gather'd in dark crowd
Above her brow, lay dreaming soft and warm;
And smiling through her dream, as through a cloud
The moon breaks, half unveil'd each further charm,
As, slightly stirring in her snowy shroud,
Her beauties seized the unconscious hour of night
All bashfully to struggle into light.

This is no bull, although it sounds so; for
'T was night, but there were lamps, as hath been said.
A third's all pallid aspect offer'd more
The traits of sleeping sorrow, and betray'd
Through the heaved breast the dream of some far shore
Beloved and deplored; while slowly stray'd
(As night-dew, on a cypress glittering, tinges
The black bough) tear-drops through her eyes' dark fringes.

A fourth as marble, statue-like and still,
Lay in a breathless, hush'd, and stony sleep;
White, cold, and pure, as looks a frozen rill,
Or the snow minaret on an Alpine steep,
Or Lot's wife done in salt,- or what you will;-
My similes are gather'd in a heap,
So pick and choose- perhaps you 'll be content
With a carved lady on a monument.

And lo! a fifth appears;- and what is she?
A lady of a 'certain age,' which means
Certainly aged- what her years might be
I know not, never counting past their teens;
But there she slept, not quite so fair to see,
As ere that awful period intervenes
Which lays both men and women on the shelf,
To meditate upon their sins and self.

But all this time how slept, or dream'd, Dudu?
With strict inquiry I could ne'er discover,
And scorn to add a syllable untrue;
But ere the middle watch was hardly over,
Just when the fading lamps waned dim and blue,
And phantoms hover'd, or might seem to hover,
To those who like their company, about
The apartment, on a sudden she scream'd out:

And that so loudly, that upstarted all
The Oda, in a general commotion:
Matron and maids, and those whom you may call
Neither, came crowding like the waves of ocean,
One on the other, throughout the whole hall,
All trembling, wondering, without the least notion
More than I have myself of what could make
The calm Dudu so turbulently wake.

But wide awake she was, and round her bed,
With floating draperies and with flying hair,
With eager eyes, and light but hurried tread,
And bosoms, arms, and ankles glancing bare,
And bright as any meteor ever bred
By the North Pole,- they sought her cause of care,
For she seem'd agitated, flush'd, and frighten'd,
Her eye dilated and her colour heighten'd.

But what was strange- and a strong proof how great
A blessing is sound sleep- Juanna lay
As fast as ever husband by his mate
In holy matrimony snores away.
Not all the clamour broke her happy state
Of slumber, ere they shook her,- so they say
At least,- and then she, too, unclosed her eyes,
And yawn'd a good deal with discreet surprise.

And now commenced a strict investigation,
Which, as all spoke at once and more than once,
Conjecturing, wondering, asking a narration,
Alike might puzzle either wit or dunce
To answer in a very clear oration.
Dudu had never pass'd for wanting sense,
But, being 'no orator as Brutus is,'
Could not at first expound what was amiss.

At length she said, that in a slumber sound
She dream'd a dream, of walking in a wood-
A 'wood obscure,' like that where Dante found
Himself in at the age when all grow good;
Life's half-way house, where dames with virtue crown'd
Run much less risk of lovers turning rude;
And that this wood was full of pleasant fruits,
And trees of goodly growth and spreading roots;

And in the midst a golden apple grew,-
A most prodigious pippin,- but it hung
Rather too high and distant; that she threw
Her glances on it, and then, longing, flung
Stones and whatever she could pick up, to
Bring down the fruit, which still perversely clung
To its own bough, and dangled yet in sight,
But always at a most provoking height;-

That on a sudden, when she least had hope,
It fell down of its own accord before
Her feet; that her first movement was to stoop
And pick it up, and bite it to the core;
That just as her young lip began to ope
Upon the golden fruit the vision bore,
A bee flew out and stung her to the heart,
And so- she awoke with a great scream and start.

All this she told with some confusion and
Dismay, the usual consequence of dreams
Of the unpleasant kind, with none at hand
To expound their vain and visionary gleams.
I 've known some odd ones which seem'd really plann'd
Prophetically, or that which one deems
A 'strange coincidence,' to use a phrase
By which such things are settled now-a-days.

The damsels, who had thoughts of some great harm,
Began, as is the consequence of fear,
To scold a little at the false alarm
That broke for nothing on their sleeping car.
The matron, too, was wroth to leave her warm
Bed for the dream she had been obliged to hear,
And chafed at poor Dudu, who only sigh'd,
And said that she was sorry she had cried.

'I 've heard of stories of a cock and bull;
But visions of an apple and a bee,
To take us from our natural rest, and pull
The whole Oda from their beds at half-past three,
Would make us think the moon is at its full.
You surely are unwell, child! we must see,
To-morrow, what his Highness's physician
Will say to this hysteric of a vision.

'And poor Juanna, too- the child's first night
Within these walls to be broke in upon
With such a clamour! I had thought it right
That the young stranger should not lie alone,
And, as the quietest of all, she might
With you, Dudu, a good night's rest have known;
But now I must transfer her to the charge
Of Lolah- though her couch is not so large.'

Lolah's eyes sparkled at the proposition;
But poor Dudu, with large drops in her own,
Resulting from the scolding or the vision,
Implored that present pardon might be shown
For this first fault, and that on no condition
(She added in a soft and piteous tone)
Juanna should be taken from her, and
Her future dreams should all be kept in hand.

She promised never more to have a dream,
At least to dream so loudly as just now;
She wonder'd at herself how she could scream-
'T was foolish, nervous, as she must allow,
A fond hallucination, and a theme
For laughter- but she felt her spirits low,
And begg'd they would excuse her; she 'd get over
This weakness in a few hours, and recover.

And here Juanna kindly interposed,
And said she felt herself extremely well
Where she then was, as her sound sleep disclosed
When all around rang like a tocsin bell:
She did not find herself the least disposed
To quit her gentle partner, and to dwell
Apart from one who had no sin to show,
Save that of dreaming once 'mal-a-propos.'

As thus Juanna spoke, Dudu turn'd round
And hid her face within Juanna's breast:
Her neck alone was seen, but that was found
The colour of a budding rose's crest.
I can't tell why she blush'd, nor can expound
The mystery of this rupture of their rest;
All that I know is, that the facts I state
Are true as truth has ever been of late.

And so good night to them,- or, if you will,
Good morrow- for the cock had crown, and light
Began to clothe each Asiatic hill,
And the mosque crescent struggled into sight
Of the long caravan, which in the chill
Of dewy dawn wound slowly round each height
That stretches to the stony belt, which girds
Asia, where Kaff looks down upon the Kurds.

With the first ray, or rather grey of morn,
Gulbeyaz rose from restlessness; and pale
As passion rises, with its bosom worn,
Array'd herself with mantle, gem, and veil.
The nightingale that sings with the deep thorn,
Which fable places in her breast of wail,
Is lighter far of heart and voice than those
Whose headlong passions form their proper woes.

And that 's the moral of this composition,
If people would but see its real drift;-
But that they will not do without suspicion,
Because all gentle readers have the gift
Of closing 'gainst the light their orbs of vision;
While gentle writers also love to lift
Their voices 'gainst each other, which is natural,
The numbers are too great for them to flatter all.

Rose the sultana from a bed of splendour,
Softer than the soft Sybarite's, who cried
Aloud because his feelings were too tender
To brook a ruffled rose-leaf by his side,-
So beautiful that art could little mend her,
Though pale with conflicts between love and pride;-
So agitated was she with her error,
She did not even look into the mirror.

Also arose about the self-same time,
Perhaps a little later, her great lord,
Master of thirty kingdoms so sublime,
And of a wife by whom he was abhorr'd;
A thing of much less import in that clime-
At least to those of incomes which afford
The filling up their whole connubial cargo-
Than where two wives are under an embargo.

He did not think much on the matter, nor
Indeed on any other: as a man
He liked to have a handsome paramour
At hand, as one may like to have a fan,
And therefore of Circassians had good store,
As an amusement after the Divan;
Though an unusual fit of love, or duty,
Had made him lately bask in his bride's beauty.

And now he rose; and after due ablutions
Exacted by the customs of the East,
And prayers and other pious evolutions,
He drank six cups of coffee at the least,
And then withdrew to hear about the Russians,
Whose victories had recently increased
In Catherine's reign, whom glory still adores,

But oh, thou grand legitimate Alexander!
Her son's son, let not this last phrase offend
Thine ear, if it should reach- and now rhymes wander
Almost as far as Petersburgh and lend
A dreadful impulse to each loud meander
Of murmuring Liberty's wide waves, which blend
Their roar even with the Baltic's- so you be
Your father's son, 't is quite enough for me.

To call men love-begotten or proclaim
Their mothers as the antipodes of Timon,
That hater of mankind, would be a shame,
A libel, or whate'er you please to rhyme on:
But people's ancestors are history's game;
And if one lady's slip could leave a crime on
All generations, I should like to know
What pedigree the best would have to show?

Had Catherine and the sultan understood
Their own true interests, which kings rarely know
Until 't is taught by lessons rather rude,
There was a way to end their strife, although
Perhaps precarious, had they but thought good,
Without the aid of prince or plenipo:
She to dismiss her guards and he his haram,
And for their other matters, meet and share 'em.

But as it was, his Highness had to hold
His daily council upon ways and means
How to encounter with this martial scold,
This modern Amazon and queen of queans;
And the perplexity could not be told
Of all the pillars of the state, which leans
Sometimes a little heavy on the backs
Of those who cannot lay on a new tax.

Meantime Gulbeyaz, when her king was gone,
Retired into her boudoir, a sweet place
For love or breakfast; private, pleasing, lone,
And rich with all contrivances which grace
Those gay recesses:- many a precious stone
Sparkled along its roof, and many a vase
Of porcelain held in the fetter'd flowers,
Those captive soothers of a captive's hours.

Mother of pearl, and porphyry, and marble,
Vied with each other on this costly spot;
And singing birds without were heard to warble;
And the stain'd glass which lighted this fair grot
Varied each ray;- but all descriptions garble
The true effect, and so we had better not
Be too minute; an outline is the best,-
A lively reader's fancy does the rest.

And here she summon'd Baba, and required
Don Juan at his hands, and information
Of what had pass'd since all the slaves retired,
And whether he had occupied their station;
If matters had been managed as desired,
And his disguise with due consideration
Kept up; and above all, the where and how
He had pass'd the night, was what she wish'd to know.

Baba, with some embarrassment, replied
To this long catechism of questions, ask'd
More easily than answer'd,- that he had tried
His best to obey in what he had been task'd;
But there seem'd something that he wish'd to hide,
Which hesitation more betray'd than mask'd;
He scratch'd his ear, the infallible resource
To which embarrass'd people have recourse.

Gulbeyaz was no model of true patience,
Nor much disposed to wait in word or deed;
She liked quick answers in all conversations;
And when she saw him stumbling like a steed
In his replies, she puzzled him for fresh ones;
And as his speech grew still more broken-kneed,
Her cheek began to flush, her eyes to sparkle,
And her proud brow's blue veins to swell and darkle.

When Baba saw these symptoms, which he knew
To bode him no great good, he deprecated
Her anger, and beseech'd she 'd hear him through-
He could not help the thing which he related:
Then out it came at length, that to Dudu
Juan was given in charge, as hath been stated;
But not by Baba's fault, he said, and swore on
The holy camel's hump, besides the Koran.

The chief dame of the Oda, upon whom
The discipline of the whole haram bore,
As soon as they re-enter'd their own room,
For Baba's function stopt short at the door,
Had settled all; nor could he then presume
(The aforesaid Baba) just then to do more,
Without exciting such suspicion as
Might make the matter still worse than it was.

He hoped, indeed he thought, he could be sure
Juan had not betray'd himself; in fact
'T was certain that his conduct had been pure,
Because a foolish or imprudent act
Would not alone have made him insecure,
But ended in his being found out and sack'd,
And thrown into the sea.- Thus Baba spoke
Of all save Dudu's dream, which was no joke.

This he discreetly kept in the background,
And talk'd away- and might have talk'd till now,
For any further answer that he found,
So deep an anguish wrung Gulbeyaz' brow:
Her cheek turn'd ashes, ears rung, brain whirl'd round,
As if she had received a sudden blow,
And the heart's dew of pain sprang fast and chilly
O'er her fair front, like Morning's on a lily.

Although she was not of the fainting sort,
Baba thought she would faint, but there he err'd-
It was but a convulsion, which though short
Can never be described; we all have heard,
And some of us have felt thus 'all amort,'
When things beyond the common have occurr'd;-
Gulbeyaz proved in that brief agony
What she could ne'er express- then how should I?

She stood a moment as a Pythones
Stands on her tripod, agonised, and full
Of inspiration gather'd from distress,
When all the heart-strings like wild horses pull
The heart asunder;- then, as more or lees
Their speed abated or their strength grew dull,
She sunk down on her seat by slow degrees,
And bow'd her throbbing head o'er trembling knees.

Her face declined and was unseen; her hair
Fell in long tresses like the weeping willow,
Sweeping the marble underneath her chair,
Or rather sofa (for it was all pillow,
A low soft ottoman), and black despair
Stirr'd up and down her bosom like a billow,
Which rushes to some shore whose shingles check
Its farther course, but must receive its wreck.

Her head hung down, and her long hair in stooping
Conceal'd her features better than a veil;
And one hand o'er the ottoman lay drooping,
White, waxen, and as alabaster pale:
Would that I were a painter! to be grouping
All that a poet drags into detail
Oh that my words were colours! but their tints
May serve perhaps as outlines or slight hints.

Baba, who knew by experience when to talk
And when to hold his tongue, now held it till
This passion might blow o'er, nor dared to balk
Gulbeyaz' taciturn or speaking will.
At length she rose up, and began to walk
Slowly along the room, but silent still,
And her brow clear'd, but not her troubled eye;
The wind was down, but still the sea ran high.

She stopp'd, and raised her head to speak- but paused,
And then moved on again with rapid pace;
Then slacken'd it, which is the march most caused
By deep emotion:- you may sometimes trace
A feeling in each footstep, as disclosed
By Sallust in his Catiline, who, chased
By all the demons of all passions, show'd
Their work even by the way in which he trode.

Gulbeyaz stopp'd and beckon'd Baba:- 'Slave!
Bring the two slaves!' she said in a low tone,
But one which Baba did not like to brave,
And yet he shudder'd, and seem'd rather prone
To prove reluctant, and begg'd leave to crave
(Though he well knew the meaning) to be shown
What slaves her highness wish'd to indicate,
For fear of any error, like the late.

'The Georgian and her paramour,' replied
The imperial bride- and added, 'Let the boat
Be ready by the secret portal's side:
You know the rest.' The words stuck in her throat,
Despite her injured love and fiery pride;
And of this Baba willingly took note,
And begg'd by every hair of Mahomet's beard,
She would revoke the order he had heard.

'To hear is to obey,' he said; 'but still,
Sultana, think upon the consequence:
It is not that I shall not all fulfil
Your orders, even in their severest sense;
But such precipitation may end ill,
Even at your own imperative expense:
I do not mean destruction and exposure,
In case of any premature disclosure;

'But your own feelings. Even should all the rest
Be hidden by the rolling waves, which hide
Already many a once love-beaten breast
Deep in the caverns of the deadly tide-
You love this boyish, new, seraglio guest,
And if this violent remedy be tried-
Excuse my freedom, when I here assure you,
That killing him is not the way to cure you.'

'What dost thou know of love or feeling?- Wretch!
Begone!' she cried, with kindling eyes- 'and do
My bidding!' Baba vanish'd, for to stretch
His own remonstrance further he well knew
Might end in acting as his own 'Jack Ketch;'
And though he wish'd extremely to get through
This awkward business without harm to others,
He still preferr'd his own neck to another's.

Away he went then upon his commission,
Growling and grumbling in good Turkish phrase
Against all women of whate'er condition,
Especially sultanas and their ways;
Their obstinacy, pride, and indecision,
Their never knowing their own mind two days,
The trouble that they gave, their immorality,
Which made him daily bless his own neutrality.

And then he call'd his brethren to his aid,
And sent one on a summons to the pair,
That they must instantly be well array'd,
And above all be comb'd even to a hair,
And brought before the empress, who had made
Inquiries after them with kindest care:
At which Dudu look'd strange, and Juan silly;
But go they must at once, and will I- nill I.

And here I leave them at their preparation
For the imperial presence, wherein whether
Gulbeyaz show'd them both commiseration,
Or got rid of the parties altogether,
Like other angry ladies of her nation,-
Are things the turning of a hair or feather
May settle; but far be 't from me to anticipate
In what way feminine caprice may dissipate.

I leave them for the present with good wishes,
Though doubts of their well doing, to arrange
Another part of history; for the dishes
Of this our banquet we must sometimes change;
And trusting Juan may escape the fishes,
Although his situation now seems strange
And scarce secure, as such digressions are fair,
The Muse will take a little touch at warfare.

Hail, Muse! et cetera.--We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou Wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast- but place to die-
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely- like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

I know not if the fault be men's or theirs;
But one thing 's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine-
A sad, sour, sober beverage- by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

There 's something of antipathy, as 't were,
Between their present and their future state;
A kind of flattery that 's hardly fair
Is used until the truth arrives too late-
Yet what can people do, except despair?
The same things change their names at such a rate;
For instance- passion in a lover 's glorious,
But in a husband is pronounced uxorious.

Men grow ashamed of being so very fond;
They sometimes also get a little tired
(But that, of course, is rare), and then despond:
The same things cannot always be admired,
Yet 't is 'so nominated in the bond,'
That both are tied till one shall have expired.
Sad thought! to lose the spouse that was adorning
Our days, and put one's servants into mourning.

There 's doubtless something in domestic doings
Which forms, in fact, true love's antithesis;
Romances paint at full length people's wooings,
But only give a bust of marriages;
For no one cares for matrimonial cooings,
There 's nothing wrong in a connubial kiss:
Think you, if Laura had been Petrarch's wife,
He would have written sonnets all his life?

All tragedies are finish'd by a death,
All comedies are ended by a marriage;
The future states of both are left to faith,
For authors fear description might disparage
The worlds to come of both, or fall beneath,
And then both worlds would punish their miscarriage;
So leaving each their priest and prayer-book ready,
They say no more of Death or of the Lady.

The only two that in my recollection
Have sung of heaven and hell, or marriage, are
Dante and Milton, and of both the affection
Was hapless in their nuptials, for some bar
Of fault or temper ruin'd the connection
(Such things, in fact, it don't ask much to mar):
But Dante's Beatrice and Milton's Eve
Were not drawn from their spouses, you conceive.

Some persons say that Dante meant theology
By Beatrice, and not a mistress- I,
Although my opinion may require apology,
Deem this a commentator's fantasy,
Unless indeed it was from his own knowledge he
Decided thus, and show'd good reason why;
I think that Dante's more abstruse ecstatics
Meant to personify the mathematics.

Haidee and Juan were not married, but
The fault was theirs, not mine; it is not fair,
Chaste reader, then, in any way to put
The blame on me, unless you wish they were;
Then if you 'd have them wedded, please to shut
The book which treats of this erroneous pair,
Before the consequences grow too awful;
'T is dangerous to read of loves unlawful.

Yet they were happy,- happy in the illicit
Indulgence of their innocent desires;
But more imprudent grown with every visit,
Haidee forgot the island was her sire's;
When we have what we like, 't is hard to miss it,
At least in the beginning, ere one tires;
Thus she came often, not a moment losing,
Whilst her piratical papa was cruising.

Let not his mode of raising cash seem strange,
Although he fleeced the flags of every nation,
For into a prime minister but change
His title, and 't is nothing but taxation;
But he, more modest, took an humbler range
Of life, and in an honester vocation
Pursued o'er the high seas his watery journey,
And merely practised as a sea-attorney.

The good old gentleman had been detain'd
By winds and waves, and some important captures;
And, in the hope of more, at sea remain'd,
Although a squall or two had damp'd his raptures,
By swamping one of the prizes; he had chain'd
His prisoners, dividing them like chapters
In number'd lots; they all had cuffs and collars,
And averaged each from ten to a hundred dollars.

Some he disposed of off Cape Matapan,
Among his friends the Mainots; some he sold
To his Tunis correspondents, save one man
Toss'd overboard unsaleable (being old);
The rest- save here and there some richer one,
Reserved for future ransom- in the hold
Were link'd alike, as for the common people he
Had a large order from the Dey of Tripoli.

The merchandise was served in the same way,
Pieced out for different marts in the Levant;
Except some certain portions of the prey,
Light classic articles of female want,
French stuffs, lace, tweezers, toothpicks, teapot, tray,
Guitars and castanets from Alicant,
All which selected from the spoil he gathers,
Robb'd for his daughter by the best of fathers.

A monkey, a Dutch mastiff, a mackaw,
Two parrots, with a Persian cat and kittens,
He chose from several animals he saw-
A terrier, too, which once had been a Briton's,
Who dying on the coast of Ithaca,
The peasants gave the poor dumb thing a pittance;
These to secure in this strong blowing weather,
He caged in one huge hamper altogether.

Then having settled his marine affairs,
Despatching single cruisers here and there,
His vessel having need of some repairs,
He shaped his course to where his daughter fair
Continued still her hospitable cares;
But that part of the coast being shoal and bare,
And rough with reefs which ran out many a mile,
His port lay on the other side o' the isle.

And there he went ashore without delay,
Having no custom-house nor quarantine
To ask him awkward questions on the way
About the time and place where he had been:
He left his ship to be hove down next day,
With orders to the people to careen;
So that all hands were busy beyond measure,
In getting out goods, ballast, guns, and treasure.

Arriving at the summit of a hill
Which overlook'd the white walls of his home,
He stopp'd.- What singular emotions fill
Their bosoms who have been induced to roam!
With fluttering doubts if all be well or ill-
With love for many, and with fears for some;
All feelings which o'erleap the years long lost,
And bring our hearts back to their starting-post.

The approach of home to husbands and to sires,
After long travelling by land or water,
Most naturally some small doubt inspires-
A female family 's a serious matter
(None trusts the sex more, or so much admires-
But they hate flattery, so I never flatter);
Wives in their husbands' absences grow subtler,
And daughters sometimes run off with the butler.

An honest gentleman at his return
May not have the good fortune of Ulysses;
Not all lone matrons for their husbands mourn,
Or show the same dislike to suitors' kisses;
The odds are that he finds a handsome urn
To his memory- and two or three young misses
Born to some friend, who holds his wife and riches,-
And that his Argus- bites him by the breeches.

If single, probably his plighted fair
Has in his absence wedded some rich miser;
But all the better, for the happy pair
May quarrel, and the lady growing wiser,
He may resume his amatory care
As cavalier servente, or despise her;
And that his sorrow may not be a dumb one,
Write odes on the Inconstancy of Woman.

And oh! ye gentlemen who have already
Some chaste liaison of the kind- I mean
An honest friendship with a married lady-
The only thing of this sort ever seen
To last- of all connections the most steady,
And the true Hymen (the first 's but a screen)-
Yet for all that keep not too long away,
I 've known the absent wrong'd four times a day.

Lambro, our sea-solicitor, who had
Much less experience of dry land than ocean,
On seeing his own chimney-smoke, felt glad;
But not knowing metaphysics, had no notion
Of the true reason of his not being sad,
Or that of any other strong emotion;
He loved his child, and would have wept the loss of her,
But knew the cause no more than a philosopher.

He saw his white walls shining in the sun,
His garden trees all shadowy and green;
He heard his rivulet's light bubbling run,
The distant dog-bark; and perceived between
The umbrage of the wood so cool and dun
The moving figures, and the sparkling sheen
Of arms (in the East all arm)- and various dyes
Of colour'd garbs, as bright as butterflies.

And as the spot where they appear he nears,
Surprised at these unwonted signs of idling,
He hears- alas! no music of the spheres,
But an unhallow'd, earthly sound of fiddling!
A melody which made him doubt his ears,
The cause being past his guessing or unriddling;
A pipe, too, and a drum, and shortly after,
A most unoriental roar of laughter.

And still more nearly to the place advancing,
Descending rather quickly the declivity,
Through the waved branches o'er the greensward glancing,
'Midst other indications of festivity,
Seeing a troop of his domestics dancing
Like dervises, who turn as on a pivot, he
Perceived it was the Pyrrhic dance so martial,
To which the Levantines are very partial.

And further on a group of Grecian girls,
The first and tallest her white kerchief waving,
Were strung together like a row of pearls,
Link'd hand in hand, and dancing; each too having
Down her white neck long floating auburn curls
(The least of which would set ten poets raving);
Their leader sang- and bounded to her song,
With choral step and voice, the virgin throng.

And here, assembled cross-legg'd round their trays,
Small social parties just begun to dine;
Pilaus and meats of all sorts met the gaze,
And flasks of Samian and of Chian wine,
And sherbet cooling in the porous vase;
Above them their dessert grew on its vine,
The orange and pomegranate nodding o'er
Dropp'd in their laps, scarce pluck'd, their mellow store.

A band of children, round a snow-white ram,
There wreathe his venerable horns with flowers;
While peaceful as if still an unwean'd lamb,
The patriarch of the flock all gently cowers
His sober head, majestically tame,
Or eats from out the palm, or playful lowers
His brow, as if in act to butt, and then
Yielding to their small hands, draws back again.

Their classical profiles, and glittering dresses,
Their large black eyes, and soft seraphic cheeks,
Crimson as cleft pomegranates, their long tresses,
The gesture which enchants, the eye that speaks,
The innocence which happy childhood blesses,
Made quite a picture of these little Greeks;
So that the philosophical beholder
Sigh'd for their sakes- that they should e'er grow older.

Afar, a dwarf buffoon stood telling tales
To a sedate grey circle of old smokers,
Of secret treasures found in hidden vales,
Of wonderful replies from Arab jokers,
Of charms to make good gold and cure bad ails,
Of rocks bewitch'd that open to the knockers,
Of magic ladies who, by one sole act,
Transform'd their lords to beasts (but that 's a fact).

Here was no lack of innocent diversion
For the imagination or the senses,
Song, dance, wine, music, stories from the Persian,
All pretty pastimes in which no offence is;
But Lambro saw all these things with aversion,
Perceiving in his absence such expenses,
Dreading that climax of all human ills,
The inflammation of his weekly bills.

Ah! what is man? what perils still environ
The happiest mortals even after dinner-
A day of gold from out an age of iron
Is all that life allows the luckiest sinner;
Pleasure (whene'er she sings, at least) 's a siren,
That lures, to flay alive, the young beginner;
Lambro's reception at his people's banquet
Was such as fire accords to a wet blanket.

He- being a man who seldom used a word
Too much, and wishing gladly to surprise
(In general he surprised men with the sword)
His daughter- had not sent before to advise
Of his arrival, so that no one stirr'd;
And long he paused to re-assure his eyes
In fact much more astonish'd than delighted,
To find so much good company invited.

He did not know (alas! how men will lie)
That a report (especially the Greeks)
Avouch'd his death (such people never die),
And put his house in mourning several weeks,-
But now their eyes and also lips were dry;
The bloom, too, had return'd to Haidee's cheeks,
Her tears, too, being return'd into their fount,
She now kept house upon her own account.

Hence all this rice, meat, dancing, wine, and fiddling,
Which turn'd the isle into a place of pleasure;
The servants all were getting drunk or idling,
A life which made them happy beyond measure.
Her father's hospitality seem'd middling,
Compared with what Haidee did with his treasure;
'T was wonderful how things went on improving,
While she had not one hour to spare from loving.

Perhaps you think in stumbling on this feast
He flew into a passion, and in fact
There was no mighty reason to be pleased;
Perhaps you prophesy some sudden act,
The whip, the rack, or dungeon at the least,
To teach his people to be more exact,
And that, proceeding at a very high rate,
He show'd the royal penchants of a pirate.

You 're wrong.- He was the mildest manner'd man
That ever scuttled ship or cut a throat:
With such true breeding of a gentleman,
You never could divine his real thought;
No courtier could, and scarcely woman can
Gird more deceit within a petticoat;
Pity he loved adventurous life's variety,
He was so great a loss to good society.

Advancing to the nearest dinner tray,
Tapping the shoulder of the nighest guest,
With a peculiar smile, which, by the way,
Boded no good, whatever it express'd,
He ask'd the meaning of this holiday;
The vinous Greek to whom he had address'd
His question, much too merry to divine
The questioner, fill'd up a glass of wine,

And without turning his facetious head,
Over his shoulder, with a Bacchant air,
Presented the o'erflowing cup, and said,
'Talking 's dry work, I have no time to spare.'
A second hiccup'd, 'Our old master 's dead,
You 'd better ask our mistress who 's his heir.'
'Our mistress!' quoth a third: 'Our mistress!- pooh!-
You mean our master- not the old, but new.'

These rascals, being new comers, knew not whom
They thus address'd- and Lambro's visage fell-
And o'er his eye a momentary gloom
Pass'd, but he strove quite courteously to quell
The expression, and endeavouring to resume
His smile, requested one of them to tell
The name and quality of his new patron,
Who seem'd to have turn'd Haidee into a matron.

'I know not,' quoth the fellow, 'who or what
He is, nor whence he came- and little care;
But this I know, that this roast capon 's fat,
And that good wine ne'er wash'd down better fare;
And if you are not satisfied with that,
Direct your questions to my neighbour there;
He 'll answer all for better or for worse,
For none likes more to hear himself converse.'

I said that Lambro was a man of patience,
And certainly he show'd the best of breeding,
Which scarce even France, the paragon of nations,
E'er saw her most polite of sons exceeding;
He bore these sneers against his near relations,
His own anxiety, his heart, too, bleeding,
The insults, too, of every servile glutton,
Who all the time was eating up his mutton.

Now in a person used to much command-
To bid men come, and go, and come again-
To see his orders done, too, out of hand-
Whether the word was death, or but the chain-
It may seem strange to find his manners bland;
Yet such things are, which I can not explain,
Though doubtless he who can command himself
Is good to govern- almost as a Guelf.

Not that he was not sometimes rash or so,
But never in his real and serious mood;
Then calm, concentrated, and still, and slow,
He lay coil'd like the boa in the wood;
With him it never was a word and blow,
His angry word once o'er, he shed no blood,
But in his silence there was much to rue,
And his one blow left little work for two.

He ask'd no further questions, and proceeded
On to the house, but by a private way,
So that the few who met him hardly heeded,
So little they expected him that day;
If love paternal in his bosom pleaded
For Haidee's sake, is more than I can say,
But certainly to one deem'd dead, returning,
This revel seem'd a curious mode of mourning.

If all the dead could now return to life
(Which God forbid!) or some, or a great many,
For instance, if a husband or his wife
(Nuptial examples are as good as any),
No doubt whate'er might be their former strife,
The present weather would be much more rainy-
Tears shed into the grave of the connection
Would share most probably its resurrection.

He enter'd in the house no more his home,
A thing to human feelings the most trying,
And harder for the heart to overcome,
Perhaps, than even the mental pangs of dying;
To find our hearthstone turn'd into a tomb,
And round its once warm precincts palely lying
The ashes of our hopes, is a deep grief,
Beyond a single gentleman's belief.

He enter'd in the house- his home no more,
For without hearts there is no home; and felt
The solitude of passing his own door
Without a welcome; there he long had dwelt,
There his few peaceful days Time had swept o'er,
There his worn bosom and keen eye would melt
Over the innocence of that sweet child,
His only shrine of feelings undefiled.

He was a man of a strange temperament,
Of mild demeanour though of savage mood,
Moderate in all his habits, and content
With temperance in pleasure, as in food,
Quick to perceive, and strong to bear, and meant
For something better, if not wholly good;
His country's wrongs and his despair to save her
Had stung him from a slave to an enslaver.

The love of power, and rapid gain of gold,
The hardness by long habitude produced,
The dangerous life in which he had grown old,
The mercy he had granted oft abused,
The sights he was accustom'd to behold,
The wild seas, and wild men with whom he cruised,
Had cost his enemies a long repentance,
And made him a good friend, but bad acquaintance.

But something of the spirit of old Greece
Flash'd o'er his soul a few heroic rays,
Such as lit onward to the Golden Fleece
His predecessors in the Colchian days;
T is true he had no ardent love for peace-
Alas! his country show'd no path to praise:
Hate to the world and war with every nation
He waged, in vengeance of her degradation.

Still o'er his mind the influence of the clime
Shed its Ionian elegance, which show'd
Its power unconsciously full many a time,-
A taste seen in the choice of his abode,
A love of music and of scenes sublime,
A pleasure in the gentle stream that flow'd
Past him in crystal, and a joy in flowers,
Bedew'd his spirit in his calmer hours.

But whatsoe'er he had of love reposed
On that beloved daughter; she had been
The only thing which kept his heart unclosed
Amidst the savage deeds he had done and seen;
A lonely pure affection unopposed:
There wanted but the loss of this to wean
His feelings from all milk of human kindness,
And turn him like the Cyclops mad with blindness.

The cubless tigress in her jungle raging
Is dreadful to the shepherd and the flock;
The ocean when its yeasty war is waging
Is awful to the vessel near the rock;
But violent things will sooner bear assuaging,
Their fury being spent by its own shock,
Than the stern, single, deep, and wordless ire
Of a strong human heart, and in a sire.

It is a hard although a common case
To find our children running restive- they
In whom our brightest days we would retrace,
Our little selves re-form'd in finer clay,
Just as old age is creeping on apace,
And clouds come o'er the sunset of our day,
They kindly leave us, though not quite alone,
But in good company- the gout or stone.

Yet a fine family is a fine thing
(Provided they don't come in after dinner);
'T is beautiful to see a matron bring
Her children up (if nursing them don't thin her);
Like cherubs round an altar-piece they cling
To the fire-side (a sight to touch a sinner).
A lady with her daughters or her nieces
Shines like a guinea and seven-shilling pieces.

Old Lambro pass'd unseen a private gate,
And stood within his hall at eventide;
Meantime the lady and her lover sate
At wassail in their beauty and their pride:
An ivory inlaid table spread with state
Before them, and fair slaves on every side;
Gems, gold, and silver, form'd the service mostly,
Mother of pearl and coral the less costly.

The dinner made about a hundred dishes;
Lamb and pistachio nuts- in short, all meats,
And saffron soups, and sweetbreads; and the fishes
Were of the finest that e'er flounced in nets,
Drest to a Sybarite's most pamper'd wishes;
The beverage was various sherbets
Of raisin, orange, and pomegranate juice,
Squeezed through the rind, which makes it best for use.

These were ranged round, each in its crystal ewer,
And fruits, and date-bread loaves closed the repast,
And Mocha's berry, from Arabia pure,
In small fine China cups, came in at last;
Gold cups of filigree made to secure
The hand from burning underneath them placed,
Cloves, cinnamon, and saffron too were boil'd
Up with the coffee, which (I think) they spoil'd.

The hangings of the room were tapestry, made
Of velvet panels, each of different hue,
And thick with damask flowers of silk inlaid;
And round them ran a yellow border too;
The upper border, richly wrought, display'd,
Embroider'd delicately o'er with blue,
Soft Persian sentences, in lilac letters,
From poets, or the moralists their betters.

These Oriental writings on the wall,
Quite common in those countries, are a kind
Of monitors adapted to recall,
Like skulls at Memphian banquets, to the mind
The words which shook Belshazzar in his hall,
And took his kingdom from him: You will find,
Though sages may pour out their wisdom's treasure,
There is no sterner moralist than Pleasure.

A beauty at the season's close grown hectic,
A genius who has drunk himself to death,
A rake turn'd methodistic, or Eclectic
(For that 's the name they like to pray beneath)-
But most, an alderman struck apoplectic,
Are things that really take away the breath,-
And show that late hours, wine, and love are able
To do not much less damage than the table.

Haidee and Juan carpeted their feet
On crimson satin, border'd with pale blue;
Their sofa occupied three parts complete
Of the apartment- and appear'd quite new;
The velvet cushions (for a throne more meet)
Were scarlet, from whose glowing centre grew
A sun emboss'd in gold, whose rays of tissue,
Meridian-like, were seen all light to issue.

Crystal and marble, plate and porcelain,
Had done their work of splendour; Indian mats
And Persian carpets, which the heart bled to stain,
Over the floors were spread; gazelles and cats,
And dwarfs and blacks, and such like things, that gain
Their bread as ministers and favourites (that 's
To say, by degradation) mingled there
As plentiful as in a court, or fair.

There was no want of lofty mirrors, and
The tables, most of ebony inlaid
With mother of pearl or ivory, stood at hand,
Or were of tortoise-shell or rare woods made,
Fretted with gold or silver:- by command,
The greater part of these were ready spread
With viands and sherbets in ice- and wine-
Kept for all comers at all hours to dine.

Of all the dresses I select Haidee's:
She wore two jelicks- one was of pale yellow;
Of azure, pink, and white was her chemise-
'Neath which her breast heaved like a little billow;
With buttons form'd of pearls as large as peas,
All gold and crimson shone her jelick's fellow,
And the striped white gauze baracan that bound her,
Like fleecy clouds about the moon, flow'd round her.

One large gold bracelet clasp'd each lovely arm,
Lockless- so pliable from the pure gold
That the hand stretch'd and shut it without harm,
The limb which it adorn'd its only mould;
So beautiful- its very shape would charm;
And, clinging as if loath to lose its hold,
The purest ore enclosed the whitest skin
That e'er by precious metal was held in.

Around, as princess of her father's land,
A like gold bar above her instep roll'd
Announced her rank; twelve rings were on her hand;
Her hair was starr'd with gems; her veil's fine fold
Below her breast was fasten'd with a band
Of lavish pearls, whose worth could scarce be told;
Her orange silk full Turkish trousers furl'd
About the prettiest ankle in the world.

Her hair's long auburn waves down to her heel
Flow'd like an Alpine torrent which the sun
Dyes with his morning light,- and would conceal
Her person if allow'd at large to run,
And still they seem resentfully to feel
The silken fillet's curb, and sought to shun
Their bonds whene'er some Zephyr caught began
To offer his young pinion as her fan.

Round her she made an atmosphere of life,
The very air seem'd lighter from her eyes,
They were so soft and beautiful, and rife
With all we can imagine of the skies,
And pure as Psyche ere she grew a wife-
Too pure even for the purest human ties;
Her overpowering presence made you feel
It would not be idolatry to kneel.

Her eyelashes, though dark as night, were tinged
(It is the country's custom), but in vain;
For those large black eyes were so blackly fringed,
The glossy rebels mock'd the jetty stain,
And in their native beauty stood avenged:
Her nails were touch'd with henna; but again
The power of art was turn'd to nothing, for
They could not look more rosy than before.

The henna should be deeply dyed to make
The skin relieved appear more fairly fair;
She had no need of this, day ne'er will break
On mountain tops more heavenly white than her:
The eye might doubt if it were well awake,
She was so like a vision; I might err,
But Shakspeare also says, 't is very silly
'To gild refined gold, or paint the lily'

Juan had on a shawl of black and gold,
But a white baracan, and so transparent
The sparkling gems beneath you might behold,
Like small stars through the milky way apparent;
His turban, furl'd in many a graceful fold,
An emerald aigrette with Haidee's hair in 't
Surmounted as its clasp- a glowing crescent,
Whose rays shone ever trembling, but incessant.

And now they were diverted by their suite,
Dwarfs, dancing girls, black eunuchs, and a poet,
Which made their new establishment complete;
The last was of great fame, and liked to show it:
His verses rarely wanted their due feet;
And for his theme- he seldom sung below it,
He being paid to satirize or flatter,
As the psalm says, 'inditing a good matter.'

He praised the present, and abused the past,
Reversing the good custom of old days,
An Eastern anti-jacobin at last
He turn'd, preferring pudding to no praise-
For some few years his lot had been o'ercast
By his seeming independent in his lays,
But now he sung the Sultan and the Pacha
With truth like Southey, and with verse like Crashaw.

He was a man who had seen many changes,
And always changed as true as any needle;
His polar star being one which rather ranges,
And not the fix'd- he knew the way to wheedle:
So vile he 'scaped the doom which oft avenges;
And being fluent (save indeed when fee'd ill),
He lied with such a fervour of intention-
There was no doubt he earn'd his laureate pension.

But he had genius,- when a turncoat has it,
The 'Vates irritabilis' takes care
That without notice few full moons shall pass it;
Even good men like to make the public stare:-
But to my subject- let me see- what was it?-
Oh!- the third canto- and the pretty pair-
Their loves, and feasts, and house, and dress, and mode
Of living in their insular abode.

Their poet, a sad trimmer, but no less
In company a very pleasant fellow,
Had been the favourite of full many a mess
Of men, and made them speeches when half mellow;
And though his meaning they could rarely guess,
Yet still they deign'd to hiccup or to bellow
The glorious meed of popular applause,
Of which the first ne'er knows the second cause.

But now being lifted into high society,
And having pick'd up several odds and ends
Of free thoughts in his travels for variety,
He deem'd, being in a lone isle, among friends,
That, without any danger of a riot, he
Might for long lying make himself amends;
And, singing as he sung in his warm youth,
Agree to a short armistice with truth.

He had travell'd 'mongst the Arabs, Turks, and Franks,
And knew the self-loves of the different nations;
And having lived with people of all ranks,
Had something ready upon most occasions-
Which got him a few presents and some thanks.
He varied with some skill his adulations;
To 'do at Rome as Romans do,' a piece
Of conduct was which he observed in Greece.

Thus, usually, when he was ask'd to sing,
He gave the different nations something national;
'T was all the same to him- 'God save the king,'
Or 'Ca ira,' according to the fashion all:
His muse made increment of any thing,
From the high lyric down to the low rational:
If Pindar sang horse-races, what should hinder
Himself from being as pliable as Pindar?

In France, for instance, he would write a chanson;
In England a six canto quarto tale;
In Spain, he'd make a ballad or romance on
The last war- much the same in Portugal;
In Germany, the Pegasus he 'd prance on
Would be old Goethe's (see what says De Stael);
In Italy he 'd ape the 'Trecentisti;'
In Greece, he sing some sort of hymn like this t' ye:

THE ISLES OF GREECE.

The isles of Greece, the Isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus sprung!
Eternal summer gilds them yet,
But all, except their sun, is set.

The Scian and the Teian muse,
The hero's harp, the lover's lute,
Have found the fame your shores refuse;
Their place of birth alone is mute
To sounds which echo further west
Than your sires' 'Islands of the Blest.'

The mountains look on Marathon-
And Marathon looks on the sea;
And musing there an hour alone,
I dream'd that Greece might still be free;
For standing on the Persians' grave,
I could not deem myself a slave.

A king sate on the rocky brow
Which looks o'er sea-born Salamis;
And ships, by thousands, lay below,
And men in nations;- all were his!
He counted them at break of day-
And when the sun set where were they?

And where are they? and where art thou,
My country? On thy voiceless shore
The heroic lay is tuneless now-
The heroic bosom beats no more!
And must thy lyre, so long divine,
Degenerate into hands like mine?

'T is something, in the dearth of fame,
Though link'd among a fetter'd race,
To feel at least a patriot's shame,
Even as I sing, suffuse my face;
For what is left the poet here?
For Greeks a blush- for Greece a tear.

Must we but weep o'er days more blest?
Must we but blush?- Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylae!

What, silent still? and silent all?
Ah! no;- the voices of the dead
Sound like a distant torrent's fall,
And answer, 'Let one living head,
But one arise,- we come, we come!'
'T is but the living who are dumb.

In vain- in vain: strike other chords;
Fill high the cup with Samian wine!
Leave battles to the Turkish hordes,
And shed the blood of Scio's vine!
Hark! rising to the ignoble call-
How answers each bold Bacchanal!

You have the Pyrrhic dance as yet,
Where is the Pyrrhic phalanx gone?
Of two such lessons, why forget
The nobler and the manlier one?
You have the letters Cadmus gave-
Think ye he meant them for a slave?

Fill high the bowl with Samian wine!
We will not think of themes like these!
It made Anacreon's song divine:
He served- but served Polycrates-
A tyrant; but our masters then
Were still, at least, our countrymen.

The tyrant of the Chersonese
Was freedom's best and bravest friend;
That tyrant was Miltiades!
Oh! that the present hour would lend
Another despot of the kind!
Such chains as his were sure to bind.

Fill high the bowl with Samian wine!
On Suli's rock, and Parga's shore,
Exists the remnant of a line
Such as the Doric mothers bore;
And there, perhaps, some seed is sown,
The Heracleidan blood might own.

Trust not for freedom to the Franks-
They have a king who buys and sells;
In native swords, and native ranks,
The only hope of courage dwells;
But Turkish force, and Latin fraud,
Would break your shield, however broad.

Fill high the bowl with Samian wine!
Our virgins dance beneath the shade-
I see their glorious black eyes shine;
But gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves

Place me on Sunium's marbled steep,
Where nothing, save the waves and I,
May hear our mutual murmurs sweep;
There, swan-like, let me sing and die:
A land of slaves shall ne'er be mine-
Dash down yon cup of Samian wine!

Thus sung, or would, or could, or should have sung,
The modern Greek, in tolerable verse;
If not like Orpheus quite, when Greece was young,
Yet in these times he might have done much worse:
His strain display'd some feeling- right or wrong;
And feeling, in a poet, is the source
Of others' feeling; but they are such liars,
And take all colours- like the hands of dyers.

But words are things, and a small drop of ink,
Falling like dew, upon a thought, produces
That which makes thousands, perhaps millions, think;
'T is strange, the shortest letter which man uses
Instead of speech, may form a lasting link
Of ages; to what straits old Time reduces
Frail man, when paper- even a rag like this,
Survives himself, his tomb, and all that 's his.

And when his bones are dust, his grave a blank,
His station, generation, even his nation,
Become a thing, or nothing, save to rank
In chronological commemoration,
Some dull MS. oblivion long has sank,
Or graven stone found in a barrack's station
In digging the foundation of a closet,
May turn his name up, as a rare deposit.

And glory long has made the sages smile;
'T is something, nothing, words, illusion, wind-
Depending more upon the historian's style
Than on the name a person leaves behind:
Troy owes to Homer what whist owes to Hoyle:
The present century was growing blind
To the great Marlborough's skill in giving knocks,
Until his late life by Archdeacon Coxe.

Milton 's the prince of poets- so we say;
A little heavy, but no less divine:
An independent being in his day-
Learn'd, pious, temperate in love and wine;
But, his life falling into Johnson's way,
We 're told this great high priest of all the Nine
Was whipt at college- a harsh sire- odd spouse,
For the first Mrs. Milton left his house.

All these are, certes, entertaining facts,
Like Shakspeare's stealing deer, Lord Bacon's bribes;
Like Titus' youth, and Caesar's earliest acts;
Like Burns (whom Doctor Currie well describes);
Like Cromwell's pranks;- but although truth exacts
These amiable descriptions from the scribes,
As most essential to their hero's story,
They do not much contribute to his glory.

All are not moralists, like Southey, when
He prated to the world of 'Pantisocracy;'
Or Wordsworth unexcised, unhired, who then
Season'd his pedlar poems with democracy;
Or Coleridge, long before his flighty pen
Let to the Morning Post its aristocracy;
When he and Southey, following the same path,
Espoused two partners (milliners of Bath).

Such names at present cut a convict figure,
The very Botany Bay in moral geography;
Their loyal treason, renegado rigour,
Are good manure for their more bare biography.
Wordsworth's last quarto, by the way, is bigger
Than any since the birthday of typography;
A drowsy frowzy poem, call'd the 'Excursion.'
Writ in a manner which is my aversion.

He there builds up a formidable dyke
Between his own and others' intellect;
But Wordsworth's poem, and his followers, like
Joanna Southcote's Shiloh, and her sect,
Are things which in this century don't strike
The public mind,- so few are the elect;
And the new births of both their stale virginities
Have proved but dropsies, taken for divinities.

But let me to my story: I must own,
If I have any fault, it is digression-
Leaving my people to proceed alone,
While I soliloquize beyond expression;
But these are my addresses from the throne,
Which put off business to the ensuing session:
Forgetting each omission is a loss to
The world, not quite so great as Ariosto.

I know that what our neighbours call 'longueurs'
(We 've not so good a word, but have the thing
In that complete perfection which ensures
An epic from Bob Southey every spring),
Form not the true temptation which allures
The reader; but 't would not be hard to bring
Some fine examples of the epopee,
To prove its grand ingredient is ennui.

We learn from Horace, 'Homer sometimes sleeps;'
We feel without him, Wordsworth sometimes wakes,-
To show with what complacency he creeps,
With his dear 'Waggoners,' around his lakes.
He wishes for 'a boat' to sail the deeps-
Of ocean?- No, of air; and then he makes
Another outcry for 'a little boat,'
And drivels seas to set it well afloat.

If he must fain sweep o'er the ethereal plain,
And Pegasus runs restive in his 'Waggon,'
Could he not beg the loan of Charles's Wain?
Or pray Medea for a single dragon?
Or if, too classic for his vulgar brain,
He fear'd his neck to venture such a nag on,
And he must needs mount nearer to the moon,
Could not the blockhead ask for a balloon?

'Pedlars,' and 'Boats,' and 'Waggons!' Oh! ye shades
Of Pope and Dryden, are we come to this?
That trash of such sort not alone evades
Contempt, but from the bathos' vast abyss
Floats scumlike uppermost, and these Jack Cades
Of sense and song above your graves may hiss-
The 'little boatman' and his 'Peter Bell'
Can sneer at him who drew 'Achitophel'!

T' our tale.- The feast was over, the slaves gone,
The dwarfs and dancing girls had all retired;
The Arab lore and poet's song were done,
And every sound of revelry expired;
The lady and her lover, left alone,
The rosy flood of twilight's sky admired;-
Ave Maria! o'er the earth and sea,
That heavenliest hour of Heaven is worthiest thee!

Ave Maria! blessed be the hour!
The time, the clime, the spot, where I so oft
Have felt that moment in its fullest power
Sink o'er the earth so beautiful and soft,
While swung the deep bell in the distant tower,
Or the faint dying day-hymn stole aloft,
And not a breath crept through the rosy air,
And yet the forest leaves seem'd stirr'd with prayer.

Ave Maria! 't is the hour of prayer!
Ave Maria! 't is the hour of love!
Ave Maria! may our spirits dare
Look up to thine and to thy Son's above!
Ave Maria! oh that face so fair!
Those downcast eyes beneath the Almighty dove-
What though 't is but a pictured image?- strike-
That painting is no idol,- 't is too like.

Some kinder casuists are pleased to say,
In nameless print- that I have no devotion;
But set those persons down with me to pray,
And you shall see who has the properest notion
Of getting into heaven the shortest way;
My altars are the mountains and the ocean,
Earth, air, stars,- all that springs from the great Whole,
Who hath produced, and will receive the soul.

Sweet hour of twilight!- in the solitude
Of the pine forest, and the silent shore
Which bounds Ravenna's immemorial wood,
Rooted where once the Adrian wave flow'd o'er,
To where the last Caesarean fortress stood,
Evergreen forest! which Boccaccio's lore
And Dryden's lay made haunted ground to me,
How have I loved the twilight hour and thee!

The shrill cicadas, people of the pine,
Making their summer lives one ceaseless song,
Were the sole echoes, save my steed's and mine,
And vesper bell's that rose the boughs along;
The spectre huntsman of Onesti's line,
His hell-dogs, and their chase, and the fair throng
Which learn'd from this example not to fly
From a true lover,- shadow'd my mind's eye.

Oh, Hesperus! thou bringest all good things-
Home to the weary, to the hungry cheer,
To the young bird the parent's brooding wings,
The welcome stall to the o'erlabour'd steer;
Whate'er of peace about our hearthstone clings,
Whate'er our household gods protect of dear,
Are gather'd round us by thy look of rest;
Thou bring'st the child, too, to the mother's breast.

Soft hour! which wakes the wish and melts the heart
Of those who sail the seas, on the first day
When they from their sweet friends are torn apart;
Or fills with love the pilgrim on his way
As the far bell of vesper makes him start,
Seeming to weep the dying day's decay;
Is this a fancy which our reason scorns?
Ah! surely nothing dies but something mourns!

When Nero perish'd by the justest doom
Which ever the destroyer yet destroy'd,
Amidst the roar of liberated Rome,
Of nations freed, and the world overjoy'd,
Some hands unseen strew'd flowers upon his tomb:
Perhaps the weakness of a heart not void
Of feeling for some kindness done, when power
Had left the wretch an uncorrupted hour.

But I 'm digressing; what on earth has Nero,
Or any such like sovereign buffoons,
To do with the transactions of my hero,
More than such madmen's fellow man- the moon's?
Sure my invention must be down at zero,
And I grown one of many 'wooden spoons'
Of verse (the name with which we Cantabs please
To dub the last of honours in degrees).

I feel this tediousness will never do-
'T is being too epic, and I must cut down
(In copying) this long canto into two;
They 'll never find it out, unless I own
The fact, excepting some experienced few;
And then as an improvement 't will be shown:
I 'll prove that such the opinion of the critic is
From Aristotle passim.--See poietikes.

I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!

II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.

III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.

V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state
Of mortal bondage, by these spirits supplied,
First exiles, then replaces what we hate;
Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.

VI.
Such is the refuge of our youth and age,
The first from Hope, the last from Vacancy;
And this worn feeling peoples many a page,
And, maybe, that which grows beneath mine eye:
Yet there are things whose strong reality
Outshines our fairy-land; in shape and hues
More beautiful than our fantastic sky,
And the strange constellations which the Muse
O'er her wild universe is skilful to diffuse:

VII.
I saw or dream'd of such -- but let them go;
They came like truth -- and disappear'd like dreams;
And whatsoe'er they were -- are now but so:
I could replace them if I would; still teems
My mind with many a form which aptly seems
Such as I sought for, and at moments found;
Let these too go -- for waking Reason deems
Such overweening fantasies unsound,
And other voices speak, and other sights surround.

VIII.
I've taught me other tongues, and in strange eyes
Have made me not a stranger; to the mind
Which is itself, no changes bring surprise;
Nor is it harsh to make, nor hard to find
A country with -- ay, or without mankind;
Yet was I born where men are proud to be --
Not without cause; and should I leave behind
The inviolate island of the sage and free,
And seek me out a home by a remoter sea,

IX.
Perhaps I lov'd it well: and should I lay
My ashes in a soil which is not mine,
My spirit shall resume it -- if we may
Unbodied choose a sanctuary. I twine
My hopes of being remember'd in my line
With my land's language: if too fond and far
These aspirations in their scope incline,
If my fame should be, as my fortunes are,
Of hasty growth and blight, and dull Oblivion bar

X.
My name from out the temple where the dead
Are honour'd by the nations -- let it be --
And light the laurels on a loftier head!
And be the Spartan's epitaph on me --
'Sparta hath many a worthier son than he.'
Meantime I seek no sympathies, nor need;
The thorns which I have reap'd are of the tree
I planted: they have torn me, and I bleed:
I should have known what fruit would spring from such a seed.

XI.
The spouseless Adriatic mourns her lord;
And annual marriage now no more renew'd,
The Bucentaur lies rotting unrestored,
Neglected garment of her widowhood!
St. Mark yet sees his lion where he stood
Stand, but in mockery of his wither'd power,
Over he proud Place where an Emperor sued,
And monarchs gaz'd and envied in the hour
When Venice was a queen with an unequall'd dower.

XII.
The Suabian sued, and now the Austrian reigns --
An Emperor tramples where an Emperor knelt;
Kingdoms are shrunk to provinces, and chains
Clank over sceptred cities, nations melt
From power's high pinnacle, when they have felt
The sunshine for a while, and downward go
Like Lauwine loosen'd from the mountain's belt;
Oh for one hour of blind old Dandolo!
Th' octogenarian chief, Byzantium's conquering foe!

XIII.
Before St. Mark still glow his steeds of brass,
Their gilded collars glittering in the sun;
But is not Doria's menace come to pass?
Are they not bridled? -- Venice, lost and won,
Her thirteen hundred years of freedom done,
Sinks, like a sea-weed, into whence she rose!
Better be whelm'd beneath the waves, and shun,
Even in destruction's depth, her foreign foes,
From whom submission wrings an infamous repose.

XIV.
In youth she was all glory, a new Tyre,
Her very by-word sprung from victory,
The 'Planter of the Lion,' which through fire
And blood she bore o'er subject earth and sea;
Though making many slaves, herself still free,
And Europe's bulwark 'gainst the Ottomite;
Witness Troy's rival, Candia! Vouch it, ye
Immortal waves that saw Lepanto's fight!
For ye are names no time nor tyranny can blight.

XV.
Statues of glass -- all shiver'd -- the long file
Of her dead Doges are declin'd to dust;
But where they dwelt, the vast and sumptuous pile
Bespeaks the pageant of their splendid trust;
Their sceptre broken, and their sword in rust,
Have yielded to the stranger: empty halls,
Thin streets, and foreign aspects, such as must
Too oft remind her who and what enthralls,
Have flung a desolate cloud o'er Venice' lovely walls.

XVI.
When Athens' armies fell at Syracuse,
And fetter'd thousands bore the yoke of war,
Redemption rose up in the Attic Muse,
Her voice their only ransom from afar:
See! as they chant the tragic hymn, the car
Of the o'ermaster'd victor stops, the reins
Fall from his hands -- his idle scimitar
Starts from its belt -- he rends his captive's chains,
And bids him thank the bard for freedom and his strains.

XVII.
Thus, Venice! if no stronger claim were thine,
Were all thy proud historic deeds forgot,
Thy choral memory of the Bard divine,
Thy love of Tasso, should have cut the knot
Which ties thee to thy tyrants; and thy lot
Is shameful to the nations -- most of all,
Albion, to thee: the Ocean queen should not
Abandon Ocean's children; in the fall
Of Venice think of thine, despite thy watery wall.

XVIII.
I loved her from my boyhood; she to me
Was as a fairy city of the heart,
Rising like water-columns from the sea,
Of joy the sojourn, and of wealth the mart;
And Otway, Radcliffe, Schiller, Shakespeare's art,
Had stamp'd her image in me, and even so,
Although I found her thus, we did not part;
Perchance even dearer in her day of woe,
Than when she was a boast, a marvel, and a show.

XIX.
I can repeople with the past -- and of
The present there is still for eye and thought,
And meditation chasten'd down, enough;
And more, it may be, than I hoped or sought;
And of the happiest moments which were wrought
Within the web of my existence, some
From thee, fair Venice! have their colours caught:
There are some feelings Time cannot benumb,
Nor Torture shake, or mine would now be cold and dumb.

XX.
But from their nature will the Tannen grow
Loftiest on loftiest and least shelter'd rocks,
Rooted in barrenness, where nought below
Of soil supports them 'gainst the Alpine shocks
Of eddying storms; yet springs the trunk, and mocks
The howling tempest, till its height and frame
Are worthy of the mountains from whose blocks
Of bleak, gray granite into life it came,
And grew a giant tree; -- the mind may grow the same.

XXI
Existence may be borne, and the deep root
Of life and sufferance make its firm abode
The bare and desolated bosoms: mute
The camel labours with the heaviest load,
And the wolf dies in silence, -- not bestow'd
In vain should such example be; if they,
Things of ignoble or of savage mood,
Endure and shrink not, we of nobler clay
May temper it to bear, -- it is but for a day.

XXII
All suffering doth destroy, or is destroy'd,
Even by the sufferer; and, in each event,
Ends: -- Some, with hope replenish'd and rebuoy'd,
Return to whence they came -- with like intent,
And weave their web again; some, bow'd and bent,
Wax gray and ghastly, withering ere their time,
And perish with the reed on which they leant;
Some seek devotion, toil, war, good or crime,
According as their souls were form'd to sink or climb.

XXIII
But ever and anon of griefs subdued
There comes a token like a scorpion's sting,
Scarce seen, but with fresh bitterness imbued;
And slight withal may be the things which bring
Back on the heart the weight which it would fling
Aside for ever: it may be a sound --
A tone of music -- summer's eve -- or spring --
A flower -- the wind -- the ocean -- which shall wound,
Striking the electric chain wherewith we are darkly bound;

XXIV
And how and why we know not, nor can trace
Home to its cloud this lightning of the mind,
But feel the shock renew'd, nor can efface
The blight and blackening which it leaves behind,
Which out of things familiar, undesign'd,
When least we deem of such, calls up to view
The spectres whom no exorcism can bind, --
The cold, the changed, perchance the dead -- anew,
The mourn'd, the loved, the lost -- too many! yet how few!

XXV
But my soul wanders: I demand it back
To meditate amongst decay, and stand
A ruin amidst ruins; there to track
Fall'n states and buried greatness, o'er a land
Which was the mightiest in its old command,
And is the loveliest, and must ever be
The master mould of Nature's heavenly hand;
Wherein were cast the heroic and the free,
The beautiful, the brave, the lords of earth and sea,

XXVI
The commonwealth of kings, the men of Rome!
And even since, and now, fair Italy!
Thou art the garden of the world, the home
Of all Art yields, and Nature can decree;
Even in thy desert, what is like to thee?
Thy very weeds are beautiful, thy waste
More rich than other climes' fertility;
Thy wreck a glory, and thy ruin graced
With an immaculate charm which cannot be defaced.

XXVII
The moon is up, and yet it is not night;
Sunset divides the sky with her; a sea
Of glory streams along the Alpine height
Of blue Friuli's mountains; Heaven is free
From clouds, but of all colours seems to be, --
Melted to one vast Iris of the West, --
Where the Day joins the past Eternity,
While, on the other hand, meek Dian's crest
Floats through the azure air -- an island of the blest!

XXVIII
A single star is at her side, and reigns
With her o'er half the lovely heaven; but still
Yon sunny sea heaves brightly, and remains
Roll'd o'er the peak of the far Rhætian hill,
As Day and Night contending were, until
Nature reclaim'd her order: -- gently flows
The deep-dyed Brenta, where their hues instil
The odorous purple of a new-born rose,
Which streams upon her stream, and glass'd within it glows,

XXIX
Fill'd with the face of heaven, which, from afar,
Comes down upon the waters; all its hues,
From the rich sunset to the rising star,
Their magical variety diffuse:
And now they change; a paler shadow strews
Its mantle o'er the mountains; parting day
Dies like the dolphin, whom each pang imbues
With a new colour as it gasps away --
The last still loveliest, -- till -- 'tis gone -- and all is gray.

XXX
There is a tomb at Arqua; -- rear'd in air,
Pillar'd in their sarcophagus, repose
The bones of Laura's lover: here repair
Many familiar with his well-sung woes,
The pilgrims of his genius. He arose
To raise a language, and his land reclaim
From the dull yoke of her barbaric foes:
Watering the tree which bears his lady's name
With his melodious tears, he gave himself to fame.

XXXI
They keep his dust in Arqua, where he died;
The mountain-village where his latter days
Went down the vale of years; and 'tis their pride --
An honest pride -- and let it be their praise,
To offer to the passing stranger's gaze
His mansion and his sepulchre; both plain
And venerably simple, such as raise
A feeling more accordant with his train
Than if a pyramid form'd his monumental fane.

XXXII
And the soft quiet hamlet where he dwelt
Is one of that complexion which seems made
For those who their mortality have felt,
And sought a refuge from their hopes decay'd
In the deep umbrage of a green hill's shade,
Which shows a distant prospect far away
Of busy cities, now in vain display'd,
For they can lure no further; and the ray
Of a bright sun can make sufficient holiday,

XXXIII
Developing the mountains, leaves, and flowers,
And shining in the brawling brook, whereby,
Clear as its current, glide the sauntering hours
With a calm languor, which, though to the eye
Idlesse it seem, hath its mortality.
If from society we learn to live,
'Tis solitude should teach us how to die;
It hath no flatters; vanity can give
No hollow aid; alone -- man with his God must strive:

XXXIV
Or, it may be, with demons, who impair
The strength of better thoughts, and seek their prey
In melancholy bosoms, such as were
Of moody texture, from their earliest day,
And loved to dwell in darkness and dismay,
Deeming themselves predestined to a doom
Which is not of the pangs that pass away;
Making the sun like blood, the earth a tomb,
The tomb a hell, and hell itself a murkier gloom.

XXXV
Ferrara! in thy wide and grass-grown streets,
Whose symmetry was not for solitude,
There seems as 'twere a curse upon the seats
Of former sovereigns, and the antique brood
Of Este, which for many an age made good
Its strength within thy walls, ad was of yore
Patron or tyrant, as the changing mood
Of petty power impell'd, of those who wore
The wreath which Dante's brow alone had worn before.

XXXVI
And Tasso is their glory and their shame.
Hark to his strain! and then survey his cell!
And see how dearly earn'd Torquato's fame,
And where Alfonso bade his poet dwell:
The miserable despot could not quell
The insulted mind he sought to quench, and blend
With the surrounding maniacs, in the hell
Where he had plunged it. Glory without end
Scatter'd the clouds away; and on that name attend

XXXVII
The tears and praises of all time; while thine
Would rot in its oblivion -- in the sink
Of worthless dust, which from thy boasted line
Is shaken into nothing -- but the link
Thou formest in his fortunes bids us think
Of thy poor malice, naming thee with scorn:
Alfonso! how thy ducal pageants shrink
From thee! if in another station born,
Scarce fit to be the slave of him thou madest to mourn:

XXXVIII
Thou! form'd to eat, and be despised, and die,
Even as the beasts that perish, save that thou
Hadst a more splendid trough and wider sty:
He! with a glory round his furrow'd brow,
Which emanated then, and dazzles now,
In face of all his foes, the Cruscan quire,
And Boileau, whose rash envy could allow
No strain which shamed his country's creaking lyre,
That whetstone of the teeth -- monotony in wire!

XXXIX
Peace to Torquato's injured shade! twas his
In life and death to be the mark where Wrong
Aim'd with her poison'd arrows, but to miss.
O, victor unsurpass'd in modern song!
Each year brings forth its millions; but how long
The tide of generations shall roll on,
And not the whole combined and countless throng
Compose a mind like thine? though all in one
Condensed their scatter'd rays, they would not form a sun.

XL
Great as thou art, yet parallel'd by those,
Thy countrymen, before thee born to shine,
The Bards of Hell and Chivalry: first rose
The Tuscan father's Comedy Divine;
Then, not unequal to the Florentine,
The southern Scott, the minstrel who call'd forth
A new creation with his magic line,
And, like the Ariosto of the North,
Sang ladye-love and war, romance and knightly worth.

XLI
The lightning rent from Ariosto's bust
The iron crown of laurel's mimick'd leaves;
Nor was the ominous element unjust
For the true laurel-wreath which Glory weaves
Is of the tree no bolt of thunder cleaves,
And the false semblance but disgraced his brow;
Yet still, if fondly Superstition grieves,
Know, that the lightning sanctifies below
Whate'er it strikes; -- yon head is doubly sacred now.

XLII
Italia! oh Italia! thou who hast
The fatal gift of beauty, which became
A funeral dower of present woes and past,
On thy sweet brow is sorrow plough'd by shame,
And annals graved in characters of flame.
Oh, God! that thou wert in thy nakedness
Less lovely or more powerful, and couldst claim
Thy right, and awe the robbers back, who press
To shed thy blood, and drink the tears of thy distress;

XLIII
Then might'st thou more appal; or, less desired,
Be homely and be peaceful, undeplored
For thy destructive charms; then, still untired,
Would not be seen the armed torrents pour'd
Down the deep Alps; nor would the hostile horde
Of many-nation'd spoilers from the Po
Quaff blood and water; nor the stranger's sword
Be thy sad weapon of defence, and so,
Victor or vanquish'd, thou the slave of friend or foe.

XLIV
Wandering in youth, I traced the path of him,
The Roman friend of Rome's least-mortal mind,
The friend of Tully: as my bark did skim
The bright blue waters with a fanning wind,
Came Megara before me, and behind
Ægina lay, Piræus on the right,
And Corinth on the left; I lay reclined
Along the prow, and saw all these unite
In ruin, even as he had seen the desolate sight;

XLV
For Time hath not rebuilt them, but uprear'd
Barbaric dwellings on their shatter'd site,
Which only make more mourn'd and more endear'd
The few last rays of their far-scatter'd light,
And the crush'd relics of their vanish'd might.
The Roman saw these tombs in his own age,
These sepulchres of cities, which excite
Sad wonder, and his yet surviving page
The moral lesson bears, drawn from such pilgrimage.

XLVI
That page is now before me, and on mine
His country's ruin added to the mass
Of perish'd states he mourn'd in their decline,
And I in desolation: all that was
Of then destruction is; and now, alas!
Rome -- Rome imperial, bows her to the storm,
In the same dust and blackness, and we pass
The skeleton of her Titanic form,
Wrecks of another world, whose ashes still are warm.

XLVII
Yet, Italy! through every other land
Thy wrongs should ring, and shall, from side to side;
Mother of Arts! as once of arms; thy hand
Was then our guardian, and is still our guide;
Parent of our religion! whom the wide
Nations have knelt to for the keys of heaven!
Europe, repentent of her parricide,
Shall yet redeem thee, and, all backward driven,
Roll the barbarian tide, and sue to be forgiven.

XLVIII
But Arno wins us to the fair white walls,
Where the Etrurian Athens claims and keeps
A softer feeling for her fairy halls.
Girt by her theatre of hills, she reaps
Her corn, and wine, and oil, and Plenty leaps
To laughing life, with her redundant horn.
Along the banks where smiling Arno sweeps
Was modern Luxury of Commerce born,
And buried Learning rose, redeem'd to new morn.

XLIX
There, too, the Goddess loves in stone, and fills
The air around with beauty; we inhale
The ambrosial aspect, which, beheld, instils
Part of its immortality; the veil
Of heaven is half undrawn; within the pale
We stand, and in that form and face behold
What Mind can make, when Nature's self would fail;
And to the fond idolators of old
Envy the innate flash which such a soul could mould:

L
We gaze and turn away, and know not where,
Dazzled and drunk with beauty, till the heart
Reels with its fulness; there -- for ever there --
Chain'd to the chariot of triumphal Art,
We stand as captives, and would not depart.
Away! -- there needs no words nor terms precise,
The paltry jargon of the marble mart,
Where Pedantry gulls Folly -- we have eyes:
Blood, pulse, and breast confirm the Dardan Shepherd's prize.

LI
Appear'dst thou not to Paris in this guise?
Or to more deeply blest Anchises? or,
In all thy perfect Goddess-ship, when lies
Before thee thy own vanquish'd Lord of War?
And gazing in thy face as toward a star,
Laid on thy lap, his eyes to thee upturn,
Feeding on thy sweet cheek! while thy lips are
With lava kisses melting while they burn,
Shower'd on his eyelids, brow, and mouth, as from an urn?

LII
Glowing, and circumfused in speechless love
Their full divinity inadequate
That feeling to express, or to improve,
The gods become as mortals, and man's fate
Has moments like their brightest; but the weight
Of earth recoils upon us; -- let it go!
We can recall such visions, and create,
From what has been, or might be, things which grow
Into thy statue's form, and look like gods below.

LIII
I leave to learned fingers and wise hands,
The artist and his ape, to teach and tell
How well his connoisseurship understands
The graceful bend, and the voluptuous swell:
Let these describe the undescribable:
I would not their vile breath should crisp the stream
Wherein that image shall for ever dwell;
The unruffled mirror of the loveliest dream
That ever left the sky on the deep soul to beam.

LIV
In Santa Croce's holy precincts lie
Ashes which make it holier, dust which is
Even in itself an immortality,
Though there were nothing save the past, and this,
The particle of those sublimities
Which have relapsed to chaos: here repose
Angelo's, Alfieri's bones, and his,
The starry Galileo, with his woes;
Here Machiavelli's earth return'd to whence it rose.

LV
These are four minds, which, like the elements,
Might furnish forth creation: -- Italy!
Time, which hath wrong'd thee with ten thousand rents
Of thine imperal garment, shall deny,
And hath denied, to every other sky,
Spirits which soar from ruin: thy decay
Is still impregnate with divinity,
Which gilds it with revivifying ray;
Such as the great of yore, Canova is today.

LVI
But where repose the all Etruscan three --
Dante, and Petrarch, and, scarce less thatn they,
The Bard of Prose, creative spirit! he
Of the Hundred Tales of love -- where did they lay
Their bones, distinguish'd from our common clay
In death as life? Are they resolved to dust,
And have their country's marbles nought to say?
Could not her quarries furnish forth one bust?
Did they not to her breast their filial earth entrust?

LVII
Ungrateful Florence! Dante sleeps afar,
Like Scipio, buried by the upbraiding shore:
Thy factions, in their worse than civil war,
Proscribed the bard whose name forevermore
Their children's children would in vain adore
With the remorse of ages; and the crown
Which Petrarch's laureate brow supremely wore,
Upon a far and foreign soil had grown,
His life, his fame, his grave, though rifled -- not thine own.

LVIII
Boccaccio to his parent earth bequeath'd
His dust, -- and lies it not her great among,
With many a sweet and solemn requiem breathed
O'er him who form'd the Tuscan's siren tongue?
That music in itself, whose sounds are song,
The poetry of speech? No; -- even his tomb
Uptorn, must bear the hyæna bigot's wrong,
No more amidst the meaner dead find room,
Nor claim a passing sigh, because it told for whom!

LIX
And Santa Croce wants their mighty dust;
Yet for this want more noted, as of yore
The Cæsar's pageant, shorn of Brutus' bust,
Did but of Rome's best Son remind her more:
Happier Ravenna! on thy hoary shore,
Fortress of falling empire! honour'd sleeps
The immortal exile; -- Arqua, too her store
Of tuneful relics proudly claims and keeps,
While Florence vainly begs her banish'd dead and weeps.

LX
What is her pyramid of precious stones?
Of porphyry, jasper, agate, and all hues
Of gem and marble, to encrust the bones
Of merchant-dukes? the momentary dews
Which, sparkling to the twilight stars, infuse
Freshness in the green turf that wraps the dead,
Whose names are mausoleums of the Muse,
Are gently prest with far more reverent tread
Than ever paced the slab which paves the princely head.

LXI
There be more things to greet the heart and eyes
In Arno's dome of Art's most princely shrine,
Where Sculpture with her rainbow sister vies;
There be more marvels yet -- but not for mine;
For I have been accustom'd to entwine
My thoughts with Nature rather in the fields,
Than Art in galleries; though a work divine
Calls for my spirit's homage, yet it yields
Less than it feels, because the weapon which it wields

LXII
Is of another temper, and I roam
By Thrasimene's lake, in the defiles
Fatal to Roman rashness, more at home;
For there the Carthaginian's warlike wiles
Come back before me, as his skill beguiles
The host between the mountains the the shore,
Where Courage falls in her despairing files,
And torrents swoll'n to rivers with their gore,
Reek through the sultry plain, with legions scatter'd o'er,

LXIII
Like to a forest fell'd by mountain winds;
And such the storm of battle on this day,
And such the frenzy, whose convulsion blinds
To all save carnage, that, beneath the fray,
An earthquake reel'd unheededly away!
None felt stern Nature rocking at his feet,
And yawning forth a grave for those who lay
Upon their bucklers for a winding-sheet;
Such is the absorbing hate when warring nations meet!

LXIV
The Earth to them was as a rolling bark
Which bore them to Eternity; they saw
The Ocean round, but had not time to mark
The motions of their vessel; Nature's law,
In them suspended, reck'd not of the awe
Which reigns when mountains tremble, and the birds
Plunge in the clouds for refuge, and withdraw
From their down-toppling nests; and bellowing herds
Stumble o'er heaving plains, and man's dread hath no words.

LXV
Far other scene is Thrasimene now;
Her lake a sheet of silver, and her plain
Rent by no ravage save the gentle plough;
Her aged trees rise thick as once the slain
Lay where their roots are; but a brook hath ta'en --
A little rill of scanty stream and bed --
A name of blood from that day's sanguine rain;
And Sanguinetto tells ye where the dead
Made the earth wet, and turn'd the unwilling waters red.

LXVI
But thou, Clitumnus! in thy sweetest wave
Of the most living crystal that was e'er
The haunt of river nymph, to gaze and lave
Her limbs where nothing hid them, thou dost rear
Thy grassy banks whereon the milk-white steer
Grazes; the purest god of gentle waters!
And most serene of aspect, and most clear;
Surely that stream was unprofaned by slaughters,
A mirror and a bath for Beauty's youngest daughters!

LXVII
And on thy happy shore a Temple still,
Of small and delicate proportion, keeps,
Upon a mild declivity of hill,
Its memory of thee; beneath it sweeps
Thy current's calmness; oft from out it leaps
The finny darter with the glittering scales,
Who dwells and revels in thy glassy deeps;
While, chance, some scatter'd waterlily sails
Down were the shallower wave still tells its bubbling tales.

LXVIII
Pass not unblest the Genius of the place!
If through the air a zephyr more serene
Win to the brow, 'tis his; and if ye trace
Along his margin a more eloquent green,
If on the heart the freshness of the scene
Sprinkle its coolness, and from the dry dust
Of weary life a moment lave it clean
With Nature's baptism, -- 'tis to him ye must
Pay orisons for this suspension of disgust.

LXIX
The roar of waters! -- from the headlong height
Velino cleaves the wave-worn precipice;
The fall of waters! rapid as the light
The flashing mass foams shaking the abyss;
The hell of waters! where they howl and hiss,
And boil in endless torture; while the sweat
Of their great agony, wrung out from this
Their Phlegethon, curls round the rocks of jet
That guard the gulf around, in pitiless horror set,

LXX
And mounts in spray the skies, and thence again
Returns in an unceasing shower, which round,
With its unemptied cloud of gentle rain,
Is an eternal April to the ground,
Making it all one emerald: -- how profound
The gulf! and how the giant element
From rock to rock leaps with delirious bound,
Crushing the cliffs, which, downward worn and rent
With his fierce footsteps, yields in chasms a fearful vent

LXXI
To the broad column which rolls on, and shows
More like the fountain of an infant sea
Torn from the womb of mountains by the throes
Of a new world, than only thus to be
Parent of rivers, which glow gushingly,
With many windings, through the vale: -- Look back!
Lo! where it comes like an eternity,
As if to sweep down all things in its track,
Charming the eye with dread, -- a matchless cataract,

LXXII
Horribly beautiful! but on the verge,
From side to side, beneath the glittering morn,
An Iris sits, amidst the infernal surge,
Like Hope upon a death-bed, and, unworn
Its steady dyes, while all around is torn
By the distracted waters, bears serene
Its brilliant hues with all their beams unshorn:
Resembling, 'mid the torture of the scene,
Love watching Madness with unalterable mien.

LXXIII
Once more upon the woody Apennine,
The infant Alps, which -- had I not before
Gazed on their mightier parents, where the pine
Sits on more shaggy summits, and where roar
The thundering Lauwine -- might be worshipp'd more;
But I have seen the soaring Jungfrau rear
Her never-trodden snow, and seen the hoar
Glaciers of bleak Mont Blanc both far and near,
And in Chimari heard the thunder-hills of fear,

LXXIV
Th' Acroceraunian mountains of old name;
And on Parnassus seen the eagles fly
Like spirits of the spot, as 'twere for fame,
For still they soared unutterably high:
I've look'd on Ida with a Trojan's eye;
Athos, Olympus, Ætna, Atlas, made
These hills seem things of lesser dignity,
All, save the lone Soracte's height, display'd
Not now in snow, which asks the lyric Roman's aid

LXXV
For our remembrance, and from out the plain
Heaves like a long-swept wave about to break,
And on the curl hangs pausing: not in vain
May he, who will, his recollections rake,
And quote in classic raptures, and awake
The hills with Latian echoes; I abhorr'd
Too much, to conquer for the poet's sake,
The drill'd dull lesson, forced down word by word
In my repugnant youth, with pleasure to record

LXXVI
Aught that recalls the daily drug which turn'd
My sickening memory; and, though Time hath taught
My mind to meditate what then it learn'd,
Yet such the fix'd inveteracy, wrought
By the impatience of my early thought,
That with the freshness wearing out before
My mind could relish what it might have sought,
If free to choose, I cannot now restore
Its health; but what it then detested, still abhor.

LXXVII
Then farewell, Horace; whom I hated so,
Not for thy faults, but mine; it is a curse
To understand, not feel thy lyric flow,
To comprehend, but never love thy verse:
Although no deeper Moralist rehearse
Our little life, nor Bard prescribe his art,
Nor livelier Satirist the conscience pierce,
Awakening without wounding the touch'd heart,
Yet fare thee well -- upon Soracte's ridge we part.

LXXVIII
Oh Rome! my country! city of the soul!
The orphans of the heart must turn to thee,
Lone mother of dead empires! and control
In their shut breasts their petty misery.
What are our woes and sufferance? Come and see
The cypress, hear the owl, and plod your way
O'er steps of broken thrones and temples, Ye!
Whose agonies are evils of day --
A world is at our feet as fragile as our clay.

LXXIX
The Niobe of nations! there she stands,
Childless and crownless, in her voiceless woe;
An empty urn within her wither'd hands,
Whose holy dust was scatter'd long ago;
The Scipios' tomb contains no ashes now;
The very sepulchres lie tenantless
Of their heroic dwellers: dost thou flow,
Old Tiber! through a marble wilderness?
Rise, with thy yellow waves, and mantle her distress.

LXXX
The Goth, the Christian, Time, War, Flood, and Fire,
Have dealt upon the seven-hill'd city's pride;
She saw her glories star by star expire,
And up the steep barbarian monarchs ride,
Where the car climb'd the Capitol; far and wide
Temple and tower went down, nor left a site:
Chaos of ruins! who shall trace the void,
O'er the dim fragments cast a lunar light,
And say, 'here was, or is,' where all is doubly night?

LXXXI
The double night of ages, and of her,
Night's daughter, Ignorance, hath wrapt and wrap
All round us: we but feel our way to err:
The ocean hath his chart, and stars their map,
And Knowledge spreads them on her ample lap;
But Rome is as the desert, where we steer
Stumbling o'er recollections; now we clap
Our hands, and cry 'Eureka!' it is clear --
When but some false mirage or ruin rises near.

LXXXII
Alas! the lofty city! and alas!
The trebly hundred triumphs! and the day
When Brutus made the dagger's edge surpass
The conqueror's sword in bearing fame away!
Alas, for Tully's voice, and Virgil's lay,
And Livy's pictured page! -- but these shall be
Her resurrection; all beside -- decay.
Alas for Earth, for never shall we see
That brightness in her eye she bore when Rome was free!

LXXXIII
O thou, whose chariot roll'd on Fortune's wheel,
Triumphant Sylla! Thou, who didst subdue
Thy country's foes ere thou wouldst pause to feel
The wrath of thy own wrongs, or reap the due
Of hoarded vengeance till thine eagles flew
O'er prostrate Asia; -- thou, who with thy frown
Annihilated senates -- Roman, too.
With all thy vices, for thou didst lay down
With an atoning smile a more than earthly crown --

LXXXIV
The dictatorial wreath -- couldst thou divine
To what would one day dwindle that which made
Thee more than mortal? and that so supine
By aught than Romans Rome should thus be laid?
She who was named Eternal, and array'd
Her warriors but to conquer -- she who veil'd
Earth with her haughty shadow, and display'd,
Until the o'er-canopied horizon fail'd,
Her rushing wings -- Oh! she who was Almighty hail'd!

LXXXV
Sylla was first of victors; but our own,
The sagest of usurpers, Cromwell! -- he
Too swept off senates while he hew'd the throne
Down to a block -- immortal rebel! See
What crimes it costs to be a moment free,
And famous through all ages! but beneath
His fate the moral lurks of destiny;
His day of double victory and death
Beheld him win two realms, and, happier, yield his breath.

LXXXVI
The third of the same moon whose former course
Had all but crown'd him, on the selfsame day
Deposed him gently from his throne of force,
And laid him with the earth's preceding clay.
And show'd not Fortune thus how fame and sway,
And all we deem delightful, and consume
Our souls to compass through each arduous way,
Are in her eyes less happy than the tomb?
Were they but so in man's how different were his doom!

LXXXVII
And thou, dread statue! yet existent in
The austerest form of naked majesty,
Thou who beheldest, 'mid the assassins' din,
At thy bathed base the bloody Cæsar lie,
Folding his robe in dying dignity,
An offering to thine altar from the queen
Of gods and men, great Nemesis! did he die,
And thou, too, perish, Pompey? have ye been
Victors of countless kings, or puppets of a scene?

LXXXVIII
And thou, the thunder-stricken nurse of Rome!
She-wolf! whose brazen-imaged dugs impart
The milk of conquest yet within the dome
Where, as a monument of antique art,
Thou standest: -- Mother of the mighty heart,
Which the great founder suck'd from thy wild teat,
Scorch'd by the Roman Jove's ethereal dart,
And thy limbs black with lightning -- dost thou yet
Guard thine immoral cubs, nor thy fond charge forget?

LXXXIX
Thou dost; but all thy foster-babes are dead --
The men of iron: and the world hath rear'd
Cities from out their sepulchres: men bled
In imitation of the things they fear'd,
And fought and conquer'd, and the same course steer'd,
At apish distance; but as yet none have,
Nor could the same supremacy have near'd,
Save one vain man, who is not in the grave,
But, vanquish'd by himself, to his own slaves a slave --

XC
The fool of false dominion -- and a kind
Of bastard Cæsar, following him of old
With steps unequal; for the Roman's mind
Was modell'd in a less terrestrial mould,
With passions fiercer, yet a judgment cold,
And an immortal instinct which redeem'd
The frailties of a heart so soft, yet bold,
Alcides with the distaff now he seem'd
At Cleopatra's feet, -- and now himself he beam'd,

XCI
And came -- and saw -- and conquer'd ! But the man
Who would have tamed his eagles down to flee,
Like a train'd falcon, in the Gallic van,
Which he, in sooth, long led to victory
With a deaf heart, which never seem'd to be
A listener to itself, was strangely framed;
With but one weakest weakness -- vanity,
Coquettish in ambition, still he aim'd --
At what? can he avouch, or answer what he claim'd?

XCII
And would be all or nothing -- nor could wait
For the sure grave to level him; few years
Had fix'd him with the Cæsars in his fate,
On whom we tread; for this the conqueror rears
The arch of triumph and for this the tears
And blood of earth flow on as they have flow'd,
An universal deluge, which appears
Without an ark for wretched man's abode,
And ebbs but to reflow! Renew thy rainbow, God!

XCIII
What from this barren being do we reap?
Our senses narrow, and our reason frail,
Life short, and truth a gem which loves the deep,
And all things weigh'd in custom's falsest scale;
Opinion an omnipotence, -- whose veil
Mantles the earth with darkness, until right
And wrong are accidents, and men grow pale
Lest their own judgments should become too bright,
And their free thoughts be crimes, and earth have too much light.

XCIV
And thus they plod in sluggish misery,
Rotting from sire to son, and age to age,
Proud of their trampled nature, and so die,
Bequeathing their hereditary rage
To the new race of inborn slaves, who wage
War for their chains, and rather than be free,
Bleed gladiator-like, and still engage
Within the same arena where they see
Their fellows fall before, like leaves of the same tree.

XCV
I speak not of men's creeds -- they rest between
Man and his Maker -- but of things allow'd,
Averr'd, and known, and daily, hourly seen --
The yoke that is upon us doubly bow'd,
And the intent of tyranny avow'd,
The edict of Earth's rulers, who are grown
The apes of him who humbled once the proud,
And shook them from their slumbers on the throne:
Too glorious, were this all his mighty arm had done.

XCVI
Can tyrants but by tyrants conquer'd be,
And Freedom find no champion and no child
Such as Columbia saw arise when she
Sprung forth a Pallas, arm'd and undefiled?
Or must such minds be nourish'd in the wild,
Deep in the unpruned forest, 'midst the roar
Of cataracts, where nursing Nature smiled
On infant Washington? Has Earth no more
Such seeds within her breast, or Europe no such shore?

XCVII
But France got drunk with blood to vomit crime,
And fatal have her Saturnalia been
To Freedom's cause, in every age an clime;
Because the deadly days which we have seen,
And vile Ambition, that built up between
Man and his hopes an adamantine wall,
And the base pageant last upon the scene,
Are grown the pretext for the eternal thrall
Which nips life's tree, and dooms man's worst -- his second fall.

XCVIII
Yet, Freedom! yet thy banner, torn, but flying,
Streams like the thunder-storm against the wind;
Thy trumpet voice, though broken now and dying,
The loudest still the tempest leaves behind;
Thy tree hath lost its blossoms, and the rind,
Chopp'd by the axe, looks rough and little worth,
But the sap lasts, -- and still the seed we find
Sown deep, even in the bosom of the North;
So shall a better spring less better fruit bring forth.

XCIX
There is a stern round tower of other days,
Firm as a fortress, with its fence of stone,
Such as an army's baffled strength delays,
Standing with half its battlements alone,
And with two thousand years of ivy grown,
The garland of eternity, where wave
The green leaves over all by time o'er thrown; --
Where was this tower of strength? within its case
What treasure lay, so lock'd, so hid? -- A woman's grave.

C
But who was she, the lady of the dead,
Tomb'd in a palace? Was she chaste and fair?
Worthy a king's, or more -- a Roman's bed?
What race of chiefs and heroes did she bear?
What daughter of her beauties was she heir?
How lived, how loved, how died she? Was she not
So honoured -- and conspicuously there,
Where meaner relics must not dare to rot,
Placed to commemorate a more than mortal lot?

CI
Was she as those who love their lords, or they
Who love the lords of others? such have been
Even in the olden time, Rome's annals say.
Was she a matron of Cornelia's mien,
Or the light air of Egypt's graceful queen,
Profuse of joy -- or 'gainst it did she war
Inveterate in virtue? Did she lean
To the soft side of the heart, or wisely bar
Love from amongst her griefs? -- for such the affections are.

CII
Perchance she died in youth: it may be, bow'd
With woes far heavier than the ponderous tomb
That weigh'd upon her gentle dust, a cloud
Might gather o'er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites -- early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.

CIII
Perchance she died in age -- surviving all,
Charms, kindred, children -- with the silver gray
On her long tresses, which might yet recall,
It may be, still a something of the day
When they were braided, and her proud array
And lovely form were envied, praised, and eyed
By Rome -- But whither would Conjecture stray?
Thus much alone we know -- Metella died,
The wealthiest Roman's wife: Behold his love or pride!

CIV
I know not why -- but standing thus by thee
It seems as if I had thine inmate known,
Thou Tomb! and other days come back on me
With recollected music, though the tone
Is changed and solemn, like the cloudy groan
Of dying thunder on the distant wind;
Yet could I set me by this ivied stone
Till I had bodied forth the heated mind,
Forms from the floating wreck which Ruin leaves behind;

CV
And from the planks, far shatter'd o'er the rocks,
Built me a little bark of hope, once more
To battle with the ocean and the shocks
Of the loud breakers, and the ceaseless roar
Which rushes on the solitary shore
Where all lies founder'd that was ever dear:
But could I gather from the wave-worn store
Enough for my rude boat, where should I steer?
There woos no home, nor hope, nor life, save what is here.

CVI
Then let the winds howl on! their harmony
Shall henceforth be my music, and the night
The sound shall temper with the owlets' cry,
As I now hear them, in the fading light
Dim o'er the bird of darkness' native site,
Answering each other on the Palatine,
With their large eyes, all glistening gray and bright,
And sailing pinions. -- Upon such a shrine
What are our petty griefs? -- let me not number mine.

CVII
Cypress and ivy, weed and wallflower grown,
Matted and mass'd together, hillocks heap'd
On what were chambers, arch crush'd, column strown
In fragments, choked up vaults, and frescos steep'd
In subterranean damps, where the owl peep'd,
Deeming it midnight: -- Temples, baths, or halls?
Pronounce who can; for all that Learning reap'd
From her research hath been, that these are walls --
Behold thee Imperial Mount! 'tis thus the mighty falls.

CVIII
There is the moral of all human tales;
'Tis but the same rehearsal of the past,
First Freedom, and then Glory -- when that fails,
Wealth, vice , corruption, -- barbarism at last.
And History, with all her volumes vast,
Hath but one page, -- 'tis better written here
Where gorgeous Tyranny hath thus amass'd
All treasures, all delights, that eye or ear,
Heart, soul, could seek, tongue ask -- Away with words! draw near,

CIX
Admire, exult, despise, laugh, weep, -- for here
There is such matter for all feeling: -- Man!
Thou pendulum betwixt a smile and tear,
Ages and realms are crowded in this span,
This mountain, whose obliterated plan
The pyramid of empires pinnacled,
Of Glory's gewgaws shining in the van
Till the sun's rays with added flame were fill'd!
Where are its golden roofs? where those who dared to build?

CX
Tully was not so eloquent as thou,
Thou nameless column with the buried base!
What are the laurels of the Cæsar's brow?
Crown me with ivy from his dwelling-place.
Whose arch or pillar meets me in the face,
Titus or Trajan's? No -- 'tis that of Time:
Triumph, arch, pillar, all he doth displace
Scoffing; and apostolic statues climb
To crush the imperial urn, whose ashes slept sublime,

CXI
Buried in air, the deep blue sky of Rome,
And looking to the stars; they had contain'd
A spirit which with thee would find a home,
The last of those who o'er the whole earth reign'd,
The Roman globe, for after none sustain'd,
But yielded back his conquests: -- he was more
Than a mere Alexander, and unstain'd
With household blood and wine, serenely wore
His sovereign virtues -- still we Trajan's name adore.

CXII
Where is the rock of Triumph, the high place
Where Rome embraced her heroes? where the steep
Tarpeian? fittest goal of Treason's race,
The promontory whence the Traitor's Leap
Cured all ambition. Did the conquerors heap
Their spoils here? Yes; and in yon field below,
A thousand years of silenced faction sleep --
The Forum, where the immortal accents glow,
And still the eloquent air breathes -- burns with Cicero!

CXIII
The field of freedom, faction, fame, and blood:
Here a proud people's passions were exhaled,
From the first hour of empire in the bud
To that when further worlds to conquer fail'd;
But long before had Freedom's face been veil'd,
And Anarchy assumed her attributes;
Till every lawless soldier who assail'd
Trod on the trembling senate's slavish mutes,
Or raised the venal voice of baser prostitutes.

CXIV
Then turn we to her latest tribune's name,
From her ten thousand tyrants turn to thee,
Redeemer of dark centuries of shame --
The friend of Petrarch -- hope of Italy --
Rienzi! last of Romans! While the tree
Of freedom's wither'd trunk puts forth a leaf
Even for thy tomb a garland let it be --
The forum's champion, and the people's chief --
Her new-born Numa thou -- with reign, alas! too brief.

CXV
Egeria! sweet creation of some heart
Which found no mortal resting-place so fair
As thine ideal breast; whate'er thou art
Or wert, -- a young Aurora of the air,
The nympholepsy of some fond despair;
Or, it might be, a beauty of the earth,
Who found a more than common votary there
Too much adoring; whatsoe'er thy birth,
Thou wert a beautiful thought, and softly bodied forth.

CXVI
The mosses of thy fountain still are sprinkled
With thine Elysian water-drops; the face
Of thy cave-guarded spring with years unwrinkled,
Reflects the meek-eyed genius of the place,
Whose green, wild margin now no more erase
Art's works; nor must the delicate waters sleep,
Prison'd in marble -- bubbling from the base
Of the cleft statue, with a gentle leap
The rill runs o'er -- and round -- fern, flowers, and ivy creep,

CXVII
Fantastically tangled: the green hills
Are clothed with early blossoms, through the grass
The quick-eyed lizard rustles, and the bills
Of summer-birds sing welcome as ye pass;
Flowers fresh in hue, and many in their class,
Implore the pausing step, and with their dyes,
Dance in the soft breeze in a fairy mass;
The sweetness of the violet's deep blue eyes,
Kiss'd by the breath of heaven, seems colour'd by its skies.

CXVIII
Here didst thou dwell, in this enchanted cover,
Egeria! thy all heavenly bosom beating
For the far footsteps of thy mortal lover;
The purple Midnight veil'd that mystic meeting
With her most starry canopy, and seating
Thyself by thine adorer, what befell?
This cave was surely shaped out for the greeting
Of an enamour'd Goddess, and the cell
Haunted by holy Love -- the earliest oracle!

CXIX
And didst thou not, thy breast to his replying,
Blend a celestial with a human heart;
And Love, which dies as it was born, in sighing,
Share with immortal transports? could thine art
Make them indeed immortal, and impart
The purity of heaven to earthly joys,
Expel the venom and not blunt the dart --
The dull satiety which all destroys --
And root from out the soul the deadly weed which cloys?

CXX
Alas! our young affections run to waste,
Or water but the desert; whence arise
But weeds of dark luxuriance, tares of haste,
Rank at the core, though tempting to the eyes,
Flowers whose wild odours breathe but agonies,
And trees whose gums are poisons; such the plants
Which spring beneath her steps as Passion flies
O'er the world's wilderness, and vainly pants
For some celestial fruit forbidden to our wants.

CXXI
Oh, Love! no habitant of earth thou art --
An unseen seraph, we believe in thee, --
A faith whose martyrs are the broken heart, --
But never yet hath seen, nor e'er shall see
The naked eye, thy form, as it should be;
The mind hath made thee, as it peopled heaven,
Even with its own desiring phantasy,
And to a thought such shape and image given,
As haunts the unquench'd soul -- parch'd, wearied, wrung, and riven.

CXXII
Of its own beauty is the mind diseased,
And fevers into false creation: -- where,
Where are the forms the sculptor's soul hath seiz'd?
In him alone. Can Nature show so fair?
Where are the charms and virtues which we dare
Conceive in boyhood and pursue as men,
The unreach'd Paradise of our despair,
Which o'er-informs the pencil and the pen,
And overpowers the page where it would bloom again?

CXXIII
Who loves, raves -- 'tis youth's frenzy -- but the cure
Is bitterer still, as charm by charm unwinds
Which robed our idols, and we see too sure
Nor worth nor beauty dwells from out the mind's
Ideal shape of such; yet still it binds
The fatal spell, and still it draws us on,
Reaping the whirlwind from the oftsown winds;
The stubborn heart, its alchemy begun,
Seems ever near the prize -- wealthiest when most undone.

CXXIV
We wither from our youth, we gasp away --
Sick -- sick; unfound the boon, unslaked the thirst,
Though to the last, in verge of our decay,
Some phantom lures, such as we sought at first --
But all too late, -- so are we doubly curst.
Love, fame, ambition, avarice -- 'tis the same,
Each idle, and all ill, and none the worst --
For we all are meteors with a different name,
And Death the sable smoke where vanishes the flame.

CXXV
Few -- none -- find what they love or could have loved,
Though accident, blind contact, and the strong
Necessity of loving, have removed
Antipathies -- but to recur, ere long,
Envenom'd with irrevocable wrong;
And Circumstance, that unspiritual god
And miscreator, makes and helps along
Our coming evils with a crutch-like rod,
Whose touch turns Hope to dust, -- the dust we all have trod.

CXXVI
Our life is a false nature: 'tis not in
The harmony of things, -- this hard decree,
This uneradicable taint of sin
This boundless upas, this all-blasting tree,
Whose root is earth, whose leaves and branches be
The skies which rain their plagues on men like dew --
Disease, death, bondage -- all the woes we see,
And worse, the woes we see not -- which throb through
The immedicable soul, with heart-aches ever new.

CXXVII
Yet let us ponder boldly -- 'tis a base
Abandonment of reason to resign
Our right of thought -- our last and only place
Of refuge; this, at least, shall still be mine:
Though from our birth the faculty divine
Is chain'd and tortured -- cabin'd, cribb'd, confined,
And bred in darkness, lest the truth should shine
Too brightly on the unpreparèd mind,
The beam pours in, for time and skill will couch the blind.

CXXVIII
Arches on arches! as it were that Rome,
Collecting the chief trophies of her line,
Would build up all her triumphs in one dome,
Her coliseum stands; the moonbeams shine
As 'twere its natural torches, for divine
Should be the light which streams here to illume
This long-explored but still exhaustless mine
Of contemplation; and the azure gloom
Of an Italian night, where the deep skies assume

CXXIX
Hues which have words, and speak to ye of heaven,
Floats o'er this vast and wondrous monument,
And shadows forth its glory. There is given
Unto the things of earth, which Time hath bent
A spirit's feeling, and where he hath leant
His hand, but broke his scythe, there is a power
And magic in the ruin'd battlement,
For which the palace of the present hour
Must yield its pomp, and wait till ages are its dower.

CXXX
Oh Time! the beautifier of the dead,
Adorner of the ruin, comforter
And only healer when the heart hath bled;
Time! the corrector where our judgments err,
The test of truth, love, -- sole philosopher,
For all beside are sophists -- from thy thrift,
Which never loses though it doth defer --
Time, the avenger! unto thee I lift
My hands, and eyes, and heart, and crave of thee a gift:

CXXXI
Amidst this wreck, where thou hast made a shrine
And temple more divinely desolate,
Among thy mightier offerings here are mine,
Ruins of years, though few, yet full of fate:
If thou hast ever seen me too elate,
Hear me not; but if calmly I have borne
Good, and reserved my pride against the hate
Which shall not whelm me, let me not have worn
This iron in my soul in vain -- shall they not mourn?

CXXXII
And thou, who never yet of human wrong
Left the unbalanced scale, great Nemesis!
Here, where the ancient paid thee homage long --
Thou who didst call the Furies from the abyss,
And round Orestes bade them howl and hiss
For that unnatural retribution -- just,
Had it but been from hands less near -- in this
Thy former realm, I call thee from the dust!
Dost thou not hear my heart? -- Awake! thou shalt, and must.

CXXXIII
It is not that I may not have incurr'd
For my ancestral faults or mine the wound
I bleed withal, and, had it been conferr'd
With a just weapon, it had flow'd unbound;
But now my blood shall not sink in the ground;
To thee I do devote it. -- thou shalt take
The vengeance, which shall yet be sought and found,
Which if I have not taken for the sake --
But let that pass -- I sleep, but thou shalt yet awake.

CXXXIV
And if my voice break forth, 'tis not that now
I shrink from what is suffer'd: let him speak
Who hath beheld decline upon my brow,
Or seen my mind's convulsion leave it weak;
But in this page a record will I seek.
Not in the air shall these my words disperse,
Though I be ashes; a far hour shall wreak
The deep prophetic fulness of this verse,
And pile on human heads the mountain of my curse!

CXXXV
That curse shall be Forgiveness. -- Have I not --
Hear me, my mother Earth! behold it, Heaven!
Have I not had to wrestle with my lot?
Have I not suffer'd things to be forgiven?
Have I not had my brain sear'd, my heart riven,
Hopes sapp'd, name blighted, Life's life lied away?
And only not to desperation driven,
Because not altogether of such clay
As rots into the souls of those whom I survey.

CXXXVI
From mighty wrongs to petty perfidy
Have I not seen what human things could do?
From the loud roar of foaming calumny
To the small whisper of the as paltry few,
And subtler venom of the reptile crew,
The Janus glance of whose significant eye,
Learning to lie with silence, would seem true,
And without utterance, save the shrug or sign,
Deal round to happy fools its speechless obloquy.

CXXXVII
But I have lived, and have not lived in vain:
My mind may lose its force, my blood its fire,
And my frame perish even in conquering pain;
But there is that within me which shall tire
Torture and Time, and breathe when I expire;
Something unearthly, which they deem not of,
Like the remember'd tone of a mute lyre,
Shall on their soften'd spirits sink, and move
In hearts all rocky now the late remorse of love.

CXXXVIII
The seal is set. -- Now welcome, thou dread power!
Nameless, yet thus omnipotent, which here
Walk'st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear;
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.

CXXXIX
And here the buzz of eager nations ran,
In murmur'd pity, or loud-roar'd applause,
As man was slaughter'd by his fellow-man.
And wherefore slaughter'd? wherefore, but because
Such were the bloody Circus' genial laws,
And the imperial pleasure. -- Wherefore not?
What matters where we fall to fill the maws
Of worms -- on battle-plains or listed spot?
Both are but theatres -- where the chief actors rot.

CXL
I see before me the Gladiator lie:
He leans upon his hand -- his manly brow
Consents to death, but conquers agony,
And his droop'd head sinks gradually low --
And through his side the last drops, ebbing slow
From the red gash, fall heavy, one by one,
Like the first of a thunder-shower; and now
The arena swims around him -- he is gone,
Ere ceased the inhuman shout which hail'd the wretch who won.

CXLI
He heard it, but he heeded not -- his eyes
Were with his heart, and that was far away;
He reck'd not of the life he lost nor prize,
But where his rude hut by the Danube lay,
There where his young barbarians all at play,
There was their Dacian mother -- he, their sire,
Butcher'd to make a Roman holiday --
All this rush'd with his blood -- Shall he expire
And unavenged? Arise! ye Goths, and glut your ire!

CXLII
But here, where Murder breathed her bloody steam;
And here, where buzzing nations choked the ways,
And roar'd or murmur'd like a mountain stream
Dashing or winding as its torrent strays;
Here, where the Roman million's blame or praise
Was death or life, the playthings of a crowd,
My voice sounds much -- and fall the stars faint rays
On the arena void -- seats crush'd -- walls bow'd --
And galleries, where my steps seem echoes strangely loud.

CXLIII
A ruin -- yet what a ruin! from its mass
Walls, palaces, half-cities, have been rear'd;
Yet oft the enormous skeleton ye pass,
And marvel where the spoil could have appear'd.
Hath it indeed been plunder'd, or but clear'd?
Alas! developed, opens the decay,
When the colossal fabric's form is near'd:
It will not bear the brightness of the day,
Which streams too much on all -- years -- man -- have reft away.

CXLIV
But when the rising moon begins to climb
Its topmost arch, and gently pauses there;
When the stars twinkle through the loops of time,
And the low night-breeze waves along the air
The garland-forest, which the gray walls wear,
Like laurels on the bald first Cæsar's head;
When the light shines serene but doth not glare,
Then in this magic circle raise the dead:
Heroes have trod this spot -- 'tis on their dust ye tread.

CXLV
'While stands the Coliseum, Rome shall stand;
'When falls the Coliseum, Rome shall fall;
'And when Rome falls -- the World.' From our own land
Thus spake the pilgrims o'er this mighty wall
In Saxon times, which we are wont to call
Ancient; and these three mortal things are still
On their foundations, and unalter'd all;
Rome and her Ruin past Redemption's skill,
The World, the same wide den -- of thieves, or what ye will.

CXLVI
Simple, erect, severe, austere, sublime --
Shrine of all saints and temple of all gods,
From Jove to Jesus -- spared and blest by time;
Looking tranquillity, while falls or nods
Arch, empire, each thing round thee, and man plods
His way through thorns to ashes -- glorious dome!
Shalt thou not last? Time's scythe and tyrants' rods
Shiver upon thee -- sanctuary and home
Of art and piety -- Pantheon! -- pride of Rome!

CXLVII
Relic of nobler days, and noblest arts!
Despoil'd yet perfect, with thy circle spreads
A holiness appealing to all hearts --
To art a model; and to him who treads
Rome for the sake of ages, Glory sheds
Her light through thy sole aperture; to those
Who worship, here are altars for their beads;
And they who feel for genius may repose
Their eyes on honour'd forms, whose busts around them close.

CXLVIII
There is a dungeon, in whose dim drear light
What do I gaze on? Nothing: Look again!
Two forms are slowly shadow'd on my sight --
Two insulated phantoms of the brain:
It is not so; I see them full and plain --
An old man, and a female young and fair,
Fresh as a nursing mother, in whose vein
The blood is nectar: -- but what doth she there,
With her unmantled neck, and bosom white and bare?

CXLIX
Full swells the deep pure fountain of young life,
Where on the heart and from the heart we took
Our first and sweetest nurture, when the wife,
Blest into mother, in the innocent look,
Or even the piping cry of lips that brook
No pain and small suspense, a joy perceives
Man knows not, when from out its cradled nook
She sees her little bud put forth its leaves --
What may the fruit be yet? I know not -- Cain was Eve's.

CL
But here youth offers to old age the food,
The milk of his own gift: it is her sire
To whom she renders back the debt of blood
Born with her birth. No; he shall not expire
While in those warm and lovely veins the fire
Of health and holy feeling can provide
Great Nature's Nile, whose deep stream rises higher
Than Egypt's river: from that gentle side
Drink, drink and live, old man! Heaven's realm holds no such tide.

CLI
The starry fable of the milky way
Has not thy story's purity; it is
A constellation of a sweeter ray,
And sacred Nature triumphs more in this
Reverse of her decree, than in the abyss
Where sparkle distant worlds: -- Oh, holiest nurse!
No drop of that clear stream its way shall miss
To thy sire's heart, replenishing its source
With life, as our freed souls rejoin the universe.

CLII
Turn to the mole which Hadrian rear'd on high,
Imperial mimic of old Egypt's piles,
Colossal copyist of deformity
Whose travell'd phantasy from the far Nile's
Enormous model, doom'd the artist's toils
To build for giants, and for his vain earth,
His shrunken ashes, raise this dome: How smiles
The gazer's eyes with philosophic mirth,
To view the huge design which sprung from such a birth!

CLIII
But lo! the dome -- the vast and wondrous dome,
To which Diana's marvel was a cell --
Christ's mighty shrine above his martyr's tomb!
I have beheld the Ephesian's miracle; --
Its columns strew the wilderness, and dwell
The hyæna and the jackal in their shade;
I have beheld Sophia's bright roofs swell
Their glittering mass i' the sun, and have survey'd
Its sanctuary the while the usurping Moslem pray'd;

CLIV
But thou, of temples old, or altars new,
Standest alone, with nothing like to thee --
Worthiest of God, the holy and the true.
Since Zion's desolation, when that He
Forsook his former city, what could be,
Of earthly structures, in his honour piled,
Of a sublimer aspect? Majesty,
Power, Glory, Strength, and Beauty all are aisled
In this eternal ark of worship undefiled.

CLV
Enter: its grandeur overwhelms thee not;
And why? It is not lessen'd; but thy mind,
Expanded by the genius of the spot,
Has grown colossal, and can only find
A fit abode wherein appear enshrined
Thy hopes of immortality; and thou
Shalt one day, if found worthy, so defined,
See thy God face to face, as thou dost now
His Holy of Holies, nor be blasted by his brow.

CLVI
Thou movest, but increasing with the advance,
Like climbing some great Alp, which still doth rise,
Deceived by its gigantic elegance;
Vastness which grows, but grows to harmonise --
All musical in its immensities;
Rich marbles, richer painting -- shrines where flame
The lamps of gold -- and haughty dome which view
In air with Earth's chief structures, though their frame
Sits on the firm-set ground, and this the clouds must claim.

CLVII
Thou seest not all; but piecemeal thou must break,
To separate contemplation, the great whole;
And as the ocean many bays will make
That ask the eye -- so here condense thy soul
To more immediate objects, and control
Thy thoughts until thy mind hath got by heart
Its eloquent proportions, and unroll
In mighty graduations, part by part,
The glory which at once upon thee did not dart,

CLVIII
Not by its fault -- but thine: Our outward sense
Is but of gradual grasp -- and as it is
That what we have of feeling most intense
Outstrips our faint expression; even so this
Outshining and o'erwhelming edifice
Fools our fond gaze,and greatest of the great
Defies at first our Nature's littleness,
Till growing with its growth, we thus dilate
Our spirits to the size of that they contemplate.

CLVIX
Then pause, and be enlighten'd; there is more
In such a survey than the sating gaze
Of wonder pleased, or awe which would adore
The worship of the place, or the mere praise
Of art and its great masters, who could raise
What former time, nor skill, nor thought could plan;
The fountain of sublimity displays
Its depth, and thence may draw the mind of man
Its golden sands, and learn what great conceptions can.

CLX
Or, turning to the Vatican, go see
Laocoön's torture dignifying pain --
A father's love and mortal's agony
With an immortal's patience blending: -- Vain
The struggle vain, against the coiling strain
And gripe, and deepening of the dragon's grasp,
The old man's clench; the long unvenom'd chain
Rivets the living links, -- the enormous asp
Enforces pang on pang, and stifles gasp on gasp.

CLXI
Or view the Lord of the unerring bow,
The God of life, and poesy, and light --
The Sun in human limbs array'd, and brow
All radiant from his triumph in the fight;
The shaft hath just been shot -- the arrow bright
With an immortal's vengeance; in his eye
And nostril beautiful disdain, and might
And majesty, flash their full lightnings by,
Developing in that once glance the Deity.

CLXII
But in his delicate form -- a dream of Love,
Shaped by some solitary nymph, whose breast
Long'd for a deathless lover from above,
And madden'd in that vision -- are exprest
All that ideal beauty ever bless'd
The mind with in its most unearthly mood,
When each conception was a heavenly guest --
A ray of immortality -- and stood
Starlike, around, until they gather'd to a god!

CLXIII
And if it be Prometheus stole from Heaven
The fire which we endure, it was repaid
By him to whom the energy was given
Which this poetic marble hath array'd
With an eternal glory -- which, if made
By human hands, is not of human thought;
And Time himself hath hallow'd it, nor laid
One ringlet in the dust -- nor hath it caught
A tinge of years, but breathes the flame with which 'twas wrought.

CLXIV
But where is he, the Pilgrim of my song,
The being who upheld it through the past?
Methinks he cometh late and tarries long.
He is no more -- these breathings are his last;
His wanderings done, his visions ebbing fast,
And he himself as nothing: -- if he was
Aught but a phantasy, and could be class'd
With forms which live and suffer -- let that pass --
His shadow fades away into Destruction's mass,

CLXV
Which gathers shadow, substance, life, and all
That we inherit in its mortal shroud,
And spreads the dim and universal pall
Through which all things grow phantoms; and the cloud
Between us sinks and all which ever glow'd,
Till Glory's self is twilight, and displays
A melancholy halo scarce allow'd
To hover on the verge of darkness; rays
Sadder than saddest night, for they distract the gaze,

CLXVI
And send us prying into the abyss,
To gather what we shall be when the frame
Shall be resolved to something less than this
Its wretched essence; and to dream of fame,
And wipe the dust from off the idle name
We never more shall hear, -- but never more
Oh, happier thought! can we be made the same:
It is enough in sooth that once we bore
These fardels of the heart -- the heart whose sweat was gore.

CLXVII
Hark! forth from the abyss a voice proceeds,
A long low distant murmur of dread sound,
Such as arises when a nation bleeds
With some deep and immedicable wound;
Through storm and darkness yawns the rending ground,
The gulf is thick with phantoms, but the chief
Seems royal still, though with her head discrown'd,
And pale, but lovely, with maternal grief
She clasps a babe, to whom her breast yields no relief.

CLXVIII
Scion of chiefs and monarchs, where art thou?
Fond hope of many nations, art thou dead?
Could not the grave forget thee, and lay low
Some less majestic, less beloved head?
In the sad midnight, while thy heart still bled,
The mother of a moment, o'er thy boy,
Death hush'd that pang for ever: with thee fled
The present happiness and promised joy
Which fill'd the imperial isles so full it seem'd to cloy.

CLXIX
Peasants bring forth in safety. -- Can it be,
Oh thou that wert so happy, so adored!
Those who weep not for kings shall weep for thee,
And Freedom's heart, grown heavy, cease to hoard
Her many griefs for ONE; for she had pour'd
Her orisons for thee, and o'er thy head
Beheld her Iris. -- Thou, too, lonely lord,
And desolate consort -- vainly wert thou wed!
The husband of a year! the father of the dead!

CLXX
Of sackcloth was thy wedding garment made;
Thy bridal's fruit is ashes: in the dust
The fair-hair'd Daughter of the Isles is laid,
The love of millions! How we did intrust
Futurity to her! and, though it must
Darken above our bones, yet fondly deem'd
Our children should obey her child, and bless'd
Her and her hoped-for seed, whose promise seem'd
Like stars to shepherds' eyes: -- 'twas but a meteor beam'd.

CLXXI
Woe unto us, not her; for she sleeps well:
The fickle reek of popular breath, the tongue
Of hollow counsel, the false oracle,
Which from the birth of monarchy hath run
Its knell in princely ears, till the o'erstung
Nations have arm'd in madness, the strange fate
Which tumbles mightiest sovereigns, and hath flung
Against their blind omnipotence a weight
Within the opposing scale, which crushes soon or late, --

CLXXII
These might have been her destiny; but no,
Our hearts deny it: and so young, so fair,
Good without effort, great without a foe;
But now a bride and mother -- and now there!
How many ties did that stern moment tear!
From thy Sire's to his humblest subject's breast
Is link'd the electric chain of that despair,
Whose shock was as an earthquake's, and opprest
The land which loved thee so that none could love thee best.

CLXXIII
Lo, Nemi! navell'd in the woody hills
So far, that the uprooting wind which tears
The oak from his foundation, and which spills
The ocean o'er its boundary, and bears
Its foam against the skies, reluctant spares
The oval mirror of thy glassy lake;
And calm as cherish'd hate, its surface wears
A deep cold settled aspect nought can shake,
All coil'd into itself and round, as sleeps the snake.

CLXXIV
And near, Albano's scarce divided waves
Shine from a sister valley; -- and afar
The Tiber winds, and the broad ocean laves
The Latian coast where sprung the Epic war,
'Arms and the Man,' whose re-ascending star
Rose o'er an empire: -- but beneath thy right
Tully reposed from Rome; -- and where yon bar
Of girdling mountains intercepts the sight
The Sabine farm was till'd, the weary bard's delight.

CLXXV
But I forget. -- My Pilgrim's shrine is won,
And he and I must part, -- so let it be, --
His task and mine alike are nearly done;
Yet once more let us look upon the sea;
The midland ocean breaks on him and me,
And from the Alban Mount we now behold
Our friend of youth, that Ocean, which when we
Beheld it last by Calpe's rock unfold
Those waves, we follow'd on till the dark Euxine roll'd

CLXXVI
Upon the blue Symplegades: long years --
Long, though not very many -- since have done
Their work on both; some suffering and some tears
Have left us nearly where we had begun:
Yet not in vain our mortal race hath run;
We have had our reward, and it is here, --
That we can yet feel gladden'd by the sun,
And reap from earth, sea, joy almost as dear
As if there were no man to trouble what is clear.

CLXXVII
Oh! that the Desert were my dwelling-place,
With one fair Spirit for my minister,
That I might all forget the human race,
And, hating no one, love but only her!
Ye elements! -- in whose enobling stir
I feel myself exalted -- Can ye not
Accord me such a being? Do I err
In deeming such inhabit many a spot?
Though with them to converse can rarely be our lot.

CLXXVIII
There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep Sea, and music in its roar;
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne'er express, yet cannot all conceal.

CLXXIX
Roll on, thou deep and dark blue Ocean -- roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin -- his control
Stops with the shore; upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man's ravage, save his own,
When, for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknell'd, uncoffin'd, and unknown.

CLXXX
His steps are not upon thy paths, -- thy fields
Are not a spoil for him -- thou dost arise
And shake him from thee; the vile strength he wields
For earth's destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send'st him shivering in thy playful spray
And howling, to his Gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: -- there let him lay.

CLXXXI
The armaments which thunderstrike the walls
Of rock-built cities. bidding nations quake,
And monarchs tremble in their capitals,
The oak leviathons, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war --
These are thy toys, and, as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the Armada's pride or spoils of Trafalgar.

CLXXXII
Thy shores are empires, changed in all save thee --
Assyria, Greece, Rome, Carthage, what are they?
Thy waters wash'd them power while they were free,
And many a tyrant since; their shores obey
The stranger, slave, or savage; their decay
Has dried up realms to deserts: -- not so thou; --
Unchangeable, save to thy wild waves' play,
Time writes no wrinkle on thine azure brow:
Such as creation's dawn beheld, thou rollest now.

CLXXXIII
Thou glorious mirror, where the Almighty's form
Glasses itself in tempests; in all time, --
Calm or convulsed, in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving -- boundless, endless, and sublime,
The image of eternity, the throne
Of the Invisible; even from out thy slime
The monsters of the deep are made; each zone
Obeys thee; thou goest forth, dread, fathomless, alone.

CLXXXIV
And I have loved thee, Ocean! and my joy
Of youthful sports was on thy breast to be
Borne, like thy bubbles, onward: from a boy
I wanton'd with thy breakers -- they to me
Were a delight; and if the freshening sea
Made them a terror -- 'twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane -- as I do here.

CLXXXV
My task is done, my song hath ceased, my theme
Has died into an echo; it is fit
The spell should break of this protracted dream.
The torch shall be extinguish'd which hath lit
My midnight lamp -- and what is writ, is writ;
Would it were worthier! but I am not now
That which I have been -- and my visions flit
Less palpably before me -- and the glow
Which, in my spirit dwelt is fluttering, faint, and low.

CLXXXVI
Farewell! a word that must be, and hath been --
A sound which makes us linger; -- yet -- farewell!
Ye! who have traced the Pilgrim to the scene
Which is his last, if in your memories dwell
A thought which once was his, if on ye swell
A single recollection, not in vain
He wore his sandal-shoon and scallop-shell;
Farewell! with him alone may rest the pain
If such there were -- with you, the moral of his strain.