Syvende Sang by Frederik Paludan Müller: poem analysis

Mood of the speaker:

The punctuation marks are various. Neither mark predominates.

The author used lexical repetitions to emphasize a significant image; han, jeg, har, og, centrum, som, troskab, l, tro, r, af, sig, hun, de, var, hvis, hvor, iet, en, saa, det, o, m, i, d, vi, man, er, selv, mig, ren, snart, den, et, med, der, kl, at, rte, een, sin, dem, led, eenhed, min, til, for, st are repeated.

The poet used anaphora at the beginnings of some neighboring lines. The same words f, hvis, jeg, af, han, og, hr, hvor, en, i, for, o, med, da, den, snart, nu, et, om, aha, tilf, som, thi, der, naar, ved, hun, var, sin, til, skaal, det, hvad are repeated.

The author used the same words han, hun, den, min, vor, thi, men, der at the beginnings of some neighboring stanzas. The figure of speech is a kind of anaphora.

There is a poetic device epiphora at the end of some neighboring lines sen, ved, ie, tro, nge, lte, de, kket, re, deland, hun, nger, mme, mmes, mig, dem, d, lling, den, skyld, le, ren, der, bne, g, v, kke, dte, rte, ste, gte, ber, iet, kkes, mte, s, led, rre, gter, dder, nder, ver, kker are repeated).

The poet repeated the same words tro, over at the end of some neighboring stanzas. The poetic device is a kind of epiphora.

The literary device anadiplosis is detected in two or more neighboring lines. The words/phrases tro, de, han, der, prostitueert, drik connect the lines.