Francis Thompson: Verses about Woman

Lo I, Song's most true lover, plain me sore
That worse than other women she can deceive,
For she being goddess, I have given her more
Than mortal ladies from their loves receive;
And first of her embrace
She was not coy, and gracious were her ways,
That I forgot all virgins to adore;
Nor did I greatly grieve
To bear through arid days
The pretty foil of her divine delays;
And one by one to cast
Life, love, and health,
Content, and wealth,
Before her, thinking ever on her praise,
Until at last
Nought had I left she would be gracious for.
Now of her cozening I complain me sore,
Seeing her uses,
That still, more constantly she is pursued,
And straitlier wooed,
Her only-ador-ed favour more refuses,
And leaves me to implore
Remembered boon in bitterness of blood.

From mortal woman thou may'st know full well,
O poet, that dost deem the fair and tall
Urania of her ways not mutable,
When things shall thee befall
What thou art toil-ed in her sweet, wild spell.
Do they strow for thy feet
A little tender favour and deceit
Over the sudden mouth of hidden hell?--
As more intolerable
Her pit, as her first kiss is heavenlier-sweet.
Are they, the more thou sigh,
Still the more watchful-cruel to deny?--
Know this, that in her service thou shalt learn
How harder than the heart of woman is
The immortal cruelty
Of the high goddesses.
True is his witness who doth witness this,
Whose gaze too early fell--
Nor thence shall turn,
Nor in those fires shall cease to weep and burn--
Upon her ruinous eyes and ineludible.

Daughter of the ancient Eve,
We know the gifts ye gave--and give.
Who knows the gifts which YOU shall give,
Daughter of the newer Eve?
You, if my soul be augur, you
Shall--O what shall you not, Sweet, do?
The celestial traitress play,
And all mankind to bliss betray;
With sacrosanct cajoleries
And starry treachery of your eyes,
Tempt us back to Paradise!
Make heavenly trespass;--ay, press in
Where faint the fledge-foot seraphin,
Blest Fool! Be ensign of our wars,
And shame us all to warriors!
Unbanner your bright locks,--advance
Girl, their gilded puissance,
I' the mystic vaward, and draw on
After the lovely gonfalon
Us to out-folly the excess
Of your sweet foolhardiness;
To adventure like intense
Assault against Omnipotence!

Give me song, as She is, new,
Earth should turn in time thereto!
New, and new, and thrice so new,
All old sweets, New Sweet, meant you!
Fair, I had a dream of thee,
When my young heart beat prophecy,
And in apparition elate
Thy little breasts knew wax-ed great,
Sister of the Canticle,
And thee for God grown marriageable.
How my desire desired your day,
That, wheeled in rumour on its way,
Shook me thus with presentience! Then
Eden's lopped tree shall shoot again:
For who Christ's eyes shall miss, with those
Eyes for evident nuncios?
Or who be tardy to His call
In your accents augural?

Who shall not feel the Heavens hid
Impend, at tremble of your lid,
And divine advent shine avowed
Under that dim and lucid cloud;
Yea, 'fore the silver apocalypse
Fail, at the unsealing of your lips?
When to love YOU is (O Christ's Spouse!)
To love the beauty of His house;
Then come the Isaian days; the old
Shall dream; and our young men behold
Vision--yea, the vision of Thabor mount,
Which none to other shall recount,
Because in all men's hearts shall be
The seeing and the prophecy.
For ended is the Mystery Play,
When Christ is life, and you the way;
When Egypt's spoils are Israel's right,
And Day fulfils the married arms of Night.
But here my lips are still.
Until
You and the hour shall be revealed,
This song is sung and sung not, and its words are sealed.

Oh, but the heavenly grammar did I hold
Of that high speech which angels' tongues turn gold!
So should her deathless beauty take no wrong,
Praised in her own great kindred's fit and cognate tongue.
Or if that language yet with us abode.
Which Adam in the garden talked with God!
But our untempered speech descends--poor heirs!
Grimy and rough-cast still from Babel's bricklayers:
Curse on the brutish jargon we inherit,
Strong but to damn, not memorise, a spirit!
A cheek, a lip, a limb, a bosom, they
Move with light ease in speech of working-day;
And women we do use to praise even so.
But here the gates we burst, and to the temple go.
Their praise were her dispraise; who dare, who dare,
Adulate the seraphim for their burning hair?
How, if with them I dared, here should I dare it?
How praise the woman, who but know the spirit?
How praise the colour of her eyes, uncaught
While they were coloured with her varying thought
How her mouth's shape, who only use to know
What tender shape her speech will fit it to?
Or her lips' redness, when their joined veil
Song's fervid hand has parted till it wore them pale?

If I would praise her soul (temerarious if!),
All must be mystery and hieroglyph.
Heaven, which not oft is prodigal of its more
To singers, in their song too great before;
By which the hierarch of large poesy is
Restrained to his once sacred benefice;
Only for her the salutary awe
Relaxes and stern canon of its law;
To her alone concedes pluralities,
In her alone to reconcile agrees
The Muse, the Graces, and the Charities;
To her, who can the trust so well conduct
To her it gives the use, to us the usufruct.

What of the dear administress then may
I utter, though I spoke her own carved perfect way?
What of her daily gracious converse known,
Whose heavenly despotism must needs dethrone
And subjugate all sweetness but its own?
Deep in my heart subsides the infrequent word,
And there dies slowly throbbing like a wounded bird.
What of her silence, that outsweetens speech?
What of her thoughts, high marks for mine own thoughts to reach?
Yet (Chaucer's antique sentence so to turn),
Most gladly will she teach, and gladly learn;
And teaching her, by her enchanting art,
The master threefold learns for all he can impart.
Now all is said, and all being said,--aye me!
There yet remains unsaid the very She.
Nay, to conclude (so to conclude I dare),
If of her virtues you evade the snare,
Then for her faults you'll fall in love with her.

Alas, and I have spoken of her Muse -
Her Muse, that died with her auroral dews!
Learn, the wise cherubim from harps of gold
Seduce a trepidating music manifold;
But the superior seraphim do know
None other music but to flame and glow.
So she first lighted on our frosty earth,
A sad musician, of cherubic birth,
Playing to alien ears--which did not prize
The uncomprehended music of the skies -
The exiled airs of her far Paradise.
But soon from her own harpings taking fire,
In love and light her melodies expire.
Now Heaven affords her, for her silenced hymn,
A double portion of the seraphim.

At the rich odours from her heart that rise,
My soul remembers its lost Paradise,
And antenatal gales blow from Heaven's shores of spice;
I grow essential all, uncloaking me
From this encumbering virility,
And feel the primal sex of heaven and poetry:
And parting from her, in me linger on
Vague snatches of Uranian antiphon.

How to the petty prison could she shrink
Of femineity?--Nay, but I think
In a dear courtesy her spirit would
Woman assume, for grace to womanhood.
Or, votaress to the virgin Sanctitude
Of reticent withdrawal's sweet, courted pale,
She took the cloistral flesh, the sexual veil,
Of her sad, aboriginal sisterhood;
The habit of cloistral flesh which founding Eve indued.

Thus do I know her: but for what men call
Beauty--the loveliness corporeal,
Its most just praise a thing unproper were
To singer or to listener, me or her.
She wears that body but as one indues
A robe, half careless, for it is the use;
Although her soul and it so fair agree,
We sure may, unattaint of heresy,
Conceit it might the soul's begetter be.
The immortal could we cease to contemplate,
The mortal part suggests its every trait.
God laid His fingers on the ivories
Of her pure members as on smoothed keys,
And there out-breathed her spirit's harmonies
I'll speak a little proudly:- I disdain
To count the beauty worth my wish or gaze,
Which the dull daily fool can covet or obtain.
I do confess the fairness of the spoil,
But from such rivalry it takes a soil.
For her I'll proudlier speak:- how could it be
That I should praise the gilding on the psaltery?
'Tis not for her to hold that prize a prize,
Or praise much praise, though proudest in its wise,
To which even hopes of merely women rise.
Such strife would to the vanquished laurels yield,
Against HER suffered to have lost a field.
Herself must with herself be sole compeer,
Unless the people of her distant sphere
Some gold migration send to melodise the year.
But first our hearts must burn in larger guise,
To reformate the uncharitable skies,
And so the deathless plumage to acclimatise:
Since this, their sole congener in our clime,
Droops her sad, ruffled thoughts for half the shivering time.

Yet I have felt what terrors may consort
In women's cheeks, the Graces' soft resort;
My hand hath shook at gentle hands' access,
And trembled at the waving of a tress;
My blood known panic fear, and fled dismayed,
Where ladies' eyes have set their ambuscade.
The rustle of a robe hath been to me
The very rattle of love's musketry;
Although my heart hath beat the loud advance,
I have recoiled before a challenging glance,
Proved gay alarms where warlike ribbons dance.
And from it all, this knowledge have I got, -
The whole that others have, is less than they have not;
All which makes other women noted fair,
Unnoted would remain and overshone in her.

How should I gauge what beauty is her dole,
Who cannot see her countenance for her soul;
As birds see not the casement for the sky?
And as 'tis check they prove its presence by,
I know not of her body till I find
My flight debarred the heaven of her mind.
Hers is the face whence all should copied be,
Did God make replicas of such as she;
Its presence felt by what it does abate,
Because the soul shines through tempered and mitigate:
Where--as a figure labouring at night
Beside the body of a splendid light -
Dark Time works hidden by its luminousness;
And every line he labours to impress
Turns added beauty, like the veins that run
Athwart a leaf which hangs against the sun.

There regent Melancholy wide controls;
There Earth- and Heaven-Love play for aureoles;
There Sweetness out of Sadness breaks at fits,
Like bubbles on dark water, or as flits
A sudden silver fin through its deep infinites;
There amorous Thought has sucked pale Fancy's breath,
And Tenderness sits looking toward the lands of death
There Feeling stills her breathing with her hand,
And Dream from Melancholy part wrests the wand
And on this lady's heart, looked you so deep,
Poor Poetry has rocked himself to sleep:
Upon the heavy blossom of her lips
Hangs the bee Musing; nigh her lids eclipse
Each half-occulted star beneath that lies;
And in the contemplation of those eyes,
Passionless passion, wild tranquillities.