(SIMPSON'S BAR, 1858)

So you've kem 'yer agen,
And one answer won't do?
Well, of all the derned men
That I've struck, it is you.
O Sal! 'yer's that derned fool from Simpson's, cavortin' round 'yer
in the dew.

Kem in, ef you WILL.
Thar,--quit! Take a cheer.
Not that; you can't fill
Them theer cushings this year,--
For that cheer was my old man's, Joe Simpson, and they don't make
such men about 'yer.

He was tall, was my Jack,
And as strong as a tree.
Thar's his gun on the rack,--
Jest you heft it, and see.
And YOU come a courtin' his widder! Lord! where can that critter,
Sal, be!

You'd fill my Jack's place?
And a man of your size,--
With no baird to his face,
Nor a snap to his eyes,
And nary--Sho! thar! I was foolin',--I was, Joe, for sartain,--don't
rise.

Sit down. Law! why, sho!
I'm as weak as a gal.
Sal! Don't you go, Joe,
Or I'll faint,--sure, I shall.
Sit down,--ANYWHEER, where you like, Joe,--in that cheer, if you
choose,--Lord! where's Sal?

Beg your pardon, old fellow! I think
I was dreaming just now when you spoke.
The fact is, the musical clink
Of the ice on your wine-goblet's brink
A chord of my memory woke.

And I stood in the pasture-field where
Twenty summers ago I had stood;
And I heard in that sound, I declare,
The clinking of bells in the air,
Of the cows coming home from the wood.

Then the apple-bloom shook on the hill;
And the mullein-stalks tilted each lance;
And the sun behind Rapalye's mill
Was my uttermost West, and could thrill
Like some fanciful land of romance.

Then my friend was a hero, and then
My girl was an angel. In fine,
I drank buttermilk; for at ten
Faith asks less to aid her than when
At thirty we doubt over wine.

Ah, well, it DOES seem that I must
Have been dreaming just now when you spoke,
Or lost, very like, in the dust
Of the years that slow fashioned the crust
On that bottle whose seal you last broke.

Twenty years was its age, did you say?
Twenty years? Ah, my friend, it is true!
All the dreams that have flown since that day,
All the hopes in that time passed away,
Old friend, I've been drinking with you!

Say there! P'r'aps
Some on you chaps
Might know Jim Wild?
Well,--no offense:
Thar ain't no sense
In gittin' riled!

Jim was my chum
Up on the Bar:
That's why I come
Down from up yar,
Lookin' for Jim.
Thank ye, sir! YOU
Ain't of that crew,--
Blest if you are!

Money? Not much:
That ain't my kind;
I ain't no such.
Rum? I don't mind,
Seein' it's you.

Well, this yer Jim,--
Did you know him?
Jes' 'bout your size;
Same kind of eyes;--
Well, that is strange:
Why, it's two year
Since he came here,
Sick, for a change.

Well, here's to us:
Eh?
The h--- you say!
Dead?
That little cuss?

What makes you star',
You over thar?
Can't a man drop
's glass in yer shop
But you must r'ar?
It wouldn't take
D----d much to break
You and your bar.

Dead!
Poor--little--Jim!
Why, thar was me,
Jones, and Bob Lee,
Harry and Ben,--
No-account men:
Then to take HIM!

Well, thar-- Good-by--
No more, sir--I--
Eh?
What's that you say?
Why, dern it!--sho!--
No? Yes! By Joe!
Sold!

Sold! Why, you limb,
You ornery,
Derned old
Long-legged Jim.

The Ballad Of The Emeu

Oh, say, have you seen at the Willows so green--
So charming and rurally true--
A singular bird, with a manner absurd,
Which they call the Australian Emeu?
Have you
Ever seen this Australian Emeu?

It trots all around with its head on the ground,
Or erects it quite out of your view;
And the ladies all cry, when its figure they spy,
'Oh! what a sweet pretty Emeu!
Oh! do
Just look at that lovely Emeu!'

One day to this spot, when the weather was hot,
Came Matilda Hortense Fortescue;
And beside her there came a youth of high name,--
Augustus Florell Montague:
The two
Both loved that wild, foreign Emeu.

With two loaves of bread then they fed it, instead
Of the flesh of the white Cockatoo,
Which once was its food in that wild neighborhood
Where ranges the sweet Kangaroo,
That too
Is game for the famous Emeu!

Old saws and gimlets but its appetite whets,
Like the world-famous bark of Peru;
There's nothing so hard that the bird will discard,
And nothing its taste will eschew
That you
Can give that long-legged Emeu!

The time slipped away in this innocent play,
When up jumped the bold Montague:
'Where's that specimen pin that I gayly did win
In raffle, and gave unto you,
Fortescue?'
No word spoke the guilty Emeu!

'Quick! tell me his name whom thou gavest that same,
Ere these hands in thy blood I imbrue!'
'Nay, dearest,' she cried, as she clung to his side,
'I'm innocent as that Emeu!'
'Adieu!'
He replied, 'Miss M. H. Fortescue!'

Down she dropped at his feet, all as white as a sheet,
As wildly he fled from her view;
He thought 'twas her sin,--for he knew not the pin
Had been gobbled up by the Emeu;
All through
The voracity of that Emeu!

The Old Major Explains

(RE-UNION, ARMY OF THE POTOMAC, 12TH MAY, 1871)

Well, you see, the fact is, Colonel, I don't know as I can come:
For the farm is not half planted, and there's work to do at home;
And my leg is getting troublesome,--it laid me up last fall,--
And the doctors, they have cut and hacked, and never found the ball.

And then, for an old man like me, it's not exactly right,
This kind o' playing soldier with no enemy in sight.
'The Union,'--that was well enough way up to '66;
But this 'Re-Union,' maybe now it's mixed with politics?

No? Well, you understand it best; but then, you see, my lad,
I'm deacon now, and some might think that the example's bad.
And week from next is Conference. . . . You said the twelfth of May?
Why, that's the day we broke their line at Spottsylvan-i-a!

Hot work; eh, Colonel, wasn't it? Ye mind that narrow front:
They called it the 'Death-Angle'! Well, well, my lad, we won't
Fight that old battle over now: I only meant to say
I really can't engage to come upon the twelfth of May.

How's Thompson? What! will he be there? Well, now I want to know!
The first man in the rebel works! they called him 'Swearing Joe.'
A wild young fellow, sir, I fear the rascal was; but then--
Well, short of heaven, there wa'n't a place he dursn't lead his men.

And Dick, you say, is coming too. And Billy? ah! it's true
We buried him at Gettysburg: I mind the spot; do you?
A little field below the hill,--it must be green this May;
Perhaps that's why the fields about bring him to me to-day.

Well, well, excuse me, Colonel! but there are some things that drop
The tail-board out one's feelings; and the only way's to stop.
So they want to see the old man; ah, the rascals! do they, eh?
Well, I've business down in Boston about the twelfth of May.

The shades of night were falling fast,
As through an Eastern village passed
A youth who bore, through dust and heat,
A stencil-plate, that read complete--'SAPOLIO.'

CLEAN PAINT, OIL CLOTHS, FLOORS, WOOD WORK, TABLES & SHELVES WITH SAPOLIO.

His brow was sad, but underneath,
White with 'Odonto' shone his teeth,
And through them hissed the words, 'Well, blow
Me tight if here is 'ary show!' 'SAPOLIO.'

WASH DISHES, PORCELAIN, CHINA & GLASS WARE WITH SAPOLIO.

On household fences, gleaming bright,
Shone 'Gargling Oil,' in black and white,
Once 'Bixby's Blacking' stood alone,
He straight beside it clapped his own--'SAPOLIO.'

POLISH MILK CANS & PANS AND ALL KINDS OF TIN WARE WITH SAPOLIO.

'Try not my fence,' the old man said,
'With 'Mustang Liniment' 'tis spread,
Another vacant spot thar aint.'
He answered with a dash of paint--'SAPOLIO.'

CLEAN STEEL KNIVES & FORKS AND ALL METALLIC TOOLS AND UTENSILS WITH SAPOLIO.

'O, stay,' the maiden said, 'A rest
Pray give us! What with 'Bixby's Best,'
And 'Simmons' Pills,' we're like to die.'
He only answered, 'Will you try--SAPOLIO?'

CLEAN BATH TUBS, WASH BASINS AND SINKS WITH SAPOLIO.

'Beware them peaks! That wall so bright
Is but a snow bank, gleaming white,
Your paint wont stick!' Came the reply,
'I've done it! 'How is that for high?'' 'SAPOLIO.'

SCOUR POTS, KETTLES, PANS & ALL BRASS & COPPER UTENSILS WITH SAPOLIO.

One Sabbath morn, as heavenward
White Mountain tourists slowly spurred,
On ev'ry rock, to their dismay,
They read that legend strange, alway--'SAPOLIO'

CLEAN GLASS WARE, WINDOWS, PORCELAIN & CHINA WARES WITH SAPOLIO.

There on the summit, old and fat,
Shameless, but vigorous, he sat,
While on their luggage as they passed,
He checked that word, from first to last, 'SAPOLIO.'

CLEAN MARBLE TABLES, FLOORS, STATUARY AND HARD FINISHED WALLS WITH SAPOLIO.

The Society Upon The Stanislaus

I reside at Table Mountain, and my name is Truthful James;
I am not up to small deceit or any sinful games;
And I'll tell in simple language what I know about the row
That broke up our Society upon the Stanislow.

But first I would remark, that it is not a proper plan
For any scientific gent to whale his fellow-man,
And, if a member don't agree with his peculiar whim,
To lay for that same member for to 'put a head' on him.

Now nothing could be finer or more beautiful to see
Than the first six months' proceedings of that same Society,
Till Brown of Calaveras brought a lot of fossil bones
That he found within a tunnel near the tenement of Jones.

Then Brown he read a paper, and he reconstructed there,
From those same bones, an animal that was extremely rare;
And Jones then asked the Chair for a suspension of the rules,
Till he could prove that those same bones was one of his lost mules.

Then Brown he smiled a bitter smile, and said he was at fault,
It seemed he had been trespassing on Jones's family vault;
He was a most sarcastic man, this quiet Mr. Brown,
And on several occasions he had cleaned out the town.

Now I hold it is not decent for a scientific gent
To say another is an ass,--at least, to all intent;
Nor should the individual who happens to be meant
Reply by heaving rocks at him, to any great extent.

Then Abner Dean of Angel's raised a point of order, when
A chunk of old red sandstone took him in the abdomen,
And he smiled a kind of sickly smile, and curled up on the floor,
And the subsequent proceedings interested him no more.

For, in less time than I write it, every member did engage
In a warfare with the remnants of a palaeozoic age;
And the way they heaved those fossils in their anger was a sin,
Till the skull of an old mammoth caved the head of Thompson in.

And this is all I have to say of these improper games,
For I live at Table Mountain, and my name is Truthful James;
And I've told in simple language what I know about the row
That broke up our Society upon the Stanislow.

In The Mission Garden

FATHER FELIPE

I speak not the English well, but Pachita,
She speak for me; is it not so, my Pancha?
Eh, little rogue? Come, salute me the stranger
Americano.

Sir, in my country we say, 'Where the heart is,
There live the speech.' Ah! you not understand? So!
Pardon an old man,--what you call 'old fogy,'--
Padre Felipe!

Old, Senor, old! just so old as the Mission.
You see that pear-tree? How old you think, Senor?
Fifteen year? Twenty? Ah, Senor, just fifty
Gone since I plant him!

You like the wine? It is some at the Mission,
Made from the grape of the year eighteen hundred;
All the same time when the earthquake he come to
San Juan Bautista.

But Pancha is twelve, and she is the rose-tree;
And I am the olive, and this is the garden:
And 'Pancha' we say, but her name is 'Francisca,'
Same like her mother.

Eh, you knew HER? No? Ah! it is a story;
But I speak not, like Pachita, the English:
So! if I try, you will sit here beside me,
And shall not laugh, eh?

When the American come to the Mission,
Many arrive at the house of Francisca:
One,--he was fine man,--he buy the cattle
Of Jose Castro.

So! he came much, and Francisca, she saw him:
And it was love,--and a very dry season;
And the pears bake on the tree,--and the rain come,
But not Francisca.

Not for one year; and one night I have walk much
Under the olive-tree, when comes Francisca,--
Comes to me here, with her child, this Francisca,--
Under the olive-tree.

Sir, it was sad; . . . but I speak not the English;
So! . . . she stay here, and she wait for her husband:
He come no more, and she sleep on the hillside;
There stands Pachita.

Ah! there's the Angelus. Will you not enter?
Or shall you walk in the garden with Pancha?
Go, little rogue--st! attend to the stranger!
Adios, Senor.

PACHITA (briskly).

So, he's been telling that yarn about mother!
Bless you! he tells it to every stranger:
Folks about yer say the old man's my father;
What's your opinion?

The Ghost That Jim Saw

Why, as to that, said the engineer,
Ghosts ain't things we are apt to fear;
Spirits don't fool with levers much,
And throttle-valves don't take to such;
And as for Jim,
What happened to him
Was one half fact, and t'other half whim!

Running one night on the line, he saw
A house--as plain as the moral law--
Just by the moonlit bank, and thence
Came a drunken man with no more sense
Than to drop on the rail
Flat as a flail,
As Jim drove by with the midnight mail.

Down went the patents--steam reversed.
Too late! for there came a 'thud.' Jim cursed
As the fireman, there in the cab with him,
Kinder stared in the face of Jim,
And says, 'What now?'
Says Jim, 'What now!
I've just run over a man,--that's how!'

The fireman stared at Jim. They ran
Back, but they never found house nor man,--
Nary a shadow within a mile.
Jim turned pale, but he tried to smile,
Then on he tore
Ten mile or more,
In quicker time than he'd made afore.

Would you believe it! the very next night
Up rose that house in the moonlight white,
Out comes the chap and drops as before,
Down goes the brake and the rest encore;
And so, in fact,
Each night that act
Occurred, till folks swore Jim was cracked.

Humph! let me see; it's a year now, 'most,
That I met Jim, East, and says, 'How's your ghost?'
'Gone,' says Jim; 'and more, it's plain
That ghost don't trouble me again.
I thought I shook
That ghost when I took
A place on an Eastern line,--but look!

'What should I meet, the first trip out,
But the very house we talked about,
And the selfsame man! 'Well,' says I, 'I guess
It's time to stop this 'yer foolishness.'
So I crammed on steam,
When there came a scream
From my fireman, that jest broke my dream:

''You've killed somebody!' Says I, 'Not much!
I've been thar often, and thar ain't no such,
And now I'll prove it!' Back we ran,
And--darn my skin!--but thar WAS a man
On the rail, dead,
Smashed in the head!--
Now I call that meanness!' That's all Jim said.

Mrs. Judge Jenkins

(BEING THE ONLY GENUINE SEQUEL TO 'MAUD MULLER'

Maud Muller all that summer day
Raked the meadow sweet with hay;

Yet, looking down the distant lane,
She hoped the Judge would come again.

But when he came, with smile and bow,
Maud only blushed, and stammered, 'Ha-ow?'

And spoke of her 'pa,' and wondered whether
He'd give consent they should wed together.

Old Muller burst in tears, and then
Begged that the Judge would lend him 'ten;'

For trade was dull, and wages low,
And the 'craps,' this year, were somewhat slow.

And ere the languid summer died,
Sweet Maud became the Judge's bride.

But on the day that they were mated,
Maud's brother Bob was intoxicated;

And Maud's relations, twelve in all,
Were very drunk at the Judge's hall.

And when the summer came again,
The young bride bore him babies twain;

And the Judge was blest, but thought it strange
That bearing children made such a change;

For Maud grew broad and red and stout,
And the waist that his arm once clasped about

Was more than he now could span; and he
Sighed as he pondered, ruefully,

How that which in Maud was native grace
In Mrs. Jenkins was out of place;

And thought of the twins, and wished that they
Looked less like the men who raked the hay

On Muller's farm, and dreamed with pain
Of the day he wandered down the lane.

And looking down that dreary track,
He half regretted that he came back;

For, had he waited, he might have wed
Some maiden fair and thoroughbred;

For there be women fair as she,
Whose verbs and nouns do more agree.

Alas for maiden! alas for judge!
And the sentimental,--that's one-half 'fudge;'

For Maud soon thought the Judge a bore,
With all his learning and all his lore;

And the Judge would have bartered Maud's fair face
For more refinement and social grace.

If, of all words of tongue and pen,
The saddest are, 'It might have been,'

More sad are these we daily see:
'It is, but hadn't ought to be.'

Half An Hour Before Supper

'So she's here, your unknown Dulcinea, the lady you met on the train,
And you really believe she would know you if you were to meet her
again?'

'Of course,' he replied, 'she would know me; there never was
womankind yet
Forgot the effect she inspired. She excuses, but does not forget.'

'Then you told her your love?' asked the elder. The younger looked
up with a smile:
'I sat by her side half an hour--what else was I doing the while?

'What, sit by the side of a woman as fair as the sun in the sky,
And look somewhere else lest the dazzle flash back from your own to
her eye?

'No, I hold that the speech of the tongue be as frank and as bold as
the look,
And I held up herself to herself,--that was more than she got from
her book.'

'Young blood!' laughed the elder; 'no doubt you are voicing the mode
of To-Day:
But then we old fogies at least gave the lady some chance for delay.

'There's my wife (you must know),--we first met on the journey from
Florence to Rome:
It took me three weeks to discover who was she and where was her home;

'Three more to be duly presented; three more ere I saw her again;
And a year ere my romance BEGAN where yours ended that day on the
train.'

'Oh, that was the style of the stage-coach; we travel to-day by
express;
Forty miles to the hour,' he answered, 'won't admit of a passion
that's less.'

'But what if you make a mistake?' quoth the elder. The younger half
sighed.
'What happens when signals are wrong or switches misplaced?' he
replied.

'Very well, I must bow to your wisdom,' the elder returned, 'but
submit
Your chances of winning this woman your boldness has bettered no whit.

'Why, you do not at best know her name. And what if I try your ideal
With something, if not quite so fair, at least more en regle and real?

'Let me find you a partner. Nay, come, I insist--you shall follow--
this way.
My dear, will you not add your grace to entreat Mr. Rapid to stay?

'My wife, Mr. Rapid-- Eh, what! Why, he's gone--yet he said he
would come.
How rude! I don't wonder, my dear, you are properly crimson and
dumb!'

To The Pliocene Skull

(A GEOLOGICAL ADDRESS)

'Speak, O man, less recent! Fragmentary fossil!
Primal pioneer of pliocene formation,
Hid in lowest drifts below the earliest stratum
Of volcanic tufa!

'Older than the beasts, the oldest Palaeotherium;
Older than the trees, the oldest Cryptogami;
Older than the hills, those infantile eruptions
Of earth's epidermis!

'Eo--Mio--Plio--whatsoe'er the 'cene' was
That those vacant sockets filled with awe and wonder,--
Whether shores Devonian or Silurian beaches,--
Tell us thy strange story!

'Or has the professor slightly antedated
By some thousand years thy advent on this planet,
Giving thee an air that's somewhat better fitted
For cold-blooded creatures?

'Wert thou true spectator of that mighty forest
When above thy head the stately Sigillaria
Reared its columned trunks in that remote and distant
Carboniferous epoch?

'Tell us of that scene,--the dim and watery woodland,
Songless, silent, hushed, with never bird or insect,
Veiled with spreading fronds and screened with tall club mosses,
Lycopodiacea,--

'When beside thee walked the solemn Plesiosaurus,
And around thee crept the festive Ichthyosaurus,
While from time to time above thee flew and circled
Cheerful Pterodactyls.

'Tell us of thy food,--those half-marine refections,
Crinoids on the shell and Brachipods au naturel,--
Cuttlefish to which the pieuvre of Victor Hugo
Seems a periwinkle.

'Speak, thou awful vestige of the earth's creation,
Solitary fragment of remains organic!
Tell the wondrous secret of thy past existence,--
Speak! thou oldest primate!'

Even as I gazed, a thrill of the maxilla,
And a lateral movement of the condyloid process,
With post-pliocene sounds of healthy mastication,
Ground the teeth together.

And from that imperfect dental exhibition,
Stained with express juices of the weed nicotian,
Came these hollow accents, blent with softer murmurs
Of expectoration:

'Which my name is Bowers, and my crust was busted
Falling down a shaft in Calaveras County;
But I'd take it kindly if you'd send the pieces
Home to old Missouri!'

Master Johnny's Next-Door Neighbor

It was spring the first time that I saw her, for her papa and mamma
moved in
Next door, just as skating was over, and marbles about to begin;
For the fence in our back yard was broken, and I saw, as I peeped
through the slat,
There were 'Johnny-jump-ups' all around her, and I knew it was
spring just by that.

I never knew whether she saw me, for she didn't say nothing to me,
But 'Ma! here's a slat in the fence broke, and the boy that is next
door can see.'
But the next day I climbed on our wood-shed, as you know Mamma says
I've a right,
And she calls out, 'Well, peekin' is manners!' and I answered her,
'Sass is perlite!'

But I wasn't a bit mad, no, Papa, and to prove it, the very next day,
When she ran past our fence in the morning I happened to get in her
way,--
For you know I am 'chunked' and clumsy, as she says are all boys of
my size,--
And she nearly upset me, she did, Pa, and laughed till tears came in
her eyes.

And then we were friends from that moment, for I knew that she told
Kitty Sage,--
And she wasn't a girl that would flatter--'that she thought I was
tall for my age.'
And I gave her four apples that evening, and took her to ride on my
sled,
And-- 'What am I telling you this for?' Why, Papa, my neighbor is
DEAD!

You don't hear one half I am saying,--I really do think it's too bad!
Why, you might have seen crape on her door-knob, and noticed to-day
I've been sad.
And they've got her a coffin of rosewood, and they say they have
dressed her in white,
And I've never once looked through the fence, Pa, since she died--at
eleven last night.

And Ma says it's decent and proper, as I was her neighbor and friend,
That I should go there to the funeral, and she thinks that YOU ought
to attend;
But I am so clumsy and awkward, I know I shall be in the way,
And suppose they should speak to me, Papa, I wouldn't know just what
to say.

So I think I will get up quite early,--I know I sleep late, but I know
I'll be sure to wake up if our Bridget pulls the string that I'll tie
to my toe;
And I'll crawl through the fence, and I'll gather the 'Johnny-jump-ups'
as they grew
Round her feet the first day that I saw her, and, Papa, I'll give
them to you.

For you're a big man, and, you know, Pa, can come and go just where
you choose,
And you'll take the flowers in to her, and surely they'll never
refuse;
But, Papa, don't SAY they're from Johnny; THEY won't understand,
don't you see?
But just lay them down on her bosom, and, Papa, SHE'LL know they're
from Me.

(MR. INTERVIEWER INTERVIEWED)

Know me next time when you see me, won't you, old smarty?
Oh, I mean YOU, old figger-head,--just the same party!
Take out your pensivil, d--n you; sharpen it, do!
Any complaints to make? Lots of 'em--one of 'em's YOU.

You! who are YOU, anyhow, goin' round in that sneakin' way?
Never in jail before, was you, old blatherskite, say?
Look at it; don't it look pooty? Oh, grin, and be d--d to you, do!
But if I had you this side o' that gratin,' I'd just make it lively
for you.

How did I get in here? Well what 'ud you give to know?
'Twasn't by sneakin' round where I hadn't no call to go;
'Twasn't by hangin' round a-spyin' unfortnet men.
Grin! but I'll stop your jaw if ever you do that agen.

Why don't you say suthin, blast you? Speak your mind if you dare.
Ain't I a bad lot, sonny? Say it, and call it square.
Hain't got no tongue, hey, hev ye? Oh, guard! here's a little swell
A cussin' and swearin' and yellin', and bribin' me not to tell.

There! I thought that 'ud fetch ye! And you want to know my name?
'Seventy-nine' they call me, but that is their little game;
For I'm werry highly connected, as a gent, sir, can understand,
And my family hold their heads up with the very furst in the land.

For 'twas all, sir, a put-up job on a pore young man like me;
And the jury was bribed a puppos, and at furst they couldn't agree;
And I sed to the judge, sez I,--Oh, grin! it's all right, my son!
But you're a werry lively young pup, and you ain't to be played upon!

Wot's that you got?--tobacco? I'm cussed but I thought 'twas a tract.
Thank ye! A chap t'other day--now, lookee, this is a fact--
Slings me a tract on the evils o' keepin' bad company,
As if all the saints was howlin' to stay here along o' we.

No, I hain't no complaints. Stop, yes; do you see that chap,--
Him standin' over there, a-hidin' his eyes in his cap?
Well, that man's stumick is weak, and he can't stand the pris'n fare;
For the coffee is just half beans, and the sugar it ain't nowhere.

Perhaps it's his bringin' up; but he's sickenin' day by day,
And he doesn't take no food, and I'm seein' him waste away.
And it isn't the thing to see; for, whatever he's been and done,
Starvation isn't the plan as he's to be saved upon.

For he cannot rough it like me; and he hasn't the stamps, I guess,
To buy him his extry grub outside o' the pris'n mess.
And perhaps if a gent like you, with whom I've been sorter free,
Would--thank you! But, say! look here! Oh, blast it! don't give it
to ME!

Don't you give it to me; now, don't ye, don't ye, DON'T!
You think it's a put-up job; so I'll thank ye, sir, if you won't.
But hand him the stamps yourself: why, he isn't even my pal;
And, if it's a comfort to you, why, I don't intend that he shall.

Jack Of The Tules

(SOUTHERN CALIFORNIA)

Shrewdly you question, Senor, and I fancy
You are no novice. Confess that to little
Of my poor gossip of Mission and Pueblo
You are a stranger!

Am I not right? Ah! believe me, that ever
Since we joined company at the posada
I've watched you closely, and--pardon an old priest--
I've caught you smiling!

Smiling to hear an old fellow like me talk
Gossip of pillage and robbers, and even
Air his opinion of law and alcaldes
Like any other!

Now!--by that twist of the wrist on the bridle,
By that straight line from the heel to the shoulder,
By that curt speech,--nay! nay! no offense, son,--
You are a soldier?

No? Then a man of affairs? San Sebastian!
'Twould serve me right if I prattled thus wildly
To--say a sheriff? No?--just caballero?
Well, more's the pity.

Ah! what we want here's a man of your presence;
Sano, Secreto,--yes, all the four S's,
Joined with a boldness and dash, when the time comes,
And--may I say it?--

One not TOO hard on the poor country people,
Peons and silly vaqueros, who, dazzled
By reckless skill, and, perchance, reckless largesse,
Wink at some queer things.

No? You would crush THEM as well as the robbers,--
Root them out, scatter them? Ah you are bitter--
And yet--quien sabe, perhaps that's the one way
To catch their leader.

As to myself, now, I'd share your displeasure;
For I admit in this Jack of the Tules
Certain good points. He still comes to confession--
You'd 'like to catch him'?

Ah, if you did at such times, you might lead him
Home by a thread. Good! Again you are smiling:
You have no faith in such shrift, and but little
In priest or penitent.

Bueno! We take no offense, sir; whatever
It please you to say, it becomes us, for Church sake,
To bear in peace. Yet, if you were kinder--
And less suspicious--

I might still prove to you, Jack of the Tules
Shames not our teaching; nay, even might show you,
Hard by this spot, his old comrade, who, wounded,
Lives on his bounty.

If--ah, you listen!--I see I can trust you;
Then, on your word as a gentleman--follow.
Under that sycamore stands the old cabin;
There sits his comrade.

Eh!--are you mad? You would try to ARREST him?
You, with a warrant? Oh, well, take the rest of them:
Pedro, Bill, Murray, Pat Doolan. Hey!--all of you,
Tumble out, d--n it!

There!--that'll do, boys! Stand back! Ease his elbows;
Take the gag from his mouth. Good! Now scatter like devils
After his posse--four straggling, four drunken--
At the posada.

You--help me off with these togs, and then vamos!
Now, ole Jeff Dobbs!--Sheriff, Scout, and Detective!
You're so derned 'cute! Kinder sick, ain't ye, bluffing
Jack of the Tules!

Dow's Flat. That's its name;
And I reckon that you
Are a stranger? The same?
Well, I thought it was true,--
For thar isn't a man on the river as can't spot the place at first
view.

It was called after Dow,--
Which the same was an ass,--
And as to the how
Thet the thing kem to pass,--
Jest tie up your hoss to that buckeye, and sit ye down here in the
grass.

You see this 'yer Dow
Hed the worst kind of luck;
He slipped up somehow
On each thing thet he struck.
Why, ef he'd a straddled thet fence-rail, the derned thing'd get up
and buck.

He mined on the bar
Till he couldn't pay rates;
He was smashed by a car
When he tunneled with Bates;
And right on the top of his trouble kem his wife and five kids from
the States.

It was rough,--mighty rough;
But the boys they stood by,
And they brought him the stuff
For a house, on the sly;
And the old woman,--well, she did washing, and took on when no one
was nigh.

But this 'yer luck of Dow's
Was so powerful mean
That the spring near his house
Dried right up on the green;
And he sunk forty feet down for water, but nary a drop to be seen.

Then the bar petered out,
And the boys wouldn't stay;
And the chills got about,
And his wife fell away;
But Dow in his well kept a peggin' in his usual ridikilous way.

One day,--it was June,
And a year ago, jest--
This Dow kem at noon
To his work like the rest,
With a shovel and pick on his shoulder, and derringer hid in his
breast.

He goes to the well,
And he stands on the brink,
And stops for a spell
Jest to listen and think:
For the sun in his eyes (jest like this, sir!), you see, kinder made
the cuss blink.

His two ragged gals
In the gulch were at play,
And a gownd that was Sal's
Kinder flapped on a bay:
Not much for a man to be leavin', but his all,--as I've heer'd the
folks say.

And--That's a peart hoss
Thet you've got,--ain't it now?
What might be her cost?
Eh? Oh!--Well, then, Dow--
Let's see,--well, that forty-foot grave wasn't his, sir, that day,
anyhow.

For a blow of his pick
Sorter caved in the side,
And he looked and turned sick,
Then he trembled and cried.
For you see the dern cuss had struck--'Water?'--Beg your parding,
young man,--there you lied!

It was GOLD,--in the quartz,
And it ran all alike;
And I reckon five oughts
Was the worth of that strike;
And that house with the coopilow's his'n,--which the same isn't bad
for a Pike.

Thet's why it's Dow's Flat;
And the thing of it is
That he kinder got that
Through sheer contrairiness:
For 'twas WATER the derned cuss was seekin', and his luck made him
certain to miss.

Thet's so! Thar's your way,
To the left of yon tree;
But--a--look h'yur, say?
Won't you come up to tea?
No? Well, then the next time you're passin'; and ask after Dow,--
and thet's ME.

The Babes In The Woods

(BIG PINE FLAT, 1871)

'Something characteristic,' eh?
Humph! I reckon you mean by that
Something that happened in our way,
Here at the crossin' of Big Pine Flat.
Times aren't now as they used to be,
When gold was flush and the boys were frisky,
And a man would pull out his battery
For anything--maybe the price of whiskey.

Nothing of that sort, eh? That's strange!
Why, I thought you might be diverted
Hearing how Jones of Red Rock Range
Drawed his 'hint to the unconverted,'
And saying, 'Whar will you have it?' shot
Cherokee Bob at the last debating!
What was the question I forgot,
But Jones didn't like Bob's way of stating.

Nothing of that kind, eh? You mean
Something milder? Let's see!--O Joe!
Tell to the stranger that little scene
Out of the 'Babes in the Woods.' You know,
'Babes' was the name that we gave 'em, sir,
Two lean lads in their teens, and greener
Than even the belt of spruce and fir
Where they built their nest, and each day grew leaner.

No one knew where they came from. None
Cared to ask if they had a mother.
Runaway schoolboys, maybe. One
Tall and dark as a spruce; the other
Blue and gold in the eyes and hair,
Soft and low in his speech, but rarely
Talking with us; and we didn't care
To get at their secret at all unfairly.

For they were so quiet, so sad and shy,
Content to trust each other solely,
That somehow we'd always shut one eye,
And never seem to observe them wholly
As they passed to their work. 'Twas a worn-out claim,
And it paid them grub. They could live without it,
For the boys had a way of leaving game
In their tent, and forgetting all about it.

Yet no one asked for their secret. Dumb
It lay in their big eyes' heavy hollows.
It was understood that no one should come
To their tent unawares, save the bees and swallows.
So they lived alone. Until one warm night
I was sitting here at the tent-door,--so, sir!
When out of the sunset's rosy light
Up rose the Sheriff of Mariposa.

I knew at once there was something wrong,
For his hand and his voice shook just a little,
And there isn't much you can fetch along
To make the sinews of Jack Hill brittle.
'Go warn the Babes!' he whispered, hoarse;
'Tell them I'm coming--to get and scurry;
For I've got a story that's bad,--and worse,
I've got a warrant: G-d d--n it, hurry!'

Too late! they had seen him cross the hill;
I ran to their tent and found them lying
Dead in each other's arms, and still
Clasping the drug they had taken flying.
And there lay their secret cold and bare,
Their life, their trial--the old, old story!
For the sweet blue eyes and the golden hair
Was a WOMAN'S shame and a WOMAN'S glory.

'Who were they?' Ask no more, or ask
The sun that visits their grave so lightly;
Ask of the whispering reeds, or task
The mourning crickets that chirrup nightly.
All of their life but its love forgot,
Everything tender and soft and mystic,
These are our Babes in the Woods,--you've got,
Well--human nature--that's characteristic.

I'm sitting alone by the fire,
Dressed just as I came from the dance,
In a robe even YOU would admire,--
It cost a cool thousand in France;
I'm be-diamonded out of all reason,
My hair is done up in a cue:
In short, sir, 'the belle of the season'
Is wasting an hour upon you.

A dozen engagements I've broken;
I left in the midst of a set;
Likewise a proposal, half spoken,
That waits--on the stairs--for me yet.
They say he'll be rich,--when he grows up,--
And then he adores me indeed;
And you, sir, are turning your nose up,
Three thousand miles off as you read.

'And how do I like my position?'
'And what do I think of New York?'
'And now, in my higher ambition,
With whom do I waltz, flirt, or talk?'
'And isn't it nice to have riches,
And diamonds and silks, and all that?'
'And aren't they a change to the ditches
And tunnels of Poverty Flat?'

Well, yes,--if you saw us out driving
Each day in the Park, four-in-hand,
If you saw poor dear mamma contriving
To look supernaturally grand,--
If you saw papa's picture, as taken
By Brady, and tinted at that,
You'd never suspect he sold bacon
And flour at Poverty Flat.

And yet, just this moment, when sitting
In the glare of the grand chandelier,--
In the bustle and glitter befitting
The 'finest soiree of the year,'--
In the mists of a gaze de Chambery,
And the hum of the smallest of talk,--
Somehow, Joe, I thought of the 'Ferry,'
And the dance that we had on 'The Fork;'

Of Harrison's barn, with its muster
Of flags festooned over the wall;
Of the candles that shed their soft lustre
And tallow on head-dress and shawl;
Of the steps that we took to one fiddle,
Of the dress of my queer vis-a-vis;
And how I once went down the middle
With the man that shot Sandy McGee;

Of the moon that was quietly sleeping
On the hill, when the time came to go;
Of the few baby peaks that were peeping
From under their bedclothes of snow;
Of that ride--that to me was the rarest;
Of--the something you said at the gate.
Ah! Joe, then I wasn't an heiress
To 'the best-paying lead in the State.'

Well, well, it's all past; yet it's funny
To think, as I stood in the glare
Of fashion and beauty and money,
That I should be thinking, right there,
Of some one who breasted high water,
And swam the North Fork, and all that,
Just to dance with old Folinsbee's daughter,
The Lily of Poverty Flat.

But goodness! what nonsense I'm writing!
(Mamma says my taste still is low),
Instead of my triumphs reciting,
I'm spooning on Joseph,--heigh-ho!
And I'm to be 'finished' by travel,--
Whatever's the meaning of that.
Oh, why did papa strike pay gravel
In drifting on Poverty Flat?

Good-night!--here's the end of my paper;
Good-night!--if the longitude please,--
For maybe, while wasting my taper,
YOUR sun's climbing over the trees.
But know, if you haven't got riches,
And are poor, dearest Joe, and all that,
That my heart's somewhere there in the ditches,
And you've struck it,--on Poverty Flat.

A Newport Romance

They say that she died of a broken heart
(I tell the tale as 'twas told to me);
But her spirit lives, and her soul is part
Of this sad old house by the sea.

Her lover was fickle and fine and French:
It was nearly a hundred years ago
When he sailed away from her arms--poor wench!--
With the Admiral Rochambeau.

I marvel much what periwigged phrase
Won the heart of this sentimental Quaker,
At what gold-laced speech of those modish days
She listened--the mischief take her!

But she kept the posies of mignonette
That he gave; and ever as their bloom failed
And faded (though with her tears still wet)
Her youth with their own exhaled.

Till one night, when the sea-fog wrapped a shroud
Round spar and spire and tarn and tree,
Her soul went up on that lifted cloud
From this sad old house by the sea.

And ever since then, when the clock strikes two,
She walks unbidden from room to room,
And the air is filled that she passes through
With a subtle, sad perfume.

The delicate odor of mignonette,
The ghost of a dead-and-gone bouquet,
Is all that tells of her story; yet
Could she think of a sweeter way?


I sit in the sad old house to-night,--
Myself a ghost from a farther sea;
And I trust that this Quaker woman might,
In courtesy, visit me.

For the laugh is fled from porch and lawn,
And the bugle died from the fort on the hill,
And the twitter of girls on the stairs is gone,
And the grand piano is still.

Somewhere in the darkness a clock strikes two:
And there is no sound in the sad old house,
But the long veranda dripping with dew,
And in the wainscot a mouse.

The light of my study-lamp streams out
From the library door, but has gone astray
In the depths of the darkened hall. Small doubt
But the Quakeress knows the way.

Was it the trick of a sense o'erwrought
With outward watching and inward fret?
But I swear that the air just now was fraught
With the odor of mignonette!

I open the window, and seem almost--
So still lies the ocean--to hear the beat
Of its Great Gulf artery off the coast,
And to bask in its tropic heat.

In my neighbor's windows the gas-lights flare,
As the dancers swing in a waltz of Strauss;
And I wonder now could I fit that air
To the song of this sad old house.

And no odor of mignonette there is,
But the breath of morn on the dewy lawn;
And mayhap from causes as slight as this
The quaint old legend is born.

But the soul of that subtle, sad perfume,
As the spiced embalmings, they say, outlast
The mummy laid in his rocky tomb,
Awakens my buried past.

And I think of the passion that shook my youth,
Of its aimless loves and its idle pains,
And am thankful now for the certain truth
That only the sweet remains.

And I hear no rustle of stiff brocade,
And I see no face at my library door;
For now that the ghosts of my heart are laid,
She is viewless for evermore.

But whether she came as a faint perfume,
Or whether a spirit in stole of white,
I feel, as I pass from the darkened room,
She has been with my soul to-night!

(AFTER EDGAR ALLAN POE)

The skies they were ashen and sober,
The streets they were dirty and drear;
It was night in the month of October,
Of my most immemorial year.
Like the skies, I was perfectly sober,
As I stopped at the mansion of Shear,--
At the Nightingale,--perfectly sober,
And the willowy woodland down here.

Here, once in an alley Titanic
Of Ten-pins, I roamed with my soul,--
Of Ten-pins, with Mary, my soul;
They were days when my heart was volcanic,
And impelled me to frequently roll,
And made me resistlessly roll,
Till my ten-strikes created a panic
In the realms of the Boreal pole,--
Till my ten-strikes created a panic
With the monkey atop of his pole.

I repeat, I was perfectly sober,
But my thoughts they were palsied and sear,--
My thoughts were decidedly queer;
For I knew not the month was October,
And I marked not the night of the year;
I forgot that sweet morceau of Auber
That the band oft performed down here,
And I mixed the sweet music of Auber
With the Nightingale's music by Shear.

And now as the night was senescent,
And star-dials pointed to morn,
And car-drivers hinted of morn,
At the end of the path a liquescent
And bibulous lustre was born;
'Twas made by the bar-keeper present,
Who mixed a duplicate horn,--
His two hands describing a crescent
Distinct with a duplicate horn.

And I said: 'This looks perfectly regal,
For it's warm, and I know I feel dry,--
I am confident that I feel dry.
We have come past the emeu and eagle,
And watched the gay monkey on high;
Let us drink to the emeu and eagle,
To the swan and the monkey on high,--
To the eagle and monkey on high;
For this bar-keeper will not inveigle,
Bully boy with the vitreous eye,--
He surely would never inveigle,
Sweet youth with the crystalline eye.'

But Mary, uplifting her finger,
Said: 'Sadly this bar I mistrust,--
I fear that this bar does not trust.
Oh, hasten! oh, let us not linger!
Oh, fly,--let us fly,--are we must!'
In terror she cried, letting sink her
Parasol till it trailed in the dust;
In agony sobbed, letting sink her
Parasol till it trailed in the dust,--
Till it sorrowfully trailed in the dust.

Then I pacified Mary and kissed her,
And tempted her into the room,
And conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the warning of doom,--
By some words that were warning of doom.
And I said, 'What is written, sweet sister,
At the opposite end of the room?'
She sobbed, as she answered, 'All liquors
Must be paid for ere leaving the room.'

Then my heart it grew ashen and sober,
As the streets were deserted and drear,
For my pockets were empty and drear;
And I cried: 'It was surely October,
On this very night of last year,
That I journeyed, I journeyed down here,--
That I brought a fair maiden down here,
On this night of all nights in the year!
Ah! to me that inscription is clear;
Well I know now, I'm perfectly sober,
Why no longer they credit me here,--
Well I know now that music of Auber,
And this Nightingale, kept by one Shear.'

(ALKALI STATION)

Cicely says you're a poet; maybe,--I ain't much on rhyme:
I reckon you'd give me a hundred, and beat me every time.
Poetry!--that's the way some chaps puts up an idee,
But I takes mine 'straight without sugar,' and that's what's the matter with me.

Poetry!--just look round you,--alkali, rock, and sage;
Sage-brush, rock, and alkali; ain't it a pretty page!
Sun in the east at mornin', sun in the west at night,
And the shadow of this 'yer station the on'y thing moves in sight.

Poetry!--Well now--Polly! Polly, run to your mam;
Run right away, my pooty! By-by! Ain't she a lamb?
Poetry!--that reminds me o' suthin' right in that suit:
Jest shet that door thar, will yer?--for Cicely's ears is cute.

Ye noticed Polly,--the baby? A month afore she was born,
Cicely--my old woman--was moody-like and forlorn;
Out of her head and crazy, and talked of flowers and trees;
Family man yourself, sir? Well, you know what a woman be's.

Narvous she was, and restless,--said that she 'couldn't stay.'
Stay!--and the nearest woman seventeen miles away.
But I fixed it up with the doctor, and he said he would be on hand,
And I kinder stuck by the shanty, and fenced in that bit o' land.

One night,--the tenth of October,--I woke with a chill and a fright,
For the door it was standing open, and Cicely warn't in sight,
But a note was pinned on the blanket, which it said that she
'couldn't stay,'
But had gone to visit her neighbor,--seventeen miles away!

When and how she stampeded, I didn't wait for to see,
For out in the road, next minit, I started as wild as she;
Running first this way and that way, like a hound that is off the
scent,
For there warn't no track in the darkness to tell me the way she went.

I've had some mighty mean moments afore I kem to this spot,--
Lost on the Plains in '50, drownded almost and shot;
But out on this alkali desert, a-hunting a crazy wife,
Was ra'ly as on-satis-factory as anything in my life.

'Cicely! Cicely! Cicely!' I called, and I held my breath,
And 'Cicely!' came from the canyon,--and all was as still as death.
And 'Cicely! Cicely! Cicely!' came from the rocks below,
And jest but a whisper of 'Cicely!' down from them peaks of snow.

I ain't what you call religious,--but I jest looked up to the sky,
And--this 'yer's to what I'm coming, and maybe ye think I lie:
But up away to the east'ard, yaller and big and far,
I saw of a suddent rising the singlerist kind of star.

Big and yaller and dancing, it seemed to beckon to me:
Yaller and big and dancing, such as you never see:
Big and yaller and dancing,--I never saw such a star,
And I thought of them sharps in the Bible, and I went for it then
and thar.

Over the brush and bowlders I stumbled and pushed ahead,
Keeping the star afore me, I went wherever it led.
It might hev been for an hour, when suddent and peart and nigh,
Out of the yearth afore me thar riz up a baby's cry.

Listen! thar's the same music; but her lungs they are stronger now
Than the day I packed her and her mother,--I'm derned if I jest know
how.
But the doctor kem the next minit, and the joke o' the whole thing is
That Cis never knew what happened from that very night to this!

But Cicely says you're a poet, and maybe you might, some day,
Jest sling her a rhyme 'bout a baby that was born in a curious way,
And see what she says; and, old fellow, when you speak of the star,
don't tell
As how 'twas the doctor's lantern,--for maybe 'twon't sound so well.

The Ballad Of Mr. Cooke

(LEGEND OF THE CLIFF HOUSE, SAN FRANCISCO)

Where the sturdy ocean breeze
Drives the spray of roaring seas,
That the Cliff House balconies
Overlook:
There, in spite of rain that balked,
With his sandals duly chalked,
Once upon a tight-rope walked
Mr. Cooke.

But the jester's lightsome mien,
And his spangles and his sheen,
All had vanished when the scene
He forsook.
Yet in some delusive hope,
In some vague desire to cope,
ONE still came to view the rope
Walked by Cooke.

Amid Beauty's bright array,
On that strange eventful day,
Partly hidden from the spray,
In a nook,
Stood Florinda Vere de Vere;
Who, with wind-disheveled hair,
And a rapt, distracted air,
Gazed on Cooke.

Then she turned, and quickly cried
To her lover at her side,
While her form with love and pride
Wildly shook:
'Clifford Snook! oh, hear me now!
Here I break each plighted vow;
There's but one to whom I bow,
And that's Cooke!'

Haughtily that young man spoke:
'I descend from noble folk;
'Seven Oaks,' and then 'Se'nnoak,'
Lastly 'Snook,'
Is the way my name I trace.
Shall a youth of noble race
In affairs of love give place
To a Cooke?'

'Clifford Snook, I know thy claim
To that lineage and name,
And I think I've read the same
In Horne Tooke;
But I swear, by all divine,
Never, never, to be thine,
Till thou canst upon yon line
Walk like Cooke.'

Though to that gymnastic feat
He no closer might compete
Than to strike a BALANCE-sheet
In a book;
Yet thenceforward from that day
He his figure would display
In some wild athletic way,
After Cooke.

On some household eminence,
On a clothes-line or a fence,
Over ditches, drains, and thence
O'er a brook,
He, by high ambition led,
Ever walked and balanced,
Till the people, wondering, said,
'How like Cooke!'

Step by step did he proceed,
Nerved by valor, not by greed,
And at last the crowning deed
Undertook.
Misty was the midnight air,
And the cliff was bleak and bare,
When he came to do and dare,
Just like Cooke.

Through the darkness, o'er the flow,
Stretched the line where he should go,
Straight across as flies the crow
Or the rook.
One wild glance around he cast;
Then he faced the ocean blast,
And he strode the cable last
Touched by Cooke.

Vainly roared the angry seas,
Vainly blew the ocean breeze;
But, alas! the walker's knees
Had a crook;
And before he reached the rock
Did they both together knock,
And he stumbled with a shock--
Unlike Cooke!

Downward dropping in the dark,
Like an arrow to its mark,
Or a fish-pole when a shark
Bites the hook,
Dropped the pole he could not save,
Dropped the walker, and the wave
Swift engulfed the rival brave
Of J. Cooke!

Came a roar across the sea
Of sea-lions in their glee,
In a tongue remarkably
Like Chinook;
And the maddened sea-gull seemed
Still to utter, as he screamed,
'Perish thus the wretch who deemed
Himself Cooke!'

But on misty moonlit nights
Comes a skeleton in tights,
Walks once more the giddy heights
He mistook;
And unseen to mortal eyes,
Purged of grosser earthly ties,
Now at last in spirit guise
Outdoes Cooke.

Still the sturdy ocean breeze
Sweeps the spray of roaring seas,
Where the Cliff House balconies
Overlook;
And the maidens in their prime,
Reading of this mournful rhyme,
Weep where, in the olden time,
Walked J. Cooke.

Telemachus Versus Mentor

Don't mind me, I beg you, old fellow,--I'll do very well here alone;
You must not be kept from your 'German' because I've dropped in like
a stone.
Leave all ceremony behind you, leave all thought of aught but
yourself;
And leave, if you like, the Madeira, and a dozen cigars on the shelf.

As for me, you will say to your hostess--well, I scarcely need give
you a cue.
Chant my praise! All will list to Apollo, though Mercury pipe to a
few.
Say just what you please, my dear boy; there's more eloquence lies
in youth's rash
Outspoken heart-impulse than ever growled under this grizzling
mustache.

Go, don the dress coat of our tyrant,--youth's panoplied armor for
fight,--
And tie the white neckcloth that rumples, like pleasure, and lasts
but a night;
And pray the Nine Gods to avert you what time the Three Sisters
shall frown,
And you'll lose your high-comedy figure, and sit more at ease in
your gown.

He's off! There's his foot on the staircase. By Jove, what a bound!
Really now
Did I ever leap like this springald, with Love's chaplet green on my
brow?
Was I such an ass? No, I fancy. Indeed, I remember quite plain
A gravity mixed with my transports, a cheerfulness softened my pain.

He's gone! There's the slam of his cab door, there's the clatter
of hoofs and the wheels;
And while he the light toe is tripping, in this armchair I'll tilt
up my heels.
He's gone, and for what? For a tremor from a waist like a teetotum
spun;
For a rosebud that's crumpled by many before it is gathered by one.

Is there naught in the halo of youth but the glow of a passionate
race--'Midst the cheers and applause of a crowd--to the goal of a
beautiful face?
A race that is not to the swift, a prize that no merits enforce,
But is won by some faineant youth, who shall simply walk over the
course?

Poor boy! shall I shock his conceit? When he talks of her cheek's
loveliness,
Shall I say 'twas the air of the room, and was due to carbonic excess?
That when waltzing she drooped on his breast, and the veins of her
eyelids grew dim,
'Twas oxygen's absence she felt, but never the presence of him?

Shall I tell him first love is a fraud, a weakling that's strangled
in birth,
Recalled with perfunctory tears, but lost in unsanctified mirth?
Or shall I go bid him believe in all womankind's charm, and forget
In the light ringing laugh of the world the rattlesnake's gay
castanet?

Shall I tear out a leaf from my heart, from that book that forever
is shut
On the past? Shall I speak of my first love--Augusta--my Lalage?
But
I forget. Was it really Augusta? No. 'Twas Lucy! No. Mary!
No. Di!
Never mind! they were all first and faithless, and yet--I've forgotten
just why.

No, no! Let him dream on and ever. Alas! he will waken too soon;
And it doesn't look well for October to always be preaching at June.
Poor boy! All his fond foolish trophies pinned yonder--a bow from
HER hair,
A few billets-doux, invitations, and--what's this? My name, I
declare!

Humph! 'You'll come, for I've got you a prize, with beauty and money
no end:
You know her, I think; 'twas on dit she once was engaged to your
friend;
But she says that's all over.' Ah, is it? Sweet Ethel! incomparable
maid!
Or--what if the thing were a trick?--this letter so freely displayed!--

My opportune presence! No! nonsense! Will nobody answer the bell?
Call a cab! Half past ten. Not too late yet. Oh, Ethel! Why don't
you go? Well?
'Master said you would wait'-- Hang your master! 'Have I ever a
message to send?'
Yes, tell him I've gone to the German to dance with the friend of
his friend.

Poem Delivered On The Fourteenth Anniversary Of California's Admission Into The Union, September 9, 1864

We meet in peace, though from our native East
The sun that sparkles on our birthday feast
Glanced as he rose on fields whose dews were red
With darker tints than those Aurora spread.
Though shorn his rays, his welcome disk concealed
In the dim smoke that veiled each battlefield,
Still striving upward, in meridian pride,
He climbed the walls that East and West divide,--
Saw his bright face flashed back from golden sand,
And sapphire seas that lave the Western land.

Strange was the contrast that such scenes disclose
From his high vantage o'er eternal snows;
There War's alarm the brazen trumpet rings--
Here his love-song the mailed cicala sings;
There bayonets glitter through the forest glades--
Here yellow cornfields stack their peaceful blades;
There the deep trench where Valor finds a grave--
Here the long ditch that curbs the peaceful wave;
There the bold sapper with his lighted train--
Here the dark tunnel and its stores of gain;
Here the full harvest and the wain's advance--
There the Grim Reaper and the ambulance.

With scenes so adverse, what mysterious bond
Links our fair fortunes to the shores beyond?
Why come we here--last of a scattered fold--
To pour new metal in the broken mould?
To yield our tribute, stamped with Caesar's face,
To Caesar, stricken in the market-place?

Ah! love of country is the secret tie
That joins these contrasts 'neath one arching sky;
Though brighter paths our peaceful steps explore,
We meet together at the Nation's door.
War winds her horn, and giant cliffs go down
Like the high walls that girt the sacred town,
And bares the pathway to her throbbing heart,
From clustered village and from crowded mart.

Part of God's providence it was to found
A Nation's bulwark on this chosen ground;
Not Jesuit's zeal nor pioneer's unrest
Planted these pickets in the distant West,
But He who first the Nation's fate forecast
Placed here His fountains sealed for ages past,
Rock-ribbed and guarded till the coming time
Should fit the people for their work sublime;
When a new Moses with his rod of steel
Smote the tall cliffs with one wide-ringing peal,
And the old miracle in record told
To the new Nation was revealed in gold.

Judge not too idly that our toils are mean,
Though no new levies marshal on our green;
Nor deem too rashly that our gains are small,
Weighed with the prizes for which heroes fall.
See, where thick vapor wreathes the battle-line;
There Mercy follows with her oil and wine;
Or where brown Labor with its peaceful charm
Stiffens the sinews of the Nation's arm.
What nerves its hands to strike a deadlier blow
And hurl its legions on the rebel foe?
Lo! for each town new rising o'er our State
See the foe's hamlet waste and desolate,
While each new factory lifts its chimney tall,
Like a fresh mortar trained on Richmond's wall.

For this, O brothers, swings the fruitful vine,
Spread our broad pastures with their countless kine:
For this o'erhead the arching vault springs clear,
Sunlit and cloudless for one half the year;
For this no snowflake, e'er so lightly pressed,
Chills the warm impulse of our mother's breast.
Quick to reply, from meadows brown and sere,
She thrills responsive to Spring's earliest tear;
Breaks into blossom, flings her loveliest rose
Ere the white crocus mounts Atlantic snows;
And the example of her liberal creed
Teaches the lesson that to-day we heed.

Thus ours the lot with peaceful, generous hand
To spread our bounty o'er the suffering land;
As the deep cleft in Mariposa's wall
Hurls a vast river splintering in its fall,--
Though the rapt soul who stands in awe below
Sees but the arching of the promised bow,
Lo! the far streamlet drinks its dews unseen,
And the whole valley wakes a brighter green.

The Wonderful Spring Of San Joaquin

Of all the fountains that poets sing,--
Crystal, thermal, or mineral spring,
Ponce de Leon's Fount of Youth,
Wells with bottoms of doubtful truth,--
In short, of all the springs of Time
That ever were flowing in fact or rhyme,
That ever were tasted, felt, or seen,
There were none like the Spring of San Joaquin.

Anno Domini eighteen-seven,
Father Dominguez (now in heaven,--
Obiit eighteen twenty-seven)
Found the spring, and found it, too,
By his mule's miraculous cast of a shoe;
For his beast--a descendant of Balaam's ass--
Stopped on the instant, and would not pass.

The Padre thought the omen good,
And bent his lips to the trickling flood;
Then--as the Chronicles declare,
On the honest faith of a true believer--
His cheeks, though wasted, lank, and bare,
Filled like a withered russet pear
In the vacuum of a glass receiver,
And the snows that seventy winters bring
Melted away in that magic spring.

Such, at least, was the wondrous news
The Padre brought into Santa Cruz.
The Church, of course, had its own views
Of who were worthiest to use
The magic spring; but the prior claim
Fell to the aged, sick, and lame.
Far and wide the people came:
Some from the healthful Aptos Creek
Hastened to bring their helpless sick;
Even the fishers of rude Soquel
Suddenly found they were far from well;
The brawny dwellers of San Lorenzo
Said, in fact, they had never been so;
And all were ailing,--strange to say,--
From Pescadero to Monterey.

Over the mountain they poured in,
With leathern bottles and bags of skin;
Through the canyons a motley throng
Trotted, hobbled, and limped along.
The Fathers gazed at the moving scene
With pious joy and with souls serene;
And then--a result perhaps foreseen--
They laid out the Mission of San Joaquin.

Not in the eyes of faith alone
The good effects of the water shone;
But skins grew rosy, eyes waxed clear,
Of rough vaquero and muleteer;
Angular forms were rounded out,
Limbs grew supple and waists grew stout;
And as for the girls,--for miles about
They had no equal! To this day,
From Pescadero to Monterey,
You'll still find eyes in which are seen
The liquid graces of San Joaquin.

There is a limit to human bliss,
And the Mission of San Joaquin had this;
None went abroad to roam or stay
But they fell sick in the queerest way,--
A singular maladie du pays,
With gastric symptoms: so they spent
Their days in a sensuous content,
Caring little for things unseen
Beyond their bowers of living green,
Beyond the mountains that lay between
The world and the Mission of San Joaquin.

Winter passed, and the summer came
The trunks of madrono, all aflame,
Here and there through the underwood
Like pillars of fire starkly stood.
All of the breezy solitude
Was filled with the spicing of pine and bay
And resinous odors mixed and blended;
And dim and ghostlike, far away,
The smoke of the burning woods ascended.
Then of a sudden the mountains swam,
The rivers piled their floods in a dam,
The ridge above Los Gatos Creek
Arched its spine in a feline fashion;
The forests waltzed till they grew sick,
And Nature shook in a speechless passion;
And, swallowed up in the earthquake's spleen,
The wonderful Spring of San Joaquin
Vanished, and never more was seen!

Two days passed: the Mission folk
Out of their rosy dream awoke;
Some of them looked a trifle white,
But that, no doubt, was from earthquake fright.
Three days: there was sore distress,
Headache, nausea, giddiness.
Four days: faintings, tenderness
Of the mouth and fauces; and in less
Than one week--here the story closes;
We won't continue the prognosis--
Enough that now no trace is seen
Of Spring or Mission of San Joaquin.

MORAL

You see the point? Don't be too quick
To break bad habits: better stick,
Like the Mission folk, to your ARSENIC.

The Old Camp Fire

Now shift the blanket pad before your saddle back you fling,
And draw your cinch up tighter till the sweat drops from the ring:
We've a dozen miles to cover ere we reach the next divide.
Our limbs are stiffer now than when we first set out to ride,
And worse, the horses know it, and feel the leg-grip tire,
Since in the days when, long ago, we sought the old camp-fire.

Yes, twenty years! Lord! how we 'd scent its incense down the trail,
Through balm of bay and spice of spruce, when eye and ear would fail,
And worn and faint from useless quest we crept, like this, to rest,
Or, Rushed with luck and youthful hope, we rode, like this, abreast.
Ay! straighten up, old friend, and let the mustang think he 's nigher,
Through looser rein and stirrup strain, the welcome old camp-fire.

You know the shout that would ring out before us down the glade,
And start the blue jays like a fight of arrows through the shade,
And sift the thin pine needles down like slanting, shining rain,
And send the squirrels scampering back to their holes again,
Until we saw, blue-veiled and dim, or leaping like desire,
That flame of twenty years ago, which lit the old camp-fire.

And then that rest on Nature's breast, when talk had dropped, and slow
The night wind went from tree to tree with challenge soft and low!
We lay on lazy elbows propped, or stood to stir the flame,
Till up the soaring redwood's shaft our shadows danced and came,
As if to draw us with the sparks, high o'er its unseen spire,
To the five stars that kept their ward above the old camp-fire,-

Those picket stars whose tranquil watch half soothed, half shamed our sleep.
What recked we then what beasts or men around might
lurk or creep ?
We lay and heard with listless ears the far-off panther's cry,
The near coyote's snarling snap, the grizzly's deep-drawn sigh,
The brown bear's blundering human tread, the gray wolves' yelping choir
Beyond the magic circle drawn around the old camp-fire.

And then that morn! Was ever morn so filled with all things new?
The light that fell through long brown aisles from out the kindling blue,
The creak and yawn of stretching boughs, the jay-bird's early call,
The rat-tat-tat of woodpecker that waked the woodland hall,
The fainter stir of lower life in fern and brake and brier,
Till flashing leaped the torch of Day from last night's old camp-fire!

Well, well! we'll see it once again; we should be near it now;
It 's scarce a mile to where the trail strikes off to skirt the slough,
And then the dip to Indian Spring, the wooded rise, and-strange!
Yet here should stand the blasted pine that marked our farther range;
And here-what 's this? A ragged swale of ruts and stumps and mire!
Sure this is not the sacred grove that hid the old camp-fire!

Yet here's the ' blaze ' I cut myself, and there's the stumbling ledge,
With quartz ' outcrop ' that lay atop, now leveled to its edge,
And mounds of moss-grown stumps beside the woodman's rotting chips,
And gashes in the hillside, that gape with dumb red lips.
And yet above the shattered wreck and ruin, curling higher-
Ah yes!-still lifts the smoke that marked the welcome
old camp-fire!

Perhaps some friend of twenty years still lingers there to raise
To weary hearts and tired eyes that beacon of old days.
Perhaps-but stay; 't is gone! and yet once more it lifts as though
To meet our tardy blundering steps, and seems to move, and lo!
Whirls by us in a rush of sound,-the vanished funeral pyre
Of hopes and fears that twenty years burned in the old camp-fire!

For see, beyond the prospect spreads, with chimney, spire, and roof,-
Two iron bands across the trail clank to our mustang's hoof;
Above them leap two blackened threads from limb-lopped tree to tree,
To where the whitewashed station speeds its message to the sea.
Rein in! Rein in! The quest is o'er. The goal of our desire
Is but the train whose track has lain across the old camp-fire !

The Tale Of A Pony

Name of my heroine, simply 'Rose;'
Surname, tolerable only in prose;
Habitat, Paris,--that is where
She resided for change of air;
Aetat twenty; complexion fair;
Rich, good looking, and debonnaire;
Smarter than Jersey lightning. There!
That's her photograph, done with care.

In Paris, whatever they do besides,
EVERY LADY IN FULL DRESS RIDES!
Moire antiques you never meet
Sweeping the filth of a dirty street
But every woman's claim to ton
Depends upon
The team she drives, whether phaeton,
Landau, or britzka. Hence it's plain
That Rose, who was of her toilet vain,
Should have a team that ought to be
Equal to any in all Paris!

'Bring forth the horse!' The commissaire
Bowed, and brought Miss Rose a pair
Leading an equipage rich and rare.
Why doth that lovely lady stare?
Why? The tail of the off gray mare
Is bobbed, by all that's good and fair!
Like the shaving-brushes that soldiers wear,
Scarcely showing as much back hair
As Tam O'Shanter's 'Meg,'--and there,
Lord knows, she'd little enough to spare.

That stare and frown the Frenchman knew,
But did as well-bred Frenchmen do:
Raised his shoulders above his crown,
Joined his thumbs with the fingers down,
And said, 'Ah, Heaven!'--then, 'Mademoiselle,
Delay one minute, and all is well!'
He went--returned; by what good chance
These things are managed so well in France
I cannot say, but he made the sale,
And the bob-tailed mare had a flowing tail.

All that is false in this world below
Betrays itself in a love of show;
Indignant Nature hides her lash
In the purple-black of a dyed mustache;
The shallowest fop will trip in French,
The would-be critic will misquote Trench;
In short, you're always sure to detect
A sham in the things folks most affect;
Bean-pods are noisiest when dry,
And you always wink with your weakest eye:
And that's the reason the old gray mare
Forever had her tail in the air,
With flourishes beyond compare,
Though every whisk
Incurred the risk
Of leaving that sensitive region bare.
She did some things that you couldn't but feel
She wouldn't have done had her tail been real.

Champs Elysees: time, past five.
There go the carriages,--look alive!
Everything that man can drive,
Or his inventive skill contrive,--
Yankee buggy or English 'chay,'
Dog-cart, droschky, and smart coupe,
A desobligeante quite bulky
(French idea of a Yankee sulky);
Band in the distance playing a march,
Footman standing stiff as starch;
Savans, lorettes, deputies, Arch-
Bishops, and there together range
Sous-lieutenants and cent-gardes (strange
Way these soldier-chaps make change),
Mixed with black-eyed Polish dames,
With unpronounceable awful names;
Laces tremble and ribbons flout,
Coachmen wrangle and gendarmes shout--
Bless us! what is the row about?
Ah! here comes Rosy's new turnout!
Smart! You bet your life 'twas that!
Nifty! (short for magnificat).
Mulberry panels,--heraldic spread,--
Ebony wheels picked out with red,
And two gray mares that were thoroughbred:
No wonder that every dandy's head
Was turned by the turnout,--and 'twas said
That Caskowhisky (friend of the Czar),
A very good whip (as Russians are),
Was tied to Rosy's triumphal car,
Entranced, the reader will understand,
By 'ribbons' that graced her head and hand.

Alas! the hour you think would crown
Your highest wishes should let you down!
Or Fate should turn, by your own mischance,
Your victor's car to an ambulance,
From cloudless heavens her lightnings glance!
(And these things happen, even in France.)
And so Miss Rose, as she trotted by,
The cynosure of every eye,
Saw to her horror the off mare shy,
Flourish her tail so exceedingly high
That, disregarding the closest tie,
And without giving a reason why,
She flung that tail so free and frisky
Off in the face of Caskowhisky.

Excuses, blushes, smiles: in fine,
End of the pony's tail, and mine!

Cadet Grey - Canto I

I

Act first, scene first. A study. Of a kind
Half cell, half salon, opulent yet grave;
Rare books, low-shelved, yet far above the mind
Of common man to compass or to crave;
Some slight relief of pamphlets that inclined
The soul at first to trifling, till, dismayed
By text and title, it drew back resigned,
Nor cared with levity to vex a shade
That to itself such perfect concord made.

II

Some thoughts like these perplexed the patriot brain
Of Jones, Lawgiver to the Commonwealth,
As on the threshold of this chaste domain
He paused expectant, and looked up in stealth
To darkened canvases that frowned amain,
With stern-eyed Puritans, who first began
To spread their roots in Georgius Primus' reign,
Nor dropped till now, obedient to some plan,
Their century fruit,--the perfect Boston man.

III

Somewhere within that Russia-scented gloom
A voice catarrhal thrilled the Member's ear:
'Brief is our business, Jones. Look round this room!
Regard yon portraits! Read their meaning clear!
These much proclaim MY station. I presume
YOU are our Congressman, before whose wit
And sober judgment shall the youth appear
Who for West Point is deemed most just and fit
To serve his country and to honor it.

IV

'Such is my son! Elsewhere perhaps 'twere wise
Trial competitive should guide your choice.
There are some people I can well surmise
Themselves must show their merits. History's voice
Spares me that trouble: all desert that lies
In yonder ancestor of Queen Anne's day,
Or yon grave Governor, is all my boy's,--
Reverts to him; entailed, as one might say;
In brief, result in Winthrop Adams Grey!'

V

He turned and laid his well-bred hand, and smiled,
On the cropped head of one who stood beside.
Ah me! in sooth it was no ruddy child
Nor brawny youth that thrilled the father's pride;
'Twas but a Mind that somehow had beguiled
From soulless Matter processes that served
For speech and motion and digestion mild,
Content if all one moral purpose nerved,
Nor recked thereby its spine were somewhat curved.

VI

He was scarce eighteen. Yet ere he was eight
He had despoiled the classics; much he knew
Of Sanskrit; not that he placed undue weight
On this, but that it helped him with Hebrew,
His favorite tongue. He learned, alas! too late,
One can't begin too early,--would regret
That boyish whim to ascertain the state
Of Venus' atmosphere made him forget
That philologic goal on which his soul was set.

VII

He too had traveled; at the age of ten
Found Paris empty, dull except for art
And accent. 'Mabille' with its glories then
Less than Egyptian 'Almees' touched a heart
Nothing if not pure classic. If some men
Thought him a prig, it vexed not his conceit,
But moved his pity, and ofttimes his pen,
The better to instruct them, through some sheet
Published in Boston, and signed 'Beacon Street.'

VIII

From premises so plain the blind could see
But one deduction, and it came next day.
'In times like these, the very name of G.
Speaks volumes,' wrote the Honorable J.
'Inclosed please find appointment.' Presently
Came a reception to which Harvard lent
Fourteen professors, and, to give esprit,
The Liberal Club some eighteen ladies sent,
Five that spoke Greek, and thirteen sentiment.

IX

Four poets came who loved each other's song,
And two philosophers, who thought that they
Were in most things impractical and wrong;
And two reformers, each in his own way
Peculiar,--one who had waxed strong
On herbs and water, and such simple fare;
Two foreign lions, 'Ram See' and 'Chy Long,'
And several artists claimed attention there,
Based on the fact they had been snubbed elsewhere.

X

With this indorsement nothing now remained
But counsel, Godspeed, and some calm adieux;
No foolish tear the father's eyelash stained,
And Winthrop's cheek as guiltless shone of dew.
A slight publicity, such as obtained
In classic Rome, these few last hours attended.
The day arrived, the train and depot gained,
The mayor's own presence this last act commended
The train moved off and here the first act ended.

Cadet Grey - Canto Iii

I

Where the sun sinks through leagues of arid sky,
Where the sun dies o'er leagues of arid plain,
Where the dead bones of wasted rivers lie,
Trailed from their channels in yon mountain chain;
Where day by day naught takes the wearied eye
But the low-rimming mountains, sharply based
On the dead levels, moving far or nigh,
As the sick vision wanders o'er the waste,
But ever day by day against the sunset traced:

II

There moving through a poisonous cloud that stings
With dust of alkali the trampling band
Of Indian ponies, ride on dusky wings
The red marauders of the Western land;
Heavy with spoil, they seek the trail that brings
Their flaunting lances to that sheltered bank
Where lie their lodges; and the river sings
Forgetful of the plain beyond, that drank
Its life blood, where the wasted caravan sank.

III

They brought with them the thief's ignoble spoil,
The beggar's dole, the greed of chiffonnier,
The scum of camps, the implements of toil
Snatched from dead hands, to rust as useless here;
All they could rake or glean from hut or soil
Piled their lean ponies, with the jackdaw's greed
For vacant glitter. It were scarce a foil
To all this tinsel that one feathered reed
Bore on its barb two scalps that freshly bleed!

IV

They brought with them, alas! a wounded foe,
Bound hand and foot, yet nursed with cruel care,
Lest that in death he might escape one throe
They had decreed his living flesh should bear:
A youthful officer, by one foul blow
Of treachery surprised, yet fighting still
Amid his ambushed train, calm as the snow
Above him; hopeless, yet content to spill
His blood with theirs, and fighting but to kill.

V

He had fought nobly, and in that brief spell
Had won the awe of those rude border men
Who gathered round him, and beside him fell
In loyal faith and silence, save that when
By smoke embarrassed, and near sight as well,
He paused to wipe his eyeglass, and decide
Its nearer focus, there arose a yell
Of approbation, and Bob Barker cried,
'Wade in, Dundreary!' tossed his cap and--died.

VI

Their sole survivor now! his captors bear
Him all unconscious, and beside the stream
Leave him to rest; meantime the squaws prepare
The stake for sacrifice: nor wakes a gleam
Of pity in those Furies' eyes that glare
Expectant of the torture; yet alway
His steadfast spirit shines and mocks them there
With peace they know not, till at close of day
On his dull ear there thrills a whispered 'Grey!'

VII

He starts! Was it a trick? Had angels kind
Touched with compassion some weak woman's breast?
Such things he'd read of! Faintly to his mind
Came Pocahontas pleading for her guest.
But then, this voice, though soft, was still inclined
To baritone! A squaw in ragged gown
Stood near him, frowning hatred. Was he blind?
Whose eye was this beneath that beetling frown?
The frown was painted, but that wink meant--Brown!

VIII

'Hush! for your life and mine! the thongs are cut,'
He whispers; 'in yon thicket stands my horse.
One dash!--I follow close, as if to glut
My own revenge, yet bar the others' course.
Now!' And 'tis done. Grey speeds, Brown follows; but
Ere yet they reach the shade, Grey, fainting, reels,
Yet not before Brown's circling arms close shut
His in, uplifting him! Anon he feels
A horse beneath him bound, and hears the rattling heels.

IX

Then rose a yell of baffled hate, and sprang
Headlong the savages in swift pursuit;
Though speed the fugitives, they hope to hang
Hot on their heels, like wolves, with tireless foot.
Long is the chase; Brown hears with inward pang
The short, hard panting of his gallant steed
Beneath its double burden; vainly rang
Both voice and spur. The heaving flanks may bleed,
Yet comes the sequel that they still must heed!

X

Brown saw it--reined his steed; dismounting, stood
Calm and inflexible. 'Old chap! you see
There is but ONE escape. You know it? Good!
There is ONE man to take it. You are he.
The horse won't carry double. If he could,
'Twould but protract this bother. I shall stay:
I've business with these devils, they with me;
I will occupy them till you get away.
Hush! quick time, forward. There! God bless you, Grey!'

XI

But as he finished, Grey slipped to his feet,
Calm as his ancestors in voice and eye:
'You do forget yourself when you compete
With him whose RIGHT it is to stay and die:
That's not YOUR duty. Please regain your seat;
And take my ORDERS--since I rank you here!--
Mount and rejoin your men, and my defeat
Report at quarters. Take this letter; ne'er
Give it to aught but HER, nor let aught interfere.'

XII

And, shamed and blushing, Brown the letter took
Obediently and placed it in his pocket;
Then, drawing forth another, said, 'I look
For death as you do, wherefore take this locket
And letter.' Here his comrade's hand he shook
In silence. 'Should we both together fall,
Some other man'--but here all speech forsook
His lips, as ringing cheerily o'er all
He heard afar his own dear bugle-call!

XIII

'Twas his command and succor, but e'en then
Grey fainted, with poor Brown, who had forgot
He likewise had been wounded, and both men
Were picked up quite unconscious of their lot.
Long lay they in extremity, and when
They both grew stronger, and once more exchanged
Old vows and memories, one common 'den'
In hospital was theirs, and free they ranged,
Awaiting orders, but no more estranged.

XIV

And yet 'twas strange--nor can I end my tale
Without this moral, to be fair and just:
They never sought to know why each did fail
The prompt fulfillment of the other's trust.
It was suggested they could not avail
Themselves of either letter, since they were
Duly dispatched to their address by mail
By Captain X., who knew Miss Rover fair
Now meant stout Mistress Bloggs of Blank Blank Square.

Concepcion De Arguello

(PRESIDIO DE SAN FRANCISCO, 1800)

I

Looking seaward, o'er the sand-hills stands the fortress, old and
quaint,
By the San Francisco friars lifted to their patron saint,--

Sponsor to that wondrous city, now apostate to the creed,
On whose youthful walls the Padre saw the angel's golden reed;

All its trophies long since scattered, all its blazon brushed away;
And the flag that flies above it but a triumph of to-day.

Never scar of siege or battle challenges the wandering eye,
Never breach of warlike onset holds the curious passer-by;

Only one sweet human fancy interweaves its threads of gold
With the plain and homespun present, and a love that ne'er grows old;

Only one thing holds its crumbling walls above the meaner dust,--
Listen to the simple story of a woman's love and trust.

II

Count von Resanoff, the Russian, envoy of the mighty Czar,
Stood beside the deep embrasures, where the brazen cannon are.

He with grave provincial magnates long had held serene debate
On the Treaty of Alliance and the high affairs of state;

He from grave provincial magnates oft had turned to talk apart
With the Commandante's daughter on the questions of the heart,

Until points of gravest import yielded slowly one by one,
And by Love was consummated what Diplomacy begun;

Till beside the deep embrasures, where the brazen cannon are,
He received the twofold contract for approval of the Czar;

Till beside the brazen cannon the betrothed bade adieu,
And from sallyport and gateway north the Russian eagles flew.

III

Long beside the deep embrasures, where the brazen cannon are,
Did they wait the promised bridegroom and the answer of the Czar;

Day by day on wall and bastion beat the hollow, empty breeze,--
Day by day the sunlight glittered on the vacant, smiling seas:

Week by week the near hills whitened in their dusty leather cloaks,--
Week by week the far hills darkened from the fringing plain of oaks;

Till the rains came, and far breaking, on the fierce southwester tost,
Dashed the whole long coast with color, and then vanished and were
lost.

So each year the seasons shifted,--wet and warm and drear and dry
Half a year of clouds and flowers, half a year of dust and sky.

Still it brought no ship nor message,--brought no tidings, ill or meet,
For the statesmanlike Commander, for the daughter fair and sweet.

Yet she heard the varying message, voiceless to all ears beside:
'He will come,' the flowers whispered; 'Come no more,' the dry hills
sighed.

Still she found him with the waters lifted by the morning breeze,--
Still she lost him with the folding of the great white-tented seas;

Until hollows chased the dimples from her cheeks of olive brown,
And at times a swift, shy moisture dragged the long sweet lashes down;

Or the small mouth curved and quivered as for some denied caress,
And the fair young brow was knitted in an infantine distress.

Then the grim Commander, pacing where the brazen cannon are,
Comforted the maid with proverbs, wisdom gathered from afar;

Bits of ancient observation by his fathers garnered, each
As a pebble worn and polished in the current of his speech:

''Those who wait the coming rider travel twice as far as he;'
'Tired wench and coming butter never did in time agree;'

''He that getteth himself honey, though a clown, he shall have flies;'
'In the end God grinds the miller;' 'In the dark the mole has eyes;'

''He whose father is Alcalde of his trial hath no fear,'--
And be sure the Count has reasons that will make his conduct clear.'

Then the voice sententious faltered, and the wisdom it would teach
Lost itself in fondest trifles of his soft Castilian speech;

And on 'Concha' 'Conchitita,' and 'Conchita' he would dwell
With the fond reiteration which the Spaniard knows so well.

So with proverbs and caresses, half in faith and half in doubt,
Every day some hope was kindled, flickered, faded, and went out.

IV

Yearly, down the hillside sweeping, came the stately cavalcade,
Bringing revel to vaquero, joy and comfort to each maid;

Bringing days of formal visit, social feast and rustic sport,
Of bull-baiting on the plaza, of love-making in the court.

Vainly then at Concha's lattice, vainly as the idle wind,
Rose the thin high Spanish tenor that bespoke the youth too kind;

Vainly, leaning from their saddles, caballeros, bold and fleet,
Plucked for her the buried chicken from beneath their mustang's feet;

So in vain the barren hillsides with their gay serapes blazed,--
Blazed and vanished in the dust-cloud that their flying hoofs had
raised.

Then the drum called from the rampart, and once more, with patient
mien,
The Commander and his daughter each took up the dull routine,--

Each took up the petty duties of a life apart and lone,
Till the slow years wrought a music in its dreary monotone.

V

Forty years on wall and bastion swept the hollow idle breeze,
Since the Russian eagle fluttered from the California seas;

Forty years on wall and bastion wrought its slow but sure decay,
And St. George's cross was lifted in the port of Monterey;

And the citadel was lighted, and the hall was gayly drest,
All to honor Sir George Simpson, famous traveler and guest.

Far and near the people gathered to the costly banquet set,
And exchanged congratulations with the English baronet;

Till, the formal speeches ended, and amidst the laugh and wine,
Some one spoke of Concha's lover,--heedless of the warning sign.

Quickly then cried Sir George Simpson: 'Speak no ill of him, I pray!
He is dead. He died, poor fellow, forty years ago this day,--

'Died while speeding home to Russia, falling from a fractious horse.
Left a sweetheart, too, they tell me. Married, I suppose, of course!

'Lives she yet?' A deathlike silence fell on banquet, guests, and
hall,
And a trembling figure rising fixed the awestruck gaze of all.

Two black eyes in darkened orbits gleamed beneath the nun's white hood;
Black serge hid the wasted figure, bowed and stricken where it stood.

'Lives she yet?' Sir George repeated. All were hushed as Concha drew
Closer yet her nun's attire. 'Senor, pardon, she died, too!'

Concepcion De Arguello

(PRESIDIO DE SAN FRANCISCO, 1800)

I

Looking seaward, o'er the sand-hills stands the fortress, old and
quaint,
By the San Francisco friars lifted to their patron saint,--

Sponsor to that wondrous city, now apostate to the creed,
On whose youthful walls the Padre saw the angel's golden reed;

All its trophies long since scattered, all its blazon brushed away;
And the flag that flies above it but a triumph of to-day.

Never scar of siege or battle challenges the wandering eye,
Never breach of warlike onset holds the curious passer-by;

Only one sweet human fancy interweaves its threads of gold
With the plain and homespun present, and a love that ne'er grows old;

Only one thing holds its crumbling walls above the meaner dust,--
Listen to the simple story of a woman's love and trust.

II

Count von Resanoff, the Russian, envoy of the mighty Czar,
Stood beside the deep embrasures, where the brazen cannon are.

He with grave provincial magnates long had held serene debate
On the Treaty of Alliance and the high affairs of state;

He from grave provincial magnates oft had turned to talk apart
With the Commandante's daughter on the questions of the heart,

Until points of gravest import yielded slowly one by one,
And by Love was consummated what Diplomacy begun;

Till beside the deep embrasures, where the brazen cannon are,
He received the twofold contract for approval of the Czar;

Till beside the brazen cannon the betrothed bade adieu,
And from sallyport and gateway north the Russian eagles flew.

III

Long beside the deep embrasures, where the brazen cannon are,
Did they wait the promised bridegroom and the answer of the Czar;

Day by day on wall and bastion beat the hollow, empty breeze,--
Day by day the sunlight glittered on the vacant, smiling seas:

Week by week the near hills whitened in their dusty leather cloaks,--
Week by week the far hills darkened from the fringing plain of oaks;

Till the rains came, and far breaking, on the fierce southwester tost,
Dashed the whole long coast with color, and then vanished and were
lost.

So each year the seasons shifted,--wet and warm and drear and dry
Half a year of clouds and flowers, half a year of dust and sky.

Still it brought no ship nor message,--brought no tidings, ill or meet,
For the statesmanlike Commander, for the daughter fair and sweet.

Yet she heard the varying message, voiceless to all ears beside:
'He will come,' the flowers whispered; 'Come no more,' the dry hills
sighed.

Still she found him with the waters lifted by the morning breeze,--
Still she lost him with the folding of the great white-tented seas;

Until hollows chased the dimples from her cheeks of olive brown,
And at times a swift, shy moisture dragged the long sweet lashes down;

Or the small mouth curved and quivered as for some denied caress,
And the fair young brow was knitted in an infantine distress.

Then the grim Commander, pacing where the brazen cannon are,
Comforted the maid with proverbs, wisdom gathered from afar;

Bits of ancient observation by his fathers garnered, each
As a pebble worn and polished in the current of his speech:

''Those who wait the coming rider travel twice as far as he;'
'Tired wench and coming butter never did in time agree;'

''He that getteth himself honey, though a clown, he shall have flies;'
'In the end God grinds the miller;' 'In the dark the mole has eyes;'

''He whose father is Alcalde of his trial hath no fear,'--
And be sure the Count has reasons that will make his conduct clear.'

Then the voice sententious faltered, and the wisdom it would teach
Lost itself in fondest trifles of his soft Castilian speech;

And on 'Concha' 'Conchitita,' and 'Conchita' he would dwell
With the fond reiteration which the Spaniard knows so well.

So with proverbs and caresses, half in faith and half in doubt,
Every day some hope was kindled, flickered, faded, and went out.

IV

Yearly, down the hillside sweeping, came the stately cavalcade,
Bringing revel to vaquero, joy and comfort to each maid;

Bringing days of formal visit, social feast and rustic sport,
Of bull-baiting on the plaza, of love-making in the court.

Vainly then at Concha's lattice, vainly as the idle wind,
Rose the thin high Spanish tenor that bespoke the youth too kind;

Vainly, leaning from their saddles, caballeros, bold and fleet,
Plucked for her the buried chicken from beneath their mustang's feet;

So in vain the barren hillsides with their gay serapes blazed,--
Blazed and vanished in the dust-cloud that their flying hoofs had
raised.

Then the drum called from the rampart, and once more, with patient
mien,
The Commander and his daughter each took up the dull routine,--

Each took up the petty duties of a life apart and lone,
Till the slow years wrought a music in its dreary monotone.

V

Forty years on wall and bastion swept the hollow idle breeze,
Since the Russian eagle fluttered from the California seas;

Forty years on wall and bastion wrought its slow but sure decay,
And St. George's cross was lifted in the port of Monterey;

And the citadel was lighted, and the hall was gayly drest,
All to honor Sir George Simpson, famous traveler and guest.

Far and near the people gathered to the costly banquet set,
And exchanged congratulations with the English baronet;

Till, the formal speeches ended, and amidst the laugh and wine,
Some one spoke of Concha's lover,--heedless of the warning sign.

Quickly then cried Sir George Simpson: 'Speak no ill of him, I pray!
He is dead. He died, poor fellow, forty years ago this day,--

'Died while speeding home to Russia, falling from a fractious horse.
Left a sweetheart, too, they tell me. Married, I suppose, of course!

'Lives she yet?' A deathlike silence fell on banquet, guests, and
hall,
And a trembling figure rising fixed the awestruck gaze of all.

Two black eyes in darkened orbits gleamed beneath the nun's white hood;
Black serge hid the wasted figure, bowed and stricken where it stood.

'Lives she yet?' Sir George repeated. All were hushed as Concha drew
Closer yet her nun's attire. 'Senor, pardon, she died, too!'

The Lost Galleon

In sixteen hundred and forty-one,
The regular yearly galleon,
Laden with odorous gums and spice,
India cottons and India rice,
And the richest silks of far Cathay,
Was due at Acapulco Bay.

Due she was, and overdue,--
Galleon, merchandise and crew,
Creeping along through rain and shine,
Through the tropics, under the line.
The trains were waiting outside the walls,
The wives of sailors thronged the town,
The traders sat by their empty stalls,
And the Viceroy himself came down;
The bells in the tower were all a-trip,
Te Deums were on each Father's lip,
The limes were ripening in the sun
For the sick of the coming galleon.

All in vain. Weeks passed away,
And yet no galleon saw the bay.
India goods advanced in price;
The Governor missed his favorite spice;
The Senoritas mourned for sandal
And the famous cottons of Coromandel;
And some for an absent lover lost,
And one for a husband,--Dona Julia,
Wife of the captain tempest-tossed,
In circumstances so peculiar;
Even the Fathers, unawares,
Grumbled a little at their prayers;
And all along the coast that year
Votive candles wore scarce and dear.

Never a tear bedims the eye
That time and patience will not dry;
Never a lip is curved with pain
That can't be kissed into smiles again;
And these same truths, as far as I know,
Obtained on the coast of Mexico
More than two hundred years ago,
In sixteen hundred and fifty-one,--
Ten years after the deed was done,--
And folks had forgotten the galleon:
The divers plunged in the gulf for pearls,
White as the teeth of the Indian girls;
The traders sat by their full bazaars;
The mules with many a weary load,
And oxen dragging their creaking cars,
Came and went on the mountain road.

Where was the galleon all this while?
Wrecked on some lonely coral isle,
Burnt by the roving sea-marauders,
Or sailing north under secret orders?
Had she found the Anian passage famed,
By lying Maldonado claimed,
And sailed through the sixty-fifth degree
Direct to the North Atlantic Sea?
Or had she found the 'River of Kings,'
Of which De Fonte told such strange things,
In sixteen forty? Never a sign,
East or west or under the line,
They saw of the missing galleon;
Never a sail or plank or chip
They found of the long-lost treasure-ship,
Or enough to build a tale upon.
But when she was lost, and where and how,
Are the facts we're coming to just now.

Take, if you please, the chart of that day,
Published at Madrid,--por el Rey;
Look for a spot in the old South Sea,
The hundred and eightieth degree
Longitude west of Madrid: there,
Under the equatorial glare,
Just where the east and west are one,
You'll find the missing galleon,--
You'll find the San Gregorio, yet
Riding the seas, with sails all set,
Fresh as upon the very day
She sailed from Acapulco Bay.

How did she get there? What strange spell
Kept her two hundred years so well,
Free from decay and mortal taint?
What but the prayers of a patron saint!

A hundred leagues from Manilla town,
The San Gregorio's helm came down;
Round she went on her heel, and not
A cable's length from a galliot
That rocked on the waters just abreast
Of the galleon's course, which was west-sou'-west.

Then said the galleon's commandante,
General Pedro Sobriente
(That was his rank on land and main,
A regular custom of Old Spain),
'My pilot is dead of scurvy: may
I ask the longitude, time, and day?'
The first two given and compared;
The third--the commandante stared!
'The FIRST of June? I make it second.'
Said the stranger, 'Then you've wrongly reckoned;
I make it FIRST: as you came this way,
You should have lost, d'ye see, a day;
Lost a day, as plainly see,
On the hundred and eightieth degree.'
'Lost a day?' 'Yes; if not rude,
When did you make east longitude?'
'On the ninth of May,--our patron's day.'
'On the ninth?--YOU HAD NO NINTH OF MAY!
Eighth and tenth was there; but stay'--
Too late; for the galleon bore away.

Lost was the day they should have kept,
Lost unheeded and lost unwept;
Lost in a way that made search vain,
Lost in a trackless and boundless main;
Lost like the day of Job's awful curse,
In his third chapter, third and fourth verse;
Wrecked was their patron's only day,--
What would the holy Fathers say?

Said the Fray Antonio Estavan,
The galleon's chaplain,--a learned man,--
'Nothing is lost that you can regain;
And the way to look for a thing is plain,
To go where you lost it, back again.
Back with your galleon till you see
The hundred and eightieth degree.
Wait till the rolling year goes round,
And there will the missing day be found;
For you'll find, if computation's true,
That sailing EAST will give to you
Not only one ninth of May, but two,--
One for the good saint's present cheer,
And one for the day we lost last year.'

Back to the spot sailed the galleon;
Where, for a twelvemonth, off and on
The hundred and eightieth degree
She rose and fell on a tropic sea.
But lo! when it came to the ninth of May,
All of a sudden becalmed she lay
One degree from that fatal spot,
Without the power to move a knot;
And of course the moment she lost her way,
Gone was her chance to save that day.

To cut a lengthening story short,
She never saved it. Made the sport
Of evil spirits and baffling wind,
She was always before or just behind,
One day too soon or one day too late,
And the sun, meanwhile, would never wait.
She had two Eighths, as she idly lay,
Two Tenths, but never a NINTH of May;
And there she rides through two hundred years
Of dreary penance and anxious fears;
Yet, through the grace of the saint she served,
Captain and crew are still preserved.

By a computation that still holds good,
Made by the Holy Brotherhood,
The San Gregorio will cross that line
In nineteen hundred and thirty-nine:
Just three hundred years to a day
From the time she lost the ninth of May.
And the folk in Acapulco town,
Over the waters looking down,
Will see in the glow of the setting sun
The sails of the missing galleon,
And the royal standard of Philip Rey,
The gleaming mast and glistening spar,
As she nears the surf of the outer bar.
A Te Deum sung on her crowded deck,
An odor of spice along the shore,
A crash, a cry from a shattered wreck,--
And the yearly galleon sails no more
In or out of the olden bay;
For the blessed patron has found his day.

-------

Such is the legend. Hear this truth:
Over the trackless past, somewhere,
Lie the lost days of our tropic youth,
Only regained by faith and prayer,
Only recalled by prayer and plaint:
Each lost day has its patron saint!

Friar Pedro's Ride

It was the morning season of the year;
It was the morning era of the land;
The watercourses rang full loud and clear;
Portala's cross stood where Portala's hand
Had planted it when Faith was taught by Fear,
When monks and missions held the sole command
Of all that shore beside the peaceful sea,
Where spring-tides beat their long-drawn reveille.

Out of the mission of San Luis Rey,
All in that brisk, tumultuous spring weather,
Rode Friar Pedro, in a pious way,
With six dragoons in cuirasses of leather,
Each armed alike for either prayer or fray;
Handcuffs and missals they had slung together,
And as an aid the gospel truth to scatter
Each swung a lasso--alias a 'riata.'

In sooth, that year the harvest had been slack,
The crop of converts scarce worth computation;
Some souls were lost, whose owners had turned back
To save their bodies frequent flagellation;
And some preferred the songs of birds, alack!
To Latin matins and their souls' salvation,
And thought their own wild whoopings were less dreary
Than Father Pedro's droning miserere.

To bring them back to matins and to prime,
To pious works and secular submission,
To prove to them that liberty was crime,--
This was, in fact, the Padre's present mission;
To get new souls perchance at the same time,
And bring them to a 'sense of their condition,'--
That easy phrase, which, in the past and present,
Means making that condition most unpleasant.

He saw the glebe land guiltless of a furrow;
He saw the wild oats wrestle on the hill;
He saw the gopher working in his burrow;
He saw the squirrel scampering at his will:--
He saw all this, and felt no doubt a thorough
And deep conviction of God's goodness; still
He failed to see that in His glory He
Yet left the humblest of His creatures free.

He saw the flapping crow, whose frequent note
Voiced the monotony of land and sky,
Mocking with graceless wing and rusty coat
His priestly presence as he trotted by.
He would have cursed the bird by bell and rote,
But other game just then was in his eye,--
A savage camp, whose occupants preferred
Their heathen darkness to the living Word.

He rang his bell, and at the martial sound
Twelve silver spurs their jingling rowels clashed;
Six horses sprang across the level ground
As six dragoons in open order dashed;
Above their heads the lassos circled round,
In every eye a pious fervor flashed;
They charged the camp, and in one moment more
They lassoed six and reconverted four.

The Friar saw the conflict from a knoll,
And sang Laus Deo and cheered on his men:
'Well thrown, Bautista,--that's another soul;
After him, Gomez,--try it once again;
This way, Felipe,--there the heathen stole;
Bones of St. Francis!--surely that makes TEN;
Te Deum laudamus--but they're very wild;
Non nobis Domine--all right, my child!'

When at that moment--as the story goes--
A certain squaw, who had her foes eluded,
Ran past the Friar, just before his nose.
He stared a moment, and in silence brooded;
Then in his breast a pious frenzy rose
And every other prudent thought excluded;
He caught a lasso, and dashed in a canter
After that Occidental Atalanta.

High o'er his head he swirled the dreadful noose;
But, as the practice was quite unfamiliar,
His first cast tore Felipe's captive loose,
And almost choked Tiburcio Camilla,
And might have interfered with that brave youth's
Ability to gorge the tough tortilla;
But all things come by practice, and at last
His flying slip-knot caught the maiden fast.

Then rose above the plain a mingled yell
Of rage and triumph,--a demoniac whoop:
The Padre heard it like a passing knell,
And would have loosened his unchristian loop;
But the tough raw-hide held the captive well,
And held, alas! too well the captor-dupe;
For with one bound the savage fled amain,
Dragging horse, Friar, down the lonely plain.

Down the arroyo, out across the mead,
By heath and hollow, sped the flying maid,
Dragging behind her still the panting steed
And helpless Friar, who in vain essayed
To cut the lasso or to check his speed.
He felt himself beyond all human aid,
And trusted to the saints,--and, for that matter,
To some weak spot in Felipe's riata.

Alas! the lasso had been duly blessed,
And, like baptism, held the flying wretch,--
A doctrine that the priest had oft expressed,
Which, like the lasso, might be made to stretch,
But would not break; so neither could divest
Themselves of it, but, like some awful fetch,
The holy Friar had to recognize
The image of his fate in heathen guise.

He saw the glebe land guiltless of a furrow;
He saw the wild oats wrestle on the hill;
He saw the gopher standing in his burrow;
He saw the squirrel scampering at his will:--
He saw all this, and felt no doubt how thorough
The contrast was to his condition; still
The squaw kept onward to the sea, till night
And the cold sea-fog hid them both from sight.

The morning came above the serried coast,
Lighting the snow-peaks with its beacon-fires,
Driving before it all the fleet-winged host
Of chattering birds above the Mission spires,
Filling the land with light and joy, but most
The savage woods with all their leafy lyres;
In pearly tints and opal flame and fire
The morning came, but not the holy Friar.

Weeks passed away. In vain the Fathers sought
Some trace or token that might tell his story;
Some thought him dead, or, like Elijah, caught
Up to the heavens in a blaze of glory.
In this surmise some miracles were wrought
On his account, and souls in purgatory
Were thought to profit from his intercession;
In brief, his absence made a 'deep impression.'

A twelvemonth passed; the welcome Spring once more
Made green the hills beside the white-faced Mission,
Spread her bright dais by the western shore,
And sat enthroned, a most resplendent vision.
The heathen converts thronged the chapel door
At morning mass, when, says the old tradition,
A frightful whoop throughout the church resounded,
And to their feet the congregation bounded.

A tramp of hoofs upon the beaten course,
Then came a sight that made the bravest quail:
A phantom Friar on a spectre horse,
Dragged by a creature decked with horns and tail.
By the lone Mission, with the whirlwind's force,
They madly swept, and left a sulphurous trail:
And that was all,--enough to tell the story,
And leave unblessed those souls in purgatory.

And ever after, on that fatal day
That Friar Pedro rode abroad lassoing,
A ghostly couple came and went away
With savage whoop and heathenish hallooing,
Which brought discredit on San Luis Rey,
And proved the Mission's ruin and undoing;
For ere ten years had passed, the squaw and Friar
Performed to empty walls and fallen spire.

The Mission is no more; upon its wall.
The golden lizards slip, or breathless pause,
Still as the sunshine brokenly that falls
Through crannied roof and spider-webs of gauze;
No more the bell its solemn warning calls,--
A holier silence thrills and overawes;
And the sharp lights and shadows of to-day
Outline the Mission of San Luis Rey.

A Legend Of Cologne

Above the bones
St. Ursula owns,
And those of the virgins she chaperons;
Above the boats,
And the bridge that floats,
And the Rhine and the steamers' smoky throats;
Above the chimneys and quaint-tiled roofs,
Above the clatter of wheels and hoofs;
Above Newmarket's open space,
Above that consecrated place
Where the genuine bones of the Magi seen are,
And the dozen shops of the real Farina;
Higher than even old Hohestrasse,
Whose houses threaten the timid passer,--
Above them all,
Through scaffolds tall,
And spires like delicate limbs in splinters,
The great Cologne's
Cathedral stones
Climb through the storms of eight hundred winters.

Unfinished there,
In high mid-air
The towers halt like a broken prayer;
Through years belated,
Unconsummated,
The hope of its architect quite frustrated.
Its very youth
They say, forsooth,
With a quite improper purpose mated;
And every stone
With a curse of its own
Instead of that sermon Shakespeare stated,
Since the day its choir,
Which all admire,
By Cologne's Archbishop was consecrated.

Ah! THAT was a day,
One well might say,
To be marked with the largest, whitest stone
To be found in the towers of all Cologne!
Along the Rhine,
From old Rheinstein,
The people flowed like their own good wine.
From Rudesheim,
And Geisenheim,
And every spot that is known to rhyme;
From the famed Cat's Castle of St. Goarshausen,
To the pictured roofs of Assmannshausen,
And down the track,
From quaint Schwalbach
To the clustering tiles of Bacharach;
From Bingen, hence
To old Coblentz:
From every castellated crag,
Where the robber chieftains kept their 'swag,'
The folk flowed in, and Ober-Cassel
Shone with the pomp of knight and vassal;
And pouring in from near and far,
As the Rhine to its bosom draws the Ahr,
Or takes the arm of the sober Mosel,
So in Cologne, knight, squire, and losel,
Choked up the city's gates with men
From old St. Stephen to Zint Marjen.

What had they come to see? Ah me!
I fear no glitter of pageantry,
Nor sacred zeal
For Church's weal,
Nor faith in the virgins' bones to heal;
Nor childlike trust in frank confession
Drew these, who, dyed in deep transgression,
Still in each nest
On every crest
Kept stolen goods in their possession;
But only their gout
For something new,
More rare than the 'roast' of a wandering Jew;
Or--to be exact--
To see--in fact--
A Christian soul, in the very act
Of being damned, secundum artem,
By the devil, before a soul could part 'em.

For a rumor had flown
Throughout Cologne
That the church, in fact, was the devil's own;
That its architect
(Being long 'suspect')
Had confessed to the Bishop that he had wrecked
Not only his OWN soul, but had lost
The VERY FIRST CHRISTIAN SOUL that crossed
The sacred threshold: and all, in fine,
For that very beautiful design
Of the wonderful choir
They were pleased to admire.
And really, he must be allowed to say--
To speak in a purely business way--
That, taking the ruling market prices
Of souls and churches, in such a crisis
It would be shown--
And his Grace must own--
It was really a BARGAIN for Cologne!

Such was the tale
That turned cheeks pale
With the thought that the enemy might prevail,
And the church doors snap
With a thunderclap
On a Christian soul in that devil's trap.
But a wiser few,
Who thought that they knew
Cologne's Archbishop, replied, 'Pooh, pooh!
Just watch him and wait,
And as sure as fate,
You'll find that the Bishop will give checkmate.'

One here might note
How the popular vote,
As shown in all legends and anecdote,
Declares that a breach
Of trust to o'erreach
The devil is something quite proper for each.
And, really, if you
Give the devil his due
In spite of the proverb--it's something you'll rue.
But to lie and deceive him,
To use and to leave him,
From Job up to Faust is the way to receive him,
Though no one has heard
It ever averred
That the 'Father of Lies' ever yet broke HIS word,
But has left this position,
In every tradition,
To be taken alone by the 'truth-loving' Christian!
Bom! from the tower!
It is the hour!
The host pours in, in its pomp and power
Of banners and pyx,
And high crucifix,
And crosiers and other processional sticks,
And no end of Marys
In quaint reliquaries,
To gladden the souls of all true antiquaries;
And an Osculum Pacis
(A myth to the masses
Who trusted their bones more to mail and cuirasses)--
All borne by the throng
Who are marching along
To the square of the Dom with processional song,
With the flaring of dips,
And bending of hips,
And the chanting of hundred perfunctory lips;
And some good little boys
Who had come up from Neuss
And the Quirinuskirche to show off their voice:
All march to the square
Of the great Dom, and there
File right and left, leaving alone and quite bare
A covered sedan,
Containing--so ran
The rumor--the victim to take off the ban.

They have left it alone,
They have sprinkled each stone
Of the porch with a sanctified Eau de Cologne,
Guaranteed in this case
To disguise every trace
Of a sulphurous presence in that sacred place.
Two Carmelites stand
On the right and left hand
Of the covered sedan chair, to wait the command
Of the prelate to throw
Up the cover and show
The form of the victim in terror below.
There's a pause and a prayer,
Then the signal, and there--
Is a WOMAN!--by all that is good and is fair!

A woman! and known
To them all--one must own
TOO WELL KNOWN to the many, to-day to be shown
As a martyr, or e'en
As a Christian! A queen
Of pleasance and revel, of glitter and sheen;
So bad that the worst
Of Cologne spake up first,
And declared 'twas an outrage to suffer one curst,
And already a fief
Of the Satanic chief,
To martyr herself for the Church's relief.
But in vain fell their sneer
On the mob, who I fear
On the whole felt a strong disposition to cheer.

A woman! and there
She stands in the glare
Of the pitiless sun and their pitying stare,--
A woman still young,
With garments that clung
To a figure, though wasted with passion and wrung
With remorse and despair,
Yet still passing fair,
With jewels and gold in her dark shining hair,
And cheeks that are faint
'Neath her dyes and her paint.
A woman most surely--but hardly a saint!

She moves. She has gone
From their pity and scorn;
She has mounted alone
The first step of stone,
And the high swinging doors she wide open has thrown,
Then pauses and turns,
As the altar blaze burns
On her cheeks, and with one sudden gesture she spurns
Archbishop and Prior,
Knight, ladye, and friar,
And her voice rings out high from the vault of the choir.

'O men of Cologne!
What I WAS ye have known;
What I AM, as I stand here, One knoweth alone.
If it be but His will
I shall pass from Him still,
Lost, curst, and degraded, I reckon no ill;
If still by that sign
Of His anger divine
One soul shall he saved, He hath blessed more than mine.
O men of Cologne!
Stand forth, if ye own
A faith like to this, or more fit to atone,
And take ye my place,
And God give you grace
To stand and confront Him, like me, face to face!'

She paused. Yet aloof
They all stand. No reproof
Breaks the silence that fills the celestial roof.
One instant--no more--
She halts at the door,
Then enters! . . . A flood from the roof to the floor
Fills the church rosy red.
She is gone!
But instead,
Who is this leaning forward with glorified head
And hands stretched to save?
Sure this is no slave
Of the Powers of Darkness, with aspect so brave!

They press to the door,
But too late! All is o'er.
Naught remains but a woman's form prone on the floor;
But they still see a trace
Of that glow in her face
That they saw in the light of the altar's high blaze
On the image that stands
With the babe in its hands
Enshrined in the churches of all Christian lands.

A Te Deum sung,
A censer high swung,
With praise, benediction, and incense wide-flung,
Proclaim that the CURSE
IS REMOVED--and no worse
Is the Dom for the trial--in fact, the REVERSE;
For instead of their losing
A soul in abusing
The Evil One's faith, they gained one of his choosing.

Thus the legend is told:
You will find in the old
Vaulted aisles of the Dom, stiff in marble or cold
In iron and brass,
In gown and cuirass,
The knights, priests, and bishops who came to that Mass;
And high o'er the rest,
With her babe at her breast,
The image of Mary Madonna the blest.
But you look round in vain,
On each high pictured pane,
For the woman most worthy to walk in her train.

Yet, standing to-day
O'er the dust and the clay,
'Midst the ghosts of a life that has long passed away,
With the slow-sinking sun
Looking softly upon
That stained-glass procession, I scarce miss the one
That it does not reveal,
For I know and I feel
That these are but shadows--the woman was real!

Cadet Grey - Canto Ii

I

Where West Point crouches, and with lifted shield
Turns the whole river eastward through the pass;
Whose jutting crags, half silver, stand revealed
Like bossy bucklers of Leonidas;
Where buttressed low against the storms that wield
Their summer lightnings where her eaglets swarm,
By Freedom's cradle Nature's self has steeled
Her heart, like Winkelried, and to that storm
Of leveled lances bares her bosom warm.

II

But not to-night. The air and woods are still,
The faintest rustle in the trees below,
The lowest tremor from the mountain rill,
Come to the ear as but the trailing flow
Of spirit robes that walk unseen the hill;
The moon low sailing o'er the upland farm,
The moon low sailing where the waters fill
The lozenge lake, beside the banks of balm,
Gleams like a chevron on the river's arm.

III

All space breathes languor: from the hilltop high,
Where Putnam's bastion crumbles in the past,
To swooning depths where drowsy cannon lie
And wide-mouthed mortars gape in slumbers vast;
Stroke upon stroke, the far oars glance and die
On the hushed bosom of the sleeping stream;
Bright for one moment drifts a white sail by,
Bright for one moment shows a bayonet gleam
Far on the level plain, then passes as a dream.

IV

Soft down the line of darkened battlements,
Bright on each lattice of the barrack walls,
Where the low arching sallyport indents,
Seen through its gloom beyond, the moonbeam falls.
All is repose save where the camping tents
Mock the white gravestones farther on, where sound
No morning guns for reveille, nor whence
No drum-beat calls retreat, but still is ever found
Waiting and present on each sentry's round.

V

Within the camp they lie, the young, the brave,
Half knight, half schoolboy, acolytes of fame,
Pledged to one altar, and perchance one grave;
Bred to fear nothing but reproach and blame,
Ascetic dandies o'er whom vestals rave,
Clean-limbed young Spartans, disciplined young elves,
Taught to destroy, that they may live to save,
Students embattled, soldiers at their shelves,
Heroes whose conquests are at first themselves.

VI

Within the camp they lie, in dreams are freed
From the grim discipline they learn to love;
In dreams no more the sentry's challenge heed,
In dreams afar beyond their pickets rove;
One treads once more the piny paths that lead
To his green mountain home, and pausing hears
The cattle call; one treads the tangled weed
Of slippery rocks beside Atlantic piers;
One smiles in sleep, one wakens wet with tears.

VII

One scents the breath of jasmine flowers that twine
The pillared porches of his Southern home;
One hears the coo of pigeons in the pine
Of Western woods where he was wont to roam;
One sees the sunset fire the distant line
Where the long prairie sweeps its levels down;
One treads the snow-peaks; one by lamps that shine
Down the broad highways of the sea-girt town;
And two are missing,--Cadets Grey and Brown!

VIII

Much as I grieve to chronicle the fact,
That selfsame truant known as 'Cadet Grey'
Was the young hero of our moral tract,
Shorn of his twofold names on entrance-day.
'Winthrop' and 'Adams' dropped in that one act
Of martial curtness, and the roll-call thinned
Of his ancestors, he with youthful tact
Indulgence claimed, since Winthrop no more sinned,
Nor sainted Adams winced when he, plain Grey, was 'skinned.'


IX

He had known trials since we saw him last,
By sheer good luck had just escaped rejection,
Not for his learning, but that it was cast
In a spare frame scarce fit for drill inspection;
But when he ope'd his lips a stream so vast
Of information flooded each professor,
They quite forgot his eyeglass,--something past
All precedent,--accepting the transgressor,
Weak eyes and all of which he was possessor.

X

E'en the first day he touched a blackboard's space--
So the tradition of his glory lingers--
Two wise professors fainted, each with face
White as the chalk within his rapid fingers:
All day he ciphered, at such frantic pace,
His form was hid in chalk precipitation
Of every problem, till they said his case
Could meet from them no fair examination
Till Congress made a new appropriation.

XI

Famous in molecules, he demonstrated
From the mess hash to many a listening classful;
Great as a botanist, he separated
Three kinds of 'Mentha' in one julep's glassful;
High in astronomy, it has been stated
He was the first at West Point to discover
Mars' missing satellites, and calculated
Their true positions, not the heavens over,
But 'neath the window of Miss Kitty Rover.

XII

Indeed, I fear this novelty celestial
That very night was visible and clear;
At least two youths of aspect most terrestrial,
And clad in uniform, were loitering near
A villa's casement, where a gentle vestal
Took their impatience somewhat patiently,
Knowing the youths were somewhat green and 'bestial'--
(A certain slang of the Academy,
I beg the reader won't refer to me).

XIII

For when they ceased their ardent strain, Miss Kitty
Glowed not with anger nor a kindred flame,
But rather flushed with an odd sort of pity,
Half matron's kindness, and half coquette's shame;
Proud yet quite blameful, when she heard their ditty
She gave her soul poetical expression,
And being clever too, as she was pretty,
From her high casement warbled this confession,--
Half provocation and one half repression:--


NOT YET

Not yet, O friend, not yet! the patient stars
Lean from their lattices, content to wait.
All is illusion till the morning bars
Slip from the levels of the Eastern gate.
Night is too young, O friend! day is too near;
Wait for the day that maketh all things clear.
Not yet, O friend, not yet!

Not yet, O love, not yet! all is not true,
All is not ever as it seemeth now.
Soon shall the river take another blue,
Soon dies yon light upon the mountain brow.
What lieth dark, O love, bright day will fill;
Wait for thy morning, be it good or ill.
Not yet, O love, not yet!


XIV

The strain was finished; softly as the night
Her voice died from the window, yet e'en then
Fluttered and fell likewise a kerchief white;
But that no doubt was accident, for when
She sought her couch she deemed her conduct quite
Beyond the reach of scandalous commenter,--
Washing her hands of either gallant wight,
Knowing the moralist might compliment her,--
Thus voicing Siren with the words of Mentor.

XV

She little knew the youths below, who straight
Dived for her kerchief, and quite overlooked
The pregnant moral she would inculcate;
Nor dreamed the less how little Winthrop brooked
Her right to doubt his soul's maturer state.
Brown--who was Western, amiable, and new--
Might take the moral and accept his fate;
The which he did, but, being stronger too,
Took the white kerchief, also, as his due.

XVI

They did not quarrel, which no doubt seemed queer
To those who knew not how their friendship blended;
Each was opposed, and each the other's peer,
Yet each the other in some things transcended.
Where Brown lacked culture, brains,--and oft, I fear,
Cash in his pocket,--Grey of course supplied him;
Where Grey lacked frankness, force, and faith sincere,
Brown of his manhood suffered none to chide him,
But in his faults stood manfully beside him.

XVII

In academic walks and studies grave,
In the camp drill and martial occupation,
They helped each other: but just here I crave
Space for the reader's full imagination,--
The fact is patent, Grey became a slave!
A tool, a fag, a 'pleb'! To state it plainer,
All that blue blood and ancestry e'er gave
Cleaned guns, brought water!--was, in fact, retainer
To Jones, whose uncle was a paper-stainer!

XVIII

How they bore this at home I cannot say:
I only know so runs the gossip's tale.
It chanced one day that the paternal Grey
Came to West Point that he himself might hail
The future hero in some proper way
Consistent with his lineage. With him came
A judge, a poet, and a brave array
Of aunts and uncles, bearing each a name,
Eyeglass and respirator with the same.

XIX

'Observe!' quoth Grey the elder to his friends,
'Not in these giddy youths at baseball playing
You'll notice Winthrop Adams! Greater ends
Than these absorb HIS leisure. No doubt straying
With Caesar's Commentaries, he attends
Some Roman council. Let us ask, however,
Yon grimy urchin, who my soul offends
By wheeling offal, if he will endeavor
To find-- What! heaven! Winthrop! Oh! no! never!'

XX

Alas! too true! The last of all the Greys
Was 'doing police detail,'--it had come
To this; in vain the rare historic bays
That crowned the pictured Puritans at home!
And yet 'twas certain that in grosser ways
Of health and physique he was quite improving.
Straighter he stood, and had achieved some praise
In other exercise, much more behooving
A soldier's taste than merely dirt removing.

XXI

But to resume: we left the youthful pair,
Some stanzas back, before a lady's bower;
'Tis to be hoped they were no longer there,
For stars were pointing to the morning hour.
Their escapade discovered, ill 'twould fare
With our two heroes, derelict of orders;
But, like the ghost, they 'scent the morning air,'
And back again they steal across the borders,
Unseen, unheeded, by their martial warders.

XXII

They got to bed with speed: young Grey to dream
Of some vague future with a general's star,
And Mistress Kitty basking in its gleam;
While Brown, content to worship her afar,
Dreamed himself dying by some lonely stream,
Having snatched Kitty from eighteen Nez Perces,
Till a far bugle, with the morning beam,
In his dull ear its fateful song rehearses,
Which Winthrop Adams after put to verses.

XXIII

So passed three years of their novitiate,
The first real boyhood Grey had ever known.
His youth ran clear,--not choked like his Cochituate,
In civic pipes, but free and pure alone;
Yet knew repression, could himself habituate
To having mind and body well rubbed down,
Could read himself in others, and could situate
Themselves in him,--except, I grieve to own,
He couldn't see what Kitty saw in Brown!

XXIV

At last came graduation; Brown received
In the One Hundredth Cavalry commission;
Then frolic, flirting, parting,--when none grieved
Save Brown, who loved our young Academician.
And Grey, who felt his friend was still deceived
By Mistress Kitty, who with other beauties
Graced the occasion, and it was believed
Had promised Brown that when he could recruit his
Promised command, she'd share with him those duties.

XXV

Howe'er this was I know not; all I know,
The night was June's, the moon rode high and clear;
''Twas such a night as this,' three years ago,
Miss Kitty sang the song that two might hear.
There is a walk where trees o'erarching grow,
Too wide for one, not wide enough for three
(A fact precluding any plural beau),
Which quite explained Miss Kitty's company,
But not why Grey that favored one should be.

XXVI

There is a spring, whose limpid waters hide
Somewhere within the shadows of that path
Called Kosciusko's. There two figures bide,--
Grey and Miss Kitty. Surely Nature hath
No fairer mirror for a might-be bride
Than this same pool that caught our gentle belle
To its dark heart one moment. At her side
Grey bent. A something trembled o'er the well,
Bright, spherical--a tear? Ah no! a button fell!

XXVII

'Material minds might think that gravitation,'
Quoth Grey, 'drew yon metallic spheroid down.
The soul poetic views the situation
Fraught with more meaning. When thy girlish crown
Was mirrored there, there was disintegration
Of me, and all my spirit moved to you,
Taking the form of slow precipitation!'
But here came 'Taps,' a start, a smile, adieu!
A blush, a sigh, and end of Canto II.


BUGLE SONG

Fades the light,
And afar
Goeth day, cometh night;
And a star
Leadeth all,
Speedeth all
To their rest!

Love, good-night!
Must thou go
When the day
And the light
Need thee so,--
Needeth all,
Heedeth all,
That is best?