Francis Bret Harte: Verses about Sorrow

High on the Thracian hills, half hid in the billows of clover,
Thyme, and the asphodel blooms, and lulled by Pactolian streamlet,
She of Miletus lay, and beside her an aged satyr
Scratched his ear with his hoof, and playfully mumbled his chestnuts.

Vainly the Maenid and the Bassarid gamboled about her,
The free-eyed Bacchante sang, and Pan--the renowned, the
accomplished--Executed his difficult solo. In vain were their
gambols and dances;
High o'er the Thracian hills rose the voice of the shepherdess,
wailing:

'Ai! for the fleecy flocks, the meek-nosed, the passionless faces;
Ai! for the tallow-scented, the straight-tailed, the high-stepping;
Ai! for the timid glance, which is that which the rustic, sagacious,
Applies to him who loves but may not declare his passion!'

Her then Zeus answered slow: 'O daughter of song and sorrow,
Hapless tender of sheep, arise from thy long lamentation!
Since thou canst not trust fate, nor behave as becomes a Greek maiden,
Look and behold thy sheep.' And lo! they returned to her tailless!

I. THE PERSONIFIED SENTIMENTAL

AFFECTION’S charm no longer gilds
The idol of the shrine;
But cold Oblivion seeks to fill
Regret’s ambrosial wine.
Though Friendship’s offering buried lies
’Neath cold Aversion’s snow,
Regard and Faith will ever bloom
Perpetually below.

I see thee whirl in marble halls,
In Pleasure’s giddy train;
Remorse is never on that brow,
Nor Sorrow’s mark of pain.
Deceit has marked thee for her own;
Inconstancy the same;
And Ruin wildly sheds its gleam
Athwart thy path of shame.



II. THE HOMELY PATHETIC

The dews are heavy on my brow;
My breath comes hard and low;
Yet, mother dear, grant one request,
Before your boy must go.
Oh! lift me ere my spirit sinks,
And ere my senses fail,
Place me once more, O mother dear,
Astride the old fence-rail.

The old fence-rail, the old fence-rail!
How oft these youthful legs,
With Alice’ and Ben Bolt’s, were hung
Across those wooden pegs!
’Twas there the nauseating smoke
Of my first pipe arose:
O mother dear, these agonies
Are far less keen than those.

I know where lies the hazel dell,
Where simple Nellie sleeps;
I know the cot of Nettie Moore,
And where the willow weeps.
I know the brookside and the mill,
But all their pathos fails
Beside the days when once I sat
Astride the old fence-rails.



III. SWISS AIR

I’m a gay tra, la, la,
With my fal, lal, la, la,
And my bright—
And my light—
Tra, la, le. [Repeat.]

Then laugh, ha, ha, ha,
And ring, ting, ling, ling,
And sing fal, la, la,
La, la, le. [Repeat.]

When I bought you for a song,
Years ago--Lord knows how long!--
I was struck--I may be wrong--
By your features,
And--a something in your air
That I couldn't quite compare
To my other plain or fair
Fellow creatures.

In your simple, oval frame
You were not well known to fame,
But to me--'twas all the same--
Whoe'er drew you;
For your face I can't forget,
Though I oftentimes regret
That, somehow, I never yet
Saw quite through you.

Yet each morning, when I rise,
I go first to greet your eyes;
And, in turn, YOU scrutinize
My presentment.
And when shades of evening fall,
As you hang upon my wall,
You're the last thing I recall
With contentment.

It is weakness, yet I know
That I never turned to go
Anywhere, for weal or woe,
But I lingered
For one parting, thrilling flash
From your eyes, to give that dash
To the curl of my mustache,
That I fingered.

If to some you may seem plain,
And when people glance again
Where you hang, their lips refrain.
From confession;
Yet they turn in stealth aside,
And I note, they try to hide
How much they are satisfied
In expression.

Other faces I have seen;
Other forms have come between;
Other things I have, I ween,
Done and dared for!
But OUR ties they cannot sever,
And, though I should say it never,
You're the only one I ever
Really cared for!

And you'll still be hanging there
When we're both the worse for wear,
And the silver's on my hair
And off your backing;
Yet my faith shall never pass
In my dear old shaving-glass,
Till my face and yours, alas!
Both are lacking!

It is the story of Thompson--of Thompson, the hero of Angels.
Frequently drunk was Thompson, but always polite to the stranger;
Light and free was the touch of Thompson upon his revolver;
Great the mortality incident on that lightness and freedom.

Yet not happy or gay was Thompson, the hero of Angels;
Often spoke to himself in accents of anguish and sorrow,
'Why do I make the graves of the frivolous youth who in folly
Thoughtlessly pass my revolver, forgetting its lightness and freedom?

'Why in my daily walks does the surgeon drop his left eyelid,
The undertaker smile, and the sculptor of gravestone marbles
Lean on his chisel and gaze? I care not o'er much for attention;
Simple am I in my ways, save but for this lightness and freedom.'

So spake that pensive man--this Thompson, the hero of Angels,
Bitterly smiled to himself, as he strode through the chapparal musing.
'Why, oh, why?' echoed the pines in the dark olive depth far
resounding.
'Why, indeed?' whispered the sage brush that bent 'neath his feet
non-elastic.

Pleasant indeed was that morn that dawned o'er the barroom at Angels,
Where in their manhood's prime was gathered the pride of the hamlet.
Six 'took sugar in theirs,' and nine to the barkeeper lightly
Smiled as they said, 'Well, Jim, you can give us our regular fusil.'

Suddenly as the gray hawk swoops down on the barnyard, alighting
Where, pensively picking their corn, the favorite pullets are
gathered,
So in that festive bar-room dropped Thompson, the hero of Angels,
Grasping his weapon dread with his pristine lightness and freedom.

Never a word he spoke; divesting himself of his garments,
Danced the war-dance of the playful yet truculent Modoc,
Uttered a single whoop, and then, in the accents of challenge,
Spake: 'Oh, behold in me a Crested Jay Hawk of the mountain.'

Then rose a pallid man--a man sick with fever and ague;
Small was he, and his step was tremulous, weak, and uncertain;
Slowly a Derringer drew, and covered the person of Thompson;
Said in his feeblest pipe, 'I'm a Bald-headed Snipe of the Valley.'

As on its native plains the kangaroo, startled by hunters,
Leaps with successive bounds, and hurries away to the thickets,
So leaped the Crested Hawk, and quietly hopping behind him
Ran, and occasionally shot, that Bald-headed Snipe of the Valley.

Vain at the festive bar still lingered the people of Angels,
Hearing afar in the woods the petulant pop of the pistol;
Never again returned the Crested Jay Hawk of the mountains,
Never again was seen the Bald-headed Snipe of the Valley.

Yet in the hamlet of Angels, when truculent speeches are uttered,
When bloodshed and life alone will atone for some trifling
misstatement,
Maidens and men in their prime recall the last hero of Angels,
Think of and vainly regret the Bald-headed Snipe of the Valley!