Francis Bret Harte: Verses about Faith

Affection's charm no longer gilds
The idol of the shrine;
But cold Oblivion seeks to fill
Regret's ambrosial wine.
Though Friendship's offering buried lies
'Neath cold Aversion's snow,
Regard and Faith will ever bloom
Perpetually below.

I see thee whirl in marble halls,
In Pleasure's giddy train;
Remorse is never on that brow,
Nor Sorrow's mark of pain.
Deceit has marked thee for her own;
Inconstancy the same;
And Ruin wildly sheds its gleam
Athwart thy path of shame.

I. THE PERSONIFIED SENTIMENTAL

AFFECTION’S charm no longer gilds
The idol of the shrine;
But cold Oblivion seeks to fill
Regret’s ambrosial wine.
Though Friendship’s offering buried lies
’Neath cold Aversion’s snow,
Regard and Faith will ever bloom
Perpetually below.

I see thee whirl in marble halls,
In Pleasure’s giddy train;
Remorse is never on that brow,
Nor Sorrow’s mark of pain.
Deceit has marked thee for her own;
Inconstancy the same;
And Ruin wildly sheds its gleam
Athwart thy path of shame.



II. THE HOMELY PATHETIC

The dews are heavy on my brow;
My breath comes hard and low;
Yet, mother dear, grant one request,
Before your boy must go.
Oh! lift me ere my spirit sinks,
And ere my senses fail,
Place me once more, O mother dear,
Astride the old fence-rail.

The old fence-rail, the old fence-rail!
How oft these youthful legs,
With Alice’ and Ben Bolt’s, were hung
Across those wooden pegs!
’Twas there the nauseating smoke
Of my first pipe arose:
O mother dear, these agonies
Are far less keen than those.

I know where lies the hazel dell,
Where simple Nellie sleeps;
I know the cot of Nettie Moore,
And where the willow weeps.
I know the brookside and the mill,
But all their pathos fails
Beside the days when once I sat
Astride the old fence-rails.



III. SWISS AIR

I’m a gay tra, la, la,
With my fal, lal, la, la,
And my bright—
And my light—
Tra, la, le. [Repeat.]

Then laugh, ha, ha, ha,
And ring, ting, ling, ling,
And sing fal, la, la,
La, la, le. [Repeat.]

When I bought you for a song,
Years ago--Lord knows how long!--
I was struck--I may be wrong--
By your features,
And--a something in your air
That I couldn't quite compare
To my other plain or fair
Fellow creatures.

In your simple, oval frame
You were not well known to fame,
But to me--'twas all the same--
Whoe'er drew you;
For your face I can't forget,
Though I oftentimes regret
That, somehow, I never yet
Saw quite through you.

Yet each morning, when I rise,
I go first to greet your eyes;
And, in turn, YOU scrutinize
My presentment.
And when shades of evening fall,
As you hang upon my wall,
You're the last thing I recall
With contentment.

It is weakness, yet I know
That I never turned to go
Anywhere, for weal or woe,
But I lingered
For one parting, thrilling flash
From your eyes, to give that dash
To the curl of my mustache,
That I fingered.

If to some you may seem plain,
And when people glance again
Where you hang, their lips refrain.
From confession;
Yet they turn in stealth aside,
And I note, they try to hide
How much they are satisfied
In expression.

Other faces I have seen;
Other forms have come between;
Other things I have, I ween,
Done and dared for!
But OUR ties they cannot sever,
And, though I should say it never,
You're the only one I ever
Really cared for!

And you'll still be hanging there
When we're both the worse for wear,
And the silver's on my hair
And off your backing;
Yet my faith shall never pass
In my dear old shaving-glass,
Till my face and yours, alas!
Both are lacking!

(OPENING OF THE CALIFORNIA THEATRE, SAN FRANCISCO, JANUARY 19, 1870)

Brief words, when actions wait, are well:
The prompter's hand is on his bell;
The coming heroes, lovers, kings,
Are idly lounging at the wings;
Behind the curtain's mystic fold
The glowing future lies unrolled;
And yet, one moment for the Past,
One retrospect,--the first and last.

'The world's a stage,' the Master said.
To-night a mightier truth is read:
Not in the shifting canvas screen,
The flash of gas or tinsel sheen;
Not in the skill whose signal calls
From empty boards baronial halls;
But, fronting sea and curving bay,
Behold the players and the play.

Ah, friends! beneath your real skies
The actor's short-lived triumph dies:
On that broad stage of empire won,
Whose footlights were the setting sun,
Whose flats a distant background rose
In trackless peaks of endless snows;
Here genius bows, and talent waits
To copy that but One creates.

Your shifting scenes: the league of sand,
An avenue by ocean spanned;
The narrow beach of straggling tents,
A mile of stately monuments;
Your standard, lo! a flag unfurled,
Whose clinging folds clasp half the world,--
This is your drama, built on facts,
With 'twenty years between the acts.'

One moment more: if here we raise
The oft-sung hymn of local praise,
Before the curtain facts must sway;
HERE waits the moral of your play.
Glassed in the poet's thought, you view
What money can, yet cannot do;
The faith that soars, the deeds that shine,
Above the gold that builds the shrine.

And oh! when others take our place,
And Earth's green curtain hides our face,
Ere on the stage, so silent now,
The last new hero makes his bow:
So may our deeds, recalled once more
In Memory's sweet but brief encore,
Down all the circling ages run,
With the world's plaudit of 'Well done!'

(NEW JERSEY, 1780)

Here's the spot. Look around you. Above on the height
Lay the Hessians encamped. By that church on the right
Stood the gaunt Jersey farmers. And here ran a wall,--
You may dig anywhere and you'll turn up a ball.
Nothing more. Grasses spring, waters run, flowers blow,
Pretty much as they did ninety-three years ago.

Nothing more, did I say? Stay one moment: you've heard
Of Caldwell, the parson, who once preached the word
Down at Springfield? What, no? Come--that's bad; why, he had
All the Jerseys aflame! And they gave him the name
Of the 'rebel high priest.' He stuck in their gorge,
For he loved the Lord God--and he hated King George!

He had cause, you might say! When the Hessians that day
Marched up with Knyphausen, they stopped on their way
At the 'farms,' where his wife, with a child in her arms,
Sat alone in the house. How it happened none knew
But God--and that one of the hireling crew
Who fired the shot! Enough!--there she lay,
And Caldwell, the chaplain, her husband, away!

Did he preach--did he pray? Think of him as you stand
By the old church to-day,--think of him and his band
Of militant ploughboys! See the smoke and the heat
Of that reckless advance, of that straggling retreat!
Keep the ghost of that wife, foully slain, in your view--
And what could you, what should you, what would YOU do?

Why, just what HE did! They were left in the lurch
For the want of more wadding. He ran to the church,
Broke the door, stripped the pews, and dashed out in the road
With his arms full of hymn-books, and threw down his load
At their feet! Then above all the shouting and shots
Rang his voice: 'Put Watts into 'em! Boys, give 'em Watts!'

And they did. That is all. Grasses spring, flowers blow,
Pretty much as they did ninety-three years ago.
You may dig anywhere and you'll turn up a ball--
But not always a hero like this--and that's all.

(AN IDYL OF THE BALUSTERS)


BOBBY, aetat. 3 1/2. JOHNNY, aetat. 4 1/2.


BOBBY

Do you know why they've put us in that back room,
Up in the attic, close against the sky,
And made believe our nursery's a cloak-room?
Do you know why?

JOHNNY

No more I don't, nor why that Sammy's mother,
What Ma thinks horrid, 'cause he bunged my eye,
Eats an ice cream, down there, like any other!
No more don't I!

BOBBY

Do you know why Nurse says it isn't manners
For you and me to ask folks twice for pie,
And no one hits that man with two bananas?
Do you know why?

JOHNNY

No more I don't, nor why that girl, whose dress is
Off of her shoulders, don't catch cold and die,
When you and me gets croup when WE undresses!
No more don't I!

BOBBY

Perhaps she ain't as good as you and I is,
And God don't want her up there in the sky,
And lets her live--to come in just when pie is--
Perhaps that's why!

JOHNNY

Do you know why that man that's got a cropped head
Rubbed it just now as if he felt a fly?
Could it be, Bobby, something that I dropded?
And is that why?

BOBBY

Good boys behaves, and so they don't get scolded,
Nor drop hot milk on folks as they pass by.

JOHNNY (piously)

Marbles would bounce on Mr. Jones' bald head--
But I sha'n't try!

BOBBY

Do you know why Aunt Jane is always snarling
At you and me because we tells a lie,
And she don't slap that man that called her darling?
Do you know why?

JOHNNY

No more I don't, nor why that man with Mamma
Just kissed her hand.

BOBBY

She hurt it--and that's why;
He made it well, the very way that Mamma
Does do to I.

JOHNNY

I feel so sleepy. . . . Was that Papa kissed us?
What made him sigh, and look up to the sky?

BOBBY

We weren't downstairs, and he and God had missed us,
And that was why!

Dear Dolly! who does not recall
The thrilling page that pictured all
Those charms that held our sense in thrall
Just as the artist caught her,--
As down that English lane she tripped,
In bowered chintz, hat sideways tipped,
Trim-bodiced, bright-eyed, roguish-lipped,--
The locksmith's pretty daughter?

Sweet fragment of the Master's art!
O simple faith! O rustic heart!
O maid that hath no counterpart
In life's dry, dog-eared pages!
Where shall we find thy like? Ah, stay!
Methinks I saw her yesterday
In chintz that flowered, as one might say,
Perennial for ages.

Her father's modest cot was stone,
Five stories high; in style and tone
Composite, and, I frankly own,
Within its walls revealing
Some certain novel, strange ideas:
A Gothic door with Roman piers,
And floors removed some thousand years,
From their Pompeian ceiling.

The small salon where she received
Was Louis Quatorze, and relieved
By Chinese cabinets, conceived
Grotesquely by the heathen;
The sofas were a classic sight,--
The Roman bench (sedilia hight);
The chairs were French in gold and white,
And one Elizabethan.

And she, the goddess of that shrine,
Two ringed fingers placed in mine,--
The stones were many carats fine,
And of the purest water,--
Then dropped a curtsy, far enough
To fairly fill her cretonne puff
And show the petticoat's rich stuff
That her fond parent bought her.

Her speech was simple as her dress,--
Not French the more, but English less,
She loved; yet sometimes, I confess,
I scarce could comprehend her.
Her manners were quite far from shy.
There was a quiet in her eye
Appalling to the Hugh who'd try
With rudeness to offend her.

'But whence,' I cried, 'this masquerade?
Some figure for to-night's charade,
A Watteau shepherdess or maid?'
She smiled and begged my pardon:
'Why, surely you must know the name,--
That woman who was Shakespeare's flame
Or Byron's,--well, it's all the same:
Why, Lord! I'm Dolly Varden!'

(SOUTHERN CALIFORNIA)

Shrewdly you question, Senor, and I fancy
You are no novice. Confess that to little
Of my poor gossip of Mission and Pueblo
You are a stranger!

Am I not right? Ah! believe me, that ever
Since we joined company at the posada
I've watched you closely, and--pardon an old priest--
I've caught you smiling!

Smiling to hear an old fellow like me talk
Gossip of pillage and robbers, and even
Air his opinion of law and alcaldes
Like any other!

Now!--by that twist of the wrist on the bridle,
By that straight line from the heel to the shoulder,
By that curt speech,--nay! nay! no offense, son,--
You are a soldier?

No? Then a man of affairs? San Sebastian!
'Twould serve me right if I prattled thus wildly
To--say a sheriff? No?--just caballero?
Well, more's the pity.

Ah! what we want here's a man of your presence;
Sano, Secreto,--yes, all the four S's,
Joined with a boldness and dash, when the time comes,
And--may I say it?--

One not TOO hard on the poor country people,
Peons and silly vaqueros, who, dazzled
By reckless skill, and, perchance, reckless largesse,
Wink at some queer things.

No? You would crush THEM as well as the robbers,--
Root them out, scatter them? Ah you are bitter--
And yet--quien sabe, perhaps that's the one way
To catch their leader.

As to myself, now, I'd share your displeasure;
For I admit in this Jack of the Tules
Certain good points. He still comes to confession--
You'd 'like to catch him'?

Ah, if you did at such times, you might lead him
Home by a thread. Good! Again you are smiling:
You have no faith in such shrift, and but little
In priest or penitent.

Bueno! We take no offense, sir; whatever
It please you to say, it becomes us, for Church sake,
To bear in peace. Yet, if you were kinder--
And less suspicious--

I might still prove to you, Jack of the Tules
Shames not our teaching; nay, even might show you,
Hard by this spot, his old comrade, who, wounded,
Lives on his bounty.

If--ah, you listen!--I see I can trust you;
Then, on your word as a gentleman--follow.
Under that sycamore stands the old cabin;
There sits his comrade.

Eh!--are you mad? You would try to ARREST him?
You, with a warrant? Oh, well, take the rest of them:
Pedro, Bill, Murray, Pat Doolan. Hey!--all of you,
Tumble out, d--n it!

There!--that'll do, boys! Stand back! Ease his elbows;
Take the gag from his mouth. Good! Now scatter like devils
After his posse--four straggling, four drunken--
At the posada.

You--help me off with these togs, and then vamos!
Now, ole Jeff Dobbs!--Sheriff, Scout, and Detective!
You're so derned 'cute! Kinder sick, ain't ye, bluffing
Jack of the Tules!

(SIERRAS, 1876)


DRAMATIS PERSONAE

First Tourist
Second Tourist
Yuba Bill, Driver
A Stranger


FIRST TOURIST

Look how the upland plunges into cover,
Green where the pines fade sullenly away.
Wonderful those olive depths! and wonderful, moreover--

SECOND TOURIST

The red dust that rises in a suffocating way.

FIRST TOURIST

Small is the soul that cannot soar above it,
Cannot but cling to its ever-kindred clay:
Better be yon bird, that seems to breathe and love it--

SECOND TOURIST

Doubtless a hawk or some other bird of prey.
Were we, like him, as sure of a dinner
That on our stomachs would comfortably stay;
Or were the fried ham a shade or two just thinner,
That must confront us at closing of the day:
Then might you sing like Theocritus or Virgil,
Then might we each make a metrical essay;
But verse just now--I must protest and urge--ill
Fits a digestion by travel led astray.

CHORUS OF PASSENGERS

Speed, Yuba Bill! oh, speed us to our dinner!
Speed to the sunset that beckons far away.

SECOND TOURIST

William of Yuba, O Son of Nimshi, hearken!
Check thy profanity, but not thy chariot's play.
Tell us, O William, before the shadows darken,
Where, and, oh! how we shall dine? O William, say!

YUBA BILL

It ain't my fault, nor the Kumpeney's, I reckon,
Ye can't get ez square meal ez any on the Bay,
Up at you place, whar the senset 'pears to beckon--
Ez thet sharp allows in his airy sort o' way.
Thar woz a place wor yer hash ye might hev wrestled,
Kept by a woman ez chipper ez a jay--
Warm in her breast all the morning sunshine nestled;
Red on her cheeks all the evening's sunshine lay.

SECOND TOURIST

Praise is but breath, O chariot compeller!
Yet of that hash we would bid you farther say.

YUBA BILL

Thar woz a snipe--like you, a fancy tourist--
Kem to that ranch ez if to make a stay,
Ran off the gal, and ruined jist the purist
Critter that lived--

STRANGER (quietly)

You're a liar, driver!

YUBA BILL (reaching for his revolver).

Eh!
Here take my lines, somebody--

CHORUS OF PASSENGERS

Hush, boys! listen!
Inside there's a lady! Remember! No affray!

YUBA BILL

Ef that man lives, the fault ain't mine or his'n.

STRANGER

Wait for the sunset that beckons far away,
Then--as you will! But, meantime, friends, believe me,
Nowhere on earth lives a purer woman; nay,
If my perceptions do surely not deceive me,
She is the lady we have inside to-day.
As for the man--you see that blackened pine tree,
Up which the green vine creeps heavenward away!
He was that scarred trunk, and she the vine that sweetly
Clothed him with life again, and lifted--

SECOND TOURIST

Yes; but pray
How know you this?

STRANGER

She's my wife.

YUBA BILL

The h-ll you say!

Don't mind me, I beg you, old fellow,--I'll do very well here alone;
You must not be kept from your 'German' because I've dropped in like
a stone.
Leave all ceremony behind you, leave all thought of aught but
yourself;
And leave, if you like, the Madeira, and a dozen cigars on the shelf.

As for me, you will say to your hostess--well, I scarcely need give
you a cue.
Chant my praise! All will list to Apollo, though Mercury pipe to a
few.
Say just what you please, my dear boy; there's more eloquence lies
in youth's rash
Outspoken heart-impulse than ever growled under this grizzling
mustache.

Go, don the dress coat of our tyrant,--youth's panoplied armor for
fight,--
And tie the white neckcloth that rumples, like pleasure, and lasts
but a night;
And pray the Nine Gods to avert you what time the Three Sisters
shall frown,
And you'll lose your high-comedy figure, and sit more at ease in
your gown.

He's off! There's his foot on the staircase. By Jove, what a bound!
Really now
Did I ever leap like this springald, with Love's chaplet green on my
brow?
Was I such an ass? No, I fancy. Indeed, I remember quite plain
A gravity mixed with my transports, a cheerfulness softened my pain.

He's gone! There's the slam of his cab door, there's the clatter
of hoofs and the wheels;
And while he the light toe is tripping, in this armchair I'll tilt
up my heels.
He's gone, and for what? For a tremor from a waist like a teetotum
spun;
For a rosebud that's crumpled by many before it is gathered by one.

Is there naught in the halo of youth but the glow of a passionate
race--'Midst the cheers and applause of a crowd--to the goal of a
beautiful face?
A race that is not to the swift, a prize that no merits enforce,
But is won by some faineant youth, who shall simply walk over the
course?

Poor boy! shall I shock his conceit? When he talks of her cheek's
loveliness,
Shall I say 'twas the air of the room, and was due to carbonic excess?
That when waltzing she drooped on his breast, and the veins of her
eyelids grew dim,
'Twas oxygen's absence she felt, but never the presence of him?

Shall I tell him first love is a fraud, a weakling that's strangled
in birth,
Recalled with perfunctory tears, but lost in unsanctified mirth?
Or shall I go bid him believe in all womankind's charm, and forget
In the light ringing laugh of the world the rattlesnake's gay
castanet?

Shall I tear out a leaf from my heart, from that book that forever
is shut
On the past? Shall I speak of my first love--Augusta--my Lalage?
But
I forget. Was it really Augusta? No. 'Twas Lucy! No. Mary!
No. Di!
Never mind! they were all first and faithless, and yet--I've forgotten
just why.

No, no! Let him dream on and ever. Alas! he will waken too soon;
And it doesn't look well for October to always be preaching at June.
Poor boy! All his fond foolish trophies pinned yonder--a bow from
HER hair,
A few billets-doux, invitations, and--what's this? My name, I
declare!

Humph! 'You'll come, for I've got you a prize, with beauty and money
no end:
You know her, I think; 'twas on dit she once was engaged to your
friend;
But she says that's all over.' Ah, is it? Sweet Ethel! incomparable
maid!
Or--what if the thing were a trick?--this letter so freely displayed!--

My opportune presence! No! nonsense! Will nobody answer the bell?
Call a cab! Half past ten. Not too late yet. Oh, Ethel! Why don't
you go? Well?
'Master said you would wait'-- Hang your master! 'Have I ever a
message to send?'
Yes, tell him I've gone to the German to dance with the friend of
his friend.

Of all the fountains that poets sing,--
Crystal, thermal, or mineral spring,
Ponce de Leon's Fount of Youth,
Wells with bottoms of doubtful truth,--
In short, of all the springs of Time
That ever were flowing in fact or rhyme,
That ever were tasted, felt, or seen,
There were none like the Spring of San Joaquin.

Anno Domini eighteen-seven,
Father Dominguez (now in heaven,--
Obiit eighteen twenty-seven)
Found the spring, and found it, too,
By his mule's miraculous cast of a shoe;
For his beast--a descendant of Balaam's ass--
Stopped on the instant, and would not pass.

The Padre thought the omen good,
And bent his lips to the trickling flood;
Then--as the Chronicles declare,
On the honest faith of a true believer--
His cheeks, though wasted, lank, and bare,
Filled like a withered russet pear
In the vacuum of a glass receiver,
And the snows that seventy winters bring
Melted away in that magic spring.

Such, at least, was the wondrous news
The Padre brought into Santa Cruz.
The Church, of course, had its own views
Of who were worthiest to use
The magic spring; but the prior claim
Fell to the aged, sick, and lame.
Far and wide the people came:
Some from the healthful Aptos Creek
Hastened to bring their helpless sick;
Even the fishers of rude Soquel
Suddenly found they were far from well;
The brawny dwellers of San Lorenzo
Said, in fact, they had never been so;
And all were ailing,--strange to say,--
From Pescadero to Monterey.

Over the mountain they poured in,
With leathern bottles and bags of skin;
Through the canyons a motley throng
Trotted, hobbled, and limped along.
The Fathers gazed at the moving scene
With pious joy and with souls serene;
And then--a result perhaps foreseen--
They laid out the Mission of San Joaquin.

Not in the eyes of faith alone
The good effects of the water shone;
But skins grew rosy, eyes waxed clear,
Of rough vaquero and muleteer;
Angular forms were rounded out,
Limbs grew supple and waists grew stout;
And as for the girls,--for miles about
They had no equal! To this day,
From Pescadero to Monterey,
You'll still find eyes in which are seen
The liquid graces of San Joaquin.

There is a limit to human bliss,
And the Mission of San Joaquin had this;
None went abroad to roam or stay
But they fell sick in the queerest way,--
A singular maladie du pays,
With gastric symptoms: so they spent
Their days in a sensuous content,
Caring little for things unseen
Beyond their bowers of living green,
Beyond the mountains that lay between
The world and the Mission of San Joaquin.

Winter passed, and the summer came
The trunks of madrono, all aflame,
Here and there through the underwood
Like pillars of fire starkly stood.
All of the breezy solitude
Was filled with the spicing of pine and bay
And resinous odors mixed and blended;
And dim and ghostlike, far away,
The smoke of the burning woods ascended.
Then of a sudden the mountains swam,
The rivers piled their floods in a dam,
The ridge above Los Gatos Creek
Arched its spine in a feline fashion;
The forests waltzed till they grew sick,
And Nature shook in a speechless passion;
And, swallowed up in the earthquake's spleen,
The wonderful Spring of San Joaquin
Vanished, and never more was seen!

Two days passed: the Mission folk
Out of their rosy dream awoke;
Some of them looked a trifle white,
But that, no doubt, was from earthquake fright.
Three days: there was sore distress,
Headache, nausea, giddiness.
Four days: faintings, tenderness
Of the mouth and fauces; and in less
Than one week--here the story closes;
We won't continue the prognosis--
Enough that now no trace is seen
Of Spring or Mission of San Joaquin.

MORAL

You see the point? Don't be too quick
To break bad habits: better stick,
Like the Mission folk, to your ARSENIC.

(REFECTORY, MISSION SAN GABRIEL, 1869)

Good!--said the Padre,--believe me still,
'Don Giovanni,' or what you will,
The type's eternal! We knew him here
As Don Diego del Sud. I fear
The story's no new one! Will you hear?

One of those spirits you can't tell why
God has permitted. Therein I
Have the advantage, for I hold
That wolves are sent to the purest fold,
And we'd save the wolf if we'd get the lamb.
You're no believer? Good! I am.

Well, for some purpose, I grant you dim,
The Don loved women, and they loved him.
Each thought herself his LAST love! Worst,
Many believed that they were his FIRST!
And, such are these creatures since the Fall,
The very doubt had a charm for all!

You laugh! You are young, but I--indeed
I have no patience . . . To proceed:--
You saw, as you passed through the upper town,
The Eucinal where the road goes down
To San Felipe! There one morn
They found Diego,--his mantle torn,
And as many holes through his doublet's band
As there were wronged husbands--you understand!

'Dying,' so said the gossips. 'Dead'
Was what the friars who found him said.
May be. Quien sabe? Who else should know?
It was a hundred years ago.
There was a funeral. Small indeed--
Private. What would you? To proceed:--

Scarcely the year had flown. One night
The Commandante awoke in fright,
Hearing below his casement's bar
The well-known twang of the Don's guitar;
And rushed to the window, just to see
His wife a-swoon on the balcony.

One week later, Don Juan Ramirez
Found his own daughter, the Dona Inez,
Pale as a ghost, leaning out to hear
The song of that phantom cavalier.
Even Alcalde Pedro Blas
Saw, it was said, through his niece's glass,
The shade of Diego twice repass.

What these gentlemen each confessed
Heaven and the Church only knows. At best
The case was a bad one. How to deal
With Sin as a Ghost, they couldn't but feel
Was an awful thing. Till a certain Fray
Humbly offered to show the way.

And the way was this. Did I say before
That the Fray was a stranger? No, Senor?
Strange! very strange! I should have said
That the very week that the Don lay dead
He came among us. Bread he broke
Silent, nor ever to one he spoke.
So he had vowed it! Below his brows
His face was hidden. There are such vows!

Strange! are they not? You do not use
Snuff? A bad habit!

Well, the views
Of the Fray were these: that the penance done
By the caballeros was right; but one
Was due from the CAUSE, and that, in brief,
Was Dona Dolores Gomez, chief,
And Inez, Sanchicha, Concepcion,
And Carmen,--well, half the girls in town
On his tablets the Friar had written down.

These were to come on a certain day
And ask at the hands of the pious Fray
For absolution. That done, small fear
But the shade of Diego would disappear.

They came; each knelt in her turn and place
To the pious Fray with his hidden face
And voiceless lips, and each again
Took back her soul freed from spot or stain,
Till the Dona Inez, with eyes downcast
And a tear on their fringes, knelt her last.

And then--perhaps that her voice was low
From fear or from shame--the monks said so--
But the Fray leaned forward, when, presto! all
Were thrilled by a scream, and saw her fall
Fainting beside the confessional.

And so was the ghost of Diego laid
As the Fray had said. Never more his shade
Was seen at San Gabriel's Mission. Eh!
The girl interests you? I dare say!
'Nothing,' said she, when they brought her to--
'Only a faintness!' They spoke more true
Who said 'twas a stubborn soul. But then--
Women are women, and men are men!

So, to return. As I said before,
Having got the wolf, by the same high law
We saved the lamb in the wolf's own jaw,
And that's my moral. The tale, I fear,
But poorly told. Yet it strikes me here
Is stuff for a moral. What's your view?
You smile, Don Pancho. Ah! that's like you!

I

Where the sun sinks through leagues of arid sky,
Where the sun dies o'er leagues of arid plain,
Where the dead bones of wasted rivers lie,
Trailed from their channels in yon mountain chain;
Where day by day naught takes the wearied eye
But the low-rimming mountains, sharply based
On the dead levels, moving far or nigh,
As the sick vision wanders o'er the waste,
But ever day by day against the sunset traced:

II

There moving through a poisonous cloud that stings
With dust of alkali the trampling band
Of Indian ponies, ride on dusky wings
The red marauders of the Western land;
Heavy with spoil, they seek the trail that brings
Their flaunting lances to that sheltered bank
Where lie their lodges; and the river sings
Forgetful of the plain beyond, that drank
Its life blood, where the wasted caravan sank.

III

They brought with them the thief's ignoble spoil,
The beggar's dole, the greed of chiffonnier,
The scum of camps, the implements of toil
Snatched from dead hands, to rust as useless here;
All they could rake or glean from hut or soil
Piled their lean ponies, with the jackdaw's greed
For vacant glitter. It were scarce a foil
To all this tinsel that one feathered reed
Bore on its barb two scalps that freshly bleed!

IV

They brought with them, alas! a wounded foe,
Bound hand and foot, yet nursed with cruel care,
Lest that in death he might escape one throe
They had decreed his living flesh should bear:
A youthful officer, by one foul blow
Of treachery surprised, yet fighting still
Amid his ambushed train, calm as the snow
Above him; hopeless, yet content to spill
His blood with theirs, and fighting but to kill.

V

He had fought nobly, and in that brief spell
Had won the awe of those rude border men
Who gathered round him, and beside him fell
In loyal faith and silence, save that when
By smoke embarrassed, and near sight as well,
He paused to wipe his eyeglass, and decide
Its nearer focus, there arose a yell
Of approbation, and Bob Barker cried,
'Wade in, Dundreary!' tossed his cap and--died.

VI

Their sole survivor now! his captors bear
Him all unconscious, and beside the stream
Leave him to rest; meantime the squaws prepare
The stake for sacrifice: nor wakes a gleam
Of pity in those Furies' eyes that glare
Expectant of the torture; yet alway
His steadfast spirit shines and mocks them there
With peace they know not, till at close of day
On his dull ear there thrills a whispered 'Grey!'

VII

He starts! Was it a trick? Had angels kind
Touched with compassion some weak woman's breast?
Such things he'd read of! Faintly to his mind
Came Pocahontas pleading for her guest.
But then, this voice, though soft, was still inclined
To baritone! A squaw in ragged gown
Stood near him, frowning hatred. Was he blind?
Whose eye was this beneath that beetling frown?
The frown was painted, but that wink meant--Brown!

VIII

'Hush! for your life and mine! the thongs are cut,'
He whispers; 'in yon thicket stands my horse.
One dash!--I follow close, as if to glut
My own revenge, yet bar the others' course.
Now!' And 'tis done. Grey speeds, Brown follows; but
Ere yet they reach the shade, Grey, fainting, reels,
Yet not before Brown's circling arms close shut
His in, uplifting him! Anon he feels
A horse beneath him bound, and hears the rattling heels.

IX

Then rose a yell of baffled hate, and sprang
Headlong the savages in swift pursuit;
Though speed the fugitives, they hope to hang
Hot on their heels, like wolves, with tireless foot.
Long is the chase; Brown hears with inward pang
The short, hard panting of his gallant steed
Beneath its double burden; vainly rang
Both voice and spur. The heaving flanks may bleed,
Yet comes the sequel that they still must heed!

X

Brown saw it--reined his steed; dismounting, stood
Calm and inflexible. 'Old chap! you see
There is but ONE escape. You know it? Good!
There is ONE man to take it. You are he.
The horse won't carry double. If he could,
'Twould but protract this bother. I shall stay:
I've business with these devils, they with me;
I will occupy them till you get away.
Hush! quick time, forward. There! God bless you, Grey!'

XI

But as he finished, Grey slipped to his feet,
Calm as his ancestors in voice and eye:
'You do forget yourself when you compete
With him whose RIGHT it is to stay and die:
That's not YOUR duty. Please regain your seat;
And take my ORDERS--since I rank you here!--
Mount and rejoin your men, and my defeat
Report at quarters. Take this letter; ne'er
Give it to aught but HER, nor let aught interfere.'

XII

And, shamed and blushing, Brown the letter took
Obediently and placed it in his pocket;
Then, drawing forth another, said, 'I look
For death as you do, wherefore take this locket
And letter.' Here his comrade's hand he shook
In silence. 'Should we both together fall,
Some other man'--but here all speech forsook
His lips, as ringing cheerily o'er all
He heard afar his own dear bugle-call!

XIII

'Twas his command and succor, but e'en then
Grey fainted, with poor Brown, who had forgot
He likewise had been wounded, and both men
Were picked up quite unconscious of their lot.
Long lay they in extremity, and when
They both grew stronger, and once more exchanged
Old vows and memories, one common 'den'
In hospital was theirs, and free they ranged,
Awaiting orders, but no more estranged.

XIV

And yet 'twas strange--nor can I end my tale
Without this moral, to be fair and just:
They never sought to know why each did fail
The prompt fulfillment of the other's trust.
It was suggested they could not avail
Themselves of either letter, since they were
Duly dispatched to their address by mail
By Captain X., who knew Miss Rover fair
Now meant stout Mistress Bloggs of Blank Blank Square.

(PRESIDIO DE SAN FRANCISCO, 1800)

I

Looking seaward, o'er the sand-hills stands the fortress, old and
quaint,
By the San Francisco friars lifted to their patron saint,--

Sponsor to that wondrous city, now apostate to the creed,
On whose youthful walls the Padre saw the angel's golden reed;

All its trophies long since scattered, all its blazon brushed away;
And the flag that flies above it but a triumph of to-day.

Never scar of siege or battle challenges the wandering eye,
Never breach of warlike onset holds the curious passer-by;

Only one sweet human fancy interweaves its threads of gold
With the plain and homespun present, and a love that ne'er grows old;

Only one thing holds its crumbling walls above the meaner dust,--
Listen to the simple story of a woman's love and trust.

II

Count von Resanoff, the Russian, envoy of the mighty Czar,
Stood beside the deep embrasures, where the brazen cannon are.

He with grave provincial magnates long had held serene debate
On the Treaty of Alliance and the high affairs of state;

He from grave provincial magnates oft had turned to talk apart
With the Commandante's daughter on the questions of the heart,

Until points of gravest import yielded slowly one by one,
And by Love was consummated what Diplomacy begun;

Till beside the deep embrasures, where the brazen cannon are,
He received the twofold contract for approval of the Czar;

Till beside the brazen cannon the betrothed bade adieu,
And from sallyport and gateway north the Russian eagles flew.

III

Long beside the deep embrasures, where the brazen cannon are,
Did they wait the promised bridegroom and the answer of the Czar;

Day by day on wall and bastion beat the hollow, empty breeze,--
Day by day the sunlight glittered on the vacant, smiling seas:

Week by week the near hills whitened in their dusty leather cloaks,--
Week by week the far hills darkened from the fringing plain of oaks;

Till the rains came, and far breaking, on the fierce southwester tost,
Dashed the whole long coast with color, and then vanished and were
lost.

So each year the seasons shifted,--wet and warm and drear and dry
Half a year of clouds and flowers, half a year of dust and sky.

Still it brought no ship nor message,--brought no tidings, ill or meet,
For the statesmanlike Commander, for the daughter fair and sweet.

Yet she heard the varying message, voiceless to all ears beside:
'He will come,' the flowers whispered; 'Come no more,' the dry hills
sighed.

Still she found him with the waters lifted by the morning breeze,--
Still she lost him with the folding of the great white-tented seas;

Until hollows chased the dimples from her cheeks of olive brown,
And at times a swift, shy moisture dragged the long sweet lashes down;

Or the small mouth curved and quivered as for some denied caress,
And the fair young brow was knitted in an infantine distress.

Then the grim Commander, pacing where the brazen cannon are,
Comforted the maid with proverbs, wisdom gathered from afar;

Bits of ancient observation by his fathers garnered, each
As a pebble worn and polished in the current of his speech:

''Those who wait the coming rider travel twice as far as he;'
'Tired wench and coming butter never did in time agree;'

''He that getteth himself honey, though a clown, he shall have flies;'
'In the end God grinds the miller;' 'In the dark the mole has eyes;'

''He whose father is Alcalde of his trial hath no fear,'--
And be sure the Count has reasons that will make his conduct clear.'

Then the voice sententious faltered, and the wisdom it would teach
Lost itself in fondest trifles of his soft Castilian speech;

And on 'Concha' 'Conchitita,' and 'Conchita' he would dwell
With the fond reiteration which the Spaniard knows so well.

So with proverbs and caresses, half in faith and half in doubt,
Every day some hope was kindled, flickered, faded, and went out.

IV

Yearly, down the hillside sweeping, came the stately cavalcade,
Bringing revel to vaquero, joy and comfort to each maid;

Bringing days of formal visit, social feast and rustic sport,
Of bull-baiting on the plaza, of love-making in the court.

Vainly then at Concha's lattice, vainly as the idle wind,
Rose the thin high Spanish tenor that bespoke the youth too kind;

Vainly, leaning from their saddles, caballeros, bold and fleet,
Plucked for her the buried chicken from beneath their mustang's feet;

So in vain the barren hillsides with their gay serapes blazed,--
Blazed and vanished in the dust-cloud that their flying hoofs had
raised.

Then the drum called from the rampart, and once more, with patient
mien,
The Commander and his daughter each took up the dull routine,--

Each took up the petty duties of a life apart and lone,
Till the slow years wrought a music in its dreary monotone.

V

Forty years on wall and bastion swept the hollow idle breeze,
Since the Russian eagle fluttered from the California seas;

Forty years on wall and bastion wrought its slow but sure decay,
And St. George's cross was lifted in the port of Monterey;

And the citadel was lighted, and the hall was gayly drest,
All to honor Sir George Simpson, famous traveler and guest.

Far and near the people gathered to the costly banquet set,
And exchanged congratulations with the English baronet;

Till, the formal speeches ended, and amidst the laugh and wine,
Some one spoke of Concha's lover,--heedless of the warning sign.

Quickly then cried Sir George Simpson: 'Speak no ill of him, I pray!
He is dead. He died, poor fellow, forty years ago this day,--

'Died while speeding home to Russia, falling from a fractious horse.
Left a sweetheart, too, they tell me. Married, I suppose, of course!

'Lives she yet?' A deathlike silence fell on banquet, guests, and
hall,
And a trembling figure rising fixed the awestruck gaze of all.

Two black eyes in darkened orbits gleamed beneath the nun's white hood;
Black serge hid the wasted figure, bowed and stricken where it stood.

'Lives she yet?' Sir George repeated. All were hushed as Concha drew
Closer yet her nun's attire. 'Senor, pardon, she died, too!'

(PRESIDIO DE SAN FRANCISCO, 1800)

I

Looking seaward, o'er the sand-hills stands the fortress, old and
quaint,
By the San Francisco friars lifted to their patron saint,--

Sponsor to that wondrous city, now apostate to the creed,
On whose youthful walls the Padre saw the angel's golden reed;

All its trophies long since scattered, all its blazon brushed away;
And the flag that flies above it but a triumph of to-day.

Never scar of siege or battle challenges the wandering eye,
Never breach of warlike onset holds the curious passer-by;

Only one sweet human fancy interweaves its threads of gold
With the plain and homespun present, and a love that ne'er grows old;

Only one thing holds its crumbling walls above the meaner dust,--
Listen to the simple story of a woman's love and trust.

II

Count von Resanoff, the Russian, envoy of the mighty Czar,
Stood beside the deep embrasures, where the brazen cannon are.

He with grave provincial magnates long had held serene debate
On the Treaty of Alliance and the high affairs of state;

He from grave provincial magnates oft had turned to talk apart
With the Commandante's daughter on the questions of the heart,

Until points of gravest import yielded slowly one by one,
And by Love was consummated what Diplomacy begun;

Till beside the deep embrasures, where the brazen cannon are,
He received the twofold contract for approval of the Czar;

Till beside the brazen cannon the betrothed bade adieu,
And from sallyport and gateway north the Russian eagles flew.

III

Long beside the deep embrasures, where the brazen cannon are,
Did they wait the promised bridegroom and the answer of the Czar;

Day by day on wall and bastion beat the hollow, empty breeze,--
Day by day the sunlight glittered on the vacant, smiling seas:

Week by week the near hills whitened in their dusty leather cloaks,--
Week by week the far hills darkened from the fringing plain of oaks;

Till the rains came, and far breaking, on the fierce southwester tost,
Dashed the whole long coast with color, and then vanished and were
lost.

So each year the seasons shifted,--wet and warm and drear and dry
Half a year of clouds and flowers, half a year of dust and sky.

Still it brought no ship nor message,--brought no tidings, ill or meet,
For the statesmanlike Commander, for the daughter fair and sweet.

Yet she heard the varying message, voiceless to all ears beside:
'He will come,' the flowers whispered; 'Come no more,' the dry hills
sighed.

Still she found him with the waters lifted by the morning breeze,--
Still she lost him with the folding of the great white-tented seas;

Until hollows chased the dimples from her cheeks of olive brown,
And at times a swift, shy moisture dragged the long sweet lashes down;

Or the small mouth curved and quivered as for some denied caress,
And the fair young brow was knitted in an infantine distress.

Then the grim Commander, pacing where the brazen cannon are,
Comforted the maid with proverbs, wisdom gathered from afar;

Bits of ancient observation by his fathers garnered, each
As a pebble worn and polished in the current of his speech:

''Those who wait the coming rider travel twice as far as he;'
'Tired wench and coming butter never did in time agree;'

''He that getteth himself honey, though a clown, he shall have flies;'
'In the end God grinds the miller;' 'In the dark the mole has eyes;'

''He whose father is Alcalde of his trial hath no fear,'--
And be sure the Count has reasons that will make his conduct clear.'

Then the voice sententious faltered, and the wisdom it would teach
Lost itself in fondest trifles of his soft Castilian speech;

And on 'Concha' 'Conchitita,' and 'Conchita' he would dwell
With the fond reiteration which the Spaniard knows so well.

So with proverbs and caresses, half in faith and half in doubt,
Every day some hope was kindled, flickered, faded, and went out.

IV

Yearly, down the hillside sweeping, came the stately cavalcade,
Bringing revel to vaquero, joy and comfort to each maid;

Bringing days of formal visit, social feast and rustic sport,
Of bull-baiting on the plaza, of love-making in the court.

Vainly then at Concha's lattice, vainly as the idle wind,
Rose the thin high Spanish tenor that bespoke the youth too kind;

Vainly, leaning from their saddles, caballeros, bold and fleet,
Plucked for her the buried chicken from beneath their mustang's feet;

So in vain the barren hillsides with their gay serapes blazed,--
Blazed and vanished in the dust-cloud that their flying hoofs had
raised.

Then the drum called from the rampart, and once more, with patient
mien,
The Commander and his daughter each took up the dull routine,--

Each took up the petty duties of a life apart and lone,
Till the slow years wrought a music in its dreary monotone.

V

Forty years on wall and bastion swept the hollow idle breeze,
Since the Russian eagle fluttered from the California seas;

Forty years on wall and bastion wrought its slow but sure decay,
And St. George's cross was lifted in the port of Monterey;

And the citadel was lighted, and the hall was gayly drest,
All to honor Sir George Simpson, famous traveler and guest.

Far and near the people gathered to the costly banquet set,
And exchanged congratulations with the English baronet;

Till, the formal speeches ended, and amidst the laugh and wine,
Some one spoke of Concha's lover,--heedless of the warning sign.

Quickly then cried Sir George Simpson: 'Speak no ill of him, I pray!
He is dead. He died, poor fellow, forty years ago this day,--

'Died while speeding home to Russia, falling from a fractious horse.
Left a sweetheart, too, they tell me. Married, I suppose, of course!

'Lives she yet?' A deathlike silence fell on banquet, guests, and
hall,
And a trembling figure rising fixed the awestruck gaze of all.

Two black eyes in darkened orbits gleamed beneath the nun's white hood;
Black serge hid the wasted figure, bowed and stricken where it stood.

'Lives she yet?' Sir George repeated. All were hushed as Concha drew
Closer yet her nun's attire. 'Senor, pardon, she died, too!'

In sixteen hundred and forty-one,
The regular yearly galleon,
Laden with odorous gums and spice,
India cottons and India rice,
And the richest silks of far Cathay,
Was due at Acapulco Bay.

Due she was, and overdue,--
Galleon, merchandise and crew,
Creeping along through rain and shine,
Through the tropics, under the line.
The trains were waiting outside the walls,
The wives of sailors thronged the town,
The traders sat by their empty stalls,
And the Viceroy himself came down;
The bells in the tower were all a-trip,
Te Deums were on each Father's lip,
The limes were ripening in the sun
For the sick of the coming galleon.

All in vain. Weeks passed away,
And yet no galleon saw the bay.
India goods advanced in price;
The Governor missed his favorite spice;
The Senoritas mourned for sandal
And the famous cottons of Coromandel;
And some for an absent lover lost,
And one for a husband,--Dona Julia,
Wife of the captain tempest-tossed,
In circumstances so peculiar;
Even the Fathers, unawares,
Grumbled a little at their prayers;
And all along the coast that year
Votive candles wore scarce and dear.

Never a tear bedims the eye
That time and patience will not dry;
Never a lip is curved with pain
That can't be kissed into smiles again;
And these same truths, as far as I know,
Obtained on the coast of Mexico
More than two hundred years ago,
In sixteen hundred and fifty-one,--
Ten years after the deed was done,--
And folks had forgotten the galleon:
The divers plunged in the gulf for pearls,
White as the teeth of the Indian girls;
The traders sat by their full bazaars;
The mules with many a weary load,
And oxen dragging their creaking cars,
Came and went on the mountain road.

Where was the galleon all this while?
Wrecked on some lonely coral isle,
Burnt by the roving sea-marauders,
Or sailing north under secret orders?
Had she found the Anian passage famed,
By lying Maldonado claimed,
And sailed through the sixty-fifth degree
Direct to the North Atlantic Sea?
Or had she found the 'River of Kings,'
Of which De Fonte told such strange things,
In sixteen forty? Never a sign,
East or west or under the line,
They saw of the missing galleon;
Never a sail or plank or chip
They found of the long-lost treasure-ship,
Or enough to build a tale upon.
But when she was lost, and where and how,
Are the facts we're coming to just now.

Take, if you please, the chart of that day,
Published at Madrid,--por el Rey;
Look for a spot in the old South Sea,
The hundred and eightieth degree
Longitude west of Madrid: there,
Under the equatorial glare,
Just where the east and west are one,
You'll find the missing galleon,--
You'll find the San Gregorio, yet
Riding the seas, with sails all set,
Fresh as upon the very day
She sailed from Acapulco Bay.

How did she get there? What strange spell
Kept her two hundred years so well,
Free from decay and mortal taint?
What but the prayers of a patron saint!

A hundred leagues from Manilla town,
The San Gregorio's helm came down;
Round she went on her heel, and not
A cable's length from a galliot
That rocked on the waters just abreast
Of the galleon's course, which was west-sou'-west.

Then said the galleon's commandante,
General Pedro Sobriente
(That was his rank on land and main,
A regular custom of Old Spain),
'My pilot is dead of scurvy: may
I ask the longitude, time, and day?'
The first two given and compared;
The third--the commandante stared!
'The FIRST of June? I make it second.'
Said the stranger, 'Then you've wrongly reckoned;
I make it FIRST: as you came this way,
You should have lost, d'ye see, a day;
Lost a day, as plainly see,
On the hundred and eightieth degree.'
'Lost a day?' 'Yes; if not rude,
When did you make east longitude?'
'On the ninth of May,--our patron's day.'
'On the ninth?--YOU HAD NO NINTH OF MAY!
Eighth and tenth was there; but stay'--
Too late; for the galleon bore away.

Lost was the day they should have kept,
Lost unheeded and lost unwept;
Lost in a way that made search vain,
Lost in a trackless and boundless main;
Lost like the day of Job's awful curse,
In his third chapter, third and fourth verse;
Wrecked was their patron's only day,--
What would the holy Fathers say?

Said the Fray Antonio Estavan,
The galleon's chaplain,--a learned man,--
'Nothing is lost that you can regain;
And the way to look for a thing is plain,
To go where you lost it, back again.
Back with your galleon till you see
The hundred and eightieth degree.
Wait till the rolling year goes round,
And there will the missing day be found;
For you'll find, if computation's true,
That sailing EAST will give to you
Not only one ninth of May, but two,--
One for the good saint's present cheer,
And one for the day we lost last year.'

Back to the spot sailed the galleon;
Where, for a twelvemonth, off and on
The hundred and eightieth degree
She rose and fell on a tropic sea.
But lo! when it came to the ninth of May,
All of a sudden becalmed she lay
One degree from that fatal spot,
Without the power to move a knot;
And of course the moment she lost her way,
Gone was her chance to save that day.

To cut a lengthening story short,
She never saved it. Made the sport
Of evil spirits and baffling wind,
She was always before or just behind,
One day too soon or one day too late,
And the sun, meanwhile, would never wait.
She had two Eighths, as she idly lay,
Two Tenths, but never a NINTH of May;
And there she rides through two hundred years
Of dreary penance and anxious fears;
Yet, through the grace of the saint she served,
Captain and crew are still preserved.

By a computation that still holds good,
Made by the Holy Brotherhood,
The San Gregorio will cross that line
In nineteen hundred and thirty-nine:
Just three hundred years to a day
From the time she lost the ninth of May.
And the folk in Acapulco town,
Over the waters looking down,
Will see in the glow of the setting sun
The sails of the missing galleon,
And the royal standard of Philip Rey,
The gleaming mast and glistening spar,
As she nears the surf of the outer bar.
A Te Deum sung on her crowded deck,
An odor of spice along the shore,
A crash, a cry from a shattered wreck,--
And the yearly galleon sails no more
In or out of the olden bay;
For the blessed patron has found his day.

-------

Such is the legend. Hear this truth:
Over the trackless past, somewhere,
Lie the lost days of our tropic youth,
Only regained by faith and prayer,
Only recalled by prayer and plaint:
Each lost day has its patron saint!

It was the morning season of the year;
It was the morning era of the land;
The watercourses rang full loud and clear;
Portala's cross stood where Portala's hand
Had planted it when Faith was taught by Fear,
When monks and missions held the sole command
Of all that shore beside the peaceful sea,
Where spring-tides beat their long-drawn reveille.

Out of the mission of San Luis Rey,
All in that brisk, tumultuous spring weather,
Rode Friar Pedro, in a pious way,
With six dragoons in cuirasses of leather,
Each armed alike for either prayer or fray;
Handcuffs and missals they had slung together,
And as an aid the gospel truth to scatter
Each swung a lasso--alias a 'riata.'

In sooth, that year the harvest had been slack,
The crop of converts scarce worth computation;
Some souls were lost, whose owners had turned back
To save their bodies frequent flagellation;
And some preferred the songs of birds, alack!
To Latin matins and their souls' salvation,
And thought their own wild whoopings were less dreary
Than Father Pedro's droning miserere.

To bring them back to matins and to prime,
To pious works and secular submission,
To prove to them that liberty was crime,--
This was, in fact, the Padre's present mission;
To get new souls perchance at the same time,
And bring them to a 'sense of their condition,'--
That easy phrase, which, in the past and present,
Means making that condition most unpleasant.

He saw the glebe land guiltless of a furrow;
He saw the wild oats wrestle on the hill;
He saw the gopher working in his burrow;
He saw the squirrel scampering at his will:--
He saw all this, and felt no doubt a thorough
And deep conviction of God's goodness; still
He failed to see that in His glory He
Yet left the humblest of His creatures free.

He saw the flapping crow, whose frequent note
Voiced the monotony of land and sky,
Mocking with graceless wing and rusty coat
His priestly presence as he trotted by.
He would have cursed the bird by bell and rote,
But other game just then was in his eye,--
A savage camp, whose occupants preferred
Their heathen darkness to the living Word.

He rang his bell, and at the martial sound
Twelve silver spurs their jingling rowels clashed;
Six horses sprang across the level ground
As six dragoons in open order dashed;
Above their heads the lassos circled round,
In every eye a pious fervor flashed;
They charged the camp, and in one moment more
They lassoed six and reconverted four.

The Friar saw the conflict from a knoll,
And sang Laus Deo and cheered on his men:
'Well thrown, Bautista,--that's another soul;
After him, Gomez,--try it once again;
This way, Felipe,--there the heathen stole;
Bones of St. Francis!--surely that makes TEN;
Te Deum laudamus--but they're very wild;
Non nobis Domine--all right, my child!'

When at that moment--as the story goes--
A certain squaw, who had her foes eluded,
Ran past the Friar, just before his nose.
He stared a moment, and in silence brooded;
Then in his breast a pious frenzy rose
And every other prudent thought excluded;
He caught a lasso, and dashed in a canter
After that Occidental Atalanta.

High o'er his head he swirled the dreadful noose;
But, as the practice was quite unfamiliar,
His first cast tore Felipe's captive loose,
And almost choked Tiburcio Camilla,
And might have interfered with that brave youth's
Ability to gorge the tough tortilla;
But all things come by practice, and at last
His flying slip-knot caught the maiden fast.

Then rose above the plain a mingled yell
Of rage and triumph,--a demoniac whoop:
The Padre heard it like a passing knell,
And would have loosened his unchristian loop;
But the tough raw-hide held the captive well,
And held, alas! too well the captor-dupe;
For with one bound the savage fled amain,
Dragging horse, Friar, down the lonely plain.

Down the arroyo, out across the mead,
By heath and hollow, sped the flying maid,
Dragging behind her still the panting steed
And helpless Friar, who in vain essayed
To cut the lasso or to check his speed.
He felt himself beyond all human aid,
And trusted to the saints,--and, for that matter,
To some weak spot in Felipe's riata.

Alas! the lasso had been duly blessed,
And, like baptism, held the flying wretch,--
A doctrine that the priest had oft expressed,
Which, like the lasso, might be made to stretch,
But would not break; so neither could divest
Themselves of it, but, like some awful fetch,
The holy Friar had to recognize
The image of his fate in heathen guise.

He saw the glebe land guiltless of a furrow;
He saw the wild oats wrestle on the hill;
He saw the gopher standing in his burrow;
He saw the squirrel scampering at his will:--
He saw all this, and felt no doubt how thorough
The contrast was to his condition; still
The squaw kept onward to the sea, till night
And the cold sea-fog hid them both from sight.

The morning came above the serried coast,
Lighting the snow-peaks with its beacon-fires,
Driving before it all the fleet-winged host
Of chattering birds above the Mission spires,
Filling the land with light and joy, but most
The savage woods with all their leafy lyres;
In pearly tints and opal flame and fire
The morning came, but not the holy Friar.

Weeks passed away. In vain the Fathers sought
Some trace or token that might tell his story;
Some thought him dead, or, like Elijah, caught
Up to the heavens in a blaze of glory.
In this surmise some miracles were wrought
On his account, and souls in purgatory
Were thought to profit from his intercession;
In brief, his absence made a 'deep impression.'

A twelvemonth passed; the welcome Spring once more
Made green the hills beside the white-faced Mission,
Spread her bright dais by the western shore,
And sat enthroned, a most resplendent vision.
The heathen converts thronged the chapel door
At morning mass, when, says the old tradition,
A frightful whoop throughout the church resounded,
And to their feet the congregation bounded.

A tramp of hoofs upon the beaten course,
Then came a sight that made the bravest quail:
A phantom Friar on a spectre horse,
Dragged by a creature decked with horns and tail.
By the lone Mission, with the whirlwind's force,
They madly swept, and left a sulphurous trail:
And that was all,--enough to tell the story,
And leave unblessed those souls in purgatory.

And ever after, on that fatal day
That Friar Pedro rode abroad lassoing,
A ghostly couple came and went away
With savage whoop and heathenish hallooing,
Which brought discredit on San Luis Rey,
And proved the Mission's ruin and undoing;
For ere ten years had passed, the squaw and Friar
Performed to empty walls and fallen spire.

The Mission is no more; upon its wall.
The golden lizards slip, or breathless pause,
Still as the sunshine brokenly that falls
Through crannied roof and spider-webs of gauze;
No more the bell its solemn warning calls,--
A holier silence thrills and overawes;
And the sharp lights and shadows of to-day
Outline the Mission of San Luis Rey.

Above the bones
St. Ursula owns,
And those of the virgins she chaperons;
Above the boats,
And the bridge that floats,
And the Rhine and the steamers' smoky throats;
Above the chimneys and quaint-tiled roofs,
Above the clatter of wheels and hoofs;
Above Newmarket's open space,
Above that consecrated place
Where the genuine bones of the Magi seen are,
And the dozen shops of the real Farina;
Higher than even old Hohestrasse,
Whose houses threaten the timid passer,--
Above them all,
Through scaffolds tall,
And spires like delicate limbs in splinters,
The great Cologne's
Cathedral stones
Climb through the storms of eight hundred winters.

Unfinished there,
In high mid-air
The towers halt like a broken prayer;
Through years belated,
Unconsummated,
The hope of its architect quite frustrated.
Its very youth
They say, forsooth,
With a quite improper purpose mated;
And every stone
With a curse of its own
Instead of that sermon Shakespeare stated,
Since the day its choir,
Which all admire,
By Cologne's Archbishop was consecrated.

Ah! THAT was a day,
One well might say,
To be marked with the largest, whitest stone
To be found in the towers of all Cologne!
Along the Rhine,
From old Rheinstein,
The people flowed like their own good wine.
From Rudesheim,
And Geisenheim,
And every spot that is known to rhyme;
From the famed Cat's Castle of St. Goarshausen,
To the pictured roofs of Assmannshausen,
And down the track,
From quaint Schwalbach
To the clustering tiles of Bacharach;
From Bingen, hence
To old Coblentz:
From every castellated crag,
Where the robber chieftains kept their 'swag,'
The folk flowed in, and Ober-Cassel
Shone with the pomp of knight and vassal;
And pouring in from near and far,
As the Rhine to its bosom draws the Ahr,
Or takes the arm of the sober Mosel,
So in Cologne, knight, squire, and losel,
Choked up the city's gates with men
From old St. Stephen to Zint Marjen.

What had they come to see? Ah me!
I fear no glitter of pageantry,
Nor sacred zeal
For Church's weal,
Nor faith in the virgins' bones to heal;
Nor childlike trust in frank confession
Drew these, who, dyed in deep transgression,
Still in each nest
On every crest
Kept stolen goods in their possession;
But only their gout
For something new,
More rare than the 'roast' of a wandering Jew;
Or--to be exact--
To see--in fact--
A Christian soul, in the very act
Of being damned, secundum artem,
By the devil, before a soul could part 'em.

For a rumor had flown
Throughout Cologne
That the church, in fact, was the devil's own;
That its architect
(Being long 'suspect')
Had confessed to the Bishop that he had wrecked
Not only his OWN soul, but had lost
The VERY FIRST CHRISTIAN SOUL that crossed
The sacred threshold: and all, in fine,
For that very beautiful design
Of the wonderful choir
They were pleased to admire.
And really, he must be allowed to say--
To speak in a purely business way--
That, taking the ruling market prices
Of souls and churches, in such a crisis
It would be shown--
And his Grace must own--
It was really a BARGAIN for Cologne!

Such was the tale
That turned cheeks pale
With the thought that the enemy might prevail,
And the church doors snap
With a thunderclap
On a Christian soul in that devil's trap.
But a wiser few,
Who thought that they knew
Cologne's Archbishop, replied, 'Pooh, pooh!
Just watch him and wait,
And as sure as fate,
You'll find that the Bishop will give checkmate.'

One here might note
How the popular vote,
As shown in all legends and anecdote,
Declares that a breach
Of trust to o'erreach
The devil is something quite proper for each.
And, really, if you
Give the devil his due
In spite of the proverb--it's something you'll rue.
But to lie and deceive him,
To use and to leave him,
From Job up to Faust is the way to receive him,
Though no one has heard
It ever averred
That the 'Father of Lies' ever yet broke HIS word,
But has left this position,
In every tradition,
To be taken alone by the 'truth-loving' Christian!
Bom! from the tower!
It is the hour!
The host pours in, in its pomp and power
Of banners and pyx,
And high crucifix,
And crosiers and other processional sticks,
And no end of Marys
In quaint reliquaries,
To gladden the souls of all true antiquaries;
And an Osculum Pacis
(A myth to the masses
Who trusted their bones more to mail and cuirasses)--
All borne by the throng
Who are marching along
To the square of the Dom with processional song,
With the flaring of dips,
And bending of hips,
And the chanting of hundred perfunctory lips;
And some good little boys
Who had come up from Neuss
And the Quirinuskirche to show off their voice:
All march to the square
Of the great Dom, and there
File right and left, leaving alone and quite bare
A covered sedan,
Containing--so ran
The rumor--the victim to take off the ban.

They have left it alone,
They have sprinkled each stone
Of the porch with a sanctified Eau de Cologne,
Guaranteed in this case
To disguise every trace
Of a sulphurous presence in that sacred place.
Two Carmelites stand
On the right and left hand
Of the covered sedan chair, to wait the command
Of the prelate to throw
Up the cover and show
The form of the victim in terror below.
There's a pause and a prayer,
Then the signal, and there--
Is a WOMAN!--by all that is good and is fair!

A woman! and known
To them all--one must own
TOO WELL KNOWN to the many, to-day to be shown
As a martyr, or e'en
As a Christian! A queen
Of pleasance and revel, of glitter and sheen;
So bad that the worst
Of Cologne spake up first,
And declared 'twas an outrage to suffer one curst,
And already a fief
Of the Satanic chief,
To martyr herself for the Church's relief.
But in vain fell their sneer
On the mob, who I fear
On the whole felt a strong disposition to cheer.

A woman! and there
She stands in the glare
Of the pitiless sun and their pitying stare,--
A woman still young,
With garments that clung
To a figure, though wasted with passion and wrung
With remorse and despair,
Yet still passing fair,
With jewels and gold in her dark shining hair,
And cheeks that are faint
'Neath her dyes and her paint.
A woman most surely--but hardly a saint!

She moves. She has gone
From their pity and scorn;
She has mounted alone
The first step of stone,
And the high swinging doors she wide open has thrown,
Then pauses and turns,
As the altar blaze burns
On her cheeks, and with one sudden gesture she spurns
Archbishop and Prior,
Knight, ladye, and friar,
And her voice rings out high from the vault of the choir.

'O men of Cologne!
What I WAS ye have known;
What I AM, as I stand here, One knoweth alone.
If it be but His will
I shall pass from Him still,
Lost, curst, and degraded, I reckon no ill;
If still by that sign
Of His anger divine
One soul shall he saved, He hath blessed more than mine.
O men of Cologne!
Stand forth, if ye own
A faith like to this, or more fit to atone,
And take ye my place,
And God give you grace
To stand and confront Him, like me, face to face!'

She paused. Yet aloof
They all stand. No reproof
Breaks the silence that fills the celestial roof.
One instant--no more--
She halts at the door,
Then enters! . . . A flood from the roof to the floor
Fills the church rosy red.
She is gone!
But instead,
Who is this leaning forward with glorified head
And hands stretched to save?
Sure this is no slave
Of the Powers of Darkness, with aspect so brave!

They press to the door,
But too late! All is o'er.
Naught remains but a woman's form prone on the floor;
But they still see a trace
Of that glow in her face
That they saw in the light of the altar's high blaze
On the image that stands
With the babe in its hands
Enshrined in the churches of all Christian lands.

A Te Deum sung,
A censer high swung,
With praise, benediction, and incense wide-flung,
Proclaim that the CURSE
IS REMOVED--and no worse
Is the Dom for the trial--in fact, the REVERSE;
For instead of their losing
A soul in abusing
The Evil One's faith, they gained one of his choosing.

Thus the legend is told:
You will find in the old
Vaulted aisles of the Dom, stiff in marble or cold
In iron and brass,
In gown and cuirass,
The knights, priests, and bishops who came to that Mass;
And high o'er the rest,
With her babe at her breast,
The image of Mary Madonna the blest.
But you look round in vain,
On each high pictured pane,
For the woman most worthy to walk in her train.

Yet, standing to-day
O'er the dust and the clay,
'Midst the ghosts of a life that has long passed away,
With the slow-sinking sun
Looking softly upon
That stained-glass procession, I scarce miss the one
That it does not reveal,
For I know and I feel
That these are but shadows--the woman was real!

I

Where West Point crouches, and with lifted shield
Turns the whole river eastward through the pass;
Whose jutting crags, half silver, stand revealed
Like bossy bucklers of Leonidas;
Where buttressed low against the storms that wield
Their summer lightnings where her eaglets swarm,
By Freedom's cradle Nature's self has steeled
Her heart, like Winkelried, and to that storm
Of leveled lances bares her bosom warm.

II

But not to-night. The air and woods are still,
The faintest rustle in the trees below,
The lowest tremor from the mountain rill,
Come to the ear as but the trailing flow
Of spirit robes that walk unseen the hill;
The moon low sailing o'er the upland farm,
The moon low sailing where the waters fill
The lozenge lake, beside the banks of balm,
Gleams like a chevron on the river's arm.

III

All space breathes languor: from the hilltop high,
Where Putnam's bastion crumbles in the past,
To swooning depths where drowsy cannon lie
And wide-mouthed mortars gape in slumbers vast;
Stroke upon stroke, the far oars glance and die
On the hushed bosom of the sleeping stream;
Bright for one moment drifts a white sail by,
Bright for one moment shows a bayonet gleam
Far on the level plain, then passes as a dream.

IV

Soft down the line of darkened battlements,
Bright on each lattice of the barrack walls,
Where the low arching sallyport indents,
Seen through its gloom beyond, the moonbeam falls.
All is repose save where the camping tents
Mock the white gravestones farther on, where sound
No morning guns for reveille, nor whence
No drum-beat calls retreat, but still is ever found
Waiting and present on each sentry's round.

V

Within the camp they lie, the young, the brave,
Half knight, half schoolboy, acolytes of fame,
Pledged to one altar, and perchance one grave;
Bred to fear nothing but reproach and blame,
Ascetic dandies o'er whom vestals rave,
Clean-limbed young Spartans, disciplined young elves,
Taught to destroy, that they may live to save,
Students embattled, soldiers at their shelves,
Heroes whose conquests are at first themselves.

VI

Within the camp they lie, in dreams are freed
From the grim discipline they learn to love;
In dreams no more the sentry's challenge heed,
In dreams afar beyond their pickets rove;
One treads once more the piny paths that lead
To his green mountain home, and pausing hears
The cattle call; one treads the tangled weed
Of slippery rocks beside Atlantic piers;
One smiles in sleep, one wakens wet with tears.

VII

One scents the breath of jasmine flowers that twine
The pillared porches of his Southern home;
One hears the coo of pigeons in the pine
Of Western woods where he was wont to roam;
One sees the sunset fire the distant line
Where the long prairie sweeps its levels down;
One treads the snow-peaks; one by lamps that shine
Down the broad highways of the sea-girt town;
And two are missing,--Cadets Grey and Brown!

VIII

Much as I grieve to chronicle the fact,
That selfsame truant known as 'Cadet Grey'
Was the young hero of our moral tract,
Shorn of his twofold names on entrance-day.
'Winthrop' and 'Adams' dropped in that one act
Of martial curtness, and the roll-call thinned
Of his ancestors, he with youthful tact
Indulgence claimed, since Winthrop no more sinned,
Nor sainted Adams winced when he, plain Grey, was 'skinned.'


IX

He had known trials since we saw him last,
By sheer good luck had just escaped rejection,
Not for his learning, but that it was cast
In a spare frame scarce fit for drill inspection;
But when he ope'd his lips a stream so vast
Of information flooded each professor,
They quite forgot his eyeglass,--something past
All precedent,--accepting the transgressor,
Weak eyes and all of which he was possessor.

X

E'en the first day he touched a blackboard's space--
So the tradition of his glory lingers--
Two wise professors fainted, each with face
White as the chalk within his rapid fingers:
All day he ciphered, at such frantic pace,
His form was hid in chalk precipitation
Of every problem, till they said his case
Could meet from them no fair examination
Till Congress made a new appropriation.

XI

Famous in molecules, he demonstrated
From the mess hash to many a listening classful;
Great as a botanist, he separated
Three kinds of 'Mentha' in one julep's glassful;
High in astronomy, it has been stated
He was the first at West Point to discover
Mars' missing satellites, and calculated
Their true positions, not the heavens over,
But 'neath the window of Miss Kitty Rover.

XII

Indeed, I fear this novelty celestial
That very night was visible and clear;
At least two youths of aspect most terrestrial,
And clad in uniform, were loitering near
A villa's casement, where a gentle vestal
Took their impatience somewhat patiently,
Knowing the youths were somewhat green and 'bestial'--
(A certain slang of the Academy,
I beg the reader won't refer to me).

XIII

For when they ceased their ardent strain, Miss Kitty
Glowed not with anger nor a kindred flame,
But rather flushed with an odd sort of pity,
Half matron's kindness, and half coquette's shame;
Proud yet quite blameful, when she heard their ditty
She gave her soul poetical expression,
And being clever too, as she was pretty,
From her high casement warbled this confession,--
Half provocation and one half repression:--


NOT YET

Not yet, O friend, not yet! the patient stars
Lean from their lattices, content to wait.
All is illusion till the morning bars
Slip from the levels of the Eastern gate.
Night is too young, O friend! day is too near;
Wait for the day that maketh all things clear.
Not yet, O friend, not yet!

Not yet, O love, not yet! all is not true,
All is not ever as it seemeth now.
Soon shall the river take another blue,
Soon dies yon light upon the mountain brow.
What lieth dark, O love, bright day will fill;
Wait for thy morning, be it good or ill.
Not yet, O love, not yet!


XIV

The strain was finished; softly as the night
Her voice died from the window, yet e'en then
Fluttered and fell likewise a kerchief white;
But that no doubt was accident, for when
She sought her couch she deemed her conduct quite
Beyond the reach of scandalous commenter,--
Washing her hands of either gallant wight,
Knowing the moralist might compliment her,--
Thus voicing Siren with the words of Mentor.

XV

She little knew the youths below, who straight
Dived for her kerchief, and quite overlooked
The pregnant moral she would inculcate;
Nor dreamed the less how little Winthrop brooked
Her right to doubt his soul's maturer state.
Brown--who was Western, amiable, and new--
Might take the moral and accept his fate;
The which he did, but, being stronger too,
Took the white kerchief, also, as his due.

XVI

They did not quarrel, which no doubt seemed queer
To those who knew not how their friendship blended;
Each was opposed, and each the other's peer,
Yet each the other in some things transcended.
Where Brown lacked culture, brains,--and oft, I fear,
Cash in his pocket,--Grey of course supplied him;
Where Grey lacked frankness, force, and faith sincere,
Brown of his manhood suffered none to chide him,
But in his faults stood manfully beside him.

XVII

In academic walks and studies grave,
In the camp drill and martial occupation,
They helped each other: but just here I crave
Space for the reader's full imagination,--
The fact is patent, Grey became a slave!
A tool, a fag, a 'pleb'! To state it plainer,
All that blue blood and ancestry e'er gave
Cleaned guns, brought water!--was, in fact, retainer
To Jones, whose uncle was a paper-stainer!

XVIII

How they bore this at home I cannot say:
I only know so runs the gossip's tale.
It chanced one day that the paternal Grey
Came to West Point that he himself might hail
The future hero in some proper way
Consistent with his lineage. With him came
A judge, a poet, and a brave array
Of aunts and uncles, bearing each a name,
Eyeglass and respirator with the same.

XIX

'Observe!' quoth Grey the elder to his friends,
'Not in these giddy youths at baseball playing
You'll notice Winthrop Adams! Greater ends
Than these absorb HIS leisure. No doubt straying
With Caesar's Commentaries, he attends
Some Roman council. Let us ask, however,
Yon grimy urchin, who my soul offends
By wheeling offal, if he will endeavor
To find-- What! heaven! Winthrop! Oh! no! never!'

XX

Alas! too true! The last of all the Greys
Was 'doing police detail,'--it had come
To this; in vain the rare historic bays
That crowned the pictured Puritans at home!
And yet 'twas certain that in grosser ways
Of health and physique he was quite improving.
Straighter he stood, and had achieved some praise
In other exercise, much more behooving
A soldier's taste than merely dirt removing.

XXI

But to resume: we left the youthful pair,
Some stanzas back, before a lady's bower;
'Tis to be hoped they were no longer there,
For stars were pointing to the morning hour.
Their escapade discovered, ill 'twould fare
With our two heroes, derelict of orders;
But, like the ghost, they 'scent the morning air,'
And back again they steal across the borders,
Unseen, unheeded, by their martial warders.

XXII

They got to bed with speed: young Grey to dream
Of some vague future with a general's star,
And Mistress Kitty basking in its gleam;
While Brown, content to worship her afar,
Dreamed himself dying by some lonely stream,
Having snatched Kitty from eighteen Nez Perces,
Till a far bugle, with the morning beam,
In his dull ear its fateful song rehearses,
Which Winthrop Adams after put to verses.

XXIII

So passed three years of their novitiate,
The first real boyhood Grey had ever known.
His youth ran clear,--not choked like his Cochituate,
In civic pipes, but free and pure alone;
Yet knew repression, could himself habituate
To having mind and body well rubbed down,
Could read himself in others, and could situate
Themselves in him,--except, I grieve to own,
He couldn't see what Kitty saw in Brown!

XXIV

At last came graduation; Brown received
In the One Hundredth Cavalry commission;
Then frolic, flirting, parting,--when none grieved
Save Brown, who loved our young Academician.
And Grey, who felt his friend was still deceived
By Mistress Kitty, who with other beauties
Graced the occasion, and it was believed
Had promised Brown that when he could recruit his
Promised command, she'd share with him those duties.

XXV

Howe'er this was I know not; all I know,
The night was June's, the moon rode high and clear;
''Twas such a night as this,' three years ago,
Miss Kitty sang the song that two might hear.
There is a walk where trees o'erarching grow,
Too wide for one, not wide enough for three
(A fact precluding any plural beau),
Which quite explained Miss Kitty's company,
But not why Grey that favored one should be.

XXVI

There is a spring, whose limpid waters hide
Somewhere within the shadows of that path
Called Kosciusko's. There two figures bide,--
Grey and Miss Kitty. Surely Nature hath
No fairer mirror for a might-be bride
Than this same pool that caught our gentle belle
To its dark heart one moment. At her side
Grey bent. A something trembled o'er the well,
Bright, spherical--a tear? Ah no! a button fell!

XXVII

'Material minds might think that gravitation,'
Quoth Grey, 'drew yon metallic spheroid down.
The soul poetic views the situation
Fraught with more meaning. When thy girlish crown
Was mirrored there, there was disintegration
Of me, and all my spirit moved to you,
Taking the form of slow precipitation!'
But here came 'Taps,' a start, a smile, adieu!
A blush, a sigh, and end of Canto II.


BUGLE SONG

Fades the light,
And afar
Goeth day, cometh night;
And a star
Leadeth all,
Speedeth all
To their rest!

Love, good-night!
Must thou go
When the day
And the light
Need thee so,--
Needeth all,
Heedeth all,
That is best?