Felicia Dorothea Hemans: Verses about Sculpture

COMMANDING pow'r! whose hand with plastic art
Bids the rude stone to grace and being start;
Swell to the waving line the polish'd form,
And only want Promethean fire to warm ;—
Sculpture, exult! thy triumph proudly see,
The Roman slave immortalized by thee!
No suppliant sighs, no terrors round him wait,
But vanquish'd valor soars above his fate!
In that fix'd eye still proud defiance low'rs,
In that stern look indignant grandeur tow'rs!
He sees e'en death, with javelin barb'd in pain,
A foe but worthy of sublime disdain!
Too firm, too lofty, for one parting tear,
A quiv'ring pulse, a struggle, or a fear!

Oh! fire of soul! by servitude disgrac'd,
Perverted courage! energy debas'd!
Lost Rome! thy slave, expiring in the dust,
Tow'rs far above Patrician rank, august!
While that proud rank, insatiate, could survey
Pageants that stain'd with blood each festal day!

Oh! had that arm, which grac'd thy deathful show,
With many a daring feat and nervous blow,
Wav'd the keen sword and rear'd the patriot-shield,
Firm in thy cause, on Glory's laureate field;
Then, like the marble form, from age to age,
His name had liv'd in history's brightest page;
While death had but secur'd the victor's crown,
And seal'd the suffrage of deserv'd renown!
That gen'rous pride, that spirit unsubdu'd,
That soul, with honor's high-wrought sense imbu'd,
Had shone, recorded in the song of fame,
A beam, as now, a blemish, on thy name!

Yet here, so well has art majestic wrought,
Sublimed expression, and ennobled thought;
A dying Hero we behold, alone,
And Mind's bright grandeur animates the stone!
'Tis not th' Arena's venal champion bleeds,
No! 'tis some warrior, fam'd for matchless deeds!
Admiring rapture kindles into flame,
Nature and art the palm divided claim!
Nature (exulting in her spirit's pow'r,
To rise victorious in the dreaded hour,)
Triumphs, that death and all his shadowy train,
Assail a mortal's constancy—in vain!
And Art, rejoicing in the work sublime,
Unhurt by all the sacrilege of time,
Smiles o'er the marble, her divine control
Moulded to symmetry, and fir'd with soul!

There is but one place in the world:
–Thither where he lies buried!

Anon

There, there is all that still remains of him,
That single spot is the whole earth to me.

Coleridge's Wallenstein

Alas! our young affections run to waste,
Or water but the desert.

Childe Harold

THERE went a warrior's funeral thro' the night,
A waving of tall plumes, a ruddy light
Of torches, fitfully and wildly thrown
From the high woods, along the sweeping Rhone,
Far down the waters. Heavily and dead,
Under the moaning trees, the horse-hoof's tread
In muffled sounds upon the greensward fell,
As chieftains pass'd; and solemnly the swell
Of the deep requiem, o'er the gleaming river
Borne with the gale, and with the leaves' low shiver
Floated and died. Proud mourners there, yet pale,
Wore man's mute anguish sternly;–but of one,
Oh! who shall speak? What words his brow unveil?
A father following to the grave his son!
That is no grief to picture! Sad and slow,
Thro' the wood-shadows, moved the knightly train,
With youth's fair form upon the bier laid low,
Fair even when found, amidst the bloody slain,
Stretch'd by its broken lance. They reached the lone
Baronial chapel, where the forest gloom
Fell heaviest, for the massy boughs had grown
Into thick archways, as to vault the tomb.
Stately they trod the hollow ringing aisle,
A strange deep echo shuddered thro' the pile,
Till crested heads at last, in silence bent
Round the De Coucis' antique monument,

When dust to dust was given:–and Aymer slept
Beneath the drooping banners of his line,
Whose broider'd folds the Syrian wind had swept
Proudly and oft o'er fields of Palestine:
So the sad rite was clos'd. The sculptor gave
Trophies, ere long, to deck that lordly grave,
And the pale image of a youth, arrayed
As warriors are for fight, but calmly laid
In slumber on his shield.–Then all was done,
All still around the dead.–His name was heard
Perchance when wine-cups flow'd, and hearts were stirr'd
By some old song, or tale of battle won,
Told round the hearth: but in his father's breast
Manhood's high passions woke again, and press'd
On to their mark; and in his friend's clear eye
There dwelt no shadow of a dream gone by;
And with the brethren of his fields, the feast
Was gay as when the voice whose sounds had ceas'd
Mingled with theirs.–Ev'n thus life's rushing tide
Bears back affection from the grave's dark side:
Alas! to think of this!–the heart's void place
Fill'd up so soon!–so like a summer-cloud,
All that we lov'd to pass and leave no trace!–
He lay forgotten in his early shroud.
Forgotten?–not of all!–the sunny smile
Glancing in play o'er that proud lip erewhile,
And the dark locks whose breezy waving threw
A gladness round, whene'er their shade withdrew
From the bright brow; and all the sweetness lying
Within that eagle-eye's jet radiance deep,
And all the music with that young voice dying,
Whose joyous echoes made the quick heart leap
As at a hunter's bugle:–these things lived
Still in one breast, whose silent love survived
The pomps of kindred sorrow.–Day by day,
On Aymer's tomb fresh flowers in garlands lay,
Thro' the dim fane soft summer-odours breathing,
And all the pale sepulchral trophies wreathing,

And with a flush of deeper brilliance glowing
In the rich light, like molten rubies flowing
Thro' storied windows down. The violet there
Might speak of love–a secret love and lowly,
And the rose image all things fleet and fair,
And the faint passion-flower, the sad and holy,
Tell of diviner hopes. But whose light hand,
As for an altar, wove the radiant band?
Whose gentle nurture brought, from hidden dells.
That gem-like wealth of blossoms and sweet bells,
To blush through every season?–Blight and chill
Might touch the changing woods, but duly still.
For years, those gorgeous coronals renewed,
And brightly clasping marble spear and helm,
Even thro' mid-winter, filled the solitude
With a strange smile, a glow of summer's realm.
–Surely some fond and fervent heart was pouring
Its youth's vain worship on the dust, adoring
In lone devotedness!


One spring-morn rose,
And found, within that tomb's proud shadow laid–
Oh! not as midst the vineyards, to repose
From the fierce noon–a dark-hair'd peasant maid:
Who could reveal her story?–That still face
Had once been fair; for on the clear arch'd brow,
And the curv'd lip, there lingered yet such grace
As sculpture gives its dreams; and long and low
The deep black lashes, o'er the half-shut eye–
For death was on its lids–fell mournfully.
But the cold cheek was sunk, the raven hair
Dimm'd, the slight form all wasted, as by care.
Whence came that early blight? Her kindred's place
Was not amidst the high De Couci race;
Yet there her shrine had been!–She grasp'd a wreath–
The tomb's last garland!–This was love in death.