Elinor Morton Wylie: Verses about Sleep

Within my house of patterned horn
I sleep in such a bed
As men may keep before they're born
And after when they're dead.

Sticks and stones may break their bones,
And words may make them bleed;
There is not one of them who owns
An armour to his need.

Tougher than hide or lozenged bark,
Snow-storm and thunder proof,
And quick with sun, and thick with dark,
Is this my darling roof.

Men's troubled dreams of death and birth
Puls mother-o'-pearl to black;
I bear the rainbow bubble Earth
Square on my scornful back.

When against earth a wooden heel
Clicks as loud as stone on steel,
When stone turns flour instead of flakes,
And frost bakes clay as fire bakes,
When the hard-bitten fields at last
Crack like iron flawed in the cast,
When the world is wicked and cross and old,
I long to be quit of the cruel cold.

Little birds like bubbles of glass
Fly to other Americas,
Birds as bright as sparkles of wine
Fly in the nite to the Argentine,
Birds of azure and flame-birds go
To the tropical Gulf of Mexico:
They chase the sun, they follow the heat,
It is sweet in their bones, O sweet, sweet, sweet!
It's not with them that I'd love to be,
But under the roots of the balsam tree.

Just as the spiniest chestnut-burr
Is lined within with the finest fur,
So the stoney-walled, snow-roofed house
Of every squirrel and mole and mouse
Is lined with thistledown, sea-gull's feather,
Velvet mullein-leaf, heaped together
With balsam and juniper, dry and curled,
Sweeter than anything else in the world.

O what a warm and darksome nest
Where the wildest things are hidden to rest!
It's there that I'd love to lie and sleep,
Soft, soft, soft, and deep, deep, deep!

The garden's full of scented wallflowers,
And, save that these stir faintly, nothing stirs;
Only a distant bell in hollow chime
Cried out just now for far-forgoten time,
And three reverberate words the great bell spoke.
The knocker's made of brass, the door of oak,
And such a clamor must be loosed on air
By the knocker's blow that knock I do not dare.
The silence is a spell, and if it break,
What things, that now lie sleeping, will awake?

Are simple creatures lying there in cool
Sweet linen sheets, in slumber like the pool
Of moonlight white as water on the floor?
Will they come down laughing and unlock the door?
And will they draw me in, and let me sit
On the tall settle while the lamp is lit?
And shall I see their innocent clean lives
Shining as plainly as the plates and knives,
The blue bowls, and the brass cage with its bird?

But listen! listen! surely something stirred
Within the house, and creeping down the halls
Draws close to me with sinister footfalls.
Will long pale fingers softly lift the latch,
And lead me up, under the osier thatch,
To a little room, a little secret room,
Hung with green arras picturing the doom,
The most disasterous death of some proud knight?
And shall I search the room by candle-light
And see, behind the curtains of my bed,
A murdered man who sleeps as sleep the dead?

Or will my clamorous knocking shake the trees
With lonely thunder through the stillnesses,
And then lie down--the coldest fear of all--
To nothing, and deliberate silence fall
On the house deep in the silence, and no one come
To door or window, staring blind and dumb?

My love came up from Barnegat,
The sea was in his eyes;
He trod as softly as a cat
And told me terrible lies.

His hair was yellow as new-cut pine
In shavings curled and feathered;
I thought how silver it would shine
By cruel winters weathered.

But he was in his twentieth year,
Ths time I'm speaking of;
We were head over heels in love with fear
And half a-feared of love.

My hair was piled in a copper crown --
A devilish living thing --
And the tortise-shell pins fell down, fell down,
When that snake uncoiled to spring.

His feet were used to treading a gale
And balancing thereon;
His face was as brown as a foreign sail
Threadbare against the sun.

His arms were thick as hickory logs
Whittled to little wrists;
Strong as the teeth of a terrier dog
Were the fingers of his fists.

Within his arms I feared to sink
Where lions shook their manes,
And dragons drawn in azure ink
Lept quickened by his veins.

Dreadful his strength and length of limb
As the sea to foundering ships;
I dipped my hands in love for him
No deeper than the tips.

But our palms were welded by a flame
The moment we came to part,
And on his knuckles I read my name
Enscrolled with a heart.

And something made our wills to bend,
As wild as trees blown over;
We were no longer friend and friend,
But only lover and lover.

"In seven weeks or seventy years --
God grant it may be sooner! --
I'll make a hankerchief for you
From the sails of my captain's schooner.

We'll wear our loves like wedding rings
Long polished to our touch;
We shall be busy with other things
And they cannot bother us much.

When you are skimming the wrinkled cream
And your ring clinks on the pan,
You'll say to yourself in a pensive dream,
'How wonderful a man!'

When I am slitting a fish's head
And my ring clanks on the knife,
I'll say with thanks as a prayer is said,
'How beautiful a wife!'

And I shall fold my decorous paws
In velvet smooth and deep,
Like a kitten that covers up its claws
To sleep and sleep and sleep.

Like a little blue pigeon you shall bow
Your bright alarming crest;
In the crook of my arm you'll lay your brow
To rest and rest and rest.

Will he never come back from Barnegat
With thunder in his eyes,
Treading as soft as a tiger cat,
To tell me terrible lies?

1

When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.

The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.

2

The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.

3

When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.

The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.

4

Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.