Edwin Arlington Robinson: Verses about Sea

Down by the flash of the restless water
The dim White Ship like a white bird lay;
Laughing at life and the world they sought her,
And out she swung to the silvering bay.
Then off they flew on their roystering way,
And the keen moon fired the light foam flying
Up from the flood where the faint stars play,
And the bones of the brave in the wave are lying.

'T was a king's fair son with a king's fair daughter,
And full three hundred beside, they say, --
Revelling on for the lone, cold slaughter
So soon to seize them and hide them for aye;
But they danced and they drank and their souls grew gay,
Nor ever they knew of a ghoul's eye spying
Their splendor a flickering phantom to stray
Where the bones of the brave in the wave are lying.

Through the mist of a drunken dream they brought her
(This wild white bird) for the sea-fiend's prey:
The pitiless reef in his hard clutch caught her,
And hurled her down where the dead men stay.
A torturing silence of wan dismay --
Shrieks and curses of mad souls dying --
Then down they sank to slumber and sway
Where the bones of the brave in the wave are lying.

ENVOY

Prince, do you sleep to the sound alway
Of the mournful surge and the sea-birds' crying? --
Or does love still shudder and steel still slay,
Where the bones of the brave in the wave are lying?

Ye gods that have a home beyond the world,
Ye that have eyes for all man’s agony,
Ye that have seen this woe that we have seen,—
Look with a just regard,
And with an even grace,
Here on the shattered corpse of a shattered king,
Here on a suffering world where men grow old
And wander like sad shadows till, at last,
Out of the flare of life,
Out of the whirl of years,
Into the mist they go,
Into the mist of death.

O shades of you that loved him long before
The cruel threads of that black sail were spun,
May loyal arms and ancient welcomings
Receive him once again
Who now no longer moves
Here in this flickering dance of changing days,
Where a battle is lost and won for a withered wreath,
And the black master Death is over all
To chill with his approach,
To level with his touch,
The reigning strength of youth,
The fluttered heart of age.

Woe for the fateful day when Delphi’s word was lost—
Woe for the loveless prince of Æthra’s line!
Woe for a father’s tears and the curse of a king’s release—
Woe for the wings of pride and the shafts of doom!
And thou, the saddest wind
That ever blew from Crete,
Sing the fell tidings back to that thrice unhappy ship!—
Sing to the western flame,
Sing to the dying foam.
A dirge for the sundered years and a dirge for the years to be!

Better his end had been as the end of a cloudless day,
Bright, by the word of Zeus, with a golden star,
Wrought of a golden fame, and flung to the central sky,
To gleam on a stormless tomb for evermore:—
Whether or not there fell
To the touch of an alien hand
The sheen of his purple robe and the shine of his diadem,
Better his end had been
To die as an old man dies,—
But the fates are ever the fates, and a crown is ever a crown.

For those that never know the light,
The darkness is a sullen thing;
And they, the Children of the Night,
Seem lost in Fortune's winnowing.

But some are strong and some are weak, --
And there's the story. House and home
Are shut from countless hearts that seek
World-refuge that will never come.

And if there be no other life,
And if there be no other chance
To weigh their sorrow and their strife
Than in the scales of circumstance,

'T were better, ere the sun go down
Upon the first day we embark,
In life's imbittered sea to drown,
Than sail forever in the dark.

But if there be a soul on earth
So blinded with its own misuse
Of man's revealed, incessant worth,
Or worn with anguish, that it views

No light but for a mortal eye,
No rest but of a mortal sleep,
No God but in a prophet's lie,
No faith for "honest doubt" to keep;

If there be nothing, good or bad,
But chaos for a soul to trust, --
God counts it for a soul gone mad,
And if God be God, He is just.

And if God be God, He is Love;
And though the Dawn be still so dim,
It shows us we have played enough
With creeds that make a fiend of Him.

There is one creed, and only one,
That glorifies God's excellence;
So cherish, that His will be done,
The common creed of common sense.

It is the crimson, not the gray,
That charms the twilight of all time;
It is the promise of the day
That makes the starry sky sublime;

It is the faith within the fear
That holds us to the life we curse; --
So let us in ourselves revere
The Self which is the Universe!

Let us, the Children of the Night,
Put off the cloak that hides the scar!
Let us be Children of the Light,
And tell the ages what we are!

“The sea is everywhere the sea.”


I

Gone—faded out of the story, the sea-faring friend I remember?
Gone for a decade, they say: never a word or a sign.
Gone with his hard red face that only his laughter could wrinkle,
Down where men go to be still, by the old way of the sea.

Never again will he come, with rings in his ears like a pirate,
Back to be living and seen, here with his roses and vines;
Here where the tenants are shadows and echoes of years uneventful,
Memory meets the event, told from afar by the sea.

Smoke that floated and rolled in the twilight away from the chimney
Floats and rolls no more. Wheeling and falling, instead,
Down with a twittering flash go the smooth and inscrutable swallows,
Down to the place made theirs by the cold work of the sea.

Roses have had their day, and the dusk is on yarrow and wormwood—
Dusk that is over the grass, drenched with memorial dew;
Trellises lie like bones in a ruin that once was a garden,
Swallows have lingered and ceased, shadows and echoes are all.


II

Where is he lying to-night, as I turn away down to the valley,
Down where the lamps of men tell me the streets are alive?
Where shall I ask, and of whom, in the town or on land or on water,
News of a time and a place buried alike and with him?

Few now remain who may care, nor may they be wiser for caring,
Where or what manner the doom, whether by day or by night;
Whether in Indian deeps or on flood-laden fields of Atlantis,
Or by the roaring Horn, shrouded in silence he lies.

Few now remain who return by the weed-weary path to his cottage,
Drawn by the scene as it was—met by the chill and the change;
Few are alive who report, and few are alive who remember,
More of him now than a name carved somewhere on the sea.

“Where is he lying?” I ask, and the lights in the valley are nearer;
Down to the streets I go, down to the murmur of men.
Down to the roar of the sea in a ship may be well for another—
Down where he lies to-night, silent, and under the storms.

I
A HAPPY MAN
(Carphyllides)

When these graven lines you see,
Traveler, do not pity me;
Though I be among the dead,
Let no mournful word be said.

Children that I leave behind,
And their children, all were kind;
Near to them and to my wife,
I was happy all my life.

My three sons I married right,
And their sons I rocked at night;
Death nor sorrow ever brought
Cause for one unhappy thought.

Now, and with no need of tears,
Here they leave me, full of years,—
Leave me to my quiet rest
In the region of the blest.


II
A MIGHTY RUNNER
(Nicarchus)

The day when Charmus ran with five
In Arcady, as I’m alive,
He came in seventh.—“Five and one
Make seven, you say? It can’t be done.”—
Well, if you think it needs a note,
A friend in a fur overcoat
Ran with him, crying all the while,
“You’ll beat ’em, Charmus, by a mile!”
And so he came in seventh.
Therefore, good Zoilus, you see
The thing is plain as plain can be;
And with four more for company,
He would have been eleventh.


III
THE RAVEN
(Nicarchus)

The gloom of death is on the raven’s wing,
The song of death is in the raven’s cries:
But when Demophilus begins to sing,
The raven dies.


IV
EUTYCHIDES
(Lucilius)

Eutychides, who wrote the songs,
Is going down where he belongs.
O you unhappy ones, beware:
Eutychides will soon be there!
For he is coming with twelve lyres,
And with more than twice twelve quires
Of the stuff that he has done
In the world from which he’s gone.
Ah, now must you know death indeed,
For he is coming with all speed;
And with Eutychides in Hell,
Where’s a poor tortured soul to dwell?


V
DORICHA
(Posidippus)

So now the very bones of you are gone
Where they were dust and ashes long ago;
And there was the last ribbon you tied on
To bind your hair, and that is dust also;
And somewhere there is dust that was of old
A soft and scented garment that you wore—
The same that once till dawn did closely fold
You in with fair Charaxus, fair no more.

But Sappho, and the white leaves of her song,
Will make your name a word for all to learn,
And all to love thereafter, even while
It’s but a name; and this will be as long
As there are distant ships that will return
Again to your Naucratis and the Nile.


VI
THE DUST OF TIMAS
(Sappho)

This dust was Timas; and they say
That almost on her wedding day
She found her bridal home to be
The dark house of Persephone.

And many maidens, knowing then
That she would not come back again,
Unbound their curls; and all in tears,
They cut them off with sharpened shears.


VII
ARETEMIAS
(Antipater of Sidon)

I’m sure I see it all now as it was,
When first you set your foot upon the shore
Where dim Cocytus flows for evermore,
And how it came to pass
That all those Dorian women who are there
In Hades, and still fair,
Came up to you, so young, and wept and smiled
When they beheld you and your little child.
And then, I’m sure, with tears upon your face
To be in that sad place,
You told of the two children you had borne,
And then of Euphron, whom you leave to mourn.
“One stays with him,” you said,
“And this one I bring with me to the dead.”


VIII
THE OLD STORY
(Marcus Argentarius)

Like many a one, when you had gold
Love met you smiling, we are told;
But now that all your gold is gone,
Love leaves you hungry and alone.

And women, who have called you more
Sweet names than ever were before,
Will ask another now to tell
What man you are and where you dwell.

Was ever anyone but you
So long in learning what is true?
Must you find only at the end
That who has nothing has no friend?


IX
TO-MORROW
(Macedonius)

To-morrow? Then your one word left is always now the same;
And that’s a word that names a day that has no more a name.
To-morrow, I have learned at last, is all you have to give:
The rest will be another’s now, as long as I may live.
You will see me in the evening?—And what evening has there been,
Since time began with women, but old age and wrinkled skin?


X
LAIS TO APHRODITE
(Plato)

When I, poor Lais, with my crown
Of beauty could laugh Hellas down,
Young lovers crowded at my door,
Where now my lovers come no more.

So, Goddess, you will not refuse
A mirror that has now no use;
For what I was I cannot be,
And what I am I will not see.


XI
AN INSCRIPTION BY THE SEA
(Glaucus)

No dust have I to cover me,
My grave no man may show;
My tomb is this unending sea,
And I lie far below.
My fate, O stranger, was to drown;
And where it was the ship went down
Is what the sea-birds know.