Ah Ling, The Leper

UP a dark and fetid alley, where the offal and the slime
Of a brave and blusterous city met its misery and crime,
In a hovel reeking pestilence, and noisome as the grave,
Dwelt Ah Ling, the Chinese joiner, and the sweater’s willing slave.

Squatting down amongst the shavings, with his chisel and his plane,
Through the long, hot days of striving, dead to pleasure and to pain,
Like a creature barely human, very yellow, gaunt, and grim,
Ah Ling laboured on, for pleasure spread no lures that tempted him.

And the curious people, watching through the rotten wall at night,
Saw his death’s face weirdly outlined in the candle’s feeble light;
Saw him still intent upon his work, ill-omened and unclean,
Planing, sawing, nailing, hewing—just a skin and bone machine.

Neither kith nor kin the joiner had; perchance he nerved his hand
With the treasured hope of seeing once again his native land
As a Chinaman of fortune, and of finishing his life
At his ease in China Proper, with a painted Chinese wife.

But Ah Ling grew yet more grisly, and ’twas easy now to trace
Signs of vice and fierce privations in his scarred and pitted face,
With a dreadful something added. By this thing the truth was known,
And his countrymen forsook him, and he lived and toiled alone.

Still the work came in, and still he slaved and saw his earnings grow.
Who’s to trouble where the goods are made when buyers will not know?
Gimcrack chairs and pretty nick-nacks from infected dens like this
Go to furnish happy homes to-day where ignorance is bliss.

Now the time was come when Ling might take his treasure up, and go
To enjoy celestial comforts by the flowing Hoang Ho,
But one day his shop was raided, and upon him fell the hand
Of the Law—and death were better than the ruthless Law’s command.

‘Room for the leper, room!’ A thing of fear, Ah Ling was torn
From his hovel and his labour and his cherished hopes, and borne
To a home of untold terrors, where to life grim death is wed,
And the quick behold and know the loathly horrors of the dead.

The Fact Of The Matter

I'm wonderin' why those fellers who go buildin' chipper ditties,
'Bout the rosy times out drovin', an' the dust an' death of cities,
Don't sling the bloomin' office, strike some drover for a billet,
And soak up all the glory that comes handy while they fill it.

P'r'aps it's fun to travel cattle or to picnic with merinos,
But the drover don't catch on, sir, not much high-class rapture he knows.
As for sleepin' on the plains there in the shadder of the spear-grass,
That's liked best by the Juggins with a spring-bed an' a pier-glass.

An' the camp-fire, an' the freedom, and the blanky constellations,
The 'possum-rug an' billy, an' the togs an' stale ole rations -
It's strange they're only raved about by coves that dress up pretty,
An' sport a wife, an' live on slap-up tucker in the city.

I've tickled beef in my time clear from Clarke to Riverina,
An' shifted sheep all round the shop, but blow me if I've seen a
Single blanky hand who didn't buck at pleasures of this kidney,
And wouldn't trade his blisses for a flutter down in Sydney.

Night-watches are delightful when the stars are really splendid
To the chap who's fresh upon the job, but, you bet, his rapture's ended
When the rain comes down in sluice-heads, or the cuttin' hailstones pelter,
An' the sheep drift off before the wind, an' the horses strike for shelter.

Don't take me for a howler, but I find it come annoyin'
To hear these fellers rave about the pleasures we're enjoyin',
When p'r'aps we've nothin' better than some fluky water handy,
An' they're right on all the lickers - rum, an' plenty beer an' brandy.

The town is dusty, may be, but it isn't worth the curses
'Side the dust a feller swallers an' the blinded thirst he nurses
When he's on the hard macadam, where the jumbucks cannot browse, an'
The wind is in his whiskers, an' he follers twenty thousan'.

This drovin' on the plain, too, it's all O.K. when the weather
Isn't hot enough to curl the soles right off your upper leather,
Or so cold that when the mornin' wind comes hissin' through the grasses
You can feel it cut your eyelids like a whip-lash as it passes.

Then there's bull-ants in the blankets, an' a lame horse, an' muskeeters,
An' a D.T. boss like Halligan, or one like Humpy Peters,
Who is mean about the tucker, an' can curse from start to sundown,
An' can fight like fifty devils, an' whose growler's never run down.

Yes, I wonder why the fellers what go building chipper ditties
'Bout the rosy times out drovin' an' the dust an' death of cities,
Don't sling the bloomin' office, strike ole Peters for a billet,
An' soak up all the glory that comes handy while they fill it.

The Letters Of The Dead

A letter came from Dick to-day;
A greeting glad he sends to me.
He tells of one more bloody fray—
Of how with bomb and rifle they
Have put their mark for all to see
Across rock-ribbed Gallipoli.

“How are you doing? Hope all's well,
I in great nick, and like the work.
Though there may be a brimstone smell,
And other pungent hints of Hell,
Not Satan's self can make us shirk
Our task of hitting up the Turk.

“You bet old Slacks is not half bad
He knows his business in a scrim.
He gets cold steel, or we are glad
To stop him with a bullet, lad.
Or sling a bomb his hair to trim;
But, straight, we throw no mud at him.

“He fights and falls, and comes again,
And knocks our charging lines about.
He's game at heart, and tough in grain,
And canters through the leaded rain,
Chock full of mettle—not a doubt
'T will do us proud to put him out.

“But that's our job; to see it through
We've made our minds up, come what may,
This noon we had our work to do.
The shells were dropping two by two;
We fairly felt their bullets play
Among our hair for half a day.

“One clipped my ear, a red-hot kiss,
Another beggar chipped my shin.
They pass you with a vicious hiss
That makes you duck; but, hit or miss,
It isn't in the Sultan's skin
To shift Australia's cheerful grin.

“My oath, old man, though we were prone
We didn't take it lying down.
I got a dozen on my own—
All dread of killing now is flown;
It is the game, and, hard and brown,
We're wading in for freedom's crown.

“Big guns are booming as I write,
A lad is singing 'Dolly Grey,'
The shells are skipping in the night,
And, square and all, I feeling right
For, whisper, Ned, the fellows say
I did a ripping thing to-day.

“Soon homeward tramping with the band,
All notched a bit, and with the prize
Of glory for our native land,
I'll see my little sweetheart stand
And smile, her smile, so sweet and wise—
With proud tears shining in her eyes.

“Geewhiz! What price your humble when
Triumphant from the last attack,
We face a Melbourne crowd again,
Tough, happy, battle-proven men,
And while the cheer-stormed heavens crack
I bring the tattered colors back!”

A mist is o'er the written line
Whence martial ardor seems to flow;
A dull ache holds this heart of mine—
Poor boy, he had a vision fine;
But grave dust clouds the royal glow;
He died in action weeks ago!

He was my friend—I may not weep.
My soul goes out to Him who bled;
I pray for Christ's compassion deep
On mothers, lovers—all who keep
The woeful vigil, having read
The joyous letters of the dead.

IF YOU want a game to tame you and to take your measure in,
Try a week or two of trucking in a mine
Where the rails are never level for a half-a-minute’s spin,
And the curves are short and sharp along the line.

Try the feverish bottom level, down five hundred feet of shaft,
Where the atmosphere is like a second suit,
When the wash is full of water, and you’ve got to run the graft,
For there’s forty ton of gravel in the shoot.

‘Want a job o’ truckin’, dost tha?’ says the boss, old Geordie Rist,
Shift’s a trucker short, ma lad, but aw don’ know—
Can’st tha do th’ work, though, think’st tha? Art a pretty decent fist?
Eh, well, damme! thoo can try it; go below.’

So the cage is manned, the knocker clangs and clatters on the brace,
The engine draws a deep, defiant breath
To inflate her lungs of iron; and in silence, face to face,
We drop into the darkness deep as death.

Then a fairy sense of lightness and of floating on the night,
A sudden glare, and Number Three is passed;
Soon a sound of warring waters and another rush of light—
‘All clear!’ The up-trip never seems so fast.

It is rough upon the tyro, that first tussle with the trucks—
The wretched four, with worn, three-cornered wheels
That are sure to fall to his lot and to floor him if his pluck’s
Not true when mates are grinding at his heels.

Then the struggle at the incline, and the deuced ticklish squeeze
At the curves where strength alone not all avails,
And the floundering in the mullock, and the badly-broken knees
Before he learns to run upon the rails.

But it’s like all other grafting, and the man that has the grit
Won’t tucker out with one back-racking shift;
When he’s sweated to condition, with his muscles firm and fit,
He’ll disdain to stick at seven trucks of drift.

He can swarm around the pinches with a scramble and a dash,
And negotiate the inclines just as pat;
And the sheets of iron rattle and the waters surge and splash
As he shoots the 'full ’uns' in along the plat.

When the empties wind and clatter down the drive and through the dark—
As ‘blowing’ spells those backward journeys serve—
On before, deep set in darkness, glints and glows a feeble spark,
The candle burning dimly at the curve.

After cribs are polished off, and when the smoke begins to rise
And cling about the caps and in the cracks,
There’s a passing satisfaction in the patriarchal lies
Of the Geordie pioneers and Cousin Jacks—

Lanky Steve’s unwritten stories of the fun of Fifty-two,
Or the dashing days at Donkey Woman’s Flat,
Of traps, and beaks, and heavy yields, and pugilists put through,
And lifting up the flag at Ballarat.

Yes, the truckers’ toil is rather heavy grafting as a rule—
Much heavier than the wages, well I know;
But the life’s not full of trouble, and the fellow is a fool
Who cannot find some pleasure down below.

When The Bell Blew Up

‘THAT’S the boiler at The Bell, mates! Tumble out, Ned, neck and crop—
Never mind your hat and coat, man, we’ll be wanted on the job.
Barney’s driving, Harvey’s stoking—God help all the hands on top!
Bring along the brandy, some one. Don’t stand like an image, Bob;
Grab those shirts—they’ll all be needed. Rugs and candles, that’s all right.
Bet your lives, boys, we’ll have lots of doctor’s work to do to-night!

‘Didn’t she thunder? Scot! I thought the universe had gone to smash.
Take the track through Peetree’s paddock, make the smartest time you know.
Barney swore her plates were rotten, but poor Bill was always rash.’
‘And his missus, heaven help her!—they were spliced a month ago.’
Down the track we raced together, up the hill—then o’er the claim
Saw the steam-clouds hanging thickly, lustrous with the glow of flame.

Boiler-house in hopeless ruins, engines wrecked and smoke-stack gone;
Bricks and shingles widely scattered, and the shattered boiler bare.
‘Five men missed!’ ‘Buck in, you fellows; get your freest action on;
Keep the fire back from the timbers—God knows who is under there.
Sprag that knocker. How it rattles! Braceman’s nowhere—Coleman’s Joe.
Tell them what has happened, Ryan. They will have to wait below.’

As we fought the fires, the women, pale and tearful gathered round.
‘That you, Peter? Thanks to Heaven!’ ‘There’s my Harry! God is good!’
‘Praise the Lord—they’ve got our lad safe! Joe the braceman has been found!
Down between the tips they found him, pinned there by a log of wood.
‘Battery boys are safe. Mack saw them hiding under Peetree’s ricks.
They just up and cut from under when it started raining bricks.’

Only two now—Bill and Barney. Still we laboured might and main
’Mid the ruins round the boiler where the shattered walls were stacked.
Then his wife discovered Barney, dazed and black, but right as rain;
Said he didn’t know what hit him—‘thought the crack of doom had cracked;’
He had landed on the sand-heap, thirty yards or so away.
‘God is mighty good to sinners,’ murmured Geordie. ‘Let us pray.’

Fifty voices called on Harvey, and we worked like horses all,
Delving down amongst the timber, burnt and knocked about, but gay.
‘Lend a hand, here, every man; he’s pinned beneath the outer wall!
All together. Now you’ve got him. Gently does it. That’s O.K.
Scalded! Yes, and right arm broken. Pass some brandy, one of you.
Cheer, ye devils! Give it lip, lads. He’s alive and kicking, too!’

‘Give him air, now. Make a track there. Let him see his missus first.’
‘Where’s his wife?’ The women wondered. She had not been seen all night.
Someone whispered she was timid, that she dared not face the worst.
Harvey smiled despite his troubles. ‘Boys, she’s fainted—she’s all right.’
So we bore him gaily home, and as he saw the gateway near
Bill tried hard to lead the chorus when we gave a rousing cheer.

‘Stop, for God’s sake!’ In the garden, where her life blood tinged the vine,
Prone poor Harvey’s wife was lying, in the moon- light, cold and gray.
There the flying bolt had struck her as she ran towards the mine.
We could guess the truth too well—and near a broken firebar lay.
Carrol, kneeling down beside her, gently raised the wounded head,
And we bent to catch his whisper, and he answered sadly—‘Dead!’

In days before the trouble Jo was rated as
a slob.
He chose to sit in hourly expectation of a job.
He'd loop hisself upon a post, for seldom
friends had he,
A gift of patient waitin' his distinctif quality.
He'd linger in a doorway, or he'd loiter on the
grass,
Edgin' modestly aside to let the fleetin'
moments pass.

Jo' begged a bob from mother, but more often
got a clout,
And settled down with cigarettes to smoke the
devil out.
The one consistent member of the Never
Trouble Club,
He put a satin finish on the frontage of the
pub.
His shoulder-blades were pokin' out from
polishin' the pine;
But if a job ran at him Joey's footwork was
divine.

Jo strayed in at the cobbler's door, but, scoffed
at as a fool,
He found the conversation too exhaustin' as
a rule;
Or, canted on the smithy coke, he'd hoist his
feet and yawn,
His boots slid up his shinbones, and his pants
displayin' brawn:
And if the copper chanced along 'twas beauty-
ful to see
Joe wear away and made hisself a fadest
memory.

Then came the universal nark. The Kaiser
let her rip.
They cleared the ring. The scrap was for the
whole world's championship.
Jo Brown was takin' notice, lurkin' shy be-
neath his hat,
And every day he crept to see the drillin' on
the flat.
He waited, watchin' from the furze the blokes
in butcher's blue,
For the burst of inspiration that would tell him
what to do.

He couldn't lean, he couldn't lie. He yelled
out in the night.
Jo understood—he'd all these years been
spoilin' for a fight!
Right into things he flung himself. He
took his kit and gun,
Mooched gladly in the dust, or roasted gaily
in the sun.
“Gorstruth,” he said, with shining eyes, “it
means a frightful war,
'N' now I know this is the thing that Heaven
meant me for.”

Jo went away a corporal and fought again the
Turk,
And like a duck to water Joey cottoned to the
work.
If anythin' was doin' it would presently come
out
That Joseph Brown from Booragool was there
or thereabout.
He got a batch of medals, and a glorious
renown
Attached all of a sudden to the name of
Sergeant Brown.

Then people talked of Joey as the dearest
friend they had;
They were chummy with his uncles, or ac-
quainted with his dad.
Joe goes to France, and presently he figure as
the best
Two-handed all-in fighter in the armies of the
West,
And men of every age at home and high and
low degree,
We gather now, once went to school with
Sergeant Brown, V.C.

Then Hayes and Jo, in Flanders met, and very
proud was Hayes
To shake a townsman by the hand, and sing
the hero's praise,
“Oh, yes,” says Jo, “I'm doin' well, 'n' yet
I might do more.
If I was in a hurry, mate, to finish up this war
I'd lay out every Fritz on earth, but, strike me,
what a yob
A man would be to work himself out of a
flamnin' job!”

Now Jo's a swell lieutenant, and he's keepin'
up the pace.
Ha “Record” says Lieutenant Brown's an
honor to the place.
The town gets special mention every time he
scores. We bet
If peace don't mess his chances up, he'll be
Field-Marshal yet.
Dad, mother and the uncles Brown and all our
people know
That Providence began this war to find a grip
for Jo!

Since Nellie Came To Live Along The Creek

MY HUT is built of stringy-bark, the window’s calico,
The furniture a gin-case, one bush-table, and a bunk;
Thick as wheat on my selection does the towering timber grow,
And the stately blue-gums’ taproots to the bedrock all are sunk;
Then the ferns spring up like nettles,
And the ti-tree comes and settles
On my clearing if I spell-oh for a week;
But I work for love of labour
Since I’ve got a handy neighbour,
And Miss Nellie’s come to live along the creek.

Time was when Death sat by me, and he stalked me through the trees;
Then my arm was weak as water, and my heart a weary thing;
I was sullen as a wombat on such still, wan days as these,
And my wedges all were rusty, and my axe had lost its ring.
Then a fear like sickness bound me,
And I cursed the trees around me,
For quite hopeless seemed the struggle I’d begun
And at night-time, cowed and sinking,
I would sit there thinking, thinking,
Gazing grimly down the barrels of my gun.

Then I felt the bush must crush me with its dreadful, brooding wings,
And its voices seemed to mock me, till I thought that I was mad
Like the mopoke, and the jackass, and the other loony things;
For beside my old dog, Brumbie, not a living mate I had.
Then each sapling was a giant,
And the stumps were all defiant,
And my friends were very few and far to seek;
But the bush is bright and splendid,
And my melancholy’s ended,
Since Miss Nellie came to live along the creek

I would swear she was the sweetest if the world was full of girls:
She’s as graceful as a sapling, and her waist is neat and slim;
She is dimpled o’er with smiling, and has glossy, golden curls,
And her eyes peep out like violets ’neath her sunhat’s jealous rim.
If I think I see her flitting
On the sun-crowned hill, or sitting
’Neath the fern-fronds where the creek sleeps, deep and cool,
Then my stroke is straight and steady,
And the white chips run and eddy,
And I laugh aloud at nothing, like a fool.

Now my axe rings like a sabre, and my heart exults with pride
When the green gums sweep the scrub down, and they thunder and rebound,
And then lie with limbs all shattered, reaching out on either side,
Like giants killed in battle, with their faces to the ground.
Now the bush has many pleasures,
And a wondrous store of treasures,
And a thousand tales its eerie voices speak;
But its strange night hushes, seeming
Sent to lure to mystic dreaming,
Have no terrors, now Miss Nellie’s on the creek.

I am happy when the thunder bumps and bellows on the hill,
And the tall trees writhe and wrestle with the fury of the gale,
Or when sunshine floods the clearing, and the bushland is so still
That I hear the creek’s low waters tinkle, tinkle on the shale.
In the thought that she is near me
There’s a charm to lift and cheer me,
And a power that makes me mighty seems to flow
From Miss Nellie’s distant coo-ey,
Or her twin lips red and dewy
When she comes by here, and shyly calls me ‘Joe.’

She can work from dawn to nightfall, and look handsome all the day;
At her smile my garden flourished, and the vines grew green and strong,
And the bush falls back before it, and it strikes the scrub away,
For it lingers ever with me, and it stirs me like a song.
Now I labour in all weathers,
And the logs are merest feathers,
Nor my heart nor yet my hand is ever weak,
And a higher thing my prize is
Than all else that life comprises—
Pretty Nell, who’s come to live along the creek.

It is thirty moons since I slung me hook
From the job at the hay and corn,
Took me solemn oath, 'n' I straight forsook
All the ways of life, dinkum ways 'n' crook,
'N' the things on which it was good to look
Since the day when a bloke was born.

I was give a gun, 'n' a bay'net bright,
'N' a 'ell of a swag iv work,
N' I dipped my lid to the big pub light,
To the ole push cobbers I give “Good-night!”
Slipped a kiss to 'er, 'n' I wings me flight
For a date with the demon Turk.

Ez we pricked our heel to the skitin' drum.
Square 'n' all, I was gone a mile.
With a perky air, 'n' a 'eart ez glum
Ez a long-dead cod, I was blind 'n' dumb,
Holdin' do the tear that was bound to come
At a word or a friendly smile.

Now I've seen it all, I may come out dead,
But I 'ope never more a fool.
I have scorched, 'n' thirsted, 'n' froze, 'n'
bled,
'N' bin taught the use of the human head,
For when all is done 'n' when all is said,
War's a wonderful sort of school.

I've bin taught to get 'em 'n' never fret,
'N' to sleep without dreamin' when
We have swarmed a slope with the red rain wet;
I 'ave learned a pile, 'n' I'm learnin' yet;
But the thing I've learned that I won't forget
Is a way of not judgin' men.

We was shot down there in a dirty place—
From the mansions 'n' huts we'd come—
'N' of all the welter the 'ardest case
Was a little swine with a dimpled face,
Who a year ago was dispensin' lace
In a Carlton em-por-ee-um.

In the moochin' days of me giddy youth,
When I kidded meself a treat,
I'd have pass him one ez a gooey. 'Strewth
On the track iv Huns, he's a eight-day sleuth,
'N' at tearin' into 'em nail 'n' tooth
He's got Julius Caesar beat!

I ain't proud with him ; 'n' I'm modest, too,
When dividin' a can of swill
With a Algy boy from the wilds iv Kew.
Cos I do not know what the cow will do
When a Fritzy offers to sock me through;
'N' it's good to be livin' still.

There you are, you see! Oh! it makes you sore,
When a bloke you despised at 'ome
In them pifflin' days of the years before
Takes a odds-on chance with the God of War,
'N' he tows you out with his left lung tore,
'N' a crack in his bleedin' dome!

'Twas a lad called Hugh done ez much for me.
(He has curls 'n' he's fair 'n' slim).
Well, I mind the days in the Port when we
Puts it over Hugh coz we don't agree
With his tone 'n' style, 'n' my foot was free
When the push made a hack of him.

Now he's paid me back. I had struck a snag,
And must creep through the battle spume
All a flamin' age, with a grinnin' jag
In me thigh, for water, or jest a fag.
Like a crippled snake I was forced to drag
Shattered flesh till the crack of doom.

When they saw me he was the one who came.
'N' he give me a raffish grin
'N' a swig. I wasn't so bad that shame
Didn't get me then, for the lad was lame.
They had passed him his, but his 'art was game.
'N' he coughed ez he brought me in.

I have tackled God on me bended knees,
So He'll save him alive 'n' whole,
For the sake of one who he thinks he sees
When the Nurse's hands bring a kind of ease;
And I thank God, too, for the things like these
That have give me a sort of soul.

There are Percies, Algies, 'n' Claudes I've met
Who could take it 'n' come agen,
While the bullets flew in a screamin' jet.
What in pain, 'n' death, and in mire 'n' sweat
I 'ave learned from them that I won't forget
Is a way of not judgin' men.

THERE’S a sudden, fierce clang of the knocker, then the sound of a voice in the shaft,
Shrieking words that drum hard on the centres, and the braceman goes suddenly daft:
‘Set the whistle a-blowing like blazes! Billy, run, give old Mackie a call—
Run, you fool! Number Two’s gone to pieces, and Fred Baker is caught in the fall!
Say, hello! there below—any hope, boys, any chances of saving his life?
‘Heave away!’ says the knocker. ‘They’ve started. God be praised, he’s no youngsters or wife!’

Screams the whistle in fearful entreaty, and the wild echo raves on the spur,
And the night, that was still as a sleeper in soft, charmed sleep, is astir
With the fluttering of wings in the wattles, and the vague frightened murmur of birds,
With far cooeys that carry the warning, running feet, inarticulate words.
From the black belt of bush come the miners, and they gather by Mack on the brace,
Out of breath, barely clad, and half-wakened, with a question in every face.

‘Who’s below?’ ‘Where’s the fall?’ Didn’t I tell you?—Didn’t I say that them sets wasn’t sound?’
‘Is it Fred? He was reckless was Baker; now he’s seen his last shift underground.’
‘And his mate? Where is Sandy M‘Fadyn?’ ’Sandy’s snoring at home on his bunk.’
‘Not at work! Name o’ God! a foreboding?’ ‘A foreboding be hanged! He is drunk!’
Take it steady there, lads!’ the boss orders. He is white to the roots of his hair.
We may get him alive before daybreak if he’s close to the face and has air.’

In the dim drive with ardour heroic two facemen are pegging away.
Long and Coots in the rise heard her thunder, and they fled without word or delay
Down the drive, and they rushed for the ladders, and they went up the shaft with a run,
For they knew the weak spot in the workings, and they guessed there was graft to be done.
Number Two was pitch dark, and they scrambled to the plat and they made for the face,
But the roof bad come down fifty yards in, and the reef was all over the place.

Fresher men from the surface replace them, and they’re hauled up on top for a blow;
When a life and death job is in doing there’s room only for workers below.
Bare-armed, and bare-chested, and brawny, with a grim, meaning set of the jaw,
The relay hurries in to the rescue, caring not for the danger a straw;
’Tis not toil, but a battle, they’re called to, and like Trojans the miners respond,
For a dead man lies crushed ’neath the timbers, or a live man is choking beyond.

By the faint, yellow glow of the candles, where the dank drive is hot with their breath,
On the verge of the Land of the Shadow, waging war breast to bosom with Death,
How they struggle, these giants! and slowly, as the trucks rattle into the gloom,
Inch by inch they advance to the conquest of a prison—or is it a tomb?
And the working’s re-echo a volley as the timbers are driven in place;
Then a whisper is borne to the toilers ‘Boys, his mother is there on the brace!’

Like veterans late into action, fierce with longing to hew and to hack,
Riordan’s shift rushes in to relieve them, and the toil-stricken men stagger back.
‘Stow the stuff, mates, wherever there’s stowage! Run the man on the brace till he drops!
There’s no time to think on this billet! Bark the heels of the trucker who stops!
Keep the props well in front, and be careful. He’s in there, and alive, never fret.’
But the grey dawn is softening the ridges, and the word has not come to us yet.

Still the knocker rings out, and the engine shrieks and strains like a creature in pain
As the cage rushes up to the surface and drops back into darkness again.
By the capstan a woman is crouching. In her eyes neither hope nor despair;
But a yearning that glowers like frenzy bids those who’d speak pity forbear.
Like a figure in stone she is seated till the labour of rescue be done.
For the father was killed in the Phoenix, and the son—Lord of pity! the son?

‘Hello! there on top!’ they are calling. ‘They are through! He is seen in the drive!’
‘They have got him—thank Heaven! they’ve got him, and oh, blessed be God, he’s alive!’
‘Man on! heave away!’ ‘Step aside, lads; let his mother be first when he lands.’
She was silent and strong in her anguish; now she babbles and weeps where she stands,
And the stern men, grown gentle, support her at the mouth of the shaft, till at last
With a rush the cage springs to the landing, and her son’s arms encircle her fast.

She has cursed the old mine for its murders, for the victims its drives have ensnared,
Now she cries a great blessing upon it for the one precious life it has spared.

HE WAS working on a station in the Western when I knew him,
And he came from Conongamo, up the old surveyors’ track,
And the fellows all admitted that no man in Vic. could ‘do him,’
Since he’d smothered Stonewall Menzie, also Anderson, the black.
Bob was modelled for a fighter, but he’d run to beef a trifle;
For his science every rouseabout was satisfied to vouch,
And Red Fogarty advised us he delivered like a rifle,
And his stopping—well, beside him Harry Sallars was a slouch.

Not a man of us had met him till he settled on the station—
This was early in the Sixties, what we call the good old days—
And it’s cheerfully admitted Robert owed his reputation
To a crippled jaw, a broken nose, and eyes that looked both ways.
We were certain on the face of it our guess was not an error,
Every feature of his phiz was marked, his chin was pulled askew,
And The Critic passed the office: ‘Bet your buttons he’s a terror!
That’s the man who hammered Kelly on The Creek in Fifty-two!’

Bob was not a shrinking blossom, and he held the first impressions
By his subsequent admissions to the ringers and the mugs,
And he let himself be tickled into casual confessions
Of his battles with the bruisers and the scientific pugs.
How he’d mangled Matty Hardy was his earliest narration;
He’d completely flummoxed Kitchen, and had made the climate hot
For Maloney, Fee, and Curran. It was quite a consolation
When he graciously informed us that he hadn’t licked the lot.

The arrival of the Wonder gave a spurt to local science,
And we had an exhibition every evening in the week,
For the lightest joke was answered in the lingo of defiance,
And our blood was cast like water on the grasses by the creek.
Every fellow but the stranger had his scrap or rough-and-tumble;
No one thought of looking ugly at the slugger, Battered Bob;
And whene’er the boys addressed him ’twas in language choice and humble,—
Though they ached to see him beaten, none was anxious for the job.

How we honoured Bob, and yielded to his later information;
Let him lead in all the arguments, and gently run the ranche!
And a very small potato was the owner of the station
By the man who slaughtered Melody and fought a draw with Blanche.
Battered Bob became our champion, our boss, and by degrees he
Sent his fame down to the Wannon, and right up to Spooner’s Gap,
And he scooped the honours smiling, and he held them just as easy,
For we’d never seen him shape yet, and he hadn’t fought a tap.

We’d a cook whose name was Han Cat—he was short, and fat, and yellow,
Just a common, ugly Chinky, with a never ending smile.
Bob was careful to avoid the corns of any other fellow,
But he filled Han Cat with sorrow, and he whaled him all the while.
Han Cat groaned and bore it meekly, and we didn’t care to figure
In the antics of the Champion or his little private rows.
Robert said, ‘I like a native, and I’ll liquor with a nigger,
But I hate the skin and colour of these sanguinary Chows!’

On a certain Sunday morning Robert slyly cut a section
Off the pig-tail of the pagan—’twas Han’s glory and his pride—
But the trouble that came after is his saddest recollection,
And the boys were so disgusted that they very nearly died.
Han Cat wept a while, and then he turned and scowled as black as thunder,
And he cursed the grinning spoiler till he had to stop for breath:
When he shaped up like a Christian, and he waltzed into the Wonder,
We arranged a ring, and waited for the heathen’s sudden death.

Oh! the sorrow of that Sunday! Oh! the shame and degradation!
The chaps were simply paralyzed, and everyone was dumb,
For the heathen pushed the battle in the fashion of our nation,
And he countered in a way that made the Wonder fairly hum.
‘Bob is fooling Han,’ we murmured, ‘he’ll surprise him in a minute—
Soon he’ll rise to this occasion, and display his proper form!’
But, alas! we’d nursed a viper, for our pug was never in it—
And he couldn’t battle well enough to keep the Pagan warm.

Han Cat beat our battered champion, beat the conqueror of Menzie,
And he towed him round the paddock like a dummy stuffed with hair,
And we never stirred to interfere and stop the Chinky’s frenzy
When he jumped upon the Wonder in a manner most unfair.
You must fancy all our sorrow, and our shame and indignation,
For pen can never, never tell how horrified we felt.
In the morning Little Finney, for the credit of the station,
Hammered Han in stylish fashion with one fist tucked in his belt.

As for Robert, we discussed him in a serious convention,
And resolved that we were victims of a duffer’s awful skite,
And we put it up to tar him; but he dropped to our intention,
And he skipped, without a character, for Hamilton that night.
There’s a moral, boys: Don’t think a mangled boko is a token
That a fellow is a fighter, as a simple thing of course;
Like Battered Bob, he may have had his features bent and broken
Through his carelessness when drunk in being walked on by a horse.

OUT OF LUCK, mate? Have a liquor. Hang it, where’s the use complaining?
Take your fancy, I’m in funds now—I can stand the racket, Dan.
Dump your bluey in the corner; camp here for the night, it’s raining;
Bet your life I’m glad to see you—glad to see a Daylesford man.
Swell? Correct, Dan. Spot the get up; and I own this blooming shanty,
Me the fellows christened ‘Jonah’ at Jim Crow and Blanket Flat,
’Cause my luck was so infernal—you remember me and Canty?
Rough times, those—the very memory keeps a chap from getting fat.

Where’d I strike it? That’s a yarn. The fire’s a comfort—sit up nearer.
Hoist your heels, man; take it easy till Kate’s ready with the stew.
Yes, I’ll tell my little story; ’tain’t a long one, but it’s queerer
Than those lies that Tullock pitched us on The Flat in ’52.
Fancy Phil a parson now! He’s smug as grease, the Reverend Tullock.
Yes, he’s big—his wife and fam’ly are a high and mighty lot.
Didn’t I say his jaw would keep him when he tired of punching mullock?
Well, it has—he’s made his pile here. How d’you like your whisky—hot?

Luck! Well, now, I like your cheek, Dan. You had luck, there’s no denying.
I in thirty years had averaged just a wage of twenty bob—
Why, at Alma there I saw men making fortunes without trying,
While for days I lived on ’possums, and then had to take a job.
Bah! you talk about misfortune—my ill-luck was always thorough:
Gold once ran away before me if I chased it for a week.
I was starved at Tarrangower—lived on tick at Maryborough—
And I fell and broke my thigh-bone at the start of Fiery Creek.

At Avoca Canty left me. Jim, you know, was not a croaker,
But he jacked the whole arrangement—found we couldn’t make a do:
Said he loved me like a brother, but ’twas rough upon a joker
When he’d got to fight the devil, and find luck enough for two.
Jim was off. I didn’t blame him, seeing what he’d had to suffer
When Maginnis, just beside us, panned out fifty to the tub.
‘We had pegged out hours before him, and had struck another duffer,
And each store upon the lead, my lad, had laid us up for grub.

After that I picked up Barlow, but we parted at Dunolly
When we’d struggled through at Alma, Adelaide Lead, and Ararat.
See, my luck was hard upon him; he contracted melancholy,
And he hung himself one morning in the shaft at Parrot Flat.
Ding it? No. Where gold was getting I was on the job, and early,—
Struck some tucker dirt at Armstrong’s, and just lived at Pleasant Creek,
Always grafting like a good ’un, never hopeless-like or surly,
Living partly on my earnings, Dan, but largely on my cheek.

Good old days, they like to call them—they were tough old days to many:
I was through them, and they left me still the choice to graft or beg—
Left me gray, and worn, and wrinkled, aged and stumped—without a penny—
With a chronic rheumatism and this darned old twisted leg.
Other work? That’s true—in plenty. But you know the real old stager
Who has followed up the diggings, how he hangs on to the pan,
How he hates to leave the pipeclay. Though you mention it I’ll wager
That you never worked on top until you couldn’t help it, Dan.

Years went by. On many fields I worked, and often missed a meal, and
Then I found Victoria played out, and the yields were very slack,
So I took a turn up Northward, tried Tasmania and New Zealand,—
Dan, I worked my passage over, and I sneaked the journey back.
Times were worse. I made a cradle, and went fossicking old places;
But the Chows had been before me, and had scraped the country bare;
There was talk of splendid patches ’mongst the creeks and round the races,
But ’twas not my luck to strike them, and I think I lived on air.

Rough? That’s not the word. So help me, Dan, I hadn’t got a stiver
‘When I caved in one fine Sunday—found I couldn’t lift my head.
They removed me, and the doctor said I’d got rheumatic fever,
And for seven months I lingered in a ward upon a bed.
Came out crippled, feeling done-up, hopeless-like and very lonely,
And dead-beat right down to bed rock as I’d never felt before.
Bitter? Just! Those hopeful years of honest graft had left me only
This bent leg; and some asylum was the prospect I’d in store.

You’ll be knowing how I felt then—cleaned-out, lame, completely gravelled—
All the friends I’d known were scattered widely north, and east, and west:
There seemed nothing there for my sort, and no chances if I travelled;
No, my digging days were over, and I had to give it best.
Though ’twas hard, I tried to meet it like a man in digger fashion:
’Twasn’t good enough—I funked it; I was fairly on the shelf,
Cursed my bitter fortune daily, and was always in a passion
With the Lord, sir, and with everyone, but mostly with myself.

I was older twenty years then than I am this blessed minute,
But I got a job one morning, knapping rock at Ballarat;
Two-and-three for two-inch metal. You may say there’s nothing in it,
To the man who’s been through Eaglehawk and mined at Blanket Flat.
Wait—you’d better let me finish. We and ill, I bucked in gladly,
But to get the tools I needed I was forced to pawn my swag.
I’d no hope of golden patches, but I needed tucker badly,
And this job, I think, just saved me being lumbered on the vag.

Fortune is a fickle party, but in spite of all her failings,
Don’t revile her, Dan, as I did, while you’ve still a little rope.
Well, the heap that I was put on was some heavy quartz and tailings,
That was carted from a local mine, I think the Band of Hope.
Take the lesson that is coming to your heart, old man, and hug it:
For I started on the heap with scarce a soul to call my own,
And in less than twenty minutes I’d raked out a bouncing nugget
Scaling close on ninety ounces, and just frosted round with stone.

How is that for high, my hearty? Miracle! It was, by thunder!
After forty years of following the rushes up and down,
Getting old, and past all prospect, and about to knuckle under,
Struck it lucky knapping metal in the middle of a town!
Pass the bottle! Have another! Soon we’ll get the word from Kitty—
She’s a daisy cook, I tell you. Yes, the public business pays
But my pile was made beforehand—made it ‘broking’ in the city.
That’s the yarn I pitch the neighbours. Here’s to good old now-a-days.