Go, since you must, but, Dearest, know
That, Honour having bid you go,
Your honour, if your life be spent,
Shall have a costly monument.

This heart, that fire and roses is
Beneath the magic of your kiss,
Shall turn to marble if you die
And be your deathless effigy.

So good-bye!
This is where we end it, you and I.
Life's to live, you know, and death's to die;
So good-bye!

I was yours
For the love in life that loves while life endures,
For the earth-path that the Heaven-flight ensures
I was yours.

You were mine
For the moment that a garland takes to twine,
For the human hour that sorcery shews divine
You were mine.

All is over.
You and I no more are love and lover;
Nought's to seek now, gain, attain, discover.
All is over.

The Death Of Agnes

Now that the sunlight dies in my eyes,
And the moonlight grows in my hair,
I who was never very wise,
Never was very fair,
Virgin and martyr all my life,
What has life left to give
Me--who was never mother nor wife,
Never got leave to live?

Nothing of life could I clasp or claim,
Nothing could steal or save.
So when you come to carve my name,
Give me life in my grave.
To keep me warm when I sleep alone
A lie is little to give;
Call me 'Magdalen' on my stone,
Though I died and did not live.

A MONTH of green and tender May,
All woods and walks awake with flowers,
Wide sunlit meadows for the day,
And moon-bathed paths for evening hours;
A bright brief dream that had no past,
And of the future knew no fear;
A kiss at first, a sigh at last--
Only last year.


Another spring, dim soulless woods;
No farewell kiss, no parting tear;
No stone to mark where silence broods
O'er the dead love we found so dear.
But, oh, to me the green seems grey,
The budding branches all are sere,
For sweet love's sake, that died one day,
Only last year.

NEVER a ring or a lock of hair
Or a letter stained with tears,
No crown for the princely hour to wear,
To be mocked of the rebel years.
Not a spoken vow, not a written page
And never a rose or a rhyme
To tell to the wintry ear of age
The tale of the summer time.


Never a tear or a farewell kiss
When the time is come to part;
For the kiss would burn and the tear would hiss
On the smouldering fire in my heart.
But let me creep to the kindly clay,
And nothing be left to tell
How I played in your play a year and a day,
And died when the curtain fell!

WHEN hides the sun behind a bank of cloud,
Though well we know the sun is shining still,
No less the shadow falls on down and hill,
And the bright hues grow dull as brows grief-bowed.
So, when thou goest from me into the crowd,
Though well I know thy love through good and ill
Shines steadfastly, thy going seems to fill
The world with shade--turn sunshine to a shroud.


But when through clouds the sun returns to bless
Hill, field, and wood with his divine caress,
Ah, how the colours start to life again!
So after absence, when thou comest back
Bright grows the whole thought-world that was so black,
And my heart sings to feel the sunshine then.

I WILL not wake you, dear; no tears shall creep
To chill the still bed where you lie asleep;
No cry, no word, shall break the sanctity
Of the great silence where God lets you lie.
I will not tease your grave with flower or stone;
You are tired, my heart; you shall be left alone.
And even the kisses that my lips must lay
Upon the mould of the triumphant clay
Shall be so soft--like those a mother lays
Upon her sleeping baby's little face--
You will not feel my kisses, will not hear;
You are tired: sleep on, I will not wake you, dear!
But when the good day comes, you will hear me cry,
'Ah, make a little place where I can lie!'
And half awakened, you will feel me creep
Into the folds of your familiar sleep,
And draw them round us, with a tender moan,
'How could you let me sleep so long alone?'

Good-bye, good-bye; it is not hard to part!
You have my heart--the heart that leaps to hear
Your name called by an echo in a dream;
You have my soul that, like an untroubled stream,
Reflects your soul that leans so dear, so near -
Your heartbeats set the rhythm for my heart.

What more could Life give if we gave her leave
To give, and Life should give us leave to take?
Only each other's arms, each other's eyes,
Each other's lips, the clinging secrecies
That are but as the written words to make
Records of what the heart and soul achieve.

This, only this we yield, my love, my friend,
To Fate's implacable eyes and withering breath.
We still are yours and mine, though, by Time's theft,
My arms are empty and your arms bereft.
It is not hard to part--not harder than Death;
And each of us must face Death in the end!

YOU bring your love too late, dear, I have no love to buy it,
I spent my love on worthless toys, at fairs you do not know;
I am a bankrupt trader--dear eyes, do not deny it,
I could have bought your love, dear, but that was long ago.

My soul has left me widowed, my heart has made me orphan,
Leave me--all good things, dear, have left me--leave me too!
For here is ice no tears of yours, no smiles of yours can soften:
Leave me, leave me, leave me, I have no love for you!

I have no flowers to give you, they grow not in my garden;
I have no songs to sing you, my songs have all been sung;
I have no hope of heaven, no faith in any pardon,
I might have loved you once, dear, when I was good and young.

I will not steal, nor cheat you; take back the heart you lent me.
O God, whom I have outraged, now teach me how to pray,
That love come never again so near me to torment me,
Lest I be found less faithful than, by Thy grace, to-day.

IF we must part, this parting is the best:
How would you bear to lay
Your head on some warm pillow far away--
Your head, so used to lying on my breast?

But now your pillow is cold;
Your hands have flowers, and not my hands, to hold;
Upon our bed the worn bride-linen lies.
I have put the death-money upon your eyes,
So that you should not wake up in the night.
I have bound your face with white;
I have washed you, yes, with water and not with tears,--
Those arms wherein I have slept so many years,
Those feet that hastened when they came to me,
And all your body that belonged to me.
I have smoothed your dear dull hair,
And there is nothing left to say for you
And nothing left to fear or pray for you;
And I have got the rest of life to bear:
Thank God it is you, not I, who are lying there.

If I had died
And you had stood beside
This still white bed
Where the white, scented, horrible flowers are spread,--
I know the thing it is,
And I thank God that He has spared you this.
If one must bear it, thank God it was I
Who had to live and bear to see you die,
Who have to live, and bear to see you dead.

You will have nothing of it all to bear:
You will not even know that in your bed
You lie alone. You will not miss my head
Beside you on the pillow: you will rest
So soft in the grave you will not miss my breast.
But I--but I--Your pillow and your place--
And only the darkness laid against my face,
And only my anguish pressed against my side--
Thank God, thank God, that it was you who died!

AND you could leave me now--
After the first remembered whispered vow
Which sings for ever and ever in my ears--
The vow which God among His Angels hears--
After the long-drawn years,
The slow hard tears,
Could break new ground, and wake
A new strange garden to blossom for your sake,
And leave me here alone,
In the old garden that was once our own?

How should I learn to bear
Our garden's pleasant ways and pleasant air,
Her flowers, her fruits, her lily, her rose and thorn,
When only in a picture these appear--
These, once alive, and always over-dear?
Ah--think again: the rose you used to wear
Must still be more than other roses be
The flower of flowers. Ah, pity, pity me!

For in my acres is no plot of ground
Whereon could any garden site be found,
I have but little skill
To water weed and till
And make the desert blossom like the rose;
Yet our old garden knows
If I have loved its ways and walks and kept
The garden watered, and the pleasance swept.

Yet--if you must--go now:
Go, with my blessing filling both your hands,
And, mid the desert sands
Which life drifts deep round every garden wall,
Make your new festival
Of bud and blossom--red rose and green leaf.
No blight born of my grief
Shall touch your garden, love; but my heart's prayer
Shall draw down blessings on you from the air,
And all we learned of leaf and plant and tree
Shall serve you when you walk no more with me
In garden ways; and when with her you tread
The pleasant ways with blossoms overhead
And when she asks, 'How did you come to know
The secrets of the ways these green things grow?'
Then you will answer--and I, please God, hear,
'I had another garden once, my dear'.

Richborough Castle

THESE three grey walls are still stout and strong,
Though the fourth wide wall has crumbled away
Where the sea swept by when the land was young,
And the great waves thundered along the bay,
Under the sailing seagull's feather,
Wildly white in the stormy weather,
And, murmuring ever a restless song,
Shone, crumpled green, on a sunny day.


Through eighteen hundred years of our time,
With their storms and sieges, these walls have stood,
Till the cliff that the waves once strove to climb
Is left in a meadow solitude;
And now no sea-gulls' nests are there,
But ash-trees and thorns make the cliff-side fair,
And the green of the leaves, and the white of the lime,
And the red of the berries is sweet and good.


Over the walls, whence eagle-eyed
The Romans looked for the coming foes,
Swift keen-tongued snakes now curl and glide
Where the heavy weight of the ivy grows.
Oh, hand that builded, oh, scheming brain,
So long made one with the dust again,
Your old cement and your walls abide,
But stronger than they are the ivy and rose!


How the whole dear world is golden and green
With the marshy meadows, the dimpled wheat,
The hot strong sunshine, the ivy's sheen,
And the high white lights on the shiny beet.
See the far blue line--the retreating sea!
It is good to be here, it is good to be;
Whatever life is, or whatever has been,
To be now--to be here, is nothing but sweet!


There's an underground passage here, they say,
Here is the entrance with green set round;
You must stoop your head in this low-roofed way,
Leave day, light candles--pass underground.
Here, under the fields, it is damp and cold,
And whatever secret the place may hold
It has held it closely for many a day,
And will hold it for more in its hush profound.


Down here, last year, so the gossips tell,
Some archæological learned bore
Went chipping with hammer and chisel as well
To chip his way to the secret's core--
Shut away from the sun and the browning wheat,
The whitening barley, the purple beet--
In the dark with the damp, the earthy smell,
While the days burned through that return no more.


Oh, fool! not to see that the green of the trees,
The blue of the sky and the blue of the sea,
The placid pasture, the baby breeze,
And the outspread meadows' tranquillity,
With eyes to see them, are more than worth
The whole of the secrets of musty earth.
What secret outweighs such delights as these,
Or pays one lost moment's felicity?


Are we wise, we two, when we try to pierce
To the heart of things, to our own hearts' heart,
To learn the secret springs of the years,
And what that is of which we are part?
Free will--the Absolute--matter--mind--
Ah, we came like the wind and we go like the wind!
Would solving life's mysteries dry our tears,
Or absolute knowledge heal souls that smart?


And meantime one might lose what I'd die to keep--
The power to delight in a day like this,
In the brown wings' whir, and the faint-bell'd sheep,
In the million things that the millions miss.
And, think, had it happened one's in-turned eyes
Had missed the gateway of Paradise,
Had one questioned of dreams till one fell asleep,
Having never dreamed, oh, my Dream, of your kiss!

A Song Of Parting

DEDICATION

QUEEN of my Life, who gave me for my song
The richest crown a poet ever wore,
Since I have given you songs a whole year long,
Stoop, of your grace, and take this one song more.


I

It was upon a golden first June day
I chanced to take the quiet meadow way
The flowers and grasses met across my feet--
Red sorrel, daisies, and pale meadow-sweet,
With buttercup that set the field ablaze--
The fields have no such flowers now-a-days--
The hedges all along were pearly white;
And there I met with Chloris, all alone,
I drew her face to lean against my own.
The branch of May that hid her maiden eyes
Was scented like the rose of Paradise--
The May-bough fell: I knew what youth was worth,
And sunshine and the pleasant green-gowned earth,
When first love rhymed to summer and delight.
Yet, since my ship must sail away that day,
Despair new-born met new-born joy half-way.
And I, 'mid rapture and tears, found voice to say
'Farewell--my Love--to leave you is to die,
I never shall forget you, dear!--Good-bye!'


II

At parting from Clarinda life was gray,
With the cold haze of mutual weariness;
The treasure our souls were bartered to possess,
We saw as ashes in the cold new day,
And only longed for leave to steal away
And wash remembrance from our tired eyes,
To cleanse our lips of kisses and of lies,
And to forget the barren fairy gold
For which we had journeyed such a weary road,
Had borne so hard a chain, so great a load,
Yet none the less was the old story told;
The old refrain re-iterate none the less,
'My life's one love,' we said, with sigh for sigh,
'I never can forget you, dear!--Good-bye!'


III

You were so innocent, so sure, so shy,
Life was a chart well-marked for you, you knew--
With rocks and quicksands plainly set in view,
And, fitly beaconed by a heavenly star,
The port you sought marked unmistakeably
Attainable, and not so very far.
So of your charity you chose to try
To take a pirate bark to haven with you.
Ah! child, I had learned to steer on other seas,
Through other shoals--by other stars than these.
My chart had other ports you knew not of,
And so, one day, my black sails took the breeze,
And, ere you knew it, I was leagues away:
Yet not so far but you could hear me cry
Across the waters of your sheltered bay--
'Farewell, my child! Farewell, my only love!
I never can forget you, dear!--Good-bye!'


IV

When I had courted Chloe half a year
She bade me go--she could not hold me dear,
We parted in the orchard, very late:
The dew lay on the white sweet clover flowers
The moon shone through the pear-tree by the gate,
And on the grass the blossoms fell in showers.
'Pray Heaven,' I cried, 'to bless you--none the less
That you have cursed my life eternally!'
She laughed--my pretty china shepherdess,
Kissed her white hand towards the white full moon.
'Up there,' she said, 'the folk who say farewell
Never intone it to a funeral bell,
But sing it to the sweet old-fashioned tune!
Go there and learn!'--'I have learned that tune,' quoth I
''I never can forget you, dear!--Good-bye!''


V

In that far land where myrtles dream of love,
Where soft winds whisper through the orange grove;
And, 'twixt the sapphire of the seas and skies,
The sunshine of perpetual summer lies,
I brought white flowers to lie where Clemence lay.
The shutters, closed, strove with the radiant day,
And in her villa all was still and chill.
Flowers die, they say, but these flowers never will,--
Whenever I see a rose I smell them still;
I laid them by her on the strait white bed:
There were no kisses given, no tears were shed,
And never a whisper of farewell was said;
Yet, when they had laid her underneath the clay,
And paid their prayers and tears, and gone their way,
My heart stirred, and I found the old word to say--
This time--this one time--and this last time--true:
'White lady, my white flowers touch you where you lie,
I never shall forget you! Dear, good-bye!'



Envoy.

Queen of my life, and of the songs I sing,
Whose love sets life to such a royal tune;
This song of parting to your hands I bring,
As I bring honour and faith and everything:
Because I know our parting shall be soon--
Since violets hardly live one happy moon,
And love, full-fledged, is ready to take wing;
But, when he flies, part we the silent way,
And, if you ever loved me, do not say:
'Farewell, my only love--I love you still,
I never will forget you!'--For you will!

The Singing Of The Magnificat

A LEGEND

IN midst of wide green pasture-lands, cut through
By lines of alders bordering deep-banked streams,
Where bulrushes and yellow iris grew,
And rest and peace, and all the flowers of dreams,
The Abbey stood--so still, it seemed a part
Of the marsh-country's almost pulseless heart.


Where grey-green willows fringed the stream and pool,
The lazy meek-faced cattle strayed to graze,
Sheep in the meadows cropped the grasses cool,
And silver fish shone through the watery ways,
And many a load of fruit and load of corn
Into the Abbey storehouses was borne.


Yet though so much they had of life's good things,
The monks but held them as a sacred trust,
Lent from the storehouse of the King of kings
Till they, His stewards, should crumble back to dust.
'Not as our own,' they said, 'but as the Lord's,
All that the stream yields, or the land affords.'


And all the villages and hamlets near
Knew the monks' wealth, and how their wealth was spent.
In tribulation, sickness, want, or fear,
First to the Abbey all the peasants went,
Certain to find a welcome, and to be
Helped in the hour of their extremity.


When plague or sickness smote the people sore,
The Brothers prayed beside the dying bed,
And nursed the sick back into health once more,
And through the horror and the danger said:
'How good is God, Who has such love for us,
He lets us tend His suffering children thus!'


They in their simple ways and works were glad:
Yet all men must have sorrows of their own.
And so a bitter grief the Brothers had,
Nor mourned for others' heaviness alone.
This was the secret of their sorrowing,
That not a monk in all the house could sing!


Was it the damp air from the lovely marsh,
Or strain of scarcely intermitted prayer,
That made their voices, when they sang, as harsh
As any frog's that croaks in evening air--
That made less music in their hymns to lie
Than in the hoarsest wild-fowl's hoarsest cry?


If love could sweeten voice to sing a song,
Theirs had been sweetest song was ever sung:
But their hearts' music reached their lips all wrong,
The soul's intent foiled by the traitorous tongue
That marred the chapel's peace, and seemed to scare
The rapt devotion lingering in the air.


The birds that in the chapel built their nests,
And in the stone-work found their small lives fair,
Flew thence with hurled wings and fluttering breasts
When rang the bell to call the monks to prayer.
'Why will they sing,' they twittered, 'why at all?
In heaven their silence must be festival!'


The brothers prayed with penance and with tears
That God would let them give some little part
Out for the solace of their own sad ears
Of all the music crowded in their heart.
Their nature and the marsh-air had their way,
And still they sang more vilely every day.


And all their prayers and fasts availing not
To give them voices sweet, their souls' desire,
The Abbot said, 'Gifts He did not allot
God at our hands will not again require;
The love He gives us He will ask again
In love to Him and to our fellow-men.


'Praise Him we must, and since we cannot praise
As we would choose, we praise Him as we can.
In heaven we shall be taught the angels' ways
Of singing--we afford to wait a span.
In singing, as in toil, do ye your best;
God will adjust the balance--do the rest!'


But one good Brother, anxious to remove
This, the reproach now laid on them so long,
Rejected counsel, and for very love
Besought a Brother, skilled in art of song,
To come to them--his cloister far to leave--
And sing Magnificat on Christmas Eve.


So when each brown monk duly sought his place,
By two and two, slow pacing to the choir,
Shrined in his dark oak stall, the strange monk's face
Shone with a light as of devotion's fire,
Good, young and fair, his seemed a form wherein
Pure beauty left no room at all for sin.


And when the time for singing it had come,
'Magnificat,' face raised, and voice, he sang:
Each in his stall the monks stood glad and dumb,
As through the chancel's dusk his voice outrang,
Pure, clear, and perfect--as the thrushes sing
Their first impulsive welcome of the spring.


At the first notes the Abbot's heart spoke low:
'Oh God, accept this singing, seeing we,
Had we the power, would ever praise Thee so--
Would ever, Lord, Thou know'st, sing thus for Thee;
Thus in our hearts Thy hymns are ever sung,
As he Thou blessest sings them with his tongue.'


But as the voice rose higher, and more sweet,
The Abbot's heart said, 'Thou hast heard us grieve,
And sent an angel from beside Thy feet,
To sing Magnificat on Christmas Eve;
To ease our ache of soul, and let us see
How we some day in heaven shall sing to Thee.'


Through the cold Christmas night the hymn rang out,
In perfect cadence, clear as sunlit rain--
Such heavenly music that the birds without
Beat their warm wings against the window pane,
Scattering the frosted crystal snow outspread
Upon the stone-lace and the window-lead.


The white moon through the window seemed to gaze
On the pure face and eyes the singer raised;
The storm-wind hushed the clamour of its ways,
God seemed to stoop to hear Himself thus praised,
And breathless all the Brothers stood, and still
Reached longing souls out to the music's thrill.


Old years came back, and half-remembered hours,
Dreams of delight that never was to be,
Mothers' remembered kiss, the funeral flowers
Laid on the grave of life's felicity;
An infinite dear passion of regret
Swept through their hearts, and left their eyelids wet.


The birds beat ever at the window, till
They broke the pane, and so could entrance win;
Their slender feet clung to the window-sill,
And though with them the bitter air came in,
The monks were glad that the birds too should hear,
Since to God's creatures all, His praise is dear.


The lovely music waxed and waned, and sank,
And brought less conscious sadness in its train,
Unrecognised despair that thinks to thank
God for a joy renounced, a chosen pain--
And deems that peace which is but stifled life
Dulled by a too-prolonged unfruitful strife.


When, service done, the Brothers gathered round
To thank the singer--modest-eyed, said he:
'Not mine the grace, if grace indeed abound;
God gave the power, if any power there be;
If I in hymn or psalm clear voice can raise,
As His the gift, so His be all the praise!'


That night--the Abbot lying on his bed--
A sudden flood of radiance on him fell,
Poured from the crucifix above his head,
And cast a stream of light across his cell--
And in the fullest fervour of the light
An Angel stood, glittering, and great, and white.


His wings of thousand rainbow clouds seemed made,
A thousand lamps of love shone in his eyes,
The light of dawn upon his brows was laid,
Odours of thousand flowers of Paradise
Filled all the cell, and through the heart there stirred
A sense of music that could not be heard.


The Angel spoke--his voice was low and sweet
As the sea's murmur on low-lying shore--
Or whisper of the wind in ripened wheat:
'Brother,' he said, 'the God we both adore
Has sent me down to ask, is all not right?--
Why was Magnificat not sung to-night?'


Tranced in the joy the Angel's presence brought,
The Abbot answered: 'All these weary years
We have sung our best--but always have we thought
Our voices were unworthy heavenly ears;
And so to-night we found a clearer tongue,
And by it the Magnificat was sung.'


The Angel answered, 'All these happy years
In heaven has your Magnificat been heard;
This night alone, the angels' listening ears
Of all its music caught no single word.
Say, who is he whose goodness is not strong
Enough to bear the burden of his song?'


The Abbot named his name. 'Ah, why,' he cried,
'Have angels heard not what we found so dear?'
'Only pure hearts,' the Angel's voice replied,
'Can carry human songs up to God's ear;
To-night in heaven was missed the sweetest praise
That ever rises from earth's mud-stained maze.


'The monk who sang Magnificat is filled
With lust of praise, and with hypocrisy;
He sings for earth--in heaven his notes are stilled
By muffling weight of deadening vanity;
His heart is chained to earth, and cannot bear
His singing higher than the listening air!


'From purest hearts most perfect music springs,
And while you mourned your voices were not sweet,
Marred by the accident of earthly things,--
In heaven, God, listening, judged your song complete.
The sweetest of earth's music came from you,
The music of a noble life and true!'

THE monastery towers, as pure and fair
As virgin vows, reached up white hands to Heaven;
The walls, to guard the hidden heart of prayer,
Were strong as sin, and white as sin forgiven;
And there came holy men, by world's woe driven;
And all about the gold-green meadows lay
Flower-decked, like children dear that keep May-holiday.

'Here,' said the Abbot, 'let us spend our days,
Days sweetened by the lilies of pure prayer,
Hung with white garlands of the rose of praise;
And, lest the World should enter with her snare--
Enter and laugh and take us unaware
With her red rose, her purple and her gold--
Choose we a stranger's hand the porter's keys to hold.'

They chose a beggar from the world outside
To keep their worldward door for them, and he,
Filled with a humble and adoring pride,
Built up a wall of proud humility
Between the monastery's sanctity
And the poor, foolish, humble folk who came
To ask for love and care, in the dear Saviour's name.

For when the poor crept to the guarded gate
To ask for succour, when the tired asked rest,
When weary souls, bereft and desolate,
Craved comfort, when the murmur of the oppressed
Surged round the grove where prayer had made her nest,
The porter bade such take their griefs away,
And at some other door their bane and burden lay.

'For this,' he said, 'is the white house of prayer,
Where day and night the holy voices rise
Through the chill trouble of our earthly air,
And enter at the gate of Paradise.
Trample no more our flower-fields in such wise,
Nor crave the alms of our deep-laden bough;
The prayers of holy men are alms enough, I trow.'

So, seeing that no sick or sorrowing folk
Came ever to be healed or comforted,
The Abbot to his brothers gladly spoke:
'God has accepted our poor prayers,' he said;
'Over our land His answering smile is spread.
He has put forth His strong and loving hand,
And sorrow and sin and pain have ceased in all the land.

'So make we yet more rich our hymns of praise,
Warm we our prayers against our happy heart.
Since God hath taken the gift of all our days
To make a spell that bids all wrong depart,
Has turned our praise to balm for the world's smart,
Fulfilled of prayer and praise be every hour,
For God transfigures praise, and transmutes prayer, to power.'

So went the years. The flowers blossomed now
Untrampled by the dusty, weary feet;
Unbroken hung the green and golden bough,
For none came now to ask for fruit or meat,
For ghostly food, or common bread to eat;
And dreaming, praying, the monks were satisfied,
Till, God remembering him, the beggar-porter died.

When they had covered up the foolish head,
And on the foolish loving heart heaped clay,
'Which of us, brothers, now,' the Abbot said,
'Will face the world, to keep the world away?'
But all their hearts were hard with prayer, and 'Nay,'
They cried, 'ah, bid us not our prayers to leave;
Ah, father, not to-day, for this is Easter Eve'.

And, while they murmured, to their midst there came
A beggar saying, 'Brothers, peace, be still!
I am your Brother, in our Father's name,
And I will be your porter, if ye will,
Guarding your gate with what I have of skill'.
So all they welcomed him and closed the door,
And gat them gladly back unto their prayers once more.

But, lo! no sooner did the prayer arise,
A golden flame athwart the chancel dim,
Then came the porter crying, 'Haste, arise!
A sick old man waits you to tend on him;
And many wait--a knight whose wound gapes grim,
A red-stained man, with red sins to confess,
A mother pale, who brings her child for you to bless'.

The brothers hastened to the gate, and there
With unaccustomed hand and voice they tried
To ease the body's pain, the spirit's care;
But ere the task was done, the porter cried:
'Behold, the Lord sets your gate open wide,
For here be starving folk who must be fed,
And little ones that cry for love and daily bread!'

And, with each slow-foot hour, came ever a throng
Of piteous wanderers, sinful folk and sad,
And still the brothers ministered, but long
The day seemed, with no prayer to make them glad;
No holy, meditative joys they had,
No moment's brooding-place could poor prayer find,
Mid all those heart to heal and all those wounds to bind.

And when the crowded, sunlit day at last
Left the field lonely with its trampled flowers,
Into the chapel's peace the brothers passed
To quell the memory of those hurrying hours.
'Our holy time,' they said, 'once more is ours!
Come, let us pay our debt of prayer and praise,
Forgetting in God's light the darkness of man's ways!'

But, ere their voices reached the first psalm's end,
They heard a new, strange rustling round their house;
Then came the porter: 'Here comes many a friend,
Pushing aside your budding orchard boughs;
Come, brothers, justify your holy vows.
Here be God's patient, poor, four-footed things
Seek healing at God's well, whence loving-kindness springs.'

Then cried the Abbot in a vexed amaze,
'Our brethren we must aid, if 'tis God's will;
But the wild creatures of the forest ways
Himself God heals with His Almighty skill.
And charity is good, and love--but still
God shall not look in vain for the white prayers
We send on silver feet to climb the starry stairs;

'For, of all worthy things, prayer has most worth,
It rises like sweet incense up to heaven,
And from God's hand falls back upon the earth,
Being of heavenly bread the accepted leaven.
Through prayer is virtue saved and sin forgiven;
In prayer the impulse and the force are found
That bring in purple and gold the fruitful seasons round.

'For prayer comes down from heaven in the sun
That giveth life and joy to all things made;
Prayer falls in rain to make broad rivers run
And quickens the seeds in earth's brown bosom laid;
By prayer the red-hung branch is earthward weighed,
By prayer the barn grows full, and full the fold,
For by man's prayer God works his wonders manifold.'

The porter seemed to bow to the reproof;
But when the echo of the night's last prayer
Died in the mystery of the vaulted roof,
A whispered memory in the hallowed air,
The Abbot turned to find him standing there.
'Brother,' he said, 'I have healed the woodland things
And they go happy and whole--blessing Love's ministerings,

'And, having healed them, I shall crave your leave
To leave you--for to-night I journey far.
But I have kept your gate this Easter Eve,
And now your house to heaven shines like a star
To show the Angels where God's children are;
And in this day your house has served God more
Than in the praise and prayer of all its years before.

'Yet I must leave you, though I fain would stay,
For there are other gates I go to keep
Of houses round whose walls, long day by day,
Shut out of hope and love, poor sinners weep--
Barred folds that keep out God's poor wandering sheep--
I must teach these that gates where God comes in
Must not be shut at all to pain, or want, or sin.

'The voice of prayer is very soft and weak,
And sorrow and sin have voices very strong;
Prayer is not heard in heaven when those twain speak,
The voice of prayer faints in the voice of wrong
By the just man endured--oh, Lord, how long?--
If ye would have your prayers in heaven be heard,
Look that wrong clamour not with too intense a word.

'But when true love is shed on want and sin,
Their cry is changed, and grows to such a voice
As clamours sweetly at heaven to be let in--
Such sound as makes the saints in heaven rejoice;
Pure gold of prayer, purged of the vain alloys
Of idleness--that is the sound most dear
Of all the earthly sounds God leans from heaven to hear.

'Oh, brother, I must leave thee, and for me
The work is heavy, and the burden great.
Thine be this charge I lay upon thee: See
That never again stands barred thy abbey gate;
Look that God's poor be not left desolate;
Ah me! that chidden my shepherds needs must be
When my poor wandering sheep have so great need of me.

'Brother, forgive thy Brother if he chide,
Thy Brother loves thee--and has loved--for see
The nails are in my hands, and in my side
The spear-wound; and the thorns weigh heavily
Upon my brow--brother, I died for thee--
For thee, and for my sheep that are astray,
And rose to live for thee, and them, on Easter Day!'

'My Master and my Lord!' the Abbot cried.
But, where that face had been, shone the new day;
Only on the marble by the Abbot's side,
Where those dear feet had stood, a lily lay--
A lily white for the white Easter Day.
He sought the gate--no sorrow clamoured there--
And, not till then, he dared to sink his soul in prayer.

And from that day himself he kept the gate
Wide open; and the poor from far and wide,
The weary, and wicked, and disconsolate,
Came there for succour and were not denied;
The sick were healed, the repentant sanctified;
And from their hearts rises more prayer and praise
Than ever the abbey knew in all its prayer-filled days.

And there the Heavenly vision comes no more,
Only, each Easter now, a lily sweet
Lies white and dewy on the chancel floor
Where once had stood the beloved wounded feet;
And the old Abbot feels the nearing beat
Of wings that bring him leave at last to go
And meet his Master, where the immortal lilies grow.

Two Christmas Eves

I

THE white snow veils the earth's brown face,
Strong frost has bound the veil in place--
Under the wide, clear, dark-blue sky
All choked with snow the hollows lie,
Dead-white the fields--once summer sweet--
And woodlands where we used to meet:
We don't meet now, we never part.
Ever together, heart to heart,
We've worked, lost often, seldom won,
Seen pleasures ended, pains begun,
Have done our best, and faced, we two,
Almost the worst that Fate could do--
Yet not Fate's uttermost of ill,
Since here we are--together still!


For me you left, my dearest, best,
Your girlhood's safe warm sheltered nest;
For me gave up all else that could
Have made your woman-life seem good.
You thought a man's whole heart was worth
Just all the other wealth of earth;
I thought my painter's brush would be
A magic wand for you and me.
What dreams we had of fame and gold,
Of Art-that never could withhold
From me, who loved her so, full powers
To make my love for her serve ours,
To shape and build a palace fair
Of radiant hours, and place you there!
Art turned away her face from us,
And all the dreaming's ended--thus!
Our garret's cold; the wind is keen,
And cuts these rotten boards between.
There is no lock upon the door,
No carpet on the uneven floor,
No curtain to the window where
Through frost-blanched panes the moon's cold stare
Fronts us. She's careless--used to see
This world of ours, and misery!
Why, how you shiver! Oh, my sweet,
How cold your hands are, and your feet!


How hot this face of yours I kiss!
How could our love have led to this?
What devil is there over all
That lets such things as this befall?
It was not want of striving. Love,
Bear witness for me how I strove,
Worked till I grew quite sick and faint,
Worked till I could not see to paint
Because my eyes were sore and wet,
Yet never sold one picture yet.
We would have worked--yes, there's the sting--
We would have worked at anything!
Our hands asked work. There's work somewhere,
That makes it all more hard to bear;
Yet we could never understand
Where is the work that asks our hand!


There's no more firing, and the cold
Is biting through your shawl's thin fold,
And both the blankets have been sold.
Nestle beside me, in my arm,
And let me try to keep you warm.
We pawned the table and the bed,
To get our last week's fire and bread,


And now the last crust's eaten. Well,
There's nothing left to pawn or sell!
Our rent is due on Monday too,
How can we pay it--I and you?
What shall we do? What shall we do?
And we are--what was that you said?
You are so tired ? Your dearest head
Is burning hot, and aching so?
Ah, yes! I know it is--I know!
You're tired and weak and faint and ill,
And fevers burn and shiverings chill
This world of mine I'm holding here.
If I could suffer only, dear--
But all the burdens on you fall,
And I sit here, and bear it all!
And other men and other wives,
Who never worked in all their lives--
No, nor yet loved as we have, sweet--
Are wrapped in furs, warm hands and feet,
And feast to-night in homes made bright
With blazing logs and candle-light;
Not dark like this, where we two sit,
Who chose to work, and starve for it!


Don't go to sleep; you mustn't sleep
Here on the frozen floor! Yes, creep
Closer to me. Oh, if I knew
What is this something left to do!


Listen to me! It's Christmas Eve,
When hearts grow warmer, I believe,
And friends forget and friends forgive.
What if we stifled down my pride,
And put your bitter thoughts aside,
And asked your father's help once more?
True, when we asked for it before,
He turned and cursed us both, and swore
That he disowned you. You and I
Had made our bed, and there must lie;
That he would help us not one whit,
Though we should die for want of it.
Now I shall ask his help again.
It's colder now than it was then;
The cold creeps closer to life's core--
Death's nearer to us than before;
And when your father sees how near,
He may relent, and save you, dear.


For my sake, love! I am too weak
To bear your tears upon my cheek,
Your sobs against my heart, to bear
Those eyes of yours, and their despair!
Not faltering, my own pain I bore--
I cannot bear yours any more!
Stand up. You're stiff? That will not last!
The stairs are dark? They'll soon be passed!
You're tired? My sweet, I know you are;
But try to walk--it isn't far.
Oh, that the Christ they say was born
On that dream-distant Christmas morn
May hear and help us now! Be strong!
Yes, lean on me. Perhaps ere long,
All this, gone by, will only seem
A half-remembered evil dream.
Come; I will help you walk. We'll try
Just this last venture, you and I!



II

Failed! Back again in the ice-gloom
Of our bare, bleak, rat-haunted room!
The moon still looks--what does she care
To see my moon-flower lying there?
My rose, once red and white and fair,
Now white and wan, and pinched and thin,
Cold, through the coat I've wrapped her in,
And shivering, even in her sleep,
To hear how wakeful rats can keep.


We dragged our weary faltering feet
Through the bright noisy crowded street,
And reached the square where, stern in stone,
Her father's town-house sulks alone.
Sick, stupid, helpless, wretched, poor,
We waited at her father's door.
They let us in. Then let us tread
Through the warm hall with soft furs spread.
Next, 'Name and business.' Oh, exact
Were the man's orders how to act,
If e'er his master's child should come
To cross the threshold of her home!
I told our name. The man 'would see
If any message was' for me.
We waited there without a word.
How warm the whole house was! We heard


Soft music with soft voices blent,
And smelt sweet flowers with mingled scent,
And heard the wine poured out--that chink
That glass makes as the diners drink--
The china clatter. We, at least,
Appreciated that night's feast.


Then some one gave a note to me
With insolent smile. I read: 'When she
Is tired of love and poverty,
And chooses to return to what
She left, the duties she forgot,
And never see again this man,
And be here as before--she can.'


We came away: that much is clear;
I don't know how we got back here--
I must have carried her somehow,
And have been strong enough. And now
She lies asleep--and I, awake,
Must do this something for her sake--
The only possible thing to do,
Oh, love! to cut our soul in two,
And take 'this man' away from you!


If now I let your father know
My choice is made, and that I go
And you are here--oh, love! oh, wife!
I break my heart and save your life.
Doubt what to do? All doubt's about
The deeds that are not worth a doubt!
This deed takes me, and I obey,
And there is nothing left to say.


Good-bye, dear eyes I cannot see--
Weep only gently, eyes, for me;
Dear lips, I've kissed and kissed again,
Lose those encircling lines of pain;
Dear face, so thin and faded now,
Win back youth's grace, and light, and glow;
Oh, hands I hold in mine--oh, heart
That holds mine in it--we must part!
When you wake up, and find me fled,
And find your father here instead,
Will you not wonder how my feet
Ever could turn from you, my sweet?
Ah, no! your heart and mine are one;
Our heart will tell you how 'twas done.


No more we meet until I've won
Enough to dare be happy on;
And if I fail--I have known bliss,
And bliss has bred an hour like this.
I am past Fate's harming--all her power
Could mix nought bitterer than this hour.
Good-bye--our room--our marriage life!--
Oh, kiss me through your dreams, my wife!



III

I have grown rich! I have found out
The thing men break their hearts about!
I have dug gold, and gold, and sold
My diggings, and reaped in more gold--
Sowed that, and reaped again, and played
For stakes, and always won, and made
More money than we'll ever spend,
And have forborne one word to send.
It has been easier for her so:
To wait one year, and then to know
How all is well, and how we two
Shall part no more our whole lives through.
It had been harder to have heard
Some incomplete, imperfect word


Of how I prospered, how despaired,
How well I strove, how ill I fared,
Or strove well and fared well, nor know
Each day which way the scale would go;
Rejoice, and grieve, and hope, and fear,
As I have done throughout the year.
The year is over now--the prize
Is--all our lives of Paradise!
Through all the year her lips and hands
Have drawn me on with passion-bands,
Her soul has held my soul, and taught
The way of storming Fortune's fort.
My little love, those days of ours,
Our dear delight, our sacred hours
Have wrapped me round in all the year;
And brought the gold and brought me here,
And brought this hour than all more fair--
Our triumph hour! What shall we care
For all the past's most maddening pain
When you are in my arms again?


The yellow dust I loved to hold
Was like your hair's less heavy gold;
The clear, deep sea, that bore me hence,
Was like your eyes' grey innocence;


And not one fair thing could I see
But somehow seemed yourself to me.
The very work I had to do
Easier than rest was, done for you.
And through my dreams you walked all night
And filled sleep's byways with delight!
How I have wondered every day
How you would look, and what would say
On that same day! 'Perhaps she paints,
Thinks of our lessons--prays to saints
With my name in her prayers--or goes
Through gardens, heaping rose on rose.
How I love roses! Or mayhap
Sits with some work dropped in her lap,
And dreams and dreams--what could there be
For her to dream about but me?'


This London--how I hated it
A year ago! It now seems fit
Even to be our meeting-place.
It holds the glory of her face,
The wonder of her eyes, the grace
Of lovely lines and curves--in fine,
The soul of sweetness that is mine!


I'll seek her at her father's; say,
'I claim my wife. I will repay
A hundredfold all you have spent
On keeping me in banishment,
On keeping her in affluence,
At her heart's dearest coin's expense!
That is past now, and I have come
To take my wife and sweetheart home,
To show her all my golden store,
My heart, hers to the very core,
And never leave her any more!'


But just before that hour supreme,
Close here our old house is, that dream
And daylight have been showing me
The year through. I would like to see
That room I found so hard to leave,
So hard to keep, last Christmas Eve.


Faith's easy now! There is a God
Who trod the earth we two have trod;
He pays me for our pain last year,
For all these months of longing, fear,


Doubt and uncertainty--outright,
By letting me come here to-night
And just contrast that dead despair
With the Earth-Heaven we two shall share!


Just one look at the old room's door,
If I can get no chance of more;
Yet gold will buy most things--may buy
The leave to see that room. We'll try!


May I go up? Just once to see
The room that sheltered her and me?--
My God! the rapture of to-day
Has sent me mad;--you did not say
She died the night I went away!

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.


The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.


The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?


Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--


Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?


Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.


But love that lights is love that leads,
And lives upon the heart it feeds;
Soon grew she pale though not less fair,
And sighed his name instead of prayer,
And told her heart-throbs, not her beads.


How could she find the sunlight fair,
A sunlight that he did not share?
How could a rose smell sweet within
The cruel bars that shut her in,
And shut him out while she was there?


He vowed her fealty firm and fast,
Then to the winds her fears she cast;
They found a way to cheat the bars,
And in free air, beneath free stars,
Free, and with him, she stood at last.


'Now to some priest,' he said, 'that he
May give thee--blessing us--to me.'
'No priest,' she cried in doubt and fear,
'He would divide, not join us, dear.
I am mine--I give myself to thee.


'Since thou and I are mine and thine,
What need to swear it at a shrine?
Would love last longer if we swore
That we would love for evermore?
God gives me thee--and thou art mine.'


'God weds us now,' he said, 'yet still
Some day shall we all forms fulfil.
Eternal truth affords to smile
At laws wherewith man marks his guile,
Yet law shall join us--when you will.


'So look your last, my love, on these
Forbidding walls and wooing trees.
Farewell to grief and gloom,' said he;
'Farewell to childhood's joy,' said she;
But neither said, 'Farewell to peace.'

Song.

My sweet, my sweet,
She is complete
From dainty head to darling feet;
So warm and white,
So brown and bright,
So made for love and love's delight.


God could but spare
One flower so fair,
There is none like her anywhere;
Beneath wide skies
The whole earth lies,
But not two other such brown eyes.


The world we're in,
If one might win?
Not worth that dimple in her chin
A heaven to know?
I'll let that go
But once to see her lids droop low


Over her eyes,
By love made wise:
To see her bosom fall and rise
Is more than worth
The angels' mirth,
And all the heaven-joys of earth.


This is the hour
Which gives me power
To win and wear earth's whitest flower.
Oh, Love, give grace,
Through all life's ways
Keep pure this heart, her dwelling place.


II

The fields were reaped and the pastures bare,
And the nights grown windy and chill,
When the lovers passed through the beech woods fair,
And climbed the brow of the hill.
In the hill's spread arm the Moat House lies
With elm and willow tree;
'And is that your home at last?' she sighs.
'Our home at last,' laughs he.


Across the bridge and into the hall
Where the waiting housefolk were.
'This is my lady,' he said to them all,
And she looked so sweet and fair
That every maid and serving-boy
God-blessed them then and there,
And wished them luck, and gave them joy,
For a happy, handsome pair.


And only the old nurse shook her head:
'Too young,' she said, 'too young.'
She noted that no prayers were read,
No marriage bells were rung;
No guests were called, no feast was spread,
As was meet for a marriage tide;
The young lord in the banquet hall broke bread
Alone with his little bride.


Yet her old heart warmed to the two, and blessed,
They were both so glad and gay,
By to-morrow and yesterday unoppressed,
Fulfilled of the joy of to-day;
Like two young birds in that dull old nest,
So careless of coming care,
So rapt in the other that each possessed,
The two young lovers were.


He was heir to a stern hard-natured race,
That had held the Moat House long,
But the gloom of his formal dwelling place
Dissolved at her voice and song;
So bright, so sweet, to the house she came,
So winning of way and word,
The household knew her by one pet name,
'My Lady Ladybird.'


First love so rarely gets leave to bring,
In our world where money is might,
Its tender buds to blossoming
With the sun of its own delight.
We love at rose or at vintage prime,
In the glare and heat of the day,
Forgetting the dawn and the violet time,
And the wild sweet scent of the may.


These loved like children, like children played,
The old house laughed with delight
At her song of a voice, at the radiance made
By her dress's flashing flight.
Up the dark oak stair, through the gallery's gloom,
She ran like a fairy fleet,
And ever her lover from room to room
Fast followed her flying feet.


They gathered the buds of the late-lived rose
In the ordered garden ways,
They walked through the sombre yew-walled close
And threaded the pine woods maze,
They rode through woods where their horses came
Knee-deep through the rustling leaves,
Through fields forlorn of the poppies' flame
And bereft of their golden sheaves.


In the mellow hush of October noon
They rowed in the flat broad boat,
Through the lily leaves so thickly strewn
On the sunny side of the moat.
They were glad of the fire of the beech-crowned hill,
And glad of the pale deep sky,
And the shifting shade that the willows made
On the boat as she glided by.


They roamed each room of the Moat House through
And questioned the wraiths of the past,
What legends rare the old dresses knew,
And the swords, what had wet them last?
What faces had looked through the lozenge panes,
What shadows darkened the door,
What feet had walked in the jewelled stains
That the rich glass cast on the floor?


She dressed her beauty in old brocade
That breathed of loss and regret,
In laces that broken hearts had swayed,
In the days when the swords were wet;
And the rubies and pearls laughed out and said,
'Though the lovers for whom we were set,
And the women who loved us, have long been dead,
Yet beauty and we live yet.'


When the wild white winter's spectral hand
Effaced the green and the red,
And crushed the fingers brown of the land
Till they grew death-white instead,
The two found cheer in their dark oak room,
And their dreams of a coming spring,
For a brighter sun shone through winter's gloom
Than ever a summer could bring.


They sat where the great fires blazed in the hall,
Where the wolf-skins lay outspread,
The pictured faces looked down from the wall
To hear his praise of the dead.
He told her ghostly tales of the past,
And legends rare of his house,
Till she held her breath at the shade fire-cast,
And the scamper-rush of the mouse,


Till she dared not turn her head to see
What shape might stand by her chair--
Till she cried his name, and fled to his knee,
And safely nestled there.
Then they talked of their journey, the city's crowd,
Of the convent's faint joy and pain,
Till the ghosts of the past were laid in the shroud
Of commonplace things again.


So the winter died, and the baby spring,
With hardly voice for a cry,
And hands too weak the signs to bring
That all men might know her by,
Yet woke, and breathed through the soft wet air
The promise of all things dear,
And poets and lovers knew she was there,
And sang to their hearts, 'She is here.'

Song.

Soft is the ground underfoot,
Soft are the skies overhead,
Green is the ivy round brown hedge root,
Green is the moss where we tread.


Purple the woods are, and brown;
The blackbird is glossy and sleek,
He knows that the worms are no more kept down
By frost out of reach of his beak.


Grey are the sheep in the fold,
Tired of their turnip and beet,
Dreaming of meadow and pasture and wold,
And turf the warm rain will make sweet.


Leaves sleep, no bud wakens yet,
But we know by the song of the sun,
And the happy way that the world smiles, wet,
That the spring--oh, be glad!--is begun.


What stirs the heart of the tree?
What stirs the seed the earth bears?
What is it stirring in you and in me
Longing for summer, like theirs?--

Longing you cannot explain,
Yearning that baffles me still!
Ah! that each spring should bring longings again
No summer can ever fulfil!


III

When all the world had echoed the song
That the poet and lover sang,
When 'Glory to spring,' sweet, soft, and strong,
From the ferny woods outrang,
In wet green meadow, in hollow green,
The primrose stars outshone,
And the bluebells balanced their drooping sheen
In copses lovely and lone.


The green earth laughed, full of leaf and flower,
The sky laughed too, full of sun;
Was this the hour for a parting hour,
With the heaven of spring just won?
The woods and fields were echoing
To a chorus of life and bliss.
Oh, hard to sting the face of the spring
With the smart of a parting kiss!


A kinsman ailing, a summons sent
To haste to his dying bed.
'Oh, cruel sentence of banishment!
For my heart says 'Go'!' he said.
'So now good-bye to my home, my dear,
To the spring we watched from its birth;
There is no spring, oh, my sweet, but here,
'Tis winter all over the earth.


'But I come again, oh, spring of my life,
You hold the cord in your hand
That will draw me back, oh, my sweetheart wife,
To the place where your dear feet stand;
But a few short days, and my arms shall be
Once more round your little head,
And you will be weeping glad tears with me
On the grave of our parting, dead!


'I leave you my heart for a short short while,
It will ache if 'tis wrapped in fears;
Keep it safe and warm in the sun of your smile,
Not wet with the rain of your tears.


Be glad of the joy that shall soon be won,
Be glad to-day, though we part;
You shall weep for our parting when parting is done,
And drop your tears on my heart.'

Song.

Good-bye, my love, my only dear, I know your heart is true
And that it lingers here with me while mine fares forth with you.
We part? Our hearts are almost one, and are so closely tied
'Tis yours that stirs my bosom-lace, mine beats against your side.


So not at losing you I grieve, since heart and soul stay here,
But all the gladness of my life, I cry to lose it, dear;
Warmth of the sun, sweet of the rose, night's rest and light of day,
I mourn for these, for if you go, you take them all away.


You are sad too--not at leaving me, whose heart must with you go,
But at the heaven you leave behind--ah, yes--you told me so,
You said wherever you might go you could not ever find
A spring so sweet, love so complete, as these you leave behind.


No future joy will ever pay this moment's bitter ache,
Yet I am glad to be so sad, since it is for your sake.
You take so much, I do but wish that you could take the whole,
Could take me, since you take my rest, my light, my joy, my soul.

Song.

Oh, love, I leave
This springtide eve,
When woods in sunset shine blood-red;
The long road lies
Before my eyes,
My horse goes on with even tread.


I dare not turn
These eyes that burn
Back to the terrace where you lean;
If I should see
Your tears for me,
I must turn back to dry them, O my queen!


Yet I must go,
Fate has it so,
Duty spoke once, and I obey;
Sadly I rise,
Leave paradise,
And turn my face the other way.


Nothing is dear
On earth but here,
There is no joy away from you;
What though there be
New things to see,
New friends, new faces, and adventures new?


Yet since I may
Not with you stay,
Hey for the outer world of life!
Brace limbs, shake rein,
And seek again
The hurry, jostle, jar and strife.


Hey for the new!
Yet, love, for you--
I have loved you so--the last hand-kiss.
How vast a world
Lies here unfurled!
How small, if sweet, home's inner round of bliss!


The road bends right,
Leads out of sight,
Here I may turn, nor fear to see;
So far away,
One could not say
If you are weeping now for me.


Behind this eve
My love I leave,
The big bright world spreads out before;
Yet will I come,
To you and home,
Oh, love, and rest beneath your yoke once more.


IV

She stood upon the terrace, gazing still
Down the long road to watch him out of sight,
Dry-eyed at first, until the swelling hill
Hid him. Then turned she to the garden bright,
Whose ways held memories of lover's laughter,
And lover's sadness that had followed after,
Both born of passion's too intense delight.


The garden knew her secrets, and its bowers
Threw her her secrets back in mocking wise;
''Twas here he buried you in lilac flowers.
Here while he slept you covered up his eyes
With primroses. They died; and by that token
Love, like a flower whose stalk has once been broken,
Will live no more for all your tears and sighs.'


The sundial that had marked their happy hours
Cried out to her, 'I know that he is gone;
So many twos have wreathed me round with flowers,
And always one came afterwards alone,
And always wept--even as you are weeping.
The flowers while they lived were cold, shade keeping,
But always through the tears the sun still shone.'


She left the garden; but the house still more
Whispered, 'You love him--he has gone away.'
Where fell her single footstep sighed the floor,
'Another foot than yours fell here to-day.'
The very hound she stroked looked round and past her,
Then in her face, and whined, 'Where is our master?'
The whole house had the same one thing to say.


Empty, without its soul, disconsolate,
The great house was: through all the rooms went she,
And every room was dark and desolate,
Nothing seemed good to do or good to see.
At last, upon the wolf-skins, worn with weeping,
The old nurse found her, like a tired child, sleeping
With face tear-stained, and sobbing brokenly.


Wearily went the days, all sad the same,
Yet each brought its own added heaviness.
Why was it that no letter from him came
To ease the burden of her loneliness?
Why did he send no message, word, or greeting,
To help her forward to their day of meeting,
No written love--no black and white caress?


At last there came a letter, sweet but brief,
'He was so busy--had no time for more.'
No time! She had had time enough for grief,
There never had been so much time before;
And yet the letter lay within her bosom,
Pressed closely to her breathing beauty's blossom,
Worn for a balm, because her heart was sore.


She knew not where he stayed, and so could send,
Of all the letters that she wrote, not one;
Hour after soft spring hour the child would spend
In pouring out her soul, for, once begun,
The tale of all her love and grief flowed over
Upon the letters that she wrote her lover,
And that the fire read when the tale was done.


And yet she never doubted he would come,
If not before, yet when a baby's eyes
Should look for him, when his deserted home
Should waken to a baby's laughs and cries.
'He judges best--perhaps he comes to-morrow,
But come he will, and we shall laugh at sorrow
When in my arms our little baby lies.'


And in the August days a soft hush fell
Upon the house--the old nurse kept her place
Beside the little wife--and all was well;
After rapt anguish came a breathing space,
And she, mid tears and smiles, white-faced, glad-eyed,
Felt her wee baby move against her side,
Kissed its small hands, worshipped its tiny face.

Song.

Oh, baby, baby, baby dear,
We lie alone together here;
The snowy gown and cap and sheet
With lavender are fresh and sweet;
Through half-closed blinds the roses peer
To see and love you, baby dear.


We are so tired, we like to lie
Just doing nothing, you and I,
Within the darkened quiet room.
The sun sends dusk rays through the gloom,
Which is no gloom since you are here,
My little life, my baby dear.


Soft sleepy mouth so vaguely pressed
Against your new-made mother's breast,
Soft little hands in mine I fold,
Soft little feet I kiss and hold,
Round soft smooth head and tiny ear,
All mine, my own, my baby dear.


And he we love is far away!
But he will come some happy day.
You need but me, and I can rest
At peace with you beside me pressed.
There are no questions, longings vain,
No murmuring, nor doubt, nor pain,
Only content and we are here,
My baby dear.



PART II

I

While winged Love his pinions folded in the Moat House by the hill,
In the city there was anger, doubt, distrust, and thoughts of ill;
For his kinsmen, hearing rumours of the life the lovers led,
Wept, and wrung their hands, and sorrowed--'Better that the lad were dead
Than to live thus--he, the son of proudest man and noblest earl--
Thus in open sin with her, a nameless, shameless, foreign girl.'
(Ever when they thus lamented, 'twas the open sin they named,
Till one wondered whether sinning, if less frank, had been less blamed.)
''Tis our duty to reclaim him--mate him to a noble bride
Who shall fitly grace his station, and walk stately by his side--
Gently loose him from the fetters of this siren fair and frail
(In such cases time and absence nearly always will prevail).
He shall meet the Duke's fair daughter--perfect, saintly Lady May--
Beauty is the surest beacon to a young man gone astray!
Not at all precipitately, but with judgment sure and fine,
We will rescue and redeem him from his shameful husks and swine.


So--his uncle's long been ailing (gout and dropsy for his sins)--
Let that serve for pretext; hither bring the youth--his cure begins.'
So they summoned him and welcomed, and their utmost efforts bent
To snatch back a brand from burning and a soul from punishment--
Sought to charm him with their feastings, each more sumptuous than the last,
From his yearning recollections of his very sinful past--
Strove to wipe his wicked doings from his memory's blotted
By the chaster, purer interests of the ball-room and the stage.
And for Lady May--they hinted to the girl, child-innocent,
That her hand to save the sinner by her Saviour had been sent,
That her voice might bring his voice her Master's triumph choir to swell,
And might save a man from sorrow and a human soul from hell.


So she used her maiden graces, maiden glances, maiden smiles,
To protect the erring pilgrim from the devil's subtle wiles--
Saw him daily, sent him letters, pious verses by the score,
Every angel's trap she baited with her sweet religious lore--
Ventured all she knew, not knowing that her beauty and her youth
Were far better to bait traps with than her odds and ends of truth.
First he listened, vain and flattered that a girl as fair as she
Should be so distinctly anxious for his lost humanity,
Yet determined no attentions, even from the Lady May,
Should delay his home-returning one unnecessary day.
But as she--heart-wrung with pity for his erring soul--grew kind,
Fainter, fainter grew the image of his sweetheart left behind;
Till one day May spoke of sorrow--prayed him to reform--repent,
Urged the festival in heaven over every penitent;
Bold in ignorance, spoke vaguely and low-toned of sin and shame,


And at last her voice, half breathless, faltered, broke upon his name,
And two tears fell from her lashes on the roses at her breast,
Far more potent in their silence than her preaching at its best.
And his weak soul thrilled and trembled at her beauty, and he cried,
'Not for me those priceless tears: I am your slave--you shall decide.'
'Save your soul,' she sighed. 'Was ever man so tempted, tried, before?
It is yours!' and at the word his soul was lost for evermore.
Never woman pure and saintly did the devil's work so well!
Never soul ensnared for heaven took a surer road to hell!
Lady May had gained her convert, loved him, and was satisfied,
And before the last leaves yellowed she would kneel down as his bride.
She was happy, and he struggled to believe that perfidy
Was repentance--reformation was not one with cruelty,


Yet through all congratulations, friends' smiles, lovers' flatteries,
Lived a gnawing recollection of the lost love harmonies.
In the day he crushed it fiercely, kept it covered out of sight,
But it held him by the heart-strings and came boldly out at night:
In the solemn truthful night his soul shrank shuddering from its lies,
And his base self knew its baseness, and looked full in its false eyes.
In the August nights, when all the sky was deep and toneless blue,
And the gold star-points seemed letting the remembered sunlight through,
When the world was hushed and peaceful in the moonlight's searching white,
He would toss and cast his arms out through the silence and the night
To those eyes that through the night and through the silence came again,
Haunting him with the persistence and the passion of their pain.


'Oh, my little love--my sweetheart--oh, our past--our sweet love-day--
Oh, if I were only true--or you were only Lady May!'
But the sunshine scared the vision, and he rose once more love-warm
To the Lady May's perfections and his own proposed reform.
Coward that he was! he could not write and break that loving heart:
To the worn-out gouty kinsman was assigned that pleasing part.
'Say it kindly,' said her lover, 'always friends--I can't forget--
We must meet no more--but give her tenderest thought and all regret;
Bid her go back to the convent--she and I can't meet as friends--
Offer her a good allowance--any terms to make amends
For what nought could make amends for--for my baseness and my sin.
Oh, I know which side the scale this deed of mine will figure in!
Curse reform!--she may forget me--'tis on me the burdens fall,


For I love her only, solely--not the Lady May at all!'
'Patience,' said the uncle, 'patience, this is but the natural pain
When a young man turns from sinning to the paths of grace again.
Your wild oats are sown--you're plighted to the noble Lady May
(Whose estates adjoin your manor in a providential way).
Do your duty, sir, for surely pangs like these are such as win
Pardon and the heavenly blessing on the sinner weaned from sin.'

Song.

Day is fair, and so is she
Whom so soon I wed;
But the night, when memory
Guards my sleepless bed,
And with cold hands brings once more
Thorns from rose-sweet days of yore--
Night I curse and dread.


Day is sweet, as sweet as her
Girlish tenderness;
But the night, when near me stir
Rustlings of a dress,
Echoes of a loving tone
Now renounced, forsworn, foregone,
Night is bitterness.


Day can stir my blood like wine
Or her beauty's fire,
But at night I burn and pine,
Torture, turn and tire,
With a longing that is pain,
Just to kiss and clasp again
Love's one lost desire.


Day is glad and pure and bright,
Pure, glad, bright as she;
But the sad and guilty night
Outlives day--for me.
Oh, for days when day and night
Equal balance of delight
Were alike to me!


In the day I see my feet
Walk in steadfast wise,
Following my lady sweet
To her Paradise,
Like some stray-recovered lamb;
But I see the beast I am
When the night stars rise.


Yet in wedding day there lies
Magic--so they say;
Ghosts will have no chance to rise
Near my Lady May.
Vain the hope! In good or ill
Those lost eyes will haunt me still
Till my dying day.


II

Quickly died the August roses, and the kin of Lady May
Dowered her richly, blessed her freely, and announced her wedding day;
And his yearnings and remorses fainter grew as days went on
'Neath the magic of the beauty of the woman he had won;
And less often and less strongly was his fancy caught and crossed
By remembrance of the dearness of the woman he had lost.
Long sweet mornings in the boudoir where the flowers stood about,
Whisperings in the balcony when stars and London lamps came out,

Concerts, flower shows, garden parties, balls and dinners, rides and drives,
All the time-killing distractions of these fashionable lives;
Dreary, joyless as a desert, pleasure's everlasting way,
But enchantment can make lovely even deserts, so they say,
Sandy waste, or waste of London season, where no green leaf grows,
Shone on but by love or passion, each will blossom like the rose!
Came no answer to the letter that announced his marriage day;
But his people wrote that Lady Ladybird had gone away.
So he sent to bid get ready to receive his noble wife.
Two such loving women granted to one man, and in one life!
Though he shuddered to remember with what ghosts the Moat House swarmed--
Ghosts of lovely days and dreamings ere the time when he reformed--
Yet he said, 'She cannot surely greatly care, or I had heard

Some impulsive, passionate pleading, had some sorrowing written word;
She has journeyed to her convent--will be glad as ere I came,
Through her beauty's dear enchantment, to a life of shameless shame;
And the memories of her dearness passion's flaming sword shall slay,
When the Moat House sees the bridal of myself and Lady May!'

III

Bright the mellow autumn sunshine glows upon the wedding day;
Lawns are swept from leaves, and doorways are wreathed round with garlands gay,
Flowery arches span the carriage drive from grass again to grass,
Flowers are ready for the flinging when the wedded pair shall pass;
Bells are ringing, clanging, clamouring from the belfry 'mid the trees,
And the sound rings out o'er woodlands, parks and gardens, lawns and leas;

All the village gay with banners waits the signal, 'Here they come!'
To strew flowers, wave hats, drop curtseys, and hurra its 'Welcome home!'
At the gates the very griffins on the posts are wreathed with green.
In their ordered lines wait servants for the pair to pass between;
But among them there is missing more than one familiar face,
And new faces, blank expectant, fill up each vacated place,
And the other servants whisper, 'Nurse would wail to see this day,
It was well she left the service when 'my Lady' ran away.'
Louder, clearer ring the joy-bells through the shaken, shattered air,
Till the echoes of them waken in the hillside far and fair;
Level shine the golden sunbeams in the golden afternoon.
In the east the wan ghost rises of the silver harvest moon.

Hark! wheels was it? No, but fancy. Listen! No--yes--can you hear?
Yes, it is the coming carriage rolling nearer and more near!
Till the horse-hoofs strike the roadway, unmistakable and clear!
They are coming! shout your welcome to my lord and lady fair:
May God shower his choicest blessings on the happy wedded pair!
Here they are! the open carriage and surrounding dusty cloud,
Whence he smiles his proud acceptance of the homage of the crowd;
And my lady's sweet face! Bless her! there's a one will help the poor,
Eyes like those could never turn a beggar helpless from her door!
Welcome, welcome! scatter flowers: see, they smile--bow left and right,
Reach the lodge gates--God of heaven! what was that, the flash of white?
Shehas sprung out from the ambush of the smiling, cheering crowd:


'Fling your flowers--here's my welcome!' sharp the cry rings out and loud.
Sudden sight of wild white face, and haggard eyes, and outstretched hands--
Just one heart-beat's space before the bridal pair that figure stands,
Then the horses, past controlling, forward bound, their hoofs down thrust--
And the carriage wheels jolt over something bloody in the dust.
'Stop her! Stop her! Stop the horses!' cry the people all too late,
For my lord and Lady May have had their welcome at their gate.


'Twas the old nurse who sprang to her, raised the brown-haired, dust-soiled head,
Looked a moment, closed the eyelids--then turned to my lord and said,
Kneeling still upon the roadway, with her arm flung round the dead,
While the carriage waited near her, blood and dust upon its wheels
(Ask my lord within to tell you how a happy bridegroom feels):
'Now, my lord, you are contented; you have chosen for your bride
This same fine and dainty lady who is sitting by your side.
Did ye tell her ere this bridal of the girl who bore your shame,
Bore your love-vows--bore your baby--everything except your name?
When they strewed the flowers to greet you, and the banners were unfurled,
She has flung before your feet the sweetest flower in all the world!
Woe's the day I ever nursed you--loved your lisping baby word,
For you grew to name of manhood, and to title of my lord;
Woe's the day you ever saw her, brought her home to wreck her life,
Throwing by your human plaything, to seek out another wife.
God will judge, and I would rather be the lost child lying there,


With your babe's milk in her bosom, your horse-hoof marks on her hair,
Than be you when God shall thunder, when your days on earth are filled,
'Where is she I gave, who loved you, whom you ruined, left and killed?'
Murderer, liar, coward, traitor, look upon your work and say
That your heart is glad within you on your happy wedding day!
And for you, my noble lady, take my blessing on your head,
Though it is not like the blessing maidens look for when they wed.
Never bride had such a welcome, such a flower laid on her way,
As was given you when your carriage crushed her out of life to-day.
Take my blessing--see her body, see what you and he have done--
And I wish you joy, my lady, of the bridegroom you have won.'


Like a beaten cur, that trembles at the whistling of the lash,
He stands listening, hands a-tremble, face as pale as white wood ash;
But the Lady May springs down, her soul shines glorious in her eyes,
Moving through the angry silence comes to where the other lies,
Gazes long upon her silent, but at last she turns her gaze
On the nurse, and lips a-tremble, hands outstretched, she slowly says,
'She is dead--but, but her baby--' all her woman's heart is wild
With an infinite compassion for the little helpless child.
Then she turns to snatch the baby from the arms of one near by,
Holds it fast and looks towards him with a voiceless bitter cry,
As imploring him to loose her from some nightmare's deadly bands.
Dogged looks he down and past her, and she sees and understands,
Then she speaks--'I keep your baby--that's my right in sight of men,
But by God I vow I'll never see your dastard face again.'
So she turned with no word further towards the purple-clouded west,
And passed thither with his baby clasped against her maiden breast.


Little Ladybird was buried in the old ancestral tomb.
From that grave there streams a shadow that wraps up his life in gloom,
And he drags the withered life on, longs for death that will not come,
The interminable night hours riven by that 'Welcome home!'
And he dares not leave this earthly hell of sharp remorse behind,
Lest through death not rest but hotter fire of anguish he should find.
Coward to the last, he will not risk so little for so much,
So he burns, convicted traitor, in the hell self-made of such:
And at night he wakes and shivers with unvanquishable dread
At the ghosts that press each other for a place beside his bed,
And he shudders to remember all the dearness that is dead.


Song.

I had a soul,
Not strong, but following good if good but led.
I might have kept it clean and pure and whole,
And given it up at last, grown strong with days
Of steadfast striving in truth's stern sweet ways;
Instead, I soiled and smutched and smothered it
With poison-flowers it valued not one whit--
Now it is dead.


I had a heart
Most true, most sweet, that on my loving fed.
I might have kept her all my life, a part
Of all my life--I let her starve and pine,
Ruined her life and desolated mine.
Sin brushed my lips--I yielded at a touch,
Tempted so little, and I sinned so much,
And she is dead.


There was a life
That in my sin I took and chained and wed,
And made--perpetual remorse!--my wife.
In my sin's harvest she must reap her share,
That makes its sheaves less light for me to bear.
Oh, life I might have left to bloom and grow!
I struck its root of happiness one blow,
And it is dead.


Once joy I had,
Now I have only agony instead,
That maddens, yet will never send me mad.
The best that comes is numbed half-sick despair,
Remembering how sweet the dear dead were.
My whole life might have been one clear joy song!
Now--oh, my heart, how still life is, how long,
For joy is dead.


Yet there is this:
I chose the thorns not grapes, the stones not bread;
I had my chance, they say, to gain or miss.
And yet I feel it was predestinate
From the first hour, from the first dawn of fate,
That I, thus placed, when that hour should arise,
Must act thus, and could not act otherwise.
This is the worst of all that can be said;
For hope is dead.