Analysis of poems
- A Homeless Man's Departure
- A Second Farewell To Governor Yen Wu At The Fengji Post Station
- A Short Poem Written At The Moment When A Rising River Looked Like A Rolling Ocean
- A Song Of Painting: To General Cao Ba
- A Woman Of Quality
- Advent Of Spring
- Alone, Looking For Blossoms Along The River
- Ballad Of The Army Carts
- Ballad Of The Old Cypress
- Ballad Of The Press-Gang At Shihao Village
Du Fu was a prominent Chinese poet of the Tang Dynasty. Along with Li Bai (Li Bo), he is frequently called the greatest of the Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but he proved unable to make the necessary accommodations. His life, like the whole country, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".
Traditionally, Chinese literary criticism has placed great emphasis on knowledge of the life of the author when interpreting a work, a practice which Watson attributes to "the close links that traditional Chinese thought posits between art and morality". Since many of Du Fu's poems prominently feature morality and history, this practice is particularly important. Another reason, identified by the Chinese historian William Hung, is that Chinese poems are typically extremely concise, omitting circumstantial factors that might be relevant, but which could be reconstructed by an informed contemporary. For modern Western readers, "The less accurately we know the time, the place and the circumstances in the background, the more liable we are to imagine it incorrectly, and the result will be that we either misunderstand the poem or fail to understand it altogether". Owen suggests a third factor particular to Du Fu, arguing that the variety of the poet's work required consideration of his whole life, rather than the "reductive" categorisations used for more limited poets.
This text is based on the copyrighted Wikipedia article; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License