For Our Lady Of The Rocks By Leonardo Da Vinci

Mother, is this the darkness of the end,
The Shadow of Death? and is that outer sea
Infinite imminent Eternity?
And does the death-pang by man's seed sustained
In Time's each instant cause thy face to bend
Its silent prayer upon the Son, while He
Blesses the dead with His hand silently
To His long day which hours no more offend?
Mother of grace, the pass is difficult,
Keen as these rocks, and the bewildered souls
Throng it like echoes, blindly shuddering through.
Thy name, O Lord, each spirit's voice extols,
Whose peace abides in the dark avenue
Amid the bitterness of things occult.

At The Station Of The Versailles Railway

I WAITED for the train unto Versailles.
I hung with bonnes and gamins on the bridge
Watching the gravelled road where, ridge with ridge,
Under black arches gleam the iron rails
Clear in the darkness, till the darkness fails
And they press on to light again—again
To reach the dark. I waited for the train
Unto Versailles; I leaned over the bridge,
And wondered, cold and drowsy, why the knave
Claude is in worship; and why (sense apart)
Rubens preferred a mustard vehicle.
The wind veered short. I turned upon my heel
Saying, “Correggio was a toad”; then gave
Three dizzy yawns, and knew not of the Art.

Sonnet Xxxiv: The Dark Glass

Not I myself know all my love for thee:
How should I reach so far, who cannot weigh
To-morrow's dower by gage of yesterday?
Shall birth and death, and all dark names that be
As doors and windows bared to some loud sea,
Lash deaf mine ears and blind my face with spray;
And shall my sense pierce love,—the last relay
And ultimate outpost of eternity?
Lo! what am I to Love, the lord of all?
One murmuring shell he gathers from the sand,—
One little heart-flame sheltered in his hand.
Yet through thine eyes he grants me clearest call
And veriest touch of powers primordial
That any hour-girt life may understand.

“THERE is a budding morrow in midnight:”—
So sang our Keats, our English nightingale.
And here, as lamps across the bridge turn pale
In London's smokeless resurrection-light,
Dark breaks to dawn. But o'er the deadly blight
Of Love deflowered and sorrow of none avail,
Which makes this man gasp and this woman quail,
Can day from darkness ever again take flight?
Ah! gave not these two hearts their mutual pledge,
Under one mantle sheltered 'neath the hedge
In gloaming courtship? And, O God! to-day
He only knows he holds her;—but what part
Can life now take? She cries in her locked heart,—
“Leave me—I do not know you—go away!”

Sonnet Lxviii: A Dark Day

The gloom that breathes upon me with these airs
Is like the drops which strike the traveller's brow
Who knows not, darkling, if they bring him now
Fresh storm, or be old rain the covert bears.
Ah! bodes this hour some harvest of new tares,
Or hath but memory of the day whose plough
Sowed hunger once,—the night at length when thou,
O prayer found vain, didst fall from out my prayers?
How prickly were the growths which yet how smooth,
Along the hedgerows of this journey shed,
Lie by Time's grace till night and sleep may soothe!
Even as the thistledown from pathsides dead
Gleaned by a girl in autumns of her youth,
Which one new year makes soft her marriage-bed.

The Card-Dealer

Could you not drink her gaze like wine?
Yet though its splendour swoon
Into the silence languidly
As a tune into a tune,
Those eyes unravel the coiled night
And know the stars at noon.
The gold that's heaped beside her hand,
In truth rich prize it were;
And rich the dreams that wreathe her brows
With magic stillness there;
And he were rich who should unwind
That woven golden hair.
Around her, where she sits, the dance
Now breathes its eager heat;
And not more lightly or more true
Fall there the dancers' feet
Than fall her cards on the bright board
As 'twere a heart that beat.
Her fingers let them softly through,
Smooth polished silent things;
And each one as it falls reflects
In swift light-shadowings,
Blood-red and purple, green and blue,
The great eyes of her rings.
Whom plays she with? With thee, who lov'st
Those gems upon her hand;
With me, who search her secret brows;
With all men, bless'd or bann'd.
We play together, she and we,
Within a vain strange land:
A land without any order,—
Day even as night, (one saith,)—
Where who lieth down ariseth not
Nor the sleeper awakeneth;
A land of darkness as darkness itself
And of the shadow of death.
What be her cards, you ask? Even these:—
The heart, that doth but crave
More, having fed; the diamond,
Skilled to make base seem brave;
The club, for smiting in the dark;
The spade, to dig a grave.
And do you ask what game she plays?
With me 'tis lost or won;
With thee it is playing still; with him
It is not well begun;
But 'tis a game she plays with all
Beneath the sway o' the sun.
Thou seest the card that falls,—she knows
The card that followeth:
Her game in thy tongue is called Life,
As ebbs thy daily breath:
When she shall speak, thou'lt learn her tongue
And know she calls it Death.

October, and eleven after dark:
Both mist and night. Among us in the coach
Packed heat on which the windows have been shut:
Our backs unto the motion—Hunt's and mine.
The last lamps of the Paris Station move
Slow with wide haloes past the clouded pane;
The road in secret empty darkness. One
Who sits beside me, now I turn, has pulled
A nightcap to his eyes. A woman here,
Knees to my knees—a twenty-nine-year-old—
Smiles at the mouth I open, seeing him:
I look her gravely in the jaws, and write.
Already while I write heads have been leaned
Upon the wall,—the lamp that's overhead
Dropping its shadow to the waist and hands.
Some time 'twixt sleep and wake. A dead pause then,
With giddy humming silence in the ears.
It is a Station. Eyes are opening now,
And mouths collecting their propriety.
From one of our two windows, now drawn up,
A lady leans, hawks a clear throat, and spits.
Hunt lifts his head from my cramped shoulder where
It has been lying—long stray hairs from it
Crawling upon my face and teazing me.
Ten minutes' law. Our feet are in the road.
A weak thin dimness at the sky, whose chill
Lies vague and hard. The mist of crimson heat
Hangs, a spread glare, about our engine's bulk.
I shall get in again, and sleep this time.
A heavy clamour that fills up the brain
Like thought grown burdensome; and in the ears
Speed that seems striving to o'ertake itself;
And in the pulses torpid life, which shakes
As water to a stir of wind beneath.
Poor Hunt, who has the toothache and can't smoke,
Has asked me twice for brandy. I would sleep;
But man proposes, and no more. I sit
With open eyes, and a head quite awake,
But which keeps catching itself lolled aside
And looking sentimental. In the coach,
If any one tries talking, the voice jolts,
And stuns the ear that stoops for it.
Amiens.
Half-an-hour's rest. Another shivering walk
Along the station, waiting for the bell.
Ding-dong. Now this time, by the Lord, I'll sleep.
I must have slept some while. Now that I wake,
Day is beginning in a kind of haze
White with grey trees. The hours have had their lapse.
A sky too dull for cloud. A country lain
In fields, where teams drag up the furrow yet;
Or else a level of trees, the furthest ones
Seen like faint clouds at the horizon's point.
Quite a clear distance, though in vapour. Mills
That turn with the dry wind. Large stacks of hay
Made to look bleak. Dead autumn, and no sun.
The smoke upon our course is borne so near
Along the earth, the earth appears to steam.
Blanc-Misseron, the last French station, passed.
We are in Belgium. It is just the same:—
Nothing to write of, and no good in verse.
Curse the big mounds of sand-weed! curse the miles
Of barren chill,—the twentyfold relays!
Curse every beastly Station on the road!
As well to write as swear. Hunt was just now
Making great eyes because outside the pane
One of the stokers passed whom he declared
A stunner. A vile mummy with a bag
Is squatted next me: a disgusting girl
Broad opposite. We have a poet, though,
Who is a gentleman, and looks like one;
Only he seems ashamed of writing verse,
And heads each new page with “Mon cher Ami.”
Hunt's stunner has just come into the coach,
And set us hard agrin from ear to ear.
Another Station. There's a stupid horn
Set wheezing. Now I should just like to know
—Just merely for the whim—what good that is.
These Stations for the most part are a kind
Of London coal-merchant's back premises;
Whitewashed, but as by hands of coal-heavers;
Grimy themselves, and always circled in
With foul coke-loads that make the nose aroint.
Here is a Belgian village,—no, a town
Moated and buttressed. Next, a water-track
Lying with draggled reeds in a flat slime.
Next, the old country, always all the same.
Now by Hans Hemmling and by John Van Eyck,
You'll find, till something's new, I write no more.
(4 HOURS)
There is small change of country; but the sun
Is out, and it seems shame this were not said:
For upon all the grass the warmth has caught;
And betwixt distant whitened poplar-stems
Makes greener darkness; and in dells of trees
Shows spaces of a verdure that was hid;
And the sky has its blue floated with white,
And crossed with falls of the sun's glory aslant
To lay upon the waters of the world;
And from the road men stand with shaded eyes
To look; and flowers in gardens have grown strong,
And our own shadows here within the coach
Are brighter; and all colour has more bloom.
So, after the sore torments of the route:—
Toothache, and headache, and the ache of wind,
And huddled sleep, and smarting wakefulness,
And night, and day, and hunger sick at food,
And twentyfold relays, and packages
To be unlocked, and passports to be found,
And heavy well-kept landscape;—we were glad
Because we entered Brussels in the sun.

The Burden Of Nineveh

In our Museum galleries
To-day I lingered o'er the prize
Dead Greece vouchsafes to living eyes,—
Her Art for ever in fresh wise
From hour to hour rejoicing me.
Sighing I turned at last to win
Once more the London dirt and din;
And as I made the swing-door spin
And issued, they were hoisting in
A wingèd beast from Nineveh.
A human face the creature wore,
And hoofs behind and hoofs before,
And flanks with dark runes fretted o'er.
'Twas bull, 'twas mitred Minotaur,
A dead disbowelled mystery:
The mummy of a buried faith
Stark from the charnel without scathe,
Its wings stood for the light to bathe,—
Such fossil cerements as might swathe
The very corpse of Nineveh.
The print of its first rush-wrapping,
Wound ere it dried, still ribbed the thing.
What song did the brown maidens sing,
From purple mouths alternating,
When that was woven languidly?
What vows, what rites, what prayers preferr'd,
What songs has the strange image heard?
In what blind vigil stood interr'd
For ages, till an English word
Broke silence first at Nineveh?
Oh when upon each sculptured court,
Where even the wind might not resort,—
O'er which Time passed, of like import
With the wild Arab boys at sport,—
A living face looked in to see:—
Oh seemed it not—the spell once broke—
As though the carven warriors woke,
As though the shaft the string forsook,
The cymbals clashed, the chariots shook,
And there was life in Nineveh?
On London stones our sun anew
The beast's recovered shadow threw.
(No shade that plague of darkness knew,
No light, no shade, while older grew
By ages the old earth and sea.)
Lo thou! could all thy priests have shown
Such proof to make thy godhead known?
From their dead Past thou liv'st alone;
And still thy shadow is thine own,
Even as of yore in Nineveh.
That day whereof we keep record,
When near thy city-gates the Lord
Sheltered His Jonah with a gourd,
This sun, (I said) here present, pour'd
Even thus this shadow that I see.
This shadow has been shed the same
From sun and moon,—from lamps which came
For prayer,—from fifteen days of flame,
The last, while smouldered to a name
Sardanapalus' Nineveh.
Within thy shadow, haply, once
Sennacherib has knelt, whose sons
Smote him between the altar-stones:
Or pale Semiramis her zones
Of gold, her incense brought to thee,
In love for grace, in war for aid: . . .
Ay, and who else? . . . till 'neath thy shade
Within his trenches newly made
Last year the Christian knelt and pray'd—
Not to thy strength—in Nineveh.
Now, thou poor god, within this hall
Where the blank windows blind the wall
From pedestal to pedestal,
The kind of light shall on thee fall
Which London takes the day to be:
While school-foundations in the act
Of holiday, three files compact,
Shall learn to view thee as a fact
Connected with that zealous tract:
“ROME,—Babylon and Nineveh.”
Deemed they of this, those worshippers,
When, in some mythic chain of verse
Which man shall not again rehearse,
The faces of thy ministers
Yearned pale with bitter ecstasy?
Greece, Egypt, Rome,—did any god
Before whose feet men knelt unshod
Deem that in this unblest abode
Another scarce more unknown god
Should house with him, from Nineveh?
Ah! in what quarries lay the stone
From which this pillared pile has grown,
Unto man's need how long unknown,
Since those thy temples, court and cone,
Rose far in desert history?
Ah! what is here that does not lie
All strange to thine awakened eye?
Ah! what is here can testify
(Save that dumb presence of the sky)
Unto thy day and Nineveh?
Why, of those mummies in the room
Above, there might indeed have come
One out of Egypt to thy home,
An alien. Nay, but were not some
Of these thine own “antiquity”?
And now,—they and their gods and thou
All relics here together,—now
Whose profit? whether bull or cow,
Isis or Ibis, who or how,
Whether of Thebes or Nineveh?
The consecrated metals found,
And ivory tablets, underground,
Winged teraphim and creatures crown'd.
When air and daylight filled the mound,
Fell into dust immediately.
And even as these, the images
Of awe and worship,—even as these,—
So, smitten with the sun's increase,
Her glory mouldered and did cease
From immemorial Nineveh.
The day her builders made their halt,
Those cities of the lake of salt
Stood firmly 'stablished without fault,
Made proud with pillars of basalt,
With sardonyx and porphyry.
The day that Jonah bore abroad
To Nineveh the voice of God,
A brackish lake lay in his road,
Where erst Pride fixed her sure abode,
As then in royal Nineveh.
The day when he, Pride's lord and Man's,
Showed all the kingdoms at a glance
To Him before whose countenance
The years recede, the years advance,
And said, Fall down and worship me:—
'Mid all the pomp beneath that look,
Then stirred there, haply, some rebuke,
Where to the wind the Salt Pools shook,
And in those tracts, of life forsook,
That knew thee not, O Nineveh!
Delicate harlot! On thy throne
Thou with a world beneath thee prone
In state for ages sat'st alone;
And needs were years and lustres flown
Ere strength of man could vanquish thee:
Whom even thy victor foes must bring,
Still royal, among maids that sing
As with doves' voices, taboring
Upon their breasts, unto the King,—
A kingly conquest, Nineveh!
. . . Here woke my thought. The wind's slow sway
Had waxed; and like the human play
Of scorn that smiling spreads away,
The sunshine shivered off the day:
The callous wind, it seemed to me,
Swept up the shadow from the ground:
And pale as whom the Fates astound,
The god forlorn stood winged and crown'd:
Within I knew the cry lay bound
Of the dumb soul of Nineveh.
And as I turned, my sense half shut
Still saw the crowds of kerb and rut
Go past as marshalled to the strut
Of ranks in gypsum quaintly cut.
It seemed in one same pageantry
They followed forms which had been erst;
To pass, till on my sight should burst
That future of the best or worst
When some may question which was first,
Of London or of Nineveh.
For as that Bull-god once did stand
And watched the burial-clouds of sand,
Till these at last without a hand
Rose o'er his eyes, another land,
And blinded him with destiny:—
So may he stand again; till now,
In ships of unknown sail and prow,
Some tribe of the Australian plough
Bear him afar,—a relic now
Of London, not of Nineveh!
Or it may chance indeed that when
Man's age is hoary among men,—
His centuries threescore and ten,—
His furthest childhood shall seem then
More clear than later times may be:
Who, finding in this desert place
This form, shall hold us for some race
That walked not in Christ's lowly ways,
But bowed its pride and vowed its praise
Unto the God of Nineveh.
The smile rose first,—anon drew nigh
The thought: . . . Those heavy wings spread high,
So sure of flight, which do not fly;
That set gaze never on the sky;
Those scriptured flanks it cannot see;
Its crown, a brow-contracting load;
Its planted feet which trust the sod: . . .
(So grew the image as I trod
O Nineveh, was this thy God,—
Thine also, mighty Nineveh?

A Last Confession

Our Lombard country-girls along the coast
Wear daggers in their garters: for they know
That they might hate another girl to death
Or meet a German lover. Such a knife
I bought her, with a hilt of horn and pearl.
Father, you cannot know of all my thoughts
That day in going to meet her,—that last day
For the last time, she said;—of all the love
And all the hopeless hope that she might change
And go back with me. Ah! and everywhere,
At places we both knew along the road,
Some fresh shape of herself as once she was
Grew present at my side; until it seemed—
So close they gathered round me—they would all
Be with me when I reached the spot at last,
To plead my cause with her against herself
So changed. O Father, if you knew all this
You cannot know, then you would know too, Father,
And only then, if God can pardon me.
What can be told I'll tell, if you will hear.
I passed a village-fair upon my road,
And thought, being empty-handed, I would take
Some little present: such might prove, I said,
Either a pledge between us, or (God help me!)
A parting gift. And there it was I bought
The knife I spoke of, such as women wear.
That day, some three hours afterwards, I found
For certain, it must be a parting gift.
And, standing silent now at last, I looked
Into her scornful face; and heard the sea
Still trying hard to din into my ears
Some speech it knew which still might change her heart,
If only it could make me understand.
One moment thus. Another, and her face
Seemed further off than the last line of sea,
So that I thought, if now she were to speak
I could not hear her. Then again I knew
All, as we stood together on the sand
At Iglio, in the first thin shade o' the hills.
“Take it,” I said, and held it out to her,
While the hilt glanced within my trembling hold;
“Take it and keep it for my sake,” I said.
Her neck unbent not, neither did her eyes
Move, nor her foot left beating of the sand;
Only she put it by from her and laughed.
Father, you hear my speech and not her laugh;
But God heard that. Will God remember all?
It was another laugh than the sweet sound
Which rose from her sweet childish heart, that day
Eleven years before, when first I found her
Alone upon the hill-side; and her curls
Shook down in the warm grass as she looked up
Out of her curls in my eyes bent to hers.
She might have served a painter to pourtray
That heavenly child which in the latter days
Shall walk between the lion and the lamb.
I had been for nights in hiding, worn and sick
And hardly fed; and so her words at first
Seemed fiftul like the talking of the trees
And voices in the air that knew my name.
And I remember that I sat me down
Upon the slope with her, and thought the world
Must be all over or had never been,
We seemed there so alone. And soon she told me
Her parents both were gone away from her.
I thought perhaps she meant that they had died;
But when I asked her this, she looked again
Into my face and said that yestereve
They kissed her long, and wept and made her weep,
And gave her all the bread they had with them,
And then had gone together up the hill
Where we were sitting now, and had walked on
Into the great red light; “and so,” she said,
“I have come up here too; and when this evening
They step out of the light as they stepped in,
I shall be here to kiss them.” And she laughed.
Then I bethought me suddenly of the famine;
And how the church-steps throughout all the town,
When last I had been there a month ago,
Swarmed with starved folk; and how the bread was weighed
By Austrians armed; and women that I knew
For wives and mothers walked the public street,
Saying aloud that if their husbands feared
To snatch the children's food, themselves would stay
Till they had earned it there. So then this child
Was piteous to me; for all told me then
Her parents must have left her to God's chance,
To man's or to the Church's charity,
Because of the great famine, rather than
To watch her growing thin between their knees.
With that, God took my mother's voice and spoke,
And sights and sounds came back and things long since,
And all my childhood found me on the hills;
And so I took her with me.
I was young.
Scarce man then, Father: but the cause which gave
The wounds I die of now had brought me then
Some wounds already; and I lived alone,
As any hiding hunted man must live.
It was no easy thing to keep a child
In safety; for herself it was not safe,
And doubled my own danger: but I knew
That God would help me.
Yet a little while
Pardon me, Father, if I pause. I think
I have been speaking to you of some matters
There was no need to speak of, have I not?
You do not know how clearly those things stood
Within my mind, which I have spoken of,
Nor how they strove for utterance. Life all past
Is like the sky when the sun sets in it,
Clearest where furthest off.
I told you how
She scorned my parting gift and laughed. And yet
A woman's laugh's another thing sometimes:
I think they laugh in Heaven. I know last night
I dreamed I saw into the garden of God,
Where women walked whose painted images
I have seen with candles round them in the church.
They bent this way and that, one to another,
Playing: and over the long golden hair
Of each there floated like a ring of fire
Which when she stooped stooped with her, and when she rose
Rose with her. Then a breeze flew in among them,
As if a window had been opened in heaven
For God to give His blessing from, before
This world of ours should set; (for in my dream
I thought our world was setting, and the sun
Flared, a spent taper; ) and beneath that gust
The rings of light quivered like forest-leaves.
Then all the blessed maidens who were there
Stood up together, as it were a voice
That called them; and they threw their tresses back,
And smote their palms, and all laughed up at once,
For the strong heavenly joy they had in them
To hear God bless the world. Wherewith I woke:
And looking round, I saw as usual
That she was standing there with her long locks
Pressed to her side; and her laugh ended theirs.
For always when I see her now, she laughs.
And yet her childish laughter haunts me too,
The life of this dead terror; as in days
When she, a child, dwelt with me. I must tell
Something of those days yet before the end.
I brought her from the city—one such day
When she was still a merry loving child,—
The earliest gift I mind my giving her;
A little image of a flying Love
Made of our coloured glass-ware, in his hands
A dart of gilded metal and a torch.
And him she kissed and me, and fain would know
Why were his poor eyes blindfold, why the wings
And why the arrow. What I knew I told
Of Venus and of Cupid,—strange old tales.
And when she heard that he could rule the loves
Of men and women, still she shook her head
And wondered; and, “Nay, nay,” she murmured still,
“So strong, and he a younger child than I!”
And then she'd have me fix him on the wall
Fronting her little bed; and then again
She needs must fix him there herself, because
I gave him to her and she loved him so,
And he should make her love me better yet,
If women loved the more, the more they grew.
But the fit place upon the wall was high
For her, and so I held her in my arms:
And each time that the heavy pruning-hook
I gave her for a hammer slipped away
As it would often, still she laughed and laughed
And kissed and kissed me. But amid her mirth,
Just as she hung the image on the nail,
It slipped and all its fragments strewed the ground:
And as it fell she screamed, for in her hand
The dart had entered deeply and drawn blood.
And so her laughter turned to tears: and “Oh!”
I said, the while I bandaged the small hand,—
“That I should be the first to make you bleed,
Who love and love and love you!”—kissing still
The fingers till I got her safe to bed.
And still she sobbed,—“not for the pain at all,”
She said, “but for the Love, the poor good Love
You gave me.” So she cried herself to sleep.
Another later thing comes back to me.
'Twas in those hardest foulest days of all,
When still from his shut palace, sitting clean
Above the splash of blood, old Metternich
(May his soul die, and never-dying worms
Feast on its pain for ever! ) used to thin
His year's doomed hundreds daintily, each month
Thirties and fifties. This time, as I think,
Was when his thrift forbad the poor to take
That evil brackish salt which the dry rocks
Keep all through winter when the sea draws in.
The first I heard of it was a chance shot
In the street here and there, and on the stones
A stumbling clatter as of horse hemmed round.
Then, when she saw me hurry out of doors,
My gun slung at my shoulder and my knife
Stuck in my girdle, she smoothed down my hair
And laughed to see me look so brave, and leaped
Up to my neck and kissed me. She was still
A child; and yet that kiss was on my lips
So hot all day where the smoke shut us in.
For now, being always with her, the first love
I had—the father's, brother's love—was changed,
I think, in somewise; like a holy thought
Which is a prayer before one knows of it.
The first time I perceived this, I remember,
Was once when after hunting I came home
Weary, and she brought food and fruit for me,
And sat down at my feet upon the floor
Leaning against my side. But when I felt
Her sweet head reach from that low seat of hers
So high as to be laid upon my heart,
I turned and looked upon my darling there
And marked for the first time how tall she was;
And my heart beat with so much violence
Under her cheek, I thought she could not choose
But wonder at it soon and ask me why;
And so I bade her rise and eat with me.
And when, remembering all and counting back
The time, I made out fourteen years for her
And told her so, she gazed at me with eyes
As of the sky and sea on a grey day,
And drew her long hands through her hair, and asked me
If she was not a woman; and then laughed:
And as she stooped in laughing, I could see
Beneath the growing throat the breasts half-globed
Like folded lilies deepset in the stream.
Yes, let me think of her as then; for so
Her image, Father, is not like the sights
Which come when you are gone. She had a mouth
Made to bring death to life,—the underlip
Sucked in, as if it strove to kiss itself.
Her face was pearly pale, as when one stoops
Over wan water; and the dark crisped hair
And the hair's shadow made it paler still:—
Deep-serried locks, the dimness of the cloud
Where the moon's gaze is set in eddying gloom.
Her body bore her neck as the tree's stem
Bears the top branch; and as the branch sustains
The flower of the year's pride, her high neck bore
That face made wonderful with night and day.
Her voice was swift, yet ever the last words
Fell lingeringly; and rounded finger-tips
She had, that clung a little where they touched
And then were gone o' the instant. Her great eyes,
That sometimes turned half dizzily beneath
The passionate lids, as faint, when she would speak,
Had also in them hidden springs of mirth,
Which under the dark lashes evermore
Shook to her laugh, as when a bird flies low
Between the water and the willow-leaves,
And the shade quivers till he wins the light.
I was a moody comrade to her then,
For all the love I bore her. Italy,
The weeping desolate mother, long has claimed
Her sons' strong arms to lean on, and their hands
To lop the poisonous thicket from her path,
Cleaving her way to light. And from her need
Had grown the fashion of my whole poor life
Which I was proud to yield her, as my father
Had yielded his. And this had come to be
A game to play, a love to clasp, a hate
To wreak, all things together that a man
Needs for his blood to ripen; till at times
All else seemed shadows, and I wondered still
To see such life pass muster and be deemed
Time's bodily substance. In those hours, no doubt,
To the young girl my eyes were like my soul,—
Dark wells of death-in-life that yearned for day.
Sig.
And though she ruled me always, I remember
That once when I was thus and she still kept
Leaping about the place and laughing, I
Did almost chide her; whereupon she knelt
And putting her two hands into my breast
Sang me a song. Are these tears in my eyes?
'Tis long since I have wept for anything.
I thought that song forgotten out of mind;
And now, just as I spoke of it, it came
All back. It is but a rude thing, ill rhymed,
Such as a blind man chaunts and his dog hears
Holding the platter, when the children run
To merrier sport and leave him. Thus it goes:—
La bella donna*
Piangendo disse:
“Come son fisse
Le stelle in cielo!
Quel fiato anelo
Dello stanco sole,
Quanto m' assonna!
E la luna, macchiata
Come uno specchio
Logoro e vecchio,—
Faccia affannata,
Che cosa vuole?
“Chè stelle, luna, e sole,
Ciascun m' annoja
E m' annojano insieme;
Non me ne preme
Nè ci prendo gioja.
E veramente,
Che le spalle sien franche
E la braccia bianche
She wept, sweet lady,
And said in weeping:
“What spell is keeping
The stars so steady?
Why does the power
Of the sun's noon-hour
To sleep so move me?
And the moon in heaven,
Stained where she passes
As a worn-out glass is,—
Wearily driven,
Why walks she above me?
“Stars, moon, and sun too,
I'm tired of either
And all together!
Whom speak they unto
That I should listen?
For very surely,
Though my arms and shoulders
Dazzle beholders,
And my eyes glisten,
All's nothing purely!
What are words said for
At all about them,
If he they are made for
Can do without them?”
She laughed, sweet lady,
And said in laughing:
“His hand clings half in
My own already!
Oh! do you love me?
Oh! speak of passion
In no new fashion,
No loud inveighings,
But the old sayings
You once said of me.
“You said: ‘As summer,
Through boughs grown brittle,
Comes back a little
Ere frosts benumb her,—
So bring'st thou to me
All leaves and flowers,
Though autumn's gloomy
To-day in the bowers.’
“Oh! does he love me,
When my voice teaches
The very speeches
He then spoke of me?
Alas! what flavour
Still with me lingers?”
(But she laughed as my kisses
Glowed in her fingers
With love's old blisses.)
“Oh! what one favour
Remains to woo him,
Whose whole poor savour
Belongs not to him?”
E il seno caldo e tondo,
Non mi fa niente.
Che cosa al mondo
Posso più far di questi
Se non piacciono a te, come dicesti?”
La donna rise
E riprese ridendo:—
“Questa mano che prendo
È dunque mia?
Tu m' ami dunque?
Dimmelo ancora,
Non in modo qualunque,
Ma le parole
Belle e precise
Che dicesti pria.
‘Siccome suole
La state talora
(Dicesti) un qualche istante
Tornare innanzi inverno,
Così tu fai ch' io scerno
Le foglie tutte quante,
Ben ch' io certo tenessi
Per passato l' autunno.’
“Eccolo il mio alunno!
Io debbo insegnargli
Quei cari detti istessi
Ch' ei mi disse una volta!
Oimè! Che cosa dargli,”
(Ma ridea piano piano
Dei baci in sulla mano,)
“Ch' ei non m'abbia da lungo tempo tolta?”
That I should sing upon this bed!—with you
To listen, and such words still left to say!
Yet was it I that sang? The voice seemed hers,
As on the very day she sang to me;
When, having done, she took out of my hand
Something that I had played with all the while
And laid it down beyond my reach; and so
Turning my face round till it fronted hers,—
“Weeping or laughing, which was best?” she said.
But these are foolish tales. How should I show
The heart that glowed then with love's heat, each day
More and more brightly?—when for long years now
The very flame that flew about the heart,
And gave it fiery wings, has come to be
The lapping blaze of hell's environment
Whose tongues all bid the molten heart despair.
Yet one more thing comes back on me to-night
Which I may tell you: for it bore my soul
Dread firstlings of the brood that rend it now.
It chanced that in our last year's wanderings
We dwelt at Monza, far away from home,
If home we had: and in the Duomo there
I sometimes entered with her when she prayed.
An image of Our Lady stands there, wrought
In marble by some great Italian hand
In the great days when she and Italy
Sat on one throne together: and to her
And to none else my loved one told her heart.
She was a woman then; and as she knelt,—
Her sweet brow in the sweet brow's shadow there,—
They seemed two kindred forms whereby our land
(Whose work still serves the world for miracle)
Made manifest herself in womanhood.
Father, the day I speak of was the first
For weeks that I had borne her company
Into the Duomo; and those weeks had been
Much troubled, for then first the glimpses came
Of some impenetrable restlessness
Growing in her to make her changed and cold.
And as we entered there that day, I bent
My eyes on the fair Image, and I said
Within my heart, “Oh turn her heart to me!”
And so I left her to her prayers, and went
To gaze upon the pride of Monza's shrine,
Where in the sacristy the light still falls
Upon the Iron Crown of Italy,
On whose crowned heads the day has closed, nor yet
The daybreak gilds another head to crown.
But coming back, I wondered when I saw
That the sweet Lady of her prayers now stood
Alone without her; until further off,
Before some new Madonna gaily decked,
Tinselled and gewgawed, a slight German toy,
I saw her kneel, still praying. At my step
She rose, and side by side we left the church.
I was much moved, and sharply questioned her
Of her transferred devotion; but she seemed
Stubborn and heedless; till she lightly laughed
And said: “The old Madonna? Aye indeed,
She had my old thoughts,—this one has my new.”
Then silent to the soul I held my way:
And from the fountains of the public place
Unto the pigeon-haunted pinnacles,
Bright wings and water winnowed the bright air;
And stately with her laugh's subsiding smile
She went, with clear-swayed waist and towering neck
And hands held light before her; and the face
Which long had made a day in my life's night
Was night in day to me; as all men's eyes
Turned on her beauty, and she seemed to tread
Beyond my heart to the world made for her.
Ah there! my wounds will snatch my sense again:
The pain comes billowing on like a full cloud
Of thunder, and the flash that breaks from it
Leaves my brain burning. That's the wound he gave,
The Austrian whose white coat I still made match
With his white face, only the two grew red
As suits his trade. The devil makes them wear
White for a livery, that the blood may show
Braver that brings them to him. So he looks
Sheer o'er the field and knows his own at once.
Give me a draught of water in that cup;
My voice feels thick; perhaps you do not hear;
But you must hear. If you mistake my words
And so absolve me, I am sure the blessing
Will burn my soul. If you mistake my words
And so absolve me, Father, the great sin
Is yours, not mine: mark this: your soul shall burn
With mine for it. I have seen pictures where
Souls burned with Latin shriekings in their mouths:
Shall my end be as theirs? Nay, but I know
'Tis you shall shriek in Latin. Some bell rings,
Rings through my brain: it strikes the hour in hell.
You see I cannot, Father; I have tried,
But cannot, as you see. These twenty times
Beginning, I have come to the same point
And stopped. Beyond, there are but broken words
Which will not let you understand my tale.
It is that then we have her with us here,
As when she wrung her hair out in my dream
To-night, till all the darkness reeked of it.
Her hair is always wet, for she has kept
Its tresses wrapped about her side for years;
And when she wrung them round over the floor,
I heard the blood between her fingers hiss;
So that I sat up in my bed and screamed
Once and again; and once to once, she laughed.
Look that you turn not now,—she's at your back:
Gather your robe up, Father, and keep close,
Or she'll sit down on it and send you mad.
At Iglio in the first thin shade o' the hills
The sand is black and red. The black was black
When what was spilt that day sank into it,
And the red scarcely darkened. There I stood
This night with her, and saw the sand the same.
What would you have me tell you? Father, father,
How shall I make you know? You have not known
The dreadful soul of woman, who one day
Forgets the old and takes the new to heart,
Forgets what man remembers, and therewith
Forgets the man. Nor can I clearly tell
How the change happened between her and me.
Her eyes looked on me from an emptied heart
When most my heart was full of her; and still
In every corner of myself I sought
To find what service failed her; and no less
Than in the good time past, there all was hers.
What do you love? Your Heaven? Conceive it spread
For one first year of all eternity
All round you with all joys and gifts of God;
And then when most your soul is blent with it
And all yields song together,—then it stands
O' the sudden like a pool that once gave back
Your image, but now drowns it and is clear
Again,—or like a sun bewitched, that burns
Your shadow from you, and still shines in sight.
How could you bear it? Would you not cry out,
Among those eyes grown blind to you, those ears
That hear no more your voice you hear the same,—
“God! what is left but hell for company,
But hell, hell, hell?”—until the name so breathed
Whirled with hot wind and sucked you down in fire?
Even so I stood the day her empty heart
Left her place empty in our home, while yet
I knew not why she went nor where she went
Nor how to reach her: so I stood the day
When to my prayers at last one sight of her
Was granted, and I looked on heaven made pale
With scorn, and heard heaven mock me in that laugh.
O sweet, long sweet! Was that some ghost of you,
Even as your ghost that haunts me now,—twin shapes
Of fear and hatred? May I find you yet
Mine when death wakes? Ah! be it even in flame,
We may have sweetness yet, if you but say
As once in childish sorrow: “Not my pain,
My pain was nothing: oh your poor poor love,
Your broken love!”
My Father, have I not
Yet told you the last things of that last day
On which I went to meet her by the sea?
O God, O God! but I must tell you all.
Midway upon my journey, when I stopped
To buy the dagger at the village fair,
I saw two cursed rats about the place
I knew for spies—blood-sellers both. That day
Was not yet over; for three hours to come
I prized my life: and so I looked around
For safety. A poor painted mountebank
Was playing tricks and shouting in a crowd.
I knew he must have heard my name, so I
Pushed past and whispered to him who I was,
And of my danger. Straight he hustled me
Into his booth, as it were in the trick,
And brought me out next minute with my face
All smeared in patches and a zany's gown;
And there I handed him his cups and balls
And swung the sand-bags round to clear the ring
For half an hour. The spies came once and looked;
And while they stopped, and made all sights and sounds
Sharp to my startled senses, I remember
A woman laughed above me. I looked up
And saw where a brown-shouldered harlot leaned
Half through a tavern window thick with vine.
Some man had come behind her in the room
And caught her by her arms, and she had turned
With that coarse empty laugh on him, as now
He munched her neck with kisses, while the vine
Crawled in her back.
And three hours afterwards,
When she that I had run all risks to meet
Laughed as I told you, my life burned to death
Within me, for I thought it like the laugh
Heard at the fair. She had not left me long;
But all she might have changed to, or might change to,
(I know nought since—she never speaks a word—)
Seemed in that laugh. Have I not told you yet,
Not told you all this time what happened, Father,
When I had offered her the little knife,
And bade her keep it for my sake that loved her,
And she had laughed? Have I not told you yet?
“Take it,” I said to her the second time,
“Take it and keep it.” And then came a fire
That burnt my hand; and then the fire was blood,
And sea and sky were blood and fire, and all
The day was one red blindness; till it seemed,
Within the whirling brain's eclipse, that she
Or I or all things bled or burned to death.
And then I found her laid against my feet
And knew that I had stabbed her, and saw still
Her look in falling. For she took the knife
Deep in her heart, even as I bade her then,
And fell; and her stiff bodice scooped the sand
Into her bosom.
And she keeps it, see,
Do you not see she keeps it?—there, beneath
Wet fingers and wet tresses, in her heart.
For look you, when she stirs her hand, it shows
The little hilt of horn and pearl,—even such
A dagger as our women of the coast
Twist in their garters.
Father, I have done:
And from her side now she unwinds the thick
Dark hair; all round her side it is wet through,
But, like the sand at Iglio, does not change.
Now you may see the dagger clearly. Father,
I have told all: tell me at once what hope
Can reach me still. For now she draws it out
Slowly, and only smiles as yet: look, Father,
She scarcely smiles: but I shall hear her laugh
Soon, when she shows the crimson steel to God.

The Bride's Prelude

“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.
Long sat she silent; and then raised
Her head, with such a gasp
As while she summoned breath to speak
Fanned high that furnace in the cheek
But sucked the heart-pulse cold and weak.
(Oh gather round her now, all ye
Past seasons of her fear,—
Sick springs, and summers deadly cold!
To flight your hovering wings unfold,
For now your secret shall be told.
Ye many sunlights, barbed with darts
Of dread detecting flame,—
Gaunt moonlights that like sentinels
Went past with iron clank of bells,—
Draw round and render up your spells!)
“Sister,” said Aloÿse, “I had
A thing to tell thee of
Long since, and could not. But do thou
Kneel first in prayer awhile, and bow
Thine heart, and I will tell thee now.”
Amelotte wondered with her eyes;
But her heart said in her:
“Dear Aloÿse would have me pray
Because the awe she feels to-day
Must need more prayers than she can say.”
So Amelotte put by the folds
That covered up her feet,
And knelt,—beyond the arras'd gloom
And the hot window's dull perfume,—
Where day was stillest in the room.
“Queen Mary, hear,” she said, “and say
To Jesus the Lord Christ,
This bride's new joy, which He confers,
New joy to many ministers,
And many griefs are bound in hers.”
The bride turned in her chair, and hid
Her face against the back,
And took her pearl-girt elbows in
Her hands, and could not yet begin,
But shuddering, uttered, “Urscelyn!”
Most weak she was; for as she pressed
Her hand against her throat,
Along the arras she let trail
Her face, as if all heart did fail,
And sat with shut eyes, dumb and pale.
Amelotte still was on her knees
As she had kneeled to pray.
Deeming her sister swooned, she thought,
At first, some succour to have brought;
But Aloÿse rocked, as one distraught.
She would have pushed the lattice wide
To gain what breeze might be;
But marking that no leaf once beat
The outside casement, it seemed meet
Not to bring in more scent and heat.
So she said only: “Aloÿse,
Sister, when happened it
At any time that the bride came
To ill, or spoke in fear of shame,
When speaking first the bridegroom's name?”
A bird had out its song and ceased
Ere the bride spoke. At length
She said: “The name is as the thing:—
Sin hath no second christening,
And shame is all that shame can bring.
“In divers places many an while
I would have told thee this;
But faintness took me, or a fit
Like fever. God would not permit
That I should change thine eyes with it.
“Yet once I spoke, hadst thou but heard:—
That time we wandered out
All the sun's hours, but missed our way
When evening darkened, and so lay
The whole night covered up in hay.
“At last my face was hidden: so,
Having God's hint, I paused
Not long; but drew myself more near
Where thou wast laid, and shook off fear,
And whispered quick into thine ear
“Something of the whole tale. At first
I lay and bit my hair
For the sore silence thou didst keep:
Till, as thy breath came long and deep,
I knew that thou hadst been asleep.
“The moon was covered, but the stars
Lasted till morning broke.
Awake, thou told'st me that thy dream
Had been of me,—that all did seem
At jar,—but that it was a dream.
“I knew God's hand and might not speak.
After that night I kept
Silence and let the record swell:
Till now there is much more to tell
Which must be told out ill or well.”
She paused then, weary, with dry lips
Apart. From the outside
By fits there boomed a dull report
From where i' the hanging tennis-court
The bridegroom's retinue made sport.
The room lay still in dusty glare,
Having no sound through it
Except the chirp of a caged bird
That came and ceased: and if she stirred,
Amelotte's raiment could be heard.
Quoth Amelotte: “The night this chanced
Was a late summer night
Last year! What secret, for Christ's love,
Keep'st thou since then? Mary above!
What thing is this thou speakest of?
“Mary and Christ! Lest when 'tis told
I should be prone to wrath,—
This prayer beforehand! How she errs
Soe'er, take count of grief like hers,
Whereof the days are turned to years!”
She bowed her neck, and having said,
Kept on her knees to hear;
And then, because strained thought demands
Quiet before it understands,
Darkened her eyesight with her hands.
So when at last her sister spoke,
She did not see the pain
O' the mouth nor the ashamèd eyes,
But marked the breath that came in sighs
And the half-pausing for replies.
This was the bride's sad prelude-strain:—
“I' the convent where a girl
I dwelt till near my womanhood,
I had but preachings of the rood
And Aves told in solitude
“To spend my heart on: and my hand
Had but the weary skill
To eke out upon silken cloth
Christ's visage, or the long bright growth
Of Mary's hair, or Satan wroth.
“So when at last I went, and thou,
A child not known before,
Didst come to take the place I left,—
My limbs, after such lifelong theft
Of life, could be but little deft
“In all that ministers delight
To noble women: I
Had learned no word of youth's discourse,
Nor gazed on games of warriors,
Nor trained a hound, nor ruled a horse.
“Besides, the daily life i' the sun
Made me at first hold back.
To thee this came at once; to me
It crept with pauses timidly;
I am not blithe and strong like thee.
“Yet my feet liked the dances well,
The songs went to my voice,
The music made me shake and weep;
And often, all night long, my sleep
Gave dreams I had been fain to keep.
“But though I loved not holy things,
To hear them scorned brought pain,—
They were my childhood; and these dames
Were merely perjured in saints' names
And fixed upon saints' days for games.
“And sometimes when my father rode
To hunt with his loud friends,
I dared not bring him to be quaff'd,
As my wont was, his stirrup-draught,
Because they jested so and laughed.
“At last one day my brothers said,
‘The girl must not grow thus,—
Bring her a jennet,—she shall ride.’
They helped my mounting, and I tried
To laugh with them and keep their side,
“But brakes were rough and bents were steep
Upon our path that day:
My palfrey threw me; and I went
Upon men's shoulders home, sore spent,
While the chase followed up the scent.
“Our shrift-father (and he alone
Of all the household there
Had skill in leechcraft) was away
When I reached home. I tossed, and lay
Sullen with anguish the whole day.
“For the day passed ere some one brought
To mind that in the hunt
Rode a young lord she named, long bred
Among the priests, whose art (she said)
Might chance to stand me in much stead.
“I bade them seek and summon him:
But long ere this, the chase
Had scattered, and he was not found.
I lay in the same weary stound,
Therefore, until the night came round.
“It was dead night and near on twelve
When the horse-tramp at length
Beat up the echoes of the court:
By then, my feverish breath was short
With pain the sense could scarce support.
“My fond nurse sitting near my feet
Rose softly,—her lamp's flame
Held in her hand, lest it should make
My heated lids, in passing, ache;
And she passed softly, for my sake.
“Returning soon, she brought the youth
They spoke of. Meek he seemed,
But good knights held him of stout heart.
He was akin to us in part,
And bore our shield, but barred athwart.
“I now remembered to have seen
His face, and heard him praised
For letter-lore and medicine,
Seeing his youth was nurtured in
Priests' knowledge, as mine own had been.”
The bride's voice did not weaken here,
Yet by her sudden pause
She seemed to look for questioning;
Or else (small need though) 'twas to bring
Well to her mind the bygone thing.
Her thought, long stagnant, stirred by speech,
Gave her a sick recoil;
As, dip thy fingers through the green
That masks a pool,—where they have been
The naked depth is black between.
Amelotte kept her knees; her face
Was shut within her hands,
As it had been throughout the tale;
Her forehead's whiteness might avail
Nothing to say if she were pale.
Although the lattice had dropped loose,
There was no wind; the heat
Being so at rest that Amelotte
Heard far beneath the plunge and float
Of a hound swimming in the moat.
Some minutes since, two rooks had toiled
Home to the nests that crowned
Ancestral ash-trees. Through the glare
Beating again, they seemed to tear
With that thick caw the woof o' the air.
But else, 'twas at the dead of noon
Absolute silence; all,
From the raised bridge and guarded sconce
To green-clad places of pleasaùnce
Where the long lake was white with swans.
Amelotte spoke not any word
Nor moved she once; but felt
Between her hands in narrow space
Her own hot breath upon her face,
And kept in silence the same place.
Aloÿse did not hear at all
The sounds without. She heard
The inward voice (past help obey'd)
Which might not slacken nor be stay'd,
But urged her till the whole were said.
Therefore she spoke again: “That night
But little could be done:
My foot, held in my nurse's hands,
He swathed up heedfully in bands,
And for my rest gave close commands.
“I slept till noon, but an ill sleep
Of dreams: through all that day
My side was stiff and caught the breath;
Next day, such pain as sickeneth
Took me, and I was nigh to death.
“Life strove, Death claimed me for his own
Through days and nights: but now
'Twas the good father tended me,
Having returned. Still, I did see
The youth I spoke of constantly.
“For he would with my brothers come
To stay beside my couch,
And fix my eyes against his own,
Noting my pulse; or else alone,
To sit at gaze while I made moan.
“(Some nights I knew he kept the watch,
Because my women laid
The rushes thick for his steel shoes.)
Through many days this pain did use
The life God would not let me lose.
“At length, with my good nurse to aid,
I could walk forth again:
And still, as one who broods or grieves,
At noons I'd meet him and at eves,
With idle feet that drove the leaves.
“The day when I first walked alone
Was thinned in grass and leaf,
And yet a goodly day o' the year:
The last bird's cry upon mine ear
Left my brain weak, it was so clear.
“The tears were sharp within mine eyes.
I sat down, being glad,
And wept; but stayed the sudden flow
Anon, for footsteps that fell slow;
'Twas that youth passed me, bowing low.
“He passed me without speech; but when,
At least an hour gone by,
Rethreading the same covert, he
Saw I was still beneath the tree,
He spoke and sat him down with me.
“Little we said; nor one heart heard
Even what was said within;
And, faltering some farewell, I soon
Rose up; but then i' the autumn noon
My feeble brain whirled like a swoon.
“He made me sit. ‘Cousin, I grieve
Your sickness stays by you.’
‘I would,’ said I, ‘that you did err
So grieving. I am wearier
Than death, of the sickening dying year.’
“He answered: ‘If your weariness
Accepts a remedy,
I hold one and can give it you.’
I gazed: ‘What ministers thereto,
Be sure,’ I said, “that I will do.’
“He went on quickly:—'Twas a cure
He had not ever named
Unto our kin lest they should stint
Their favour, for some foolish hint
Of wizardry or magic in't:
“But that if he were let to come
Within my bower that night,
(My women still attending me,
He said, while he remain'd there,) he
Could teach me the cure privily.
“I bade him come that night. He came;
But little in his speech
Was cure or sickness spoken of,
Only a passionate fierce love
That clamoured upon God above.
“My women wondered, leaning close
Aloof. At mine own heart
I think great wonder was not stirr'd.
I dared not listen, yet I heard
His tangled speech, word within word.
“He craved my pardon first,—all else
Wild tumult. In the end
He remained silent at my feet
Fumbling the rushes. Strange quick heat
Made all the blood of my life meet.
“And lo! I loved him. I but said,
If he would leave me then,
His hope some future might forecast.
His hot lips stung my hand: at last
My damsels led him forth in haste.”
The bride took breath to pause; and turned
Her gaze where Amelotte
Knelt,—the gold hair upon her back
Quite still in all its threads,—the track
Of her still shadow sharp and black.
That listening without sight had grown
To stealthy dread; and now
That the one sound she had to mark
Left her alone too, she was stark
Afraid, as children in the dark.
Her fingers felt her temples beat;
Then came that brain-sickness
Which thinks to scream, and murmureth;
And pent between her hands, the breath
Was damp against her face like death.
Her arms both fell at once; but when
She gasped upon the light,
Her sense returned. She would have pray'd
To change whatever words still stay'd
Behind, but felt there was no aid.
So she rose up, and having gone
Within the window's arch
Once more, she sat there, all intent
On torturing doubts, and once more bent
To hear, in mute bewilderment.
But Aloÿse still paused. Thereon
Amelotte gathered voice
In somewise from the torpid fear
Coiled round her spirit. Low but clear
She said: “Speak, sister; for I hear.”
But Aloÿse threw up her neck
And called the name of God:—
“Judge, God, 'twixt her and me to-day!
She knows how hard this is to say,
Yet will not have one word away.”
Her sister was quite silent. Then
Afresh:—“Not she, dear Lord!
Thou be my judge, on Thee I call!”
She ceased,—her forehead smote the wall:
“Is there a God,” she said “at all”?
Amelotte shuddered at the soul,
But did not speak. The pause
Was long this time. At length the bride
Pressed her hand hard against her side,
And trembling between shame and pride
Said by fierce effort: “From that night
Often at nights we met:
That night, his passion could but rave:
The next, what grace his lips did crave
I knew not, but I know I gave.”
Where Amelotte was sitting, all
The light and warmth of day
Were so upon her without shade
That the thing seemed by sunshine made
Most foul and wanton to be said.
She would have questioned more, and known
The whole truth at its worst,
But held her silent, in mere shame
Of day. 'Twas only these words came:—
“Sister, thou hast not said his name.”
“Sister,” quoth Aloÿse, “thou know'st
His name. I said that he
Was in a manner of our kin.
Waiting the title he might win,
They called him the Lord Urscelyn.”
The bridegroom's name, to Amelotte
Daily familiar,—heard
Thus in this dreadful history,—
Was dreadful to her; as might be
Thine own voice speaking unto thee.
The day's mid-hour was almost full;
Upon the dial-plate
The angel's sword stood near at One.
An hour's remaining yet; the sun
Will not decrease till all be done.
Through the bride's lattice there crept in
At whiles (from where the train
Of minstrels, till the marriage-call,
Loitered at windows of the wall,)
Stray lute-notes, sweet and musical.
They clung in the green growths and moss
Against the outside stone;
Low like dirge-wail or requiem
They murmured, lost 'twixt leaf and stem:
There was no wind to carry them.
Amelotte gathered herself back
Into the wide recess
That the sun flooded: it o'erspread
Like flame the hair upon her head
And fringed her face with burning red.
All things seemed shaken and at change:
A silent place o' the hills
She knew, into her spirit came:
Within herself she said its name
And wondered was it still the same.
The bride (whom silence goaded) now
Said strongly,—her despair
By stubborn will kept underneath:—
“Sister, 'twere well thou didst not breathe
That curse of thine. Give me my wreath.”
“Sister,” said Amelotte, “abide
In peace. Be God thy judge,
As thou hast said—not I. For me,
I merely will thank God that he
Whom thou hast lovèd loveth thee.”
Then Aloÿse lay back, and laughed
With wan lips bitterly,
Saying, “Nay, thank thou God for this,—
That never any soul like his
Shall have its portion where love is.”
Weary of wonder, Amelotte
Sat silent: she would ask
No more, though all was unexplained:
She was too weak; the ache still pained
Her eyes,—her forehead's pulse remained.
The silence lengthened. Aloÿse
Was fain to turn her face
Apart, to where the arras told
Two Testaments, the New and Old,
In shapes and meanings manifold.
One solace that was gained, she hid.
Her sister, from whose curse
Her heart recoiled, had blessed instead:
Yet would not her pride have it said
How much the blessing comforted.
Only, on looking round again
After some while, the face
Which from the arras turned away
Was more at peace and less at bay
With shame than it had been that day.
She spoke right on, as if no pause
Had come between her speech:
“That year from warmth grew bleak and pass'd,”
She said; “the days from first to last
How slow,—woe's me! the nights how fast!
“From first to last it was not known:
My nurse, and of my train
Some four or five, alone could tell
What terror kept inscrutable:
There was good need to guard it well.
“Not the guilt only made the shame,
But he was without land
And born amiss. He had but come
To train his youth here at our home,
And, being man, depart therefrom.
‘Of the whole time each single day
Brought fear and great unrest:
It seemed that all would not avail
Some once,—that my close watch would fail,
And some sign, somehow, tell the tale.
“The noble maidens that I knew,
My fellows, oftentimes
Midway in talk or sport, would look
A wonder which my fears mistook,
To see how I turned faint and shook.
“They had a game of cards, where each
By painted arms might find
What knight she should be given to.
Ever with trembling hand I threw
Lest I should learn the thing I knew.
“And once it came. And Aure d'Honvaulx
Held up the bended shield
And laughed: ‘Gramercy for our share!—
If to our bridal we but fare
To smutch the blazon that we bear!’
“But proud Denise de Villenbois
Kissed me, and gave her wench
The card, and said: ‘If in these bowers
You women play at paramours,
You must not mix your game with ours.’
“And one upcast it from her hand:
‘Lo! see how high he'll soar!’
But then their laugh was bitterest;
For the wind veered at fate's behest
And blew it back into my breast.
“Oh! if I met him in the day
Or heard his voice,—at meals
Or at the Mass or through the hall,—
A look turned towards me would appal
My heart by seeming to know all.
“Yet I grew curious of my shame,
And sometimes in the church,
On hearing such a sin rebuked,
Have held my girdle-glass unhooked
To see how such a woman looked.
“But if at night he did not come,
I lay all deadly cold
To think they might have smitten sore
And slain him, and as the night wore,
His corpse be lying at my door.
“And entering or going forth,
Our proud shield o'er the gate
Seemed to arraign my shrinking eyes.
With tremors and unspoken lies
The year went past me in this wise.
“About the spring of the next year
An ailing fell on me;
(I had been stronger till the spring
'Twas mine old sickness gathering,
I thought; but 'twas another thing.
“I had such yearnings as brought tears,
And a wan dizziness:
Motion, like feeling, grew intense;
Sight was a haunting evidence
And sound a pang that snatched the sense.
“It now was hard on that great ill
Which lost our wealth from us
And all our lands. Accursed be
The peevish fools of liberty
Who will not let themselves be free!
“The Prince was fled into the west:
A price was on his blood,
But he was safe. To us his friends
He left that ruin which attends
The strife against God's secret ends.
“The league dropped all asunder,—lord,
Gentle and serf. Our house
Was marked to fall. And a day came
When half the wealth that propped our name
Went from us in a wind of flame.
“Six hours I lay upon the wall
And saw it burn. But when
It clogged the day in a black bed
Of louring vapour, I was led
Down to the postern, and we fled.
“But ere we fled, there was a voice
Which I heard speak, and say
That many of our friends, to shun
Our fate, had left us and were gone,
And that Lord Urscelyn was one.
“That name, as was its wont, made sight
And hearing whirl. I gave
No heed but only to the name:
I held my senses, dreading them,
And was at strife to look the same.
“We rode and rode. As the speed grew,
The growth of some vague curse
Swarmed in my brain. It seemed to me
Numbed by the swiftness, but would be—
That still—clear knowledge certainly.
“Night lapsed. At dawn the sea was there
And the sea-wind: afar
The ravening surge was hoarse and loud,
And underneath the dim dawn-cloud
Each stalking wave shook like a shroud.
“From my drawn litter I looked out
Unto the swarthy sea,
And knew. That voice, which late had cross'd
Mine ears, seemed with the foam uptoss'd:
I knew that Urscelyn was lost.
“Then I spake all: I turned on one
And on the other, and spake:
My curse laughed in me to behold
Their eyes: I sat up, stricken cold,
Mad of my voice till all was told.
“Oh! of my brothers, Hugues was mute,
And Gilles was wild and loud,
And Raoul strained abroad his face,
As if his gnashing wrath could trace
Even there the prey that it must chase.
“And round me murmured all our train,
Hoarse as the hoarse-tongued sea;
Till Hugues from silence louring woke,
And cried: ‘What ails the foolish folk?
Know ye not frenzy's lightning-stroke?’
“But my stern father came to them
And quelled them with his look,
Silent and deadly pale. Anon
I knew that we were hastening on,
My litter closed and the light gone.
“And I remember all that day
The barren bitter wind
Without, and the sea's moaning there
That I first moaned with unaware,
And when I knew, shook down my hair.
“Few followed us or faced our flight:
Once only I could hear,
Far in the front, loud scornful words,
And cries I knew of hostile lords,
And crash of spears and grind of swords.
“It was soon ended. On that day
Before the light had changed
We reached our refuge; miles of rock
Bulwarked for war; whose strength might mock
Sky, sea, or man, to storm or shock.
“Listless and feebly conscious, I
Lay far within the night
Awake. The many pains incurred
That day,—the whole, said, seen or heard,—
Stayed by in me as things deferred.
“Not long. At dawn I slept. In dreams
All was passed through afresh
From end to end. As the morn heaved
Towards noon, I, waking sore aggrieved,
That I might die, cursed God, and lived.
“Many days went, and I saw none
Except my women. They
Calmed their wan faces, loving me;
And when they wept, lest I should see,
Would chaunt a desolate melody.
“Panic unthreatened shook my blood
Each sunset, all the slow
Subsiding of the turbid light.
I would rise, sister, as I might,
And bathe my forehead through the night
“To elude madness. The stark walls
Made chill the mirk: and when
We oped our curtains, to resume
Sun-sickness after long sick gloom,
The withering sea-wind walked the room.
“Through the gaunt windows the great gales
Bore in the tattered clumps
Of waif-weed and the tamarisk-boughs;
And sea-mews, 'mid the storm's carouse,
Were flung, wild-clamouring, in the house.
“My hounds I had not; and my hawk,
Which they had saved for me,
Wanting the sun and rain to beat
His wings, soon lay with gathered feet;
And my flowers faded, lacking heat.
“Such still were griefs: for grief was still
A separate sense, untouched
Of that despair which had become
My life. Great anguish could benumb
My soul,—my heart was quarrelsome.
“Time crept. Upon a day at length
My kinsfolk sat with me:
That which they asked was bare and plain:
I answered: the whole bitter strain
Was again said, and heard again.
“Fierce Raoul snatched his sword, and turned
The point against my breast.
I bared it, smiling: ‘To the heart
Strike home,’ I said; ‘another dart
Wreaks hourly there a deadlier smart.’
“'Twas then my sire struck down the sword,
And said with shaken lips:
‘She from whom all of you receive
Your life, so smiled; and I forgive.’
Thus, for my mother's sake, I live.
“But I, a mother even as she,
Turned shuddering to the wall:
For I said: ‘Great God! and what would I do,
When to the sword, with the thing I knew,
I offered not one life but two!’
“Then I fell back from them, and lay
Outwearied. My tired sense
Soon filmed and settled, and like stone
I slept; till something made me moan,
And I woke up at night alone.
“I woke at midnight, cold and dazed;
Because I found myself
Seated upright, with bosom bare,
Upon my bed, combing my hair,
Ready to go, I knew not where.
“It dawned light day,—the last of those
Long months of longing days.
That noon, the change was wrought on me
In somewise,—nought to hear or see,—
Only a trance and agony.”
The bride's voice failed her, from no will
To pause. The bridesmaid leaned,
And where the window-panes were white,
Looked for the day: she knew not quite
If there were either day or night.
It seemed to Aloÿse that the whole
Day's weight lay back on her
Like lead. The hours that did remain
Beat their dry wings upon her brain
Once in mid-flight, and passed again.
There hung a cage of burnt perfumes
In the recess: but these,
For some hours, weak against the sun,
Had simmered in white ash. From One
The second quarter was begun.
They had not heard the stroke. The air,
Though altered with no wind,
Breathed now by pauses, so to say:
Each breath was time that went away,—
Each pause a minute of the day.
I' the almonry, the almoner,
Hard by, had just dispensed
Church-dole and march-dole. High and wide
Now rose the shout of thanks, which cried
On God that He should bless the bride.
Its echo thrilled within their feet,
And in the furthest rooms
Was heard, where maidens flushed and gay
Wove with stooped necks the wreaths alway
Fair for the virgin's marriage-day.
The mother leaned along, in thought
After her child; till tears,
Bitter, not like a wedded girl's,
Fell down her breast along her curls,
And ran in the close work of pearls.
The speech ached at her heart. She said:
“Sweet Mary, do thou plead
This hour with thy most blessed Son
To let these shameful words atone,
That I may die when I have done.”
The thought ached at her soul. Yet now:—
“Itself—that life” (she said,)
“Out of my weary life—when sense
Unclosed, was gone. What evil men's
Most evil hands had borne it thence
“I knew, and cursed them. Still in sleep
I have my child; and pray
To know if it indeed appear
As in my dream's perpetual sphere,
That I—death reached—may seek it there.
“Sleeping, I wept; though until dark
A fever dried mine eyes
Kept open; save when a tear might
Be forced from the mere ache of sight.
And I nursed hatred day and night.
“Aye, and I sought revenge by spells;
And vainly many a time
Have laid my face into the lap
Of a wise woman, and heard clap
Her thunder, the fiend's juggling trap.
“At length I feared to curse them, lest
From evil lips the curse
Should be a blessing; and would sit
Rocking myself and stifling it
With babbled jargon of no wit.
“But this was not at first: the days
And weeks made frenzied months
Before this came. My curses, pil'd
Then with each hour unreconcil'd,
Still wait for those who took my child.”
She stopped, grown fainter. “Amelotte,
Surely,” she said, “this sun
Sheds judgment-fire from the fierce south:
It does not let me breathe: the drouth
Is like sand spread within my mouth.”
The bridesmaid rose. I' the outer glare
Gleamed her pale cheeks, and eyes
Sore troubled; and aweary weigh'd
Her brows just lifted out of shade;
And the light jarred within her head.
'Mid flowers fair-heaped there stood a bowl
With water. She therein
Through eddying bubbles slid a cup,
And offered it, being risen up,
Close to her sister's mouth, to sup.
The freshness dwelt upon her sense,
Yet did not the bride drink;
But she dipped in her hand anon
And cooled her temples; and all wan
With lids that held their ache, went on.
“Through those dark watches of my woe,
Time, an ill plant, had waxed
Apace. That year was finished. Dumb
And blind, life's wheel with earth's had come
Whirled round: and we might seek our home.
“Our wealth was rendered back, with wealth
Snatched from our foes. The house
Had more than its old strength and fame:
But still 'neath the fair outward claim
I rankled,—a fierce core of shame.
“It chilled me from their eyes and lips
Upon a night of those
First days of triumph, as I gazed
Listless and sick, or scarcely raised
My face to mark the sports they praised.
“The endless changes of the dance
Bewildered me: the tones
Of lute and cithern struggled tow'rds
Some sense; and still in the last chords
The music seemed to sing wild words.
“My shame possessed me in the light
And pageant, till I swooned.
But from that hour I put my shame
From me, and cast it over them
By God's command and in God's name
“For my child's bitter sake. O thou
Once felt against my heart
With longing of the eyes,—a pain
Since to my heart for ever,—then
Beheld not, and not felt again!”
She scarcely paused, continuing:—
“That year drooped weak in March;
And April, finding the streams dry,
Choked, with no rain, in dust: the sky
Shall not be fainter this July.
“Men sickened; beasts lay without strength;
The year died in the land.
But I, already desolate,
Said merely, sitting down to wait,—
‘The seasons change and Time wears late.’
“For I had my hard secret told,
In secret, to a priest;
With him I communed; and he said
The world's soul, for its sins, was sped,
And the sun's courses numberèd.
“The year slid like a corpse afloat:
None trafficked,—who had bread
Did eat. That year our legions, come
Thinned from the place of war, at home
Found busier death, more burdensome.
“Tidings and rumours came with them,
The first for months. The chiefs
Sat daily at our board, and in
Their speech were names of friend and kin:
One day they spoke of Urscelyn.
“The words were light, among the rest:
Quick glance my brothers sent
To sift the speech; and I, struck through,
Sat sick and giddy in full view:
Yet did none gaze, so many knew.
“Because in the beginning, much
Had caught abroad, through them
That heard my clamour on the coast:
But two were hanged; and then the most
Held silence wisdom, as thou know'st.
“That year the convent yielded thee
Back to our home; and thou
Then knew'st not how I shuddered cold
To kiss thee, seeming to enfold
To my changed heart myself of old.
“Then there was showing thee the house,
So many rooms and doors;
Thinking the while how thou wouldst start
If once I flung the doors apart
Of one dull chamber in my heart.
“And yet I longed to open it;
And often in that year
Of plague and want, when side by side
We've knelt to pray with them that died,
My prayer was, ‘Show her what I hide!’”