Charles Churchill: Verses about Sympathy

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,
Thy danger chiefly lies in acting well;
No crime's so great as daring to excel.
Whilst Satire thus, disdaining mean control,
Urged the free dictates of an honest soul,
Candour, who, with the charity of Paul,
Still thinks the best, whene'er she thinks at all,
With the sweet milk of human kindness bless'd,
The furious ardour of my zeal repress'd.
Canst thou, with more than usual warmth she cried,
Thy malice to indulge, and feed thy pride;
Canst thou, severe by nature as thou art,
With all that wondrous rancour in thy heart,
Delight to torture truth ten thousand ways,
To spin detraction forth from themes of praise,
To make Vice sit, for purposes of strife,
And draw the hag much larger than the life,
To make the good seem bad, the bad seem worse,
And represent our nature as our curse?
Doth not humanity condemn that zeal
Which tends to aggravate and not to heal?
Doth not discretion warn thee of disgrace,
And danger, grinning, stare thee in the face,
Loud as the drum, which, spreading terror round,
From emptiness acquires the power of sound?
Doth not the voice of Norton strike thy ear,
And the pale Mansfield chill thy soul with fear?
Dost thou, fond man, believe thyself secure
Because thou'rt honest, and because thou'rt poor?
Dost thou on law and liberty depend?
Turn, turn thy eyes, and view thy injured friend.
Art thou beyond the ruffian gripe of Power,
When Wilkes, prejudged, is sentenced to the Tower?
Dost thou by privilege exemption claim,
When privilege is little more than name?
Or to prerogative (that glorious ground
On which state scoundrels oft have safety found)
Dost thou pretend, and there a sanction find,
Unpunish'd, thus to libel human-kind
When poverty, the poet's constant crime,
Compell'd thee, all unfit, to trade in rhyme,
Had not romantic notions turn'd thy head,
Hadst thou not valued honour more than bread;
Had Interest, pliant Interest, been thy guide,
And had not Prudence been debauch'd by Pride,
In Flattery's stream thou wouldst have dipp'd thy pen,
Applied to great and not to honest men;
Nor should conviction have seduced thy heart
To take the weaker, though the better part.
What but rank folly, for thy curse decreed,
Could into Satire's barren path mislead,
When, open to thy view, before thee lay
Soul-soothing Panegyric's flowery way?
There might the Muse have saunter'd at her ease,
And, pleasing others, learn'd herself to please;
Lords should have listen'd to the sugar'd treat,
And ladies, simpering, own'd it vastly sweet;
Rogues, in thy prudent verse with virtue graced,
Fools mark'd by thee as prodigies of taste,
Must have forbid, pouring preferments down,
Such wit, such truth as thine to quit the gown.
Thy sacred brethren, too, (for they, no less
Than laymen, bring their offerings to success)
Had hail'd thee good if great, and paid the vow
Sincere as that they pay to God, whilst thou
In lawn hadst whisper'd to a sleeping crowd,
As dull as Rochester, and half as proud.
Peace, Candour--wisely hadst thou said, and well,
Could Interest in this breast one moment dwell;
Could she, with prospect of success, oppose
The firm resolves which from conviction rose.
I cannot truckle to a fool of state,
Nor take a favour from the man I hate:
Free leave have others by such means to shine;
I scorn their practice; they may laugh at mine.
But in this charge, forgetful of thyself,
Thou hast assumed the maxims of that elf,
Whom God in wrath, for man's dishonour framed,
Cunning in heaven, amongst us Prudence named,
That servile prudence, which I leave to those
Who dare not be my friends, can't be my foes.
Had I, with cruel and oppressive rhymes,
Pursued and turn'd misfortunes into crimes;
Had I, when Virtue gasping lay and low,
Join'd tyrant Vice, and added woe to woe;
Had I made Modesty in blushes speak,
And drawn the tear down Beauty's sacred cheek;
Had I (damn'd then) in thought debased my lays,
To wound that sex which honour bids me praise;
Had I, from vengeance, by base views betray'd.
In endless night sunk injured Ayliffe's shade;
Had I (which satirists of mighty name,
Renown'd in rhyme, revered for moral fame,
Have done before, whom Justice shall pursue
In future verse) brought forth to public view
A noble friend, and made his foibles known,
Because his worth was greater than my own;
Had I spared those (so Prudence had decreed)
Whom, God so help me at my greatest need!
I ne'er will spare, those vipers to their king
Who smooth their looks, and flatter whilst they sting;
Or had I not taught patriot zeal to boast
Of those who flatter least, but love him most;
Had I thus sinn'd, my stubborn soul should bend
At Candour's voice, and take, as from a friend,
The deep rebuke; myself should be the first
To hate myself, and stamp my Muse accursed.
But shall my arm--forbid it, manly pride!
Forbid it, reason! warring on my side--
For vengeance lifted high, the stroke forbear,
And hang suspended in the desert air,
Or to my trembling side unnerved sink down,
Palsied, forsooth, by Candour's half-made frown?
When Justice bids me on, shall I delay
Because insipid Candour bars my way?
When she, of all alike the puling friend,
Would disappoint my satire's noblest end;
When she to villains would a sanction give,
And shelter those who are not fit to live;
When she would screen the guilty from a blush,
And bids me spare whom Reason bids me crush,
All leagues with Candour proudly I resign;
She cannot be for Honour's turn, nor mine.
Yet come, cold Monitor! half foe, half friend,
Whom Vice can't fear, whom Virtue can't commend;
Come, Candour, by thy dull indifference known,
Thou equal-blooded judge, thou lukewarm drone,
Who, fashion'd without feelings, dost expect
We call that virtue--which we know defect;
Come, and observe the nature of our crimes,
The gross and rank complexion of the times;
Observe it well, and then review my plan,
Praise if you will, or censure if you can.
Whilst Vice presumptuous lords it as in sport,
And Piety is only known at court;
Whilst wretched Liberty expiring lies,
Beneath the fatal burthen of Excise;
Whilst nobles act, without one touch of shame,
What men of humble rank would blush to name;
Whilst Honour's placed in highest point of view,
Worshipp'd by those who Justice never knew;
Whilst bubbles of distinction waste in play
The hours of rest, and blunder through the day;
With dice and cards opprobrious vigils keep,
Then turn to ruin empires in their sleep;
Whilst fathers, by relentless passion led,
Doom worthy injured sons to beg their bread,
Merely with ill-got, ill-saved, wealth to grace,
An alien, abject, poor, proud, upstart race!
Whilst Martin flatters only to betray,
And Webb gives up his dirty soul for pay,
Whilst titles serve to hush a villain's fears;
Whilst peers are agents made, and agents peers;
Whilst base betrayers are themselves betray'd,
And makers ruin'd by the thing they made;
Whilst C----, false to God and man, for gold,
Like the old traitor who a Saviour sold,
To shame his master, friend, and father gives;
Whilst Bute remains in power, whilst Holland lives;--
Can Satire want a subject, where Disdain,
By Virtue fired, may point her sharpest strain,
Where, clothed with thunder, Truth may roll along,
And Candour justify the rage of song?
Such things! such men before thee! such an age!
Where Rancour, great as thine, may glut her rage,
And sicken e'en to surfeit; where the pride
Of Satire, pouring down in fullest tide,
May spread wide vengeance round, yet all the while
Justice behold the ruin with a smile;
Whilst I, thy foe misdeem'd, cannot condemn,
Nor disapprove that rage I wish to stem,
Wilt thou, degenerate and corrupted, choose
To soil the credit of thy haughty Muse?
With fallacy, most infamous, to stain
Her truth, and render all her anger vain?
When I beheld thee, incorrect, but bold,
A various comment on the stage unfold;
When players on players before thy satire fell,
And poor Reviews conspired thy wrath to swell;
When states and statesmen next became thy care,
And only kings were safe if thou wast there,
Thy every word I weigh'd in judgment's scale,
And in thy every word found truth prevail;
Why dost thou now to falsehood meanly fly?
Not even Candour can forgive a lie.
Bad as men are, why should thy frantic rhymes
Traffic in slander, and invent new crimes?--
Crimes which, existing only in thy mind,
Weak spleen brings forth to blacken all mankind.
By pleasing hopes we lure the human heart
To practise virtue and improve in art;
To thwart these ends (which, proud of honest fame,
A noble Muse would cherish and inflame)
Thy drudge contrives, and in our full career
Sicklies our hopes with the pale hue of fear;
Tells us that all our labours are in vain;
That what we seek, we never can obtain;
That, dead to virtue, lost to Nature's plan,
Envy possesses the whole race of man;
That worth is criminal, and danger lies,
Danger extreme, in being good and wise.
'Tis a rank falsehood; search the world around,
There cannot be so vile a monster found,
Not one so vile, on whom suspicions fall
Of that gross guilt which you impute to all.
Approved by those who disobey her laws,
Virtue from Vice itself extorts applause:
Her very foes bear witness to her state;
They will not love her, but they cannot hate.
Hate Virtue for herself! with spite pursue
Merit for Merit's sake! might this be true,
I would renounce my nature with disdain,
And with the beasts that perish graze the plain;
Might this be true,--had we so far fill'd up
The measure of our crimes, and from the cup
Of guilt so deeply drank, as not to find,
Thirsting for sin, one drop, one dreg behind;
Quick ruin must involve this flaming ball,
And Providence in justice crush us all.
None but the damn'd, and amongst them the worst,
Those who for double guilt are doubly cursed,
Can be so lost; nor can the worst of all
At once into such deep damnation fall;
By painful slow degrees they reach this crime,
Which e'en in hell must be a work of time.
Cease, then, thy guilty rage, thou wayward son,
With the foul gall of Discontent o'errun;
List to my voice,--be honest, if you can,
Nor slander Nature in her favourite, man.
But if thy spirit, resolute in ill,
Once having err'd, persists in error still,
Go on at large, no longer worth my care,
And freely vent those blasphemies in air,
Which I would stamp as false, though on the tongue
Of angels the injurious slander hung.
Duped by thy vanity (that cunning elf
Who snares the coxcomb to deceive himself),
Or blinded by thy rage, didst thou believe
That we too, coolly, would ourselves deceive?
That we, as sterling, falsehood would admit,
Because 'twas season'd with some little wit?
When fiction rises pleasing to the eye,
Men will believe, because they love the lie;
But Truth herself, if clouded with a frown,
Must have some solemn proof to pass her down.
Hast thou, maintaining that which must disgrace
And bring into contempt the human race,
Hast thou, or canst thou, in Truth's sacred court,
To save thy credit, and thy cause support,
Produce one proof, make out one real ground,
On which so great, so gross a charge to found?
Nay, dost thou know one man (let that appear,
From wilful falsehood I'll proclaim thee clear),
One man so lost, to nature so untrue,
From whom this general charge thy rashness drew?
On this foundation shalt thou stand or fall--
Prove that in one which you have charged on all.
Reason determines, and it must be done;
'Mongst men, or past, or present, name me one.
Hogarth,--I take thee, Candour, at thy word,
Accept thy proffer'd terms, and will be heard;
Thee have I heard with virulence declaim,
Nothing retain'd of Candour but the name;
By thee have I been charged in angry strains
With that mean falsehood which my soul disdains--
Hogarth, stand forth;--Nay, hang not thus aloof--
Now, Candour, now thou shalt receive such proof,
Such damning proof, that henceforth thou shalt fear
To tax my wrath, and own my conduct clear;--
Hogarth, stand forth--I dare thee to be tried
In that great court where Conscience must preside;
At that most solemn bar hold up thy hand;
Think before whom, on what account, you stand;
Speak, but consider well;--from first to last
Review thy life, weigh every action past;
Nay, you shall have no reason to complain--
Take longer time, and view them o'er again.
Canst thou remember from thy earliest youth,
And as thy God must judge thee, speak the truth,
A single instance where, self laid aside,
And Justice taking place of Fear and Pride,
Thou with an equal eye didst Genius view,
And give to Merit what was Merit's due?
Genius and Merit are a sure offence,
And thy soul sickens at the name of sense.
Is any one so foolish to succeed?
On Envy's altar he is doom'd to bleed.
Hogarth, a guilty pleasure in his eyes,
The place of executioner supplies:
See how he gloats, enjoys the sacred feast,
And proves himself by cruelty a priest!
Whilst the weak artist, to thy whims a slave,
Would bury all those powers which Nature gave;
Would suffer blank concealment to obscure
Those rays thy jealousy could not endure;
To feed thy vanity would rust unknown,
And to secure thy credit, blast his own,
In Hogarth he was sure to find a friend;
He could not fear, and therefore might commend.
But when his spirit, roused by honest shame,
Shook off that lethargy, and soar'd to fame;
When, with the pride of man, resolved and strong,
He scorn'd those fears which did his honour wrong,
And, on himself determined to rely,
Brought forth his labours to the public eye,
No friend in thee could such a rebel know;
He had desert, and Hogarth was his foe.
Souls of a timorous cast, of petty name
In Envy's court, not yet quite dead to shame,
May some remorse, some qualms of conscience feel,
And suffer honour to abate their zeal;
But the man truly and completely great,
Allows no rule of action but his hate;
Through every bar he bravely breaks his way,
Passion his principle, and parts his prey.
Mediums in vice and virtue speak a mind
Within the pale of temperance confined;
The daring spirit scorns her narrow schemes,
And, good or bad, is always in extremes.
Man's practice duly weigh'd, through every age
On the same plan hath Envy form'd her rage,
'Gainst those whom fortune hath our rivals made,
In way of science, and in way of trade:
Stung with mean jealousy she arms her spite,
First works, then views their ruin with delight.
Our Hogarth here a grand improver shines,
And nobly on the general plan refines;
He like himself o'erleaps the servile bound;
Worth is his mark, wherever worth is found.
Should painters only his vast wrath suffice?
Genius in every walk is lawful prize:
'Tis a gross insult to his o'ergrown state;
His love to merit is to feel his hate.
When Wilkes, our countryman, our common friend,
Arose, his king, his country to defend;
When tools of power he bared to public view,
And from their holes the sneaking cowards drew;
When Rancour found it far beyond her reach
To soil his honour, and his truth impeach;
What could induce thee, at a time and place
Where manly foes had blush'd to show their face,
To make that effort which must damn thy name,
And sink thee deep, deep in thy grave with shame?
Did virtue move thee? No; 'twas pride, rank pride,
And if thou hadst not done it, thou hadst died.
Malice (who, disappointed of her end,
Whether to work the bane of foe or friend,
Preys on herself, and, driven to the stake,
Gives Virtue that revenge she scorns to take)
Had kill'd thee, tottering on life's utmost verge,
Had Wilkes and Liberty escaped thy scourge.
When that Great Charter, which our fathers bought
With their best blood, was into question brought;
When, big with ruin, o'er each English head
Vile Slavery hung suspended by a thread;
When Liberty, all trembling and aghast,
Fear'd for the future, knowing what was past;
When every breast was chill'd with deep despair,
Till Reason pointed out that Pratt was there;--
Lurking, most ruffian-like, behind the screen,
So placed all things to see, himself unseen,
Virtue, with due contempt, saw Hogarth stand,
The murderous pencil in his palsied hand.
What was the cause of Liberty to him,
Or what was Honour? let them sink or swim,
So he may gratify, without control,
The mean resentments of his selfish soul;
Let Freedom perish, if, to Freedom true,
In the same ruin Wilkes may perish too.
With all the symptoms of assured decay,
With age and sickness pinch'd and worn away,
Pale quivering lips, lank cheeks, and faltering tongue,
The spirits out of tune, the nerves unstrung,
Thy body shrivell'd up, thy dim eyes sunk
Within their sockets deep, thy weak hams shrunk,
The body's weight unable to sustain,
The stream of life scarce trembling through the vein,
More than half kill'd by honest truths which fell,
Through thy own fault, from men who wish'd thee well--
Canst thou, e'en thus, thy thoughts to vengeance give,
And, dead to all things else, to malice live?
Hence, dotard, to thy closet; shut thee in;
By deep repentance wash away thy sin;
From haunts of men to shame and sorrow fly,
And, on the verge of death, learn how to die!
Vain exhortation! wash the Ethiop white,
Discharge the leopard's spots, turn day to night,
Control the course of Nature, bid the deep
Hush at thy pigmy voice her waves to sleep--
Perform things passing strange, yet own thy art
Too weak to work a change in such a heart;
That Envy, which was woven in the frame
At first, will to the last remain the same.
Reason may droop, may die; but Envy's rage
Improves by time, and gathers strength from age.
Some, and not few, vain triflers with the pen,
Unread, unpractised in the ways of men,
Tell us that Envy, who, with giant stride,
Stalks through the vale of life by Virtue's side,
Retreats when she hath drawn her latest breath,
And calmly hears her praises after death.
To such observers Hogarth gives the lie;
Worth may be hearsed, but Envy cannot die;
Within the mansion of his gloomy breast,
A mansion suited well to such a guest,
Immortal, unimpair'd, she rears her head,
And damns alike the living and the dead.
Oft have I known thee, Hogarth, weak and vain,
Thyself the idol of thy awkward strain,
Through the dull measure of a summer's day,
In phrase most vile, prate long, long hours away,
Whilst friends with friends, all gaping sit, and gaze,
To hear a Hogarth babble Hogarth's praise.
But if athwart thee Interruption came,
And mention'd with respect some ancient's name,
Some ancient's name who, in the days of yore,
The crown of Art with greatest honour wore,
How have I seen thy coward cheek turn pale,
And blank confusion seize thy mangled tale!
How hath thy jealousy to madness grown,
And deem'd his praise injurious to thy own!
Then without mercy did thy wrath make way,
And arts and artists all became thy prey;
Then didst thou trample on establish'd rules,
And proudly levell'd all the ancient schools;
Condemn'd those works, with praise through ages graced,
Which you had never seen, or could not taste;
But would mankind have true perfection shown,
It must be found in labours of my own:
I dare to challenge, in one single piece,
The united force of Italy and Greece.
Thy eager hand the curtain then undrew,
And brought the boasted masterpiece to view.
Spare thy remarks--say not a single word--
The picture seen, why is the painter heard?
Call not up shame and anger in our cheeks;
Without a comment Sigismunda speaks.
Poor Sigismunda! what a fate is thine!
Dryden, the great high-priest of all the Nine,
Revived thy name, gave what a Muse could give,
And in his numbers bade thy memory live;
Gave thee those soft sensations which might move
And warm the coldest anchorite to love;
Gave thee that virtue, which could curb desire,
Refine and consecrate love's headstrong fire;
Gave thee those griefs, which made the Stoic feel,
And call'd compassion forth from hearts of steel;
Gave thee that firmness, which our sex may shame,
And make man bow to woman's juster claim;
So that our tears, which from compassion flow,
Seem to debase thy dignity of woe.
But, oh, how much unlike! how fallen! how changed!
How much from Nature and herself estranged!
How totally deprived of all the powers
To show her feelings, and awaken ours,
Doth Sigismunda now devoted stand,
The helpless victim of a dauber's hand!
But why, my Hogarth, such a progress made,
So rare a pattern for the sign-post trade,
In the full force and whirlwind of thy pride,
Why was heroic painting laid aside?
Why is it not resumed? thy friends at court,
Men all in place and power, crave thy support;
Be grateful then for once, and through the field
Of politics thy epic pencil wield;
Maintain the cause, which they, good lack! avow,
And would maintain too, but they know not how.
Through every pannel let thy virtue tell
How Bute prevail'd, how Pitt and Temple fell;
How England's sons (whom they conspired to bless.
Against our will, with insolent success)
Approve their fall, and with addresses run--
How got, God knows--to hail the Scottish sun;
Point out our fame in war, when vengeance, hurl'd
From the strong arm of Justice, shook the world;
Thine, and thy country's honour to increase,
Point out the honours of succeeding peace;
Our moderation, Christian-like, display,
Show what we got, and what we gave away;
In colours, dull and heavy as the tale,
Let a state-chaos through the whole prevail.
But, of events regardless, whilst the Muse,
Perhaps with too much heat, her theme pursues;
Whilst her quick spirits rouse at Freedom's call,
And every drop of blood is turn'd to gall;
Whilst a dear country, and an injured friend,
Urge my strong anger to the bitterest end;
Whilst honest trophies to Revenge are raised,
Let not one real virtue pass unpraised;
Justice with equal course bids Satire flow,
And loves the virtue of her greatest foe.
Oh! that I here could that rare virtue mean,
Which scorns the rule of envy, pride, and spleen,
Which springs not from the labour'd works of art,
But hath its rise from Nature in the heart;
Which in itself with happiness is crown'd,
And spreads with joy the blessing all around!
But truth forbids, and in these simple lays,
Contented with a different kind of praise,
Must Hogarth stand; that praise which Genius gives,
In which to latest time the artist lives,
But not the man; which, rightly understood,
May make us great, but cannot make us good:
That praise be Hogarth's; freely let him wear
The wreath which Genius wove, and planted there:
Foe as I am, should Envy tear it down,
Myself would labour to replace the crown.
In walks of humour, in that cast of style,
Which, probing to the quick, yet makes us smile;
In comedy, his natural road to fame,--
Nor let me call it by a meaner name,
Where a beginning, middle, and an end,
Are aptly join'd; where parts on parts depend,
Each made for each, as bodies for their soul,
So as to form one true and perfect whole;
Where a plain story to the eye is told,
Which we conceive the moment we behold,--
Hogarth unrivall'd stands, and shall engage
Unrivall'd praise to the most distant age.
How couldst thou, then, to shame perversely run,
And tread that path which Nature bade thee shun?
Why did ambition overleap her rules,
And thy vast parts become the sport of fools?
By different methods different men excel;
But where is he who can do all things well?
Humour thy province, for some monstrous crime
Pride struck thee with the frenzy of sublime;
But, when the work was finish'd, could thy mind
So partial be, and to herself so blind,
What with contempt all view'd, to view with awe,
Nor see those faults which every blockhead saw?
Blush, thou vain man! and if desire of fame,
Founded on real art, thy thoughts inflame,
To quick destruction Sigismunda give,
And let her memory die, that thine may live.
But should fond Candour, for her mercy sake,
With pity view, and pardon this mistake;
Or should Oblivion, to thy wish most kind,
Wipe off that stain, nor leave one trace behind;
Of arts despised, of artists, by thy frown
Awed from just hopes, of rising worth kept down,
Of all thy meanness through this mortal race,
Canst thou the living memory erase?
Or shall not vengeance follow to the grave,
And give back just that measure which you gave?
With so much merit, and so much success,
With so much power to curse, so much to bless,
Would he have been man's friend, instead of foe,
Hogarth had been a little god below.
Why, then, like savage giants, famed of old,
Of whom in Scripture story we are told,
Dost thou in cruelty that strength employ,
Which Nature meant to save, not to destroy?
Why dost thou, all in horrid pomp array'd,
Sit grinning o'er the ruins thou hast made?
Most rank ill-nature must applaud thy art,
But even Candour must condemn thy heart.
For me, who, warm and zealous for my friend,
In spite of railing thousands, will commend;
And no less warm and zealous 'gainst my foes,
Spite of commending thousands, will oppose,
I dare thy worst, with scorn behold thy rage,
But with an eye of pity view thy age;
Thy feeble age, in which, as in a glass,
We see how men to dissolution pass.
Thou wretched being, whom, on Reason's plan,
So changed, so lost, I cannot call a man,
What could persuade thee, at this time of life,
To launch afresh into the sea of strife?
Better for thee, scarce crawling on the earth,
Almost as much a child as at thy birth,
To have resign'd in peace thy parting breath,
And sunk unnoticed in the arms of Death.
Why would thy gray, gray hairs resentment brave,
Thus to go down with sorrow to the grave?
Now, by my soul! it makes me blush to know,
My spirit could descend to such a foe:
Whatever cause the vengeance might provoke,
It seems rank cowardice to give the stroke.
Sure 'tis a curse which angry fates impose,
To mortify man's arrogance, that those
Who're fashion'd of some better sort of clay,
Much sooner than the common herd decay.
What bitter pangs must humbled Genius feel,
In their last hours to view a Swift and Steele!
How must ill-boding horrors fill her breast,
When she beholds men mark'd above the rest
For qualities most dear, plunged from that height,
And sunk, deep sunk, in second childhood's night!
Are men, indeed, such things? and are the best
More subject to this evil than the rest,
To drivel out whole years of idiot breath,
And sit the monuments of living death?
Oh, galling circumstance to human pride!
Abasing thought, but not to be denied!
With curious art the brain, too finely wrought,
Preys on herself, and is destroy'd by thought.
Constant attention wears the active mind,
Blots out her powers, and leaves a blank behind.
But let not youth, to insolence allied,
In heat of blood, in full career of pride,
Possess'd of genius, with unhallow'd rage
Mock the infirmities of reverend age:
The greatest genius to this fate may bow;
Reynolds, in time, may be like Hogarth now.

This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.

Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,
Should I recall poor Murphy from the dead?
Why may not Langhorne, simple in his lay,
Effusion on effusion pour away;
With friendship and with fancy trifle here,
Or sleep in pastoral at Belvidere?
Sleep let them all, with Dulness on her throne,
Secure from any malice but their own.
Enough of Critics--let them, if they please,
Fond of new pomp, each month pass new decrees;
Wide and extensive be their infant state,
Their subjects many, and those subjects great,
Whilst all their mandates as sound law succeed,
With fools who write, and greater fools who read.
What though they lay the realms of Genius waste,
Fetter the fancy and debauch the taste;
Though they, like doctors, to approve their skill,
Consult not how to cure, but how to kill;
Though by whim, envy, or resentment led,
They damn those authors whom they never read;
Though, other rules unknown, one rule they hold,
To deal out so much praise for so much gold:
Though Scot with Scot, in damned close intrigues,
Against the commonwealth of letters leagues;
Uncensured let them pilot at the helm,
And rule in letters, as they ruled the realm:
Ours be the curse, the mean tame coward's curse,
(Nor could ingenious Malice make a worse,
To do our sense and honour deep despite)
To credit what they say, read what they write.
Enough of Scotland--let her rest in peace;
The cause removed, effects of course should cease;
Why should I tell, how Tweed, too mighty grown,
And proudly swell'd with waters not his own,
Burst o'er his banks, and, by Destruction led,
O'er our fair England desolation spread,
Whilst, riding on his waves, Ambition, plumed
In tenfold pride, the port of Bute assumed,
Now that the river god, convinced, though late,
And yielding, though reluctantly, to Fate,
Holds his fair course, and with more humble tides,
In tribute to the sea, as usual, glides?
Enough of States, and such like trifling things;
Enough of kinglings, and enough of kings;
Henceforth, secure, let ambush'd statesmen lie,
Spread the court web, and catch the patriot fly;
Henceforth, unwhipt of Justice, uncontroll'd
By fear or shame, let Vice, secure and bold,
Lord it with all her sons, whilst Virtue's groan
Meets with compassion only from the throne.
Enough of Patriots--all I ask of man
Is only to be honest as he can:
Some have deceived, and some may still deceive;
'Tis the fool's curse at random to believe.
Would those, who, by opinion placed on high,
Stand fair and perfect in their country's eye,
Maintain that honour, let me in their ear
Hint this essential doctrine--Persevere.
Should they (which Heaven forbid) to win the grace
Of some proud courtier, or to gain a place,
Their king and country sell, with endless shame
The avenging Muse shall mark each traitorous name;
But if, to Honour true, they scorn to bend,
And, proudly honest, hold out to the end,
Their grateful country shall their fame record,
And I myself descend to praise a lord.
Enough of Wilkes--with good and honest men
His actions speak much stronger than my pen,
And future ages shall his name adore,
When he can act and I can write no more.
England may prove ungrateful and unjust,
But fostering France shall ne'er betray her trust:
'Tis a brave debt which gods on men impose,
To pay with praise the merit e'en of foes.
When the great warrior of Amilcar's race
Made Rome's wide empire tremble to her base,
To prove her virtue, though it gall'd her pride,
Rome gave that fame which Carthage had denied.
Enough of Self--that darling luscious theme,
O'er which philosophers in raptures dream;
Of which with seeming disregard they write,
Then prizing most, when most they seem to slight;
Vain proof of folly tinctured strong with pride!
What man can from himself, himself divide?
For me,(nor dare I lie) my leading aim
(Conscience first satisfied) is love of fame;
Some little fame derived from some brave few,
Who, prizing Honour, prize her votaries too.
Let all (nor shall resentment flush my cheek)
Who know me well, what they know, freely speak,
So those (the greatest curse I meet below)
Who know me not, may not pretend to know.
Let none of those whom, bless'd with parts above
My feeble genius, still I dare to love,
Doing more mischief than a thousand foes,
Posthumous nonsense to the world expose,
And call it mine; for mine though never known,
Or which, if mine, I living blush'd to own.
Know all the world, no greedy heir shall find,
Die when I will, one couplet left behind.
Let none of those, whom I despise, though great,
Pretending friendship to give malice weight,
Publish my life; let no false sneaking peer,
(Some such there are) to win the public ear,
Hand me to shame with some vile anecdote.
Nor soul-gall'd bishop damn me with a note.
Let one poor sprig of bay around my head
Bloom whilst I live, and point me out when dead;
Let it (may Heaven, indulgent, grant that prayer!)
Be planted on my grave, nor wither there;
And when, on travel bound, some rhyming guest
Roams through the churchyard, whilst his dinner's dress'd,
Let it hold up this comment to his eyes--
'Life to the last enjoy'd, here Churchill lies;'
Whilst (oh, what joy that pleasing flattery gives!)
Reading my works, he cries--'Here Churchill lives.'
Enough of Satire--in less harden'd times
Great was her force, and mighty were her rhymes.
I've read of men, beyond man's daring brave,
Who yet have trembled at the strokes she gave;
Whose souls have felt more terrible alarms
From her one line, than from a world in arms.
When in her faithful and immortal page
They saw transmitted down from age to age
Recorded villains, and each spotted name
Branded with marks of everlasting shame,
Succeeding villains sought her as a friend,
And, if not really mended, feign'd to mend;
But in an age, when actions are allow'd
Which strike all honour dead, and crimes avow'd
Too terrible to suffer the report,
Avow'd and praised by men who stain a court,
Propp'd by the arm of Power; when Vice, high born,
High-bred, high-station'd, holds rebuke in scorn;
When she is lost to every thought of fame,
And, to all virtue dead, is dead to shame;
When Prudence a much easier task must hold
To make a new world, than reform the old,
Satire throws by her arrows on the ground,
And if she cannot cure, she will not wound.
Come, Panegyric--though the Muse disdains,
Founded on truth, to prostitute her strains
At the base instance of those men, who hold
No argument but power, no god but gold,
Yet, mindful that from Heaven she drew her birth,
She scorns the narrow maxims of this earth;
Virtuous herself, brings Virtue forth to view,
And loves to praise, where praise is justly due.
Come, Panegyric--in a former hour,
My soul with pleasure yielding to thy power,
Thy shrine I sought, I pray'd--but wanton air,
Before it reach'd thy ears, dispersed my prayer;
E'en at thy altars whilst I took my stand,
The pen of Truth and Honour in my hand,
Fate, meditating wrath 'gainst me and mine,
Chid my fond zeal, and thwarted my design,
Whilst, Hayter brought too quickly to his end,
I lost a subject and mankind a friend.
Come, Panegyric--bending at thy throne,
Thee and thy power my soul is proud to own
Be thou my kind protector, thou my guide,
And lead me safe through passes yet untried.
Broad is the road, nor difficult to find,
Which to the house of Satire leads mankind;
Narrow and unfrequented are the ways,
Scarce found out in an age, which lead to praise.
What though no theme I choose of vulgar note,
Nor wish to write as brother bards have wrote,
So mild, so meek in praising, that they seem
Afraid to wake their patrons from a dream;
What though a theme I choose, which might demand
The nicest touches of a master's hand;
Yet, if the inward workings of my soul
Deceive me not, I shall attain the goal,
And Envy shall behold, in triumph raised,
The poet praising, and the patron praised.
What patron shall I choose? Shall public voice,
Or private knowledge, influence my choice?
Shall I prefer the grand retreat of Stowe,
Or, seeking patriots, to friend Wildman's go?
'To Wildman's!' cried Discretion, (who had heard,
Close standing at my elbow, every word)
'To Wildman's! Art thou mad? Canst thou be sure
One moment there to have thy head secure?
Are they not all, (let observation tell)
All mark'd in characters as black as Hell,
In Doomsday book, by ministers set down,
Who style their pride the honour of the crown?
Make no reply--let Reason stand aloof--
Presumptions here must pass as solemn proof.
That settled faith, that love which ever springs
In the best subjects, for the best of kings,
Must not be measured now by what men think,
Or say, or do;--by what they eat and drink,
Where, and with whom, that question's to be tried,
And statesmen are the judges to decide;
No juries call'd, or, if call'd, kept in awe;
They, facts confess'd, in themselves vest the law.
Each dish at Wildman's of sedition smacks;
Blasphemy may be gospel at Almacks.'
Peace, good Discretion! peace--thy fears are vain;
Ne'er will I herd with Wildman's factious train;
Never the vengeance of the great incur,
Nor, without might, against the mighty stir.
If, from long proof, my temper you distrust,
Weigh my profession, to my gown be just;
Dost thou one parson know so void of grace
To pay his court to patrons out of place?
If still you doubt (though scarce a doubt remains)
Search through my alter'd heart, and try my reins;
There, searching, find, nor deem me now in sport,
A convert made by Sandwich to the court.
Let madmen follow error to the end,
I, of mistakes convinced, and proud to mend,
Strive to act better, being better taught,
Nor blush to own that change which Reason wrought:
For such a change as this, must Justice speak;
My heart was honest, but my head was weak.
Bigot to no one man, or set of men,
Without one selfish view, I drew my pen;
My country ask'd, or seem'd to ask, my aid,
Obedient to that call, I left off trade;
A side I chose, and on that side was strong,
Till time hath fairly proved me in the wrong:
Convinced, I change, (can any man do more?)
And have not greater patriots changed before?
Changed, I at once, (can any man do less?)
Without a single blush, that change confess;
Confess it with a manly kind of pride,
And quit the losing for the winning side,
Granting, whilst virtuous Sandwich holds the rein,
What Bute for ages might have sought in vain.
Hail, Sandwich!--nor shall Wilkes resentment show,
Hearing the praises of so brave a foe--
Hail, Sandwich!--nor, through pride, shalt thou refuse
The grateful tribute of so mean a Muse--
Sandwich, all hail!--when Bute with foreign hand,
Grown wanton with ambition, scourged the land;
When Scots, or slaves to Scotsmen, steer'd the helm;
When peace, inglorious peace, disgraced the realm,
Distrust, and general discontent prevail'd;
But when, (he best knows why) his spirits fail'd;
When, with a sudden panic struck, he fled,
Sneak'd out of power, and hid his recreant head;
When, like a Mars, (Fear order'd to retreat)
We saw thee nimbly vault into his seat,
Into the seat of power, at one bold leap,
A perfect connoisseur in statesmanship;
When, like another Machiavel, we saw
Thy fingers twisting, and untwisting law,
Straining, where godlike Reason bade, and where
She warranted thy mercy, pleased to spare;
Saw thee resolved, and fix'd (come what, come might)
To do thy God, thy king, thy country right;
All things were changed, suspense remain'd no more,
Certainty reign'd where Doubt had reign'd before:
All felt thy virtues, and all knew their use,
What virtues such as thine must needs produce.
Thy foes (for Honour ever meets with foes)
Too mean to praise, too fearful to oppose,
In sullen silence sit; thy friends (some few,
Who, friends to thee, are friends to Honour too)
Plaud thy brave bearing, and the Commonweal
Expects her safety from thy stubborn zeal.
A place amongst the rest the Muses claim,
And bring this freewill-offering to thy fame;
To prove their virtue, make thy virtues known,
And, holding up thy fame, secure their own.
From his youth upwards to the present day,
When vices, more than years, have mark'd him gray;
When riotous Excess, with wasteful hand,
Shakes life's frail glass, and hastes each ebbing sand,
Unmindful from what stock he drew his birth,
Untainted with one deed of real worth,
Lothario, holding honour at no price,
Folly to folly added, vice to vice,
Wrought sin with greediness, and sought for shame
With greater zeal than good men seek for fame.
Where (Reason left without the least defence)
Laughter was mirth, obscenity was sense:
Where Impudence made Decency submit;
Where noise was humour, and where whim was wit;
Where rude, untemper'd license had the merit
Of liberty, and lunacy was spirit;
Where the best things were ever held the worst,
Lothario was, with justice, always first.
To whip a top, to knuckle down at taw,
To swing upon a gate, to ride a straw,
To play at push-pin with dull brother peers,
To belch out catches in a porter's ears,
To reign the monarch of a midnight cell,
To be the gaping chairman's oracle;
Whilst, in most blessed union, rogue and whore
Clap hands, huzza, and hiccup out, 'Encore;'
Whilst gray Authority, who slumbers there
In robes of watchman's fur, gives up his chair;
With midnight howl to bay the affrighted moon,
To walk with torches through the streets at noon;
To force plain Nature from her usual way,
Each night a vigil, and a blank each day;
To match for speed one feather 'gainst another,
To make one leg run races with his brother;
'Gainst all the rest to take the northern wind,
Bute to ride first, and he to ride behind;
To coin newfangled wagers, and to lay 'em,
Laying to lose, and losing not to pay 'em;
Lothario, on that stock which Nature gives,
Without a rival stands, though March yet lives.
When Folly, (at that name, in duty bound,
Let subject myriads kneel, and kiss the ground,
Whilst they who, in the presence, upright stand,
Are held as rebels through the loyal land)
Queen every where, but most a queen in courts,
Sent forth her heralds, and proclaim'd her sports;
Bade fool with fool on her behalf engage,
And prove her right to reign from age to age,
Lothario, great above the common size,
With all engaged, and won from all the prize;
Her cap he wears, which from his youth he wore,
And every day deserves it more and more.
Nor in such limits rests his soul confined;
Folly may share but can't engross his mind;
Vice, bold substantial Vice, puts in her claim,
And stamps him perfect in the books of Shame.
Observe his follies well, and you would swear
Folly had been his first, his only care;
Observe his vices, you'll that oath disown,
And swear that he was born for vice alone.
Is the soft nature of some hapless maid,
Fond, easy, full of faith, to be betray'd?
Must she, to virtue lost, be lost to fame,
And he who wrought her guilt declare her shame?
Is some brave friend, who, men but little known,
Deems every heart as honest as his own,
And, free himself, in others fears no guile,
To be ensnared, and ruin'd with a smile?
Is Law to be perverted from her course?
Is abject fraud to league with brutal force?
Is Freedom to be crush'd, and every son
Who dares maintain her cause, to be undone?
Is base Corruption, creeping through the land,
To plan, and work her ruin, underhand,
With regular approaches, sure, though slow?
Or must she perish by a single blow?
Are kings, who trust to servants, and depend
In servants (fond, vain thought!) to find a friend,
To be abused, and made to draw their breath
In darkness thicker than the shades of death?
Is God's most holy name to be profaned,
His word rejected, and his laws arraign'd,
His servants scorn'd, as men who idly dream'd,
His service laugh'd at, and his Son blasphemed?
Are debauchees in morals to preside?
Is Faith to take an Atheist for her guide?
Is Science by a blockhead to be led?
Are States to totter on a drunkard's head?
To answer all these purposes, and more,
More black than ever villain plann'd before,
Search earth, search hell, the Devil cannot find
An agent like Lothario to his mind.
Is this nobility, which, sprung from kings,
Was meant to swell the power from whence it springs;
Is this the glorious produce, this the fruit,
Which Nature hoped for from so rich a root?
Were there but two, (search all the world around)
Were there but two such nobles to be found,
The very name would sink into a term
Of scorn, and man would rather be a worm
Than be a lord: but Nature, full of grace,
Nor meaning birth and titles to be base,
Made only one, and having made him, swore,
In mercy to mankind, to make no more:
Nor stopp'd she there, but, like a generous friend,
The ills which Error caused, she strove to mend,
And having brought Lothario forth to view,
To save her credit, brought forth Sandwich too.
Gods! with what joy, what honest joy of heart,
Blunt as I am, and void of every art,
Of every art which great ones in the state
Practise on knaves they fear, and fools they hate,
To titles with reluctance taught to bend,
Nor prone to think that virtues can descend,
Do I behold (a sight, alas! more rare
Than Honesty could wish) the noble wear
His father's honours, when his life makes known
They're his by virtue, not by birth alone;
When he recalls his father from the grave,
And pays with interest back that fame he gave:
Cured of her splenetic and sullen fits,
To such a peer my willing soul submits,
And to such virtue is more proud to yield
Than 'gainst ten titled rogues to keep the field.
Such, (for that truth e'en Envy shall allow)
Such Wyndham was, and such is Sandwich now.
O gentle Montague! in blessed hour
Didst thou start up, and climb the stairs of power;
England of all her fears at once was eased,
Nor, 'mongst her many foes, was one displeased:
France heard the news, and told it cousin Spain;
Spain heard, and told it cousin France again;
The Hollander relinquished his design
Of adding spice to spice, and mine to mine;
Of Indian villanies he thought no more,
Content to rob us on our native shore:
Awed by thy fame, (which winds with open mouth
Shall blow from east to west, from north to south)
The western world shall yield us her increase,
And her wild sons be soften'd into peace;
Rich eastern monarchs shall exhaust their stores,
And pour unbounded wealth on Albion's shores;
Unbounded wealth, which from those golden scenes,
And all acquired by honourable means,
Some honourable chief shall hither steer,
To pay our debts, and set the nation clear.
Nabobs themselves, allured by thy renown,
Shall pay due homage to the English crown;
Shall freely as their king our king receive--
Provided the Directors give them leave.
Union at home shall mark each rising year,
Nor taxes be complain'd of, though severe;
Envy her own destroyer shall become,
And Faction with her thousand mouths be dumb:
With the meek man thy meekness shall prevail,
Nor with the spirited thy spirit fail:
Some to thy force of reason shall submit,
And some be converts to thy princely wit:
Reverence for thee shall still a nation's cries,
A grand concurrence crown a grand excise;
And unbelievers of the first degree,
Who have no faith in God, have faith in thee.
When a strange jumble, whimsical and vain,
Possess'd the region of each heated brain;
When some were fools to censure, some to praise,
And all were mad, but mad in different ways;
When commonwealthsmen, starting at the shade
Which in their own wild fancy had been made,
Of tyrants dream'd, who wore a thorny crown,
And with state bloodhounds hunted Freedom down;
When others, struck with fancies not less vain,
Saw mighty kings by their own subjects slain,
And, in each friend of Liberty and Law,
With horror big, a future Cromwell saw,
Thy manly zeal stept forth, bade discord cease,
And sung each jarring atom into peace;
Liberty, cheer'd by thy all-cheering eye,
Shall, waking from her trance, live and not die;
And, patronised by thee, Prerogative
Shall, striding forth at large, not die, but live;
Whilst Privilege, hung betwixt earth and sky,
Shall not well know whether to live or die.
When on a rock which overhung the flood,
And seem'd to totter, Commerce shivering stood;
When Credit, building on a sandy shore,
Saw the sea swell, and heard the tempest roar,
Heard death in every blast, and in each wave
Or saw, or fancied that she saw her grave;
When Property, transferr'd from hand to band,
Weaken'd by change, crawl'd sickly through the land;
When mutual confidence was at an end,
And man no longer could on man depend;
Oppress'd with debts of more than common weight,
When all men fear'd a bankruptcy of state;
When, certain death to honour, and to trade,
A sponge was talk'd of as our only aid;
That to be saved we must be more undone,
And pay off all our debts, by paying none;
Like England's better genius, born to bless,
And snatch his sinking country from distress,
Didst thou step forth, and, without sail or oar,
Pilot the shatter'd vessel safe to shore:
Nor shalt thou quit, till, anchor'd firm and fast,
She rides secure, and mocks the threatening blast!
Born in thy house, and in thy service bred,
Nursed in thy arms, and at thy table fed,
By thy sage counsels to reflection brought,
Yet more by pattern than by precept taught,
Economy her needful aid shall join
To forward and complete thy grand design,
And, warm to save, but yet with spirit warm,
Shall her own conduct from thy conduct form.
Let friends of prodigals say what they will,
Spendthrifts at home, abroad are spendthrifts still.
In vain have sly and subtle sophists tried
Private from public justice to divide;
For credit on each other they rely,
They live together, and together die,
'Gainst all experience 'tis a rank offence,
High treason in the eye of Common-sense,
To think a statesman ever can be known
To pay our debts, who will not pay his own:
But now, though late, now may we hope to see
Our debts discharged, our credit fair and free,
Since rigid Honesty (fair fall that hour!)
Sits at the helm, and Sandwich is in power.
With what delight I view thee, wondrous man,
With what delight survey thy sterling plan,
That plan which all with wonder must behold,
And stamp thy age the only age of Gold.
Nor rest thy triumphs here--that Discord fled,
And sought with grief the hell where she was bred;
That Faction, 'gainst her nature forced to yield,
Saw her rude rabble scatter'd o'er the field,
Saw her best friends a standing jest become,
Her fools turn'd speakers, and her wits struck dumb;
That our most bitter foes (so much depends
On men of name) are turn'd to cordial friends;
That our offended friends (such terror flows
From men of name) dare not appear our foes;
That Credit, gasping in the jaws of Death,
And ready to expire with every breath,
Grows stronger from disease; that thou hast saved
Thy drooping country; that thy name, engraved
On plates of brass, defies the rage of Time;
Than plates of brass more firm, that sacred rhyme
Embalms thy memory, bids thy glories live,
And gives thee what the Muse alone can give:--
These heights of Virtue, these rewards of Fame,
With thee in common other patriots claim.
But, that poor sickly Science, who had laid
And droop'd for years beneath Neglect's cold shade,
By those who knew her purposely forgot,
And made the jest of those who knew her not:
Whilst Ignorance in power, and pamper'd pride,
'Clad like a priest, pass'd by on t'other side,'
Recover'd from her wretched state, at length
Puts on new health, and clothes herself with strength,
To thee we owe, and to thy friendly hand
Which raised, and gave her to possess the land:
This praise, though in a court, and near a throne,
This praise is thine, and thine, alas! alone.
With what fond rapture did the goddess smile,
What blessings did she promise to this isle,
What honour to herself, and length of reign,
Soon as she heard that thou didst not disdain
To be her steward; but what grief, what shame,
What rage, what disappointment, shook her frame,
When her proud children dared her will dispute,
When Youth was insolent, and Age was mute!
That young men should be fools, and some wild few,
To Wisdom deaf, be deaf to Interest too,
Moved not her wonder; but that men, grown gray
In search of wisdom; men who own'd the sway
Of Reason; men who stubbornly kept down
Each rising passion; men who wore the gown;
That they should cross her will, that they should dare
Against the cause of Interest to declare;
That they should be so abject and unwise,
Having no fear of loss before their eyes,
Nor hopes of gain; scorning the ready means
Of being vicars, rectors, canons, deans,
With all those honours which on mitres wait,
And mark the virtuous favourites of state;
That they should dare a Hardwicke to support,
And talk, within the hearing of a court,
Of that vile beggar, Conscience, who, undone,
And starved herself, starves every wretched son;
This turn'd her blood to gall, this made her swear
No more to throw away her time and care
On wayward sons who scorn'd her love, no more
To hold her courts on Cam's ungrateful shore.
Rather than bear such insults, which disgrace
Her royalty of nature, birth, and place,
Though Dulness there unrivall'd state doth keep,
Would she at Winchester with Burton sleep;
Or, to exchange the mortifying scene
For something still more dull, and still more mean,
Rather than bear such insults, she would fly
Far, far beyond the search of English eye,
And reign amongst the Scots: to be a queen
Is worth ambition, though in Aberdeen.
Oh, stay thy flight, fair Science! what though some,
Some base-born children, rebels are become?
All are not rebels; some are duteous still,
Attend thy precepts, and obey thy will;
Thy interest is opposed by those alone
Who either know not, or oppose their own.
Of stubborn virtue, marching to thy aid,
Behold in black, the livery of their trade,
Marshall'd by Form, and by Discretion led,
A grave, grave troop, and Smith is at their head,
Black Smith of Trinity; on Christian ground
For faith in mysteries none more renown'd.
Next, (for the best of causes now and then
Must beg assistance from the worst of men)
Next (if old story lies not) sprung from Greece,
Comes Pandarus, but comes without his niece:
Her, wretched maid! committed to his trust,
To a rank letcher's coarse and bloated lust
The arch, old, hoary hypocrite had sold,
And thought himself and her well damn'd for gold.
But (to wipe off such traces from the mind,
And make us in good humour with mankind)
Leading on men, who, in a college bred,
No woman knew, but those which made their bed;
Who, planted virgins on Cam's virtuous shore,
Continued still male virgins at threescore,
Comes Sumner, wise, and chaste as chaste can be,
With Long, as wise, and not less chaste than he.
Are there not friends, too, enter'd in thy cause
Who, for thy sake, defying penal laws,
Were, to support thy honourable plan,
Smuggled from Jersey, and the Isle of Man?
Are there not Philomaths of high degree
Who, always dumb before, shall speak for thee?
Are there not Proctors, faithful to thy will,
One of full growth, others in embryo still,
Who may, perhaps, in some ten years, or more,
Be ascertain'd that two and two make four,
Or may a still more happy method find,
And, taking one from two, leave none behind?
With such a mighty power on foot, to yield
Were death to manhood; better in the field
To leave our carcases, and die with fame,
Than fly, and purchase life on terms of shame.
Sackvilles alone anticipate defeat,
And ere they dare the battle, sound retreat.
But if persuasions ineffectual prove,
If arguments are vain, nor prayers can move,
Yet in thy bitterness of frantic woe
Why talk of Burton? why to Scotland go?
Is there not Oxford? she, with open arms,
Shall meet thy wish, and yield up all her charms:
Shall for thy love her former loves resign,
And jilt the banish'd Stuarts to be thine.
Bow'd to the yoke, and, soon as she could read,
Tutor'd to get by heart the despot's creed,
She, of subjection proud, shall knee thy throne,
And have no principles but thine alone;
She shall thy will implicitly receive,
Nor act, nor speak, nor think, without thy leave.
Where is the glory of imperial sway
If subjects none but just commands obey?
Then, and then only, is obedience seen,
When by command they dare do all that's mean:
Hither, then, wing thy flight, here fix thy stand,
Nor fail to bring thy Sandwich in thy hand.
Gods! with what joy, (for Fancy now supplies,
And lays the future open to my eyes)
Gods! with what joy I see the worthies meet,
And Brother Litchfield Brother Sandwich greet!
Blest be your greetings, blest each dear embrace;
Blest to yourselves, and to the human race.
Sickening at virtues, which she cannot reach,
Which seem her baser nature to impeach,
Let Envy, in a whirlwind's bosom hurl'd,
Outrageous, search the corners of the world,
Ransack the present times, look back to past,
Rip up the future, and confess at last,
No times, past, present, or to come, could e'er
Produce, and bless the world with such a pair.
Phillips, the good old Phillips, out of breath,
Escaped from Monmouth, and escaped from death,
Shall hail his Sandwich with that virtuous zeal,
That glorious ardour for the commonweal,
Which warm'd his loyal heart and bless'd his tongue,
When on his lips the cause of rebels hung;
Whilst Womanhood, in habit of a nun,
At Medenham lies, by backward monks undone;
A nation's reckoning, like an alehouse score,
Whilst Paul, the aged, chalks behind a door,
Compell'd to hire a foe to cast it up,
Dashwood shall pour, from a communion cup,
Libations to the goddess without eyes,
And hob or nob in cider and excise.
From those deep shades, where Vanity, unknown,
Doth penance for her pride, and pines alone,
Cursed in herself, by her own thoughts undone,
Where she sees all, but can be seen by none;
Where she, no longer mistress of the schools,
Hears praise loud pealing from the mouths of fools,
Or hears it at a distance, in despair
To join the crowd, and put in for a share,
Twisting each thought a thousand different ways,
For his new friends new-modelling old praise;
Where frugal sense so very fine is spun,
It serves twelve hours, though not enough for one,
King shall arise, and, bursting from the dead,
Shall hurl his piebald Latin at thy head.
Burton (whilst awkward affectation hung
In quaint and labour'd accents on his tongue,
Who 'gainst their will makes junior blockheads speak,
Ignorant of both, new Latin and new Greek,
Not such as was in Greece and Latium known,
But of a modern cut, and all his own;
Who threads, like beads, loose thoughts on such a string,
They're praise and censure; nothing, every thing;
Pantomime thoughts, and style so full of trick,
They even make a Merry Andrew sick;
Thoughts all so dull, so pliant in their growth,
They're verse, they're prose, they're neither, and they're both)
Shall (though by nature ever both to praise)
Thy curious worth set forth in curious phrase;
Obscurely stiff, shall press poor Sense to death,
Or in long periods run her out of breath;
Shall make a babe, for which, with all his fame,
Adam could not have found a proper name,
Whilst, beating out his features to a smile,
He hugs the bastard brat, and calls it Style.
Hush'd be all Nature as the land of Death;
Let each stream sleep, and each wind hold his breath;
Be the bells muffled, nor one sound of Care,
Pressing for audience, wake the slumbering air;
Browne comes--behold how cautiously he creeps--
How slow he walks, and yet how fast he sleeps--
But to thy praise in sleep he shall agree;
He cannot wake, but he shall dream of thee.
Physic, her head with opiate poppies crown'd,
Her loins by the chaste matron Camphire bound;
Physic, obtaining succour from the pen
Of her soft son, her gentle Heberden,
If there are men who can thy virtue know,
Yet spite of virtue treat thee as a foe,
Shall, like a scholar, stop their rebel breath,
And in each recipe send classic death.
So deep in knowledge, that few lines can sound
And plumb the bottom of that vast profound,
Few grave ones with such gravity can think,
Or follow half so fast as he can sink;
With nice distinctions glossing o'er the text,
Obscure with meaning, and in words perplex'd,
With subtleties on subtleties refined,
Meant to divide and subdivide the mind,
Keeping the forwardness of youth in awe,
The scowling Blackstone bears the train of law.
Divinity, enrobed in college fur,
In her right hand a new Court Calendar,
Bound like a book of prayer, thy coming waits
With all her pack, to hymn thee in the gates.
Loyalty, fix'd on Isis' alter'd shore,
A stranger long, but stranger now no more,
Shall pitch her tabernacle, and, with eyes
Brimful of rapture, view her new allies;
Shall, with much pleasure and more wonder, view
Men great at court, and great at Oxford too.
O sacred Loyalty! accursed be those
Who, seeming friends, turn out thy deadliest foes,
Who prostitute to kings thy honour'd name,
And soothe their passions to betray their fame;
Nor praised be those, to whose proud nature clings
Contempt of government, and hate of kings,
Who, willing to be free, not knowing how,
A strange intemperance of zeal avow,
And start at Loyalty, as at a word
Which without danger Freedom never heard.
Vain errors of vain men--wild both extremes,
And to the state not wholesome, like the dreams,
Children of night, of Indigestion bred,
Which, Reason clouded, seize and turn the head;
Loyalty without Freedom is a chain
Which men of liberal notice can't sustain;
And Freedom without Loyalty, a name
Which nothing means, or means licentious shame.
Thine be the art, my Sandwich, thine the toil,
In Oxford's stubborn and untoward soil
To rear this plant of union, till at length,
Rooted by time, and foster'd into strength,
Shooting aloft, all danger it defies,
And proudly lifts its branches to the skies;
Whilst, Wisdom's happy son but not her slave,
Gay with the gay, and with the grave ones grave,
Free from the dull impertinence of thought,
Beneath that shade, which thy own labours wrought
And fashion'd into strength, shalt thou repose,
Secure of liberal praise, since Isis flows,
True to her Tame, as duty hath decreed,
Nor longer, like a harlot, lust for Tweed,
And those old wreaths, which Oxford once dared twine
To grace a Stuart brow, she plants on thine.

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:--
At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,--
Let Favour speak for others, Worth for me.--
For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows--
At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view--
What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,--
Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know--
It was the fashion twenty years ago.
Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last--
He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came--
Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
Can none remember? Yes--I know all must--
When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
Talk not to me of diffidence and fear--
I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,--
Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly--
Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:--
From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low--
Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause--
'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught--
Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,--
Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:--
If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.