The nursery fire burns brightly, crackling in cheerful little explosions
and trails of sparks up the back of the chimney. Miniature rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares into the air
and nods - forward and back. The red rose in his hand is a crimson splash
on his yellow coat. Forward and back, and his blue-green eyes stare
into the air, and he nods - nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance -
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three - a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted band.
Their instruments make a strand of gold before the scarlet-tunicked soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching to battle.
The song jolts a little as the green platforms stick on the thick carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods - nods. The fire makes
the red rose in his hand glow and twist. Hist! That is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks fly up the chimney.
Tommy's army's off to war -
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella. The rose in his hand
shoots its petals up in thin quills of crimson. Then they collapse
and shrivel like red embers. The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor. They must pass
the open terror of the door and gain the enemy encamped under the wash-stand.
The mounted band is very grand, playing allegro and leading the infantry on
at the double quick. The tassel of the hearth-rug has flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped bass-drum
with its sparkles.
The marching army hitches its little green platforms valiantly, and steadily
approaches the door. The overturned bass-drummer, lying on the hearth-rug,
melting in the heat, softens and sheds tears. The song jeers
at his impotence, and flaunts the glory of the martial and still upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing - killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back -
forward and back - and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured snakes.
The fire strokes them with its dartles, and purrs at them,
and the old man nods.
Tommy does not hear the song. He only sees the beautiful, new,
gaily-coloured lead soldiers. They belong to him, and he is very proud
and happy. He shouts his orders aloud, and gallops his cavalry past the door
to the wash-stand. He creeps over the floor on his hands and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the pitcher.
He snatches at it with his hands, but it is too late. The pitcher falls,
and as it goes, he sees the white water flow over its lip. It slips
between his fingers and crashes to the floor. But it is not water which oozes
to the door. The stain is glutinous and dark, a spark from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The old mandarin leers
under his purple umbrella, and nods - forward and back, staring into the air
with blue-green eyes. Every time his head comes forward a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps boldly forward,
but the little green platforms are covered in the rising stream of blood.
The nursery fire burns brightly and flings fan-bursts of stars up the chimney,
as though a gala flamed a night of victorious wars.
Frindsbury, Kent, 1786
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;
Planking from Dantzig.
My! What timber goes into a ship!
Two years they have seasoned her ribs on the ways,
You can hear, though there's nothing where you gaze.
Through the fog down the reaches of the river,
The tapping goes on like heart-beats in a fever.
The church-bells chime
Hours and hours,
Dropping days in showers.
Bang! Rap! Tap!
Go the hammers all the time.
They have planked up her timbers
And the nails are driven to the head;
They have decked her over,
And again, and again.
The shoring-up beams shudder at the strain.
Black and blue breeches,
Pigtails bound and shining:
Like ants crawling about,
The hull swarms with carpenters, running in and out.
And they are all terrible talkers.
Jem Wilson has been to sea and he tells some wonderful tales
Of whales, and spice islands,
And pirates off the Barbary coast.
He boasts magnificently, with his mouth full of nails.
Stephen Pibold has a tenor voice,
He shifts his quid of tobacco and sings:
'The second in command was blear-eyed Ned:
While the surgeon his limb was a-lopping,
A nine-pounder came and smack went his head,
Pull away, pull away, pull away! I say;
Rare news for my Meg of Wapping!'
People come in crowds
(After church-time, of course)
In curricles, and gigs, and wagons,
And some have brought cold chicken and flagons
And beer in stoppered jugs.
'Dear! Dear! But I tell 'ee 'twill be a fine ship.
There's none finer in any of the slips at Chatham.'
The third Summer's roses have started in to blow,
When the fine stern carving is begun.
Flutings, and twinings, and long slow swirls,
Bits of deal shaved away to thin spiral curls.
Tap! Tap! A cornucopia is nailed into place.
Rap-a-tap! They are putting up a railing filigreed like Irish lace.
The Three Town's people never saw such grace.
And the paint on it! The richest gold leaf!
Why, the glitter when the sun is shining passes belief.
And that row of glass windows tipped toward the sky
Are rubies and carbuncles when the day is dry.
Oh, my! Oh, my!
They have coppered up the bottom,
And the copper nails
Stand about and sparkle in big wooden pails.
Bang! Clash! Bang!
'And he swigg'd, and Nick swigg'd,
And Ben swigg'd, and Dick swigg'd,
And I swigg'd, and all of us swigg'd it,
And swore there was nothing like grog.'
It seems they sing,
Even though coppering is not an easy thing.
What a splendid specimen of humanity is a true British workman,
Say the people of the Three Towns,
As they walk about the dockyard
To the sound of the evening church-bells.
And so artistic, too, each one tells his neighbour.
What immense taste and labour!
Miss Jessie Prime, in a pink silk bonnet,
Titters with delight as her eyes fall upon it,
When she steps lightly down from Lawyer Green's whisky;
Such amazing beauty makes one feel frisky,
Mr. Nichols says he is delighted
(He is the firm);
His work is all requited
If Miss Jessie can approve.
Miss Jessie answers that the ship is 'a love'.
The sides are yellow as marigold,
The port-lids are red when the ports are up:
Blood-red squares like an even chequer
Of yellow asters and portulaca.
There is a wide 'black strake' at the waterline
And above is a blue like the sky when the weather is fine.
The inner bulwarks are painted red.
'Why?' asks Miss Jessie. ''Tis a horrid note.'
Mr. Nichols clears his throat,
And tells her the launching day is set.
He says, 'Be careful, the paint is wet.'
But Miss Jessie has touched it, her sprigged muslin gown
Has a blood-red streak from the shoulder down.
'It looks like blood,' says Miss Jessie with a frown.
Tap! Tap! Rap!
An October day, with waves running in blue-white lines and a capful of wind.
Three broad flags ripple out behind
Where the masts will be:
Royal Standard at the main,
Admiralty flag at the fore,
Union Jack at the mizzen.
The hammers tap harder, faster,
They must finish by noon.
The last nail is driven.
But the wind has increased to half a gale,
And the ship shakes and quivers upon the ways.
The Commissioner of Chatham Dockyard is coming
In his ten-oared barge from the King's Stairs;
The Marine's band will play 'God Save Great George Our King';
And there is to be a dinner afterwards at the Crown, with speeches.
The wind screeches, and flaps the flags till they pound like hammers.
The wind hums over the ship,
And slips round the dog-shores,
Jostling them almost to falling.
There is no time now to wait for Commissioners and marine bands.
Mr. Nichols has a bottle of port in his hands.
He leans over, holding his hat, and shouts to the men below:
'Let her go!'
Bang! Bang! Pound!
The dog-shores fall to the ground,
And the ship slides down the greased planking.
A splintering of glass,
And port wine running all over the white and copper stem timbers.
'Success to his Majesty's ship, the Bellerophon!'
And the red wine washes away in the waters of the Medway.
Paris, March, 1814
Fine yellow sunlight down the rue du Mont Thabor.
Ten o'clock striking from all the clock-towers of Paris.
Over the door of a shop, in gilt letters:
'Martin - Parfumeur', and something more.
A large gilded wooden something.
Listen! What a ringing of hammers!
Tap! Squeak! Tap-a-tap!
'Don't touch the letters. My name stays.'
'Just take down the eagle, and the shield with the bees.'
'As M'sieu pleases.'
Tap! Squeak! Tap!
The man on the ladder hammers steadily for a minute or two,
They are fastened well, Nom d'un Chien!
What if I break them?'
You and Paul must have them down to-day.'
And the hammers start again,
Drum-beating at the something of gilded wood.
Sunshine in a golden flood
Lighting up the yellow fronts of houses,
Glittering each window to a flash.
Squeak! Squeak! Tap!
The hammers beat and rap.
A Prussian hussar on a grey horse goes by at a dash.
From other shops, the noise of striking blows:
Pounds, thumps, and whacks;
Wooden sounds: splinters - cracks.
Paris is full of the galloping of horses and the knocking of hammers.
'Hullo! Friend Martin, is business slack
That you are in the street this morning? Don't turn your back
And scuttle into your shop like a rabbit to its hole.
I've just been taking a stroll.
The stinking Cossacks are bivouacked all up and down the Champs Elysees.
I can't get the smell of them out of my nostrils.
Dirty fellows, who don't believe in frills
Like washing. Ah, mon vieux, you'd have to go
Out of business if you lived in Russia. So!
We've given up being perfumers to the Emperor, have we?
Be careful of the hen,
Maybe I can find a use for her one of these days.
That eagle's rather well cut, Martin.
But I'm sick of smelling Cossack,
Take me inside and let me put my head into a stack
Of orris-root and musk.'
Within the shop, the light is dimmed to a pearl-and-green dusk
Out of which dreamily sparkle counters and shelves of glass,
Containing phials, and bowls, and jars, and dishes; a mass
Of aqueous transparence made solid by threads of gold.
Gold and glass,
And scents which whiff across the green twilight and pass.
The perfumer sits down and shakes his head:
'Always the same, Monsieur Antoine,
You artists are wonderful folk indeed.'
But Antoine Vernet does not heed.
He is reading the names on the bottles and bowls,
Done in fine gilt letters with wonderful scrolls.
'What have we here? `Eau Imperial Odontalgique.'
I must say, mon cher, your names are chic.
But it won't do, positively it will not do.
Elba doesn't count. Ah, here is another:
`Baume du Commandeur'. That's better. He needs something to smother
Regrets. A little lubricant, too,
Might be useful. I have it,
`Sage Oil', perhaps he'll be good now; with it we'll submit
This fine German rouge. I fear he is pale.'
'Monsieur Antoine, don't rail
At misfortune. He treated me well and fairly.'
'And you prefer him to Bourbons, admit it squarely.'
'Heaven forbid!' Bang! Whack!
Squeak! Squeak! Crack!
'Oh, Lord, Martin! That shield is hash.
The whole street is covered with golden bees.
They look like so many yellow peas,
Lying there in the mud. I'd like to paint it.
`Plum pudding of Empire'. That's rather quaint, it
Might take with the Kings. Shall I try?' 'Oh, Sir,
You distress me, you do.' 'Poor old Martin's purr!
But he hasn't a scratch in him, I know.
Now let us get back to the powders and patches.
The Kings are here now. We must hit on a plan
To change all these titles as fast as we can.
`Bouquet Imperatrice'. Tut! Tut! Give me some ink -
`Bouquet de la Reine', what do you think?
Not the same receipt?
Now, Martin, put away your conceit.
Who will ever know?
`Extract of Nobility' - excellent, since most of them are killed.'
'But, Monsieur Antoine -'
'You are self-willed,
Martin. You need a salve
For your conscience, do you?
Very well, we'll halve
The compliments, also the pastes and dentifrices;
Send some to the Kings, and some to the Empresses.
`Oil of Bitter Almonds' - the Empress Josephine can have that.
`Oil of Parma Violets' fits the other one pat.'
Rap! Rap! Bang!
'What a hideous clatter!
Blaise seems determined to batter
That poor old turkey into bits,
And pound to jelly my excellent wits.
Come, come, Martin, you mustn't shirk.
`The night cometh soon' - etc. Don't jerk
Me up like that. `Essence de la Valliere' -
That has a charmingly Bourbon air.
And, oh! Magnificent! Listen to this! -
`Vinaigre des Quatre Voleurs'. Nothing amiss
With that - England, Austria, Russia and Prussia!
Martin, you're a wonder,
Upheavals of continents can't keep you under.'
'Monsieur Antoine, I am grieved indeed
At such levity. What France has gone through -'
'Very true, Martin, very true,
But never forget that a man must feed.'
Pound! Pound! Thump!
'Look here, in another minute Blaise will drop that bird on the ground.'
Martin shrugs his shoulders. 'Ah, well, what then? -'
Antoine, with a laugh: 'I'll give you two sous for that antiquated hen.'
The Imperial Eagle sells for two sous,
And the lilies go up.
A man must choose!
Paris, April, 1814
Cold, impassive, the marble arch of the Place du Carrousel.
Haughty, contemptuous, the marble arch of the Place du Carrousel.
Like a woman raped by force, rising above her fate,
Borne up by the cold rigidity of hate,
Stands the marble arch of the Place du Carrousel.
Tap! Rap! Chink!
What falls to the ground like a streak of flame?
Hush! It is only a bit of bronze flashing in the sun.
What are all those soldiers? Those are not the uniforms of France.
Alas! No! The uniforms of France, Great Imperial France, are done.
They will rot away in chests and hang to dusty tatters in barn lofts.
These are other armies. And their name?
Hush, be still for shame;
Be still and imperturbable like the marble arch.
Another bright spark falls through the blue air.
Over the Place du Carrousel a wailing of despair.
Crowd your horses back upon the people, Uhlans and Hungarian Lancers,
They see too much.
Unfortunately, Gentlemen of the Invading Armies, what they do not see,
Another sharp spear
And a ringing of quick metal lightness
On hard stones.
Workmen are chipping off the names of Napoleon's victories
From the triumphal arch of the Place du Carrousel.
Do they need so much force to quell the crowd?
An old Grenadier of the line groans aloud,
And each hammer tap points the sob of a woman.
Russia, Prussia, Austria, and the faded-white-lily Bourbon king
Think it well
To guard against tumult,
A mob is an undependable thing.
Vienna is scattered all over the Place du Carrousel
In glittering, bent, and twisted letters.
Your betters have clattered over Vienna before,
Officer of his Imperial Majesty our Father-in-Law!
A workman's chisel can strew you to the winds,
Do they think
To pleasure Paris, used to the fall of cities,
By giving her a fall of letters!
It is a month too late.
One month, and our lily-white Bourbon king
Has done a colossal thing;
He has curdled love,
And soured the desires of a people.
Still the letters fall,
The workmen creep up and down their ladders like lizards on a wall.
Tap! Tap! Tink!
'Oh, merciful God, they will not touch Austerlitz!
Strike me blind, my God, my eyes can never look on that.
I would give the other leg to save it, it took one.
Curse them! Curse them! Aim at his hat.
Give me the stone. Why didn't you give it to me?
I would not have missed. Curse him!
Curse all of them! They have got the `A'!'
'I saw the Terror, but I never saw so horrible a thing as this.
`Vive l'Empereur! Vive l'Empereur!''
'Don't strike him, Fritz.
The mob will rise if you do.
Just run him out to the `quai',
That will get him out of the way.
They are almost through.'
Clink! Tink! Ding!
Clear as the sudden ring
Of a bell
'Z' strikes the pavement.
Farewell, Austerlitz, Tilsit, Presbourg;
Farewell, greatness departed.
Farewell, Imperial honours, knocked broadcast by the beating hammers
of ignorant workmen.
Straight, in the Spring moonlight,
Rises the deflowered arch.
In the silence, shining bright,
She stands naked and unsubdued.
Her marble coldness will endure the march
Rend her bronzes, hammers;
Cast down her inscriptions.
She is unconquerable, austere,
Cold as the moon that swims above her
When the nights are clear.
Croissy, Ile-de-France, June, 1815
Devil take the mare! I've never seen so vicious a beast.
She kicked Jules the last time she was here,
He's been lame ever since, poor chap.'
Tap-a-tap-a-tap! Tap! Tap!
'I'd rather be lame than dead at Waterloo, M'sieu Charles.'
'Sacre Bleu! Don't mention Waterloo, and the damned grinning British.
We didn't run in the old days.
There wasn't any running at Jena.
Those were decent days,
And decent men, who stood up and fought.
We never got beaten, because we wouldn't be.
'You would have taught them, wouldn't you, Sergeant Boignet?
But to-day it's everyone for himself,
And the Emperor isn't what he was.'
'How the Devil do you know that?
If he was beaten, the cause
Is the green geese in his army, led by traitors.
Oh, I say no names, Monsieur Charles,
You needn't hammer so loud.
If there are any spies lurking behind the bellows,
I beg they come out. Dirty fellows!'
The old Sergeant seizes a red-hot poker
And advances, brandishing it, into the shadows.
The rows of horses flick
Victorine gives a savage kick
As the nails
Go in. Tap! Tap!
Jules draws a horseshoe from the fire
And beats it from red to peacock-blue and black,
Purpling darker at each whack.
Ding! Dang! Dong!
It is a long time since any one spoke.
Then the blacksmith brushes his hand over his eyes,
'Well,' he sighs,
The Sergeant charges out from behind the bellows.
'It's the green geese, I tell you,
Their hearts are all whites and yellows,
There's no red in them. Red!
That's what we want. Fouche should be fed
To the guillotine, and all Paris dance the carmagnole.
That would breed jolly fine lick-bloods
To lead his armies to victory.'
'Ancient history, Sergeant.
'Say that again, Monsieur Charles, and I'll stun
You where you stand for a dung-eating Royalist.'
The Sergeant gives the poker a savage twist;
He is as purple as the cooling horseshoes.
The air from the bellows creaks through the flues.
Tap! Tap! The blacksmith shoes Victorine,
And through the doorway a fine sheen
Of leaves flutters, with the sun between.
By a spurt of fire from the forge
You can see the Sergeant, with swollen gorge,
Puffing, and gurgling, and choking;
The bellows keep on croaking.
Creak! Bang! Squeeze!
And the hammer strokes fall like buzzing bees
Or pattering rain,
Or faster than these,
Like the hum of a waterfall struck by a breeze.
Clank! from the bellows-chain pulled up and down.
And sunshine twinkles on Victorine's flank,
Starting it to blue,
Dropping it to black.
Lord! What galloping! Some mishap
Is making that man ride so furiously.
Victorine won't be through
For another quarter of an hour.' 'As you hope to die,
Work faster, man, the order has come.'
'What order? Speak out. Are you dumb?'
'A chaise, without arms on the panels, at the gate
In the far side-wall, and just to wait.
We must be there in half an hour with swift cattle.
You're a stupid fool if you don't hear that rattle.
Those are German guns. Can't you guess the rest?
Nantes, Rochefort, possibly Brest.'
Tap! Tap! as though the hammers were mad.
Dang! Ding! Creak! The farrier's lad
Jerks the bellows till he cracks their bones,
And the stifled air hiccoughs and groans.
The Sergeant is lying on the floor
Stone dead, and his hat with the tricolore
Cockade has rolled off into the cinders. Victorine snorts and lays back
What glistens on the anvil? Sweat or tears?
St. Helena, May, 1821
Tap! Tap! Tap!
Through the white tropic night.
Beat the hammers,
They are hanging dull black cloth about the dead.
Lustreless black cloth
Which chokes the radiance of the moonlight
And puts out the little moving shadows of leaves.
The knocking makes the candles quaver,
And the long black hangings waver
Tap! Tap! Tap!
In the ears which do not heed.
Above the eyelids which do not flicker.
Over the hands which do not stir.
Chiselled like a cameo of white agate against the hangings,
Struck to brilliance by the falling moonlight,
Sharp as a frozen flame,
Beautiful as an altar lamp of silver,
And still. Perfectly still.
In the next room, the men chatter
As they eat their midnight lunches.
A knife hits against a platter.
But the figure on the bed
Between the stifling black hangings
Is cold and motionless,
Played over by the moonlight from the windows
And the indistinct shadows of leaves.
Upholsterer Darling has a fine shop in Jamestown.
Andrew Darling has ridden hard from Longwood to see to the work in his shop
He has a corps of men in it, toiling and swearing,
Knocking, and measuring, and planing, and squaring,
Working from a chart with figures,
Comparing with their rules,
Setting this and that part together with their tools.
Tap! Tap! Tap!
So great is the need
That carpenters have been taken from the new church,
Joiners have been called from shaping pews and lecterns
To work of greater urgency.
Coffins is what they are making this bright Summer morning.
Coffins - and all to measurement.
There is a tin coffin,
A deal coffin,
A lead coffin,
And Captain Bennett's best mahogany dining-table
Has been sawed up for the grand outer coffin.
Tap! Tap! Tap!
Sunshine outside in the square,
But inside, only hollow coffins and the tapping upon them.
The men whistle,
And the coffins grow under their hammers
In the darkness of the shop.
Tap! Tap! Tap!
Tramp of men.
Steady tramp of men.
Slit-eyed Chinese with long pigtails
Bearing oblong things upon their shoulders
March slowly along the road to Longwood.
Their feet fall softly in the dust of the road;
Sometimes they call gutturally to each other and stop to shift shoulders.
Four coffins for the little dead man,
Four fine coffins,
And one of them Captain Bennett's dining-table!
And sixteen splendid Chinamen, all strong and able
And of assured neutrality.
Ah! George of England, Lord Bathhurst & Co.
Your princely munificence makes one's heart glow.
Huzza! Huzza! For the Lion of England!
Tap! Tap! Tap!
Marble likeness of an Emperor,
Dead man, who burst your heart against a world too narrow,
The hammers drum you to your last throne
Which always you shall hold alone.
The glory of your past is faded as a sunset fire,
Your day lingers only like the tones of a wind-lyre
In a twilit room.
Here is the emptiness of your dream
Scattered about you.
Coins of yesterday,
Double napoleons stamped with Consul or Emperor,
Strange as those of Herculaneum -
And you just dead!
Not one spool of thread
Will these buy in any market-place.
Lay them over him,
They are the baubles of a crown of mist
Worn in a vision and melted away at waking.
His heart strained at kingdoms
And now it is content with a silver dish.
Strange World! Strange Wayfarer!
Lower it gently beside him and let it lie.
Tap! Tap! Tap!
How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.
Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.
A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.
Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes
Would brim and spill their tears, when all they saw
Was the bright sun, slantwise
Through burgeoning trees, and all the morning's flame
Burning and quivering round her. With quick shame
She shut her heart and bent before the law.
He was a soldier, she was proud of that.
This was his house and she would keep it well.
His honour was in fighting, hers in what
He'd left her here in charge of. Then a spell
Of conscience sent her through the orchard spying
Upon the gardeners. Were their tools about?
Were any branches broken? Had the weeds
Been duly taken out
Under the 'spaliered pears, and were these lying
Nailed snug against the sunny bricks and drying
Their leaves and satisfying all their needs?
She picked a stone up with a little pout,
Stones looked so ill in well-kept flower-borders.
Where should she put it? All the paths about
Were strewn with fair, red gravel by her orders.
No stone could mar their sifted smoothness. So
She hurried to the river. At the edge
She stood a moment charmed by the swift blue
Beyond the river sedge.
She watched it curdling, crinkling, and the snow
Purfled upon its wave-tops. Then, 'Hullo,
My Beauty, gently, or you'll wriggle through.'
The Lady Eunice caught a willow spray
To save herself from tumbling in the shallows
Which rippled to her feet. Then straight away
She peered down stream among the budding sallows.
A youth in leather breeches and a shirt
Of finest broidered lawn lay out upon
An overhanging bole and deftly swayed
A well-hooked fish which shone
In the pale lemon sunshine like a spurt
Of silver, bowed and damascened, and girt
With crimson spots and moons which waned and played.
The fish hung circled for a moment, ringed
And bright; then flung itself out, a thin blade
Of spotted lightning, and its tail was winged
With chipped and sparkled sunshine. And the shade
Broke up and splintered into shafts of light
Wheeling about the fish, who churned the air
And made the fish-line hum, and bent the rod
Almost to snapping. Care
The young man took against the twigs, with slight,
Deft movements he kept fish and line in tight
Obedience to his will with every prod.
He lay there, and the fish hung just beyond.
He seemed uncertain what more he should do.
He drew back, pulled the rod to correspond,
Tossed it and caught it; every time he threw,
He caught it nearer to the point. At last
The fish was near enough to touch. He paused.
Eunice knew well the craft - 'What's got the thing!'
She cried. 'What can have caused -
Where is his net? The moment will be past.
The fish will wriggle free.' She stopped aghast.
He turned and bowed. One arm was in a sling.
The broad, black ribbon she had thought his basket
Must hang from, held instead a useless arm.
'I do not wonder, Madam, that you ask it.'
He smiled, for she had spoke aloud. 'The charm
Of trout fishing is in my eyes enhanced
When you must play your fish on land as well.'
'How will you take him?' Eunice asked. 'In truth
I really cannot tell.
'Twas stupid of me, but it simply chanced
I never thought of that until he glanced
Into the branches. 'Tis a bit uncouth.'
He watched the fish against the blowing sky,
Writhing and glittering, pulling at the line.
'The hook is fast, I might just let him die,'
He mused. 'But that would jar against your fine
Sense of true sportsmanship, I know it would,'
Cried Eunice. 'Let me do it.' Swift and light
She ran towards him. 'It is so long now
Since I have felt a bite,
I lost all heart for everything.' She stood,
Supple and strong, beside him, and her blood
Tingled her lissom body to a glow.
She quickly seized the fish and with a stone
Ended its flurry, then removed the hook,
Untied the fly with well-poised fingers. Done,
She asked him where he kept his fishing-book.
He pointed to a coat flung on the ground.
She searched the pockets, found a shagreen case,
Replaced the fly, noticed a golden stamp
Filling the middle space.
Two letters half rubbed out were there, and round
About them gay rococo flowers wound
And tossed a spray of roses to the clamp.
The Lady Eunice puzzled over these.
'G. D.' the young man gravely said. 'My name
Is Gervase Deane. Your servant, if you please.'
'Oh, Sir, indeed I know you, for your fame
For exploits in the field has reached my ears.
I did not know you wounded and returned.'
'But just come back, Madam. A silly prick
To gain me such unearned
Holiday making. And you, it appears,
Must be Sir Everard's lady. And my fears
At being caught a-trespassing were quick.'
He looked so rueful that she laughed out loud.
'You are forgiven, Mr. Deane. Even more,
I offer you the fishing, and am proud
That you should find it pleasant from this shore.
Nobody fishes now, my husband used
To angle daily, and I too with him.
He loved the spotted trout, and pike, and dace.
He even had a whim
That flies my fingers tied swiftly confused
The greater fish. And he must be excused,
Love weaves odd fancies in a lonely place.'
She sighed because it seemed so long ago,
Those days with Everard; unthinking took
The path back to the orchard. Strolling so
She walked, and he beside her. In a nook
Where a stone seat withdrew beneath low boughs,
Full-blossomed, hummed with bees, they sat them down.
She questioned him about the war, the share
Her husband had, and grown
Eager by his clear answers, straight allows
Her hidden hopes and fears to speak, and rouse
Her numbed love, which had slumbered unaware.
Under the orchard trees daffodils danced
And jostled, turning sideways to the wind.
A dropping cherry petal softly glanced
Over her hair, and slid away behind.
At the far end through twisted cherry-trees
The old house glowed, geranium-hued, with bricks
Bloomed in the sun like roses, low and long,
Gabled, and with quaint tricks
Of chimneys carved and fretted. Out of these
Grey smoke was shaken, which the faint Spring breeze
Tossed into nothing. Then a thrush's song
Needled its way through sound of bees and river.
The notes fell, round and starred, between young leaves,
Trilled to a spiral lilt, stopped on a quiver.
The Lady Eunice listens and believes.
Gervase has many tales of her dear Lord,
His bravery, his knowledge, his charmed life.
She quite forgets who's speaking in the gladness
Of being this man's wife.
Gervase is wounded, grave indeed, the word
Is kindly said, but to a softer chord
She strings her voice to ask with wistful sadness,
'And is Sir Everard still unscathed? I fain
Would know the truth.' 'Quite well, dear Lady, quite.'
She smiled in her content. 'So many slain,
You must forgive me for a little fright.'
And he forgave her, not alone for that,
But because she was fingering his heart,
Pressing and squeezing it, and thinking so
Only to ease her smart
Of painful, apprehensive longing. At
Their feet the river swirled and chucked. They sat
An hour there. The thrush flew to and fro.
The Lady Eunice supped alone that day,
As always since Sir Everard had gone,
In the oak-panelled parlour, whose array
Of faded portraits in carved mouldings shone.
Warriors and ladies, armoured, ruffed, peruked.
Van Dykes with long, slim fingers; Holbeins, stout
And heavy-featured; and one Rubens dame,
A peony just burst out,
With flaunting, crimson flesh. Eunice rebuked
Her thoughts of gentler blood, when these had duked
It with the best, and scorned to change their name.
A sturdy family, and old besides,
Much older than her own, the Earls of Crowe.
Since Saxon days, these men had sought their brides
Among the highest born, but always so,
Taking them to themselves, their wealth, their lands,
But never their titles. Stern perhaps, but strong,
The Framptons fed their blood from richest streams,
Scorning the common throng.
Gazing upon these men, she understands
The toughness of the web wrought from such strands
And pride of Everard colours all her dreams.
Eunice forgets to eat, watching their faces
Flickering in the wind-blown candle's shine.
Blue-coated lackeys tiptoe to their places,
And set out plates of fruit and jugs of wine.
The table glitters black like Winter ice.
The Dartle's rushing, and the gentle clash
Of blossomed branches, drifts into her ears.
And through the casement sash
She sees each cherry stem a pointed slice
Of splintered moonlight, topped with all the spice
And shimmer of the blossoms it uprears.
'In such a night -' she laid the book aside,
She could outnight the poet by thinking back.
In such a night she came here as a bride.
The date was graven in the almanack
Of her clasped memory. In this very room
Had Everard uncloaked her. On this seat
Had drawn her to him, bade her note the trees,
How white they were and sweet
And later, coming to her, her dear groom,
Her Lord, had lain beside her in the gloom
Of moon and shade, and whispered her to ease.
Her little taper made the room seem vast,
Caverned and empty. And her beating heart
Rapped through the silence all about her cast
Like some loud, dreadful death-watch taking part
In this sad vigil. Slowly she undrest,
Put out the light and crept into her bed.
The linen sheets were fragrant, but so cold.
And brimming tears she shed,
Sobbing and quivering in her barren nest,
Her weeping lips into the pillow prest,
Her eyes sealed fast within its smothering fold.
The morning brought her a more stoic mind,
And sunshine struck across the polished floor.
She wondered whether this day she should find
Gervase a-fishing, and so listen more,
Much more again, to all he had to tell.
And he was there, but waiting to begin
Until she came. They fished awhile, then went
To the old seat within
The cherry's shade. He pleased her very well
By his discourse. But ever he must dwell
Upon Sir Everard. Each incident
Must be related and each term explained.
How troops were set in battle, how a siege
Was ordered and conducted. She complained
Because he bungled at the fall of Liege.
The curious names of parts of forts she knew,
And aired with conscious pride her ravelins,
And counterscarps, and lunes. The day drew on,
And his dead fish's fins
In the hot sunshine turned a mauve-green hue.
At last Gervase, guessing the hour, withdrew.
But she sat long in still oblivion.
Then he would bring her books, and read to her
The poems of Dr. Donne, and the blue river
Would murmur through the reading, and a stir
Of birds and bees make the white petals shiver,
And one or two would flutter prone and lie
Spotting the smooth-clipped grass. The days went by
Threaded with talk and verses. Green leaves pushed
Through blossoms stubbornly.
Gervase, unconscious of dishonesty,
Fell into strong and watchful loving, free
He thought, since always would his lips be hushed.
But lips do not stay silent at command,
And Gervase strove in vain to order his.
Luckily Eunice did not understand
That he but read himself aloud, for this
Their friendship would have snapped. She treated him
And spoilt him like a brother. It was now
'Gervase' and 'Eunice' with them, and he dined
Whenever she'd allow,
In the oak parlour, underneath the dim
Old pictured Framptons, opposite her slim
Figure, so bright against the chair behind.
Eunice was happier than she had been
For many days, and yet the hours were long.
All Gervase told to her but made her lean
More heavily upon the past. Among
Her hopes she lived, even when she was giving
Her morning orders, even when she twined
Nosegays to deck her parlours. With the thought
Of Everard, her mind
Solaced its solitude, and in her striving
To do as he would wish was all her living.
She welcomed Gervase for the news he brought.
Black-hearts and white-hearts, bubbled with the sun,
Hid in their leaves and knocked against each other.
Eunice was standing, panting with her run
Up to the tool-house just to get another
Basket. All those which she had brought were filled,
And still Gervase pelted her from above.
The buckles of his shoes flashed higher and higher
Until his shoulders strove
Quite through the top. 'Eunice, your spirit's filled
This tree. White-hearts!' He shook, and cherries spilled
And spat out from the leaves like falling fire.
The wide, sun-winged June morning spread itself
Over the quiet garden. And they packed
Full twenty baskets with the fruit. 'My shelf
Of cordials will be stored with what it lacked.
In future, none of us will drink strong ale,
But cherry-brandy.' 'Vastly good, I vow,'
And Gervase gave the tree another shake.
The cherries seemed to flow
Out of the sky in cloudfuls, like blown hail.
Swift Lady Eunice ran, her farthingale,
Unnoticed, tangling in a fallen rake.
She gave a little cry and fell quite prone
In the long grass, and lay there very still.
Gervase leapt from the tree at her soft moan,
And kneeling over her, with clumsy skill
Unloosed her bodice, fanned her with his hat,
And his unguarded lips pronounced his heart.
'Eunice, my Dearest Girl, where are you hurt?'
His trembling fingers dart
Over her limbs seeking some wound. She strove
To answer, opened wide her eyes, above
Her knelt Sir Everard, with face alert.
Her eyelids fell again at that sweet sight,
'My Love!' she murmured, 'Dearest! Oh, my Dear!'
He took her in his arms and bore her right
And tenderly to the old seat, and 'Here
I have you mine at last,' she said, and swooned
Under his kisses. When she came once more
To sight of him, she smiled in comfort knowing
Herself laid as before
Close covered on his breast. And all her glowing
Youth answered him, and ever nearer growing
She twined him in her arms and soft festooned
Herself about him like a flowering vine,
Drawing his lips to cling upon her own.
A ray of sunlight pierced the leaves to shine
Where her half-opened bodice let be shown
Her white throat fluttering to his soft caress,
Half-gasping with her gladness. And her pledge
She whispers, melting with delight. A twig
Snaps in the hornbeam hedge.
A cackling laugh tears through the quietness.
Eunice starts up in terrible distress.
'My God! What's that?' Her staring eyes are big.
Revulsed emotion set her body shaking
As though she had an ague. Gervase swore,
Jumped to his feet in such a dreadful taking
His face was ghastly with the look it wore.
Crouching and slipping through the trees, a man
In worn, blue livery, a humpbacked thing,
Made off. But turned every few steps to gaze
At Eunice, and to fling
Vile looks and gestures back. 'The ruffian!
By Christ's Death! I will split him to a span
Of hog's thongs.' She grasped at his sleeve, 'Gervase!
What are you doing here? Put down that sword,
That's only poor old Tony, crazed and lame.
We never notice him. With my dear Lord
I ought not to have minded that he came.
But, Gervase, it surprises me that you
Should so lack grace to stay here.' With one hand
She held her gaping bodice to conceal
Her breast. 'I must demand
Your instant absence. Everard, but new
Returned, will hardly care for guests. Adieu.'
'Eunice, you're mad.' His brain began to reel.
He tried again to take her, tried to twist
Her arms about him. Truly, she had said
Nothing should ever part them. In a mist
She pushed him from her, clasped her aching head
In both her hands, and rocked and sobbed aloud.
'Oh! Where is Everard? What does this mean?
So lately come to leave me thus alone!'
But Gervase had not seen
Sir Everard. Then, gently, to her bowed
And sickening spirit, he told of her proud
Surrender to him. He could hear her moan.
Then shame swept over her and held her numb,
Hiding her anguished face against the seat.
At last she rose, a woman stricken - dumb -
And trailed away with slowly-dragging feet.
Gervase looked after her, but feared to pass
The barrier set between them. All his rare
Joy broke to fragments - worse than that, unreal.
And standing lonely there,
His swollen heart burst out, and on the grass
He flung himself and wept. He knew, alas!
The loss so great his life could never heal.
For days thereafter Eunice lived retired,
Waited upon by one old serving-maid.
She would not leave her chamber, and desired
Only to hide herself. She was afraid
Of what her eyes might trick her into seeing,
Of what her longing urge her then to do.
What was this dreadful illness solitude
Had tortured her into?
Her hours went by in a long constant fleeing
The thought of that one morning. And her being
Bruised itself on a happening so rude.
It grew ripe Summer, when one morning came
Her tirewoman with a letter, printed
Upon the seal were the Deane crest and name.
With utmost gentleness, the letter hinted
His understanding and his deep regret.
But would she not permit him once again
To pay her his profound respects? No word
Of what had passed should pain
Her resolution. Only let them get
Back the old comradeship. Her eyes were wet
With starting tears, now truly she deplored
His misery. Yes, she was wrong to keep
Away from him. He hardly was to blame.
'Twas she - she shuddered and began to weep.
'Twas her fault! Hers! Her everlasting shame
Was that she suffered him, whom not at all
She loved. Poor Boy! Yes, they must still be friends.
She owed him that to keep the balance straight.
It was such poor amends
Which she could make for rousing hopes to gall
Him with their unfulfilment. Tragical
It was, and she must leave him desolate.
Hard silence he had forced upon his lips
For long and long, and would have done so still
Had not she - here she pressed her finger tips
Against her heavy eyes. Then with forced will
She wrote that he might come, sealed with the arms
Of Crowe and Frampton twined. Her heart felt lighter
When this was done. It seemed her constant care
Might some day cease to fright her.
Illness could be no crime, and dreadful harms
Did come from too much sunshine. Her alarms
Would lessen when she saw him standing there,
Simple and kind, a brother just returned
From journeying, and he would treat her so.
She knew his honest heart, and if there burned
A spark in it he would not let it show.
But when he really came, and stood beside
Her underneath the fruitless cherry boughs,
He seemed a tired man, gaunt, leaden-eyed.
He made her no more vows,
Nor did he mention one thing he had tried
To put into his letter. War supplied
Him topics. And his mind seemed occupied.
Daily they met. And gravely walked and talked.
He read her no more verses, and he stayed
Only until their conversation, balked
Of every natural channel, fled dismayed.
Again the next day she would meet him, trying
To give her tone some healthy sprightliness,
But his uneager dignity soon chilled
Her well-prepared address.
Thus Summer waned, and in the mornings, crying
Of wild geese startled Eunice, and their flying
Whirred overhead for days and never stilled.
One afternoon of grey clouds and white wind,
Eunice awaited Gervase by the river.
The Dartle splashed among the reeds and whined
Over the willow-roots, and a long sliver
Of caked and slobbered foam crept up the bank.
All through the garden, drifts of skirling leaves
Blew up, and settled down, and blew again.
The cherry-trees were weaves
Of empty, knotted branches, and a dank
Mist hid the house, mouldy it smelt and rank
With sodden wood, and still unfalling rain.
Eunice paced up and down. No joy she took
At meeting Gervase, but the custom grown
Still held her. He was late. She sudden shook,
And caught at her stopped heart. Her eyes had shown
Sir Everard emerging from the mist.
His uniform was travel-stained and torn,
His jackboots muddy, and his eager stride
Jangled his spurs. A thorn
Entangled, trailed behind him. To the tryst
He hastened. Eunice shuddered, ran - a twist
Round a sharp turning and she fled to hide.
But he had seen her as she swiftly ran,
A flash of white against the river's grey.
'Eunice,' he called. 'My Darling. Eunice. Can
You hear me? It is Everard. All day
I have been riding like the very devil
To reach you sooner. Are you startled, Dear?'
He broke into a run and followed her,
And caught her, faint with fear,
Cowering and trembling as though she some evil
Spirit were seeing. 'What means this uncivil
Greeting, Dear Heart?' He saw her senses blur.
Swaying and catching at the seat, she tried
To speak, but only gurgled in her throat.
At last, straining to hold herself, she cried
To him for pity, and her strange words smote
A coldness through him, for she begged Gervase
To leave her, 'twas too much a second time.
Gervase must go, always Gervase, her mind
Repeated like a rhyme
This name he did not know. In sad amaze
He watched her, and that hunted, fearful gaze,
So unremembering and so unkind.
Softly he spoke to her, patiently dealt
With what he feared her madness. By and by
He pierced her understanding. Then he knelt
Upon the seat, and took her hands: 'Now try
To think a minute I am come, my Dear,
Unharmed and back on furlough. Are you glad
To have your lover home again? To me,
Pickthorn has never had
A greater pleasantness. Could you not bear
To come and sit awhile beside me here?
A stone between us surely should not be.'
She smiled a little wan and ravelled smile,
Then came to him and on his shoulder laid
Her head, and they two rested there awhile,
Each taking comfort. Not a word was said.
But when he put his hand upon her breast
And felt her beating heart, and with his lips
Sought solace for her and himself. She started
As one sharp lashed with whips,
And pushed him from her, moaning, his dumb quest
Denied and shuddered from. And he, distrest,
Loosened his wife, and long they sat there, parted.
Eunice was very quiet all that day,
A little dazed, and yet she seemed content.
At candle-time, he asked if she would play
Upon her harpsichord, at once she went
And tinkled airs from Lully's `Carnival'
And `Bacchus', newly brought away from France.
Then jaunted through a lively rigadoon
To please him with a dance
By Purcell, for he said that surely all
Good Englishmen had pride in national
Accomplishment. But tiring of it soon
He whispered her that if she had forgiven
His startling her that afternoon, the clock
Marked early bed-time. Surely it was Heaven
He entered when she opened to his knock.
The hours rustled in the trailing wind
Over the chimney. Close they lay and knew
Only that they were wedded. At his touch
Anxiety she threw
Away like a shed garment, and inclined
Herself to cherish him, her happy mind
Quivering, unthinking, loving overmuch.
Eunice lay long awake in the cool night
After her husband slept. She gazed with joy
Into the shadows, painting them with bright
Pictures of all her future life's employ.
Twin gems they were, set to a single jewel,
Each shining with the other. Soft she turned
And felt his breath upon her hair, and prayed
Her happiness was earned.
Past Earls of Crowe should give their blood for fuel
To light this Frampton's hearth-fire. By no cruel
Affrightings would she ever be dismayed.
When Everard, next day, asked her in joke
What name it was that she had called him by,
She told him of Gervase, and as she spoke
She hardly realized it was a lie.
Her vision she related, but she hid
The fondness into which she had been led.
Sir Everard just laughed and pinched her ear,
And quite out of her head
The matter drifted. Then Sir Everard chid
Himself for laziness, and off he rid
To see his men and count his farming-gear.
At supper he seemed overspread with gloom,
But gave no reason why, he only asked
More questions of Gervase, and round the room
He walked with restless strides. At last he tasked
Her with a greater feeling for this man
Than she had given. Eunice quick denied
The slightest interest other than a friend
Might claim. But he replied
He thought she underrated. Then a ban
He put on talk and music. He'd a plan
To work at, draining swamps at Pickthorn End.
Next morning Eunice found her Lord still changed,
Hard and unkind, with bursts of anger. Pride
Kept him from speaking out. His probings ranged
All round his torment. Lady Eunice tried
To sooth him. So a week went by, and then
His anguish flooded over; with clenched hands
Striving to stem his words, he told her plain
Tony had seen them, 'brands
Burning in Hell,' the man had said. Again
Eunice described her vision, and how when
Awoke at last she had known dreadful pain.
He could not credit it, and misery fed
Upon his spirit, day by day it grew.
To Gervase he forbade the house, and led
The Lady Eunice such a life she flew
At his approaching footsteps. Winter came
Snowing and blustering through the Manor trees.
All the roof-edges spiked with icicles
In fluted companies.
The Lady Eunice with her tambour-frame
Kept herself sighing company. The flame
Of the birch fire glittered on the walls.
A letter was brought to her as she sat,
Unsealed, unsigned. It told her that his wound,
The writer's, had so well recovered that
To join his regiment he felt him bound.
But would she not wish him one short 'Godspeed',
He asked no more. Her greeting would suffice.
He had resolved he never should return.
Would she this sacrifice
Make for a dying man? How could she read
The rest! But forcing her eyes to the deed,
She read. Then dropped it in the fire to burn.
Gervase had set the river for their meeting
As farthest from the farms where Everard
Spent all his days. How should he know such cheating
Was quite expected, at least no dullard
Was Everard Frampton. Hours by hours he hid
Among the willows watching. Dusk had come,
And from the Manor he had long been gone.
Eunice her burdensome
Task set about. Hooded and cloaked, she slid
Over the slippery paths, and soon amid
The sallows saw a boat tied to a stone.
Gervase arose, and kissed her hand, then pointed
Into the boat. She shook her head, but he
Begged her to realize why, and with disjointed
Words told her of what peril there might be
From listeners along the river bank.
A push would take them out of earshot. Ten
Minutes was all he asked, then she should land,
He go away again,
Forever this time. Yet how could he thank
Her for so much compassion. Here she sank
Upon a thwart, and bid him quick unstrand
His boat. He cast the rope, and shoved the keel
Free of the gravel; jumped, and dropped beside
Her; took the oars, and they began to steal
Under the overhanging trees. A wide
Gash of red lantern-light cleft like a blade
Into the gloom, and struck on Eunice sitting
Rigid and stark upon the after thwart.
It blazed upon their flitting
In merciless light. A moment so it stayed,
Then was extinguished, and Sir Everard made
One leap, and landed just a fraction short.
His weight upon the gunwale tipped the boat
To straining balance. Everard lurched and seized
His wife and held her smothered to his coat.
'Everard, loose me, we shall drown -' and squeezed
Against him, she beat with her hands. He gasped
'Never, by God!' The slidden boat gave way
And the black foamy water split - and met.
Bubbled up through the spray
A wailing rose and in the branches rasped,
And creaked, and stilled. Over the treetops, clasped
In the blue evening, a clear moon was set.
They lie entangled in the twisting roots,
Embraced forever. Their cold marriage bed
Close-canopied and curtained by the shoots
Of willows and pale birches. At the head,
White lilies, like still swans, placidly float
And sway above the pebbles. Here are waves
Sun-smitten for a threaded counterpane
Gold-woven on their graves.
In perfect quietness they sleep, remote
In the green, rippled twilight. Death has smote
Them to perpetual oneness who were twain.