Ambrose Bierce: Verses about Destiny

Alas, alas, for the tourist's guide!
He turned from the beaten trail aside,
Wandered bewildered, lay down and died.

O grim is the Irony of Fate:
It switches the man of low estate
And loosens the dogs upon the great.

It lights the fireman to roast the cook;
The fisherman squirms upon the hook,
And the flirt is slain with a tender look.

The undertaker it overtakes;
It saddles the cavalier, and makes
The haughtiest butcher into steaks.

Assist me, gods, to balk the decree!
Nothing I'll do and nothing I'll be,
In order that nothing be done to me.

From end to end, thine avenue, Van Ness,
Rang with the cries of battle and distress!
Brave lungs were thundering with dreadful sound
And perspiration smoked along the ground!
Sing, heavenly muse, to ears of mortal clay,
The meaning, cause and finish of the fray.

Great Porter Ashe (invoking first the gods,
Who signed their favor with assenting nods
That snapped off half their heads-their necks grown dry
Since last the nectar cup went circling by)
Resolved to build a stable on his lot,
His neighbors fiercely swearing he should not.
Said he: 'I build that stable!' 'No, you don't,'
Said they. 'I can!' 'You can't!' 'I will!' 'You won't!'
'By heaven!' he swore; 'not only will I build,
But purchase donkeys till the place is filled!'
'Needless expense,' they sneered in tones of ice
'The owner's self, if lodged there, would suffice.'
For three long months the awful war they waged:
With women, women, men with men engaged,
While roaring babes and shrilling poodles raged!

Jove, from Olympus, where he still maintains
His ancient session (with rheumatic pains
Touched by his long exposure) marked the strife,
Interminable but by loss of life;
For malediction soon exhausts the breath
If not, old age itself is certain death.
Lo! he holds high in heaven the fatal beam;
A golden pan depends from each, extreme;
This feels of Porter's fate the downward stress,
That bears the destiny of all Van Ness.
Alas! the rusted scales, their life all gone,
Deliver judgment neither pro nor con:
The dooms hang level and the war goes on.
With a divine, contemptuous disesteem
Jove dropped the pans and kicked, himself, the beam:
Then, to decide the strife, with ready wit,
The nickel that he did not care for it
Twirled absently, remarking: 'See it spin:
Head, Porter loses; tail, the others win.'
The conscious nickel, charged with doom, spun round,
Portentously and made a ringing sound,
Then, staggering beneath its load of fate,
Sank rattling, died at last and lay in state.

Jove scanned the disk and then, as is his wont,
Raised his considering orbs, exclaiming: 'Front!'
With leisurely alacrity approached
The herald god, to whom his mind he broached:
'In San Francisco two belligerent Powers,
Such as contended round great Ilion's towers,
Fight for a stable, though in either class
There's not a horse, and but a single ass.
Achilles Ashe, with formidable jaw
Assails a Trojan band with fierce hee-haw,
Firing the night with brilliant curses. They
With dark vituperation gloom the day.
Fate, against which nor gods nor men compete,
Decrees their victory and his defeat.
With haste, good Mercury, betake thee hence
And salivate him till he has no sense!'

Sheer downward shot the messenger afar,
Trailing a splendor like a falling star!
With dimming lustre through the air he burned,
Vanished, nor till another sun returned.
The sovereign of the gods superior smiled,
Beaming benignant, fatherly and mild:
'Is Destiny's decree performed, my lad?
And has he now no sense?' 'Ah, sire, he never had.'

I
I know not if it was a dream. I viewed
A city where the restless multitude,
Between the eastern and the western deep
Had reared gigantic fabrics, strong and rude.

Colossal palaces crowned every height;
Towers from valleys climbed into the light;
O'er dwellings at their feet, great golden domes
Hung in the blue, barbarically bright.

But now, new-glimmering to-east, the day
Touched the black masses with a grace of gray,
Dim spires of temples to the nation's God
Studding high spaces of the wide survey.

Well did the roofs their solemn secret keep
Of life and death stayed by the truce of sleep,
Yet whispered of an hour when sleepers wake,
The fool to hope afresh, the wise to weep.

The gardens greened upon the builded hills
Above the tethered thunders of the mills
With sleeping wheels unstirred to service yet
By the tamed torrents and the quickened rills.

A hewn acclivity, reprieved a space,
Looked on the builder's blocks about his base
And bared his wounded breast in sign to say:
'Strike! 'tis my destiny to lodge your race.

''Twas but a breath ago the mammoth browsed
Upon my slopes, and in my caves I housed
Your shaggy fathers in their nakedness,
While on their foemen's offal they caroused.'

Ships from afar afforested the bay.
Within their huge and chambered bodies lay
The wealth of continents; and merrily sailed
The hardy argosies to far Cathay.

Beside the city of the living spread-
Strange fellowship!-the city of the dead;
And much I wondered what its humble folk,
To see how bravely they were housed, had said.

Noting how firm their habitations stood,
Broad-based and free of perishable wood-
How deep in granite and how high in brass
The names were wrought of eminent and good,

I said: 'When gold or power is their aim,
The smile of beauty or the wage of shame,
Men dwell in cities; to this place they fare
When they would conquer an abiding fame.'

From the red East the sun-a solemn rite-
Crowned with a flame the cross upon a height
Above the dead; and then with all his strength
Struck the great city all aroar with light!

II

I know not if it was a dream. I came
Unto a land where something seemed the same
That I had known as 'twere but yesterday,
But what it was I could not rightly name.

It was a strange and melancholy land,
Silent and desolate. On either hand
Lay waters of a sea that seemed as dead,
And dead above it seemed the hills to stand.

Grayed all with age, those lonely hills-ah me,
How worn and weary they appeared to be!
Between their feet long dusty fissures clove
The plain in aimless windings to the sea.

One hill there was which, parted from the rest,
Stood where the eastern water curved a-west.
Silent and passionless it stood. I thought
I saw a scar upon its giant breast.

The sun with sullen and portentous gleam
Hung like a menace on the sea's extreme;
Nor the dead waters, nor the far, bleak bars
Of cloud were conscious of his failing beam.

It was a dismal and a dreadful sight,
That desert in its cold, uncanny light;
No soul but I alone to mark the fear
And imminence of everlasting night!

All presages and prophecies of doom
Glimmered and babbled in the ghastly gloom,
And in the midst of that accursèd scene
A wolf sat howling on a broken tomb.

I stood upon a hill. The setting sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
That lay below, whose lurid gloom appeared
Freaked with a moving mist, which, reeking up
From dim tarns hateful with some horrid ban,
Took shapes forbidden and without a name.
Gigantic night-birds, rising from the reeds
With cries discordant, startled all the air,
And bodiless voices babbled in the gloom-
The ghosts of blasphemies long ages stilled,
And shrieks of women, and men's curses. All
These visible shapes, and sounds no mortal ear
Had ever heard, some spiritual sense
Interpreted, though brokenly; for I
Was haunted by a consciousness of crime,
Some giant guilt, but whose I knew not. All
These things malign, by sight and sound revealed,
Were sin-begotten; that I knew-no more
And that but dimly, as in dreadful dreams
The sleepy senses babble to the brain
Imperfect witness. As I stood a voice,
But whence it came I knew not, cried aloud
Some words to me in a forgotten tongue,
Yet straight I knew me for a ghost forlorn,
Returned from the illimited inane.
Again, but in a language that I knew,
As in reply to something which in me
Had shaped itself a thought, but found no words,
It spake from the dread mystery about:
'Immortal shadow of a mortal soul
That perished with eternity, attend.
What thou beholdest is as void as thou:
The shadow of a poet's dream-himself
As thou, his soul as thine, long dead,
But not like thine outlasted by its shade.
His dreams alone survive eternity
As pictures in the unsubstantial void.
Excepting thee and me (and we because
The poet wove us in his thought) remains
Of nature and the universe no part
Or vestige but the poet's dreams. This dread,
Unspeakable land about thy feet, with all
Its desolation and its terrors-lo!
'T is but a phantom world. So long ago
That God and all the angels since have died
That poet lived-yourself long dead-his mind
Filled with the light of a prophetic fire,
And standing by the Western sea, above
The youngest, fairest city in the world,
Named in another tongue than his for one
Ensainted, saw its populous domain
Plague-smitten with a nameless shame. For there
Red-handed murder rioted; and there
The people gathered gold, nor cared to loose
The assassin's fingers from the victim's throat,
But said, each in his vile pursuit engrossed:
'Am I my brother's keeper? Let the Law
Look to the matter.' But the Law did not.
And there, O pitiful! the babe was slain
Within its mother's breast and the same grave
Held babe and mother; and the people smiled,
Still gathering gold, and said: 'The Law, the Law,'
Then the great poet, touched upon the lips
With a live coal from Truth's high altar, raised
His arms to heaven and sang a song of doom
Sang of the time to be, when God should lean
Indignant from the Throne and lift his hand,
And that foul city be no more!-a tale,
A dream, a desolation and a curse!
No vestige of its glory should survive
In fact or memory: its people dead,
Its site forgotten, and its very name
Disputed.'

'Was the prophecy fulfilled?'
The sullen disc of the declining sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
That lay below, whose lurid gloom appeared
Freaked with a moving mist, which, reeking up
From dim tarns hateful with a horrid ban,
Took shapes forbidden and without a name.
Gigantic night-birds, rising from the reeds
With cries discordant, startled all the air,
And bodiless voices babbled in the gloom.
But not to me came any voice again;
And, covering my face with thin, dead hands,
I wept, and woke, and cried aloud to God!

DRAMATIS PERSONAE.

VILLIAM _a Sen_
NEEDLESON _a Sidniduc_
SMILER _a Scheister_
KI-YI _a Trader_
GRIMGHAST _a Spader_
SARALTHIA _a Love-lorn Nymph_
NELLIBRAC _a Sweetun_

A BODY; A GHOST; AN UNMENTIONABLE THING; SKULLS;
HOODOOS; ETC.

_Scene_-a Cemetery in San Francisco.

_Saralthia, Nellibrac, Grimghast._


SARALTHIA:

The red half-moon is dipping to the west,
And the cold fog invades the sleeping land.
Lo! how the grinning skulls in the level light
Litter the place! Methinks that every skull
Is a most lifelike portrait of my Sen,
Drawn by the hand of Death; each fleshless pate,
Cursed with a ghastly grin to eyes unrubbed
With love's magnetic ointment, seems to mine
To smile an amiable smile like his
Whose amiable smile I-I alone
Am able to distinguish from his leer!
See how the gathering coyotes flit
Through the lit spaces, or with burning eyes
Star the black shadows with a steadfast gaze!
About my feet the poddy toads at play,
Bulbously comfortable, try to hop,
And tumble clumsily with all their warts;
While pranking lizards, sliding up and down
My limbs, as they were public roads, impart
A singularly interesting chill.
The circumstance and passion of the time,
The cast and manner of the place-the spirit
Of this confederate environment,
Command the rights we come to celebrate
Obedient to the Inspired Hag-
The seventh daughter of the seventh daughter,
Who rules all destinies from Minna street,
A dollar a destiny. Here at this grave,
Which for my purposes thou, Jack of Spades-
_(To Grimghast_)
Corrupter than the thing that reeks below-
Hast opened secretly, we'll work the charm.
Now what's the hour?
_(Distant clock strikes thirteen_.)
Enough-hale forth the stiff!

_(Grimghast by means of a boat-hook stands the coffin on end
in the excavation; the lid crumbles, exposing the remains of a
man.)_

Ha! Master Mouldybones, how fare you, sir?

THE BODY:

Poorly, I thank your ladyship; I miss
Some certain fingers and an ear or two.
There's something, too, gone wrong with my inside,
And my periphery's not what it was.
How can we serve each other, you and I?

NELLIBRAC:

O what a personable man!

_(Blushes bashfully, drops her eyes and twists the corner of
her apron_.)

SARALTHIA:

Yes, dear,
A very proper and alluring male,
And quite superior to Lubin Rroyd,
Who has, however, this distinct advantage-
He is alive.

GRIMGHAST:

Missus, these yer remains
Was the boss singer back in '72,
And used to allers git invites to go
Down to Swellmont and sing at every feed.
In t'other Villiam's time, that was, afore
The gent that you've hooked onto bought the place.

THE BODY _(singing):_

Down among the sainted dead
Many years I lay;
Beetles occupied my head,
Moles explored my clay.

There we feasted day and night-
I and bug and beast;
They provided appetite
And I supplied the feast.

The raven is a dicky-bird,

SARALTHIA _(singing):_

The jackal is a daisy,

NELLIBRAC _(singing):_

The wall-mouse is a worthy third,

A SPOOK _(singing):_

But mortals all are crazy.

CHORUS OF SKULLS:

O mortals all are crazy,
Their intellects are hazy;
In the growing moon they shake their shoon
And trip it in the mazy.

But when the moon is waning,
Their senses they're regaining:
They fall to prayer and from their hair
Remove the straws remaining.

SARALTHIA:

That's right, Rogues Gallery, pray keep it up:
Your song recalls my Villiam's 'Auld Lang Syne,'
What time he came and (like an amorous bird
That struts before the female of its kind,
Warbling to cave her down the bank) piped high
His cracked falsetto out of reach. Enough-
Now let's to business. Nellibrac, sweet child,
St. Cloacina's future devotee,
The time is ripe and rotten-gut the grip!

_(Nellibrac brings forward a valise and takes from it five
articles of clothing, which, one by one, she lays upon the points
of a magic pentagram that has thoughtfully inscribed itself in
lines of light on the wet grass. The Body holds its late lamented
nose.)_

NELLIBRAC _(singing):_

Fragrant socks, by Villiam's toes
Consecrated to the nose;

Shirt that shows the well worn track
Of the knuckles of his back,

Handkerchief with mottled stains,
Into which he blew his brains;

Collar crying out for soap-
Prophet of the future rope;

An unmentionable thing
It would sicken me to sing.

UNMENTIONABLE THING _(aside):_

What! _I_ unmentionable? Just you wait!
In all the family journals of the State
You'll sometime see that I'm described at length,
With supereditorial grace and strength.

SARALTHIA _(singing):_

Throw them in the open tomb
They will cause his love to bloom
With an amatory boom!

CHORUS OF INVISIBLE HOODOOS:

Hoodoo, hoodoo, voudou-vet
Villiam struggles in the net!
By the power and intent
Of the charm his strength is spent!
By the virtue in each rag
Blessed by the Inspired Hag
He will be a willing victim
Limp as if a donkey kicked him!
By this awful incantation
We decree his animation-

By the magic of our art
Warm the cockles of his heart,
Villiam, if alive or dead,
Thou Saralthia shalt wed!

_(They cast the garments into the grave and push over the
coffin. Grimghast fills up the hole. Hoodoos gradually become
apparent in a phosphorescent light about the grave, holding one
another's back-hair and dancing in a circle.)_

HOODOO SONG AND DANCE:

O we're the larrikin hoodoos!
The chirruping, lirruping hoodoos!
We mix things up that the Fates ordain,
Bring back the past and the present detain,
Postpone the future and sometimes tether
The three and drive them abreast together-
We rollicking, frolicking hoodoos!

To us all things are the same as none
And nothing is that is under the sun.
Seven's a dozen and never is then,
Whether is what and what is when,
A man is a tree and a cuckoo a cow
For gold galore and silver enow
To magical, mystical hoodoos!

SARALTHIA:

What monstrous shadow darkens all the place,

_(Enter Smyler.)_

Flung like a doom athwart-ha!-thou?
Portentous presence, art thou not the same
That stalks with aspect horrible among
Small youths and maidens, baring snaggy teeth,
Champing their tender limbs till crimson spume,
Flung from, thy lips in cursing God and man,
Incarnadines the land?

SMYLER:

Thou dammid slut!

_(Exit Smyler.)_

NELLIBRAC:

O what a pretty man!

SARALTHIA

Now who is next?
Of tramps and casuals this graveyard seems
Prolific to a fault!

_(Enter Needleson, exhaling, prophetically, an odor of decayed
eggs and, actually, one of unlaundried linen. He darts an
intense regard at an adjacent marble angel and places his open
hand behind his ear.)_

NEEDLESON:

Hay?
_(Exit Needleson.)_

NELLIBRAC:

Sweet, sweet male!
I yearn to play at Copenhagen with him!

_(Blushes diligently and energetically.)_

CHORUS OF SKULLS:

Hoodoos, hoodoos, disappear-
Some dread deity draws near!

_(Exeunt Hoodos.)_

Smitten with a sense of doom,
The dead are cowering in the tomb,
Seas are calling, stars are falling
And appalling is the gloom!
Fragmentary flames are flung
Through the air the trees among!
Lo! each hill inclines its head-
Earth is bending 'neath his thread!

_(On the contrary, enter Villiam on a chip, navigating an
odor of mignonette. Saralthia springs forward to put him in
her pocket, but he is instantly retracted by an invisible string.
She falls headlong, breaking her heart. Reenter Villiam,
Needleson, Smyler. All gather about Saralthia, who loudly
laments her accident. The Spirit of Tar-and Feathers, rising
like a black smoke in their midst, executes a monstrous wink of
graphic and vivid significance, then contemplates them with an
obviously baptismal intention. The cross on Lone Mountain
takes fire, splendoring the Peninsula. Tableau. Curtain.)