As an April garden
Breathes the scent of rain -
Rain that calls her treasures
Back to life again -
So my spirit quickens to the opening strain.

In its sheath of darkness
Fancy's folded wing
Thrills and stirs and quivers
To another spring,
When the bow is drawn across the trembling string.

In their grave of silence,
In their husk and core,
Dreams that winter buried
Feel the sap once more
Running warm and vital, as it ran before.

Into secret chambers
Where old passions sleep,
Through the long-closed shutters,
Lights of morning creep:
Through the opening doorway airs of morning sweep.

Hope resurgent, and Youth,
With their dancing train,
Mingled grief and glory,
Blended bliss and pain,
Ecstasies and agonies, come forth and live again.

Wizard hand that summoned
Each forgotten ghost,
Plays like wind or water
With the spell-bound host,
Sailing seas supernal, for no earthly coast.

Yet no magic music
That an ear can mark
Draws them winging upward
Through the mist and dark,
As the sky at sunrise draws the mounting lark.

Through the poet-spirit,
Touched with heavenly fire,
Heavenly voices whisper
In the wood and wire.
God is the musician, and my soul the lyre.

The Coo Of The Cushat

Over the smooth lawns, broider'd with violets,
Over the hedges of snow-white thorn,
Over the billowy, pink apple-blossoms,
The musical coo of the cushat is borne.

In the still depths of the dim old plantations,
Where the sweet whispering night-wind stirs
The delicate scent from the dew-sprinkled flowers,
It sings by its nest in the tall green firs.

So peaceful, so pure, so divinely contented,
The world out of sight and its true love nigh
Their little grey wings softly folded together,—
What dreams I have set to that melody!

I listen at dawn, and I listen at even;
I hear the notes bubbling all day long
Through the woodpecker's laugh and the chirp of the titmouse,—
Little dove, yours is the sweetest song!

'Tis not a sad song, though it sets me a-crying—
But gladness too deep to be spoken aloud;
Nor forlorn, though 'tis sung in the loneliest places—
But only too sacred to sing to a crowd.

I envy you, though you're so small and so humble;
I wish I were like you, you shy little dove—
So far from the world and so free from its passion,
Yet sure of your white eggs and sure of your love.

I wish I were pure from low earthly ambitions,
As quiet and calm and contented as you;
I wish my heart held such a well-spring of music,
That I were as gentle and trustful and true.

Little dove, you were worthy to carry the olive
Over the waters to Noah's host,
To die for the mother of Christ in the Temple,
To be chosen for shrine of the Holy Ghost.
And now you have only to live and be happy,
To rear up your young ones and teach them to coo;
O sing on, and teach me the heavenly lessons,
To be faithful and worthy of God's work too.

Teach me so humbly to take what He gives me,
The manifold duties, the great and the small;
Teach me so simply to do what He bids me,
Loving and trustful, and thankful for all.

And must I wear a silken life,
Hemmed in by city walls?
And must I give my garden up
For theatres and balls?

Nay, though the cage be made of gold,
'Tis better to be free;
The green of the green meadows, love,
Is quite enough for me.

I'd rather ramble through the lanes
Than drive about in town;
I'd rather muse or dream than dance,
When the stars are shining down.

I do not care for diamonds, dear,
But I care a deal for flowers;
And thousands are just creeping out
For the sunshine and the showers.

I like to hear the Household band,
But I love the bird-songs best;
And hark! how they are twittering now
Round each half-hidden nest!

The wind is whispering in the leaves,
And the downy bees begin
To hum in the blossoming sycamores,
And the brook is chiming in.

There is such melody in the woods,
Such music in the air!
The streets are full of life and sound,
And yet 'tis silent there.

I like to see the pictures—ay,
But I am hard to please!
I never saw a picture yet
As great and grand as these;
Such tones of colour as transform
The tender green and brown,
When the pink dawn is flushing up,
Or the red sun sinking down;

Such painting as the chestnut bud
Shows in its opening heart;
Such lights as shine 'twixt earth and sky
When rain-clouds break apart;

Such soft, warm, subtle tints, as lie
In every mossy patch—
On the blue-brown trunks, now filled with life,
And the humble roof of thatch,—

In the purple hollows of the hills,
In the lichen on the wall,
In the orchard and the feathery woods,
And the sun-lit waterfall.

I like my humble country ways,
My simple, early meals;
I like to potter about the yard,
With my chickens at my heels.

I'd rather climb this brambly steep,
Where freshest sea-winds blow,
With my old straw hat hanging down my back.
Than canter along the Row.

To me (it's vulgar, dear, I know)
No fête half so gay
As a cricket-match on the village green,
Or a picnic in the hay.

Ah, yes! I'm happier as I am,—
I'm ignorant, you see;
And the life of fashion that you love
Would never do for me.

Practising The Anthem

A summer wind blows through the open porch,
And, 'neath the rustling eaves,
A summer light of moonrise, calm and pale,
Shines through a vale of leaves.

The soft gusts bring a scent of summer flowers,
Fresh with the falling dew,
And round the doorway, glimmering white as snow,
The tender petals strew.

Clear through the silence, from a reedy pool
The curlew's whistle thrills;
A lonely mopoke sorrowfully cries
From the far-folding hills.

O lovely night, and yet so sad and strange!
My fingers touch the key;
And down the empty church my Christmas song
Goes ringing, glad and free.

Each sweet note knocks at dreaming memory's door,
And memory wakes in pain;
The spectral faces she had turn'd away
Come crowding in again.

The air seems full of music all around—
I know not what I hear,
The multitudinous echoes of the past,
Or these few voices near.

Ah me! the dim aisle vaguely widens out,
I see me stand therein;
A glory of grey sculpture takes the light
A winter morn brings in.

No more I smell the fragrant jessamine flowers
That flake a moonlit floor;
The rustling night-breeze and the open porch
I hear and see no more.
Great solemn windows, down a long, long nave
Their shadow'd rainbows fling;
Dark Purbeck shafts, with hoary capitals,
In carven archways spring.

And overhead the throbbing organ waves
Roll in one mighty sea,

Bearing the song the herald angels sang
Of Christ's nativity.

Dear hands touch mine beneath the open book,
Sweet eyes look in my face,—
They smile, they melt in darkness; I am snatch'd
From my familiar place.

The summer night-wind blows upon my tears;
Its flowery scent is pain.
O cold, white day! O noble minster—when
May I come back again!

To hear the angels' anthem shake the air,
Where never discord jars,—
The Christmas carols in the windy street,
Under the frosty stars;

The dream-like falling from the still, grey skies,
With falling flakes of snow,
Of mellow chimes from old cathedral bells,
Solemn and sweet and slow.

To hear loved footsteps beating time with mine
Along the churchyard path,—
To see that ring of faces once again
Drawn round the blazing hearth.

When may I come? O Lord, when may I go?
Nay, I must wait Thy will.
Give patience, Lord, and in Thine own best way
My hopes and prayers fulfil.

Is the morning dim and cloudy? Does the wind drift up the leaves?
Is there mist upon the mountains, where the sun shone yesterday?
Are the little song-birds silent? Is the sky all blurred and grey?
Does the rain fall, patter, patter, from the eaves?

Does your glass go down? And does your heart sink in the dreary lull?
Are the strings relax'd and limp, and do the soft notes whine and cry?
Has the damp got in and jarred the chords and spoil'd the melody?
Are you out of tune, belovèd? are you dull?

Has the chill wind found an entrance? Does it sigh and rustle there?
Is it drifting, not the dead leaves, but your dead hopes, all about?
Is it waking up your sorrow while your light is blotted out?
Does your heart seem sad and cold and full of care?

Are you listless and discouraged, dear? and does your life look grey?
Does there seem no use in trying? Does your work fall from your hand?
Would you give up the great riddle that's so hard to understand?
Oh, then, go you to your chamber straight, and pray.

Go and pray, and God will give you peace and comfort for your pain—
All the misty, dull confusion He will tenderly reform—
And the fire of His own Spirit, that shall make you dry and warm;
And your harp-strings shall be strung and tuned again.

Ay, the Lord will put the melody in your heart and soul anew;
So that, howsoe'er unskilled and rude the hands that touch the wires,
There shall come forth beautiful chords of faith and hope and high desires,
Only music that is deep and sweet and true.

Go and work,—the clouds will show the silver lining that's behind.
Go to squalid lanes and alleys, where grim want and sickness lurk;
Feed the hungry, soothe the suffering, tell the poor of Christ,—oh, work,
And you'll no more hear the rustling of the wind.

Then you'll no more hear the restless, hopeless sobbing over sin,
No more hear the earthly troubles crying, crying from the ground;
For the wings of guardian angels, they shall compass you around,
That the wind shall have no place to enter in.
Then, as wither'd leaves lie browning on the quiet grassy slopes,
As they sink in peaceful earth, and moulder with it as they die,
To help nurture precious seeds for coming summers— so shall lie,
Calm and still, your sorrowful memories and dead hopes.

O belovèd, work and wait! The sun will shine another day,
On a heart refresh'd, and strong, and green, and cool. The rain and gloom
Are to make the sap run quicker, give the flowers a deeper bloom—
We have need for both the golden and the grey.

One winter eve, at twilight, when the sound
Of sorrowful winds scarce troubled Nature's rest,
As she lay sleeping, with her hair unbound,
Holding her grey robe to her shivering breast,

I enter'd through a low-arch'd oaken door,
Circled with curious sculpture; and I crept
With slow, hush'd footsteps, o'er the shadow'd floor,
Where organ notes in sudden silence slept;

Far down the aisle, where darkness seem'd to brood
With such wide-spreading wings, and where the sigh
Of murmur'd prayer scarce came,—until I stood
In the deep stillness of the Baptistry.

There, in the dim side-chapel, no bright glow
From jewelled windows on the wall was shed;
No sunbeams rested on the font below,
Or kiss'd those mighty arches overhead.

Soft lines and curves went upward, and were lost
In solemn shadow and in dreamy space;
Only the level floor was faintly crost
With glimmering brightness from the holy place.

And, as I listen'd, I heard music sweet
Trembling and swelling through the soundless air,
Threading dark aisles, as if an angel's feet
Were bidden bring God's message to me there.

Ah! and the echo of those anthem notes
Wanders and whispers in my heart for aye:
In all my life the mystic language floats,
Fitful and faint, as in my ears that day.

One whom we knew had enter'd into rest—
Calm on the pillow lay his hoary head;
And through that music spoke, in accents blest,
Our holy Mother's voice, hallowing the dead,
Telling of perfect peace, of labours done,
Of long years' sorrow turned to joy at last—
The quiet sleep, when battles all are won—
The hush of evening when the day is past.

I look'd upon the font, and mused of all
Its wondrous meaning, till my thoughts grew dim
And vast and shadowy as those columns tall;—
Morning of life for me—death's night for him!

How fancy tried to span that awful space
Between the two—between the here and there!
To bridge the nave—up to that blessed Place
Where light and song stream'd on the chancel-stair!

Dim recollections drifted through my brain—
Echoing footfalls of past childish years,
When the baptismal robe had less of stain,
E'en though unwash'd by penitential tears.

I saw the gloomy shadows o'er my head,
And sigh'd to think how I had suffer'd loss;
I saw the soft light, and was comforted,—
I knew it shone straight from the chancel-cross.

A few more steps, and then I stood below
The towering minster coronet again;
Down on my face that pure and gentle glow
Fell, like a pitying kiss in time of pain.

Down to my feet it stream'd; a passage dim,
With hosts of phantom-shapes on either side,
It drifted through;—as songs of seraphim
Drift through our mourning hearts at Easter-tide.

Looking up then, I seem'd to see my life,—
A long, dim vista, where the rays descend—
Where light and darkness wage continual strife;
But only light—the full light—at the end.

The Midnight Mass

An incident of the French Revolution.
The light lay trembling in a silver bar
Along the western borders of the sky;
From out the shadowy dome a little star
Stole forth to keep its patient watch on high;
And night came down, with solemn, soft embrace,
On storied Brittany.

Another night lay over all the land—
The dark of hell, and lurid with its fire.
She heard the roar of fiends; she saw the brand
Flung red and hissing over roof and spire;
She saw her golden spurs and reaping-hooks
Tossed on the funeral pyre.
She stood in calm defiance, while the flood
Swept over her;—while everywhere was seen
Her dim, majestic cities drenched in blood;
Ashes and smoke where temple-walls had been;
And high on woodland knoll and market-place,
The ghastly guillotine.

'Twas hard to tear her peasant-souls apart
From priest and liege, and clinging faith of old;
'Twas hard to bend the strong and simple heart
By fear of torture or by love of gold:
For naught those gory hands could offer them
Might consciences be sold.

“No tower or belfry shall be left to stand,”
Saint André swore, and waved his cap of red;
“You shall have naught in all this cursèd land
For sign of your superstition,—it is dead!”
A peasant heard, and raised his eyes to heaven;—
“You'll leave the stars,” he said.

True were the priests and people, each to each,
And all alike to their unlettered creed;
No violent force of sophistry could reach
Their rough-hewn faith in bitter time of need.
They died with deaf ears and dumb mouths; and theirs
Was martyrdom indeed!

Night—midnight—lay beneath her silver lamps;
Her deep sleep broken by the fitful glare

Of bivouac fires in noisy village camps,
And hoarse shouts mellowed through the listening air;
Save only where the sea-waves washed the coast—
'Twas still and quiet there:

The heave and swell, and sudden, plunging dash
Against the low rocks lying in their reach;
The hissing shingle, and the sweet, free plash
Of long-drawn breakers on the open beach;
And now and then, in momentary pause,
The curlew's mournful screech:

The soft, low gurgle in the hollowed track
Through reef and boulder; and the rippling fall
Of idle wandering waters, swirling back
From secret tryst in Naiads' rocky hall;—
Only these sounds—save that deep monotone
Which held and hushed them all.

Only these sounds? Was nothing to be heard
But voice of breaker as it rose and fell,
The kelpie's song, the wailing of a bird?
Ay, far and faint amid the restless swell,
One other voice stole whispering through the air—
The chime of a silver bell.

It came from dim mid-ocean, wild and free,
To listening ears, in silence of the night;
And watchful eyes saw, out upon the sea
And 'neath the stars, a little twinkling light—
Now lost behind a waving mountain-top,
Now shining clear and bright.

Softly the fishers' boats began to glide
From shadowy rock and sheltered cave and creek;
Bronzed men and gentle maidens, side by side,
Dipped muffled oars; no woman-hand was weak.
All eyes turned, wistful, to the beacon-lamp;
But no one dared to speak.

The scattered specks, with each its little crowd,
Drew near, converging on the distant bark;
The sweet bell rang out louder and more loud,
The light shone bright and brighter in the dark;
And soon a hundred lips burst forth in praise—
For all had reach'd the ark.

There was the priest, with whom they came to sup,
White-hair'd and holy, by his humble board;
There, amid light and darkness lifted up,

The blessed rood, by simple eyes adored.
Each head was bowed, each pious knee was bent
In presence of the Lord.

Ah! 'twas a grand cathedral where they knelt!
Grand was the organ-music—vast the crypt
Wherein its wild, mysterious echoes dwelt;
And fresh and pure the incense, as it slipp'd
Down shining floor and down wide altar-steps,
With frosted silver tipp'd.

Grand was the darken'd aisles and solemn nave—
The domèd roof, magnificently high—
The airy walls and mighty architrave—
The sweet star-tapers that could never die!
And grander still its purity of peace,
Its untouched sanctity.

The worn and weary ones came there, to search
For rest and hope in holy Eucharist;
There—in the splendour of that solemn church—
They, priest and people, communed with the Christ;
Thus—with all other temples overthrown—
They kept his sacred tryst.

With calm, grave eyes and even-pulsing breath,
They dipp'd their still oars in the darken'd space.
Strong now the hands fast rowing back to death!—
And strong the simple hearts, new clothed in grace—
The hush'd and quiet souls—ere long to meet
Their Saviour face to face.

On Australian Hills

Earth, outward tuning on her path in space
This pensive southern face,
Swathing its smile and shine
In that soft veil that day and darkness twine,
The silver-threaded twilight thin and fine,
With April dews impearled,
Looms like another and diviner world.


Here April brings her garnered harvest-sheaf,
Her withered autumn leaf,
Tintings of bronze and brass;
Her full-plumed reeds, her mushroom in the grass,
Her furrowed fields, where plough and sower pass,
Her laden apple bough.
All are transfigured and transmuted now.


The eastward ranges, so unearthly blue,
Bloom with their richest hue;
Slowly each rose-flushed crest
Deepens to violet where the shadows rest,
Darkens and darkens to the paling west;
The waning sun-fires die;
The first star swims in the pellucid sky.


Soundless to listening ear, on grass and flowers,
The footfall of the hours;
Formless and void to sight
The evolutions of invading night,
The creeping onslaught and the gradual flight,
Until the field is won,
And we look forth to see that day is done.


Then, from their grave of darkness, wood and lawn
Wake to a second dawn.
From unseen wells below
The pearly moon-tides rise and overflow,
Till vale and peak and wide air-spaces glow
In the transfiguring stream,
And earth and life are but a heavenly dream.


And now we hear the fairy-echoes fall
Where distant curlews call,
And how the silence thrills
With the night-voices of the glens and hills,
Rustling in reeds and tinkling in the rills,
Bubbling in creek and pool
Where frogs are wooing in the shallows cool.


And more than these, in this delicious time,
The melody sublime
That inward spirit hears--
The faint and far-off music of the spheres,
Immortal harmonies, too fine for ears
Dulled in the dusty ways,
Deaf with the din of the laborious days.


Whereto, responsive as the vibrant wire
Of some aeolian lyre
Fanned by celestial wings,
The summoned soul in mystic concord brings
The deep notes latent in its trembling strings,
Joining the choir divine
Of all the worlds that in the ether shine.


O sacred hour! O sweet night, calm and fair!
Thou dost rebuke despair;
Thou dost assuage the pain
Of passionate spirit and distempered brain,
And with thy balms, distilled like gentle rain,
Dost heal the fret and smart
And nerve the courage of this coward's heart.


And lift me up, a Moses on the Mount
To the pure source and fount
Of law transcending law,
Of life that hallows life. I know no more
Of life's great Giver than I knew before,
But these His creatures tell
That He is living, and that all is well.



Oh, to be there to-night!
To see that rose of sunset flame and fade
On ghostly mountain height,
The soft dusk gathering each leaf and blade
From the departing light,
Each tree-fern feather of the wildwood glade.


From arid streets to pass
Down those green aisles where golden wattles bloom,
Over the fragrant grass,
And smell the eucalyptus in a gloom
That is as clear as glass,
The dew-fresh scents of bracken and of broom . . .



These city clamours mute,
To hear the woodland necromancers play
Each his enchanted lute;
That dear bird-laugh, so exquisitely gay,
The magpie's silver flute
In vesper carol to the dying day.


To hear the live wind blow,
The delicate stir and whisper of the trees
As light breaths come and go,
The brooklet murmuring to the vagrant breeze,
The bull-frog twanging low
His deep-toned mandolin to chime with these.


And then the whispering rills,
The hushed lone wheel, or hoof, or axeman's tool;
The brooding dark that stills
The sweet Pan-piping of the grove and pool;
The dimly glimmering hills;
The sleeping night, so heavenly clean and cool.


Oh, for that mother-breast
That takes the broken spirit for repair,
The worn-out brain for rest--
That healing silence, that untainted air,
That Peace of God . . . . . . Blest, blest
The very memory that I once was there.


The thought that someday yet,
In flesh, not dreams, I may return again,
And at those altars, set


In the pure skies, above the smoky plain,
Remember and forget
The joy of living and its price of pain . . . . . .


That sullied earth reserves
Such spacious refuge virgin and apart,
That wasting life preserves
Such sweet retreat for the distracted heart,
Such fount of strength for nerves
Torn in the ruthless struggle of the mart . . . . . .


That Government divine
O'er all this reek of blunders and of woes
Keeps an unravaged shrine
Not here, not there, but in the souls of those
Who neither weep nor whine,
But trust the guidance of the One Who Knows.

A Story At Dusk

An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-cock, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To balls and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his passion by himself.

A Dream Of Venice

NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the bloody steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's legend blotted out,
For “rights of men”—unutterable wrongs!—
Dandolo's brazen horses borne away—
The venerable Bucentaur, with its wealth
Of glorious recollections, broken up.
I heard the riotous clamour; then the change
To passionate minor cadence—then the sad
And hopeless silence settle down; and then—
I woke. The flickering water-gleam was gone
From off the ceiling, and white snows of light
Fell softly on the marble walls and floors,
And on the yellow head of little Kate
Musingly bent down from the balcony.
The lapping of the tide—the dip of oars—
The sad, sweet songs, and sadder city bells,
Mellowly borne along the water-streets:—
The swirl and ripple around lumbering keels
Of heavy, slow, Rialto market-boats,
Adown the broad and misty highway, lit
With moonbeams and the far-strown light of lamps,
Following the track of vanished gondolas:—
The flutter of a fig-leaf in the wind,
A faded fig-leaf, flapping faded walls,
With faded, crumbling, delicate sculpture-crusts:—
The voice of dreaming Katie crooning out

A snatch of melody that the Austrian band
Played in San Marco's Place some hours agone,
While patriots, neath their shadowy colonnades,
Sauntered, and shut their ears, and ate their hearts:—
A measured footstep, pacing to and fro—
The brush of two strong hands upon my brows—
The tenor-music of dear English lips,
Whispering, between two kisses, cheerily,
“Wake up, my wife; Nina has brought our tea:”—
These were the sounds that called me back to life.

Rialto (Rivo alto)